Desmond Bagley reviews

Desmond Bagley (1923 to 1983) was an English journalist and novelist, best known for his bestselling thrillers. When I read him as a boy in the early 1970s, I found him a kind of second-string Alistair MacLean; in fact, early on in his career, Bagley was actually marketed as writing “in the MacLean style.” But whereas Maclean goes straight for thrills and spills with a clear male lead, Bagley’s stories are more thoroughly researched and realistic, often with a lot of technical information, and helmed by ‘ordinary’ professionals (pilot, shipbuilder, engineer, journalist) with the result that they are often less thrilling.

Many MacLean books were made into great movies (Guns of Navarone, Where Eagles Dare, Ice Station Zebra) whereas Bagley’s more humdrum characters and realistic plots weren’t really the stuff of movies, and the ones that were made (The Mackintosh Man, 1973; The Vivero Letter, 1998; The Enemy, 2001) were quickly forgotten. He did better with TV adaptations which a) don’t demand such a steady stream of thrills and b) have the time to develop character more than a movie (Running Blind, 1979; Landslide, 1992).

Bagley’s books

1963 The Golden Keel South African boatbuilder Peter ‘Hal’ Halloran leads a motley crew to retrieve treasure hidden in the Italian mountains by partisans during WWII, planning to smuggle it out of Italy and back to SA as the golden keel of a boat he’s built for the purpose.

1965 High Citadel Pilot Tim O’Hara leads the passengers of a charter flight crash-landed in the Andes in holding off attacking communists.

1966 Wyatt’s Hurricane A motley crew of civilians led by meteorologist David Wyatt are caught up in a civil war on the fictional island of San Fernandes just as a hurricane strikes.

1967 Landslide Tough Canadian geologist Bob Boyd nearly died in a car wreck ten years ago. Now he returns to the small town in British Columbia where it happened to uncover long-buried crimes and contemporary skulduggery.

1968 The Vivero Letter ‘Grey’ accountant Jeremy Wheale leads an archaeology expedition to recover lost Mayan gold and ends up with more adventure than he bargained for as the Mafia try to muscle in.

1969 The Spoilers Heroin specialist Nick Warren assembles a motley crew of specialists to help him break up a big drug-smuggling gang in Iraq.

1970 Running Blind British secret agent Alan Stewart and girlfriend fend off KGB killers, CIA assassins and traitors on their own side while on the run across the bleak landscape of Iceland.

1971 The Freedom Trap British agent Owen Stannard poses as a crook to get sent to prison and infiltrate The Scarperers, a gang which frees convicts from gaol but who turn out to be part of a spy network.

1973 The Tightrope Men Advertising director Giles Denison goes to bed in London and wakes up in someone else’s body in Norway, having become a pawn in the complex plans of various espionage agencies to get their hands on vital secret weapon technology.

1975 The Snow Tiger Ian Ballard is a key witness in the long formal Inquiry set up to investigate the massive avalanche which devastated the small New Zealand mining town of Hukahoronui.

1977 The Enemy British Intelligence agent Malcolm Jaggard gets drawn personally and professionally into the secret past of industrialist George Ashton, amid Whitehall power games which climax in disaster at an experimental germ warfare station on an isolated Scottish island.

1978 Flyaway Security consultant Max Stafford becomes mixed up in Paul Billson’s quixotic quest to find his father’s plane which crashed in the Sahara 40 years earlier, a quest involving extensive travel around North Africa with the charismatic American desert expert, Luke Byrne, before the secret is revealed.

1980 Bahama Crisis Bahamas hotelier Tom Mangan copes with a series of disastrous misfortunes until he begins to realise they’re all part of a political plot to undermine the entire Bahamas tourist industry and ends up playing a key role in bringing the conspirators to justice.

1982 Windfall – Max Stafford, the protagonist of Bagley’s 1978 novel Flyaway, gets involved in a complex plot to redirect the fortune of a dead South African smuggler into a secret operation to arm groups planning to subvert Kenya, a plot complicated by the fact that an American security firm boss is simultaneously running his own scam to steal some of the fortune, and that one of the key conspirators is married to one of Stafford’s old flames.

1984 Night Of Error Oceanographer Mike Trevelyan joins a boatload of old soldiers, a millionaire and his daughter to go looking for a treasure in rare minerals on the Pacific Ocean floor, a treasure two men have already died for – including Mike’s no-good brother – and which a rival group of baddies will stop at nothing to claim for themselves, all leading to a hair-raising climax as goodies and baddies are caught up in a huge underwater volcanic eruption.

