Lee Miller @ Tate Britain

This is a quite amazing exhibition, a complete eye-opener not only regarding Lee Miller’s extraordinary range and ability as a photographer and her staggering achievement in so many different fields – but at the same time a portrait of an astonishingly blessed and yet, in parts, harrowing life.

This is the largest retrospective of Miller’s work ever staged and easily fills 11 decent-sized rooms. It features 230 vintage and modern prints, many (especially her wonderful Second World War shots) on show for the first time. You might think that’s a lot of items to take in but if anything it’s not enough. I could easily have lapped up more.

The show also includes a wide range of supporting material, including original copies of the many magazines her work appeared in, numerous copies of Vogue as well as wartime publications.

Quick overview

A quick overview would refer to Miller’s success as:

  • a fashion model
  • a muse and icon for avant-garde photographers
  • an actor in an avant-garde film
  • a core member of French surrealism
  • a collaborator with the great Man Ray
  • a travel photographer in the Middle East
  • a fashion photographer for Vogue in the 1930s and through the first years of the Second World War
  • a war photographer, at first in Britain among air crews and suchlike, before being early on the scene at the D-Day landings and at the liberation of Buchenwald and Dachau concentration camps
  • in post-war life hosting her artist friends at the country house in Sussex she shared with husband Roland Penrose
  • a late-blooming interest in cordon bleu cookery

In room after room, in one area after another, the visitor comes across amazing photos in a wide range of genres. It’s a staggering achievement and this is a thrilling, mind-boggling exhibition.

The exhibition

As I mentioned the exhibition is in 11 rooms. I’ll give a quick summary of each, with an indication of favourite photos.

Room 1. Fashion model

Miller was born in 1907 in Poughkeepsie, New York State. Her father was a keen amateur photographer and she posed frequently for him from early childhood. She began modelling professionally in New York City in 1926 (aged 18) while studying painting at the Art Students League. In March 1927, aged just 19, she appeared on the covers of British and American Vogue, drawn in pearls and furs against a glittering city skyline. She was photographed by celebrated figures like Cecil Beaton and Edward Steichen and room 1 is full of wonderfully atmospheric 1920s photo shoots.

Installation photo of Lee Miller at Tate Britain showing Miller in 1920s cloche hat and furs © Lee Miller Archives, England 2025. All rights reserved. Photo © Tate (Sonal Bakrania)

The photos bring out her height, her strikingly long neck, the rather big nose which gives her a slightly tomboy, androgynous look, which perfectly suited the 1920s era of slender flappers.

The experience of being a model inspired her to become a photographer herself, declaring she would ‘rather take a picture than be one.’ Not only that, but she wanted to be at the cutting edge of photography, which was Europe. So in 1929 she moved to Paris.

Room 2. Association with Man Ray

With extraordinary courage, ambition and chutzpah, Miller tracked down Paris’s leading avant-garde photographer, (the American) Man Ray and announced that she was to be his new student. ‘I told him boldly I was his new student. He said he didn’t take students and anyway he was leaving Paris for his holiday. I said, I know, I’m going with you – and I did.’

Impressed by her looks, confidence and evident ability, Man Ray took her not as a student but as an active collaborator, both a model for many of his most famous photos and a photographer in her own right, and then lover.

The famous photo of a woman’s bottom as she kneels forward, revealing her feet, that’s Miller, along with scores of other striking and iconic images.

This room explains how they jointly stumbled across the process of solarisation, the process where a negative or print is partially re-exposed to light during development, leading to a tone reversal effect where bright areas become dark and vice versa. You can see an example on the left in this photo.

Installation photo of Lee Miller at Tate Britain © Lee Miller Archives, England 2025. All rights reserved. Photo © Tate (Sonal Bakrania)

The Blood of a Poet

Very quickly Miller was established at the centre of Paris’s surrealism circle. In her role as model, she was invited by Jean Cocteau to star in his ground-breaking surrealist film, Le Sang d’un poète, 1930. In it she appears as a classical statue which comes to life. In a darkened room off to one side, you can watch a 3-minute excerpt.

Room 3. The surreal streets of Paris

By the early 1930s, Miller was fully embedded in Paris’s avant-garde circles, in particular befriending artists associated with surrealism, the movement that rebelled against convention and advocated an aesthetic of chance, randomness and the uncanny.

Having established her own studio, Miller took to photographing the City of Light and created a dazzling series of images. Using the avant-garde strategies of photographing everything from above, from an angle, incorporating disorientating reflections – she rendered everyday sights in the city mysterious and surreal.

My favourites were a pair of bird cages set against the ornate metalwork of a shop window. Or the really surreal one of a woman reaching her hand up and behind her to touch her hairdo in a hairdressers’ but which makes the hand look like an alien creature. Tate press give us this one to use, of a sheet of semi-congealed tar oozing across the pavement towards a pair of anonymous feet. All of them weird and wonderful and inspiring.

Untitled, Paris 1930 by Lee Miller. Lee Miller Archives © Lee Miller Archives, England 2025. All rights reserved. leemiller.co.uk

Returning to New York in 1932, she set up Lee Miller Studios Inc. and opened her first solo exhibition. In both the United States and Europe, Miller exhibited regularly alongside fellow pioneers of modern photography and her work was published in numerous artistic journals and magazines.

Room 4. Egypt and other destinations

By 1934 Miller had spent two years running a commercial studio in Depression-era New York and felt burnt out by the repetitive demands of high-profile clients and brands. In that year she met the Egyptian businessman and engineer Aziz Eloui Bey, who had come to New York City to buy equipment for the Egyptian National Railways, and they were married.

At first Miller renounced photography entirely. thanks to her rich husband she no longer needed to earn a living. But a trip to Jerusalem in 1935 reignited her creative spark, and she returned to the camera as a tool of experiment and exploration. Over the next four years, Miller made regular expeditions across remote Egyptian deserts, as well as through Syria, Palestine, Lebanon, Cyprus, Romania and Greece.

This room contains lots of stunning images from these trips, images of the desert, tracks in the sand, decrepit cars, a pile of sandals made from car tyres, the strange and disorientating architecture of the desert world.

Portrait of Space, Al Bulwayeb near Siwa 1937 by Lee Miller. Lee Miller Archives © Lee Miller Archives, England 2025. All rights reserved. leemiller.co.uk.

In Cairo Miller took a photograph of the desert near Siwa that Magritte saw and used as inspiration for his 1938 painting Le Baiser. Miller also contributed an object to the Surrealist Objects and Poems exhibition at the London Gallery in 1934. There’s a great one of bleached snail shells on an old tree.

The room also includes striking black-and-white images of peasants in Greece, Albania and the other ‘exotic’ countries she visited during this period. All of them are good, some are outstanding. I particularly liked the one with the three Albanian peasants and their two bears.

By 1937, Miller had grown bored with her life in Cairo. She returned to Paris and went to a party the day she arrived, where she reconciled with Man Ray, and met the British surrealist painter and curator Roland Penrose who she would marry in May 1947.

Room 5. Arty friends

Charismatic, creative and intelligent, Miller befriended many of the leading artists and intellectuals of her day and throughout her carer created striking, candid, intimate portraits of them.

‘It takes time to do a good portrait … [and] find out what idea of himself or herself he has in mind.’

There’s a set of entertaining ones of Charlie Chaplin, who claimed the shoot was one of the most entertaining days of his life, and best of which appeared in a popular French cinema magazine as well as in modernist photography exhibitions on both sides of the Atlantic.

With Picasso Miller had a long and fruitful relationship, taking over 1,000 photos of him during their lives.

Having returned to Paris in 1937, she took intimate portraits of the surrealists in the troubled period of the late-30s, many of them jolly snaps of larky group holidays. These include Eileen Agar, Max Ernst, Paul Eluard, Leonora Carrington and many more.

Room 6. Vogue and war

Miller moved back from Paris to London to join her lover, Roland Penrose, in September 1939, just as World War Two kicked off.

As a US citizen, Miller was ineligible for war work in the UK and so she offered her services to British Vogue. Before long, with more established figures tied up, she was the magazine’s leading photographer, and this room contains some of her wonderful, inspired photoshoots in wartime London, including shots of the editorial staff busking it after the offices were Blitzed.

Room 7. Photographing the Blitz and women’s war

From 7 September 1940 to 11 May 1941 London was blanket bombed by the Germans. Some 30,000 people were killed during the Blitz but Miller wasn’t the only one to notice the bizarre and surreal imagery produced by intensive bombing of urban landscapes. Placing pristine, beautifully dressed models in tailored outfits against the rubble created jarring but striking images. The Blitz was a whole new look.

Model Elizabeth Cowell wearing Digby Morton suit, London 1941 by Lee Miller. Lee Miller Archives © Lee Miller Archives, England 2025. All rights reserved. leemiller.co.uk

All aspects of wartime life inspired Miller, from a documentary news-style photo like:

To consciously surreal compositions like:

Fire Masks by Lee Miller (1941) Lee Miller Archives © Lee Miller Archives, England 2025. All rights reserved. leemiller.co.uk

And a great one of a melted typewriter, titled Remington Silent to jokily echo the Remington typewriter company’s advertising claim that their typewriters were very quiet. Well, this one’s never going to bother anyone again.

Her sense of humour was never far away.

David E. Scherman dressed for war, London 1942 by Lee Miller. Lee Miller Archives © Lee Miller Archives, England 2025. All rights reserved. leemiller.co.uk

Many of Miller’s Blitz photographs were published as a book, Grim Glory: Pictures of Britain Under Fire (1941). Although intended primarily for a US audience, it proved highly popular on both sides of the Atlantic, and there are several copies open to various pages here in a display case.

At least ten of her photographs were also included in ‘Britain at War’, an influential exhibition at the Museum of Modern Art in New York. Touring North and South America over the next three years, these works shaped international perceptions of the Blitz.

Women’s war

Several walls here hold photos describing women’s lives in war. British women, conscripted for the first time from 1941, poured into the workplace. Miller took inspiration photos of women working as mechanics, journalists and searchlight operators, a striking photo of a woman fighter pilot in her cockpit, her photos were a vital contributions to the war effort.

Room 8. In warzones

Once the USA had joined the war (Japan. Germany and Italy declared war on the United States on December 11, 1941) Miller was able to apply to become an accredited war correspondent with the US Army. This she did in late 1942. She continued to take photos of war work in Britain. it was only after the Normandy landings of June 1944, that she – like most correspondents – was able to follow the army into combat.

This room contains vivid photos of the Normandy beaches still littered with wreckage, and then a series depicting the claustrophobic lamplit environment of army field hospitals, and then photos of sometimes grossly injured soldiers in their makeshift beds.

Most of these stories were produced for Vogue with whom she’d kept all her contacts. She produced a regular supply of not only photos but reporting to accompany them. Up till now she hadn’t written much but she proved a natural journalist, producing vivid first-hand descriptions of what she saw as she followed the US Army in its fiercely contested progress across Europe.

Installation photo of Lee Miller at Tate Britain showing the case containing Miller’s war correspondent uniform and, at the left hip, her lightweight Rolleiflex camera (photo by the author)

She turned out to have the journalist’s fundamental skill, being in the right place at the right time. In France, Belgium, Luxembourg, Germany, Denmark, Austria, Hungary and Romania she produced a range of images: some, as mentioned, of field hospitals, others artillery exploding on nearby buildings. In many of them she drew on the surrealist aesthetic to bring out the absurdity as well as the stupid cruelty of war.

Room 9. The Holocaust

The war thread reaches a peak of horror in room 9. This displays the photos Miller took after entering Buchenwald concentration CAMP on 16 April 1945, soon after it had been liberated. Two weeks later, on 30 April, she visited Dachau, a concentration camp near Munich. Thirty-five years later I went to Dachau.

Most of these photos have never been seen before. They show piles of bones or prisoners so starved they were little more than skin and bones.

The trains pulling cattle wagons which used to be packed full of victims, now bestilled in the summer heat with just a few corpses lying around on the gravel. There’s a sequence showing Nazi camp guards who have been soundly thrashed. And one which really stuck in my mind, a discomfortingly idyllic one of a dead German camp guard floating in a ditch or canal – a kind of mid-twentieth century version of Millais’s Ophelia, which hangs not far away in Tate Britain.

Miller’s Rolleiflex camera had no zoom lens and so, in order to get the shots, she had to get very close to the subjects, to all those piles of corpses, to the starved inmates dying of disease in the barracks. Up close with the worst evil in history.

This is a devastating subject, Miller captured images with her usual skill and eye for detail, but the experience marked her for life.

Months later, she was among the first to reach Hitler’s weekend retreat at Berchtesgarten just as American GIs began to loot it. In images overflowing with historical irony, she and her war photographer comrade David E. Scherman photographed each other taking baths in Hitler’s own personal bath The sight of the enemy cavorting in the most private inner sanctum of the great Leader rammed home the message of total defeat. It also represented the par washing off the filth and grime of months living through the apocalypse which the deranged leader started. And, for Scherman who was Jewish, a particularly sweet and apposite revenge on the Antisemite-In-Chief.

Unbeknown to Miller and Scherman as they set up these shots, just a few hours later Hitler and Eva Braun would commit suicide in their bunker in Berlin and the war in Europe would soon be over.

Room 10. War’s aftermath

But the suffering wasn’t over, not for tens of millions of people, not by a long chalk. The war left unthinkable devastation all across Europe.

Miller continued photographing and reporting into 1946 and recorded how the euphoria of liberation gave way to disillusionment. Her images and writing show people facing mass displacement, starvation and disease. Much of this is covered in Keith Lowe’s harrowing history of the war’s aftermath:

She travelled in eastern Europe, capturing the poverty of really dirt-poor peasants. There’s an extraordinary photo of the public execution of László Bárdossy, the fascist ex-Prime Minister of Hungary, on 10 January 1946.

Throughout she maintained her eye for the surreal detail, the sur- in the real.

She went out of her way to photograph children, believing they represented the future everyone now had to build towards, but this quote shows her acrid realism:

‘I’m taking a lot of kid pictures, because they are the only ones for whom there is any hope … And also we might as well have a look at who we’re going to fight twenty years from now.’

Room 11. At home in Sussex

Happily married Finally it was over, Miller quit being a correspondent and returned to England. After she discovered she was pregnant by her long-time lover, the artist Roland Penrose, she divorced her Egyptian husband Bey and, on 3 May 1947, married Penrose. Their only son, Antony Penrose, was born on 9 September 1947.

Happy home In 1949 the couple bought Farley Farm House in Chiddingly, East Sussex. During the 1950s and 1960s Farley Farm became a popular resort for visiting artists such as Picasso, Man Ray, Oskar Kokoschka, Henry Moore, Eileen Agar, Jean Dubuffet, Dorothea Tanning, Max Ernst, Yves Tanguy, Humphrey Jennings and many more…

Cookery In the 1950s Miller drifted away from photography and became increasingly interested in cordon bleu cookery, developing her own eccentric and humorous recipes. But her mental health was problematic. What she’d seen so close-up during the war cast a shadow over the rest of her life.

In this final room are many of the photos she took of the artistic giants of the twentieth century who were also her friends, as well as a charming display case showing magazine features about her staid, domestic home life.

Installation photo of Lee Miller at Tate Britain showing a photospread in a 1973 edition of Home and Gardens featuring the interior of her Sussex home complete with some of her cooking (photo by the author)

Sometimes Miller claimed that her photographic archive had been destroyed. The true extent of her work was only discovered after her death in 1977. The roughly 60,000 negatives, prints, journals and ephemera uncovered in the family attic now form the basis of the Lee Miller Archives and this exhibition represents a dazzling opportunity to delve into those archives and savour their countless treasures.

Summary

What an amazing life! What a prodigious, multifaceted talent! And what a brilliant exhibition!

Promo video


Related links

Related reviews

Agatha Christie: An English Mystery by Laura Thompson (2007)

Key facts

Agatha Christie was born Agatha Mary Clarissa Miller on 15 September 1890. So just add a ten to the year of publication of any of her books to get her age when it was published – ‘Murder on the Orient Express’ 1934: 34 + 10 = 44 (in fact 43, as it was published in January and she was born in September, but you get the basic idea).

The surname Christie derives from her first husband, Archie Christie, who she married on Christmas Eve 1914, as the First World War was settling in for the long haul (p.94).

In total Agatha Christie published 66 detective novels and 14 short story collections, as well as six non-detective novels under the pseudonym Mary Westmacott.

She created the famous fictional detectives Hercule Poirot and Miss Marple who have featured in countless movie and TV adaptations, not to mention radio, video games and graphic novels. Over 30 movies have been based on her works.

She wrote the world’s longest-running play, the murder mystery ‘The Mousetrap’, which has been performed in the West End of London since 1952.

She is the best-selling fiction writer of all time, her novels having sold more than two billion copies.

Her novel ‘And Then There Were None’ is the world’s best-selling mystery novel and one of the best-selling books of all time, and with over 100 million copies sold.

Childhood

Christie was born into a wealthy upper middle-class family in Torquay, Devon, and was largely home-schooled.

Frederick and Mary Boehmer

Her parents were an odd couple. Her mother, Clarissa ‘Clara’ Margaret Boehmer was born in Dublin in 1854 to British Army officer, Frederick Boehmer, and his wife Mary Ann West. Boehmer died in Jersey in 1863, leaving Mary to raise Clara and her brothers on a small income.

Nathaniel and Margaret Miller

Two weeks after Boehmer’s death, Mary’s sister, Margaret West, married the widowed American dry-goods merchant, Nathaniel Frary Miller.

Foster Clara

To help her impoverished widowed sister, Margaret and Nathaniel agreed to foster nine-year-old Clara Boehmer. In other words, at a very early age Clara was taken away from her mother and brothers and raised by her aunt and never ceased to regret it.

Frederick Miller

Now Nathaniel had a son, Frederick from his previous marriage. Fred was born in New York City and travelled extensively after leaving his Swiss boarding school, returned for visits as Clara grew up. In 1969 i.e. six years into this fostering arrangement, Nathaniel Miller, like Frederick Boehmer before him, died young, leaving Margaret a widow.

Frederick Miller marries Clara Boehmer

Fifteen years after Clara’s father died and nine years after Nathaniel Miller died, in 1878, this Frederick Miller, now 32, proposed to Clara, now 24, and she accepted. They were married in London in 1878.

Madge and Monty

Their first child, Margaret ‘Madge’ Frary, was born in Torquay in 1879. The second, Louis Montant ‘Monty’, was born in Morristown, New Jersey, in 1880, while the family was on an extended visit to the United States.

Fred and Clara buy Ashfield

When Fred’s father (and Clara’s foster father), Nathaniel, had died in 1869, he had left Clara £2,000, something like a quarter of a million in today’s money. In 1881 Fred and Clara used this to buy a villa in Torquay named Ashfield. It was here that their third and last child, Agatha, was born in 1890. Note the age difference between her elder siblings: Madge was 11 years older, Monty 10 years older.

Home schooling

Clara actively prevented Agatha from going to school, believing she should be home schooled. The result was Agatha largely taught herself, not least by voraciously reading everything in her father’s library.

Fred Miller dies

In 1901 Agatha’s cheerful, lazy father Fred died from pneumonia and chronic kidney disease. Christie later said that her father’s death when she was 11 marked the end of her childhood. Two points about this:

1) Fred never worked a day in his life and cheerfully lived off investments. However, income from these had steadily declines, with suspicions of embezzlement or sharp dealing by his American trustees. Whatever the precise reason, Fred’s death left Clara severely straitened for funds. Not that impoverished – she could still afford the upkeep of Ashfield and some servants but could no longer afford to entertain or maintain the traditional upper middle class lifestyle (p.58).

The matriarchy

The other point is The Matriarchy. All these men died young, and the womenfolk lived on with the result that Agatha was raised in a household of women (Clara and Madge), and made regular visits to her great-aunt the ‘magnificent’ (p.77) Margaret Miller in Ealing and maternal grandmother Mary Boehmer in Bayswater.

Nice old ladies

There are dashing young chaps in her novels, older professional men such as judges and police and so on, but I think Agatha’s upbringing in a matriarchy left a strong impression on her fictional world. Her novels abound with highly enjoyable older women, Miss Marple just being the most obvious. The utterly conventional values attributed to characters like Miss Marple or Miss Peabody or numerous others, have such warm-hearted authority because they are, in fact, the values of the utterly conventional Agatha.

  • Miss Jane Marple – elderly spinster who lives in the village of St. Mary Mead
  • Mrs Price Ridley, Miss Wetherby, Miss Hartnell – Miss Marple’s three friends who make up the quartet of old ladies in St. Mary Mead, in the first Miss Marple book, ‘Murder at the Vicarage’
  • Mrs Harfield – who Katherine Grey is a companion to (The Mystery of the Blue Train)
  • Miss Lavinia Pinkerton – suspects there is a murderer at work in the village of Wychwood under Ashe (Murder Is Easy)
  • Miss Caroline Peabody – tubby, sharp and witty spinster lives at Morton Manor, and is the oldest resident of Market Basing (Dumb Witness)

Laura Thompson on Agatha’s childhood

It’s Agatha’s childhood, girlhood and teenage years, mostly spent at the women’s family home of Ashfield, which Laura Thompson’s biography really dwells on. It gives a vivid and sympathetic portrait of a late-Victorian childhood and a girl growing into a young woman during the Edwardian decade, raised with traditional values which Thompson clearly sympathises with.

Music

Music for a while was a passion. Agatha learned piano as a girl and as a teenager took singing lessons to a very high standard. Thompson has page after page quoting Agatha’s diary and letters and the autobiography she wrote at the end of her life to describe her intoxication with music. She had a classic late-Victorian sensibility, with lots of vapouring about beauty, fancy dress balls where people dressed as characters out of Tennyson, she had a lifelong love of Wagner’s music (Wagner died in 1883, so by the 1910s when she was in love with it, it was 30 or more years out of date) (p.61).

Paris

In 1905, Clara sent Agatha to Paris, where she was educated in a series of pensionnats (boarding schools), focusing on voice training and piano playing. She was very good at both but not good enough to take them up professionally. Agatha stayed in Paris for nearly two years. Presumably this influenced the nationality of her greatest creation, Hercule Poirot – not the fact that he’s Belgian so much as Agatha’s confidence in rendering his French speech patterns.

Conventional

Thompson tried to make much of her heroine’s intelligence and Agatha was fluent and articulate and thoughtful, there’s lots of works and autobiography to quote from –but all of it is second rate. There is nothing about ideas or challenging books she read or intellectual pursuits. Instead, as she hit 18 and ‘came out’ to society, Agatha spent all her time going to parties and dances and concerts, amateur theatricals and attending fox hunts (p.64), flirting with large numbers of eligible young men, endlessly discussing their merits with her watchful mother, Clara.

As to her beliefs, she was a run of the mill, ordinary, devout Anglican. As to feminism and women’s rights, Agatha thought it was her role and fate in life to get married. That’s what women of her age and class did, and she never changed her view.

So it’s no surprise to learn that she was a lifelong Conservative voter (p.353).

The Mary Westmacott novels

In describing Agatha’s early years, Thompson draws heavily on the set of six Westmacott novels. Christie was so unstoppably prolific that alongside her murder mysteries she wrote six ‘ordinary’ non-detective novels, about love and relationships etc, sometimes described as ‘romantic’ novels’. They gave her ‘the chance to better explore the human psychology she was so intrigued by, freed from the expectations of her mystery fans’ as her grand-daughter explained.

To distinguish them from the murder mysteries she came up with a nom be plume based on her own middle name (Mary), Westmacott being the blandly English name of some distant relatives. The six Westmacott novels are:

  • Giant’s Bread (1930)
  • Unfinished Portrait (1934)
  • Absent in the Spring (1944) – she wrote this in less than a week!
  • The Rose and the Yew Tree (1947)
  • A Daughter’s a Daughter (1952)
  • The Burden (1956)

Thompson quotes from them extensively. Thus ‘Giant’s Bread’ concerns a sensitive young musician named Vernon Deyre, and Thompson reckons Christie poured into it a lot of her own feelings for classical music, for studying, practicing and performing; and similarly with autobiographical elements of the other books.

Marrying off Agatha

Clara had successfully married Madge off in 1902 to James Watt who had taken her off to his family home in the Midlands. Monty had joined the army and was posted overseas. What about Agatha? For Clara, and Agatha herself, adulthood meant marriage.

1907 to 1908: Trip to Egypt

Clara decided to spend the winter of 1907 to 1908 in the warm climate of Egypt, which was then a regular tourist destination for wealthy Britons. They stayed for three months at the Gezirah Palace Hotel in Cairo. Christie attended many dances and other social functions; she particularly enjoyed watching amateur polo matches.

First story

At 18 Agatha wrote her first short story, ‘The House of Beauty’, while recovering in bed from an illness. It was 6,000 words about ‘madness and dreams’. Her imagination had a decidedly Gothic turn. Subsequent stories dealt with spiritualism and the paranormal. Some of this lingered on into her mature novels, such as the powerful séance scene at the start of The Sittaford Mystery (p.78).

1909: first novel

Around the same time, in 1909 Christie wrote on her first novel, ‘Snow Upon the Desert’ based, predictably enough, on the winter she’d just spent in Egypt (p.67).

Conventional

Agatha was utterly conventional. About everything she had ‘the conventional, sensible attitude’ (p.116). As she came out, aged 18, she took to a life of country house parties, riding, hunting and countless dances, and numerous flirtations with eligible men.

‘Cairo meant nothing to me – girls between eighteen and twenty-one seldom thought of anything but young men’ (Agatha’s Autobiography, quoted p.68)

She had short-lived relationships with four men and an engagement to another (p.74). And Laura Thompson comes over as every bit as conventional, expecting no depths or insights from her heroine. She writes so well about Agatha’s life because she functions at the same shallow, Readers’ Digest level.

It was delight, all of it; the life that any normal, healthy, attractive, young girl would want to live (p.60)

1912: Archie Christie

In October 1912 she was introduced to Archibald ‘Archie’ Christie at a dance given by Lord and Lady Clifford at Ugbrooke, 12 miles from Torquay (p.73). The son of a barrister in the Indian Civil Service and an Irishwoman Ellen, known as Peg, Archie was a year older than Agatha (born September 1880). He was a Royal Artillery officer who was seconded to the Royal Flying Corps in April 1913.

Archie proposes

The couple quickly fell in love. Three months after their first meeting, Archie proposed marriage, and Agatha accepted. (She was something of a pro at all this, having already received three proposals of marriage, and actually being engaged to someone else when Archie proposed, to one Reggie Lucy, p.79.)

Anti-feminism

‘I hate a slobbering female,’ said Miss Percehouse. ‘I like one who gets up and does things.’
(The Sittaford Mystery, Chapter 17)

A naive feminist like Lucy Worsley thinks Agatha is a feminist heroine, but Christie was expressly anti feminist in both the tendency of her characters and stories, and explicitly, in her letters and autobiography – in fact anywhere and everywhere she could express an opinion.

Satirising feminist characters

The novels feature a number of loud-mouthed feminists who Agatha heartily satirises, boomingly women’s libbers like Lady Westholme in ‘Appointment with Death’ or the pretentious (and alcoholic) feminist author Salome Otterbourne in ‘Death on the Nile’. Rather:

[Christie] had a deep regard for working women. Not the strident ones who waved the feminist flag, like the politician Lady Westholme in ‘Appointment with Death’, proclaiming that ‘If anything is to be accomplished, mark my words, it is women who will do it’… (p.85)

Agatha’s anti-feminist attitudes

Pages 83 to 84 are just some of the many where Thompson makes crystal clear how utterly conventional Agatha was in her notions of gender roles. It was a woman’s responsibility to get married. She never considered a career of any kind. I’m going to quote from these pages to really convey the flavour.

To Agatha [marrying Archie] was fate; it was her female destiny. Having been brought up to express herself in any way she chose, she expected only to marry. This was her upbringing, which she had no urge to question. Girls of her sort did not have careers. They had husbands.

Agatha, despite her extraordinary achievements, would always assert that a career was a man’s job – ‘Men have much better brains than women, don’t you think?’ was a typical comment – and that the true value of a woman lay within the personal arena.

‘It makes me feel that, after all, I have not been a failure in life – that I have succeeded as a wife,’ she wrote to her second husband, Max, in 1943.

So as a girl she never chafed against the limits of her life: the conventions, the corsets, the need to speak low or sing to a teddy bear. Unlike her near-contemporary Dorothy L. Sayers – who, at the time of Agatha’s entry into the marriage market, was chewing the intellectual fat over cocoa at Somerville [college] – she had no desire to break free. She felt free anyway.

For all that she loved the novels of May Sinclair, she shared none of her feminist concerns. The frustrations of a girl like Vera Brittain, then at Oxford with Sayers, whose Testament of Youth rages against the male-dominated conventions of the time, would have been utterly remote from her.

The truth is that she liked a man’s world. She saw beyond it, although not in a political sense; later she would live beyond it, with her success and self-sufficiency; yet she loved being female and never felt circumscribed by her sex. She had grown up in a matriarchy after all. And she understood – as ‘cleverer’ girls perhaps do not – that female strength could show itself in many different ways… (pages 83 to 84)

Romantic love

Thompson has page after page after page describing Agatha’s initial love for Archie. Although her mother instantly saw the danger that he was a) selfish and b) attractive to other women, Agatha (who Thompson repeatedly tells us was immature and still basically ‘a girl’) saw the whole situation in Victorian terms, as something out of Tennyson, she as the pure-hearted lady Elaine cleaving to her handsome Sir Lancelot etc etc. He was ‘her dream come true’.

1914: VAD

When the war broke out Archie was sent to France almost immediately and Agatha hastened to join up as a nurse in a VAD:

Voluntary Aid Detachments (VADs) were organizations that provided support to the military during World War I. These detachments, formed by the British Red Cross and the Order of St. John, played a vital role in staffing hospitals and providing various services like nursing, cooking, and general aid.

Doctors

Dr Lord approached the bed, Nurse O’Brien fluttering behind him. Mrs Welman said with a twinkle: ‘Going through the usual bag of tricks, Doctor: pulse, respiration, temperature? What humbugs you doctors are!’
(Sad Cypress, part 1, chapter 5)

As a nurse Agatha saw at first hand how pompous and incompetent many doctors are. There’s a police doctor in most of the murder mysteries, but some doctor characters play larger roles and, by and large, they’re pretty unflattering characters.

  • The Mysterious Affair at Styles – Dr Bauerstein, sinister
  • The Murder of Roger Ackroyd – Dr Sheppard, the murderer
  • Why Didn’t They Ask Evens? – Dr Nicholson, a sinister drug addict
  • Murder is Easy – Dr Thomas
  • Cards on the Table – Dr Donaldson
  • The Sittaford Mystery – Dr Warren
  • And Then There Were None – Dr Armstrong, the murderer

Thompson describes Agatha as being as unflappable and sound in her work as a nurse, calmly describing the amputations, the severed limbs, the crying men, briskly getting on with the work (p.94). This is very much of a piece with the attitude which comes over in the books, brisk and no-nonsense, ‘Stop crying, girl! There’s a job to be done! Pull yourself together!’

And with her extraordinary ability to be interrupted at any point of writing a novel, go out for lunch or dinner, go to a party, come back and pick up exactly where she left off, and carrying on writing. Extraordinarily nerveless and anxiety-free (p.129). What a gift!

1916: The dispensary

In 1916 a drug dispensary was opened at Torquay hospital and Agatha switched to it from nursing. The hours were shorter and the pay better (p.103). The detailed knowledge of drugs, medicines and poisons she acquired her was to stand her in good stead for the rest of her life. The murder in her first detective novel, The Mysterious Affair at Styles, is entirely premised on professional knowledge of the action of poisons.

Twenty-four years later, in ‘One, Two, Buckle My Shoe’, the feel for drugs and poisons acquired in Torquay hospital dispensary, along with the relationships between the processions involved, was still underpinning the storyline of a dentist who appears (for a little while at least) to have poisoned a patient with a combination of adrenaline and prococaine.

‘These things happen—they happen to doctors—they happen to chemists…Careful and reliable for years, and then—one moment’s inattention—and the mischief’s done and the poor devils are for it. Morley was a sensitive man. In the case of a doctor, there’s usually a chemist or a dispenser to share the blame—or to shoulder it altogether. In this case Morley was solely responsible.’
(‘One, Two, Buckle My Shoe’, Chapter 2, section 1)

Unintellectual

Thompson tries to persuade us how imaginative Agatha was and yet what comes over is how utterly unimaginative she was, uninterested in politics, uninterested in suffragettes or feminism, uninterested in any social issues, in philosophy or any of the humanities – but with a vivid sense of her class of people, conceived as stock types.

Surely that’s one of the secrets of her success, is how utterly unthreatening her books are; how populated they are by reassuringly conventional jolly good chaps and plucky chapesses, stern judges, reassuring police inspectors, and so on. Everyone observes the decencies and common courtesies. It’s their lovely manners and good behaviour which are so attractive, reassuring and comforting. Seen from this angle the murders almost don’t register.

Readability

And this goes a long way towards explaining probably the biggest single explanation of her success, which is her immense readability.

The invention of Poirot

Poirot arrived fully formed in her first novel. Later she at various times tried to explain his creation but couldn’t because she was a deeply unreflective, unintellectual writer. Belgian refugees during the war provided the nationality, the rest she plucked from circumstances around her and voilà, he was fully formed. A miracle. What’s so impressive about Poirot is how much he doesn’t change over the next 40 years.

The feature which struck me most about Poirot from his first appearance is that he is old, in fact he has retired from being a detective on his first appearance. And he is old like Miss Marple. So Christie’s two great characters are outwith any concern for sex, outside relationships, the marriage market, the whole thing. Outsiders to the fierce competition over sex, mates, children, resources, jobs, reputations, money. It’s because of this that the books they appear in can observe the silliness of human sex lives – and family rivalries and bitterness about money – with such detachment and amusement.

Yes, amusement, that’s the watchword, the key quality of Christie’s novels and the main reason I like them. I don’t care that much about the murders and the silly clues and the ludicrous explanations; I enjoy the humour of the characters and, above all, the amused, smiling tone of her narrative voice.

1919: Parenthood

The war ended, Archie was demobilised fairly quickly and got a job at the Air Ministry. The couple took to living together as man and wife, something they hadn’t actually done during the war. Within a year Agatha was pregnant and delivered of a baby girl. Like everything else in her life, Agatha accepts pregnancy as the fate of a young wife here, as in everything, adopting the conventional, sensible attitude.

But she wasn’t a natural mother for the simple reason that she herself was still a girl.

Agatha did not need a perfect child: she herself was perfect to Clara. So in love was she with being a daughter… that she was unable to find true fulfilment as a mother. (p.122)

It is a recurring theme in her later novels that mothers often don’t like or resent their daughters (p.123). Lots of evidence that she never really bonded with Rosalind.

Something about this marvellous, bright, sharp-edged child seems to have shrivelled Agatha’s maternal impulses in the bud’ (p.268)

Nonetheless, they came to have a respectful relationship, joshing bonhomie concealing the underlying tension. Thompson quotes a character from the novel ‘Five Little Pigs’:

Many children, most children, I should say, suffer from over attention on the part of their parents. There is too much love, too much watching over the child. It is uneasily conscious of this brooding, and seeks to free itself, to get away and be unobserved. With an only child this is particularly the case, and, of course, mothers are the worst offenders.

Or this from Dumb Witness:

‘What is she like, your cousin?’
‘Bella? Well, she’s a dreary woman. Eh, Charles?’
‘Oh, definitely a dreary woman. Rather like an earwig. She’s a devoted mother. So are earwigs, I believe.’

She was sometimes angry or frustrated that she would never be to her daughter what her mother, Clara, had been for her, her all-in-all.

Writing for money

Archie suggested she write another novel, in fact he actively supported her writing career. ‘The Mysterious Affair at Styles’ made her £25 for serialisation rights in the Weekly Times. Its sequel ‘The Secret Adversary’ made the grand total of £50 and sold better than Styles. There followed in quick succession ‘The Murder on the Links’, ‘The Man in the Brown Suit’ and a bunch of Poirot stories.

1922: tour of the white Empire

Archie was offered a job touring the white Empire nations (Canada, South Africa, Australia, New Zealand) to promote the upcoming 1924 Empire exhibition. He took Agatha and they were abroad travelling for most of 1922.

Thompson judges the novel she wrote during and about the trip, ‘The Man in the Brown Suit’, to be her most joyful and sexy. The heroine, Anne Beddingfield, falls madly in love with the tall adventurer Harry Rayburn and is given to bold idealistic speeches:

‘I shouldn’t dream of marrying any one unless I was madly in love with them. And of course there is really nothing a woman enjoys so much as doing all the things she doesn’t like for the sake of some one she does like. And the more self-willed she is, the more she likes it.’
‘I’m afraid I disagree with you. The boot is on the other leg as a rule.’ He spoke with a slight sneer.
‘Exactly,’ I cried eagerly. ‘And that’s why there are so many unhappy marriages. It’s all the fault of the men. Either they give way to their women—and then the women despise them, or else they are utterly selfish, insist on their own way and never say ‘thank you.’ Successful husbands make their wives do just what they want, and then make a frightful fuss of them for doing it. Women like to be mastered, but they hate not to have their sacrifices appreciated. On the other hand, men don’t really appreciate women who are nice to them all the time. When I am married, I shall be a devil most of the time, but every now and then, when my husband least expects it, I shall show him what a perfect angel I can be!’

Archie was often quite ill on the trip. On their return his job in the City had gone to someone else and he was unemployed and miserable for months. Their (relative) impecunity is turned to comic account of the start of the first Tommy and Tuppence novel, The Secret Adversary.

1924: Brown and money

In 1924 the Evening News offered Agatha £500 for the serialisation rights of ‘The Man in the Brown Suit’. This brought home to her and Archie (and her sister and mother, Clara) that Agatha was looking at the makings of a real career and serious money. With the money she bought her first car, a grey Morris Cowley (p.153).

Agatha always drove a hard bargain, as producers at the BBC were later to complain. Money is a central preoccupation of her books and their characters. Money is the motive in 36 of the 55 murder mystery novels.

There was a silence, and then Tuppence burst out:
‘Money, money, money! I think about money morning, noon and night! I dare say it’s mercenary of me, but there it is!’
‘Same here,’ agreed Tommy with feeling.
(The Secret Adversary, Chapter 1)

In 1924 she signed a three book deal with Collins, who were to remain her publisher for the rest of her life, having left Bodley Head after her initial five-book deal which she felt had taken advantage of her.

1925: Chimneys

In Thompson’s view ‘The Secret of Chimneys was perhaps the happiest book that Agatha ever wrote’ (p.143).

1926: Ackroyd

Her first book for Collins, ‘The Murder of Roger Ackroyd’, transformed her reputation. It is often described as the ‘ultimate detective story’. This is for the simple reason that the narrator, honest-sounding Dr Sheppard, turns out to be the murderer. That’s it.