1985 Juggernaut Neil Mannix is the trouble shooter employed by British Electric to safeguard a vast transformer being carried on a huge flat-bed truck – the juggernaut of the title – across the (fictional) African country of Nyala towards the location of a flagship new power station, when a civil war breaks out and all hell breaks loose.

Hammond Innes reviews

Hammond Innes (1913 to 1998) was a British thriller writer novelist who wrote over 30 novels. His protagonists tend to be ordinary men thrust into perilous situations, often in extreme locations or situations. In fact in many of his novels the exotic locations are as – if not more – important than the human protagonists. I’ve always admired the fact that he was a very organised writer, spending six months travelling to settings around the world, doing thorough location research, followed by six months of writing.

Best one?

When I read them, I thought The Wreck of the Mary Deare was the best one, but years later it’s the unforgiving frozen landscape of the Antarctic in The White South which has stayed with me.

Innes’ novels

1940 The Trojan Horse Barrister Andrew Kilmartin gets involved with an Austrian Jewish refugee engineer whose discovery of a new lightweight alloy which will make lighter, more powerful aircraft engines reveals an extensive and sinister Nazi network which reaches to the highest places in the land; features a nailbiting chase through the sewers of London and a last-minute battle on the Nazi ship.

1940 Wreckers Must Breathe Journalist Walter Craig stumbles across a secret Nazi submarine base built into a ruined tin mine on the Cornwall coast and, along with local miners and a lady journalist, fights his way out of captivity and defeats the Nazis.

1941 Attack Alarm Wartime thriller set during the Battle of Britain, drawing heavily on Hammond Innes’s own experience as an anti-aircraft gunner. Barry Hanson is a former journalist now serving on an RAF airfield gun crew in 1940 who comes to believe a network of Nazi fifth columnists is planning to sabotage the airfield ahead of a major German attack, but none of his superiors believe him.

—Second World War—

1946 Dead and Alive A short post-war thriller divided into two halves. It begins on the Cornish coast, where ex–Royal Navy officer David Cunningham, emotionally adrift after the war, helps salvage a stranded landing craft with fellow veteran McCrae. They refit it as a small commercial venture, planning to trade goods in post-war Italy. A newspaper article about their efforts brings a letter from a French woman asking them to find her missing daughter, Monique, who was sent to Italy during the war. When they sail to Naples they profit from selling goods but become entangled in local criminal networks after McCrae angers a powerful figure.

1947 The Killer Mine Army deserter Jim Pryce discovers dark family secrets at a ruined Cornish mine which is being used as a base by a father-and-son team of smugglers who blackmail him into doing some submarine rock blasting, with catastrophic results.

1947 The Lonely Skier Writer Neil Blair is hired to visit the Dolomite mountains in Italy, supposedly to write a script for film producer Derek Engles, in reality to tip him off when key players in a hunt for Nazi gold arrive at the ski hut in the mountains where – they all think – the missing treasure is buried.

1947 Maddon’s Rock Corporal Jim Vardin, convicted of mutiny at sea and imprisoned in Dartmoor, breaks out to clear his name and seek revenge on the captain and crew who pretended to sink their ship, the Trikkala, but in fact hid it in order to steal its cargo of silver bullion.

1948 The Blue Ice Mineralogist and industrialist Bill Gansert sails to Norway to discover the truth about the disappearance of George Farnell, a friend of his who knew something about the discovery of a rare metal ore – an investigation which revives complicated enmities forged in Norway’s war-time Nazi occupation.

1949 The White South Narrator Duncan Craig becomes mixed up in the disaster of the whaling ship Southern Star, witnessing at first hand the poisonous feuds and disagreements which lead a couple of its small whalecatcher boats to get caught in pack ice, fatally luring the vast factory ship to come to their rescue and also becoming trapped. It then has to evacuate over 400 men, women and children onto the pitiless Antarctic ice where Craig leads his strife-torn crew to safety.

1950 The Angry Mountain Engineering salesman Dick Farrell’s wartime experiences come back to haunt him as he is caught up in a melodramatic yarn about a Czech spy smuggling industrial secrets to the West, with various people from his past pursuing him across Italy towards Naples and Mount Vesuvius, which erupts to form the dramatic climax to the story.

1951 Air Bridge Bomber pilot fallen on hard times, Neil Fraser, gets mixed up with Bill Saeton and his obsession with building a new type of diesel aero-engine based on a prototype looted from wartime Germany. Saeton is helped by partner Tubby Carter, hindered by Tubby’s sex-mad wife Diana, and spied on by Else, the embittered daughter of the German who originated the designs. The story moves to Germany and the Berlin airlift where Saeton’s obsession crosses the line into betrayal and murder.