In ‘Roger Ackroyd she revealed for the first time her natural quality of translucency: her ability to control every sentence of her books, yet allow them breathe free. Agatha did not impose. Nor did she interpose one atom of herself between her writing and her readers. Her words communicate exactly and only what is required; which is not the same as saying they have no life beyond what is on the page. They have, in fact, the mystery of simplicity. They are the conduits for her plots, which are ultimately simple. (p.156)

Agatha’s qualities

Agatha was not a naturally descriptive writer. (p.139)

‘She was by nature remarkably unobservant’ she wrote of herself in ‘Unfinished Portrait’ (quoted p.139)

Agatha was not an especially humorous woman. (p.143)

Chimneys is what nowadays would be called a snobbish book…Impossible to deny that Agatha lived in an enclosure, that of the upper middle class into which she was born. (p.145)

Archie and Agatha grow apart

In 1924 Archie finally got a job in the City and was happy. He was taking home £2,000 a year. He took up golf and slowly this became an obsession. Soon he played every weekend, and resented anyone coming to stay who didn’t play. Agatha tried her best but wasn’t very interested and wasn’t very good. She had thickened since having Rosalind. She was 35 and her young good looks had gone. She rarely drank alcohol (good) but her favourite drink became a mix of milk and cream, such as she had loved as a girl at Ashfield. She put on weight. Archie began to dislike her schoolgirl gushiness, her chunkiness, her resentment at his weekends at the golf course.

Clara dies

Then her mother, Clara, died, on 5 April 1926. Agatha (‘too much of a child herself’) was devastated and went down to Ashfield to spend months clearing out the house of her childhood. Archie reacted badly: he disliked illness and hadn’t wanted to hear about Clara’s decline and refused to go down to comfort or help Agatha. It was the end of the marriage though she didn’t realise it.

Agatha disappears

The most famous incident in Agatha Christies life was when she went missing for 11 days and sparked a nationwide frenzy. She left her car abandoned off a lane on the North Downs overlooking a quarry with a deep pool nearby. The Surrey police were convinced she had killed herself. Day after day more volunteers joined the search scouring the Surrey countryside and numerous people claimed to have sighted the missing woman all around the UK.

Thompson devoted pages a slightly staggering 72 pages to the incident, page 186 to 258. Frankly I find this kind of thing quite staggeringly boring, as it doesn’t really seem to have impacted her writing – certainly not as much as her projection of herself into upper middle class settings, her xenophobia, her ingenuity, and her thumpingly conventional view of human nature do – based on her ‘obtuse and childlike’ character (p.179).

In Thompson’s the whole thing was a ploy to win back Archie’s love. While Agatha was away in Torquay weeping over her lost childhood, Archie decisively fell in love with a younger, sexier woman, named Nancy Neele. Archie told Agatha about it in August 1926, and asked Agatha for a divorce. After many recriminations, they agreed on a three-month trial period to try and save the marriage, but the months passed and Archie continued to spend much time in London or at friends’ house parties with Nancy in attendance.

Finally, in December things came to a head. On 3 December 1926 they had a big argument after Archie announced his plan to spend the weekend with friends, unaccompanied by his wife, but in the presence of Nancy.

Late that evening Christie disappeared from their home in Sunningdale. The following morning, her car, a Morris Cowley, was discovered at Newlands Corner in Surrey, parked above a chalk quarry with an expired driving licence and clothes inside. It was feared that she might have drowned herself in the Silent Pool, a nearby beauty spot.

The disappearance quickly became a news story. One newspaper offered a £100 reward. Over 1,000 police officers, 15,000 volunteers, and several aeroplanes searched the rural landscape. Sir Arthur Conan Doyle gave a spirit medium one of Christie’s gloves to find her.

Christie’s disappearance made international headlines, including featuring on the front page of The New York Times. According to Thompson she wrote and posted a letter to Archie’s brother, Campbell Christie, i.e. her brother-in-law, explaining that she needed time away and was going to a spa in Yorkshire and she caught a train from London to Harrogate where she checked in under the name Mrs Neele. That, of course, was the name of his husband’s mistress.

In Thompson’s view, Campbell Christie was intended to get the letter on the Monday morning, ring up Archie who would have been distressed at her disappearance, and got on the next train to Yorkshire. Harrogate, according to Thompson, is the kind of Yorkshire equivalent of Sunningdale, very posh, and so it shouldn’t have taken Archie long to track her down.

According to eye witnesses (notably a Mr Pettelson, a cultivated Russian exile) she had a lovely time in the Swan Hydropathic Hotel where she checked in, spending the days sightseeing and the evening joining in singing and music making or billiards in the drawing room.

The main source of the delay and the escalation of a private marital squabble into a national manhunt appears to have been the obsession of the police officer in charge of the investigation, police Superintendent Kenward, that Agatha had killed herself. Even when (belatedly) informed of the letter in which she simply explained that she’d gone to stay in Yorkshire, he refused to believe it. Only when guests at the hotel approached the local police to claim that the mysterious Mrs Neele looked strikingly like the missing Agatha, did the cops intervene and invite Archie up. He walked into the hotel at dinner time on the tenth evening and simply identified Agatha, for himself and to a detective who’d accompanied him.

So it appears to have been a pitiful cock-up by the police, egged on by a tabloid press always keen for a scandal. To the members of the press who quickly flooded the hotel, and the railway stations on the route to her sister’s house outside Manchester, then back at their home in Surrey – Archie gave out the same rather desperate story that Agatha had suffered a breakdown accompanied by complete amnesia. The press and most of the public didn’t believe this and Thompson thinks it’s a lie.

Failure and divorce

As an attempt to win Archie back by sparking panic and regret, it was a miserable failure.

Having, as she thought, helped to destroy her marriage by leaving Archie alone while she grieved for her mother, she had now delivered its death blow by making herself an object of public ridicule, and Archie an object of public loathing. (p.256)

Archie lived at the unhappy family home in Sunningdale while he tried to sell it, Agatha lived in a flat in London with her daughter. They met once in 1927, where she begged him again to return but he simply stated he was in love with Nancy and only waiting for her to return from the round the world cruise her family had packed her off on to get her out of the limelight, before he wanted to marry her. So in spring 1928 Agatha petitioned for divorce and was granted a decree nisi against her husband in April 1928. This was made absolute in October 1928 and two weeks later Archie married Nancy Neele. Game over.

(Incidentally Archie remained married to Nancy for the next 20 years, till her death from cancer in 1958. It wasn’t just a flash in the pan.)

(Also incidentally, Agatha, up till then a fairly devout Anglican, never attended communion again after her divorce, p.290.)

The relevance of Agatha’s disappearance for her books

Thompson cites a shrewd quotation from P.D. James who says that Archie’s betrayal and desertion was the first real trauma she’d ever faced in her pampered protected life, that she never really recovered from it – and that this shaped her fiction.

Anybody who’s written about Christie’s novels makes the same point which is that, no matter how brutal the murder(s) and how byzantine the plot and backstories, in the end, everything comes out right: the guilty party is identified, everyone else is vindicated, surprisingly often one or more couples who we’ve met during the narrative end up getting married; and Poirot makes everything better, by tying up all the loose ends and leaving us with one of his little quips, very much like the Afterword to an Elizabethan play craving their audience’s indulgence.

On this reading, every single one of her detective stories does the same thing, which is throw us into death, disorder and ever-more bewildering confusion before… slowly, slowly leading us back up into the light. Thus every one of the novels can be seen as a cathartic experience. Almost every one leaves us with a jaunty smile on our faces.

For Thompson, the failure of her marriage represented Agatha finally growing up after 38 years of pampered privilege: not financially (the couple had been hard-up after the war, and Agatha had independent income from her writing) but in psychological terms. Her mother and her husband abandoned her, within a matter of months. No longer young or attractive or living a life of dreamy illusions, Agatha changed character, buckled down, and became a really professional writer.

The comment about no longer good-looking may sound sexist but it’s Thompson’s view that it came as a liberation.

Without the burden of normal female expectations, she found herself free. There was no longer an obligation to be a certain kind of woman: slim, pleasing, feminine. She could absent herself from these restraints. She could formulate a persona and wear it like a suit of armour – present it to the world in place of herself – and inside she could be whoever she chose. That was the freedom of the creator.

And so she became the staggeringly prolific professional writer. Between 1930 and 1939 Agatha produced 17 full-length novels, plus short stories. Although ‘Agatha Christie’ was her legal name, after the divorce it became a pen-name, a fictional name, a persona. And she used it to create radical reinventions of the detective novel:

  • the murderer who pretends to be a victim
  • the murderer who pretends to be a serial killer
  • the murderer who is also the investigating policeman
  • the cast of suspects who are all innocent
  • the cast of suspects who are all guilty

Mary Westmacott

But while she addressed the murder mystery novel with a kind of cold-blooded forensic experimentalism, at the same time she embarked what became a series of six novels under the alter ego of Mary Westmacott. See the section above. Knowing that they were written soon after her life-changing divorce sheds a different light on them and explains why Thompson mines them so heavily to depict the ‘real’ Agatha.

Travels and Max

In 1928 Christie left England and took the (Simplon) Orient Express to Istanbul and then onto Baghdad. Obviously the Orient Express trip provided the material for the book of the same name.

In Iraq she became friends with archaeologist Leonard Woolley and his wife, Katherine. They stayed with her at her new London home and then invited her to return to their dig in February 1930. On that second trip, she met archaeologist Max Mallowan, 13 and a half years her junior. She was 39, he was just 25 (Max b. 6 May 1904; Agatha b. 15 September 1890) (p.284). The precise occasion was when he took her and a group of tourists on a tour of his expedition site in Iraq.

By the standards of the day it was a fairly quick romance. Christie and Mallowan married in Edinburgh in September 1930. Unlike her first marriage, and like Archie and Nancy, Agatha and Max’s marriage lasted the rest of their lives, until Christie’s death in 1976.

Agatha accompanied Mallowan on all his subsequent archaeological expeditions, and her travels with him contributed background to several of her novels set in the Middle East, notably ‘Murder in Mesopotamia’, ‘Death on the Nile’ and ‘Appointment with Death’. His last trip back to Ur, the ancient city being excavated by Woolley was in 1931.

According to Thompson, Woolley’s wife, Katherine Woolley appears only thinly disguised in ‘Appointment with Death’ as the murderee, Mrs Leidner, a cold woman who enjoyed trifling with all the men around her – a rare instance of Agatha basing a character on an identifiable real life person.

Critics accused young Max of being a gold-digger and Agatha certainly funded his expeditions, notably one to Arpachiyah in Iraq in 1933. In 1935 he took Agatha to Chagar Bazar in Syria. Max wasn’t a brilliant excavator but he was brilliant at organising digs and keeping up to 200 local workmen under discipline. Agatha wasn’t that interested in the finds, but happily played the loyal wife and was also very interested in exotic wildflowers.

It was also, often, extremely uncomfortable, but Agatha was tough and healthy, and always despised complaining women. (p.314)

It’s true she featured archaeologists in some of her books: in ‘Murder in Mesopotamia’ but most critically in ‘Death in the Clouds’ where the narrator mocks the pretensions of the father and son team of archaeologists.

Thompson analyses the relationship at length but what it boiled down to was that Max restored her faith and trust and allowed her to return to a kind of state of pampered childhood, the state she enjoyed with her beloved mother and, at first, with Archie, till he got fed up of her gushing girliness: Max restored it to her and, thus liberated, her imagination was set free to roam far and wide, taking the detective story genre to pieces, and putting it back together in all kinds of interesting forms.

Buying houses

During the 1930s Agatha bought a number of houses with her earnings. At one point Thompson mentions properties at:

  • Sheffield Terrace
  • Campden Street
  • Half Moon Street
  • Park Place
  • a mews cottage at 22 Cresswell Place, Chelsea, SW1 (1929)
  • Lawn Road (p.344)

She finally, reluctantly, allowed beloved Ashfield to be sold but she had bought a comfortable home at Wallington near Oxford (Winterbrook; 1934) abut her romantic purchase was of the grand white house named Greenway, which overlooked the banks of the River Dart in Devon (also 1934).

On page 348, Thompson states that Agatha owned four houses: so presumably that’s Winterbrook, Greenway and two in London, so the other properties must have been flats.

Second World War

Max had a distinguished war career. According to his Wikipedia entry:

After the beginning of the Second World War he served with the Royal Air Force Volunteer Reserve in North Africa, being based for part of 1943 at the ancient city of Sabratha in Libya. He was commissioned as a pilot officer on probation in the Administrative and Special Duties Branch on 11 February 1941, promoted flying officer on 18 August 1941, flight lieutenant on 1 April 1943 and for some time he also had the rank of wing commander. His first role with the RAF was as a liaison officer with allied forces and, later in the war, as a civilian affairs officer in North Africa.

Thompson summarises Max’s career rather differently on page 319, emphasising the initial struggle he had to find a post.

Peripatetic

Greenway was commandeered by the military before being handed over to the American navy in 1942.(Naval officers billeted there painted a mural round the cornices of the library, celebrating their feats, which sounds like a bit of a liberty).

So Agatha spent the war years in London, moving between her half dozen properties, but mostly at Lawn Road Flats in Hampstead.

Agatha’s prolific war years

Agatha kept on writing at a prodigious rate. Between September 1939 and August 1945, she published:

  • And Then There Were None (1939)
  • Sad Cypress (1940)
  • One, Two, Buckle My Shoe (1940)
  • Evil Under the Sun (1941)
  • N or M? (1941)
  • The Body in the Library (1942)
  • Five Little Pigs (1942)
  • The Moving Finger (1943)
  • Towards Zero (1944)
  • Absent in the Spring (1944)
  • Death Comes as the End (1945)
  • Sparkling Cyanide (1945)

And this doesn’t include the plays she adapted from her own novels, sometimes radically rewriting the endings. Prodigious output, eh?

Five Little Pigs

Of all of these, Thompson singles out ‘Five Little Pigs’ as the masterpiece. This is because of the unusually intense and real feeling with which she describes a marriage on the rocks, as the husband falls for a much younger woman (although, typically, the situation turns out not to be quite as straightforward as it seems for the first three-quarters of the book). It has a ‘lived’ quality, which most of her novels don’t, really.

Stephen Glanville

During the war, while Max was away, Agatha had a brief flirtation, of sorts, with Stephen Glanville, a historian and Egyptologist ten years her junior. He helped her write her strangest novel, a murder mystery set in ancient Egypt, ‘Death Comes as the End’ (pages 330 to 335).

Shakespeare

She developed an intense passion for Shakespeare, attended numerous productions, and adapted her novel, ‘Ten Little N******’ for the stage, in 1943.

Hospital volunteering

In 1940 Agatha began to give a few days a week to voluntary work at University College Hospital, in the dispensary, the same kind of work she’d done during the first war.

Rosalind comes of age and marries

Thompson uses her war chapter to bring us up to speed with the life of Agatha’s difficult daughter Rosalind. Born in 1919, she ‘came out’ in 1937. In 1940, aged just 21, after a brief courtship, she surprised Agatha and Max by marrying a soldier, Major Hubert de Burr Prichard, in Wales. In 1943 they had a child, Mathew Prichard. A year later Major Prichard was killed in the invasion of Normandy. Five years later (in 1949) she married the lawyer Anthony Hicks and kept the married name Rosamond Hick to the end of her life.

Fat as a psychological defence

According to Thompson it was really during the war years that Agatha completely lost her youth and figure and became the stout middle-aged woman we know from the photos. Becoming fat made her sad but ‘she loved to eat’ (p.328). Thompson has a lyrical paragraph describing the change in Agatha’s self image:

It was a long way from the slender, fairy-like girl who had married Archie Christie: between those two there had been the mystery of physical allure, which Agatha still conjured in her books but had deliberately destroyed for herself. She had, indeed, coarsened. She did not merely his behind the public persona of ‘Agatha Christie’; she sheltered within a shroud of flesh, dense and unwieldy, a symbolic defence against the sharp agonies of the past. (p.328)

And even more so after the war:

Her large comfortable physicality was a defence against wounds, and after the war it grew more massive still. She lost the last trace of the attractions she had held, until her early fifties, for a man like Stephen Glanville. Her weight rose to nearly fifteen stone, her legs swelled immensely and she became extraordinarily sensitive about photographs.

And quotes a friend of Stephen Glanville’s daughter who met her in Cambridge in the 1950s:

‘I thought the sight of her surprising, with a fat, somewhat uncoordinated body and messily applied lipstick.’ (p.364)

It made her unhappy but this was the course she had adopted.

Tax troubles

To the amazement of Agatha, her agents in both the UK (Edward Cork of Hughes Massie) and the States (Harold Ober), towards the end of the 1930s she got into trouble with the tax authorities in both countries, trouble with ramified and complexified and ending up dogging her for decades. Thompson’s account begins on page 345 and then the theme recurs for the rest of the book.

As far as I can make out, the problem had two causes. Until the later 1930s Agatha had been categorised by the US tax authorities as a ‘non-resident alien author’ and so didn’t have to pay tax on income earned through the sale of her copyrights in the US, plus the increasing amount of movie and theatrical rights sales. All this changed when the US authorities decided that the wildly successful popular British novelist, Rafael Sabatini, did have to pay tax on the income he earned in the States. In 1938 the US tax authorities began to pry into Agatha’s affairs, quickly revealing how much she earned in the Sates and backdating her tax liability to the start of her career (in 1920). They started impounding her US earnings while the case went through the courts.

But in the meantime, back in the UK Agatha continued to live an upper middle class life, maintain her half dozen properties, with staff etc, and enjoy the high life, but with no income coming in from the States (p.359). She began to go into debt and borrowed to maintain her lifestyle. But at the same time, although she continued to be prolific and popular, wartime conditions in Britain also hit sales, revenue and publishers payments.

Then in 1945, the new Labour government put up tax thresholds to fund the welfare state and other policies, and people like Agatha, well off but not rich, were penalised.

A combination of all these factors means that the war years were marked by growing concerns about her income, her tax, and her lifestyle, worries which dogged her for decades to come.

The impact of war

Several novels Agatha published just after the war deal with its impact:

  • The Hollow (1946)
  • Taken at the Flood (1948)
  • The Rose and the Yew Tree (1948)

With their mood of restlessness and dissatisfaction (p.351).

The post-war

Thompson commences her account of Agatha’s post-war years with a couple of generalisations:

It was in the middle of the century that the phenomenon of ‘Agatha Christie’ really took off. In 1945 she was a popular and successful author whose new books always sold out a print run of 25,000. But by 1950 she was a global brand estimated to have sold 50 million books! And receiving increasing amounts of fan mail (p.361).

Two paradoxes about this:

1. It is generally agreed that this huge popularity came just as the quality of her novels began to fall away. In the 30 years from 1945 to 1976 she wrote a handful of outstanding books, but most of them war solid, reliable, formulaic. Not many matched the brilliance of the 20 or so year before (1926 to 1945) and especially ‘the period of intense, sustained creativity around the war which marks the high point of her achievement’ (p.356).

2. The other paradox is that her fame became truly enormous more from the adaptations of the books than the books themselves. Thus movie versions of:

  • Love From A Stranger (1937)
  • And Then there Were None (1945)

And theatrical adaptations of:

  • And Then there Were None (1943)
  • Hidden Horizon (adaptation of Murder on the Nile; 1944)
  • Murder at the Vicarage (1949)
  • The Hollow (1951)
  • The Mousetrap (1952)
  • Witness for the Prosecution (1953)

Not to mention radio, for example a series of weekly adaptations of the Poirot stories on American radio.

Goodbye

And with that, with Agatha having married off her daughter, undergone a period of prolific productivity, had a brief flirtation but remained fundamentally true to the man who rescued her wounded heart (Max), settling into middle-age and overweight, becoming a global brand but sinking into ever-murkier disputes with the tax authorities in two countries – I’m going to leave this biography. Maybe, when I’ve read the later books, I’ll pick it up and review the post-war years. But not now.


Credit

‘Agatha Christie: An English Mystery’ by Laura Thompson was published in 2007 by Headline Review. Page references are to the 2008 paperback edition.

Related reviews

Going Solo by Roald Dahl (1986)

What a fortunate fellow I am, I kept telling myself. Nobody has ever had such a lovely time as this!
(Going Solo, page 92)

In my simplicity I had thought that Going Solo was an account of Roald Dahl’s time in the RAF in Africa; I hadn’t realised it is simply the continuation of his autobiography, which had begun with Boy: Tales from Childhood (1984), that it picks up precisely where that book ended, and that the RAF memoirs form only a part of the book.

To be precise, the text starts with Dahl setting off in 1938 at the age of 22 for his first job, a three-year contract with the Shell Oil company in East Africa. Little did he or anyone else know that the Second World War would break out only a year later and that Dahl would volunteer for, and be accepted into, the Royal Air Force.

The book therefore falls naturally into two halves: his experiences as a civilian in East Africa and the RAF period. This latter can itself be sub-divided into half a dozen or so parts:

  • training in Nairobi
  • more training in Iraq
  • his crash in the North African desert and the long hospitalisation and recovery which followed
  • fully recovered and returned to service for aerial combat in Greece
  • aerial combat over Vichy Syria

Before he becomes increasingly incapacitated by blinding headaches and is invalided home, arriving back at his mum’s house three years after he left, and that’s where the narrative ends.

I also hadn’t expected it to be a children’s book. Even Dahl’s ‘grown-up’ stories have an element of cartoon simplicity about them. They tend to be packed with eccentric characters who perform grotesque actions except that, in the ‘adult’ books, in the Tales of the Unexpected stories or a book like Uncle Oswald, these often involve sex. In this book there are, as you would expect, quite a few deaths, some pretty gruesome. And yet the same cartoon simplicity, the noticing of odd characters with silly names, the sense that situations and people are rounded and simple, is basically the same as he uses in his famous children’s books, Charlie and the Chocolate Factory, The Twits and so on.

Thus the narrator of this book portrays himself as ‘a conventional young lad from the suburbs’ (p.3) and, in the Africa section especially, the main content focuses on the oddballs, eccentrics and freaks that he meets. This air of an innocent boy abroad in the crazy adult world is emphasised by two notable features of the text:

1. The way that each of the generally short chapters ends by including the text of one of the many, many letters he wrote home to his beloved Mother throughout the three year period, often repeating what we’ve just been told in the main text.

2. The photos. At various points Dahl tells us about cameras he’s bought (and which get stolen from him, as on a Greek airfield) and it’s clear he was a compulsive snapper. The book is liberally sprinkled with photos illustrating every step of his adventures, images which become increasingly dramatic when he sees action in Greece and which include photos of improvised airfields, crashed Messerschmitts and burned-out Hurricanes. The photos of him also bring out what a devilishly handsome young man he was, and freakishly tall, at a strapping six foot six.

Roald Dahl wearing flying helmet, goggles and scarf standing in front of a hedge

Roald Dahl aged 24 training to fly with the RAF in Nairobi

By ship to Tanganyika

In the opening chapters the narrator travels by ship, the SS Mantola, in the old, lazy style, across the Mediterranean, through the Suez Canal and into the Red Sea, but the focus isn’t on places and atmosphere or history. It is on the peculiar upper-class types who, back then, in the 1930s, ran the British Empire and were, without exception, ‘the craziest bunch of humans I shall ever meet’. There’s Major Griffiths and his wife who, every morning, run round the ship’s deck stark naked to keep fit; the elderly Miss Trefusis who eats fruit with a knife and fork so as to avoid the beastly germs on one’s fingers; Dahl’s cabin-mate, the improbably named U.N. Savory, manager of a cotton mill in the Punjab who, it turns out, is bald but wears a series of four wigs, each thicker and fuller than the one before, in order to give the impression his luxuriant black hair is growing, before its monthly trim, all to impress the Sikhs he employs.

  • On the SS Mantola just about everybody had his or her own particular maggot in the brain (p.3)
  • Everyone on this ship was dotty (p.12)
  • The man was as potty as a pilchard. (p.19)

These chaps and chapesses had generated a special lingo, a dialect incorporating numerous words from Swahili, Hindi and so on.

  • sundowner = evening drink
  • chota peg = drink at any other time of day
  • the memsahib = the wife
  • a shufti = a look around
  • shenzi = poor quality
  • tiffin = supper

Dahl arrives in Dar es Salaam, the Red Sea port of what was then Tanganyika and is now Tanzania, which he describes as made up of small white and yellow and pink buildings set on a sweeping bay of golden sand against luxuriant tropical jungle. Wow. Reminder that it is 1938, before the world was ruined by over-population, tourism and pollution. The whole book is like this, conveying a fairytale sense of wonder and joy at everything Dahl sees and everyone he meets, he is continually reflecting:

what a lucky young fellow I was to be seeing all these marvellous places free of charge and with a good job at the end of it. (p.23)

The clarity of his prose and the untroubled enthusiasm of his schoolboy mentality makes this an extremely enjoyable book to read. Coming from such a modest background he doesn’t feel any class entitlement to the wonders of the Empire but is continually amazed and astonished at it – precisely as a schoolboy traveller back in time from our day might be.

Working for Shell in Dar es Salaam

Thus he is amazed to discover the Shell office in Dar es Salaam is run by just three Englishmen but set in a grand villa with an astonishing cohort of native servants, a cook, a gardener, and a ‘boy’ each. He is a personal valet who looks after every aspect of your clothes and shoes and rooms etc, but in return you were expected to look after him, his wives (at least two) and children. Dahl’s ‘boy’ is Mdisho. Dahl describes how one day he saved their ‘shamba-boy’ Salimu from being bitten by a black mamba snake and thus secured his undying loyalty.

He gets to be driven all around Tanganyika, visiting Shell customers in a wide range of farms and businesses, and revelling in the scenery and the wildlife, which is described as a boy would describe the wonders of a zoo, for there are lions! and hippos! and elephants! and zebra! Apart from the snakes. Dahl hates snakes.

Oh, those snakes! How I hated them! (p.44)

He is taking a sundowner on the terrace of a district officer, Robert Sanford, and his wife when a servant comes running round the corner of the house yelling that a lion is carrying away the cook’s wife. Sanford grabs a gun and gives chase so we have the comic sight of the lion loping along with cook’s wife between his jaws, chased by the cook, chased at a distance by Sanford brandishing his rifle, followed by Dahl wondering what he’s doing. Sanford fires a shot into the ground ahead of the lion who turns round and, seeing all these humans chasing him, drops the cook’s wife and canters off into the jungle. The cook’s wife is perfectly unharmed and gets to her feet smiling, and the whole crew return to the house where another drink is served and the cook gets on with preparing dinner.

Can this possibly have happened? Surely not as pat and neatly as he describes. The book is like this all the way through, perceived, imagined and written in the style of a crisp, clean children’s book. But, regarding this particular story, he goes on to write that the story became a legend and he was eventually asked to write up his version for the local paper, the East African Standard which paid him £5, his first published work. So maybe it did happen.

But whereas events like this in the hands of, say, Hemingway would have become a gripping insight into the eternal contest between man and beast, or in the hands of Graham Greene would have had a much messier ending involving someone’s adultery and guilt – under Dahl’s light touch it becomes a neat children’s story with a happy ending.

War breaks out

After a few more colonial adventures (the main one featuring ‘the snake man’, i.e. a little old European who specialises in catching poisonous snakes as and when they enter people’s homes) the Second World War breaks out on page 66 of this 223-page edition i.e. about a third of the way through.

To Dahl’s horror, he is conscripted by the captain of the King’s African Regiment and put in charge of a platoon of native soldiers (‘askaris’), armed with rifles each and one machinegun. He tells us that, as it had originally been a German colony (‘German East Africa’) there are far more German citizens in Tanganyika than all other European nationalities put together, and the army officer expects that, as soon as war is declared, all the Germans will try to escape on the one road which heads south towards Portuguese East Africa (nowadays called Mozambique). Dahl is ordered to stop them, and send them back to Dar where the men will be interned in a camp for the duration and the women and children remain free.

So he heads south in a lorry full of askaris. Like so many inexperienced young officers he has to rely on the experience of his (black) sergeant, who tells him where to stop and how to set up a roadblock. They camp for the night and the platoon cook makes a delicious meal of boiled rice and bananas.

Next day they get a phone call telling them war has, indeed, been declared and later that morning a convoy of German citizens in cars and vans arrives at the roadblock. In this account the German men get out of their cars holding guns and a young inexperienced Dahl finds himself confronted by the bullish leader of the convoy who refuses to return. He tells his comrades to start dismantling the roadblock and points his gun directly at Dahl. At which point a single rifle shot rings out and the man’s head explodes, his body falling to the road like a puppet. Dahl’s askaris emerge from their hiding places and the civilians mutely put down their guns, get in their cars and turn round, to be escorted to the camp by his lorryload of native soldiers (pages 59 to 70).

The thing is, in a story Dahl wrote a decade earlier, Lucky Break (1977), the shooting doesn’t happen. The Germans meekly turn around and return to Dar. Is this later version the true, unabridged version of events? Or a deliberately more violent and garish version, reflecting the uninhibited nature of culture as a whole, which became steadily more interested in graphic violence from the 1970s onwards? Or an old man (Dahl was 70 when this memoir was published) enjoying giving his readers the shivers?

Dahl joins the RAF and trains

In December 1939 Dahl enrols in the RAF. His employer, Shell, release him and continue to pay his salary for the duration of his service (!).

Dahl gives a beautifully boyish description of the long solitary drive from Dar up to Nairobi in Kenya, stopping to marvel at giraffes and elephants.

At Nairobi he is quickly inducted and taught to fly a Tiger Moth, which you started by swinging the big wooden propeller by hand, making sure not to topple forwards because then it would chop your head off. The text radiates boyish glee in the macabre and violent.

How many young men, I kept telling myself, were lucky enough to be allowed to go whizzing and soaring through the sky above a country as beautiful as Kenya? (p.90)

Once he can fly he is sent by train to Kampala, flown to Cairo, which was lovely, and then on to Habbaniya in Iraq, ‘the most godforsaken hellhole in the whole world’ (p.94) where he spends six months, from 20 February to 20 August 1940 (p.98) training in Hawker Harts.

Finally he ‘gets his wings’ and is transferred to RAF Ismailia on the Suez Canal, and posted to 80 Squadron, who were flying Gladiators against the Italians in the Western Desert of Libya. He is boyishly fascinated by the way the Gladiator’s two fixed machineguns fire bullets through a propeller rotating at thousands of times per minute (p.99).

He is stunned to be told no-one is going to show him either how to fly a Gladiator nor anything at all about aerial combat. He’s just going to be plonked in one and given the map co-ordinates of 80 Squadron and told to make his way there by himself. Here he makes the first of what become many comments and criticisms about the RAF and army’s lack of imagination and planning.

There is no question that we were flung in at the deep end, totally unprepared for actual fighting in the air, and that, in my opinion, accounted for the very great losses of young pilots that we suffered out there. (p.101)

He crashes

Dahl is at pains to point out that, although it was reported in the press that he was shot down by enemy planes, this was propaganda cooked up to make the incident sound patriotic.

On 19 September Dahl was ordered to fly his new Gladiator from RAF Abu Suweir on the Suez Canal to join 80 Squadron in the Western Desert. He refuelled at Amariya near Alexandria and flew on to Fouka. It is mind-boggling to learn that he had no radio and only a map strapped to his knee for guidance. The CO at Fouka gave him the co-ordinates of his final destination, the current 80 Squadron base, and he set off. But it wasn’t there. He flew up and down and round and round looking for it, as the desert dusk drew in and he ran short of fuel. He realised he had to make an emergency landing, tried to find a flat long stretch of desert and took the Gladiator down.

The plane hit a boulder at about 75 miles an hour. He regained consciousness to discover his nose was smashed, his skull fractured, he’d lost a few teeth and he couldn’t see. In one of the most vivid parts of the book, he describes the incredibly lethargy he felt, he just wanted to sleep, but the plane was on fire and eventually the scorching heat persuaded him to undo his straps and reluctantly leave the nice cosy cockpit and crawl onto the sand. Here he just wanted to curl up and sleep but, again, the fierce heat persuaded him reluctantly to crawl away towards the cool desert night.

Later he discovered the area he crashed in was no man’s land between the Italian and British front lines and that three brave British soldiers ventured out after nightfall to check the wreckage and were surprised to find the pilot had survived. They carried him back to British lines and thence began the long, complicated journey back to hospital in Alexandria.

Anglo-Swiss Hospital, Alexandria

In his clear, boyish style, Dahl vividly describes his prolonged hospital treatment. He spends around six months recovering from his injuries, under the care of the hospital staff, in particular nurse Mary Welland whose gentle ministrations to the swollen flesh around his eyes is calming and reassuring. He has various operations, including an adventure with a spanking new anaesthetic, sodium pentathol, which turns out not to work at all (pages 112 to 116).

Then one day, as Mary is laving his swollen eyes, one opens a crack and light floods in. For six weeks he had been blind, his other senses heightened. The return of light is a revelation (pages 118 to 122).

Dahl was discharged from hospital in February 1941, five months after he was admitted, and goes to stay with a wealthy English family in Cairo, the Peels.

When he reports to RAF Ismailia he is told 80 Squadron are now in Greece, and are no longer flying Gladiators, but Mark I Hurricanes. Once again he is thrown in the deep end, given just two days solo practice, the first time he’d flown a modern, super-speedy plane, the first plane with retractable undercarriage, with wing flaps, with a variable pitch propeller, with machineguns in the wings, that he’s ever flown.

Two days to teach himself then he’s ordered to fly solo across the Med to Greece. The Flight-Lieutenant tells him they’re fitting it with extra fuel tanks, but if the pump doesn’t work, he’ll run out and be forced to ditch in the sea. Then swim home.

Fighting in Greece

As soon as he lands his Hurricane at Elevsis airfield near Athens, the ground crew set him straight about the parlous situation. The entire RAF has just 15 Hurricanes and four clapped-out Blenheims. Dahl explains the background: the Italians invaded Greece in October 1940 but ran into unexpected resistance. The British government took a vital slice of Field-Marshall Wavell’s Eighth Army and planes and sent them to Greece in March 1941. When it was just the Italians to hold off, this was fine. But on 6 April 1941 the Germans invaded and began a steady advance which was to bring them to Athens just three weeks later on 27 April. The German Luftwaffe outnumbered the measly little RAF outfit by anything up to 100 to 1.

So Dahl had flown into an utterly hopeless situation, and the pilots and ground crew let him know it straightaway. Sending British forces to Greece had been a colossal miscalculation. Now the best that could be hoped for was managing their withdrawal. It was like Dunkirk but was being hushed up in the press.

Dahl immediately made friends with David Coke, in line to inherit the title Earl of Leicester, who is appalled to learn that Dahl has absolutely no idea about air combat whatsoever. Over a couple of pages he fills Dahl (and the reader) in on the basics.

There follow a sequence of absolutely thrilling and terrifying descriptions of aerial warfare. On his first flight he takes on a pack of 6 Junker 88s, apparently downing one but making every mistake in the book. The Squadron CO barely looks up when he tells him. Every day more men and planes are being lost. In the small ‘mess’ there are no friendships, people don’t talk. They are all alone with their thoughts, convinced they will all die within days.

Next day he tries to defend a British ammunition ship from attack, engaging with Stukas and being chased by what he says felt like 30 or so Messerschmitts to avoid which he descends right down to tree level, then fence level, terrifyingly dangerous. Did this actually happen or is the professional author in Dahl giving the reader a thrill for their money? It’s noticeable how many times he directly addresses the reader, as if in one of his children’s books:

You may not believe it but I can remember having literally to lift my plane just a tiny fraction to clear a stone wall, and once there was a herd of brown cows in front of me and I’m not sure I didn’t clip some of their horns with my propeller as I skimmed over them. (p.153)

There follows a chapter packed with incident as he details the four consecutive days leading up to the Battle of Athens:

  • 17 April he went up 3 times
  • 18 April went up twice
  • 19 April went up 3 times
  • 20 April went up 4 times

They try to defend ships in Piraeus harbour from German bombers. On 20th the entire squadron of 12 Hurricanes is sent up to fly over Athens to try and bolster morale, led by legendary air ace Flight-Lieutenant Pat Pattle, but of course the Germans send hundreds of Messerchmitts after them and it turns into a mad bloodbath. His description of the intensity of split second perceptions required continually is amazing.

Dahl survives but five of the 12 Hurricanes were lost. After he lands he finds he is drenched in sweat. His hands are shaking too much to light a cigarette. He has stripped and is washing alongside his friend David when the airfield is strafed by Me 109s.

Amazingly all seven planes survive and the Messerschmitts don’t return, probably expecting the little airfield to be heavily defended, not knowing it is only protected by one measly Bofors gun.

Next thing Dahl and the other 6 are ordered to fly to a new landing strip along the coast, near Megara. The existing ground crew will decamp with all tents etc that evening. Next morning the seven pilots awaken to a camp stripped almost bare. There’s no mess tent, no cooks, no food. As dawn breaks they climb into their planes, assemble at 1,000 feet and fly down the coast to Megara.

They land in a field which has been rolled flat. There is absolutely no-one else about. They wheel the planes into the cover of olive trees and climb a ridge from where they can see the sea. There’s a large oil tanker 500 yards out. They watch as Stukas dive bomb it, blow it into a fireball, and watch as the crew leap off into the flaming water and are roasted alive (pages 174 to 175).

The ground crew and other ancillaries arrive in lorries and set up tents. Again the pilots ask why the devil they’re not being sent straight to Egypt. They conclude it’s so that propagandists/the Press/the government can claim that the RAF stayed till the bitter end to protect ‘our troops’. Words like ‘mess’, ‘balls-up’, ‘muddle headed’, ‘incompetent’, ‘terrific cock-up’ sprinkle the text. The Commanding Officer unhappily tells them they have to stay.

A flight of Messerschmitts flies over. Their new base has been rumbled. They calculate they have an hour and a half before a bombing raid returns but the commanding officer idiotically refuses to let them take off and be prepared. Instead they must wait till 6pm on the dot and then fly off to cover the evacuation of troops. a) this gives the Germans exactly the right amount of time to return and shoot up the new airbase, killing one pilot in his plane as it is taking off and b) when they get to the location where they’re told they’re meant to be protecting the troops, there’s nothing there: no troops, no ships. In actuality the troops were being disembarked down the coast at Kalamata where they were being massacred by Ju 88s and Stukas. Another complete cock-up.

When they return from this pointless errand they find the new landing base has indeed been heavily bombed and have to land in smoke. In a hurry the Adjutant finally orders five other pilots to fly the five remaining Hurricanes to Crete, all other pilots to take a lorry and cram into a de Havillande Rapide. This includes Dahl. He carries his Log Book and crams in next to his buddy David.

Two hours later they land in the Western Desert and catch a truck back to Alexandria where the superbly well-mannered Major Peel and his wife immediately put their entire mansion at the disposal of nine filthy, hungry, smelly, penniless pilots.

‘The whole thing was a cock-up,’ someone said.
‘I think it was,’ Bobby Peel said. ‘We should never have gone to Greece at all.’ (p.195)

Although whether Bobby Peel actually said that, or even existed, is a moot point, given the neat roundedness of so many of the facts and anecdotes in this account.

So what comes over very powerfully indeed is the stupidity and futility of the short-lived British expedition to Greece. On the last page of this section Dahl gives his opinion straight, which is that diverting troops and planes from the African desert to Greece fatally weakened the Eighth Army and condemned it to years of defeats against the Germans under Rommel who at one stage threatened Cairo and thus the entire Middle East. It took two years for the British Army’s strength to be rebuilt sufficiently for them to drive Rommel and the Italians back into Tunisia and ultimately win the war in the desert.

Fighting in Syria

Lebanon and Syria were French colonies. When the Vichy government came to power in France, the French forces in Lebanon and Syria switched to the Vichy side and became fanatically pro-German and anti-British. They could obviously provide beachheads for the Germans to land in the Middle East and so threaten a) our oil supplies from Iraq b) the Suez Canal, our gateway to India (and large numbers of Indian troops). Which is why there was a bitter and hard-fought battle for control of Lebanon and Syria which pitched British, Australian and South African forces against the Vichy French.

In May 1941 80 Squadron were redeployed to Haifa in northern Palestine. They consisted of 9 pilots and Hurricanes and their task was to protect the Royal Navy as it pounded Lebanon’s ports. Dahl briefly describes a series of run-of-the-mill sorties, during which 4 of the 9 pilots were killed.

He spends much more time describing a solo mission he was sent on, to go, land and reconnoitre a satellite landing field 30 miles away. Here he discover a strip of land which has been flattened but has absolutely no other facilities whatsoever. It is ‘manned’ by one tall old man and a surprising legion of children.

It’s a peculiar scene, whose sole point is that the old man and the children are Jewish refugees from Nazi Europe. Dahl goes out of his way to demonstrate his naivety on the Jewish Question, and emphasises that he has been totally out of touch with European news for 2 years, and so simply doesn’t know about the escalating Nazi attacks on Jews (p.208). Which explains why he doesn’t understand what the man means when he says that he and the children are refugees, and really doesn’t understand it when the man says this is his country. What, you’re going to become a Palestinian, asks Dahl in his naivety. But the man is clearly a Zionist, clearly a believer that the Jews have a right to a homeland the same as every other nation on earth, and clearly believes that he and his comrades are going to build that homeland right here, in Palestine. Dahl is ‘flabbergasted’ at his attitude and, maybe, this is a good indicator of the lack of understanding of many British people and armed forces during and immediately after the war, as the Jews’ struggle to establish the homeland of Israel reached its climax.

Demobilised and return to England

Dahl continues dutifully flying missions from the Haifa base but during the month of June 1941 begins to suffer increasingly intense headaches, including ones which lead him to black out. The base medical officer reads his history, particularly the fractured skull from his crash, and orders him to cease flying. He is demobilised, takes a bus back to Cairo, catches a luxury liner to South Africa, then a troop ship which makes the perilous journey up the west coast of Africa, threatened by enemy planes but especially U-boats, eventually docking in Liverpool.

From here he makes phone calls to relatives and discovers his mother’s house in Kent was bombed out and so she’s bought a cottage in rural Buckinghamshire. It’s worth reminding that every few pages of this text includes excerpts from the letters he wrote to his mother regularly as clockwork throughout this period. Cumulatively, these convey a very close bond between mother and son. He catches a train to London, stays overnight at a relative’s place in Hampstead, then catches a train and a bus to his mother’s village, steps down from the bus and into his mother’s waiting arms, and it is with this moment that this exciting, eye-opening, boyish and fresh-faced memoir comes to a dead halt.


Credit

Going Solo by Roald Dahl was published by Jonathan Cape in 1986. All references are to the 2018 Centenary Collection Penguin paperback edition.

Roald Dahl reviews

War flying reviews

Second World War reviews

Over to You: Ten Stories of Flyers and Flying by Roald Dahl (1946)

Ten very early short stories by Dahl, all relating to the author’s own experiences flying for the RAF during the Second World War, and published in one volume the year after the war ended.

An African Story (1945)

A story within a story. The frame story is about a rebellious trainee RAF pilot in Kenya who one day flies so low he shears the head off a giraffe by accident. A few weeks later he is killed in a training accident and the ‘editor’ of the text says they found the following story among his papers.

The main text is a spooky and unpleasant story, set in Africa. A dirty miserly old man keeps a farm and the part of it that is relevant to the story is that each morning a slobbering idiot servant he keeps, named Judson, milks the one black cow who lives and grazes in the yard near the man’s house.

Judson is a cretin, slobbering at the mouth, doing what he’s told without question. At the start of the narrative, the old man discovers that the slobbering servant, who is hyper-sensitive to sounds (hyperacusis), has just whacked the old man’s dog with a stick and broken its back. Unpleasant. Why? Because it was making a ‘noise’ as it licked itself. Doubly unpleasant. The old man yells abuse at Judson then finishes the agonised dog off with a metal bar.

Judson is meant to milk the black cow once in the morning, once in the evening. On a couple of mornings in a row the cow has no milk. At first the old man accuses Judson of drinking it himself, but then he stays up all night cradling a shotgun and watching the cow, on the suspicion that maybe a native Kikuyu is sneaking in and stealing the milk.

In the event what he sees is strange: a massive black mamba snake slithers into the yard, rears its head and suckles the cow dry. The old man conceives a wicked revenge on Judson for killing his dog. He tells Judson it is a native boy sneaking in and stealing the milk, and he’ll get him, Judson, to lie in wait then jump out and beat him. So the old man gets Judson to dig a trench next to the cow and lie in it. Judson doesn’t like it because the cow is making a loud chewing noise which upsets him, but the old man covers him in straw and tells him if he pops up too soon he will shoot him dead.

The pair then wait up all night, the old man at the window with his gun, Judson in the trench. In the dark morning along slithers the huge black mamba snake and, when it is close to the cow and the trench, the old man yells at Judson to jump up and attack the phantom milk thief. Judson jumps up, the mamba leaps forward, biting him in the trench, and the story gives a long lingering description of his death throes.

As an amateur psychologist I’d say this story is overflowing with anger. Breaking the dog’s back is nasty and brutal but is only the preliminary for the contrive revenge which the old man takes. Now he hasn’t got a servant to help him. It makes no logical sense. It is a fantasia of super-human anger and vicious revenge. Was this streak in Dahl’s imagination already or is it a reaction to the war and the pointless deaths of so many friends?

Only This (September 1944)

An ageing woman alone in a cottage in the south of England hears the thundering of an immense flight of bombers flying overhead, pulls her armchair to the open window and imagines she can see her son flying one of them and slowly, as in a dream or nightmare or horror story, finds herself actually present in the cockpit as the the plane heads into flak over the enemy target, as a wing catches fire, then a sudden explosion, the cockpit fills with smoke then flames, the pilot heroically battles to keep it flying straight as the rest of his crew bail out, then slumps forward as the bomber begins its death fall.

At which the narrative cuts back to the woman in the chair by the window as dawn glimmers and the first roar becomes audible of the bombers returning. This short intense vision ends with the fact that the woman herself has died.

Katina (March 1944)

Quite a long narrative, packed with factual detail based on Dahl’s short period flying Hurricanes during the Battle of Greece, as the British force sent to try and hold the country was overrun by the German army and Luftwaffe.

It centres round the symbolic figure of a 9-year-old girl, the Katina of the title, who the narrator and his friends rescue from a bombed village where her entire family has been killed and who becomes a mascot to the entire squadron, is fed, dressed and looked after by all of them, even as German attacks become more intense, as the Germans strafe and bomb their airfields. There is a lot of affecting detail about the impact she has on the men of the squadron, her friendship with a flyer named Fin, how she is officially enlisted onto the squadron’s membership, given a tent of her own, invited to eat at all the meals and so on.

It rises to a visionary intensity when (spoilers) at the end, a huge flight of Messerschmitts is strafing the British airfield, everyone has run for the deep slit trenches but they all see Katina get out and run into the heart of the airfield, clenching her fists and defying the invader who murdered her family. Which is magnificent by a Messerschmitt fighter machine guns her to death. All the men run out to her but the doc concludes she’s dead but here’s the thing – in a non-realistic passage the narrator has a vision of flames within flames, of an intense red fire flaring up in the hearts of all the people of Greece.

All the story up till then had been underplayed, written in a muted, understated style which, for example, casually mentioned that this or that pilot didn’t return from a mission, as one by one they’re picked off. Which makes the florid efflorescence of this vision of fire and anger at the end of the story all the more startling.

Beware of the Dog (October 1944)

Opens with a Spitfire pilot badly wounded, his right leg blown away by enemy airplane cannon fire, struggling to make it back to Blighty. It is an exercise in describing the light-headedness and hallucinations resulting from loss of blood. The pilot manages to bail out and tumble through thousands of feet of cloud spinning round and round and this very cleverly turns into the alternation of day and night at the hospital where he finds himself when he comes round with no memory of how he got there.

The kindly nurse tells him he’s in a hospital in Brighton and is very kind and carefully gives him bed baths, he begins to suspect he is not in Brighton, not even in England, he suspects he fell in enemy territory and is being softened up prior to a debriefing in which he will be encouraged to give away military secrets. So when a man dressed impeccably as a British Wing Commander arrives, he refuses to reply to his questions with anything but his name, rank and serial number.

At first I thought this was a story about his paranoia, not least because of the brilliant way the point-of-view descriptions of him tumbling out of the sky morph seamlessly into his lying in the hospital bed. But then I, also, began to suspect the nurse and the so-called Wing Commander who comes to interview him and the factual basis of his suspicions appears to be given when he painfully tumbles out of bed and crawls across the floor to a window, hoists himself up and sees that he is not in busy urban Brighton at all, but in a house in the middle of country and that opposite it is a house with a sign reading ‘Garde du chien’, French for ‘Beware of the dog’ (hence the title of the story). So he is in occupied France and the entire thing really is a clever setup to lull him into a false sense of security and allow the Germans to milk him for military information.

They Shall Not Grow Old (March 1945)

The narrator is a fighter pilot based in Haifa, north Palestine, flying sorties over Vichy France-controlled Lebanon and Beirut. His mates are ‘the Stag’, ginger-haired and the oldest flyer in the squadron at 27, and Fin. The story opens with Fin failing to return from a mission. His friends kick around in the sun and conclude he must have bought it. Tents and schedules and rations are reorganised. The commanding officer, ‘Monkey’, reports him missing.

Then a miracle happens. Two days after he failed to return the others hear the droning of an engine and Fin’s Hurricane comes into land. He gets out and walks towards his stunned colleagues. But he himself is staggered and then upset when they tell him he’s been gone 2 days; for him, it was just a normal mission, he flew over Beirut harbour, confirmed the presence of two French ships, and flew back. Why all the fuss. Monkey has to carefully explain that he’s been gone for two days. Fin thinks he’s going mad.

Slowly things settle down and next day he goes out on another flight with some of the other planes. One of their colleagues, Paddy, is shot down, and as his plane hits the ground Fin suddenly remembers what happened to him, and starts yelling on the radio that he remembers, he remembers!

Once they’ve gotten back to base and gathered in the ops room, Fin tells them a long, visionary story about how he was enveloped in white cloud and dove down and down to clear it but descended beneath the surface of the earth and there was nothing there, then he looked up and saw a visionary line of planes flying across the sky, and he knew it was a procession of all the dead flyers and he flew up to join it, all sorts of planes, allied and enemy, and they fly into a wonderful light, and he realises pilots about him have opened their cockpits and are waving like children on a rollercoaster, then he sees a vast airfield where all the planes have landed and he descends towards it, sees all the pilots getting out and walking towards a beautiful light, but suddenly his plane won’t land, he tries to force it to, but it resists all his urgings and climbs away, up into the clouds so that he loses sight of the vision altogether and then he was in his plane over the sea and flying back to the airfield and landed.

Well, his audience of fellow flyers is stunned. People walk away without commenting or asking questions. The daily routine resumes and they continue flying sorties. They know the Syrian campaign is coming to an end. On one of these sorties, Fin is shot down. The narrator shouts through the radio for him to bail out, but all they hear, as his plane hurtles towards the ground, is Fin yelling: ‘I’m a lucky bastard, a lucky, lucky bastard.’

Is this because he knows he is now, at last, going to fly his ghost plane towards the great light he saw? That this time round he is going to die for real, and go to heaven? Is that where the procession of planes he saw was heading? Was there some cock-up in his passage to the afterlife, and now, after a few days hiatus, he is filling his destiny?

The impact of the story is all the greater because the style throughout is so plain and understated, and because Dahl is very good at picking out the details of scenes – the feel of the heat on the airmen’s backs as they hang round the airfield, the noise of the planes, and a little sequence about Fin’s local girlfriend, Nikki, which helps make the real world setting that much more convincing – which all makes Fin’s vision all the more spooky and supernatural.

Someone Like You (November 1945)

Two pilots are getting really drunk in a bar. The conversation is punctuated by them asking the waiter for more drinks, even while agreeing that the beer is foul and the whiskey is worse. Doesn’t stop them and the reader realises it is part of the ‘therapy’. They have both seen terrible things, have terrible emotions coiled up inside them, getting hammered is the only way they can let it out.

The older more experienced one is a bomber pilot. He has a lot to get off his chest. He admits he hates his job, He’d rather be anything else in the world. He’s become obsessed by the thought that, when he’s over the target, just a minuscule jink on his rudder will shift the plane a hundred yards to the left or right, and will mean the difference between life or death for hundreds of people on the ground. He asks his drinking buddy to look round the nightclub they’re sitting in, then drunkenly points out that he’s killed many times the number of people in this room, hundreds of times more.

They have another drink and the bomber pilot tells the story of old Stinker Sullivan. He had an Alsatian dog he doted on and named Smith. One day the squadron was ordered to up sticks and fly to Egypt, immediately. Old Stinker ran round the airfield shouting for his dog which didn’t turn up. Forced to fly off without him. Here’s the point of the story: in the new base he slowly began talking to Smith the dog, referring to Smith, then taking him for walks, then telling him to ‘behave’ in restaurants. All the time there was no Smith there. Hallucination. Or comfort.

The point of the story is the three indicators of psychological damage, namely their determination to get drunk, the bomber pilot’s obsessive worry about the innocent people he kills, the powerful story of Stinker Sullivan going mad (four, actually, since the unnamed narrator shares his own irrational behaviour which is, after he’s gotten into a car, to count to 20 before driving off in order to prevent accidents).

Death of an Old Old Man (September 1945)

‘Oh God, how I am frightened’ is how this story starts. First-person account of a fighter pilot, tired after 4 years of combat, describing how terrified he is all the time he’s on the ground, in the mess, preparing the plane, a state of continual anxiety and terror. Once he’s up in the air his computer mind takes over, making split second decisions. The Spitfire becomes an extension of his body. He has a long duel with a Focke Wulf somewhere over Holland, which ends with them flying towards each other and shearing each other’s wings off. The narrator bails out and parachutes down into a field, at the last minute realising he’s heading straight for a cows’ muddy drinking pool. The chute falls on top of him and he is struggling up to his chest in water with the huge tangled canopy when he hears steps and the enemy pilot jumps onto him, seizes him by the neck and drowns him.

Except he doesn’t die. His disembodied consciousness watches the struggle from a distance, watches the German flyer emerge from the pool dragging a wet bundle (his own body) drop it and stomp off across the field. And the consciousness of the dead pilot pursues him, talking to him, the German reacts with terror and starts running, the dead pilot considers following him but then decides to go and have a lie-down among the primroses and violets.

So a lot happens. There’s a lot of information packed into a small space. First the semi-nervous breakdown of a pilot cracking under the strain. Then the beautiful description of flying a Spitfire meshing with the intensity of aerial combat. Then the panic of parachuting from a stricken plane. The gruesome struggle in the muddy pond. And then the ghost story ending. Amazingly, this intensely male, haunted and violent story was first published in the Ladies’ Home Journal in September 1945, one month after the end of the war.

Madame Rosette (August 1945)

The longest story of the collection, at 41 pages, in which two pilots who we have met in other stories (the Stag, Stuffy) go for a night on the piss in Cairo, picking up a young pilot from 33 Squadron, William, along the way. There is a great deal of background colour, about the sights and smells of Cairo, descriptions of hotels and bars, and a lot of comedy, for example when they decide to befriend and buy drinks for two local men in a belly dancing club and discuss the relative merits of thin women versus fat women.

But the core of the story is that, earlier that day, Stuffy had been enchanted with a woman who served him in a shop and is surprised when the Stag explains that any woman in Cairo can be bought, if you have enough cash. He explains there is an ageless brothel keeper named Madame Rosette, and if you give her the young woman’s details, she will send a pimp to the shop in question and make the woman in question an offer she can’t refuse. Then Stuffy will be able to ‘take her out’ for dinner or a dance or whatever, confident in the knowledge that they’ll end up having sex.

Initially Stuff is intoxicated by this revelation, and gets Madame R’s phone number off the Stag and rings her (from the bar where they’re drinking, kept by an Englishman named Tim) at the last minute giving a fake name, claiming to be one Colonel Higgins, describing the woman who served him and the shop, and Madame Rosette says she’ll see what she can do. Without thinking Stuffy gives her the phone number and room number of the hotel they’re staying in.

To cut a long story short, as the day progresses Stuffy comes to have second thoughts, gets increasingly nervous at both the cost and the squalor of the deal and eventually gets the Stag to ring Madame Rosette back to cancel the deal, holding the phone at some distance from his ear to avoid the barrage of abuse she unleashes.

So then they bathe, dress and head out for a night on the town. But something the Stag mentioned has stuck in Stuffy’s mind, the notion that Madame Rosette’s brothel is staffed by women who have been coerced into prostitution and then blackmailed to remain in it.

Eventually, completely drunk, the three pilots decide to ‘liberate’ the prostitutes and take a horse-drawn carriage to Madame Rosette’s where they bluff their way past the enormous bouncer, demand to see the Madame herself, and tie and gag her in her office, before bursting into the room containing the hookers in various states of undress, announce with fake officiality that they are the Military Police and frogmarch them down the street to the nearest bar, where all military pretence collapses and it turns into a wild party, ending with the three pilots each taking a horse-drawn cab to deliver back to their homes the ‘liberated’ prostitutes all except for the three who have taken their fancy.

Why do young men join the army? Well, you couldn’t behave like that in Huddersfield or Hackney, could you?

A Piece of Cake (1945)

An account of Dahl’s crash in the desert, which he described more fully in the memoir Going Solo. The facts are more or less the same, including the name of the airfield he took off from, but he omits the basic fact that he was given the wrong co-ordinates for the airfield he was meant to be flying to and ended up circling round empty desert looking for it till his gas ran out, he was forced to make a crash landing and really did crash, his face violently thrown against the windshield, smashing his nose, dislodging a few teeth, knocking him unconscious, hitting his forehead so hard all the skin swelled up and effectively blinded him.

This version includes one of the most powerful elements of the incident which is the way he felt so sleepy, so lethargic, he just wanted to curl up in a ball and go to bed and found the increasing heat (his cockpit was on fire) really boring and only reluctantly could persuade himself to move, only then discovering he couldn’t and how it took a long time to realise this was because he was still strapped in and even longer to realise how to undo his straps and topple out of the cockpit onto the desert.

What distinguishes this version from the one in Going Solo is that it includes a number of vivid hallucinations, described at great length which, presumably are the result of the morphine or painkillers he was given back in hospital.

(It is itself a revised version of the original article which appeared in the Saturday Evening Post titled Shot Down Over Libya which gave the entirely misleading impression that Dahl was shot down by enemy action rather than running out of gas and attempting an emergency landing.)

Yesterday Was Beautiful (1945)

An unnamed British fighter pilot has bailed out and landed safely enough, on a Greek island, but sprained his ankle so walking is difficult. He hobbles into a dusty village which seems to be deserted. He notices an old man sitting by a water trough and asks him if someone has a boat to take him across to the mainland. The man thinks about it and says, yes, there is a man in the village who can help, a Joannis Spirakis. But his house was hit this morning by a German bomb and obliterated. So he is staying in the house of Antonina Angelou. But be aware that her daughter was in the house when it was bombed and killed. Her name was Maria.

So the pilot hobbles down the little main street to the house the old man indicated and knocks and the door is answered by a woman all in black who takes him through to a kitchen where sits a very old, shrivelled up old lady. She asks him about the Germans, how far away they are. They will be on the island soon. Then she asks him how many he has killed. Then she tells him to kill them all, every man, woman and baby.

Only after delivering this angry rant does she come back to his question, about the boatman Joannis Spirakis. She gets up, little shrivelled old creature, and walks him back to the front door and points up the little high street to the old man the pilot first spoke to. That, she says, is Joannis Spirakis.

It’s a very powerful short (8 short pages) story, told in a minimal prose style and conveying the unbearable pain and suffering, the dislocation and madness, of war.

Thoughts

1. The irrational

I came to this collection from Dahl’s war memoir Going Solo which was published in 1986. That book is, for the most part, rational and factual. Therefore the most striking aspect of these stories from 40 years earlier, right at the start of his career, is the way they focus on the irrational, the weird, the uncanny and the hallucinatory. On at least two occasions people seem to live on after their deaths – in fact we are given powerful visions of a pilot’s afterlife, along with the mother who dies when her son’s bomber crashes: the ten stories feature at least three ghost stories.

There are plentiful hallucinations, the three ghost stories being examples, along with the description of the pilot bailing out and tumbling through the clouds in Beware of the dog and the final fiery vision of the narrator of Katina. Most of the account of his crash in the desert in fact skips over the incident itself in order to describe at length a number of vivid and strange hallucinations he has.

Then there are the strange mental states explored in Yesterday was beautiful and the disturbed mental state of the bomber pilot in Someone like you.

This is all extraordinarily strong meat – very fierce psychological states, deeply disturbed individuals, visions and hallucinations littered with sudden violent deaths. They are written in Dahl’s crisp and understated prose but that makes the sound of screaming feel even louder.

2. Dahl and Hemingway

As I read through the stories it became obvious to me Dahl was deeply influenced by Hemingway. He uses very simple language and simple syntax. For example, rather than using commas to separate items he’ll write ‘and x and y and z’. He never uses contractions; he always spells everything out:

I did not use the altimeter… I do not know how long I sat there…

These are small things but they make the language feel stately, almost like the Bible at moments. I began to get irritated by his predilection for the word ‘upon’ instead of the more obvious ‘on’. ‘He laid it upon the table’.

The sun was hot upon their shoulders and upon their backs

He uses the simplest adjectives – good, bad, the simplest opinions – ‘it was fine’. Here’s an example from They Shall Not Grow Old:

We had only six Hurricanes in the air; there were many of the Junkers and it was a good fight.

The Hemingway thing is not to use contractions or short cuts or slang, but to spell everything out in a lightly mannered explicitness. Whether or not Dahl wrote like this earlier who can say. But all these stories bear the same hallmark of extreme, Hemingwayesque simplicity of style and syntax.

There is a direct parallel with the context of Hemingway’s earliest stories. Hemingway served as an ambulance driver with the American Red Cross in Italy during World War I and his earliest stories, the ones collected in In Our Time, describe men trying to manage the extremely powerful emotions triggered by the terrible sights and experiences of war. The plainness of the style is in deliberate contrast with the terrible events witnessed and the riot of awful emotions the protagonists are struggling to suppress and control. Very tightly controlled mania.

In this respect, in their context – the memories of combat and the wild thoughts and feelings unleashed by it, all controlled in an artificially plain and deceptively ‘simple’ style – Dahl is not just copying a ‘style’ but an entire strategy, an entire way of thinking about what writing is for.

6-foot-6 Roald Dahl (28) and 6-foot tall Ernest Hemingway (45) in London in 1944

I thought I’d been reasonably clever figuring this out from the style alone, but then 30 seconds on Google showed me that there was a well-known real life connection between the two authors. Dahl actually met Hemingway when the great man came to London working as a journalist during the war, and on the Roald Dahl Foundation website there’s a page about a student who wrote asking Dahl his advice about writing short stories, and Dahl replied telling him to ‘study Hemingway, particularly his early work’.

In that reply Dahl only mentions one aspect of Hemingway’s style i.e. use as few adjectives as possible, but hopefully my little analysis shows that the two writers had more than just that in common. It’s about using a minimalist style in the context of suppressed emotion that gives this approach its power.


Roald Dahl reviews

Mussolini: His Part in My Downfall by Spike Milligan (1978)

I was determined to pursue the matter to its illogical conclusion.
(Spike summarises his methodology in Mussolini: His Part in My Downfall, page 8)

I was getting twitchy, doing nothing positive for so long. I had started talking to myself and I wasn’t satisfied with the answers.
(Spike beginning to lose it, page 60)

Mussolini: His Part in My Downfall is the fourth of Spike Milligan’s seven (!) volumes of war memoirs. It covers the period from his regiment’s landing in Salerno, Italy, on 23 September 1943 to the date he was invalided out of the front line with nervous exhaustion in March 1944.

Longer, seriouser

Although covering a period of just under six months, the text, at 288 pages, is longer than the two previous volumes put together. Although the relentless gags and wisecracking are similar, the Hitlergams have, mercifully, ended (actually, he sneaks a few through, e.g. p.139) and there are far fewer visual elements i.e. photos, sketches, cartoons and so on, than in previous volumes.

There are still quite a few photos but they are documentary and factual, in the sense that they show members of his brigade, tanks, lorries crossing Bailey Bridges and so on. Mind you, although of military subjects, Spike still comes up with some funny captions. I laughed at the photo of squaddies working on setting up a Bailey bridge across a river where the caption tells us that ‘the ugly soldiers’ were told to face away from the camera.

But overall the tone is quite a bit more serious than in the previous volumes and quite a few passages are entirely serious in intent such as the description of: air attacks, of devastated Italian villages, of the fury of Allied attacks on German positions, the terrible scenes after a direct hit on a neighbouring battery, and so on. It has a permanent edge, a barely suppressed anger which I didn’t feel in the previous volumes (see final section, below, for examples) all building up to the intense and unhappy final passages of him being wounded and psychologically traumatised, returned to the front too soon, bullied for being a coward and then his final collapse.

Spike is peeved

The more earnest tone is set by the surprisingly cross preface or author’s note preceding the text. Spike had been really nettled by a review by Clive James of one of the previous books which jovially referred to it as ‘an unreliable history of the war’. This upset Spike who, in this preface, goes to great lengths to insist that, on the contrary, the text is very heavily researched and completely factual.

All that I wrote did happen, it happened on the days I mention, the people I mention are real people and the places are real…I wish the reader to know that he is not reading a tissue of lies and fancies, it all really happened…I’ve spent a fortune on beer and dinners interviewing my old Battery mates, and phone calls to those overseas ran into over a hundred pounds…Likewise I included a large number of photographs actually taken in situ…

He goes on to mention 18 former colleagues by name for their help with documents, maps, photos and recollections. There are lots of photos but, as I mentioned, most of them are documentary i.e. factual photos of individuals in his battery or contemporary scenes – the silly Edwardian photos with humorous captions which littered the earlier volumes have disappeared.

He also gives excerpts from Alf Fildes’s diary and regularly includes written anecdotes from his best mate Harry Edgington (e.g. pages 120, 142, 234). In fact he mentions ringing up Harry (who had emigrated to New Zealand) and also calling Ken Carter (p.232), to confirm specific facts and memories.

This irritated preface ends with another (i.e. they also appeared in the previous volumes) tribute to his mates and their ongoing closeness, mentioning their twice-a-year reunions, and the text is sprinkled with references to meeting old comrades at reunions or at other events, decades later. These links to old comrades matters a lot to Spike and their importance comes over with far more urgency, and need, than in the previous volumes.

Day-by-day diary format

As with the previous three, it’s done in diary form. But in line with his irritation Spike’s diary entries are given in capitals and preceded by MY DIARY just to ram home the message that it all actually happened.

So what we read is the daily account of how Spike and the boys lived, day to day, with very little analysis, little overview of the campaigns he took part in, no detachment or distance. Instead this happens, and they take the mickey out of it – then that happens, and they make gags about it – then this happens and they all have a larf about it, and so on, for a surprisingly long 288 pages in the Penguin paperback edition.

Gags

Kidgell looks pensively out towards Italy. ‘I was worried about the landing.’
‘Don’t worry about the landing. I’ll hoover it in the morning.’ (p.9)

‘I thought you were a champion swimmer.’
‘Yes, but you can’t swim in army boots.’
‘You’re right, there isn’t enough room.’ (p.9)

Lunch was a mangled stew, lumps of gristle floating on the surface. Edgington said if you held your ear to it you could hear an old lady calling ‘Helpppp.’ (p.13)

Budden tells us, ‘We’ll walk to HQ and get fresh orders.’
I tell him I don’t need fresh orders. I’m perfectly satisfied with the ones I’ve got. (p.29)

Edgington is speaking heatedly. It’s the only way to keep warm. (p.68)

Ernie Hart was a nice lad with a quiet sense of humour, so quiet no one ever heard it. (p.123)

Outside I rubbed my hands with glee. (I always kept a tin handy.) (p.245)

Incidentally the boys themselves are aware that many of these gags are corny or stretched. He often recalls the bit of repartee then writes ‘(groans)’ afterwards (pages 102, 218).

‘I’m too bloody tired to smoke,’ he said.
‘Try steaming,’ I said. ‘It’s easier.’ (p.253)

They were joking on the battlefield, whistling to keep their spirits up, trying to encourage and cheer each other up and fairly often it seems stretched and contrived. I’ve pointed out in some of my reviews of thrillers that many of the classic thriller writers of the 50s and 60s carried the intense atmosphere of the war, its threat and peril, into civilian life; their protagonists carry it around with them. In the same way, maybe, we can say that Spike carried the rather desperate gagging which kept him and his mates going through the war into his civilian career, to great effect in the Goon Show but with diminishing returns after that.

(Incidentally, more, if very casual, information is thrown on the origin of the term when Spike tells us that it was a common nickname for Gunners like himself to be referred to as Gooners or just Goons. And at one point he parodies someone referred to as Florence Nightingale, saying they were more like Florence Nightingoon, the Lady of the Lump, p.135.)

(A few days after reading Spike I was reading Fitzroy Maclean’s war classic, Eastern Approaches’, and came across references to him and fellow members of the SAS listening to Tommy Handley and It’s That Man Again on the wireless and went to listen to some on YouTube. It’s immediately obvious that Handley’s humour uses the same kind of bad puns and deliberate misunderstandings as Spike – ‘I’ve been taking a walk, and if anybody else wants to take it, they can have it. I’ve finished with it’ – making me realise that Spike was peddling the same kinds of gags into the late 1970s that he’d grown up listening to in the 1930s. A proper appreciation of where he was new or innovative would have to start with a really thorough understanding of the British comedy landscape of the 1930s, something which is way beyond my scope.)

(Deliberately?) bad proofreading

Mussolini: His Part in My Downfall is written in a deliberately flaky style. Lots of the sentences contain three or four or five clauses just separated by commas which would be better broken up into shorter sentences by full stops. There are unnecessarily hyphenated words, unnecessarily capitalised words:

  • He stayed for launch, a lovely Stew (p.108)
  • Bentley has diagnosed his own illness as Malaria only to have another doctor diagnose it correctly as Jaundice. (p.136)

Both together:

In the dark night the war went on, being able to sleep peacefully, dry, snug and warm was I suppose, Luxury. (p.144)

There are occasional grammar errors (‘This bloody army were food mad!’, p.98) and erratic typographical gaps or breaks between main text and quotations (from other people’s diaries or letters etc). And regular outbreaks of multiple exclamation or other punctuation marks:

An OP has been established on Monte Croce. Not again! Rain!!! Where does the stuff come from?? (p.104)

The overall effect is of deliberate scrappiness, like a scrapbook, like a kind of student mag or fanzine, as if this adds to the spontaneousness and wackiness of the text, as if breathless sentences and random capitals make it all more wacky and humorous.

Same goes for the misspellings. He talks about ‘the Scotts’ (p.47) or a ‘recoco chair’ (p.67), describes his Major playing the clarionet (although that one’s debatable, p.82), refers to ‘the Bosche’ (p.94), writes ‘Above us the battle was going on full belt’ (p.278). My point being some of these are such egregious errors no professional proofreader would have missed them, so it must have been a conscious editorial choice – all of it, the caps, the misspellings, the bad punctuation, the random caps…

Maybe the manuscript arrived like this from Spike and the editors decided to leave them in to increase the sense of wackiness and improvisation. But then the whole thing was supposedly ‘edited’ by Jack Hobbs, so it was clearly a high-level decision to let it be like this.

Sex

They’re young, fit, healthy men so they think about sex all the time, a great deal of the banter is about sex and, being men, this means rude observations about the size, shape and state of each other’s penises. Any woman – our nurses or Italian civilians – will be mercilessly ogled.

‘Buon giorno, Maria.’
She smiled and blushed, the innocence of Italian country girls was something to see. Something else to see was the top of her stocking tops when she bent over. (p.171)

Travelling on the back of a lorry, the sight of a pretty girl immediately erupted into mass drooling until she was out of sight. (p.194)

There were loads of pretty girls who came under fire from the tailboard. The cries ranged from ‘I can do you a power of good, my dear’ to the less poetic ‘Me give you ten inches of pork sword, darlin”. (p.218)

Not just unacceptable but illegal, these days.

There are the usual half-disguised references to masturbation, which must have been rife (and again I refer the reader to Eric Newby’s mention of men masturbating every night in his prisoner of war camp) (pages 154, 265).

There’s a running joke that Edgington doesn’t join in chatting up every ‘bird’ they see and certainly doesn’t go to the two brothels described in the text; instead he writes long letters to his sweetheart back home, Peg, the joke being that the more he writes the more he remembers having sex with her, the more aroused and frustrated he becomes, for example pages 86 and 87:

At the mention of Peg his eyes went soft and his trousers boiled.

Some of the sex slang was new to me. A simple-minded soldier refers to squeezing liquid mud through the holes in a hessian sack so as to create little worms of mud spaghetti as ‘sexy’. To which:

‘Sexy?’ said Bombardier Fuller. ‘You must be bloody hard up for it if you get the Colin’ watchin’ that.’ (p.130)

‘Get the Colin?’ Later he refers to vaseline by its navy nickname ‘starters’, as in ‘a pot of starters’ and goes on to explain that if the reader doesn’t understand this they should contact Royal Navy PR, as ’70 per cent of the officers are Gay up there’ (p.137). So he is aware of homosexuals, I had been wondering (and p.158).

Race

Spike refers to Indians as wogs (pp. 16, 133) and to Black people using the n word (pages 133, 195) and ‘coon’ (as in ‘Coon-type singing’, p.265) – though not all the time, he also refers to Blacks as ‘negroes’ (p.182) or ‘coloured’. In other words he used (or was depicting) the idiom of the time. It feels done without malice, because (re. ‘wogs’) he was raised in India and liked the culture and people and (re. the n word) he was a massive fan of Black jazz music. Still, the modern woke reader should be warned.

The politically correct would also be incensed by the three or four times the lads do cartoon impersonations of imagined Black servants on a southern plantation from a Hollywood movie (‘Gone with the Wind’ had been released just four years earlier, 1939). Thus, when his mate Edgington turns up at a new billet:

‘Welcome home, young massa,’ I said. ‘De plantation ain’t been de same widout you.’ (p.254)

It’s the idiom of the day and it’s spoofing a popular movie (1943) but it does, admittedly, have an extra edge of satire or sarcasm or needle. Given a choice Spike always prefers the slangy or disrespectful term for anything (the Germans, the army, officers, soldiers as a whole, the Brits, himself, anything if it’ll raise a laugh). It was part of the humour of the day, but double edged. He can never mention Gunner Kidgell without called him ‘short-arse Kidgell’. And he refers to the Italians throughout as ‘Itis’.

Spike is also very aware when people are Jewish and, again, invokes stock stereotypes of Jews i.e. being tight with money or being in the rag trade in the East End (pages 160). I think I remember from the 70s that calling someone a ‘Jew’ was an insult indicating that they were tight (with money). Unacceptable these days, and has been for some time. He mentions someone being Jewish or Jews in general, often emphasising their alleged tightness with money, on pages 160, 193, 198, 202, 223, 258, 271, 274.

At one point an attack by German Messerschmitts forces him and comrades to run naked from showers and jump into nearby slit trenches for protection. But what bothers him is not the risk of getting killed but that he left all his money in his battledress hanging up outside the shower. The second the danger’s over, he goes running back.

Thank God! Money was safe! I just have Jewish blood. (p.258)

Events

The journey aboard ship from North Africa to Italy. Landing on Salerno beach, unopposed because it’s secure, but with the wreckage of fierce fighting all around. Journey up into the hills and then a long slog of positions taken up by his artillery battery, Battery D.

Almost immediately he comes down with sand fly fever and is taken off to hospital for a week long interlude of clean sheets, decent food and pretty nurses. But he starts to go round the bend with boredom and is relieved to be one day collected by a truck and taken back to his mates on the battery. Here, as in every memoir I’ve ever read about war, it’s about friendship, mateship and camaraderie rather than any grand cause.

The new-found seriousness extends as far as an argument he gets into with a northerner who sings the praises of Gracie Fields and George Formby who Spike cordially loathes, explaining that he is a devotee of the Marx Brothers and Bing Crosby (p.54). (Regarding styles of humour, later he hears a broadcast by ITMA and thinks ‘corny bastards’, p.256).

There’s still quite a lot about music, they hear the kind of big band jazz they like on the radio, in an Italian church they discover a piano and play Cole Porter (in fact they perform and sing some Cole Porter but then the Italian priest sings plays and sings some Verdi opera thus trumping them). Othertimes they perform with what they have, including one night they have a little performance with an ocarina, guitar and shaken matchbox, with the others joining in banging mugs (p.138).

He visits the ruins of Pompeii (pages 51 to 53).

Spike’s job

I’d read his descriptions of his duties in volume 2 but it was only in this one that it was made unmistakably clear that Spike’s job was ‘wireless operator’ for an artillery battery (p.46) i.e. laying (or retrieving) phone cables, then using radio sets to co-ordinate with other observation posts to target artillery fire accurately at enemy positions, as described pages 76 to 77.

His battery constantly move to new positions as the front line advances, and enemy planes fly over and occasional shells land nearby but he is repeatedly grateful that he’s not in the poor infantry, sent forward into withering machinegun fire.

The Germans slowly retreat into the mountains which the poor bloody infantry have to storm while Spike’s battery and many others lob shells up into the mountains. The main event is the rain: it rains incessantly, the tents, the men, their uniforms and equipment become sodden. The artillery stands become so sodden that the guns slip backwards or sideways when they fire. All their efforts become devoted to trying to find somewhere dry to shelter and sleep.

Maybe the most vivid scene, possibly the longest lasting all of three pages, is his vivid recreation of a concert he and his mates organised and staged on Christmas Day 1943, giving us the full list of acts, an impressive series of farcical performances and musical interludes.

Just days later they’re given four days’ leave in Amalfi which seems like Disneyland after the muddy farms they’ve been staying in. Memorable evening, standing on the garden terrace watching night fall over the bay, and then onto a cafe kept by a Cockney-speaking Italian momma who lays on an unprecedented feast.

In Amalfi he’s invited into a brothel and initially refuses all offers, preferring to sit relaxed, drink and get pissed, until – according to his account – the lady of the house dragged him into a bedroom and not only screwed him but paid him.

On 5 January they are moved to a new forward position just outside the village of Lauro.

15 January a direct hit on a gun emplacement, exploding munitions and burning four gunners he knows to death, with many other burns casualties. Happens in the middle of the night, Spike is up and running round helping as best he can.

He develops piles (‘the curse of the Milligans’), goes see the medical officer (MO) but there doesn’t seem to be any treatment short of having them operated on and removed. They go from painful to actively bleeding. Normally irrepressibly chirpy, this throws him into a depression (p.271).

The climax, Spike is wounded

On 20 January 1944 Spike is in pain from bleeding piles, depressed, and hasn’t had much sleep for two nights when a lieutenant asks for a volunteer to go and replace a signalman up at Tac HQ, which is near the front lines, also where their commanding officer, now regularly referred to as ‘Looney’ Jenkins, is based. Very reluctantly Spike volunteers and sets in train the sequence of events which will see him wounded and invalided out.