1952 Campbell’s Kingdom Bruce Campbell, given only months to live by his doctors, packs in his boring job in London and emigrates to Canada to fulfil the dream of his eccentric grandfather, to find oil in the barren patch of the Canadian Rockies known as ‘Campbell’s Kingdom’.

1954 The Strange Land Missionary Philip Latham is forced to conceal the identity of the man who replies to an advert to come and be doctor to a poor community in the south of Morocco. Instead of curing the sick, he finds himself caught up in a quest for an ancient silver mine, a quest which brings disaster to the impoverished community where it is set.

1956 The Wreck of the Mary Deare Yacht skipper John Sands stumbles across the wreck of the decrepit steamer Mary Deare and into the life of its haggard, obsessive captain, Patch, who is determined to clear his reputation by revealing the conspiracy to sink his ship and claim the insurance.

1958 The Land God Gave To Cain Engineer Ian Ferguson responds to a radio plea for help received by his amateur radio enthusiast father, and sets off to the wilds of Labrador, north-east Canada, to see if the survivors of a plane crash in this barren country are still alive – and what lies behind the conspiracy to try and hush the incident up.

1960 The Doomed Oasis Solicitor George Grant helps young tearaway David Thomas travel to Arabia to find his biological father, the legendary adventurer and oilman Colonel Charles Whitaker, and becomes embroiled in a small Arab war which leads to a siege in an ancient fortress where the rivalry between father and son reaches a tragic conclusion.

1962 Atlantic Fury Painter Duncan Ross is eyewitness to an appalling naval disaster on an island of the Outer Hebrides. But intertwined with this tragedy is the fraught story of his long-lost brother who has stolen another man’s identity. Both plotlines lead inexorably to the bleak windswept island of Laerg.

1965 The Strode Venturer Ex-Merchant Navy captain Geoffrey Bailey finds himself drawn into the affairs of the Strode shipping company which aggressively took over his father’s shipping line, thereby ruining his family and driving his father to suicide. Now, 30 years later, he is hired to track down the rogue son of the family, Peter Strode, who has developed an obsession with a new volcanic atoll in the middle of the Indian Ocean, whose mineral wealth might be able to help the Maldive Islanders whose cause he champions.

1971 Levkas Man Merchant seaman Paul goes to find his father, eccentric archaeologist Pieter Van der Voort, another typical Innes obsessive, this time one convinced he can prove his eccentric theories about the origin of Man, Ice Age sea levels, the origin of Atlantis and so on. Much sailing around the Aegean, feelingly described by Innes, before the climax in a vast subterranean cavern covered in prehistoric rock paintings, in an atmosphere heavy with timeless evil, where his father admits to being a murderer.

1973 Golden Soak Alec Falls’ mining business in Cornwall goes bust so he fakes his own death and smuggles himself out to Australia to take up the invitation to visit from a rancher’s daughter he’d met. He finds himself plunged into the mystery and intrigue which surrounds the struggling Jarra Jarra ranch and its failed mine, Golden Soak, a mystery which leads him on a wild chase out into the desolate hell of the Gibson desert where Alec discovers the truth about the mine and the persistent rumours of a vast hill of copper, and witnesses archetypal tragedies of guilt and expiation, of revenge and parricide.

1974 North Star One-time political agitator and seaman Michael Randall tries and fails to escape his complex past as he finds himself embroiled in a plot to blow up a North Sea oil rig, a plot which is led by the father he thought had died decades earlier.

1977 The Big Footprints TV director Colin Tait finds himself caught up in the one-man war of grizzled African hunter and legendary bushman Cornelius van Delden against his old friend, Alex Kirby-Smith, who is now leading the Kenyan government’s drive to cull the country’s wildlife, especially its elephants, to feed a starving population and clear the way for farmers and their cattle, all tied up with Tait’s obsessive quest to find a remote mountain where neolithic man was said to have built the first city in the world.

1980 Solomon’s Seal Property valuer Roy Slingsby prices the contents of an old farmhouse in the Essex countryside and is intrigued by two old albums of stamps from the Solomon Islands. He takes up the offer of a valuing job in Australia and finds himself drawn into the tragic history of the colonial Holland family, the last surviving son of which is running machine guns to be used in the coup and bid for independence of Bougainville Island. Though so much of the detail is calm, rational, business-like, the final impression is of an accursed family and a fated ancestral house which burns down at the novel’s climax.