Alf Fildes drives him to Tac HQ which entails crossing the makeshift bridge across the river Garigliano, shrouded in camouflage smoke because the Jerries are throwing over lots of artillery. They pull up outside a cluster of farmhouse buildings which is Tac HQ. All round are dead German bodies no-one’s had time to bury.

the moment Spike arrives Major Jenkins puts him on the headphones and keeps him at it for 17 hours without a break (‘the bastard’), monitoring and sending radio signals, he even has to argue for permission to go for a piss. Machinegun bullets whine over the roof and shells land, some scarily close, shaking the buildings. His piles start to bleed and he feels at the end of his tether.

Then Jenkins orders him and three colleagues to go forward, under fire, to the observation post (OP) carrying batteries and a new 22 wireless set. They cross a field containing a recently hit Sherman tank, scramble up a gully full of cowering infantry and emerge into the open to climb up the hillside, tiered for agriculture, as machine gun bullets and mortars land all around.

They all throw themselves to the ground then Spike remembers lying on his front, then a terrific explosion and he’s lying on his back, regaining consciousness, seeing red, strangely dazed (p.278).

He knows if they stay there they’ll be sitting ducks and turns and scrambles back down the mountain. Next thing he knows he’s talking to Major Jenkins crying his eyes out – the major tells him to get his wound dressed and he realises he’s wounded in the right thigh, couple of inches long quarter of an inch deep, but it’s not the wound, it’s the shaking and the crying – he’s put into an ambulance, given pills, in a gesture of kindness he’ll never forget, comforted by another wounded man – then he’s on a stretcher, loaded into a Red Cross truck – arrives at a camp and tent and bunk…

Next morning he’s woken up by an American band playing reveille – an orderly tells him he’s at camp 144 CS and has been categorised as suffering from Battle Fatigue – bereft of any kit he goes to the American camp where, true to form, the Yanks are fantastically generous, giving him a towel, razor soap etc and Spike starts crying Thanks – it’s not the wound that bothers him it’s the way he can’t stop crying…

He’s taken to see a psychiatrist who’s an army captain who tells him, rather threateningly, that he will get better, understand? He’s given a hot dinner and more tranquilisers –

On 27 January, just a week later, far from rested and recuperated, Spike finds himself back with his battery, still in the same position outside Lauro but he feels broken…

I was not really me any more

The spring that made me Spike Milligan was gone (p.284)

He has stopped crying but can’t stop stammering – Major Jenkins gives him a dressing down for being a coward and he is stripped of his one stripe i.e. demoted from Lance Bombardier back to Gunner. He is taking the pills prescribed him at the hospital which deprive him of his old personality.

I am by now completely demoralised. All the laughing had stopped. (p.284)

In retrospect, Spike thinks that if they’d given him a couple of weeks rest he might have bounced back, but being sent straight back and then shouted at by the martinet Major finished him off. After a couple of days he can’t take it any more and is driven away from the Battery, no longer to serve, never to see his mates again…

I felt as though I were being taken across the river Styx. I’ve never got over that feeling. (p.285)

Psychiatric hospital

10 February 1944. He is sent to a proper hospital, bright, light, clean, airy, miles behind the lines. Psychiatric ward. About 50 patients, most doped to the gills. Silence.

He is seen by a Major Palmer, a tough former boxer who suffers no malingerers but who accepts he is in shock. He is sent to a rehabilitation camp north of Naples.

Final collapse

Cut to a month later, 9 March 1944. Spike is now out of his unit and far from the front. He is taken to a terrible muddy camp outside a suburb of Naples called Afrigola. He is given a job in ‘reception’ i.e. in a tent at the gateway to the camp where he asks the same questions of new arrivals, fills in and files their paperwork. The last paragraph of the book tries to put a brave face on it:

Will Milligan recover? Will he get back to the big time among the Lance-Bombardier set? Above all, will he lose the stammer that makes him take four hours to say good morning? All this and more in Vol. 5, Goodbye Soldier, to be serialised in Gay News. (p.288)

So he ends the narrative by trying restore the cheeky chappy, zany character of the preceding text but, well, it doesn’t work.

(Incidentally the last gag isn’t homophobia, I think, just surrealism. It’s an off-the-cuff gag citing just about the last place the memoirs of girl-mad shagger Milligan were likely to be serialised.)

Shall I read volume 5? Volume 4 is not as funny as its predecessors and, at 288 pages, turned into quite a grind. Plus I always knew it was heading for this sad denouement. According to the blurbs volume 5 is just as long at 280 pages, and devoted to Spike’s personal battle with depression and psychiatric problems… Not a thrilling prospect, is it?

Class animus

Spike really hates their new commanding officer, the over-officious unbending Major Jenkins, ‘Fuck him’ (p.128) and this dislike curdles into outright hatred, citing everyone under Jenkins’ command who gave him the nickname ‘Loony’ for his impenetrably stupid orders.

He enjoys retailing stories of officers making wallies of themselves, like the officer who very grandly swanked into view of the battery, took out a shooting stick, unfolded it, sat squarely on it, and then it sank slowly into the quagmire till he fell on his back in the mud. How they laughed (p.76).

He is also thrilled to bits when the officers’ mess catches fire and gleefully describes how hated Major Jenkins runs into the flames to retrieve his belongings into a pile which some of the men (who all hate him), as soon as his back is turned, promptly throw back into the fire (p.152).

He contrasts Churchill meeting Roosevelt in the warmth and Cairo in some luxury hotel with the plight of him and his mates, living for weeks in soaking tents, wearing sodden clothes which start to fall apart and riddled with lice.

(Anti-officer stories or reflections on pages 164, 165, 202)

Spike doesn’t need to comment when he and a few comrades, who are billeted in farm outbuildings covered in centuries or ordure lay a phone line up to headquarters and open the door to the officers mess to find it a cosy clean billet with a warm fire and the officers all swigging whisky and laughing (p.195). The class resentment bubbles off the page.

Seriouser

I mentioned that, although Spike continues to blitz us with gags, he also shares quite serious opinions, much more so than in the previous three volumes:

We drive through Sparanise, badly shelled and bombed, some buildings still smouldering. The inhabitants are in a state of shock, women and children are crying, men are searching amid the ruins for belongings or worse, their relatives. It was the little children that depressed me the most, that such innocence should be put to such suffering. The adult world should forever hang its head in shame at the terrible, unforgivable things done to the young… (p.80)

This reminded me of the description in ‘SAS: Rogue Heroes’ of a German artillery attack on the Italian town of Termoli which wiped out a civilian family except for the little boy who was running round screaming with his intestines hanging out of a terrible stomach wound, till SAS hard man Reg Seekings grabbed him and shot him dead on the spot.

Any leader who declares war, whether in Congo, Sudan, Yemen, Syria, Gaza, Ukraine, Myanmar, is committing to blowing up little children and should be damned forever.

Half a dozen times he refers to coming from an Irish family and having been raised a Catholic but, in the face of the suffering he’s seen, he has suffered a fairly predictable loss of faith:

A Catholic priest visited us this evening and asked if anyone wanted Confession and Holy Communion. I nearly went but since the war started my belief in God had suffered a reverse. I couldn’t reconcile all the killing by two sides who both claimed to be Christian societies… (p.83)

Undertones of madness

Because I know this is the volume which ends with him getting invalided out with shell shock or PTSD, I noticed the increased number of references to madness littered throughout the text. If he’d been a literary author i.e. one who carefully planned his narrative and effects, I’d say he had carefully seeded the notion, or references to different types of madness, in a cunning preparation for his eventual collapse. In practice, the text is so chaotically assembled I doubt there was that much calculation. Conscious or not, they’re there.

At one point there’s a shortage of fags and Spike goes four days without a puff. The pupils of his eyes dilate and ‘I spoke in a high strained voice on the edge of a scream’ (p.48).

‘There’s a bloke in a truck waiting for you.’
‘Is he wearing a white coat.’ (p.60)

Inside the farm an Italian an Italian baby was crying and the mother was trying to calm it in a hysterical high-pitched shriek. (p.63)

From the distant hill we hear the dreadful sound of Spandaus and Schmeisers that are spraying the early morning with bullets, and I can’t but wonder at the courage of these lads in the Guards brigade going forward into it. What a terrible, unexplainable lunacy. (p.75)

‘How?’ said Gunner White looking down at the brown sea of mud, ‘how can we get out of this before we all go stark ravin’ bloody mad?’ (p.82)

And on pages 200, 204, 228, 229, 265, 272…

‘See?, we’re not the only ones who’ve lost our marbles,’ said Edgington. (p.228)

‘Your power to bend words will one day end you in the nick, nuthouse or graveyard.’ (p.229)

On page 193 the boys discuss the random theory that Hitler was driven mad due to piles. In which case a tube of Anusol would have prevented the whole war.

There are also rumbling references to suicide. They are kept so long at a position on the hill in the endless rain that Milligan wonders if some of the men will commit suicide to escape and, in fact, a soldier at HQ does (p.178).

Part of it is the cognitive dissonance of war. He and his mates enjoy a hot meal, stew and potatoes, huddled round a fire in their freezing dugout. Down in the plain they hear a sudden outbreak of machinegun fire, first theirs, then ours (they can recognise the different makes of machinegun by the sound). Down there, two patrols have clashed and are murdering each other.

I slide another spoonful of dinner in. I really can’t get it all together, us dining, them dying… (p.257)

You can hear the mental strain, the same insanity of war which Kurt Vonnegut struggled to manhandle into the fantastical storyline of Slaughterhouse Five and Joseph Heller transformed into the masterpiece of bureaucratic craziness, Catch-22.

Il Duce

Volume 3 is named after Montgomery who is never actually mentioned in the text (just in one picture caption). Mussolini, by contrast is, I think, mentioned three times, pages 55, 63 and 197.

Evelyn Waugh

Why has he got it in for Evelyn Waugh? There was a fantasy scene depicting Waugh getting drunk and buggering Randolph Churchill in the previous book. In this one he envisions Waugh, pissed off his face, standing up during an air raid in Yugoslavia shouting abuse at Randolph Churchill (p.175). Are they symbols, for Spike of upper class privilege.

Angry or grumpy?

When does justifiable anger against the world morph into sounding like a grumpy old man? At what point do you cross the line from righteous indignation to sounding like a tirade in the Daily Mail or Daily Telegraph, homes for people who can’t adapt to a changing world? Spike and this book are a kind of test bed for that question.

Pity the children

One morning after roll-call I was exploring the environs of the camp when I discovered the remains of what had been a big bonfire. The surviving pieces were interesting: Fascist uniforms worn by schoolchildren during indoctrination training, Bambini della Lupa (Children of the Wolf) and along with them were little wooden rifles and kindergarten books praising Mussolini, Il Duce nostra Buona Padre … etc etc. How in God’s name can adults do this to children? To pervert their minds… (p.56)

And the passage quote above, from page 80.

General misanthropy

During the brief R&R in Amalfi they watch fishermen kill octopuses they’ve captured by turning them inside out.

It was obscenely cruel, but then Man is. (p.238)

Reunions

The reunions with his old army pals were obviously important to Spike. He goes out of his way to mention, in his irritated preface, that he and his comrades have not one but two reunions a year ‘something no other British Army unit have’, before spelling out that he’s referring to D Battery, 56th Heavy Regiment, Royal Artillery. And he repeats this again at the very end when he’s spelling out what esprit de corps means, how his mates had it and their hated CO, Major Jenkins, absolutely didn’t (p.285).

He tells us that in December 1976 he organised a reunion at the Medusa Restaurant of those involved in the fighting in and around Steam Roller Farm, 26 February 1943. Strikingly, they invited one of the Germans who’d been fighting opposite them to the meal (p.63).

On a particularly freezing wet night one of the lads. Gunner Trew, asked for a sip of Spike’s tea and ended up draining it.

Now, whenever there’s a reunion, I walk straight up to him and say ‘Gi’s a sip’, take his beer and drain it to the bottom and say ‘Remember Italy’. (p.89)

Vindictiveness

This points to another aspect of the text which feels new, which is that Spike never forgets a grudge. The Trew story is, if you read it briskly, funny – but it chimes with other places which aren’t funny and where resentment smoulders on after 35 years. For example, he doesn’t let up in his criticism of their unbearable commanding officer, Major Evans.

In another, surprising, passage he has it in for his Dad. He says that his Dad’s letters from home become an increasing pain in the arse. This is because his Dad relentlessly nags him to reply to his Mum’s letters. But Spike insists to the reader that he does answer all his Mum’s letters. He goes on to tell us that, after the war, he sent every letter to his Mum registered post and kept the receipts and pasted them into a book and showed his Dad the book – at which he claims his Dad said the book could be a fake! It reveals Spike’s inability to let it go.

And he also emphasises to the reader that it cost him a ‘fortune’ in registered letters, an indication of his own ‘tightness’ with money which, as we’ve seen, he tends to attribute to Jewish people. (Compare the phrase in the preface which emphasises that calling up old comrades who live abroad, to check the facts, ‘ran into over a hundred pounds’. Money was obviously an issue for Spike who never really made it big, not ‘big’ like his frenemy Peter Sellers.)

Post-war sadness

A number of remarks are more redolent of 1970s Britain than 1940s Italy, especially the references to Britain going down the tubes, no longer being ‘Great’ and so on. Daily Mail territory.

…even today the indoctrination goes on. China. Russia. Out own democracies corrupt with pornography and Media Violence… (p.56)

Combined with the sense, which comes over in the references to contemporary reunions, that they will never recover that carefree esprit de corps, they will never be so young or so free again, which takes shape as quiet despair at the dullness of suburban life. For example, they bunk down in an abandoned farmhouse and Spike records the graffitti including ‘The Tebourba Tigers’.

The latter refers to the name they conferred on themselves after a savage action at Tebourba in Tunisia. Where are those tigers now? Watching telly? Washing up?… (p.67)

At moments like this the book reflects the general sense of frustrated malaise widespread across the Britain of the 1970s, see the Reginald Perrin novels, or the exasperated frustration at the start of the Hitchhiker’s Guide to the Galaxy or any number of 70s sitcoms like Rising Damp. ‘Hanging on in quiet desperation is the English way,’ as Pink Floyd sang in 1973.

And then throw Spike’s own, personal, depression into the mix. It doesn’t explicitly appear that often in this long text, but it’s a strong, depressive tone which flavours the whole thing.

The ugly English

Related to the sense of Britain going down the tubes and the dullness of suburban life goes a passage about the sheer crapness of English ‘cuisine’.

the Anglo-Saxon will devour stale bread, bully beef, hard rolls, food boiled to death and obliterated with artificial seasoning – yet delightfully cooked octopus in garlic? No! You are what you eat, that’s why we all look so bloody ugly. (p.238)

Similarly, tea. I, personally, hate tea but the soldiers lived for mugs of the sweet brown dishwater. But even so:

As I walk I sip the life-giving tea – why do we dote on tea? It tastes bloody awful, it’s only the sugar and milk that make it drinkable. It’s like fags – we’ve got hooked… (p.261)

Emigration

All this explains why he sympathises with the idea of emigrating away from poor old Britain…

His brother Desmond is 17 and has a crappy job. No wonder he emigrated to Australia p.263

The Russian threat

It’s not untrue but Spike’s warnings against Russian threat reminded me of another radical turned grumpy old man, Kingsley Amis, who wrote several novels warning against a Russian conquest of Britain p.249

Other complaints

He complains that in a village they came to, the British were allowing suspect collaborators to be kept packed in the tiny local police station in inhumane conditions.

Why this situation was allowed to exist can only be put down to the wonderful ‘I’m alright, Jack’ attitude of the British. We are not cruel but, by Christ, sometimes we come very close to it. (p.251)

He describes a local woman cook, Portence, who helps out in the cookhouse, working from dawn till one in the morning and then compares her with:

some of the soppy females of today who get a charlady to clean their flat of three rooms while they phone their friends and eat chocolates. (p.252)

These examples go to show, I hope, that although there are still loads and loads of quickfire gags, there is also a lot more moaning and complaining about the modern (1970s) world. That’s what I meant by the way his anger against a world which started a world war and destroyed entire cities and killed so many civilians and good blokes and damaged little kids forever morphs and mutates into general ranting against the modern world, modern women, modern TV and porn and video nasties etc etc, into a general rant.

Some of the rants can be funny. Many are interesting as examples of social history. But between the rants and the grim descriptions of (distant) battles and death, it feels like we have travelled a long way from the relative innocence of the first volume, Adolf Hitler: My Part in his Downfall (1971).


Credit

Mussolini: His Part in My Downfall by Spike Milligan was published by Michael Joseph in 1978. References are to the 1978 Penguin paperback edition.

Related reviews

  • Adolf Hitler: My Part in his Downfall (1971)
  • ‘Rommel?’ ‘Gunner Who?’: A Confrontation in the Desert (1974)
  • Monty: His Part in My Victory (1976)

Eastern Approaches by Fitzroy MacLean (1949)

The situation, I felt, was fraught with amusing possibilities.
(Fitzroy’s confidently aristocratic attitude in a nutshell, page 142)

Brigadier Sir Fitzroy Hew Royle Maclean, 1st Baronet (1911 to 1996) was phenomenally posh, came from a landed Scottish aristocratic family with a long history of service in the British Army, and had the very best education Britain could provide (Eton, King’s College Cambridge), before joining the Diplomatic Service in 1933.

This classic, awesomely impressive (and surprisingly long) memoir reeks of the confidence and privilege of the class and generation of British aristocrats who ruled a quarter of the world at the peak  extent of the British Empire between the wars, and then led Britain’s war against Nazi Germany.

The book covers the eight years from 1937 to 1945 and divides into three distinct periods of employment and adventure:

  1. serving in the British Embassy in Moscow from 1937 until late 1939
  2. as soon as the war broke out he enlisted (as a private in the Queen’s Own Cameron Highlanders, his father’s old regiment) but the adventure really kicks off when, in early 1942, he joined the newly formed Special Air Service and spent a year or so in the North African desert
  3. in summer 1943 Churchill chose Maclean to lead a liaison mission (‘Macmis’) to central Yugoslavia to liaise with Josip Broz (also known as Tito) and his partisan forces, the longest, most detailed part of the book

It’s a long book at 540 pages. With a few more photos and maps, it crossed my mind that these three quite distinct adventures could possibly have been broken up into three smaller, more focused books. Combined like this, the range of the three subjects gives it an epic, almost unmanageably vast reach.

(Incidentally, the chapters in each of the three parts each start again at number 1, so there are three sets of chapters 1, 2, 3 etc.)

Part 1. Moscow and Central Asia (pages 11 to 179)

Paris politics

Maclean joined the Diplomatic Service in 1933 and in 1934 was posted to the Paris Embassy. The book kicks off with a brief summary of his experiences at the British Embassy in Paris and French politics of the mid-1930s i.e. hopelessly divided and chaotic, at times almost verging on civil war. It’s important to bear these divisions in mind when considering 1) the creation of the Vichy regime and how the Vichy French fought the British, especially in the Middle East (see A Line In The Sand: Britain, France and the Struggle That Shaped the Middle East by James Barrine) and 2) the nature of the French Resistance which, as numerous eye-witness accounts in Ben Macintyre’s book about the SAS explain, was tremendously fractured and often bitterly divided, including everyone from right-wing monarchists to fiery communists who often fought each other as much as the Germans.

Moscow and the show trials

Anyway, after a few years Maclean bored of Paris and in February 1937 asked to be sent to the Moscow embassy. Here he discovers the small foreign diplomatic community lives very isolated from the ordinary Russian people who, he discover, live in terror of the regime, everyone scared of any contact with foreigners, repressed, tight-lipped because of the spies and informers everywhere.

He arrives at a fascinating moment, just as Stalin’s show trials are getting into their swing. For the political analyst this is the best part of this section. He describes how Stalin’s purges swept away huge swathes of the top leadership in the Red Army and Navy – notably the charismatic Marshal Tukhachevsky – and then leading figures in the Soviet administration – notably the trial and execution of Zinoviev, Kamenev and other Old Bolsheviks in 1936.

The purges created a climate of terror in which the ordinary round of diplomatic parties and receptions became painful as all the Soviet officials stood on one side of the room, all of them terrified that the slightest contact with a foreigner would be reported and doom them, literally, to death. The centrepiece of all this is his eye-witness description of the trial of a dozen or so key figures in the Party, centring on Nikolai Ivanovich Bukharin.

Bukharin was tried in what came to be known as the ‘Trial of the Twenty One’, which took place on 2 to 13 March 1938, along with ex-premier Alexei Rykov, Christian Rakovsky, Nikolai Krestinsky, Genrikh Yagoda and 16 other defendants alleged to belong to a so-called ‘Bloc of Rightists and Trotskyites’. The trial was designed to be the culmination of the previous show trials, a climactic Final Act. The prosecutor alleged that Bukharin and others had been traitors from the start, had conspired to assassinate Lenin and Stalin, had murdered Maxim Gorky with poison, and planned to overthrow the regime, partition the Soviet Union and hand her territories over to their foreign collaborators in Germany, Japan and Great Britain.

All this is given in great detail in the book’s longest chapter, chapter 7, ‘Winter in Moscow’, pages 80 to 121, with vivid portraits of the state prosecutor Andrey Vyshinski and President of the Court Vasiliy Ulrich.

The purpose of the show trials

To many in the West the grotesque aspect of the show trials – the ridiculously lurid accusations and the grovelling obeisance of the accused – confirmed that Stalin’s rule was a dictatorship of the crudest kind. The trial was a breaking point for many western communists, the moment they were forced to concede that the dream of a communist utopia was in fact a totalitarian nightmare.

But Maclean spends a couple of pages explaining not only why the accused were reduced to grovelling self-accusation, but also the purpose the trials served within the Soviet Union. You should never forget that the majority of any population is not very well educated and not very interested in politics and this was especially true of the USSR where the majority of the population was still illiterate peasants. That’s why the accusations had to be so lurid and extreme, to create cartoon images of total iniquity – that the accused had conspired to murder Lenin, conspired with foreign powers to overthrow the regime, had kidnapped, tortured and murdered people. Their villainy had to be caricatured enough to be understood by the most illiterate peasants and workers.

The extremity of the alleged crimes was designed to scare peasants and workers into thinking there was a relentless conspiracy against the regime, even at the highest levels, and this justified the atmosphere of fear, paranoia and suspicion which characterised Soviet Russia. Everybody should be on their guard all the time because anyone – even the highest in the land such as those on trial – could turn out to be wicked traitors.

This worked in Stalin’s favour because it universalised the climate of fear in which people would barely be able to think about questioning the regime, let alone organising meetings or planning anything.

Stories about foreigners bringing their foreign plans to overthrow the Workers’ Paradise would also make the entire population suspicious not only of foreigners and foreign ideas and the whole notion of outsiders. Good. This suited Stalin, too.

And the trials also provided scapegoats for the failings of the state. If there were famines, if there were shortages, blame it on the wreckers and the saboteurs. Papa Stalin is doing everything he can to combat the traitors and it’s a hard struggle but you can help him and help your comrades by reporting anyone you see talking or behaving suspiciously.

So the very grotesqueness and extremity and absurdity which broke the allegiance of western intellectuals like Arthur Koestler were precisely the qualities Stalin was aiming at in order to spread his message to the furthest reaches of the Soviet regime and its dimmest least educated citizens (p.118).

Travels in Central Asia

But the show trial, dramatic though it is, only takes up one chapter. The Russia section is better known for MacLean’s extensive travels to legendary locations in Central Asia, namely the romantic cities of Tashkent, Samarkand and Bokhara. Only a handful of Europeans had traveled to these places during the later Victorian period and then, with the war, revolution and civil war, then Bolshevik rule, they had been completely inaccessible under Soviet rule.

The chapters describing his attempts to visit them are, therefore, as much about his convoluted machinations to evade Soviet bureaucracy and play local officials and NKVD operatives as about the places themselves, with lengthy descriptions of the difficulties of travelling by Russian train, bus, lorry, horse or just walking, in his relentless odysseys around central Asia.

He undertook these epic journeys during periods of leave from the embassy.

Trip 1 – Baku

By train to Kharkov. Rostov on Don. Kuban Steppe. Baku. By boat (the Centrosoyuz) to Lenkoran. Boat back to Baku. Train to Tiflis, capital of Georgia, where he visits the British Military Cemetery and meets old English governess, Miss Fellows. By truck along the Military Road to Ordzhonikidze. Train back to Moscow.

Trip 2 – Alma Ata-Tashkent-Samarkand (September 1937)

Trans-Siberian train from Moscow. Alights at Sverdlovsk (former Ekaterinburg, p.54). Train to Novosibirsk. Changes to Tirksib railway (only completed in 1930) south towards Turkmenistan (p.56). The three categories of Soviet railway carriage: international, soft and hard. Alights at Biisk. Takes another train, south to Altaisk then onto Barnaul. Enter the Soviet Republic of Kazakhstan near Semipalatinsk. Alights and catches a lorry to Alma Mata ‘one of the pleasantest provincial towns in the Soviet Union’ (p.65), one of the first Russian towns built in Central Asia, in the 1850s, and which is ten miles from the railway. Lorry 40 miles to the village of Talgar in the foothills of the Tien Shen mountains. Dinner with locals then hitched a lorry back to Alma Ata. By dilapidated Ford motor car up into the mountains, to Lake Issik and magnificent view over the Steppe. Sleeps in a hut. Next morning bit of an explore then car back to Alma Ata.

Next day catches train the 500 miles south-west to Tashkent. It stops at Samarkand where he alights for a few hours and explores, seeing the domes of Shakh Zinda and the Gur Emir (p.73) then back onto the very crowded train. Extensive description of Samarkand pages 73 to 76. Tashkent, centre of the Soviet cotton industry (pages 76 to 78).

Having achieved his goals, by train back to Moscow, first across the Kazakh Steppe, then (in Russia proper) by way of Orenburg, Kuibyshev and Penza. But he had conceived two new goals: further south-west to Bokhara, and east across the Tien Shan mountains into the Chinese province of Sinkiang…

Trip 3 – Failing to get to Urumchi, capital of Sinkiang province (June 1938)

(Chapter 8) To Maclean’s delight he is given an official mission to travel to Urumchi, capital of Sinkiang, to ask the Chinese authorities for better treatment of Indian merchants. After comic wrangling with the Chinese embassy in Moscow he sets off on the 5-day rail journey to Alma Ata, two days across European Russia arriving at Orenburg ‘base of the imperial Russian forces in their campaign against the rulers of Tashkent, Samarkand and Bokhara during the second half of the last century’ (p.125). On past the Sea of Aral and along the course of the river Syr Darya, through Arys, Chimkent and Mankent to Alma Ata. Change rail lines to the Turksib line and head north and east 400 miles to Ayaguz, where starts the main road out of Soviet Russia and into Sinkiang.

At Ayaguz the Soviet officials and local NKVD are surprisingly helpful and lay on a bus (which quickly fills up) to take him to the border town of Bakhti. Overnight in the village of Urdjar, next morning arrive in Bakhti (p.130). Here a Sovsintorg official commandeers a lorry and they set off on the 48-hour journey to Urumchi.

However they barely get across the border with China, and arrive at the Chinese border post, when there are problems. His passport is taken off him and he is detained for hours. He discovers the passport has been sent by special messenger to the governor of the local area, Chuguchak, and they have to wait for a reply. Eventually a car returns from this mission and a sleek Chinese official informs Maclean the governor has received no information or authorisation about him and so, despite all his protestations, he must return to the Soviet Union, in fact all the way back to Alma Ata where he must contact the Chinese consul.

At the border Maclean gets the impression the Soviet officials knew all along this would happen and gently mock him. As it happens, one says with a smile, the same bus that brought him is still waiting. He can board it now and return to Bakhti. After driving all night he arrives at Ayaguz in time to catch the train back to Alma Ata.

Here there is more fol-de-rol between the Soviet authorities and the local Chinese Consul, a seedy man residing in a rundown building. The Soviet plenipotentiary instructs the Chinese to send a message to Urumchi. Next day the Chinese inform him that he is not allowed into the country, and an imposing NKVD officer tells him he must leave Alma Ata immediately, as it is a restricted area. The entire trip has been a complete failure (p.137).

It is interesting to read that Sinkiang was a rebellious troublesome province for the Chinese ever since it was incorporated into their empire and was in Maclean’s time because of course, it still is today:

Trip 4 – through Soviet central Asia to the Oxus and on to Kabul (autumn 1938)

(Chapter 9) He sets his sights on visiting Bokhara, former capital of the emirs, of reaching the fabled river Oxus, and crossing into Afghanistan. Leaves Moscow on 7 October on a train bound for Askabad. Third evening arrive at Orenberg ‘which for more than one hundred years marked the furthest point of Russia’s advance against the Kirghiz and Turkomans and the Khans of Bokhara and Khiva.’ Two more days the train passes through the Kara Kum or Black Desert past the bleak mud flats of the Aral Sea. On the fifth night reached Tashkent and woke not far from Samarkand but he decides not to revisit it, but to continue on the train, west, following the river Zaravshan, to Bokhara.

He alights at Kagan. He learns that the daily train to Bokhara has left so, on impulse, seeing a lorry laden with cotton bales just starting off down the road to Bokhara, he runs and jumps in the back. Unfortunately so does one of the NKVD minders who’ve been following him, and he’s been reported so after a short stretch a car packed with officials pulls the lorry over but by this time it is packed with Uzbeks who’d followed his example so Maclean is able to sneak off and hide behind a tree. Eventually, after the lorry has been thoroughly searched and no foreigner found it is allowed to continue on its way and the NKVD car turns back to Kagan. There’s nothing for it but to walk. It’s a very long walk, into the night, until he tops a slight rise and finds himself looking at the legendary city of Bokhara by moonlight.

(Chapter 10) Story of the Reverend Joseph Wolff. He explores Bokhara, finds no inn to take him so sleeps rough in a public garden, which irks the NKVD agents who he knows are tailing him. Next day he’s up and exploring again, seeing the ‘Tower of Death’, the principal mosques, the Kalyan, or Kok Gumbaz (Blue Dome), the grim thousand-year-old Ark or Citadel of the Emirs. He gives us a characteristically pithy historical summary.

With the capture in 1868 of Samarkand and the upper reaches of the Zaravshan by the Russians, who thus gained control of his water supply, the Emir of Bokhara was obliged to accept the suzerainty of the Tsar and Russian control of his relations with the outside world; but inside his own dominions he maintained his own army and enjoyed absolute power of life and death over his unfortunate subjects. The Russian population was limited to a few officials and merchants, while the Emir excluded other Europeans from his domains with a jealousy which has been emulated by his Bolshevik successors. Bokhara thus remained a centre of Mohammedan civilization, a holy city with a hundred mosques, three hundred places of learning, and the richest bazaar in Central Asia. It was not until 1920, three years after the downfall of his imperial suzerain, that the last Emir, after vainly invoking the help of both the Turks and the British, fled headlong across the Oxus to Afghanistan, dropping favourite dancing boy after favourite dancing boy in his flight, in the hope of thus retarding the advance of the pursuing Red Army, who, however, were not to be distracted from their purpose by such stratagems. (A leading part was played in these events by the same Faisullah Khojayev, whom I had seen condemned to death in Moscow six months earlier.)

He could have stayed a month but his leave is limited, so he catches a train back to Kagan, then another one south, heading towards Stalinabad, the capital of Tajikistan. The last section follows the course of the Oxus (Amu Darya) passing through eastern Turkmenistan. The far bank of the river was Afghan territory and that’s where he wanted to head next.

(Chapter 11. Across the Oxus) He alights at Termez, which he explores then seeks out the chief of police  and presents his diplomatic laisser passer which should allow him to the exit the Soviet Union anywhere, in this case crossing the river Oxus into Afghanistan. The chief of police gives him permission but when Maclean arrives at the actual frontier post at Patta Hissa, they haven’t been notified. By gentle persistence Maclean eventually persuades the officer in charge to arrange for the repair of one of the three paddle boats kept to cross the river but which had fallen into disrepair. Soldiers and engineers get the most viable steamer, ‘which rejoiced in the name of Seventeenth Party Congress,’ working and fix it up enough to put-put him across the river, it takes half an hour because of treacherous sand banks.

On the Afghan side some locals take his bags and him under their wing. They examine his passport without understanding it and he manages to convey he wants to head to Mazar-i-Sharif. Dinner and sleep. Next morning a horse is provided and he sets off under escort. the riverside reeds give way to desert. He is detained at a saria or mud fort by fierce locals before being grudgingly allowed to continue.

Off to the west are the ruins of Balkh, the ancient Bactria. The oasis of Seyagird. Tea with the headman who provides a cart for his baggage, then a further trek across desert eventually arriving at Mazar. He discovers a Russian couple who take him in but inform him of the cholera epidemic sweeping the area which means it is quarantined. He locates the local Director of Sanitation who agrees, after some negotiation, to sign a medical certificate declaring Maclean has had cholera and recovered. Portrait of Mazar, main point being it is the capital of what he calls Afghan Turkestan, which is cut off geographically and ethnically from Kabul and the south (p.164).

A truck was scheduled to drive the 300 or so miles to Afghanistan and the authorities assign him a seat. Tashkurgan and then up into rocky mountains to a place named Hai-Bak and, at 3 in the morning, to Doaba in the Andarrab valley, where he sleeps in a government rest house. In the way of British aristocrats, especially the Scots, he discovers ‘a fellow clanswoman’ Mrs Fraser-Tytler who, it turns out, he had known during his childhood in Inverness.

He takes a detour west to the Bamyan valley to see the two immense Buddhas carved in the rock. Then across the mountain which is the watershed between the Oxus and the Indus at a height of 12,000 feet and soon arrives at Kabul.

(Chapter 12. Homeward bound) He had hoped to head west to Herat and cross back into the USSR at Kershk and join the railway at Merv but none of this was to be. the Soviet consulate in Kabul made it quite clear that, because of the cholera epidemic, nobody was being allowed back into the USSR from Afghanistan.

Instead he is forced to head south into British India and fly. The route is: Kabul. Jalalabad. The Khyber Pass. Into British India and the town of Peshawar. Train to Delhi. As a pukka diplomat he meets the most senior British officials, dinner, good beds, a world away from his recent experiences. He obtains the visa he’ll need to exit Persia into the USSR.

From Delhi by plane to Baghdad, stopping over in Basra. After staying over in Baghdad, ‘a disappointing city’, he takes a car towards Tehran. Across the border into the Persia at Khanikin. Along a road built by the Brits to Kermanshah, and then to Hamadan, ‘the Ecbatana of the ancients’ (p.170). Changes car and car shares with four bulky Iranians driving north for the border with the USSR at Djulfa. Stops at Kavin (to eat), Zenjan (to sleep), through Mianeh, arriving at Tabriz the capital of Persian Azerbaijan.

Two days hobnobbing with the British Consul and haggling with the Persian governor about the validity of his exit visa. Eventually given permission to head north to the border, Djulfa in the valley of the Araxes. Comic scene where the Persian guards happily allow him onto the bridge across the river but the Soviet guard at the other end refuses to let him enter the USSR and when he turns to re-enter Persia the Persian border guard says this is impossible. Luckily a car arrives with a Soviet official who, reluctantly, accepts his diplomatic laisser-passer and lets him enter. He cashes money at the post office and checks into an inn.

Train to Erivan, capital of Soviet Armenia, running alongside the river Araxa which forms the border. Portrait of Erivan. Train to Tiflis, capital of Soviet Georgia, and so on to Batum, the second largest city in Georgia, on the banks of the Black Sea. He observes that so many of these central Asian towns were only conquered by the advancing Russian from the 1870s and many only began to be developed in a modern way after the Russian Civil War, so many of them have the same air of being half built, of having grand central squares full of vast totalitarian Soviet buildings, quickly giving way to a few streets of bourgeois wealth, and then extensive hovels and shacks.

He had hoped to sail from Batum but storms meant departures were cancelled. So by train back to Tiflis. It was 18 months since he was last there (on his first trip) and he finds it has been noticeably Sovietised and security tightened. He is arrested by the NKVD and spends a day arguing with NKVD officers until the commander returns and releases him back to his hotel.

Next morning he takes a lorry to Ordzhonikidze by the Georgian Military Road which is covered in snow; they regularly have to stop and dig the lorry out of drifts. From Ordzhonikidze he catches the sleeper train back to Moscow, arriving two days later in time to receive an invitation to dinner from the Belgian chargé d’affaires (see below).

What an extraordinary adventure! What a mind-boggling itinerary! It is a mark of how backward we have gone that Maclean was able to travel through all those countries in complete safety whereas now, in the supposedly enlightened and progressive 2020s, I don’t think any Westerner in their right mind would want to travel through central Asia, let along Afghanistan, or contemplate a jolly car trip across Iraq and Iran.

The glamour of central Asia

For those susceptible to it, all these places – Tashkent, Samarkand, the Oxus, western outposts of the legendary Silk Road – have a tremendous glamour and attraction. Reading his account you realise it’s  1) partly because they’re so remote and inaccessible and so simply to have visited them is an achievement which gains you kudos in a certain kind of upper-middle class circle; 2) partly because of the wonders and treasures when you arrive, such as the grand Registran in Samarakand; but also 3), as so often with travelling, because it is an escape from the humdrum modern world. A number of throwaway remarks indicate this, including one which leapt out at me: ‘Uzbek houses have changed very little since the days of Tamerlane‘ (p.143). These are places where you can, for long spells, believe that you have travelled back in time to the Middle Ages and not just of banal Britain, but to the glamorous days of Tamerlane and such legendary figures, or even further back, visiting the ruins of cities founded by Alexander the Great! It is, in a way, an escape back to the Arabian Nights wonderlands of childhood.

And picking up on the previous section, reading it now, in 2024, one can only marvel at the relative peacefulness and security and scope of where you could travel freely in the 1930s – albeit the entire system was about to be plunged into a global holocaust.

The methodology of Soviet imperialism

On a political level his travels in Central Asia give him an insight into the effectiveness of the Soviet empire:

As the basis for a policy of imperialism, this system has much to recommend it. Power is vested in the hands of a group of reliable natives, who are responsible for seeing that the wishes of the central authority are carried out. If they prove unreliable, they can be replaced by others, while, if the worst comes to the worst, an emissary of the central authority can be sent to put things right. By this means, no risks are taken and an appearance of autonomy is preserved. Moreover it is a system which is capable of application to any new country which happens to fall under Soviet dominion. Thus, more recently, in Estonia, Latvia and Lithuania Soviet Socialist Republics have been set up and politically reliable governments formed from members of the local Communist Parties. It is, we are now learning, a stereotyped pattern into which almost any people or country can be made to fit with a little squeezing and pushing. (p.35)

A German official predicts the course of the war

All this took place at the end of the 1930s as Europe hurtled towards war but there is surprisingly little about Hitler and the Nazis; in fact, given that MacLean was a diplomat, there’s surprisingly little about international affairs at all.

It’s only at the very end of the Asian adventures section, after he’s arrived back in Moscow exhausted, filthy and unshaven from his final trip to discover an invitation to a formal dinner being given by the Belgian chargé d’affaires that very evening, that there’s finally something about the broader international situation. And this is given as a prediction by a friend of his, his opposite number at the German embassy, Johnny Herwarth von Bittenfeld.