1982 The Black Tide When his wife dies blowing up an oil tanker which has gone aground near their Cornwall home, ex-merchant seaman Trevor Rodin goes searching for the crew he thinks deliberately ran her aground. His search takes him to Lloyd’s of London, to the Nantes home of the lead suspect and then on to the Persian Gulf, where he discovers several ‘missing’ tankers are in fact being repurposed by terrorists planning to create a devastating environmental disaster somewhere on the coast of Europe. With no money or resources behind him, and nobody believing his far-fetched tale, can Rodin prevent the catastrophe in time?

1985 The High Stand When gold millionaire Tom Halliday and his wife Miriam go missing, their staid Sussex solicitor Philip Redfern finds himself drawn to the old gold mine in the Canadian Rockies which is the basis of the Halliday fortune, and discovers that the illegal felling of the timber planted around the mine is being used as a front for a gang of international drug smugglers, with violent consequences.

1988 Medusa Former smuggler turned respectable ex-pat businessman, Mike Steele, finds his idyllic life on the pretty Mediterranean island of Minorca turning very nasty when he gets mixed up with mercenaries running guns onto the island to support a violent separatist movement and military coup.

1991 Isvik Wood restorer Peter Kettil gets caught up in a crazy scheme to find an old Victorian frigate allegedly spotted locked in the Antarctic ice by a glaciologist before his death in a flying accident. His partners are the nymphomaniac Latino wife of the dead glaciologist, Iris Sunderby, a bizarre Scottish cripple, Iain Ward, and a mysterious Argentine who may or may not have been involved in atrocities under the military junta.

1993 Target Antarctica Booted out of the RAF for his maverick behaviour, pilot Michael ‘Ed’ Cartwright is hired by Iain Ward, the larger-than-life character at the heart of the previous novel, Isvik, to rescue a C-130 Hercules plane off a damaged runway on the Antarctic ice shelf. It takes a lot of shenanigans, not least with a beautiful Thai woman who is pursued by the Khmer Rouge (!), before in the last few pages we realise the whole thing is a scam to extract diamonds from the shallow seabed, diamonds like the ones the survivor of the frigate found in the previous novel.

1996 Delta Connection An astonishing dog’s dinner of a story which starts out reasonably realistically following the adventures of Paul Cartwright, scrap metal consultant, in Romania during the chaotic days leading up to the overthrow of the communist ruler Nicolae Ceaușescu, before moving on to Pakistan and the Khyber Pass where things develop into a violent thriller with car chases and shoot-outs – before jettisoning any attempt at realism and turning into a sort of homage to Rider Haggard’s boys adventure stories as Cartwright and his gay, ex-Army mentor, battle their way through blizzards into the idyllic valley of Nirvana, where they meet the secret underground descendants of Vikings who long ago settled this land, before almost immediately participating in the palace coup which overthrows the brutal ruler and puts on the throne the young woman who Paul fell in love with as a boy back in Romania, where the narrative started.

Essays

A Terrible Beauty is Born by Ulick O’Connor (1975)

I grew up in a free country which was decolonised seven years before my birth. The reflexes of colonialism linger on for a time after the rulers have departed.
(page 14)

‘I defy anyone to study Irish history without getting a dislike and distrust of England.’
(Lady Gregory)

This is, in the old and best sense of the word, an amateur book. It is a highly personal perspective on the series of very famous events in Irish history. Ulick O’Connor had a long and successful life as a sportsman, lawyer, writer, poet, playwright, historian and biographer, summarised in his obituary:

As a sportsman he certainly excelled. As a lawyer I’ve no idea of his status. As a writer, apparently his biographies of Oliver St John Gogarty and Brendan Behan are still important. But he was definitely not a professional historian and it shows. This slim 180-page account of the leadup to and aftermath of the 1916 Easter Rising in Dublin is anecdotal and empassioned rather than detached and scholarly. It’s a handy enough introduction to the events, although there must be many far more rigorous and scholarly accounts.

And it seems to skip or gloss over complex details. Every time I looked up an aspect of the leadup to the rising on Wikipedia, I found it to be more complex and byzantine than O’Connor’s account. This appears to be a simplified and romanticised account.

What makes it stand out is O’Connor’s flashes of real anger against British imperial rule in Ireland and, in the later stages, the number of participants and eye-witnesses who O’Connor seems to have met and interviewed for this book and so quotes verbatim.

Introduction

Setting the personal tone of the book, it opens with O’Connor visiting the Public Records Office at Dublin Castle to see the file on his great-grandfather. This was Matthew Harris who fought in the Irish risings of 1848 and 1867 and became one of three members of the Supreme Council of the Fenians, who, even though he went on to be elected as an MP to Westminster, was in later life followed everywhere by detectives. O’Connor discovers his file is huge and could be compared to the Czarist authorities’ files on Lenin. So O’Connor is using his great-grandfather as an example of the huge amount of time and energy the British colonial system spent keeping tabs on anyone who spoke against it.