Herwarth (in MacLean’s account) makes a number of predictions which all were to come true. He thinks Britain backing down at Munich (September 1938) is a disaster because:

  • it will embolden Hitler to make more and more outrageous demands
  • it will weaken all voices within Germany calling for restraint
  • it will, thus, make war inevitable
  • war is only tenable if Germany can make peace with the Russians
  • if not, there will be a war on two fronts which Germany will lose and be utterly ruined

Part 2. War (183 to 299)

Coming from a long line of soldiers, when war breaks out Maclean wants to fight but discovers that it is impossible for someone serving in the Diplomatic Service to join the army. He is not allowed to resign in order join up. So he studies the Foreign Office rules intensely and realises there’s a loophole. He is allowed to resign from the service in one situation – if he wants to go into politics. So he contacts the Conservative Party who say they’ll be happy to have him as a candidate for the next constituency which becomes vacant and, armed with this, marches into his boss’s office (the Permanent Under-Secretary for Foreign Affairs, Sir Alexander Cadogan) and declares that he wants to go into politics, resignation in hand. As he predicts, his superiors are unable to stop him and so let him resign.

He promptly walks round to the recruiting office of his father’s regiment, the Queen’s Own Cameron Highlanders, where he enlists as a private soldier. (p.184). But, when the next by-election crops up he is  legally obliged, under the terms of his resignation letter, to stand and so finds himself the Conservative candidate and then wins the election to become Conservative MP for Lancaster in 1941 (p.189). He hadn’t hidden from the electors that he was in the Army and first duty was to serve and all through his subsequent service he remains, I think, Tory MP for Lancaster.

There are some pages about basic army life and training. As you might expect of someone so over-qualified to be a simple squaddy he is soon promoted to lance-corporal. Among other things he confirms that, in the Army, almost every other word is the F word which he demonstrates by quoting conversations or orders with the offending word bleeped out (pages 184 to 186).

Desert War

After two years of training and exercises he is, as you might expect, in 1941 commissioned as an officer and receives orders to fly to Cairo (p.189). After the retreat from Dunkirk, apart from a few abortive expeditions (a failed attack on Norway or on the French coast) North Africa was the main area of British overseas military activity.

Because I myself am not too clear about this and Maclean’s book refers only to some aspects, I’m going to cheat and quote Wikipedia’s summary of the entire Desert War:

Military operations began in June 1940 with the Italian declaration of war and the Italian invasion of Egypt from Libya in September. Operation Compass, a five-day raid by the British in December 1940, was so successful that it led to the destruction of the Italian 10th Army (10ª Armata) over the following two months. Benito Mussolini sought help from Adolf Hitler, who sent a small German force to Tripoli under Directive 22 (11 January). The Afrika Korps (Generalleutnant Erwin Rommel) was formally under Italian command, as Italy was the main Axis power in the Mediterranean and North Africa.

In the spring of 1941, Rommel led Operation Sonnenblume, which pushed the Allies back to Egypt except for the siege of Tobruk at the port. At the end of 1941, Axis forces were defeated in Operation Crusader and retired again to El Agheila. In early 1942 Axis forces drove the Allies back again, then captured Tobruk after the Battle of Gazala but failed to destroy their opponents. The Axis invaded Egypt and the Allies retreated to El Alamein, where the Eighth Army fought two defensive battles, then defeated the Axis forces in the Second Battle of El Alamein in October 1942. The Eighth Army drove Axis forces out of Libya to Tunisia, which was invaded from the west by the Allied First Army in Operation Torch. In the Tunisian campaign the remaining Axis forces surrendered to the combined Allied forces in May 1943.

North Africa was so important because of the Suez Canal in the heart of Egypt. If the Germans captured Cairo it would have at least three results: 1) they would cut off easy communications with India (a huge source of manpower) and with the entire theatre of war in the Far East (Burma). More importantly 2) the Germans would be able to push on through Palestine to Iraq and Persia, source of much of the oil which was fuelling the British war effort. 3) This oil would be sent to support the German war effort in Russia and German troops coming up from Persia through the Caucasus would open a new front against Russia leading, perhaps, to the decisive defeat of Russia and to Germany, in effect winning the war.

Those were the ultimate stakes behind the Desert War and explains the genuine concern and even panic when the Afrika Corps, at its furthest extent, got within 80 miles of Cairo, and that explains why the (second) Battle of El Alamein was so important, signalling the definitive end of German advances, the beginning of German defeats, and the widespread sense that the tide of the war was changing.

Chapter 1. Special Air Service

Maclean had been invited to join some sort of commando but this fell through. Instead he literally bumps into David Stirling (who he knows vaguely because he’s good friends with Stirling’s brother, Peter, and they’re both from another grand, ancient, noble Scottish family) who invites him to join the SAS.

Stirling explains that the idea is to parachute small numbers of men behind enemy lines in North Africa and cause as much mayhem as possible, thus drawing vital resources away from the front line. After various experiments they’ve discovered that attacking lightly defended airfields is the most destructive thing they can do. They use the Lewis Bomb, a clump of explosive with a pencil fuse developed by SAS founder member Jock Lewis (p.194). Profile of the dedicated fighting machine, Paddy Mayne (p.195).

Maclean describes the Free French who were part of the unit almost from the start. The physical training i.e. long hikes in the desert and practice parachuting. He has to make six jumps and hates it. All a bit futile seeing as by the time he joined, the unit had settled down to being taken and collected from missions by the Long Range Desert Group (p.196).

Chapters 3 and 4. Raid on Benghazi

May 1942: Detailed description of the build up to, and execution of a ‘daring’ raid against Benghazi led by Stirling, accompanied by Randolph Churchill (compare and contrast the account of the same farcical raid given in Ben Macintyre’s SAS: Rogue Heroes).

I have always found that in dealing with foreigners whose language one does not speak, it is best to shout. (p.221)

They manage to penetrate into the highly defended city and find a safe (bomb-damaged) house to hole up in but that evening both the inflatable dinghies they’ve brought to paddle out to enemy ships and attach limpet mines to them, turn out to have leaks and simply won’t inflate. Disheartened, they spend a tense day hiding out in this damaged house, petrified of discovery, before exiting the city in the same clanking car they’d entered by, bluffing their way past the Italian guards thanks to Maclean’s fluent demotic Italian and everyone’s (Maclean, Stirling, Randolph Churchill’s) aristocratic confidence.

Chapters 5 and 6

Having extricated themselves from this failed and farcical attempt, they withdraw to Cairo. He mentions the dinner he and Stirling were invited to which was given by Winston Churchill, Chief of the General Staff General Smuts and General Alexander, the first time he meets Churchill.

The strategic situation has deteriorated and Rommel is now at El Alamein just 90 miles from Alexandria. So the SAS’s plans for a second go at Benghazi escalate into a full-blown raid by some 200 men backed by aerial bombing. Trouble is so many people are involved that security is breached and word gets around. Thus, after a very long and painful 800 mile drive of a lengthy convoy across the desert, with many mishaps, our boys finally get to the very edge of Benghazi but are greeted by a hail of machine guns and mortars, are forced to make a hasty retreat, and are pursued up into the Gebel mountains by squads of Italian warplanes who strafe and bomb them. Several trucks full of explosives and stores are blown up and it’s a miracle they weren’t all killed.

There then follows the very long account of their perilous escape across the desert, driving by night, by day being seriously bombed and strafed by Italian planes, running so low on food that eventually the entire day’s ration was one spoonful of bully beef.

A number of good men are killed on this mission. Maclean initially thought it had been a futile waste of time but GHQ assured them that it had kept a lot of enemy resources tied up, extra men to guard Benghazi and then squadrons of airplanes to search for them which were, therefore, not at the front i.e. it had been useful (p.256).

Chapter 7. Persia

Maclean explains that the British now faced the threat of an enormous pincer movement, with German forces trying to take Stalingrad up in southern Russia and pushing forward in north Africa towards Cairo and, ultimately, the Suez Canal (p.263). If you look at a large-scale map you can see how, if the Germans were victorious, they would not only take the Suez Canal, lifeline to British India, but push on through Palestine to take Iraq and Iran, meeting up with their comrades who would have pushed on south through the Caucasus. And the point of Iran was the oil. Command of Persia, and to a lesser extent Iraq, would give the Nazi empire all the oil it ever needed to maintain its war industry.

Which is why Maclean found himself posted to the Middle East and Persia service. Here, conferring with the commanding officer, General Maitland Wilson, he discovered the problems facing the British occupation of the country, most obviously that there were very few British soldiers involved. He had been summoned to discuss with Wilson the possibility of setting up an SAS-style outfit to operate behind enemy lines if the worst came to the worst and the Germans conquered Persia (p.264).

Kidnapping the general

Out of this conference comes the specific idea of kidnapping a man named General Zahidi, an unpleasant type who had sway over the tribes of south Persia, was known to be hoarding grain to inflate the price but, most importantly, was thought to be in communication with the Germans and helping them make plans to conquer Persia.

This chapter describes in great detail the preparation and execution of ‘Operation Pongo’ which, despite all the hoopla, boils down to parking a lorryload of British soldiers out the front and back of the General’s house in Isfahan, and then Maclean accompanied by a few other officers walking in, insisting to see the General, then holding him up at gunpoint, walking him out to a waiting car, and driving him off to the nearest military airport where he was flown out of the country and interned under British custody in Palestine.

On searching Zahedi’s bedroom Maclean confirms British suspicions, discovering ‘a collection of automatic weapons of German manufacture, a good deal of silk underwear, some opium, an illustrated register of the prostitutes of Isfahan and correspondence from a local German agent’ (p.274).

Incidentally, remember how I suggested part of the appeal of the mysterious cities of Central Asia was the sense of stepping back in time into the Middle Ages or beyond, well the same goes for the Persian city of Isfahan, one of the few cities Maclean has been to which lives up to its reputation, and of which he writes:

Despite the hideous modern statue of the late Shah still standing there and despite his misguided attempts, fortunately abandoned by his successor, to bludgeon Persia into giving a half-hearted and entirely superficial imitation of a modern Western industrial state, Isfahan recalls the great capital city of the Middle Ages. (p.270)

And the whole notion of kidnapping an enemy general recalls the comparable exploit, the kidnapping of General Heinrich Kreipe, the German commander of Crete, by a group of super-pukka chaps, as described in Ill Met by Moonlight by William Stanley Moss (1950), albeit it considerably more fraught and dangerous for being carried out in enemy territory.

Chapter 8

The strategic situation changes. The Germans are checked in North Africa and at Stalingrad. The immediate threat to Persia has abated. After the capture of David Stirling in January 1943 the SAS had split up into different units (including a Special Boat Service run by George Jellicoe).

Maclean is summoned back to Cairo and told that, with North Africa on the verge of being secure, the Allied focus is turning to Italy. He is ordered to plan for SAS-style raids on Sicily but the mission is called off at the last moment. He’s at a bit of a loose end when he is summoned back to London where he meets Churchill for a weekend conference at Chequers (p.280). Here he is told he is going to be dropped into Yugoslavia (spelled ‘Jugoslavia’ throughout the book) to find out more about the partisans who have been fighting against the Germans and to contact their supposed leader, ‘Tito’. Nobody’s sure, at this point, whether Tito exists, whether he’s a man (or even a woman) or maybe the name of a committee of some kind?

Churchill tells him to establish the situation on the ground, find out whichever partisan group is killing most Germans, and help them to kill more. Churchill wrote that he wanted: ‘a daring Ambassador-leader to these hardy and hunted people’ (p.294).

What we knew for sure was that the partisans were communists and so likely to be in thrall to Soviet central control so Maclean asks Churchill directly, should he be worried about the political aspects of the situation. The straight answer is No. His mission is to find out who is killing the most Germans and help them to kill more (p.281), a point reiterated when he meets Churchill in Cairo (p.403).

He gives a detailed and very useful summary of the origins of Yugoslavia, going back to the conquest of Constantinople by the Ottoman Turks, and the long struggle of the Balkan Christian nations to free themselves, leading into a detailed description of the region before, during and after the Great War and leading up to the Nazi invasion (pages 279 to 293). He’s especially good on the deeply embedded enmity between Serbs (Orthodox Christians who fought hard against the occupying Turks i.e. have a paranoid embattled mindset) and the Croats (Catholic Christians who were part of the Austro-Hungarian Empire and so considered themselves civilised and superior to their barbarian neighbours) still a good read for anyone interested in the background to the ruinous civil wars of the 1990s. Right at the end of the Yugoslavia section he comments:

In the Balkans the tradition of violence is old-established and deep-rooted. (p.524)

Part 3. Yugoslavia

Zivio Tito. Smrt Fašismu. Sloboda narodu.
(‘Long live Tito. Death to Fascism. Liberty to the People.’ Partisan slogans, page 345)

Maclean is now aged 32. He selects a team of a dozen or so men who are trained, equipped and parachuted into Yugoslavia a week after the Italian capitulation i.e. early September 1943. They are met by Partisans and efficiently taken to Tito’s headquarters in an old castle. Maclean introduces himself and his team and makes it plain he is here on an investigation into the overall situation.

His description and analysis of the situation in Yugoslavia is fascinating and spread over many pages as new facts come in and shift his understanding. It contains many insights into the situation in Yugoslavia and of partisan fighting in general.

Occupation mentality Nobody who hasn’t lived under enemy occupation, specially Nazi occupation, can understand the bitter enmities, rivalries and retaliations it triggers.

For anyone who was not himself in German-occupied Europe during the war it is hard to imagine the savage intensity of the passions which were aroused or the extremes of bitterness which they engendered. In Jugoslavia the old racial, religious and political feuds were, as it were, magnified and revitalized by the war, the occupation and the resistance, the latent tradition of violence revived. The lesson which we were having was an object-lesson, illustrated by burnt villages, desecrated churches, massacred hostages and mutilated corpses. (p.338)

Tito’s intelligence and independence What makes Tito so impressive is his readiness to argue any point out with a completely open mind then make a decision, which is generally the right one.

Tito’s name derives from this quickness to make decisions. He so regularly said to his men ‘You will do this, and you will do that’ which, in Serbo-Croatian, is ‘Ti to; ti to’, hence his nickname (p.311).

– Maclean concludes that the partisans are so numerous (at least 100,000 under arms) and well organised that they will probably emerge as the major element in post-war Yugoslav politics. At which point the big question will be: Will Tito, a dedicated communist, fall into line behind Moscow as all other communist parties have? (p.339) But Maclean quotes a conversation he had with him where Tito emphasises that so many Yugoslavs have been killed or tortured that they won’t willingly throw away their hard-earned independence (p.316) and Tito himself has undergone the experience of building up and leading a national resistance movement from scratch, a position, Maclean thinks, he will be reluctant to surrender (p.340).

The Četniks The other resistance fighting organisation is the Četniks led by Draža Mihailović. Two points: 1) they were Royalists who took their orders from the king who was in exile in Italy and so fundamentally detached from the realities on the ground. 2) They were demoralised by the Nazis brutal reprisals for their activities (p.336). This contrasted with the Partisans who ignored Nazi reprisals and won a grudging admiration for fighting on regardless of how many men, women and children were murdered, tortured or burnt alive by the blonde beasts from Germany.

The Ustaše (also called Ustashas or Ustashi) was a Croatian racist, terrorist, and Nazi-like movement, active from before the war (1929) which during the war was allowed to implement a reign of terror. Their genocide of the Orthodox, murdering priests, locking villages in churches and burning them down (p.334). Events which shed light on or explained the brutality of the Bosnian war of the 1990s:

This kaleidoscope of heroism and treachery, rivalry and intrigue had become the background to our daily life. Bosnia, where we had our first sight of enemy-occupied Jugoslavia, was in a sense a microcosm of the country as a whole. In the past it had been fought over repeatedly by Turks, Austrians and Serbs, and most of the national trends and tendencies were represented there, all at their most violent. The population was made up of violently Catholic Croats and no less violently Orthodox Serbs, with a strong admixture of equally fanatical local Moslems. The mountainous, heavily wooded country was admirably suited to guerrilla warfare, and it had long been one of the principal Partisan strongholds, while there was also a considerable sprinkling of Cetnik bands. It had been the scene of the worst of the atrocities committed by the Ustase, of the not unnaturally drastic reprisals of the Cetniks and Partisans. (p.337)

The power of communism In guerrilla warfare ideas matter more than material resources (p.331). This is where the devoted belief of the communists comes in and Maclean’s analysis suggests a very profound historical point that he doesn’t quite articulate: that communism flourished in countries all round the world, and particularly among guerrillas, partisans and militias all across the Third World after the war, not because it was right, but because it was the most effective ideology for binding together and motivating those kinds of liberation fighters. Communism triumphed in the Darwinian struggle of ideologies for a number of obvious reasons:

  • it promises a better fairer world; if you care for humanity, you must be a communist
  • it is based on scientific principles and a teleological view of history which means it is inevitable, unstoppable
  • it transcends ethnic or national rivalries, purports to unite all people, races and creeds, in a transnational crusade for justice and equality
  • these and other considerations bred a fanatical adherence

(Seen from this strictly utilitarian point of view, communism’s modern equivalent would be militant Islam, extreme Islamic groups across the Middle East and North Africa being shown to create not only fanatical devotees but to unite fighters from all backgrounds and races (a theme mentioned in The World’s Most Dangerous Place: Inside the Outlaw State of Somalia by James Fergusson, 2013).)

He gives a good potted biography of Tito, son of a Croatian peasant (pages 310 to 313).

The epic trek to the Adriatic

The army engineer he’s brought with him supervises the flattening of a likely looking field to make a runway for the RAF to fly in much-needed supplies to the Partisans, but HQ back in Cairo make it clear the RAF aren’t keen on entrusting their pilots’ lives to amateur airfield builders. A new plan is suggested: that the Royal Navy brings supplies to a port on the coast of Dalmatia, until recently held by the Italians and not yet annexed by the Germans. In fact the Navy are wary, too, and prefer to drop supplies at an island off the coast.

Anyway, Maclean agrees a plan with Tito (impatient to get supplies anyway he can) who gives him Partisans to escort Maclean and a few of his team (Street, Henniker-Major and Sergeant Duncan) across country to the Adriatic coast, there to assess the situation and suggest the best island. Thus commences a long and arduous trek across mountains, through woods, crossing a German-patrolled road, fording a river, meeting all kinds of eccentric characters along the way and seeing for themselves the carnage meted out by the once-occupying Italians.

The itinerary is: Jajce (Tito’s base in Bosnia). Bugojno. Kupres. Livno (recently recovered from the Germans amid much fighting). Arzano (‘a few tiny white-washed houses, clinging to the side of a hill’). Zadvaije.

Then, at last, we heard the dogs barking in Baska Voda, were challenged once more, and, between high white-washed walls, found ourselves on a narrow jetty, looking out over a tiny harbour.

Then by local fishing boat out to the island of Korcula. They are treated royally, swim in the sea, taken round all the villages on the coast and greeted with acclaim. Trouble is, the bloody radio has stopped working so he can’t radio his whereabouts back to Cairo HQ. In the event a Navy motorboat turns up with, of course, an old chum of his from the navy and some tons of equipment.

Summary

An enormous amount happens in the next year and a half, described in 120 closely-written pages. Here are some highlights in note form:

The Germans consolidate their hold on the Dalmatian coast thus slowly squeezing off possible places for the Allies to land munitions for the partisans.

He is collected by Royal Navy motor boat and taken across the Adriatic to Allied HQ in southern Italy for orders. He is flown to Malta, then on across Libya to Cairo. Preparations are underway for a Big Three conference in the Middle East. Maclean submits his report, conclusion so far about the situation in Yugoslavia and the central importance of the partisans.

On return to Bari he finds the situation has deteriorated the Germans have seized more of the coastline. Repeated attempts to fly him back in are defeated by fog and snow. A captured German airplane is filled with top envoys from Tito to fly to Allied HQ but it has just loaded up when a German plane appears out of nowhere, attacking it with bombs and machine gun fire, killing some of Tito’s top lieutenants and some of Maclean’s British friends.

Finally he gets to land, drops some equipment and British officers, takes on board a new selection of Tito representatives, and flies back to Bari with a view to taking them on to Allied HQ in Egypt. Churchill and staff have returned from the Tehran conference with Stalin and Roosevelt (28 November to 1 December).

The central problem is that Britain has, up until now, been giving official support to the Royal Yugoslav Government in exile, appointed by King Peter, and sending arms to the Royalist Cetniks led by by Draža Mihailović. Now Maclean has to tell Churchill and other bigwigs that the Cetniks are not only not very effective on the ground but strongly suspected of acquiescing or even helping the Germans. Meanwhile, the real anti-German force is the partisans. So Maclean’s meetings with Churchill are designed to make him switch official British government support from the Cetniks to the partisans. But this leaves the  big problem that Maclean is reporting that Tito’s partisans will not only be the biggest force in post-war Yugoslavia but will probably form the government. Therefore British support for the King and the royal government in exile is increasingly irrelevant and backing the wrong horse. But how to switch British support without alienating the king, the Cetniks and the large proportion of the Yugoslav population which remains royalist? (Later on Maclean says that even the communists conceded that over half the population of Serbia was monarchist, p.490.)

This tricky diplomatic challenge runs throughout the rest of the Yugoslav part of the book and negotiations, between so many different parties, moving through so many different stages, are impossible to summarise. In a nutshell, young King Peter acquiesces in the decision but, as so often, it is his older advisors and other members of the royal family, who prove intractable and complicate the situation.

Maclean is flown back to Bari and then makes the dicey crossing back to an unoccupied Yugoslav port in a RN motor-torpedo boat. He reunites with his small staff and Tito’s staff and, after studying maps and latest German troop movements, they all agree the only viable island base for operations is the island of Vis. He then travels back to Bari to meet the Commander in Chief, General Alexander, to persuade him to assign the resources and troops required to convert Vis into a stronghold, for example building a large airfield and barracks for a permanent British force.

Yet another flight, from Bari to Marrakesh in Morocco where Churchill is recovering from flu, to persuade the great man to sign off on the Vis plan. they learn that Tito’s old headquarters in Jajce has fallen to the Germans and so, thinking they need some bucking up, Churchill writes a personal letter to Tito for Maclean to deliver by hand (p.413).

He is flown back to Bari and then parachuted into Bosnia to find and report the decision to Tito.

(Chapter 10) He is taken to meet Tito at temporary headquarters and discovers a Yugoslav Anti-Fascist Council has bestowed in Tito the rank of Marshall. Tito is delighted by the letter in which Churchill flatters him and readily agrees with the plan to make Vis a major support base for his partisans. They move about a lot and finally make a new HQ in caves overlooking a valley.

Chapter 11. New deal

Increasing air drops from the RAF and USAAF. Maclean is responsible for assigning officers to work with partisan units throughout the country.

Despite occasional stoppages, air-supplies were now arriving on a far larger scale. Air-support, too, was increasing by leaps and bounds….It was now possible, owing to the presence of my officers with Partisan formations throughout the country, to co-ordinate their operations with those of the Allied Armies in Italy. (p.429)

A Russian Mission arrives led by a Red Army general. This is the thin end of the wedge as East and West start to compete for the allegiance of Tito and his partisans.

A passage giving the decision, context and implications of the British government decision to stop supplying the Cetniks and diplomatic negotiations with King Peter (in exile in London) to see if he’s prepared to form a government of national unity i.e. let communist partisans enter his government in exile (pages 438 to 441). This would be best achieved if Maclean flies back to London to give advice, preferably accompanied by a representative of Tito.

Chapter 12. Change of scene

So he’s picked up by Dakota and flies to Algiers to meet with the new Supreme Allied Commander, General Wilson. Here, among many other decisions, it is decided to set up a Balkan Air Force which would train partisan volunteers and be responsible ‘for the planning, co-ordination and, to a large extent, execution of air operations in the Balkans’ (p.444). Long-distance phone call to Churchill with comedy because neither of them know how to use the newfangled scrambling equipment.

Next day he flies to London with the Tito delegate, Major Vlatko Velebit. It’s the spring of 1944 and England is overflowing with Americans and rumours of D-Day. He is summoned to a meeting with General Eisenhower, then to another one at Number 10. the military side – more supplies to the partisans – is easily agreed. The political negotiations with King Peter and the Royalists much more challenging. Peter has by now made an important public announcement telling his people to drop the Cetniks and support the partisans but this only has the effect of weakening his own support among disgruntled royalists without much increasing support for the partisans which was already strong.

Maclean receives a call from Buckingham Palace to go and brief the king who he finds to be surprisingly well-informed about the situation in Yugoslavia (p.449).

Then they get a radio message from Vivian Street, British officer with Tito HQ, that the cave hideout came under heavy attack from a co-ordinated German attack, many partisans were killed through Tito and senior officers made their escape. (Maclean gives a sustained description of the attack and gripping escape, pages 450 to 452.)

The HQ had been near the village of Drvar. In retaliation for supporting the partisans the Germans exterminate every man, woman and child in the village. That level of barbarism is what we were fighting to liberate Europe from.

The Germans pursue and harass Tito’s team who eventually radio for help. A date is made for a US Dakota to land at a cleared strip and Tito and key staff (and his dog Tigger) are loaded aboard and evacuated to Bari, the first time he’s been forced to leave Yugoslav soil since the conflict began (p.454).

Everyone agrees that, in order to continue functioning and provide a figurehead he must be returned to Yugoslav soil as soon as possible and the island of Vis, so long pondered as a new HQ, is agreed. Tito and his staff are taken there by Royal Navy destroyer, HMS Blackmore.

Chapter 13. Island base and brief encounter

Maclean drily observes that Tito likes caves. He makes his base on the island of Vis three-quarters up the side of Mount Hum. Since he was last there the island has been transformed with a huge Allied airfield built with as many as a dozen huge American bombers parked up.

The narrow roads were crammed with Army trucks and jeeps, stirring up clouds of red dust as they rushed along. Every few hundred yards dumps of stores and ammunition, surrounded by barbed wire and by brightly painted direction posts, advertised the presence of R.E.M.E., of N.A.A.F.I., of D.A.D.O.S., and of the hundred and one other services and organizations… Down by the harbour at Komisa was the Naval Headquarters, presided over by Commander Morgan Giles, R.N., who had what was practically an independent command over a considerable force of M.T.B.s and other light naval craft, with which he engaged in piratical activities against enemy shipping up and down the whole length of the Jugoslav coast… (p.458)

Also the establishment of the Balkan School of Artillery, set up on Vis as part of Maclean’s Mission under the command of Lieutenant-Colonel Geoffrey Kup:

whose life-work it became to instruct the Partisans in the use of the American 75-mm. Pack Howitzer. This was a light mountain gun, transportable on mule-back, if there happened to be any mules, and in general ideally suited to the type of warfare in which we were engaged. (p.459)

Also a partisan tank squadron being trained up in North Africa (p.464).

The Germans undertake another offensive, called the Seventh Offensive, against the partisans which starts with fierce fighting but then, like all the others, peters out.

The tide of the war is really turning. On 5 June 1944 Rome fell to the Allies. The following day saw the D-Day landings in Normandy. The Allies need to co-ordinate attacks on the Germans with the partisans; there needs to be discussion of the parts of northern Italy Tito wants to claim for Yugoslavia; plus the ever-intractable problem of the king and royalists. So it is that Supreme Allied Command in Italy ask for him to visit and Maclean organises the trip, accompanied by senior advisers, bodyguards and the faithful dog, Tigger.

It had been kept secret from Maclean, Tito and others that Churchill himself intended to fly in and meet Tito for the first time, and so the so-called Naples Conference came about. Churchill is fulsome in his praise, Maclean thinks Tito is amazed and pleased, the one-time peasant and revolutionary now sitting at the same table as one of the big three world leaders.

The high political problem is still how to reconcile with communist partisans with the royal government in exile, which has now crystallised round its prime minister, Dr Ivan Subasic. After ten days the Naples Conference ends and Subasic flies with Tito, his staff, Maclean etc back to Vis where the two Yugoslav parties hold a series of negotiations while the Brits sunbathe and swim in the beautiful aquamarine sea.

In the end a deal of sorts is agreed and Subasic flies back to London to put it to the king and his government.

Chapter 14. Ratweek plan

June 1944. Rumours that the Germans might retreat, withdrawing to a line they could better defend to the north of Yugoslavia. To do this they will need the central railway line from Belgrade to Salonika. Therefore it is the Allied aim to blow up the line and trap German forces in Yugoslavia.

The scheme was called ‘Operation Ratweek’. My proposal was that, for the space of one week, timed to coincide as closely as possible with the estimated beginning of the German withdrawal, the Partisans on land and the Allies on the sea and in the air, should make a series of carefully planned, carefully co-ordinated attacks on enemy lines of communication throughout Jugoslavia. This would throw the retiring forces into confusion and gravely hamper further withdrawal.

In drawing up these plans, we had recourse to all available sources of information concerning the enemy’s order of battle and the disposition of his troops, while at every stage we consulted by signal the British officers and the Partisan Commanders on the spot. Thus, the whole of the German line of withdrawal would be covered and every possible target accounted for. In the light of what we guessed the enemy’s plans to be the attack was fixed for the first week of September. (p.471)

Maclean decides to go from Bosnia to see for himself the situation in Serbia. Flies in and rendezvous with John Henniker-Major who’s been with the Serb Partisans since April. The Serb Partisans the Cinderellas of the movement, with less support from the local population, fewer rough mountains to hide in (unlike Bosnia), less successful against the Germans and so seizing fewer arms and so less well supplied than elsewhere. Lucky they have a good leader in Stambolic.

In April/May had come a change. The King announced his rapprochement with Tito and that led many to switch from supporting the passive Cetniks. Tito sent some of his best commanders to shake up the Serbian operation, notably Koca Popovic. And the Allies made a decision to stop supplying the Cetniks and supply the Partisans. As a result the latter began undertaking more operations and having greater success. Those who wanted to fight the invader went over to them, more successes, more seized arms and more prestige and respect, created a snowball effect. But still the deadly civil war between Partisans and Cetniks persisted.

So Maclean has been flown in to liaise with the Serb partisans. He is introduced to Koca, they pull out maps and have a comprehensive review of the situation, with Koca explaining where his forces can attack by themselves and where they’ll need air support, and what supplies.

Chapter 15. Ratweek fulfilment

He marches with partisans to Bojnik then onto the village where the Commander of the 24th Partisan Division, the formation responsible for the attack on the railway in the Leskovac area, had set up his Headquarters and where he finds Johnny Tregida, his liaison officer with the 24th Division. He kips in a courtyard full of Bulgarian prisoners. Next day they ride horses to Leskovac, where the attack on the railway is to take place. Information has found the town packed with German armour and motor transport and so HQ back in Bari had decided to send an unusually heavy fleet of bombers, some 50 Flying Fortresses. Maclean and his partisans watch from a nearby hill as these silver planes from high in the sky unload a huge payload on Leskovac and flatten it.

That night he observes the partisan attacks on the railway line, tackling enemy pillboxes while they set charges to blow up bridges and culverts, then tear up the railway itself and burn the sleepers. The idea is to delay or even trap the German forces in Greece and Yugoslavia, to prevent them being transferred to north Italy and Austria, to make the Allies job in those places easier.

All over occupied Yugoslavia similar attacks take place to destroy communications and bottle up the German forces. They notice enemy planes flying north and suspect they are carrying senior staff officers, communicate this to HQ who undertake attacks of these little convoys which promptly cease.

Maclean rides north to reunite with Boca, and is struck by the lush fertility of the Serb countryside and its rural prosperity, compared to rockier, poorer Bosnia. It’s a long journey over many days and Maclean gives a wonderful impressionistic account of the small villages of whitewashed houses, the locals bringing food, waking up in an orchard of plum trees, and so on. What experiences he had!

News comes through that the Bulgarians are negotiating an armistice and then that they have come in on the Allied side, with the result that Bulgarian forces throughout Yugoslavia switch sides. He meets up with Boca and Partisan headquarters which is itself riding north, now making a convoy.

They enter Prokuplje as liberators and are feted and feasted. He has just rigged up a bath and is having locals boil water when news comes of a German counter-attack, they have to quickly load their belongings and ride out.

He really enjoys life on the move in Serbia, the lush countryside and friendly villagers and wonderful food and so is annoyed when he receives a direct order from General Wilson. Tito has disappeared from Vis and Maclean is to report to the nearest partisan airstrip in order to be flown out of Serbia and find him.

Chapter 16. Grand finale

Tito has disappeared from Vis and his unexplained absence causes quite a bit of resentment among the British who had been entirely funding the partisans and lost good men among their liaison officers. After confirming his absence Maclean returns to Serbia, to hook up with the troops of Peko Dapcevic at Valjevo in time to see it fall to the partisans, helped by British Beaufighters. He finally locates Tito who’s in the Vojvodina and replies equably enough to a letter he sends him.

The second half of the chapter, pages 504 to 514, is devoted to Maclean being in at the liberation of Belgrade, the notable aspects of which are: 1) that the advance and battle are dominated by the Red Army which has crossed the Danube into Serbia – there’s lots of fraternising with Russians so lucky that Maclean speaks fluent Russian and also has received a Russian military medal which he dusts off and pins prominently to his uniform; and 2) the Germans put up a fierce resistance as they retreat, some of which Maclean witnesses at close quarters.

Chapter 17. Who goes home?

A few days after the conquest of Belgrade, Tito flies in and holds a victory march where Maclean is much moved by the ramshackle, dirty, patched-up appearance of the partisans, indicative of years of struggle, living off the land, guerrilla warfare. Now the partisans set about consolidating their grip on power. Tito negotiates a power-sharing deal with Royalists but it is plain this is only a temporary agreement.

On 27 October Maclean has his first meeting with Tito and conveys British irritation at his unexplained disappearance. In fact by this time the mystery has been cleared up because Stalin, at their most recent meeting, had told Churchill that Tito was visiting him in Moscow.

Maclean’s team of officers who had each been assigned to various partisan groups, now assemble in Belgrade and quickly convert themselves to a working British embassy. The last few pages describe this transition of the partisans from wartime guerrillas to peacetime administration. There is still fighting in the north but Tito has settled into the White Palace, Prince Paul’s former residence on the outskirts of the city (p.523). Maclean is still involved in negotiations with the king and royal government in exile, featuring Dr Subasic (who flies to Moscow to get Stalin’s blessing, p.520) which are detailed and complex but ultimately futile, for the partisans are solidly in power, with the numbers, the arms and the organisation to enforce it.

There is a lot of detail about the negotiations which dragged on until early March 1945 (p.530). But for Maclean the glory days of guerrilla warfare and living in the field were over and he asks to be transferred away from Yugoslavia. In mid-March he flies out after 18 months’ very intensive engagement, before the geopolitics and diplomacy get complex and messy. The book ends with his description of getting into the plane, taking off and watching the coastline disappear behind him. He had just turned 34. What an amazing series of adventures to have had by such a young age!

It’s very striking that the book ends with no summary, no conclusions, no Final Thoughts, no analysis of the political situation, let alone a retrospective description of how the war ended, how relations with Russia deteriorated, the start of the Cold War, Yugoslavia’s evolution under Tito’s rule or any of that – nothing, nada.

Maclean restricts himself very consciously to a first-person account of the immediate, of what he saw and thought and said and experienced. He gets on the plane and flies West and it’s over. It’s a very abrupt but totally appropriate ending.


In his father’s footsteps

Very slightly and subtly, Maclean’s father hovers in the background. Once or twice he casually mentions that some of the places he visits in Central Asia were visited by his father 30 years earlier. He enlists in the same regiment as his father. His father fought in the North African desert in the First World War and at some points MacLean passes through some of the same places e.g. Matruh (p.204). Living up to his father’s achievements.

Private school

Maclean’s aristocratic upbringing and bearing are present throughout, in his confidence and savoir vivre, in his practical skills (skiing, camping, hunting and shooting), in his urbane easiness in the company of filthy partisans or prime ministers and kings. Only once or twice does he explicitly refer to his privileged upbringing, but then in the same kind of way that all his generation and class did (the tones collected and defined by Cyril Connolly for so influencing the mindset and writing of the 1930s generations of poets and novelists):

The M.L. arrived that night and I went on board, as excited as a schoolboy going home for his first holidays.

Upper-class chums

A central characteristic of the posh, of aristocrats, of the landed gentry, reinforced by the network of private schools they attend, is that they all know each other, they are all ‘old friends’. Not only that but it only suffices to work with someone for a bit – in the Foreign Office or the Army, say – for them to be recruited into your cohort of ‘old friends’. And so these people move in a kind of gilded world filled with old friends and bonhomie.

And so, leaving them in the able and experienced hands of Jim Thomas, an old friend from Foreign Office days, I went…

In Mrs. Fraser-Tytler I found a fellow clanswoman with whom my friendship dated back to the days of my childhood in Inverness…

It was in this frame of mind that I went to see Rex Leeper, an old friend from Foreign Office days, and now His Majesty’s Ambassador to the Greek Government then in exile in Cairo… (p.278)

One of the sailors I recognized as Sandy Glenn, an old friend with a number of adventurous exploits to his credit… (p.373)

I recognized the work of my old friends Mark Chapman Walker and Hermione Ranfurly, the Commander-in-Chief’s highly efficient Military Assistant and Private Secretary… (p.401)

John Clarke and Andrew Maxwell were both old friends of mine… (p.432)

The problem which had been exercising me for some time, namely, how to get my old friend Sergeant (now Sergeant-Major) Charlie Button into Jugoslavia… (p.435)

Ralph Stevenson…British Ambassador to the Royal Jugoslav Government…was an old friend from Foreign Office days… (p.468)

The example of a partisan they worked with closely – ‘Brko, by now an old friend…’ (p.491) – indicates how it’s not length of time that makes someone an ‘old friend’, but depth of experience and closeness of companionship. Old friends need not, in fact, be old friends at all, just people you’ve gotten to know and trust, sometimes over comparably short periods of time.

This is a quality I commented on in my reviews of John Buchan, whose fabulously posh protagonists are continually bumping into ‘old friends’ whenever they need help. Not being plugged into a network of successful, well-connected ‘old friends’ in commanding positions across politics, business, the forces, the arts, I can only marvel at the ease and confidence with which these privileged creatures lived out their charmed lives. For example, take this profile of David Stirling’s Intelligence Officer, Gordon Alston:

By the time he reached the age of twenty-five Gordon had managed to have a remarkably full life. Having got off to a flying start when he left Eton at seventeen to become a racing motorist in Italy, he had later tried his hand at journalism in France and brewing beer in Germany. Since early in the war he had served in Commandos or Commando-type units. This varied experience had left him with a taste for adventure, a knowledge of foreign languages, and, most conveniently for us, an altogether remarkable flair for military intelligence.

How ripping! A big part of the pleasure of reading books like this is not only all the operational war stuff, but simply marvelling at the wonderfully varied, adventurous lives these privileged people seemed to live.

(And, as a digression, it crosses my mind that it’s the quality whose degraded, shabby, poor relation – a seedy, fake bonhomie – is satirised and ripped to shreds in William Boyd’s comic novel A Good Man in Africa.)

Upper-class manners

Being phenomenally posh, being a polished specimen of the British upper class, gives him the impeccable manners, savoir faire and confidence to meet and socialise with all ranks, from peasants to monarchs. The book invites us into this world, lends us the cloak of his manners and politesse, so that we are not as surprised as we maybe should be when Maclean calmly records being sent to meet the future leader of Yugoslavia, invited to spend the weekend with Churchill or to dine with exiled King Peter. Other countries will continue to have kings and emperors and aristocrats and leaders who reek authority and stickle for etiquette and procedure, so it makes sense that we should have a cohort of impeccably turned-out sophisticates who can match them at their game.

It is a symbol of how far Britain has fallen that the shambling liar Boris Johnson was Foreign Secretary from 2016 to 2018, embarrassing Britain at international events around the globe purely because Theresa May needed to keep a potential usurper and his faction in the ever-fractious Conservative Party onside. Shaming.

Roughing it

Aristocrats aren’t all floppy haircuts and parties in Chelsea, especially the Scottish variety. Instead, Maclean really loves roughing it, and takes to life on the road in Central Asia or on the run with partisans in the forests of Bosnia with equal alacrity. He likes the simple life.

Having eaten my breakfast, I cleaned out my mess tin and used it for boiling some snow-water on the stove, to shave in. It was an agreeably compact mode of life, with no time, space or energy wasted on unnecessary frills. (p.420)

Time after time he tells us that sleeping rough, bunking down in an orchard wrapped only in his greatcoat and with his backpack for a pillow, eating primitive food in a cave in Bosnia or bully beef in the Libyan Desert, this is what he wants, this is how he likes it, pure and clean and simple.

Lols

Maclean has a dry, understated sense of humour, the true aristocratic drollness, an unflappable ability to put up with discomfort and find the amusing in every situation. The book is studded with a number of comic setpieces.

Our short train journey had an improbable, dreamlike quality, which even while it was actually in progress, made it hard to believe that it was really happening. From the inside, Tito’s special coach was even more like a hut than from the outside, with an open stove in the middle and benches round the wall. The stifling heat of the stove induced sleep. The benches on the other hand were just too narrow to sleep on with any security. On the floor lay Tigger, in a bad temper and snapping at everyone’s ankles. At last, after a great deal of fussing and settling down, he went to sleep, only to be woken again almost immediately by a Cabinet Minister falling off one of the benches on top of him, whereupon pandemonium broke loose. It was not a restful journey… (p.421)

Also the story of the British officer, living and working with the partisans who, wherever he puts his sleeping bag and goes to sleep, always fidgets and ends up rolling yards, sometimes quite a distance away, one time being found wrapped round a tree stump, another time on the edge of a precipice, each time fast asleep and snoring his head off.

An eye for the ladies

There’s no mention of a girlfriend, lovers, no romance and certainly no sex of any kind. It’s part of the book’s tact and discretion. But Maclean does have what we used to call ‘an eye for the ladies’ and permits himself regular mention of particularly toothsome young women whenever he encounters them:

[In Korcula] a small crowd had soon collected to look at us. It included, I noticed with pleasure, one extremely pretty girl., (p.366)

From now onwards [Charlie Button] took charge of the Mission’s administrative arrangements, and ‘Gospodin Charlie’, as he was known, could be seen planning moves, negotiating for pack-horses, bartering strips of parachute silk for honey or eggs with buxom peasant girls… (p.435)

The technicalities involved were explained to me by an officer of the United States Army Signal Corps, while a pretty W.A.C. Sergeant prepared to take a recording of what was said. (p.444)

The Americans furnished me, in case of need, with a stenographer, a blonde young lady of considerable personal attractions wearing a closely fitting tropical uniform… (p.466)

Most of them [the population of the little Serbian town of Dobrovo] were rosy-cheeked, stolid-looking creatures, broad in the beam, with thick arms and legs, but amongst them, I noticed, was one exceptionally pretty girl, slim and dark, with classical features and a clear, pale skin, holding a little curly-haired child by the hand. (p.492)

And many more.

Upper-class tact

A crucial aspect of good manners, as of diplomacy, is tact. As the book progressed I became increasingly aware of the narrative’s tact. What I mean is that he is very discreet and polite about the many individuals named in it. About his army colleagues, first in the SAS then on location in Yugoslavia, he is uniformly full of praise, especially praising those who won medals. He has to use tact when dealing with all manner of Soviet officials and local peasants and brigands in Central Asia. He has to be tactful in his dealings with Tito, and in Yugoslavia has to train his officers in how to interact with the partisans tactfully i.e. show them how to use equipment without insulting their manhood or achievements. (Maclean has some comic stories about illiterate partisans eating various supplies such as plastic explosive, stories echoed in Ben Macintyre’s stories about the French Resistance.)

This quality comes out into the open, as it were, in the various descriptions of Winston Churchill, where Maclean allows himself to mention Churchill’s eccentricities:

  • at Chequers insisting on spending the evening with senior military staff watching Mickey Mouse cartoons in his private cinema
  • meeting underlings at his Cairo villa lying in bed in a silk dressing gown smoking a cigar (p.401)

But he only goes exactly to the same point as the common myth of Churchill’s whimsical personal style and no further. He tells humorous anecdotes about people but is never indiscreet. That would be bad form.

Once this had occurred to me I realised you could regard the abrupt ending of the book as itself an act of tactfulness. If he’d gone on to describe events after his departure from Yugoslavia in March 1945 (the final months of the war, conflict with Russia, the Cold War and scores of other issues such as the election defeat of Churchill) it would have stained and muddied the purity of the kind of narrative he wants to tell. Ending his text so abruptly is an aesthetic statement – less is more – and supreme act of tactfulness.

H.G. Wells

Happening to be reading a lot about H.G. Wells at the moment, I was struck when Maclean makes a reference to him, describing the American Lightning aircraft, with their twin tails and bristling cannon, as ‘like something out of H.G. Wells’ (p.393) – presumably he’s referring to Wells’s Edwardian novels about the war in the air, although also, maybe, to his description of apocalyptic war in ‘The Shape of Things To Come’ (1933) – either way, testimony to the grip on the popular imagination, about the future and disastrous wars, that Wells continued to exert.

Penguin are pants

I’m reluctant to buy new paperback books because they’re generally such poor quality. This book is a case in point. The typeface was degraded and poor quality on every page. Random words appear in lighter typeface than their neighbours. Random letters within words are partly effaced. Entire lines have either the upper or lower part of the letters distorted. You know when you make a photocopy of a document and position the original badly so that the photocopy misses off one side of the page? Like that, the final parts of letters are cut off all down the right hand side of the text. Some pages are in a different font from the main text (pages 152 to 153).

Precisely 24 hours after it arrived I noticed that, looked at side-on, the middle pages of this brand new book had ceased to lie flat but had become wavy. When I opened to these pages I discovered they were the ones containing half a dozen or so very very very bad quality reproductions of photographs, and something about reproducing these photos in plain ink on normal paper must have somehow made them absorb moisture from the atmosphere and become wrinkled and creased. They look like they’ve been dropped in the bath.

Only occasionally did all this make it impossible to actually read, but these marks of poor quality appeared on every one of the book’s 543 pages and were a constant distraction. They made me think what a mug I was to spend £12.99 on such a shoddy production. Never buy new Penguin books. Very poor print standards.


Credit

Eastern Approaches by Fitzroy MacLean was published by Jonathan Cape in 1949. All references are to the 2019 Penguin paperback edition – printed to a very poor standard.

Related link

Related reviews

SAS: Rogue Heroes by Ben Macintyre (2016)

Courage, like death, seldom appears where it is expected.
(One of Ben Macintyre’s reflections in ‘SAS: Rogue Heroes’, page 178)

This is the official history of the Special Air Service (SAS) during the Second World War, from its inception in July 1941 to its disbandment in October 1945.

Among all the other textual paraphernalia there’s a two-page ‘select’ bibliography which includes no fewer than 25 other books which had already been written about the SAS when this one was published (2016) and I bet more have been published since. So it’s a very popular and well-trodden subject. Indeed, Macintyre writes that as the Second World War reached an end, and the British press discovered the SAS:

The hints of roguish derring-do, combined with a distinct lack of hard detail, created a hunger for SAS stories that has never abated. (p.273)

What distinguishes this book from its competitors is its official status and therefore the access Macintyre was given to a mass of material including: the regimental diary (the SAS War Diary), personal accounts, top secret reports, memos, private diaries, letters, memoirs, maps, never-before-released archival material and hundreds of photos. The result is a 310-page Penguin paperback which is presumably as close to the definitive account as we’re likely to get.

The narrative is surrounded by textual apparatus, including a Foreword by the Right Honourable Viscount Slim, patron of the SAS Association; seven good, clear maps; a list of all the SAS operations during the war; a regimental roll of honour; a chapter giving the post-war careers of the book’s leading figures; numerous photos; the bibliography and an index.

Overshadowing all this is the fact that the book was made into a big-budget BBC drama series, broadcast in 6 episodes at the end of 2022, well reviewed in the press and watched by millions. I bought the book after watching the series, probably like tens if not hundreds of thousands of others. So it’s not only a popular history of then, the Second World War, but very much an artefact of our times, of now.

Part 1. War in the Desert

‘SAS: Rogue Heroes’ is immensely readable, clearly, authoritatively, grippingly written, a perfectly calibrated entertainment. I couldn’t put it down and read it in two highly enjoyable evenings. No wonder it was a Sunday Times bestseller.

You can read the basic facts on the SAS Wikipedia article and countless other web pages. My blog posts are always too long because I summarise everything; this time I’m just going to give the most striking, dramatic or funny elements in note form:

David Stirling

The SAS was founded by Sir Archibald David Stirling who came from a grand, landed Scottish aristocratic family. His family connections helped at key moments drum up support from Scottish grandees high up in the British Army: ‘This was an age when family and class connections counted for much’ (p.23). And:

Stirling was possessed of a profound self-belief, the sort of confidence that comes from high birth and boundless opportunity. (p.10)

Apparently, the decisive moment in Stirling’s life was when he was rejected from a Paris art school for being no good. He became determined to prove himself some other way (pages 9 and 91).

Stirling prided himself on being a renegade, a rebel against traditional army discipline and authority, an opinion vouchsafed by everyone who knew him plus all subsequent biographers. After completing officer training his report summarised him as ‘irresponsible and unremarkable.’

In return he powerfully disliked army discipline and hierarchy, calling military bureaucracy ‘a freemasonry of mediocrity’ and ‘layer upon layer of fossilised shit’ (p.22).

Surprisingly (or maybe not) everyone who worked with him said he was quietly spoken, respectful of his men, got to know them all, rarely raised his voice or lost his temper. He presented comrades in the group with challenges or missions and somehow made them feel like it was their duty to do it.

He was also very against boasting and swank which he described as being ‘pomposo’ (p.126).

Alternative tactics

Traditionalists still thought of wars in terms of huge armies clashing across defined fronts. Stirling conceived of a small agile force working behind enemy lines to sabotage enemy resources.

This was war on the hoof, invented ad hoc, unpredictable, highly effective and often chaotic. (p.172)

This ended up working dramatically well in the North African desert where civilisation amounts to a thin strip along the roads by the coast, inland from which stretch truly vast areas of desert, many of which were unexplored and unmapped in the 1940s.

I was staggered to learn that the Libyan desert covers half a million square miles, nearly half the area as India (1.269 miles²) (p.58).

Stirling badly damaged his back on his first parachute jump, losing consciousness and, when he awoke, unable to walk. Doctors thought he’d be crippled for life. Slowly feeling returned but later he suffered from blinding migraines.

Operation Squatter

Notoriously, the first SAS ‘mission’, Operation Squatter, on 16 November 1941, was a catastrophic blunder. The aim was to parachute at night behind German lines in the Libyan desert, infiltrate five enemy airfields on foot, plants explosives on as many German and Italian airplanes as possible, then head south to a rendezvous with the jeeps of the Long Range Desert Group (LRDG) deep in the desert.

But a fierce storm blew up just as the planes were due to depart. At that point, and then again when they were over the drop zone and due to jump, Stirling was warned to abort, but he took the pig-headed decision to proceed. 1) One of the aircraft carrying the SAS men was shot down – all 15 soldiers and the crew were killed. 2) The pilots were flying absolutely blind in a howling desert storm, had no idea where they were and told the soldiers to jump blind. 3) Some members of the remaining four teams were killed when they landed badly or were dragged across rocky, thorn-bush-full landscape by their chutes. Half a dozen were so badly injured they were left with pistols and told to fend for themselves. At least one shot himself there and then. Three of the teams couldn’t find the packs of ammunition, food and explosives that were dropped with them so were rendered useless. One by one they stumbled south to the rendezvous point. The mission failed to destroy a single enemy aircraft and of the 65 SAS men who set off only 21 made it back (p.55).

It was such a traumatic incident that Macintyre covers it twice, once in the brief prologue to the entire book, designed to drum up excitement (pages 1 and 2), then in an entire chapter (chapter 4, pages 47 to 56) which makes very grim reading.

Amazing that the powers that be let Stirling continue with his experiment. After this fiasco the only way was up.

Paddy Mayne

Top international rugby player. Notorious drunk with a terrible temper. Only close friend he had was Eoin MacGonigal with whom he forged a close, possibly homoerotic, bond, but who was killed during Operation Squatter. Mayne was never the same. Six months later Mayne took leave to go look for MacGonigal’s grave in the desert (p.116). Mayne was a core member of the early group but he and Stirling were never close.

Mayne seemed to take pleasure in slaughter: ‘Fighting was in his blood: he thrived on it.’ (p.115)

The attack on Tamet airfield, designed to knock out Axis planes, but when Paddy heard sounds of merriment from the pilots hut he and two others kicked the door open and opened up with machine guns massacring all the Germans and Italians within. Just one of many such incidents.

Jock Lewes

The exact opposite of Mayne, John Steele ‘Jock’ Lewes was a strict disciplined Englishman. Macintyre says he toured Nazi Germany in the late 1930s and even fell in love with a German woman, but when she introduced him to hard core fascists the scales fell from his eyes and he behave ever afterwards like a man angry at having been fooled.

Lewes was a key player in the formation of the unit with whom Stirling developed the idea of a special force which could be parachuted behind enemy lines and after seeing action in the defence of Tobruk, he joined the unit as Stirling’s second in command.

He was involved in the design of the unit’s badge and motto and was an inveterate tinker, designing the ‘Lewes bomb’ which could be attached to enemy planes or vehicles with an inbuilt timer. To cite his Wikipedia page:

To destroy Axis vehicles, members of the SAS surreptitiously attached small explosive charges. Lewes noticed the respective weaknesses of conventional blast and incendiaries, as well as their failure to destroy vehicles in some cases. He improvised a new, combined charge out of plastic explosive, diesel and thermite. The Lewes bomb was used throughout the Second World War.

He was killed by enemy airplane fire after leading an attack on Nofilia aerodrome, on 30 December 1941 aged 28 (p.79). Stirling later stated that Lewes had a better right to be the founder of the SAS than he did. Lewes’s death in the TV series is very upsetting and feels like the end of an era. It’s only by reading this book that you realise the entire North Africa era was just the first part of a much, much longer story.

Amateurishness

Throughout the book there’s a tension between the initial amateurishness of the group Stirling assembled and its home-made training regimes (for example, his bonkers idea that jumping out the back of a jeep travelling at 30 miles per hour was good training for making a parachute jump) and the tremendous commitment of everyone in the group to their leader and their methods.

Unlike most officers, who thought in linear terms, and care about promotion, medals and the steady progression of the battlefront, Stirling approached warfare sideways and from an amateur perspective. (p.99)

Fitzroy Maclean

Also from a grand family, Fitzroy Hew Royle Maclean, 1st Baronet, (1911 to 1996), unlike Stirling, was a scholar and an intellectual (p.83). When war broke out he transferred to the army from a successful career in the diplomatic service. He was with the SAS for about a year, in 1942, taking part in numerous raids, including the farcical attack on Benghazi. Later that year he was transferred to the Middle East as part of the Persia and Iraq Command before, in 1943, Churchill chose him to lead a liaison mission to Tito’s partisans in Yugoslavia in 1943. After the war he served as a Conservative MP and recorded his extraordinary career in the classic book ‘Eastern Approaches’. Maclean is routinely cited as a possible inspiration for Ian Fleming’s creation of the character of James Bond. He is quoted delivering a classic English attitude to foreigners (uncharacteristically philistine for a man fluent in numerous languages):

‘I have always found that in dealing with foreigners whose language one does not speak, it is best to shout.’ (p.105)

The motto

He describes the debate about designing a badge for the unit and choosing a motto. ‘Who dares wins’ motto beat alternative suggestions ‘Strike and destroy’ (too blunt) and ‘Ascend to descend’ (obscure) (p.85).

The French

Surprisingly ‘French troops would play a vital role in the evolution of the SAS’ (p.87). This remark is à propos the arrival of 52 Free French paratroopers under the command of Colonel Georges Bergé and it is, indeed, surprising to learn the extent to which Free French troops were involved in SAS operations.

The farcical raid on Benghazi

Featuring Maclean and Randolph Churchill. Chapter 9, pages 97 to 110, a) from a base in the Jebel mountain range and b) using the ‘Blitz Buggy’. This was a Ford V8 station wagon with a top speed of 70 mph containing two rows of 3 seats, with the roof and windows removed and painted Wehrmacht grey. (p.94).

On the evening of 21 May 1942 the Blitz Buggy, containing Stirling, Maclean, Randolph Churchill (Winston’s son) and three others bluffed their way past German then Italian guards and into Benghazi where they hid out in a ruined house while planning to row dinghies out to ships in the harbour and attach limpet mines. Everything went wrong starting with the fact that the drive across the desert and up and down gullies etc damaged the rods or something in the buggy which led to it making a howling racket wherever it went. Their night-time attempt to blow up the ships is fouled by heavy guards and the fact that the two inflatable dinghies they brought along both have punctures (and the pumping equipment makes an incredibly loud racket). They nearly get caught umpteen times and are forced to hole up in the ruined flat all day, twitching with nerves as enemy patrols pass by neighbours interfere and, at one point, a drunken Italian blunders in, only to run off at the sight of filthy bearded men with guns. Eventually they drive back out of town in the racketing Blitz Buggy after a very intense 24 hours. The whole thing is like a comic movie and makes for a tense but hilarious scene in the TV series.

In fact Randolph Churchill wrote a highly dramatic ten-page account of the day to his father, Winston, precisely the kind of buccaneering adventure designed to appeal to the wartime PM, and which helped bolster his support for Stirling and the SAS (p.110).

Car crash

It’s typical of Stirling, who really was reckless, not just in military sense, that the four days later, safely back behind British lines, Stirling was driving the Blitz Buggy far too fast, took a corner at speed and, to avoid an oncoming lorry, swerved and ended up rolling the vehicle resulting in: the death of Arthur Merton the distinguished war correspondent; Maclean suffering a broken arm, collarbone and fractured skull; Randolph Churchill receiving three crushed vertebrae; and Sergeant Rose having his arm broken in three places. Maclean quipped that:

‘David Stirling’s driving was the most dangerous thing in World War Two.’ (p.109)

I know he’s a great hero and everything, but quite regularly Stirling comes over as a reckless idiot, the death toll in Operation Squatter and incidents like this providing a powerful indictment.

Captain George Jellicoe

George Patrick John Rushworth Jellicoe, 2nd Earl Jellicoe (1918 to 2007) sailed out to the Middle East with Layforce, met Stirling in the bar at Shepheard’s hotel in April 1942, and signed up for the SAS (p.120). He joined the raiding party of 13 June 1942 which attacked fortifications at Heraklion on Crete. It was led by Colonel Georges Bergé. Disguised as Cretan peasants they cut through the perimeter barbed wire surrounding Heraklion airfield and planted bombs on the fleet of parked Junkers 88 bombers. As they started exploding, the team escaped back to the perimeter fence in the confusion.

Bergé paused after half an hour and announced that they would all be awarded the Croix de Guerre for the night’s work. He then led the party south. Or rather north, because in the excitement he had been reading the map upside down. (p.121)

We get a lot of detail about Jellicoe’s time with the SAS but the most memorable remark is his comic comment on the Free French:

‘They were very, very free; and very, very French.’ (p.124)

An independent force

By June 1942 what had started as L Detachment had raided all the important German and Italian airfields within 300 miles of the forward area. It had long ago dropped the idea of parachuting behind enemy lines and instead had worked closely with the Long Range Desert Group which, basically, drove them to within walking distance of targets, dropped them off, then hung around for a day or two to pick up the returning survivors of each attack.

But during this period it had itself got to know and understand all kinds of desert terrain and benefited from the inspired navigating skills of Mike Sadler.

With its own transport base and navigators, and the ability to attack at will from a forward base, L Detachment was fast becoming what Stirling had always intended it to be: a small, independent army, capable of fighting a different sort of war. (p.132)

Stirling discovers from intercepted messages that the Germans are calling him ‘the Phantom Major’ (p.138).

Sidi Haneish

The extraordinary story of the massed jeep attack on Sidi Haneish airfield. Eighteen jeeps drove 50 miles across the desert from their hideout in Bir el Quseir and then overran the airfield, driving along the main runway in two columns, each jeep armed with Vickers K machine guns, incredibly powerful weapons originally designed for RAF aircraft, causing incredible destruction (pages 139 to 142).

Dinner with Winston Churchill

On pages 153 to 156 Macintyre describes Stirling, back in Cairo, washed and scrubbed and attending dinner with Winston Churchill, with Field Marshall Jan Smuts and General Alexander, C-in-C of the African front. Churchill was, predictably, bowled over by Stirling’s enthusiasm and asked him to write a memo laying out aims of the SAS, a document which still survives.

Stirling asked the three eminent leaders, Churchill, Smuts and Alexander, to sign a piece of paper as a souvenir. Later, with typical chutzpah he typed above it ‘Please give the bearer of this note every possible assistance’ and use it shamelessly to cajole quartermasters into supplying immense amounts of new equipment (p.156).

Expansion

In September 1942 the SAS was recognised in the official British Order of Battle. It was expanded to include 29 officers and 572 other ranks. It was divided into four squadrons, one under Stirling, one under Paddy Mayne, one devoted to the French forces, and a newly commissioned Special Boat Service put under George Jellico (p.167).

At the age of 26 Stirling had become the first man to create his own new regiment since the Boer War. (p.167)

At the end of 1942 a second SAS regiment came into being, commanded by Stirling’s brother, Bill (p.179).

Battle of El Alamein November 1942

The final actions of the SAS in North Africa took place within the much larger event of the (second) Battle of El Alamein, October to 1942. The Germans had advanced inside the borders of British Egypt, and to within forty miles of Alexandria. Not only Egypt was at stake but the country contained the Suez Canal which was the lifeline to the entire British presence in the Far East, as well as controlling access to the oil fields of Persia, also vital for the Allied war effort.

Over two months the new commander of British Forces Lieutenant-General Bernard Montgomery led the Eighth Army to a victory which was the beginning of the end of the Western Desert Campaign. Victory eliminated the Axis threat to Egypt, the Suez Canal and the Middle Eastern and Persian oil fields. It revived the morale of the Allies, and coincided with the Allied invasion of French North Africa far to the West, thus trapping Rommel’s Afrika Corps in a classic pincer movement.

Stirling is captured

Stirling was desperate to make a contribution to this vast effort. On 16 January a force of 14 men in five jeeps set off from their base in the Tunisian desert aiming to link up with the fast-moving First Army near the coast. The Germans had, of course, for some time been aware of a roving force of saboteurs operating behind their lines and Rommel had ordered sweeps and searches to be made of desert areas close to his main forces. And so it was that, at a rest stop in a ravine en route to the coast, Stirling and his force were surrounded and arrested by a much larger German force. (In fact three of the group managed to escape in the initial confusion and trekked west through the desert to meet up, more dead than alive, with American forces advancing from the West, which I mentioned above.)

But for Stirling the war was over. He was sent to bases in Africa, then Italy, interrogated at all of them. He made some notable escapes but always managed to be recaptured until he was eventually sent to the impregnable fortress of Colditz near Leipzig in East Germany.

Because his capture happened at more or less that same time that the Desert War came to an end (with Allied victory) it coincided in a significant change in the personnel and purpose of the SAS. Macintyre has an elegiac page remembering the members who died during the desert campaign, before turning to the fact that the regiment was now to have a new leader, the dedicated stone-cold killer Paddy Mayne, and was now to operate entirely in occupied Europe.

Part 2. War in Europe

As I mentioned, I bought the book after watching the hugely enjoyable BBC TV series. which, I now realise, only dramatised part one of the book, the Desert War section, pages 1 to 189. It turns out that pages 193 to 310 describe the completely different environment the unit faced fighting in Europe, first up through Italy, then playing their part in the D-Day landings and the push across France, then fighting in Germany itself. All this leads up to the surprising fact that it was SAS men, some of whom we met way back in the early part of the desert campaign, who were the first to enter the Bergen-Belsen concentration camp in April 1945 which tends to cast a grim nihilistic shadow over everything which preceded it.

As I mentioned, the thing about the army, especially in wartime, is that it continually chops and changes and rearranges its units to suit changing needs. Thus, at the end of the desert war, in 1943, 1SAS was split into two parts, a Special Boat Squadron (SBS) under Jellico and a Special Raiding Squadron under Mayne. 2SAS continued in existence under the command of Stirling’s brother, Bill. I imagine for an author like Macintyre the main challenge is which activities of which unit to include.

Sicily

July 1943 Mayne’s SRS was tasked with knocking out defences on beaches on Sicily, ahead of the main allied invasion. In the event:

The Italians surrendered with indecent haste. ‘They gave up very easily,’ said [Johnny] Wiseman. (p.197)

During the assault they had had to paddle their dinghies past Allied paratroopers who were intended to land behind enemy lines but whose gliders got blown off course, crashed in the sea, and now they were drowning. Hard man Reg Seekings describes how they had to paddle straight past them, as stopping to pick them up would wreck their own mission, upon which lives depended.

Seeking emerges, in the second half of the book, as a barely controlled psychopath and hard man. He becomes the Spirit of Killing.

Seekings stormed the machine gun post, hurled in a grenade and then killed the occupants with a revolver as they staggered out, one after the other. ‘I enjoyed the killing. I was scared but I would have gone into action every day if I could.’ (p.197, and cf the massacre on page 293)

If war with Russia comes, then we will want lots of Reg Seekings.

Italy

The assault on Bagnara, a port on the Italian mainland. Then they’re tasked with taking Termoli on the opposite, northern coast of Italy. The Germans were pulling out when an SRS force of 207 men landed and seized the town. The German C-in-C, Field Marshall Kesselring was furious and ordered a counter-attack. Enemy spotters guided artillery fire into the town. There was a direct hit on a lorry loading up with 17 men and bags of grenades. After a huge explosion, not a single body was left intact, with heads and legs and other body parts strewn around the street. Seekings had just walked away from the lorry, Wiseman had just jumped down from the cab, and so both survived but were badly traumatised. An Italian family had been at a doorway watching. the mother and father were both killed instantly but then Seekings saw the little boy running round screaming with a his intestines hanging out of a bad stomach wound, so Seekings grabbed him and shot him dead on the spot. Yes, we want the Reg Seekings on our side.

Hitler’s commando order

On 18 October 1942 the German High Command had issued the ‘Commando Order’ which stated that any Allied soldiers captured in Europe and Africa should be summarily executed without trial, even if in proper uniforms or if they attempted to surrender. Any commandos or similar unit not in proper uniforms should be executed on the spot (p.208).

Three points:

1) This meant men in units like the SAS fought harder to avoid falling into enemy hands, and then made every effort to escape (and Macintyre describes some mind boggling escapes). Many others were caught and executed according to the Order (the execution of Sergeant Bill Foster and Corporal James Shortall, page 210).

2) It indicated a general darkening of the war. In the desert the unit had felt like it was having tally-ho adventures, a freewheeling band of buccaneers. In Europe the fighting got a lot dirtier, darker and more sadistic (p.205).

3) This last relates to the way the SAS found itself being used more and more as a commando i.e. an extension of the proper army, going ahead to defuse enemy defences, and not the band of pirates Stirling conceived of, operating for long stretches behind enemy lines to distract and demoralise the enemy. The tension between the two roles waxed and waned over the next two years (pages 201, 209).

An estimated 250 Allied servicemen, including downed airmen, perished under Hitler’s Commando Order. (p.311)

France (pages 212 to 274)

D-Day was 6 June 1944. The SAS had grown. 1SAS and 2SAS, combined with two French SAS regiments, a Belgian contingent and a signals squadron brought the total of the SAS Brigade to 2,500, commanded by a new, regular brigadier.

When Bill Stirling learned that a lot of these SAS forces were to be parachuted in ahead of the landings to act as shock troops ahead of the main attack he was furious; this was the climax of ‘ordinary’ military thinking and completely against the spirit of the SAS, so he resigned, an act which ‘signalled the end of the Stirling brothers’ leadership of the SAS’ (p.215).

The maquis

The following chapters depict the many adventures of the many different units of the SAS parachuted in to work with, lead and train, the French Resistance, or maquis as it was more commonly referred to.

Main learnings:

1) The maquis contained a surprising number of fighters from other nations, above all Russians, prisoners of the Germans who had somehow escaped and headed west.

2) There was a continual risk of treachery and betrayal; quite a few SAS-led hideaways in forests and mountains were betrayed to the Germans, who surrounded, captured and then, as per the Commando Order, executed everyone.

3) Some of this was because the maquis was riddled with internal politics, in fact the maquis was the continuation by other means of normal French politics and that politics was riddled with extremist factions who hated each other, notably the die-hard communists at one end of the spectrum and right-wing Catholic nationalists at the other. These were the dire political and social divisions which undermined the French republic throughout the 1930s, weakened France’s resistance to the initial German invasion, and would return to dog French politics even after the war. As Reg Seekings put it, the maquis were:

‘really political parties who had run away into the woods.’ (p.228)

And as Macintyre comments:

By 1944, the conflict in rural France had taken on many of the aspects of a civil war, with all the treachery and cruelty which that entails. (p.229)

4) Lack of proper military training or discipline often hampered the maquis’ usefulness.

The French resisters were fickle allies, riven by internecine disputes that often turned deadly. ‘The blood feud between the maquis was terrible,’ wrote [Johnny] Cooper. Fraser McLuskey considered even the most competent French fighters to be liabilities: ‘Co-operation with them in military operations is in most cases inadvisable and in many cases highly dangerous.’ Spies, real and imagined, were everywhere, and as the German occupation was rolled back the score-settling intensified. (p.240)

The book includes eye witness descriptions from our boys of watching the resistance hold quick kangaroo courts and then execute civilians accused of ‘collaboration’, often on no evidence apart from gossip and malice. For all these reasons the straight-down-the-line British SAS often found them difficult allies to work with. See my review of:

There was another aspect to all the SAS operations in occupied France which was German reprisals; almost every SAS-led attack on rail lines or fuel dumps or tank camps was met a few days later by the Germans’ wholesale slaughtering of entire nearby villages, farmsteads and so on, for example the rape, murder and burning the Germans inflicted on the village of Vermot (p.236).

The parachute padre

1SAS received its first chaplain, the Reverend Fraser McLuskey, who came to be known as ‘the parachute padre’ (p.230). This figure slowly grows in importance, getting to know the men, listening in private to their fears and concerns, holding (quite) services in their forest or mountain hideouts, helping improve morale and cement bonds.

Paris

Head of the SAS Paddy Mayne and seasoned navigator Mike Sadler arrived in liberated Paris on 25 August 1944.

It’s a recurring theme of this period that SAS groups entering towns were surrounded by deliriously happy civilians and especially young women throwing flowers and kisses but that, occasionally, enemy snipers or forces had remained behind, opened up firing, and then all these civilians got in the way of effective armed response.

SAS killings

Macintyre makes much of the illegality and immorality of the Hitler Commando order and yet, as the France chapters proceed, the objective reader notices quite a few times when SAS men have gone on the record, either in writings or interviews, as shooting dead surrendering opponents, for example this, from Roy Farran. During the Battle for Crete of 1941, his squadron encountered a group of surrendering soldiers:

‘Five parachutists came out of the olive trees with their hands up. I was not in any mood to be taken in by German tricks. I ordered the gunner to fire.’ (p.253)

Operations were now so continual that Macintyre includes a diary of Farran’s: 4 September destroyed two staff cars and a ten-ton troop carrier; 5 September ambushed a motorcycle convoy killing 6; 6 September surrounded by girls with flowers so not able to properly engage a German staff car making a getaway; 7 September attacked by 600 German troops, counter-attacked killing the German colonel and second in command – every day like that, for months.

SAS headquarters were moved to Hylands House near Chelmsford in Essex.

The Vosges

the campaign in the Vosges mountains led by Captain Henry Carey Druce of 2SAS, who went by the nom de guerre of ‘Colonel Maximum’. There’s no point detailing their actions which are too long and complicated, but they, like almost everything in the book, read like scenes from the most action-packed war movies.

North Italy

Back to Italy and a detailed account of Operation Tombola to shoot up German headquarters in the town of Albinea.

Into Germany

SAS forces followed the main Allied advance into Germany. the key learning here is that, in the desert and in France the Germans had been operating in neutral or opposition territory where the SAS or resistance could move freely to the indifference or active support of the native populations, could find good hideouts and strike at will.

When they entered Germany the tables were turned. Now the entire civilian population was against them, now the Germans were on home soil, now it was the Allies who drove along the main roads in large convoys and were vulnerable to sudden ambushes by small, mobile enemy units. Plus, of course, the fanaticism of the real die-hard Nazis.

The SS seemed ‘happy to die’ and the SAS often seemed happy to oblige them. (p.289)

The other thing was the child soldiers. In its dying months Hitler’s regime press-ganged tens of thousands of boys under 18 into uniform and forced to fight. You might think these children, some only 14 or 13, pitiable victims, but the accounts here show that many of them were as much if not more fanatical than their often demoralised elders (p.292). Macintyre gives accounts of children shooting not just machine guns but Panzerfaust single-shot man-portable anti-tank weapons at them. And the SAS responding in kind. An anonymous SAS soldier is quoted as saying:

‘If you shot one little bastard the others would all start crying.’ (p.292)

Big question: Did the Nazis pioneer the use of indoctrinated child soldiers (which I have recently been reading about in Africa, Sierra Leone and Uganda)? Did Germans invent the phenomenon?

Operation Howard

Worth mentioning this incident, on 10 April 1945, near the village of Börger, where a unit of SAS driving in jeeps came under fierce attack from a wood and where Paddy Mayne – still alive and still leading from the front – displayed unbelievable courage in leading the attack on the ambushers (pages 296 to 300). By this stage in the narrative Mayne has emerged as a beyond larger-than-life figure, as a force of nature, a whirlwind of cold-eyed death and destruction wrought on the enemy. He was nominated for the Victoria Cross (VC) but in the end received another bar to his Distinguished Service Order.

Macintyre contrasts Mayne’s action with that of a Dane, Major Anders Lassen, who in April 1944 led an SAS action against the Greek island of Santorini and was the only non-Commonwealth soldier in the Second World War to be awarded a VC.

Bergen-Belsen

The war narrative climaxes with the SAS unit which came across Bergen-Belsen concentration camp in April 1945, described in chapter 23, pages 303 to 306. It seems like something from a movie that among the unit which discovered it were individuals we’ve come to know very well throughout their previous operations and escapades, including Johnny Cooper, the Reverend Fraser McLuskey, the hard case Reg Seekings, and officer in charge Major John Tonkin. Amazing that they all survived this long.

Among the horror and evil of the Nazi death camp, the most telling moment is when the SAS officer in charge, Tonkin, ordered the camp guards and officer not to be shot on the spot. God knows they’d killed enough Germans in the preceding years. Instead:

Calmly and quietly, Tonkin chose to demonstrate what civilisation meant. (p.305)

Eight months later the commandant and warden of women prisoners were tried, convicted and hanged in Hamelin prison. He doesn’t mention what happened to the guards.

Colditz

On the same day that Belsen was liberated, so was Colditz Castle where Stirling had spent two long years as a prisoner of war. Two days earlier the camp commandant had received orders to ship the entire population of POWS East. Suspecting they would be used as bargaining chips or simply murdered, the senior British officer refused. Stirling was back in England by 17 April. Next day he broke out of the psychiatric evaluation camp where he was being held, headed for London, hit a nightclub and by 2 in the morning was having his ‘first roger for years’ (p.308).

But fighting continued up to the final German surrender on 8 May 1945. On 1 October the combined SAS forces paraded for the last time at Hyland House and were then officially disbanded.

War Crimes Investigation Team

There’s an odd coda which is that after the fighting ended, the head of 2SAS Brian Franks, sent Major Eric ‘Bill’ Barkworth to find the burial places of all SAS men listed as lost during the war and to track down all the German officers responsible for their murders as a result of the Commando Order. Macintyre calls it the last operation of the wartime SAS and describes it, along with the trials and punishments it led to, in fascinating detail pages 311 to 315.

The SAS idea spreads

Initially, after the dropping of the atom bombs on Japan, the Army chief of staff thought we were entering an entirely new era of warfare and so disbanded the SAS. However, just two years later they realised that a host of small conflicts had sprung up around the world, not least in Britain’s efforts to hang onto its empire, and so the SAS was re-established in January 1947.

Not only that but the idea of a small armed force of soldiers trained in survival behind the lines and sabotage spread to Allie countries and was replicated in Canada, New Zealand, Australia, and, after some delay, in America, taking the form of what became known as Delta Force. Right at the end of this splendid book Macintyre give a quick summary of the unit’s rationale:

In tactics and intentions, American and British special forces still follow the principles pioneered by the SAS in the desert more than seventy years ago: attacking the most valuable strategic targets without warning and then melting way again, forcing the enemy to remain on constant, debilitating alert. (p.317)

Afterlives

This wonderfully researched, brilliantly written, absolutely riveting book comes to a logical conclusion with six pages on the post-war lives and careers of the main characters we’ve got to know well during the main narrative, including David Stirling, the man who really emerges as the embodiment of SAS values Paddy Mayne, and others such as Roy Farran, Mike Sadler, Jim Almond, Reg Seekings and Johnny Cooper, the reverend Fraser McLuskey, John Tonkin and Bill Fraser. Not all these lives had happy endings, a kind of muted indication of the long-term psychological damage caused by the terrible scenes they’d witnessed and sometimes dreadful things they’d done.

I liked it that Reg Seekings for many years ran a pub in Cambridgeshire. There’s one landlord you wouldn’t want to have an argument with about chucking out time.

Many of them, like Reg and Stirling, went on to serve or lead forces in various parts of the British Empire, against communists, insurgents and nationalist forces, but that is another, and morally far more complicated story.

Within the context of this book and this war these men really were amazing heroes, models of unbelievable bravery and daring. And this book is an outstanding tribute to them.

Unexpected comedy

Macintyre has some nice comic timing and phrasing. Stories which made me laugh include the Churchill faked request form, plus:

1) When Dr Malcolm Pleydell was assigned as medical officer to the group, he expected to find a bunch of cold-eyed killers. Instead Stirling showed him round the camp like the host of a village garden party, explaining that the distant bangs were because some of the group were about to go out ‘on a party’ i.e. attacks on coastal defences, and were just practicing the explosives.

Pleydell had been expecting a man of blood and steel, a ruthless trained killer; instead he was made to feel as if he had just joined a particularly jolly beachfront house party, with bombs. (p.113)

2) Of the storming of Italian defences on Sicily, Macintyre writes:

A Cambridge graduate and former spectacles salesman, [Johnny] Wideman lost his false teeth but won a Military Cross that day. (p.197)

3) A lot later, in August 1944 in occupied France, Henry Druce was leading a group of SAS hooked up with a large party of French Resistance (which in fact included renegade Russian soldiers). The Resistance was generally referred to as the maquis, referencing the tough scrubland found in the south of France which made for good hiding places. The problem with the maquis was their lack of discipline, their poor training, and their fierce internal squabbles. Anyway, they light flares for an RAF drop of ammunition and food but, with typical indiscipline, members of the maquis rip the canisters of supplies open before Druce and the Brits can gather and guard them. Some of the French, starved from long months in hiding, ripped open the provisions in the canisters and started gorging themselves.