But the anecdote is also typical of O’Connor’s romanticising tendency: he is quick to say of his forebears, or of any notable Irishman he’s writing about, that tales were told of him round fireplaces and ballads sung in pubs. The heroes of his story are constantly being turned into tales and ballads sung wherever patriots assemble.

His name had passed into tradition so that as I grew up I heard him talked about with reverence. (p.8)

And it’s typical of O’Connor’s approach in a third way, in that he underpins it, not with scholarly documentary information or research, but with an anecdote told him by an eminent person. In this case it’s the novelist Liam O’Flaherty, who tells O’Connor that he remembered his father recalling Harris’s fiery speeches. And in another anecdote, a visitor to the West of Ireland tells O’Connor that the peasants still remembered his great-grandfather. This is how the book proceeds: by anecdotes about heroes.

And a fourth way in which the introduction sets the tone and approach is when O’Connor broadens out his theme to explain how the Irish patriots’ struggle for independence went on to inspire like-minded revolutionaries in Egypt, India and many other colonies of the British Empire, a point he repeats a number of times in the rest of the book.

Back to great-grandfather Harris: O’Connor tells us that in 1880 he was persuaded to moderate his beliefs enough to stand for Parliament. He was persuaded to do this by Charles Stewart Parnell whose strategy was to unite the three elements in Irish political life: the physical forcers, the Land league and the Parliamentary Party. It was Parnell’s great achievement to do this and make his parliamentary party into the deciding force in British politics.

1. Rise and fall of Charles Stewart Parnell

O’Connor steps back to give us the deep background: he says it was the Flight of the Earls in 1607 after defeat in battle which handed Ireland over to British control. His great-great-grandfather was alive at the time of the 1798 rebellion. His great-grandfather lived through the potato famine when up to a million died of starvation due to the incompetence of the British administration, and some 2 million emigrated, mostly to America.

In the four years after the famine, 58,000 families amounting to 316,000 people were evicted from their homes for non-payment of rent, saw their houses destroyed and were left destitute, living in caves or wooden huts or dying by the roadside.

In 1886, leader of the Liberal Party and Prime Minister William Ewart Gladstone introduced the first Home Rule Bill with a horrified description of the abject poverty found throughout rural Ireland.

At the turn of the century the British Empire was at its height. O’Connor quotes Louis Fischer, the biographer of Gandhi, as saying that imperialism is a sort of perpetual insult to the colonised and governed.

Charles Stewart Parnell was a Protestant, a member of the ‘Protestant ascendency’ born into a wealthy Anglo-Irish Protestant landowning family in County Wicklow in 1846. He was leader of the Home Rule League from 1880 to 1882, and then of the Irish Parliamentary Party from 1882 to 1891, by which time his party held the balance of power in the House of Commons.

In a typically family anecdote, O’Connor remembers his grandmother telling him how, as a small girl, she used to greet Parnell when he came to stay with her father in the west of Ireland. ‘She treasured the table on which he wrote his speeches as if it were the relic of one of her favourite saints’ (p.16).

She also taught O’Connor that it was incorrect to refer to the married woman Parnell had a ten-year affair with as ‘Kitty’ O’Shea, it should always be Mrs O’Shea. It is typical of the book that we see the whole Parnell tragedy through the eyes of an O’Connor family member.

What happened was when it looked likely the Liberals under Gladstone were going to win the 1892 general election and pass his Home Rule bill, some Tory leaders persuaded Captain O’Shea (who knew about his wife’s long-standing affair with Parnell) to divorce her, citing Parnell as the third party. As soon as this happened Gladstone, leading a party whose core was nonconformist, was forced to repudiate Parnell and withdraw his support for the Irish Party till it replaced its leader. Parnell refused to stand down and the furore split his party with the majority of its MPs, and all his senior colleagues, abandoning him to form a new party.

The following, much more recent, account suggests the train of events had more to do with Captain O’Shea’s greed than with scheming Tories. In this as everywhere else you can feel O’Connor’s 1) tendency to simplify the story and 2) burning animus against English rule.

The party split and Parnell went into exile in… England, dying the next year, 1891, of pneumonia, aged just 45. His body was brought back to Dublin. A crowd of some 200,000 watched the procession to Glasnevin Cemetery. Many people say a meteor (or shooting star as O’Connor puts it with characteristic romance) fall from the sky.

O’Connor quotes James Joyce’s famous quip about the Parnell ‘betrayal’ although, characteristically, he slightly misquotes him. Here’s the Joyce quote from his 1912 essay ‘The Shade of Parnell’:

In his final desperate appeal to his countrymen, he begged them not to throw him as a sop to the English wolves howling around them. It redounds to their honour that they did not fail this appeal. They did not throw him to the English wolves; they tore him to pieces themselves.

Joyce’s essay was written 21 years after Parnell’s fall and indicates how long-lasting the sense of failure and loss was, as described in vivid fictional form in 1) his short story ‘Ivy Day in the Committee Room’ and 2) the famous Christmas dinner argument scene in ‘A Portrait of the Artist as a Young Man’.

Rather than attempt a full historical perspective, O’Connor characteristically quotes the opinions of famous writers: Joyce, Dennis Ireland, W.B. Yeats, Sean O’Faolain, P.S. O’Hegarty, an old Sinn Fein writer who spoke to him. All the way through it’s these personal perspectives which O’Connor likes to give. And seeing as these writers or old-timers tend to romanticise and glamorise events, this contributes to the romanticising tendency of the whole book.

2. Celtic Revival

1884: foundation of the Gaelic Athletic Association: hurling, Gaelic football.

1893: Douglas Hyde, another son of the Protestant Ascendency, decided to set up the Gaelic League, an organisation to promote the Gaelic language, fast dying out in the cities but preserved among the peasantry. By 1906, over 3,000 branches.

An early convert was Lady Augusta Gregory, Anglo-Irish daughter of landed gentry (1852 to 1932). She was home schooled then married off to Sir William Henry Gregory, a widower with an estate at Coole Park, near Gort, in 1880. Sir William was 36 years older than her and had just retired from his position as Governor of Ceylon. He had a large house and estate at Coole Park which she, in the coming decades, turned into a major venue for nationalist writers. He also had a town house in London where she held literary soirées for leading figures of the time.

Throughout, O’Connor refers to the military element of the occupying power by the general term ‘the Garrison’.

Novelists George Moore and Edward Martyn were attracted to the Celtic Revival but it was the conversion of young William Butler Yeats which transformed things. Up till then he’d been writing fey pre-Raphaelite poetry under the influence of William Morris.

O’Connor fast forwards to the founding of the Abbey Theatre in 1904 and the renaissance of literary talent which constellated round it including J.M. Synge, James Stephens, George Russell A.E., Padraig Column, Katherine Tynan and more. O’Connor was to deal with the Celtic Revival separately in his 1984 group biography Celtic Dawn.

This all allows him to proceed by his favourite method which isn’t via documents or data, but by cherry-picking quotes from Famous Authors. On the upside, these are always chatty and anecdotal; on the downside, it’s the absence of any real historical context which gives the book its thin texture.

3. Portrait of turn-of-the-century Dublin

Parks, grand squares, the Season at the Castle, debutante balls. Population 400,000 with a small centre where it was easy to bump into people you knew (compare with London’s monstrous 6.5 million).

This leads him to Maud Gonne (1866 to 1953) ‘the most beautiful woman in Europe’ according to Wickham Stead, editor of the Times. Despite her claims she was of English descent on both sides but became a firebrand Irish revolutionary. Willie Yeats fell madly in love with her but she refused to become his lover.

In 1900, Gonne helped found Inghinidhe na hÉireann (Daughters of Ireland). Twenty-nine women attended the first meeting. They decided to ‘combat in every way English influence doing so much injury to the artistic taste and refinement of the Irish people’.

Lady Constance Gore-Booth (1868 to 1927) was an Irish revolutionary, nationalist, suffragist, and socialist, famous as the first woman elected to the UK Parliament (1918), though she did not take her seat. Born into Anglo-Irish aristocracy at Lissadell, she rejected her privileged background to fight for Irish independence, becoming a key figure in the 1916 Easter Rising. In 1900 she married Polish artist and playwright Casimir Dunin-Markievicz, and they styled themselves the Count and Countess = Constance Markievicz.

4. Arthur Griffith and Sinn Fein

Ireland was ruled by England from 1170. There was a short period of home rule from 1782 to 1800 which was put to an end by the 1800 Act of Union. Since 1800 nationalists had wanted to replace this foreign rule with home rule, some by constitutional means, some by violent uprising, as in 1848 and 1867.

In the early 1900s a journalist called Arthur Griffith came to prominence with a new strategy, passive resistance. In 1900 he founded the United Irishman which attracted top writers and became very influential.