‘One Frenchman died of over-eating,’ Druce recorded. Another of the maquis extracted what he took to be a hunk of soft cheese from one of the containers and devoured it only to discover that it was plastic explosive, which contains arsenic. He then ‘died noisily’. (p.265)

4) At the end of 1944, operating in north Italy, SAS forces are joined by Captain Bob Walker-Brown, the son of a Scottish surgeon who had joined the SAS after tunnelling out of an Italian POW camp, crawling through the main sewer then walking to Allied lines.

He had an enormous moustache, a bluff sense of humour, an upper-class accent so fruity that the men barely understood his commands, and a habit of saying ‘what what’ after every sentence, thus earning himself the nickname ‘Captain What What’. (p.279)

So there is, throughout the book, a thread of very English humour, Macintyre entering into the spirit of self-deprecating humour and understatement evinced by so many of these soldiers, both at the time and in later memoirs and interviews.

A non-British account?

Once the SAS started working alongside the Americans, after D-Day, I began to wonder what the Yanks made of the determinedly upper-class, stiff-upper-lip, committed but often ramshackle and amateurish shenanigans of the Brits described in this book.

Most of the books about the SAS and its leading figures are written by Brits who share their private school and Oxbridge background (Macintyre attended a private school, then Cambridge) and so buy into their values, assumptions and banter – so they tend to be eulogies which draw you into that world.

I wonder if an account exists written by a complete outsider, say an American, which doesn’t buy into the self-reinforcing mythology surrounding this group, and gives a more objective and possibly critical account of their actual military achievement?


Credit

SAS: Rogue Heroes by Ben Macintyre was published by Viking in 2016. References are to the 2022 TV tie-in Penguin paperback edition.

Related reviews

Alamein to Zem Zem by Keith Douglas (1946)

Alamein to Zem Zem is a shortish memoir of the Second World War, covering three months at the end of 1942 and start of 1943 which Keith Douglas spent as a tank captain in a tank regiment engaged in North Africa as part of the Eighth Army fighting against the Germans and some Italians.

Its clarity, honesty and sometimes brutal descriptions have made Alamein to Zem Zem a classic text from the Second World War, but Douglas is just as well known as a war poet as a writer of prose. Many critics consider him the finest English poet of the Second World War. Although he wrote over 100 poems only a handful really rise to the top rank, but those 3 or 4 are breath-taking.

Douglas’s motivation

But to focus on this memoir, let Keith explain (with typical forthrightness) his motivation:

I had to wait until 1942 to go into action. I enlisted in September 1939, and during two years or so of hanging about I never lost the certainty that the experience of battle was something I must have. Whatever changes in the nature of warfare, the battlefield is the simple, central stage of the war: it is there that the interesting things happen. We talk in the evening, after fighting, about the great and rich men who cause and conduct wars. They have so many reasons of their own that they can afford to lend us some of them. There is nothing odd about their attitude. They are out for something they want, or their Governments want, and they are using us to get it for them. Anyone can understand that: there is nothing unusual or humanly exciting at that end of the war. I mean there may be things to excite financiers and parliamentarians — but not to excite a poet or a painter or a doctor.

But it is exciting and amazing to see thousands of men, very few of whom have much idea why they are fighting, all enduring hardships, living in an unnatural, dangerous, but not wholly terrible world, having to kill and to be killed, and yet at intervals moved by a feeling of comradeship with the men who kill them and whom they kill, because they are enduring and experiencing the same things. It is tremendously illogical — to read about it cannot convey the impression of having walked through the looking-glass which touches a man entering a battle.

‘Exciting and amazing’. If anyone ever asks why there are wars and why men fight, there’s one of your answers: because it’s an exciting and amazing experience. A little later he describes how happy he and members of his squadron when they capture an Italian hospital packed with goodies.

Tom was in high spirits; he and Ken Tinker had found an Italian hospital, and their tanks were loaded inside and out with crates of cherries, Macedonian cigarettes, cigars and wine; some straw-jacketed Italian Chianti issue, some champagne, and a bottle or two of brandy, even some Liebfraumilch. We shared out the plunder with the immemorial glee of conquerors, and beneath the old star-eaten blanket of the sky lay down to dream of victory…

And there you have another reason: ‘the immemorial glee of conquerors’. As Elizabethan playwright Christopher Marlowe puts it in Tamburlaine:

Is it not passing brave to be a king,
And ride in triumph through Persepolis?

And loot. Whenever they take enemy territory, come across enemy tanks or other vehicles or bases or hospitals the first thing on the minds of Douglas and his colleagues is ransacking them for a) classy food and drink to augment boring army rations b) more enduring souvenirs, the favourite of which is guns because they are stylish and, by design, portable. Thus Douglas at various points finds a German Luger and an Italian Beretta, the latter of which he sells on in a town for money to buy luxury foods.

  1. excitement and amazement
  2. the glee of conquerors
  3. loot

That’s before you get to what you might call the ‘higher’ motivations. Lots of war memoirs all too vividly describe the author was lost in life, directionless, unsure what to do next – and a just war 4) gave them an immense purpose which stifled all their anxieties and doubts. Then, of course, the socially acceptable indeed praiseworthy motives, in their various forms, of 5) honour and patriotism. For religious believers 6) God is on your side and your religious training teaches you that this is a Holy War. For the religious or non-religious there’s patriotism and a sense of duty that you must 7) defend your country and those you love against an aggressor. And more broadly, 8) defending the wider world against demonstrable evil (in this case, the Nazis). Lastly, for quite a few men, whether poor working class and illiterate or upper class and well educated, 9) the army offers a career, job security, a regular salary, training, respect, and a pension. For many the army is a career like the civil service or medicine.

So next time you read or hear someone asking why there are wars and why men fight, here’s at least nine explanations to be going on with.

Potted biography

Douglas came from a middle-class family in Tunbridge Wells, which fell on hard times, his dad’s business went bust, his mother became seriously ill, the pair divorced and Douglas spent most of his boyhood and teens at boarding schools. He was a loner, an outsider who got into trouble with the authorities for his stroppy attitude. He was nearly expelled from Christ’s Church school for ‘purloining’ a rifle.

Born in January 1920, Douglas was 19 when war was declared on 3 September 1939 and immediately reported to an army recruiting centre. However, like many he had to wait, in his case until July 1940 that he started his training. After attending Sandhurst he was commissioned in February 1941 into the 2nd Derbyshire Yeomanry and posted to the Middle East in July 1941 where he was transferred to the Nottinghamshire (Sherwood Rangers) Yeomanry.

Posted to Cairo then Palestine, Douglas found himself stuck at headquarters working as a ‘camouflage officer’ as the Second Battle of El Alamein (23 October to 11 November 1942) began. His regiment had been ordered to advance and taken casualties in the opening days of the battle while Douglas chafed back in the rear.

On 27 October, with typical insubordination (or bravado, depending on point of view), against explicit orders, Douglas commandeered a truck and drove to the Regimental HQ in the field. This is the point at which the text of Alamein to Zem Zem opens.

The battle of Alamein began on the 23rd of October, 1942. Six days afterwards I set out in direct disobedience of orders to rejoin my regiment. My batman was delighted with this manoeuvre. ‘I like you, sir,’ he said. ‘You’re shit or bust, you are.’ This praise gratified me a lot.

Douglas and batman reported to his Commanding Officer in the field, Colonel E. O. Kellett (nicknamed ‘Piccadilly Jim’ in the text), lying that he had been instructed to go to the front. Short of officers, the CO accepted his arrival and posted him to A Squadron, and gave him the wonderful opportunity of taking part as a fighting tanker in the Eighth Army’s victorious sweep through North Africa. The text of Alamein to Zem Zem is a detailed and precise description of what he saw and felt over the next three months.

Zem Zem is the name of the wadi in Tunisia where Douglas was wounded in early 1943.

Plot summary

  • Douglas deserts his Cairo post to join his regiment in the field
  • quick introduction to key personnel in the regiment
  • a series of small scale engagements which bring out the confusion of battle, before his section is withdrawn for rest
  • lengthy profiles of key figures in his part of the regiment, from the colonel downwards, giving a sense of the importance of personality and temperament to a fighting unit
  • second and more intense description of combat over a number of days, bringing out the confusion of war: Douglas’s tank gets lost in the maze of canyons around Zem Zem and takes a direct hit; he stumbles out of it and discovers quite a few wounded colleagues in the vicinity, carries a badly wounded man on his back as far as the nearest first aid post, promising to return and collect colleagues in a jeep, but just he is just trying to convey to the medics that there are badly wounded men further forward, he snags a tripwire setting off a mine, receives multiple fragment wounds and collapses
  • there follows a lengthy description of the long complex journey by ambulance, plane and train back to Cairo a thousand miles away, with detailed descriptions of the medical care and personnel who administer it, of other injured soldiers he travels with all the way back to an officers’ ward in Cairo, complete with pretty nurses and his first full English breakfast in months, and it is here that the main narrative ends
  • a coda, a completely separate section, which skips Douglas’s treatment and recuperation and finds him back, reunited his regiment right at the end of the North Africa campaign; now there is no fighting and he is tasked with collecting supplies and spare parts from liberated towns in Tunisia, which mainly involves getting very drunk with the French forces and French inhabitants of the region

Highlights

Douglas’s writing is so straightforward, clear, honest and vivid that summarising it seems counter-productive. Big quotes best give you a sense of the man and his approach.

Being in a tank

The view from a moving tank is like that in a camera obscura or a silent film — in that since the engine drowns all other noises except explosions, the whole world moves silently. Men shout, vehicles move, aeroplanes fly over, and all soundlessly: the noise of the tank being continuous, perhaps for hours on end, the effect is of silence. It is the same in an aircraft, but unless you are flying low, distance does away with the effect of a soundless pageant. I think it may have been the fact that for so much of the time I saw it without hearing it, which led me to feel that country into which we were now moving was an inimitably strange land, quite unrelated to real life, like the scenes in ‘The Cabinet of Doctor Caligari’. Silence is a strange thing to us who live: we desire it, we fear it, we worship it, we hate it. There is a divinity about cats, as long as they are silent: the silence of swans gives them an air of legend. The most impressive thing about the dead is their triumphant silence, proof against anything in the world.

Observations

Douglas not only wrote poems but made sketches of life in a tank regiment, a lot of which are so-so, but some of which are vivid and inspired. This eye for detail informs his prose.

One gun which appeared to be firing more or less directly overhead sent a shell which whistled. Possibly at some part of the night there was some German counter-battery fire, or some heavier guns of our own joined in. At all events, there was every variety of noise in the sky, a whistling and chattering and rumbling like trains, like someone whispering into a microphone, or like the tearing of cloth.

A moment before the tank struck him I realized he was already dead; the first dead man I had ever seen. Looking back, I saw he was a Negro. ‘Libyan troops,’ said Evan. He was pointing. There were several of them scattered about, their clothes soaked with dew; some lacking limbs, although no flesh of these was visible, the clothes seeming to have wrapped themselves round the places where arms, legs, or even heads should have been, as though with an instinct for decency. I have noticed this before in photographs of people killed by explosive.

Presently an infantry patrol, moving like guilty characters in a melodrama, came slinking and crouching up to my tank.

Only human

On the occasions when Douglas comes across ‘the enemy’ he is struck by how pathetic and human they are and forgoes several opportunities to shoot them. The reverse:

In the evening I was sent down the road to Brigade in a Marmon Harrington Armoured Car which had been found at Galal. On the way down the dark road we came upon six Germans plodding along by themselves. I sat them on the outside of the car and very reluctantly got out and sat outside with them in the rain. They were dejected and said they had had nothing to eat for two days. I gave them some tins of bully which I had put in my pocket from my tank’s ration box, and some sodden pieces of biscuit. We plunged off the road according to our directions, to find Brigade, but were pixy-led by a number of distracting lights and would have spent the night in a weapon pit into which we fell and got stuck, but for the opportune appearance of a stray tank, which obligingly pulled us out. The jerk of being hauled clear threw all the prisoners on the ground, and one of them lost his kitbag, to which he had been clinging as something saved from the wreck. He asked permission to look for it, in a hopeless tone of voice; the tank crew were indignant when I helped him find it and roared off into the murk again. It was difficult to get rid of the prisoners, but I was determined to find them some food and blankets, because the few people in the regiment who had been taken prisoner and recaptured during the first days at Alamein had been well treated by the Germans. Eventually I dumped them on a guard in the Brigade area whose sergeant had been a prisoner of the Germans for two months and was also well disposed to them.

Only people like us. The whole thing ridiculous.

The new type of pistol had jammed; the moving parts had somehow seized up, and we could not make out how to strip it, so I called to four German soldiers who were walking past. They all lifted their heads in apprehension to endure something more. A corporal walked across to them holding the revolver; he could not make them understand what he wanted. When I crossed over and spoke to them in halting German they smiled in huge relief. Only to tell us how to strip the pistol; they had it in bits in a moment, but advised us to prefer the old type of Luger, which was much more reliable. I asked their spokesman, a corporal with two medal ribbons, if they had had anything to eat. He said yes, they had chocolate, and offered us some; they all had ten or more of the round packets of plain chocolate whose empty cartons we had seen so often. We exchanged some tins of bully for some of the chocolate, and stood about munching chocolate while the Germans opened the bully and passed it round. A general conversation began. The corporal pointed to the Crusader and enquired: ‘Der Panzer ist kaput?’ We explained vaguely what was wrong with it; we argued over the relative merits of some Spitfires which roared low over us, and the 110. Photographs were produced. The Corporal had been in France: in Paris — postcards from Paris; in Greece — pictures of the Parthenon. In Russia? No. And how long in Afrika? Vier Monate.

The fighting

The main thing about the ‘fighting’ is how bewilderingly confusing it is, with Douglas losing track of his regiment, of nearby tanks, blundering into a forward position, mistakenly thinking the enemy are in flight, mistakenly lining his tank up to shoot a German tank side on before realising it was a gun emplacement, and then taking his Crusader tank behind a smoking Grant tank where it promptly took a direct hit from a shell.

He finds other comrades from the regiment in various states of injury, like Robin with his mangled foot. He vows to return with help but blunders into a minefield and snags a tripwire. He’s not killed or badly wounded but receives shrapnel in both legs, calves, thigh, lower back, the hair of half his face singed off.

The last 20 pages or so are a precise, detailed description of the very long, complex journey he and other wounded took by lorry, plane, train and more lorries via umpteen transit hospitals, eventually back to a luxurious officers’ ward in Cairo. And it is here, pleasantly sedated, with his wounds being addressed, with some pretty nurses to cheer him up and savouring his first full English breakfast in months, that the ‘Alamein’ part of the narrative concludes.

The dead

A standout feature is the number of dead people he observes and the repeated oddity of their postures, appearance and, above all, their eerie silence, which really obsesses him.

About two hundred yards from the German derelicts, which were now furiously belching inky smoke, I looked down into the face of a man lying hunched up in a pit. His expression of agony seemed so acute and urgent, his stare so wild and despairing, that for a moment I thought him alive. He was like a cleverly posed waxwork, for his position suggested a paroxysm, an orgasm of pain. He seemed to move and writhe. But he was stiff. The dust which powdered his face like an actor’s lay on his wide open eyes, whose stare held my gaze like the Ancient Mariner’s. He had tried to cover his wounds with towels against the flies. His haversack lay open, from which he had taken towels and dressings. His waterbottle lay tilted with the cork out. Towels and haversack were dark with dried blood, darker still with a great concourse of flies…

The bodies of some Italian infantrymen still lay in their weapon pits, surrounded by pitiable rubbish, picture postcards of Milan, Rome, Venice, snapshots of their families, chocolate wrappings, and hundreds of cheap cardboard cigarette packets. Amongst this litter, more suggestive of holiday-makers than soldiers, there were here and there bayonets and the little tin ‘red devil’ grenades, bombastic little crackers that will blow a man’s hand off and make a noise like the crack of doom. But even these, associated with the rest of the rubbish, only looked like cutlery and cruets. The Italians lay about like trippers taken ill…

The petrol lorries had arrived beside a derelict fifteen-hundredweight truck, the driver of which lay half in, half out of it, with one leg almost entirely torn off. The battledress serge had peeled away, showing a wreckage of flesh and the ends of bones.

Understatement

The presence of so much death triggerlly English understatement:

That night we were issued with about a couple of wineglasses full of rum to each man, the effect of which was a little spoiled by one of our twenty-five-pounders, which was off calibration, and dropped shells in the middle of our area at regular intervals of seconds for about an hour. The first shells made a hole in the adjutant’s head, and blinded a corporal in B Squadron. I spent an uncomfortable night curled up on a bed of tacky blood on the turret floor.

Arguably, this ‘top hole, chaps’ attitude was created at Victorian and Edwardian public schools expressly designed to turn out unquestioningly loyal and patriotic chaps who could administer the largest empire the world has ever seen and engage in battles large and small without losing their stiff upper lips.

We came up to the line of the high ground without further excitement, though we put a six-pounder shell across the bows of one of the 11th Hussars’ armoured cars, which had moved out well ahead of us, and was under suspicion of being an enemy vehicle. We had aimed well ahead of it, and the effect was immediate. It came tearing towards us like a scalded cat and drew up alongside. Its commander, a sergeant, leaned out and said ‘Was that you firing at us?’ We admitted it, and apologised. ‘With that?’ pointing to the long snout of our six-pounder. ‘Well, yes,’ we admitted. ‘Phew!’ he said. ‘Don’t do it again, please.’ He moved out ahead of us again.

‘Would you be so frightfully kind as not to kill us, please. Thanks awfully.’ Douglas is well aware of the comedy and enjoys satirising and caricaturing many of the jolly chaps he meets around the regiment, for example in the extended portrait of the regiment’s second in command, ‘Guy’:

He was fantastically rich and handsome, and appeared, as indeed he was, a figure straight out of the nineteenth century. He was charming and entirely obsolete. His ideas were feudal in the best sense — he regarded everyone in the regiment as his tenants, sub-tenants, serfs, etc., and felt his responsibilities to them as a landlord. Everyone loved him and I believe pitied him a little. His slim, beautifully clad figure remained among our dirty greasy uniforms as a symbol of the regiment’s former glory. He seldom, if ever, wore a beret — on this particular occasion I remember he had a flannel shirt and brown stock pinned with a gold pin, a waistcoat of some sort of yellow suede lined with sheep’s wool, beautifully cut narrow trousers of fawn cavalry twill, without turn-ups, and brown suede boots. On his head was a peaked cap with a chinstrap like glass, perched at a jaunty angle. His moustache was an exact replica of those worn by heroes of the Boer war, his blue eye had a courageous twinkle, and he had the slim strong hands of a mannered horseman.

Douglas describes the dichotomy between the original members of the Yeoman regiment, nicknamed the ‘Yeo-Yeo boys’, who were wealthy landowners born and bred to ride and hunt and shoot and fish and loftily ignored the ‘riff-raff’ who had come into the regiment since it was mechanised.

At some point during yet another description of the relaxed, confident, philistine upper-class cavalry officers I realised the stereotypical form of address, ‘old boy’, was no more than the truth. They were all overgrown schoolboys.

Germans and Italians

The Germans are efficient, the Italians are a pathetic joke:

The side of the road was still littered with derelict vehicles of all kinds, interspersed with neat graves bearing crosses inscribed with the names and rank of German officers and men, and surmounted by their eagle-stamped steel helmets. More hastily dug and marked graves were those of Italians, on some of which was placed or hung the ugly green-lined Italian topee. There is something impressive in the hanging steel helmet that links those dead with knights buried under their shields and weapons. But how pathetically logical and human — one of those touches of unconscious comedy which makes it difficult to be angry with them — that the Italians should have supplemented the steel cap with a ridiculous battered cut-price topee. The steel helmet is an impressive tombstone, and is its own epitaph. But the cardboard topee seemed only to say there is some junk buried here, and we may as well leave a piece of rubbish to mark the spot.

Soldier slang

At one point he tells us every single sentence of dialogue must be understood as littered with the universal swearword used by everyone all the time in the army, by which I take him to mean the ‘f’ word.

  • muckin’ and blindin’
  • brew up = tank being hit and exploding or bursting into flames; because this takes place in a confined metal space it is metaphorically compared to brewing up tea in a kettle
  • canned to the wide = drunk
  • Monkey Orange = radio code for medical officer

The silence of the dead

Gradually the objects in the turret became visible: the crew of the tank — for, I believe, these tanks did not hold more than two — were, so to speak, distributed round the turret. At first it was difficult to work out how the limbs were arranged. They lay in a clumsy embrace, their white faces whiter, as those of dead men in the desert always were, for the light powdering of dust on them. One with a six-inch hole in his head, the whole skull smashed in behind the remains of an ear — the other covered with his own and his friend’s blood, held up by the blue steel mechanism of a machine gun, his legs twisting among the dully gleaming gear levers. About them clung that impenetrable silence I have mentioned before, by which I think the dead compel our reverence…

Douglas returned from North Africa to England in December 1943, trained for and then took part in the D-Day invasion of Normandy on 6 June 1944. On 9 June Douglas’s armoured unit was pinned down on high ground overlooking Tilly-sur-Seulles. Concerned by the lack of progress, Douglas dismounted his tank to undertake a personal reconnaissance during which he was killed by a German mortar. He had joined the silent dead.

Poems

But his words weren’t silenced. A collected poems was published and then this memoir, and his reputation has remained steady, among those interested in war memoirs and poetry, up to the present day. Talking of memory and reputation, these are the subjects of one of Douglas’s three great poems.

Remember me when I am dead
and simplify me when I’m dead.

As the processes of earth
strip off the colour of the skin:
take the brown hair and blue eye

and leave me simpler than at birth,
when hairless I came howling in
as the moon entered the cold sky.

Of my skeleton perhaps,
so stripped, a learned man will say
‘He was of such a type and intelligence,’ no more.

Thus when in a year collapse
particular memories, you may
deduce, from the long pain I bore

the opinions I held, who was my foe
and what I left, even my appearance
but incidents will be no guide.

Time’s wrong-way telescope will show
a minute man ten years hence
and by distance simplified.

Through that lens see if I seem
substance or nothing: of the world
deserving mention or charitable oblivion,

not by momentary spleen
or love into decision hurled,
leisurely arrive at an opinion.

Remember me when I am dead
and simplify me when I’m dead.


Related links

Related reviews

Writing In A War edited by Ronald Blythe (1982)

This is a good, chunky selection of British writing from the Second World War, poems and stories and essays either written and published during the actual conflict or memoirs of wartime experiences published a little later. It consists of 400 densely-printed pages in the Penguin paperback, and features work from some 56 authors: 18 prose writers and 37 poets.

Poets (37)

Dylan Thomas, Edith Sitwell, Henry Reed, Edith Scovell, Henry Treece, Herbert Cory, C. Day-Lewis, Terence Tiller, George Barker, John Pudney, Charles Causley, Roy Fuller, Roy Campbell, Alun Lewis, W.J. Turner, W.R. Rodgers, Sidney Keyes, Mervyn Peake, Robert Graves, Rayner Heppenstall, Keith Douglas, R.N. Currey, Alan Rook, Fancis Scarfe, Timothy Corsellis, Kathleen Raine, F.T. Prince, Louis MacNeice, W.H. Auden, William Empson, Stevie Smith, Vernon Watkins, David Gascoyne, Paul Dehn, T.S. Eliot, G.S. Fraser, Stephen Spender, W.J. Turner.

Short stories (9)

Elizabeth Bowen, William Sansom, William Chappell, Fred Urquhart, James Hanley, J. Maclaren-Ross, V.S. Pritchett, Glyn Jones, Elizabeth Berridge.

Factual memoirs/reportage (5)

  • Bryher – recalls her impressions of Blitz London upon her return to it from Switzerland
  • John Sommerfield – description of his squadron travelling through North-East India to the front line against the Japs in Burma
  • Richard Hillary – description of learning to fly a spitfire
  • Keith Douglas – how he disobeyed orders to rejoin his tank regiment in the desert west of Cairo
  • Denton Welch – a very home front story of being taken to meet the eccentric painter Walter Sickert

Essays (3)

By George Orwell, Arthur Koestler, Virginia Woolf.

Structure

The pieces are divided into seven themed sections, being:

  • The City
  • The Sky
  • The Sea
  • Declarations
  • The Patient Khaki Beast (i.e the soldier)
  • Confessions and Conclusions
  • The Dark

Introduction

In his introduction the book’s editor, Ronald Blythe, explains that the 1930s was the decade of grand declarations, literary cliques and widespread left-wing or even communist confidence that the British establishment was about to be swept away in a wonderfully liberating revolution (traits I noted in my review of Robin Skelton’s Poetry of the Thirties).

The Spanish Civil War

However, a great deal of that fervour to change the world drained away during the three gruelling, disillusioning years of the Spanish Civil War (see my review of the Penguin Book of Spanish Civil War Verse) in which several of the youngest, keenest English poets were killed and those who survived were thoroughly disillusioned, above all by the revelation of Stalin’s willingness to betray the revolutionary cause in order to further Russia’s national agenda.

(Stalin didn’t want there to be a successful communist revolution in Spain because he thought it would alarm and alienate the governments of France and Britain, which he needed to keep sweet as potential allies against the obviously growing threat from Nazi Germany. Therefore Stalin did not want there to be a successful revolution in Spain. It took British communist volunteers in Spain a long time to grasp the Realpolitik of the situation and when it did, disillusion was total.)

And then the outbreak of the Second World War happened so quickly. The nationalist leader General Franco declared the Spanish Civil War over on 1 April 1939. The Nazi-Soviet Pact was signed four and a half months later, on 23 August 1939, and one week later, on 1 September, Hitler invaded Poland.

The people of Europe, and their writers, artists and intellectuals, were thrown into six long years of chaos, bloodshed and holocaust. The world had never before seen destruction and mass murder on such a scale.

Retreat to the personal

Against this background of political disillusion (on the Left), a widespread feeling that the entire political class had let them down, and the universal sense of forces too vast to comprehend tearing the world apart, the writers who flourished during the Second World War retreated back to the personal.

If there was a common theme found across many of the writers during the Second World War, it was the notion that the entire world was being darkened by vast totalitarian movements devoted to wiping out the personal life, to exterminating the individual. Therefore, the greatest protest against the forces of darkness was to assert the importance of individual thoughts and feelings. As so often, W.H. Auden managed to summarise the mood perfectly in his famous poem, September 1 1939.

Defenceless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.

But Auden had left Britain for America in January 1939, and so was hors du combat. The writers left in Blighty, men and women, either too old to serve or conscripted into the forces, all had to find their own ways of expressing themselves and showing their affirming flames.

So what you have in this book is a wide range of personal reactions to the disaster the world found itself in, writings which are hard to generalise about because they are often so distinctive, not to say idiosyncratic: from the obliquely poetic short story of Elizabeth Bowen, to the intensely religious verse of Edith Sitwell, from the brisk no-nonsense memoir of Bryher to the visionary description of a torpedoed ship going down by James Hanley, from John Sommerfield’s larky description of a long journey by train, paddleboat, train and lorry to the front line in Burma to William Sansom’s brilliant accounts of being a firefighter in Blitzed London, the collection is characterised by its variety of location and event and style.

The collection itself is obviously divided into two distinct forms, verse and prose, with prose further sub-divided into fiction and factual.

Poetry

Having lived through the experimental Modernism and free verse of the 1920s, and the reversion to much more traditional forms with regular stanzas and regular rhyme schemes of the 1930s, poets of the 1940s felt free to pick and choose from either approach as suited their purpose.

So there’s quite a variety of verse forms, but I think I’m right in saying not much of it feels new. Not formally. But in terms of content, there is much that feels new, and I think can be divided into two broad categories, the realistic and the fantastical.

The New Apocalypse and Neo-Romanticism

The war saw an intensification of an aesthetic strand which had existed throughout the 1930s, an interest in the English countryside reimagined as a place of spirits and gods and paganism and Christianity interpreted in its wildest, most apocalyptic shapes. This trend had overlapped with some of the spirit of 1930s Surrealism and had been a reaction against the lucid, rational and political concerns of the dominant school of Thirties poetry.

In the fateful year, 1939, the best writings from this tradition were brought together in a volume titled The New Apocalypse with the result that a ‘movement’ of sorts was named after the book. To quote Wikipedia:

The New Apocalypse (1939)… was edited by J. F. Hendry (1912 to 1986) and Henry Treece. There followed the further anthologies The White Horseman (1941) and Crown and Sickle (1944).

The New Apocalyptics reacted against the political and social realism of the 1930s with its loving descriptions of factories and arterial roads and motorcycles and electricity pylons, and the belief that human nature was rational and could be rationally appealed to by rational argument. The name itself referenced D. H. Lawrence’s posthumous collection, Apocalypse (1931) and the poets in this tradition turned their backs on the Modern World and plunging into a heady stew of surrealism, myth, and expressionism. And then, of course, the world war broke out and quickly outdid their wildest imaginings of destruction, extreme situations and death.

George Barker

In this volume the Apocalyptics are represented by poems by Henry Treece and George Barker. Blythe includes in his book a very useful 21-page section called ‘Notes on Contributors’ which gives potted biographies and select reading lists for all his authors, and spends half a page explaining Barker’s motivation: the preface to the Apocalypse volume spoke of ‘word explosions’, of their poetry’s ‘air of something desperately snatched from dream or woven around a chime of words, are the results of disintegration, not in ourselves, but in society…’ (G.S. Fraser, another founder member of the New Apocalyptics, quoted page 376).

But to be blunt, I dislike the examples of Barker’s poetry given here. If this is the best, I’m not impressed.

From Sacred Elegy by George Barker

From this window where the North Atlantic
Takes the crow in my mind home in a short line
Over the kissing fish in the wave, and the mine
Where the sailor clasps his death as mermaid like
Sex of a knife in the depth, from this window
Watching I see the farewelling seasons fall
Ever between us like rain. And the lachrymal
Memory, trailing its skirts, walks like a widow
Across those seas looking for home. O my Dido
Heart! Sail, sail the ships ever away from us all.

The phrasing and some of the obscurity which derives from it seems wilful. ‘Farewelling’ sounds like a schoolboy attempt to be interesting. The kissing fish in the wave seems pitifully inadequate to describe the Atlantic Ocean. The reference to Dido at the end kills it for me; falling back on classical references only highlights the main text’s weakness. Possibly, if you are predisposed to an anti-rational, pagan view of the world, this might ring your bell. But reading it in 2024, it felt strained and dated.

Henry Treece

Henry Treece is much more direct and therefore attractive:

From In The Beginning Was The Bird by Henry Treece

In the beginning was the bird,
A spume of feathers on the face of time,
Man’s model for destruction, God’s defence…

Though the third line is notably weaker than the first two (because over the top, grandiloquent, too much). And the word ‘spume’ instantly recalls W.B. Yeats’s much more powerful use of the same word in his wonderful poem Among Schoolchildren:

Plato thought nature but a spume that plays
Upon a ghostly paradigm of things;
Solider Aristotle played the taws
Upon the bottom of a king of kings…

Blythe’s note on Treece tells us that he went on to write an enormous number of books for children or young adults, often about the Dark Ages i.e. Arthur’s Britain, the Romans, the Vikings and so on. You can already feel that in this charming and simple poem.

Lincolnshire Bomber Station by Henry Treece

Across the road the homesick Romans made
The ground-mist thickens to a milky shroud;
Through flat, damp fields call sheep, mourning their dead
In cracked and timeless voices, unutterably sad,
Suffering for all the world, in Lincolnshire.

And I wonder how the Romans liked it here;
Flat fields, no sun, the muddy misty dawn,
And always, above all, the mad rain dripping down,
Rusting sword and helmet, wetting the feet
And soaking to the bone, down to the very heart . . .

It’s a big idea, which I don’t have the scholarship to verify, but I wonder whether the 1940s Neo-Romantic urge to write about the mysterious countryside, pagan beliefs, spirits and so on, after the war went into children’s fiction, went into all those novels about Roman Britain, by authors like Henry Treece or Rosemary Sutcliffe, which I read as a boy in the 1960s.

Dylan Thomas

Some critics tried to lump George Barker and Dylan Thomas together as founders or exponents of a broader literary movement called ‘Neo-Romanticism’. This label works better in the world of art and painting than in literature. In painting there was a definite turning away from the urban towards nostalgic, if highly stylised, sometimes nightmarish, depictions of the English countryside, but a countryside under stress, prey to visions and strange atmospheres. Not Constable’s England at all. (Neo-Romanticism in art.)

But although critics tried to rope him into these movement, Thomas wasn’t interested. Dylan Thomas was just 24 when the war broke out and Blythe amusingly tells us that he took it as a personal affront, a calculated attempt by the world to blunt his promising career. Nevertheless, he produced some fiery, clanging verse responses to the war. Blythe acutely points out that in several of his most famous wartime poems (Ceremony After A Fire Raid and A Refusal to Mourn the Death, by Fire, of a Child in London) Thomas ignores the statistics, the general headlines, and – as per Blythe’s thesis – zeroes in on the particular, in each case on one particular victim of the Blitz.

From A Refusal to Mourn the Death, by Fire, of a Child in London

Never until the mankind making
Bird beast and flower
Fathering and all humbling darkness
Tells with silence the last light breaking
And the still hour
Is come of the sea tumbling in harness

And I must enter again the round
Zion of the water bead
And the synagogue of the ear of corn
Shall I let pray the shadow of a sound
Or sow my salt seed
In the least valley of sackcloth to mourn

The majesty and burning of the child’s death…

Here is Thomas reading it himself:

This is in a different class from the Barker. Nobody could compete with these ringing declarations. Thomas seemed to have tapped deep into the wellspring of some pagan power, tapped ‘the force that through the green fuse drives the flower’.

Edith Sitwell

Thomas may be associated with New Romanticism but he is sui generis, one of a kind, his grandiloquent poetry buttressed by the amazingly sonorous power of his readings. But out in the same paddock as Barker and Thomas were the more brittle but just as apocalyptic visions of Edith Sitwell. As Blythe points out, Sitwell’s wartime verse had travelled a long way since ‘the rhyming tomfoolery’ of the 1920s and the best of it uses Christian imagery to achieve a genuine sense of tragedy.

From Still Falls the Rain (The Raids, 1940: Night and Dawn)

Still falls the Rain –
Dark as the world of man, black as our loss –
Blind as the nineteen hundred and forty nails upon the Cross.

Still falls the Rain
With a sound like the pulse of the heart that is changed to the hammer beat
In the Potter’s Field, and the sound of the impious feet

On the Tomb:
Still falls the Rain
In the Field of Blood where the small hopes breed and the human brain
Nurtures its greed, that worm with the brow of Cain.

Still falls the Rain
At the feet of the Starved Man hung upon the Cross,
Christ that each day, each night, nails there, have mercy on us…

Here she is reading it:

T.S. Eliot

The godfather of Modernist poetry was T.S. Eliot and the war saw him complete the epic undertaking of the Four Quartets, four long meditations on death and history and society, underpinned by his complex and sophisticated understanding of Christian faith. They are Burnt Norton (1936), East Coker (1940) The Dry Salvages (1941) and Little Gidding (1942).

These poems are unlike anything before or since in their complexity of structure and interlinking themes and images. To briefly summarise, each one is set in a specific rural location (hence the names) and then uses a physical description of this location and its historical associations to weave a complex web of ideas about time, history, reality and religion.

The Quartets are among the absolutely top masterpieces of twentieth century poetry in English and Blythe makes the super-sensible decision to quote the fourth and final one, Little Gidding, in its entirety. Here is the second part of section 2, a sustained homage to Eliot’s hero, Dante, in which he envisions himself walking through the glass-strewn streets of London after an air-raid and encountering a mysterious stranger, much as Dante walked through hell encountering strange figures in the flickering half-light of the underworld.

From Little Gidding by T.S. Eliot

In the uncertain hour before the morning
Near the ending of interminable night
At the recurrent end of the unending
After the dark dove with the flickering tongue
Had passed below the horizon of his homing
While the dead leaves still rattled on like tin
Over the asphalt where no other sound was
Between three districts whence the smoke arose
I met one walking, loitering and hurried
As if blown towards me like the metal leaves
Before the urban dawn wind unresisting…

Magnificent. Simple language, simple syntax, but a weird and brooding atmosphere leading up to the spooky final line…

Little Gidding online

Soldier poets

Away from the grandeurs of the London literary scene and its professional writers was the completely different category of soldiers, sailors and airman who wrote poetry and prose. The three most famous British soldier-poets of the Second World War are Keith Douglas (1920 to 1944), Alun Lewis (1915 to 1944) and Sidney Keyes (1922 to 1943). See how young they all died (24, 29, 21).

I have to say straight away that my favourite poet of the Second World War is Keith Douglas. It might not be a totally true generalisation, but it seems, working through this selection, that the further away you were from the fighting, the more gorgeous, visionary and surreal your writing became (Sitwell, Raine, Barker, Thomas), whereas the closer you were to the fighting, the more precise, detailed (and sometimes banal and everyday) the writing became, as soldiers, sailors and airman tried to nail down precisely what it felt like – to fly a Spitfire (Richard Hillary), to be aboard a torpedoed ship (James Henley), to be stuck in an infantry camp behind the lines during long hours of rainy boredom (Alun Lewis).

In this respect – in terms of clear, convincing description of what it’s like – Richard Hillary’s prose memoir of training as a Spitfire pilot, and Keith Douglas’s memoir of the war in the desert leading up to the Battle of El Alamein, are the standout pieces.

But it is striking that Douglas is the only author featured in this selection as both a poet and a prose writer. Something about his mentalité made him write memorably in both forms. For me, it’s his precision, his ability to get to the point. This doesn’t mean his poetry is prosey. It is as full of metaphor and vision as much other poetry. It’s just that the metaphor and imagery are subsumed, in his best poems, into a kind of laser-like accuracy.

From How to Kill by Keith Douglas

Under the parabola of a ball,
a child turning into a man,
I looked into the air too long.
The ball fell in my hand, it sang
in the closed fist: Open Open
Behold a gift designed to kill.

Now in my dial of glass appears
the soldier who is going to die.
He smiles, and moves about in ways
his mother knows, habits of his.
The wires touch his face: I cry
NOW. Death, like a familiar, hears

and look, has made a man of dust
of a man of flesh. This sorcery
I do. Being damned, I am amused
to see the centre of love diffused
and the wave of love travel into vacancy.
How easy it is to make a ghost…

There’s plenty of simile, rhetoric and artifice about this but somehow it also has a shining clarity. It certainly lacks any sentiment or bullshit, just what it feels like to aim and shoot another human being.

It’s assisted by the preciseness of the half rhyme (also known as ‘imperfect rhyme’, ‘slant rhyme’, ‘near rhyme’ or ‘oblique rhyme’). Thus ball/kill; man/-pen; long/sang. As you read or hear it you sense that there’s a formal structure, a half-rhyme scheme, and yet the absence of exact rhymes prevents it from being predictable, makes it much closer to speech, like the speech of a man talking to you.

Of course it isn’t, and in fact lines like ‘This sorcery/I do’ has an Elizabethan feel to the syntactical reversal of the ordinary everyday phrase (‘I do this sorcery’) and the vocabulary likewise.

The subtle half rhymes, the use of unexpected sentence structures, the ultra-modern subject matter and yet the knowing echoes of much older verse (are there echoes of Dr Faustus in ‘Being damned, I am amused’?) makes for an utterly brilliant read, rich in resonances and enjoyments.

Prose descriptions

Prose is more suited to descriptions of action. Thus two of the most vivid pieces are heart-in-the-mouth descriptions and/or stories of being a fireman during the Blitz by William Sansom. In both you are really right there as the vast flaming wall of a warehouse shivers and then topples towards him and his firefighting crew.