Characteristically, O’Connor paints Griffith’s portrait by quoting other writers (Oliver St John Gogarty, James Joyce). Just as characteristically, he dwells on the way the short unprepossessing Griffith was madly in love with Gonne.

1903: Griffith starts publishing articles about how Hungary secured home rule within the Austro-Hungarian Empire under the Hungarian People’s Party led by Francis Deak. The next year he launched a political party to copy Deak’s strategy (the historical figure’s proper name appears to have been Ferenc Deák) – Sinn Fein, ‘Ourselves alone’.

Clause 14 of the Sinn Fein constitution: Non-recognition of the British Parliament. The plan was not just to abstain, but to set up a parallel Irish administration at all levels. However (in the book’s first mention of the Ulster problem) Griffith allowed for there to be a King of Ireland and a King of Britain.

Constance Markievicz joined Sinn Fein as did Maud Gonne.

Chapter 5. Roger Casement

Sir Roger Casement (1864 to 1916) worked for the British Foreign Office as a diplomat. He was honoured in 1905 for the Casement Report on the Congo Free State and knighted in 1911 for his investigations of human rights abuses in the rubber industry in Peru, sometimes credited as the ‘father of twentieth-century human rights investigations’.

Typically O’Connor conveys his importance by quoting writers – Joseph Conrad, who knew him in the Congo, and E.D. Morel who campaigned with Casement to end Belgium’s disgusting slave regime in the Belgian Congo (characteristically, the book incorrectly gives his initials as A.D.). See:

Resting in his native County Antrim, Casement heard about Griffith’s party and joined. He set out to learn Gaelic. He had seen imperialism at its most disgusting and had a shrewd feeling that Griffith’s strategy for freeing Ireland could work. He donated money to a school being run by a young Gaelic Leaguer called Eamon de Valera.

Chapter 6. The 1912 home rule bill

In 1910, though, the lead party was not Sinn Fein but the Irish Party led by Parnellite John Redmond. The Liberal Party returned to power in 1906 and, in order to pass its social legislation, needed the support of the Irish Party to pass its legislation neutering the House of Lords. In exchange its leader, Herbert Asquith, promised to sponsor another Irish Home Rule bill.

In March 1912, at a mass meeting in Dublin, Irish nationalists greeted the launch of an Irish Home Rule bill in Parliament but warned that if their hopes were dashed, Ireland would take arms.

 Chapter 7. Ulster

A quarter of the population of Ireland was Protestant, over a million living in the counties of Ulster. Two weeks after the Dublin nationalist meeting, a mass meeting was held in Ulster, with 100,000 men marching past Sir Edward Carson.

O’Connor analyses the Ulster Protestant as a typical colon in that his link to the imperial power gave him superiority. Even the poorest Protestant was, in a sense, superior to the richest Catholic. He compares them to the poor whites in the American South, persuaded of their racial superiority by their exploiters who thus kept the working class divided.

Carson had been Solicitor General in the Conservative government which fell in 1906 election. Next to him on the stand was Andrew Bonar Law, the Canadian-born new leader of the Conservative Party. In subsequent speeches Carson made it quite clear he was prepared to break the law and disobey officers of the Crown if home rule were passed.

In 1912 he and others set up the Solemn League and Covenant which was signed by hundreds of thousands (echoing the Covenants signed in Scotland during the civil wars).

Echoing Griffith, the Ulstermen set up their own provisional government. The Ulster Volunteer Force (UVF) was set up under a British Army general. F.E. Smith was a leading figure, who later became Attorney General of Britain.

In Britain, a British League for Ulster was set up and 120 MPs and 100 Lords joined it.

It became obvious that these Ulster refuseniks were the key issue in the Irish Question. Carson and the rest were openly declaring treason. Warrants were made out for their arrest, in Dublin but not issued. Prime Minister Asquith hoped Ulster resistance would die down.

Chapter 8. The Irish Volunteers

Mirroring the foundation of the Ulster Volunteers, in the south the Irish Volunteers were founded. It was founded by professor of Irish history Eoin MacNeill. Characteristically, O’Connor’s grandfather knew him. His mother told stories of going with her parents and MacNeill to the Aran Isles for the summer to learn Gaelic and come back with Gaelic-speaking nannies.

It was following an article about the Ulster volunteers, that MacNeill was approached to spearhead its southern equivalent. A committee of 30 was set up, including men from Redmond’s party. Roger Casement (returned from Peru) was made secretary.

By January 1914 there were 10,000 volunteers, by September 180,000.

Chapter 9. The Irish Republican Brotherhood (IRB)

Clann na Gael based in New York, run by old Feinian John Devoy. In 1907 he sent Thomas Clarke to Dublin to recruit for the IRB. Willie Yeats joined. And working class Catholic Sean O’Casey. They looked up to intellect and culture.