I liked John Sommerfield’s description of being part of a squadron which has to undertake an epic journey across North-East India by train and paddleboat and train again to get to the ravaged frontline with the Japanese in Burma.

What a lot of writers from the period share is a tremendous clarity of style and thought. Thus Richard Hillary comes across as very self-absorbed but he describes with wonderful clarity the experience of flying a Spitfire. Keith Douglas conveys with similar clarity the experience of being a tank commander in the excerpt from his memoir of war in the desert, Alamein to Zem Zem.

The memoir of London during the Blitz written by Bryher (pen-name of Annie Winifred Ellerman) is snobbish and self-serving (she keeps on about how she warned everyone about the Nazis since 1933 but would they listen? No, the fools) but also displays great clarity of description in her encounters with shop assistants or soldiers during the Blitz.

Essays

George Orwell

Rather as T.S. Eliot towers over the poets by virtue of the depth and breadth of his vision, in respect of clarity of thinking and prose style George Orwell towers over all the other prose writers. His essay in defence of P.G. Wodehouse (who foolishly and naively made a handful of radio broadcasts for the Nazis in 1940) is a masterpiece of clarity and honesty, and insights.

Orwell makes it clear he’s got hold of as many of Wodehouse’s writings as possible as well as the transcripts of his German broadcasts, and tried to clarify the events surrounding them i.e. he has done as much homework as possible. And then he proceeds to make a convincing case, based on the arguments that:

  • Wodehouse had no idea how his broadcasts would be interpreted
  • he had absolutely no political sense
  • he had been interned by the Germans for a year and so had missed the intensification of the conflict during 1940
  • that the fuss being kicked up about him was really a ruse by the media-owning classes (e.g. Lord Rothermere, owner of the Daily Mail) to distract attention away from their own much more seriously pro-Hitler, appeasement attitudes

But it’s not only the clarity of the argument but the many insights it throws up along the way which make it still such an interesting read. For example, Orwell shows how both American and German critics in different ways had completely misunderstood Wodehouse. They thought he was a merciless satirist of the English upper classes. Orwell shows how Wodehouse was a dyed-in-the-wool, public school member of those classes and that all his tomfoolery comes from inside the worldview and is full, ultimately, of love and respect for it.

Arthur Koestler

I’ve reviewed Koestler’s two most famous books, the novels Darkness at Noon (1940) and Arrival and Departure (1943). They contain much vivid detail but are a bit ‘muddy’ in their thinking by which I mean the logic of the arguments, specially in Darkness, are harder to remember than the plight of the central character (an old Russian Bolshevik in prison having been arrested as part of Stalin’s purges).

The Koestler piece here is his short essay The Yogi and the Commissar (1945) which gave its title to a collection of essays published at the end of the war. It goes some way to explaining why Koestler turned into such an old bore, publishing some 25 volumes of essays and explorations in the coming decades and becoming steadily more irrelevant.

Koestler proposes a ‘spectrum of philosophies’ which stretch from ‘the Commissar’ at the materialist, scientific end of the spectrum to ‘the Yogi’ at the spiritual, metaphysical end. The Commissar wants to change the individual from outside, the Yogi wants to change the individual from within. This is precisely the kind of clever-sounding intellectual conceit which has bugger-all relevance to the real world and gives rise to a surprising amount of high-sounding verbiage in such a short space. It sounds fine but everything it deals with – Fascism, Communism, Democracy, Art, Science – it does so in a shallow, superficial way. I found it unreadable and consider it the only actively bad piece in the book.

Short stories

Elizabeth Bowen

Broadly speaking, the closer they stick to the subject, the more effective the prose works tends to be. Not always, though. The selection kicks off, not with any scene of battle, but with a ghostly and evocative description of a young couple walking round London in the Blackout after a bombing raid has departed. The young woman explains to her soldier boyfriend that she makes sense of it all, the Blitz, the chaos, by imagining the city is the fantasy city of Kôr, mentioned in Henry Rider Haggard’s adventure novel, She.

After this arrestingly atmospheric opening scene the story shifts to the domestic embarrassment of the young lady having to take her boyfriend back to the poky, cramped flat she shares with a girlfriend, and everyone’s general embarrassment and inconvenience. Yet the story is full of sly insights and perceptions just on the edge of consciousness, a subtle poetry of the periphery.

At half past ten, in obedience to the rule of the house, Callie was obliged to turn off the wireless, whereupon silence out of the stepless street began seeping into the silent room.

It took me a moment to realise that ‘stepless’ means empty of people and therefore with no sounds of stepping, of people walking. It’s a tasty sentence and the story is full of just such odd obliquities. It made me want to read more Elizabeth Bowen.

Fred Urquhart

There are other striking experiments. Fred Urquhart (‘described by one critic as the foremost Scottish short story writer of the twentieth century’) is represented by a story about potato pickers in a part of deeply rural Scotland which I didn’t catch because I barely understood the intense dialect he has his characters talking in. It is a war story because it is set during the war and the tattie pickers observe planes flying overhead, which all leads up to the climax when a German bomber crashes and blows up a few miles away.

James Hanley

Far more experimental is James Hanley’s piece, Sailor’s Song, an account of a torpedoed ship going down and a handful of men surviving by clinging to a raft which ought to be grittily realistic but is actually done in the style of Walt Whitman, with both the Ship and the Sea singing, describing their song and the human characters referred to with a kind of Biblical anonymity.

Glyn Jones

A different tone is presented by Welsh short story writer Glyn Jones’s story, Bowan, Moragan and Williams, which is a larky portrait of a boy and his family and friends and friends’ families in a tight-knit Welsh community, where everyone is odd and eccentric. I particularly liked the friend’s relative who is so nervous of other people that he speaks in an increasingly shrill voice and jams the napkin ring into his eye socket as if it is a jeweller’s eyeglass. The war is peripheral to this gallery of likeable eccentrics.

Elizabeth Berridge

Not so the very short story by Elizabeth Berridge in which a woman’s flat in the city is burgled and smashed up (when she’s not there), but she’s been living for some time in a retirement home with a snug community of friends and, after going with the police to examine the wreckage, she enjoys embellishing the description on the train back to the retirement home, relishing the opportunity to make her friends’ flesh creep with this appalling example of society going to the dogs… Only to arrive at the home that night and discover it wildly on fire, having been bombed and all her friends killed. The starkness of the facts and the protagonist’s inability to process what has happened are beautifully captured.

Summary

Except for a handful of poems by the obvious gods – Auden, Eliot, Thomas, Douglas – the short stories are, on the whole, more varied and powerful than any of the poems. This last story by Berridge, stands symbol for the countless millions of people who, although physically unharmed, had their lives ruined and their minds scarred by the appalling, meaningless violence of war.


Credit

Writing In A War edited by Ronald Blythe was first published in 1966. References are to the revised 1982 Penguin paperback edition.

Related reviews

Islam’s Black Slaves: The Other Black Diaspora by Ronald Segal (2001)

al-asl huwa ‘l-hurriya
‘The basic principle is liberty’

Traditional Islamic jurisprudence assumes that everyone is free, based on the dictum: ‘The basic principle is liberty’ (al-‘asl huwa ‘l-hurriya). On this basis was slavery was an exceptional, and undesirable, condition.

Ronald Segal

Ronald Segal lived from 1932 to 2008. He was a white South African, born into a rich Jewish family. He became a committed socialist and anti-apartheid activist who fled South Africa after the 1960 Sharpeville Massacre. He was a political activist, writer and editor, founder of the anti-apartheid magazine Africa South and of the Penguin African Library. He wrote 17 books, including a biography of Leon Trotsky, though he is best known for The State of the World Atlas (first edition, 1981), co-founded with Michael Kidron. Islam’s Black Slaves was his last book. It was conceived as a companion to his previous book, 1995’s The Black Diaspora: Five centuries of the black experience outside Africa.

The link with McLynn and Jeal

I was moved to buy this rather expensive book because my reading of Frank McLynn and Tim Jeal‘s histories of European (mostly British) explorers in nineteenth century Africa sparked my interest in a number of issues, among them their repeated descriptions of the impact of the non-white Arab slave trade on East and Central Africa. (They also piqued my interest in a) the large number of white slaves captured by Islamic slave traders and b) the central role of the Royal Navy in quelling the sea-borne slave trade after 1833, both subjects I hope to explore soon.)

Islam’s Black Slaves

Both Jeal and Adam Hochschild‘s accounts show that the capturing of black slaves in East Africa was a bloody, brutal business, with entire villages laid waste and thousands murdered for every hundred or so slaves (mostly women and children) who were finally transported down the slave trails to the east coast of Africa (specifically to the slave trading island of Zanzibar, owned and run after 1840 by the Sultan of Oman on the Persian Gulf).

Eye witness descriptions of widespread devastation and the brutality of the slavers on pages 152 to 153, 156 to 157, 161.

The Atlantic slave trade

Slavery was probably part of pre-Islamic Arab life and economy.

Whereas the Atlantic slave trade only got going after 1500 as European explorers (at first mainly the Portuguese) visited the west coast of Africa, the slave trade in the realm of Islam existed since the 7th century, 900 years earlier. Whereas the British abolished the slave trade in 1807 and slavery itself in 1833, many Arab countries only formally banned slavery in living memory, Saudi Arabia and Yemen in 1962, Oman in 1970.

According to the BBC, Muslim traders exported as many as 17 million slaves to the coast of the Indian Ocean, the Middle East, and North Africa.

However 1) the Islamic trade in African slaves was always a lot smaller than the Atlantic slave trade, especially when the latter was at its height in the 18th century:

There was no extensive and long-sustained commitment of black slave labour to the scale of commercial plantation agriculture that absorbed so many millions of black slaves in the Americas. (p.42)

In part this was due to memories of the Zanj Rebellion (869 until 883) when black African slaves who were put to work draining the salt marshes around then present-day city of Basra in southern Iraq, rebelled, gathering more and more followers, slaves and free, and presenting a major threat to the Abbasid Caliphate (pages 43 to 44).

The rebellion had a lasting impact. The use of a large number of black slaves in plantation agriculture and irrigation schemes sharply declined; it was considered too dangerous. (p.44)

2) The Islamic attitude to black slaves was markedly different from that of white Europeans, in a number of ways.

The Atlantic slave trade, particularly as it escalated in the 18th century, was a key element in the development of industrial capitalism, generating the profits from sugar and tobacco plantations which was then invested in new technologies in Britain (p.106; cf Eric Hobsbawm in Industry and Empire). But what makes capitalism different from all other social and economic models is the relentless focus on profit. If you take this as the be-all and end-all of social effort, then human beings can quickly come to be seen as mere units of productivity or consumption, totted up on dry accounts books.

Thus, according to Segal, African slaves were treated as units of productions, like donkeys, horses or steam engines, stripped of any individuality, faceless drones whose lives and deaths meant nothing to their owners.

The treatment of slaves in Islam was overall more benign, in part because the values and attitudes promoted by religion inhibited the very development of a Western-style capitalism, with its effective subjugation of people to the priority of profit. (p.5)

He then discusses slavery’s place in Christianity, which is highly problematic. If Jesus meant what he said about the brotherhood of man and so on then slavery was an outrageous blasphemy against Christian teachings. This had two broad consequences.

1) Slave owners and their propagandists scoured the Bible to try and find justifications for slavery (blacks being the descendants of Ham, the son of Noah who cast him out and curses him after Ham, saw his father drunk and naked, etc); or they simply denied that blacks were fully human, using any pretext which presented itself to argue that Africans were animals, savages, lower down the evolutionary scale etc.

2) The other consequence was those brave Christians who applied Jesus’s teachings consistently and so opposed the slave trade, generally evangelical ‘low’ Christians who formed the backbone of the Abolitionist movement and whose story is told in Adam Hochschild’s moving book Bury the Chains: The British Struggle to Abolish Slavery.

Islam’s treatment of slaves

By contrast, slavery was accepted by the Prophet Mohammed and his successors but, being openly acknowledged, was provided for. Mohammed goes out of his way to insist that slaves be treated humanely. A slave’s master was enjoined:

  • not to show contempt for a slave
  • to share his food with a slave
  • to provide a slave as good clothes as his own
  • to set a slave moderate and achievable work
  • not to punish a slave excessively but forgive him ‘seventy times a day’

Of course slavery of any form is a wicked denial of the basic human rights of human beings as we now, in 2023, conceive of them. But Mohammed’s explicit insistence that slaves should be treated well established a venerable standard which all Muslim slave owners could be held to. Thus:

Slaves in the Ottoman empire were differently regarded and treated [than in the West]. In conformity with Islamic teaching and law, slaves were people who had stipulated rights. (p.106)

Two routes to slavery

According to the Prophet there were only two legitimate route to slavery: birth to a slave mother or capture in warfare (p.36). Warfare could only be against non-Muslims or infidels, as Muhammed assumed that Muslim would never fight Muslim, brother against brother. Enslavement of captives in war went some way towards repaying the losses of warfare but was also a means of assimilating and converting non-Muslims who could, ultimately, be freed.

Obviously these rules were flouted repeatedly through history, but at least there were rules, they were clear, and rulers could be held to account against them.

Islam’s anti-racism

There are other key distinctions between the two traditions. It follows from point 1) above, that the anxiety felt by European Christian slave traders and owners created and fuelled a vast ideology of racism. Christian slave owners could only square their consciences if they held to the view that black Africans were not fully human, less than human, or even a different species. Many, many commentators claim the legacy of these scandalous opinions lingers on today in numerous institutions and organisations and individuals.

The point is that the Prophet Muhammad explicitly forbade racism.

The Koran expressly condemns racism along with tribalism and nationalism. (p.6)

According to Arabist Bernard Lewis:

pagan and early Islamic Arabia seems to have shared the general attitude of the ancient world, which attached no stigma to blackness. (quoted p.46)

In his Farewell Sermon Muhammed said:

‘O people, your Lord is one and your father [Adam] is one. There is no superiority of an Arab over a non-Arab, nor a non-Arab over an Arab; no superiority of a white person over a black person, nor superiority of a black person over a white person – except in righteousness.’ (quoted p.46)

Indeed, the first official muezzin, personally appointed by Muhammed to proclaim adhan in Mecca, was Bilal ibn Ribah, an African slave who was emancipated when Abu Bakr (who was to be the first caliph or successor to the Prophet) paid his ransom on Muhammad’s instruction (p.46).

This, as I imperfectly understand it, is one of the great appeals of Islam through the ages. When a convert submits to Allah he or she joins the great international ulema, regardless of ethnicity or skin colour. This, as I understand it, explains the surge of interest in Islam among American black activists of the later 1960s such as Malcolm X, who thought the Christian tradition espoused by the Reverend Martin Luther King, was hopelessly compromised by its profound involvement in the slave trade for centuries.

Forty years later James Fergusson dwelled on the appeal of Islam to Somalis in his book ‘The World’s Most Dangerous Place: Inside the Outlaw State of Somalia’. He cites Gerald Hanley, a British officer who spent years among the northern Somali in the 1940s, who said:

‘Islam does wonders for the self-respect of non-white people.’ (quoted p.54)

Islam offers discipline, focus, purpose and self respect in people who feel themselves second or third-class citizens.

[Islam] continued to encompass slavery long after slaves had been freed throughout Christendom. But while slavery was practiced in Christendom and Islam alike, the freeing of individual slaves by their owners was much more frequent and widespread in Islam. This was of particular relevance to the social assimilation of blacks. As slaves, they were subject to no special racial discrimination in law; and, once freed, they enjoyed in law equal rights as citizens. (p.9)

Something very much not true of freed blacks in America and their descendants, arguably, to this day.

However, that was the theory, and Segal goes on to describe how Islamic social practice and attitudes often fell far short. He traces the emergence of anti-black attitudes which might be attributed to 1) the Zanj rebellion; 2) contempt for the mainly manual labour many black slaves were condemned to in a culture which prized intellectual achievement.

He then goes on to cite an impressive roster of medieval Islamic scholars who authoritatively declaimed a series of hair-raisingly racist generalisations against black Africans. A lot of this was repetition with elaboration of Galen’s founding racist generalisations from the third century of the Christian era.

By the Middle Ages the Arabic word ‘abd had come to denote black slave and mamluk to mean white slave (p.49).

A last point about the racism or absence arising from the Islamic slave trade. As mentioned, the Atlantic slave trade a) prioritised men, for hard manual labour and b) the European owners erected a severe race barrier, which involved legal and cultural denigration of Africans.

By contrast, the Islamic trade prioritised female slaves which led to greater miscegenation or inter-breeding. I wonder if anyone’s done research to discover how much ‘black DNA’ is present in the Arab population. I came across this website online: it claims the DNA of the typical Egyptian contains 3% of African genes, Kuwaitis are 7% African, Lebanese are 2% East African and so on. I’ve no idea if this is correct or scientifically meaningful.

But Segal definitely asserts that over 1,000 years of interbreeding between black Africans and Arabs produced a population many of whose members are racially indistinguishable – in stark contrast to the situation in North America where the visual distinction between black and white was fiercely enforced until well into the 20th century and so remains, to this day, much more prominent and problematic.

Islam’s slaves in the service sector

Slaves in the Atlantic system were, classically, regarded as units of production in a brutally capitalist system, worked to death on plantations. Thus it’s calculated that the slaves were transported in a ratio of 2 men to every woman, because sheer brute strength was required on the plantations.

Whereas slaves in the Islamic world tended to be employed in the name of consumption, often very conspicuous consumption, as Segal’s profiles of numerous immensely rich caliphs and Muslim rulers indicate. The very rich tended to have vast numbers of concubines, servants, attendants and whatnot, many of whom were slaves. Segal tells us that Ahmad b Tulun, the Tulunid ruler from 868 to 884, left at his death 24,000 white slaves and 45,000 black ones (p.54).

Essentially, the distinction between Western and Ottoman – indeed Islamic – slavery was that between the commercial and the domestic. (p.107)

Thus it is that the gender ratio was reversed, with an estimated two female slaves transported into the Islamic world for every male, as slaves were most commonly used for household work (most conspicuously, concubinage, which modern scholars might describe as sex slavery).

Lower down the social order, many slaves worked in the service sector as cooks, porters, secretaries and so on. There is much evidence that, although their capture in Africa was a violent and traumatic experience, once they ended up in Arab Muslim households, many slaves were treated well.

Slaves in Islamic armies

Some slaves were trained to serve as soldiers. This was the case with the Mamluks, an Arabic word which literally means ‘owned’ or ‘slave (p.31). These were non-Arab, ethnically diverse (mostly Turkic, Caucasian, Eastern and Southeastern European) enslaved mercenaries, slave-soldiers, and freed slaves who were assigned high-ranking military and administrative duties, serving the ruling Arab and Ottoman dynasties in the Muslim world.

Mamluks became a powerful military knightly class in various Muslim societies that were controlled by dynastic Arab rulers. Particularly in Egypt and Syria, but also in the Ottoman Empire, Levant, Mesopotamia, and India, mamluks held political and military power. In some cases, they attained the rank of sultan, while in others they held regional power as emirs or beys. Most notably, Mamluk factions seized the sultanate centred on Egypt and Syria, and controlled it as the Mamluk Sultanate from 1250 to 1517. The Mamluk Sultanate fought the Christian Crusaders in 1154 to 1169 and 1213 to 1221, effectively driving them out of Egypt and the Levant (p.31).

Segal’s discussion of slaves in Islamic armies pages 45 to 46.

Talking of one-time slaves rising to power, the longest reigning of the Fatimid Caliphs, al-Mustansir (1036 to 1094) was the son of a black Sudanese concubine, whose mother, because he only came to power when he was seven, was the real ruler of the Caliphate for the 15 years of his minority (p.51); and Segal gives other instances of Africans who rose to positions of high power, especially black eunuchs.

Islam’s releasing of slaves

The technical term in English is ‘manumission’, from the Latin, meaning simply ‘release from slavery’.

The Koran teaches that it is virtuous to free slaves. It says one of the uses of zakat, a pillar of Islam, which can be translated as ‘alms’, is to pay for the freeing of slaves:

‘Alms-tax is only for the poor and the needy, for those employed to administer it, for those whose hearts are attracted to the faith, for freeing slaves, for those in debt, for Allah’s cause, and for needy travellers. This is an obligation from Allah. And Allah is All-Knowing, All-Wise.
( Surah At-Tawbah 9:60)

Freeing your slaves can offset sins you have committed and hasten your entry to heaven.

‘The man who frees a Muslim slave, God will free him from hell, limb for limb.’ (quoted p.35)

The Koran describes a particular type of legal contract, the mukataba, which it encouraged slave owners to make with slaves, whereby they could work towards their freedom (p.36).

The Koran says slave owners can have sex with female slaves, but places on them an injunction to marry them off to male slaves, whereupon the husband has sole right. The Koran allots praise to a slave owner who educates his female slave, frees then marries her (p.36). Unlike America and other European colonies, it was expressly forbidden to separate slave mothers and their children.

Eunuchs

Islam expressly forbids mutilating the human body which is the image of God.

‘Whoever kills his slave, we will kill him; whoever mutilates (his slave), we will mutilate him; and whoever castrates his slave, we will castrate him.’ (Sunan an-Nasa’i 4736; Book 45, Hadith 31)

Nonetheless, eunuchs became an engrained part of wealthy Islamic culture and pious Muslims got around the ruling by having infidels do the castrating. Thus during the Middle Ages Prague and Verdun became castration centres supplying eunuchs to the Islamic market (p.40).

Possession of eunuchs was just one sign of the extraordinary conspicuous consumption which distinguished medieval Islam. Thus, Segal tells us, at the start of the 10th century, when Alfred the Great’s muddy successors were still fighting the invading Danes in East Anglia, the Caliph in Baghdad had seven thousand black eunuchs and 4,000 white ones, in his palace (p.41).

Vivid, stomach-turning description of castrating a boy (p.171).

Numbers and routes

There were three main routes of black African slaves into Islam:

  1. across the Sahara
  2. from Ethiopia across the Red Sea
  3. from East Africa

Segal cites the calculations of scholars like Ralph Austen and Paul Lovejoy who estimate that the total number of black Africans trafficked into the Islamic world between 650 and the twentieth century as 11 to 12 million. Raymond Mauvy calculates 14 million. This is directly comparable to the 11 or so million calculated to have been transported in the far shorter period of the Atlantic slave trade (pages 55 to 57). Scholar H.J. Fisher is quoted as saying the total number of black slaves transported in the Islamic slave trade was probably larger than the number involved in the Atlantic slave trade (p.61).

Segal points out that enormous though these numbers sound, the 14 million figure ‘only’ works out 10,370 slaves per year. All scholars agree that the 19th century saw a dramatic increase in volume in slave trading (in 1838 an estimated to 10 to 12 thousand slaves were arriving in just Egypt, each year), so the chances are that the figures for the previous 11 centuries are lower, a guesstimate of maybe 7,000 per annum (p.60).

Importantly, these numbers exclude the internal black-on-black slave trade, the intra-Africa slave trade. So, controversially, they don’t include the vast numbers of slaves captured in East Africa and transported to Zanzibar, owned by an Arab elite, to work on the clove plantations. Segal cites the figure of about a million black slaves set to work in Zanzibar during the nineteenth century. If you included the intra-African trade, the total would go up by at least 2 million.

If you add the Atlantic and the Islamic trades, you end up with a figure of around 25 million black Africans captured and taken off into slavery.

We will never know the precise numbers. All we can do, in this as so many other aspects of human history, is marvel, or reel, at the thought of so much human suffering.

Non-black slaves

Most of the above concerns black slaves. But Islamic rulers conquered and enslaved or bought slaves from many other ethnicities. Thus countless numbers of Turkish and Circassian people were enslaved, as were Slavs and others from the Balkans. Someone somewhere must have done research into this. Segal only mentions it in passing.

Chapters

The foregoing summarises the first 70 or so pages of the book, dealing in general principles, overall numbers and so on. Subsequent chapters deal with:

Chapter 5. The Farther Reaches

China

Segal brings together fleeting references to black people in medieval and early modern sources. Chinese porcelain has been found in ruined trading towns on the East African coast. There’s no records of an organised trade.

India

Islam expanded into north-west India through armed conquest. It brought black slaves, mainly for military service. They called themselves Sayyad, corrupted to Siddis who, when liberated, set up small kingdoms of their own, became employed as security on Muslim ships, some rose to become admirals. The story of the rise to power of Malik Ambar (1548 to 1626), a military leader who rose to the office of Peshwa of the Ahmadnagar Sultanate in the Deccan region of India, his military and cultural achievements.

Spain

North African Muslims invaded Spain in 611, overrunning almost the entire peninsula (apart from Galicia) by 620. The resulting kingdom of al-Andalus grew to legendary wealth. Black slaves were imported from Africa, but the realm was also famous for exporting white slaves from Gaul and Galicia. It became a centre for castrating male slaves to provide eunuchs (p.80). The career of the black poet and arbiter of taste, Ziryab (789 to 857).

Chapter 6. Into Black Africa

A very detailed look at the different routes of slave traders and the slave trade into the Islamic world, from Ethiopia across the Red Sea, from the coast of East Africa. Segal gives a long complicated account of the rise and histories of various black African empires in west Africa – the empires of Ghana, Mali, the Kanem and Songhai empires – many of whose rulers converted to Islam, and the complex history of black slaving along the major trans-Sahara slaving routes. It’s a complex, unfamiliar history.

Chapter 7. The Ottoman Empire

Of all the empires that rose and fell within the Islamic world, the Ottoman was the largest and longest lasting. Segal uses the Ottoman empire to really point the difference in attitudes to slavery between the Christian West and the Muslim East. Although many slaves may have held domestic positions in the Americas and some been released, the fundamental difference was the slaves in the West were used as units of production by fast-evolving capitalism. Whereas in the East, although some slaves were used in labour-intensive plantations and proto-factories, the majority were for domestic consumption. Plus the East had a more generous policy of freeing slaves. Many civil servants or soldiers who were, technically, slaves of the Sultan rose to become generals and governors (p.106).

He makes the simple crucial point that while the West pursued a model of nationalistic capitalism which encouraged aggressively competitive trade and enshrined in law the unbridled pursuit of profit, the Ottoman Empire cleaved to Islam’s disdain for trade, prioritising of military glory or scholarly achievement and its active discouragement, in law, of the kind of profit-seeking sought in the West. Merchants accumulated capital but their culture mandated them to use it charitably, to establish schools or hospitals. Lacking a central bank, or banks in general, which could be used to redistribute capital from its owners to speculative ventures, lacking the complex legal framework and definitions of property and company law which enabled Western capitalism, the Ottoman Empire condemned itself to slow decline.

While social, political and, above all, economic innovation swept the West, the Ottoman empire remained steeped in sterile ceremonial. (p.116)

Segal gives a lot of detail of Ottoman history, especially the role of black eunuchs at the highest level of the Ottoman court. As to general black slavery, there was a substantial and continuous trade but records are scanty.

He credits the British in particular for pressuring the Ottoman Turks to end slavery in their empire. In 1846 the slave market in Constantinople was closed. In 1855 moves to ban slavery throughout the empire led to a violent revolt in Arabia, led by an imam who declared the ban unIslamic. The revolt was put down but when the ban was promulgated, it made Arabia an exception, to the area continued to be a base for slavers. Slavery was banned in 1889 but kept its place in Sharia law. In 1923 the modern state of Turkey replaced the empire, with secular law banning slavery.

Chapter 8. The ‘Heretic’ State: Iran

Segal gives a thumbnail sketch of Persia’s resistance to Arab rule which came to be embodied in its espousal of a distinct brand of Islam, Shia Islam or Shiaism. There is scant evidence of black slavery in Iran; what there is suggests black slaves enjoyed good treatment and high status in households, especially of the wealthy. An English lady traveller speculated that between two and three thousand African slaves were imported each year (p.123).

A scholar estimates the number of slaves in mid-19th century Iran as 80,000. As late as 1898 the Anti-Slavery Society estimated up to 50,000 slaves in Persia. As with the Ottoman Empire, from the 1820s onwards the British brought pressure to bear to end the slave trade, but the exemption of Arabia allowed it to continue as a conduit of African slaves into Iran. Only in 1882 did the Persian government renounce slavery in a treaty signed imposed by Britain (p.126). Only in 1907 did the new National Assembly enact a law ensuring universal freedom.

Segal makes the interesting point that, as in the USA, colour prejudice might have intensified after the abolition of slavery.

Chapter 9. The Libyan Connection

The black slave trade into the semi-Ottoman state of Tripolitania. In 1818 a Royal Navy captain, G.F. Lyon, observed that the ruling Bey waged war on all his neighbours and carried away 5,000 slaves a year. Segal cites scholar Ralph Austen whose detailed calculations suggest that from 1550 to 1913 some 784,000 black slaves were transported through Libya. Given a 20% death rate on the journey from the South, this suggests 942,000 black Africans were kidnapped and enslaved by Arab and Muslim traders working the Tripoli route (there were numerous other routes).

In 1930 a Danish traveller to Libya reported that there was a slave market every Thursday in Kufra and a good adult slave cost £15.

Chapter 10. The Terrible Century

The nineteenth century saw an increase in volume and intensity of Islamic slaving across north and east Africa. In 1808 Britain withdrew from the slave trade and set about persuading other European nations to do the same. Britain also began to intervene in the Muslim world to abolish the trade, but tentatively, mindful of Muslim sensibilities.

East Africa

A European visitor stated that, around 1810, almost the entire income of the state of Oman derived from taxes on the slave trade. In 1840 the Sultan of Oman moved his court to the island of Zanzibar, main entrepot on the west of the Indian Ocean, principle outlets for black slaves captured in the interior.

By the 1840s up to 15,000 slaves a year were being trade. The Sultan himself needed huge numbers to work his clove plantations. In the 1850s it’s estimated that Zanzibar’s population included 60,000 slaves. A quarter of the Sultan’s income was said to derive from the trade.

The British protected the Sultan as their client but brought consistent pressure on him to abolish the trade. He signed a series of treaties to that effect but in the 1860s the British consul reported that 30,000 slaves were arriving annually at the coastal ports, some for Zanzibar, some shipped north to the Gulf. He also reported that for every slave who reached the coast alive, one had died en route. Other accounts claimed a far higher number.

Many of the slavers, the leaders of expeditions to attack and massacre African settlements, then take away prisoners in chains, were either Arab or, very commonly, of mixed Afro-Arab ethnicity. Segal, again, draws the distinction between the behaviour of the slavers, which was brutal and murderous, and slaves’ treatment in their destination households, which was often kind as per Islamic lore.

Sudan and Egypt

Khartoum was originally a small fishing village at the junction of the White and Blue Niles. After Sudan it was conquered by the Ottoman viceroy, Muhammed Ali, in 1840, it was turned into a major entrepot for African slaves. By 1838 12,000 black slaves were being imported into Egypt annually. Beyond the reach of the Egyptian authorities operated the Ja’aliyin, who raided west into Darfur and south into tropical Africa until well into the 1890s.

Huge enclosures for slaves were established in Cairo, where many died of smallpox and other infectious diseases. For every slave that made it to Cairo, it’s estimated that 5 died along the way (p.151). General Gordon calculated that in the area of Bahr el-Ghazal between 1875 and 1879, up to 100,000 slaves had been exported north. European explorers found entire areas which had been devastated and emptied of their populations by slavers (pages 152 to 153, 156 to 157, 161). Only in 1883, when Britain occupied Egypt, were they able to start cracking down on the trade. By 1904 the Viceroy, Lord Cromer, could claim that the systematic slave trade had been eradicated.

Ethiopia and Arabia

Slavery in Ethiopia thrived for centuries. Up to 500 slaves were sold at the market at Gallabat every day. King Menelik was alleged to take a 10% cut in the trade i.e. gifted one slave in ten. Most were sent across the sea to Arabia. After the Ottoman Sultan banned it, the trade increased because it was no longer taxed. A British reporter estimated in 1878 that 25,000 slaves a year were sold in Mecca and Medina and the trade continued into the early 1900s.

The trade through Kenya was ended when the British created the East Africa Protectorate in 1895. Slavery was only legally abolished in Zanzibar in 1897.

West Africa

Segal describes a confusing profusion of kingdoms and rulers, Muslim jihads, insurgencies, overthrows and new rulers, all across west Africa in the 18th and 19th centuries. The point is all of them engaged in the slave trade, sending slaves north into Muslim Arab lands, or collecting them for their own grandeur. As the nineteenth century raiding became more intense and destructive, not least due to growing access to Western arms, which resulted in the devastation of entire regions. It’s instructive to learn that black on black slave trading continued energetically right to the end of the nineteenth century and beyond. A French agent on the Senegal river reported that in 1889 some 13,000 slaves were transported along the river.

Chapter 11. Colonial Transactions

Northern Nigeria

The British claimed the former Sokoto Caliphate in 1906, naming it north Nigeria. Segal describes the economic, legal and social reforms which led to the erosion of slavery, not only the banning of the institution but the economic development of the colony which gave peasants paid work.

French Soudan

In 1848 the French National Assembly abolished slavery in all her colonies. But it wasn’t until 1905 that the Governor-General of French West Africa decreed an end to the slave trade and any person losing their liberty (p.181). The data suggests that slaves made their way back to their former towns and villages.

Mauritania

As the cost of accepting French rule (1905 to 1910), the leaders of inland tribes in this part of north-west Africa demanded that traditional tribal laws about slavery remain. Colonial attitudes and Islamic law favoured masters in this largely nomadic population. Drought and famine in the 1930s then again after the war, forced many to offer themselves as slaves in order to secure food.

Somalia

Italy seized part of Somaliland in 1892. They made noises about banning slavery but in 1903 a third of the population of Mogadishu were slaves. In 1906 when Italy took full control of the colony, they estimated the slave population at 30,000. When they freed the slaves in the city, the Italians discovered it led to unemployment and beggary, so were slower to act in the countryside. A complicated mesh of laws followed until the Fascists took power in 1922 and passed laws designed to liberate slaves but force them into low-paid labour on plantations.

Zanzibar and the Kenyan Coast

In 1890 the British declared the Sultanate a Protectorate but it wasn’t until 1897 that they passed legislation allowing slaves to claim their freedom and then take-up was patchy because for many ‘freedom’ meant loss of employment and home. Employers and ex-slaves had to negotiate new relations. Employers raised pay, many ex-slaves squatted on waste land or the edge of plantations. The authorities struggled with increased vagrancy, drunkenness and delinquency. The British supported the Arab minority, as small as 5% of the population, because they owned the land and the clove plantations. Resentment against this privileged minority would boil over at independence.

In Kenya Segal describes the long-running problem of ex-slaves who became squatters, had families, established squatter settlements, especially along the coast where there was likely to be more work, a problem which troubled the British authorities and carried on past independence in 1963.

In Zanzibar and along the coast anti-Arab feeling grew and in 1961 there were violent African-Arab riots which left 68 dead. In the election held after the British left, the Arab party won a majority through blatant vote-rigging. This led in January 1964 to an outbreak of politically-motivated African violence which massacred Arabs and seized property, overthrowing the Arab Sultan for good. As many as 4,000 Arabs were killed in the streets. President of Tanganyika, Julius Nyerere, offered the revolutionary leadership a union with their mainland neighbour and so the country of Tanzania was born.

Chapter 12. Survivals of Slavery

Stories of the ongoing existence of black slavery in Arab states such as Qatar, Oman, Saudi Arabia, Dubai and Muscat. As recently as 1982 accusations that black Africans travelling to Mecca are captured and sold. On the west coast, evidence that African girls are trafficked to Lebanon.

Mauritania

At the time of writing the secretive government of Mauritania kept up slavery, with as many as a third of the population of about 2.5 million enslaved. Segal moves into the present era with a description of the racist activities of the Arab Islamic Mauritanian government in deporting, arresting, executing and generally harassing Mauritanians of black ethnicity. Especially the 1989 Mauritania–Senegal Border War which led to the expulsion of some 70,000 sub-Saharan African Mauritanians from the country. Wikipedia:

Modern-day slavery still exists in different forms in Mauritania. According to some estimates, thousands of Mauritanians are still enslaved. A 2012 CNN report, ‘Slavery’s Last Stronghold’, documents the ongoing slave-owning cultures. This social discrimination is applied chiefly against the ‘black Moors’ (Haratin) in the northern part of the country, where tribal elites among ‘white Moors’ (Bidh’an, Hassaniya-speaking Arabs and Arabized Berbers) hold sway. Slavery practices exist also within the sub-Saharan African ethnic groups of the south.

Sudan

The civil war in Sudan between the Arab north and the African Christian or animist south lasted for 40 years after independence in 1956. In 1972 the south was granted regional autonomy. South Sudan finally became an independent country in July 2011. Segal masters evidence for the ongoing practice of slavery in Sudan, generally practiced by Arabs on black Africans (pages 216 to 222). He mentions Christian Solidarity International which undertakes missions to buy slaves their freedom. At the time of writing CSI had freed more than 20,000 slaves, at an average price of $50 each.

Epilogue. America’s black Muslim backlash

This was by far the easiest part of the book to read and for a reason I often remark on – because it’s about America and we in the UK are bombarded with American culture, history and values. So when he writes about racism in Detroit or Harlem, about the Civil Rights Movement and Martin Luther King, these are people and places and issues I feel superfamiliar with, from books and TV shows, documentaries and radio programmes and movies, exhibitions, art and photography.

Whereas the information about the trans-Sahara slave routes or the rise and fall of the various empires of west Africa or even the history of Islamic Spain were just some topics I knew next to nothing about and found very informative indeed, and all the more rewarding for being so radically unfamiliar.

Reading the stuff here about the Nation of Islam and Malcolm X reminded me of watching the movie starring Denzel Washington, plus documentaries, plus articles, all (over)familiar stuff. Whereas I know nothing about the Fulani or the Hausa kings, about the Oyo empire or the royal court of Bornu, about Usman dan Fodio or Muhammed al-Amin al-Kanami or Yusuf Pasha of Tripoli. Here is a huge subject (the history of north and west Africa) of which I am pitifully ignorant, and need to learn more.

Thoughts

The biggest, general thought prompted by the book is the ubiquity of slavery, among all nations and all ethnicities, throughout most of history. The chapter on the Ottoman Empire routinely describes the numbers of white slaves seized from the Balkans in the Sultan’s palace, or more broadly. The chapter on Iran mentions that Iranians were themselves taken as slaves by the Ottomans to the West or the Uzbeks to the north. Iranians in turn seized Christian Armenians or Circassians.

Next is the Big Idea that slavery in Islamic was qualitatively different than the Western and Atlantic form, as described above.

Third thing is the leading role played by Britain throughout the nineteenth century in trying to stamp out slavery, across North Africa, in the Turkish heartlands, in Iraq and Persia, and along the East African coast. In all these places British diplomats, backed up by the Royal Navy, tried to stamp out the Arab slave trade.

Lastly, and tangentially, Segal’s passage about West Africa and its empires (chapter 10) was illuminating in itself, but also made me wish I could find a good, affordable account of France’s empire in Africa, not just the well-covered Algeria, but countries like Mauritania, Senegal, Mali, Guinea, Ivory Coast, Burkina Faso, Benin, Niger and Gabon, French Congo, the Central African Republic and Chad, which we in the Anglosphere never hear about.


Credit

Islam’s Black Slaves: The Other Black Diaspora by Ronald Segal was first published by Farrar, Strauss and Giroux in 2001. All references are to the 2002 paperback edition from the same publisher.

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