The (underground) IRB carefully infiltrated its members into the (aboveground) Irish Volunteers.

Chapter 10. The Citizen Army

In chapter 3 O’Connor gave us a very brief sense of upper class life in Dublin. This chapter emphasises the poverty. Dublin had the highest death rate of any city in Europe. The Irish Times compared living conditions of the poor to Dante’s Inferno.

August to Christmas 1913 Dublin saw a massive general strike, led by Jim Larkin (orator and journalist) and James Connolly (brilliant analyst who applied Marxist theory to Ireland, founder of the Irish Socialist Republican Party). He left for the States, then returned to become General Secretary of Larkin’s Transport Union.

The outcome of the long bitter violent general strike wasn’t concessions from the employers, but the creation of a Citizen Army which proceeded to arm itself. It came into being in November 1913 with a constitution drawn up by Sean O’Casey, who became its secretary and later wrote its history.

The Army Commander was Captain Jack White who had distinguished himself in the Boer War. He received a telegram of praise from Roger Casement.

Chapter 11. Guns for the Ulster Volunteers

In March 1914 a huge consignment of arms and ammunition arrived at Ulster to be distributed to the Ulster Volunteers. O’Connor describes how hundreds of cars owned by the landed gentry were parked along the route at night to light the lorries away from the port. Reading this, I was impressed by the commitment and organisation of these people, always painted as the baddies. I went looking for books about the Ulster Volunteers and only found two. History is written by the winners.

Its arrival triggered similar thoughts in the Irish Volunteers who arranged for Roger Casement. In July a yacht left Hamburg carrying 10,000 rifles. They docked at Howth, were met by Irish Volunteers, who marched with them back into Dublin.

Chapter 12. The Curragh Mutiny, then war

In March 1914 General Sir Arthur Paget, commander of British forces in Ireland, ordering to send detachments to protect depots in the north from raids by the Ulster Volunteers, firing on them if necessary. 60 officers and the leader of the 3rd cavalry brigade refused. This was regarded as a mutiny and rocked the British Army.

What it seemed to show everyone was that the British government would back down when faced with the threat of force. This triggers amusingly emotional rhetoric in O’Connor: ‘sordid intrigue… devious charade… ‘

O’Connor is quick to say in this rebellion of part of the Establishment against another, this splinter was the crack that foreshadowed the end of empire in violent independence movements around the world.

The Home Rule bill passed through the Commons in May 1914 and was scheduled to become law in September 1914. But in August the Great War broke out and all domestic legislation was suspended.

When war broke out, John Redmond, leader of the Irish Party which held the balance of power in the Commons, and with a force of some 180,000 trained men at his disposal, could have bargained with the Liberal government and witheld his support until the government absolutely promised to enact the bill. If an Irish government had been set up in Dublin, albeit with limited powers and still under ultimate British control, it is unlikely there would have been any Easter Rising.

But he didn’t. Without consulting his party he stood in the House of Commons and pledged the support of the entire nation of Ireland to the British in their time of need. This made the Irish immensely popular, even with the Conservative right, but at a stroke he handed over his trump card and had nothing left to bargain with.

The bill was placed on the statute book but only to come into force after the war. That was the rub. That was the cause.

Recruits flocked to volunteer. Some 300,000 Irish fought for the Empire, 40,000 of them were killed. But after the first flush of enthusiasm, many Irish found it difficult to win commissions in Irish regiments. The British Army establishment preferred Irish regiments to be officered by loyal British Protestant officers.

Chapter 13. Padraig Pearse and the military council

September 1914 the leadership of the Irish Republican Brotherhood decided that a nationalist uprising would take place before the war ended and began making plans.

James Connolly opposed the war from a Marxist point of view, as empires fighting over resources and markets.

Snapshots of: Padraig Pearse, at this point teaching at St Enda’s school; Thomas MacDonagh, English lecturer at the National University; Joseph Plunkett, poet and editor of the Irish Review. All three are members of the military council of the IRB. They didn’t expect a rising to defeat the British. They expected it to create an independent republic long enough for its case to be made at the conferences which would end the war. More poetically, the felt that they would revive the soul of their nation.

In March 1916 Clann na Gael contacted him to say they would be sending 20,000 rifles and 10 million rounds.

Meanwhile James Connolly, the socialist trade unionist, independent of the IRB, had concluded that an armed uprising was necessary, using his citizen army. Fearful lest the plans clash, the military council invited Connolly to a meeting in January 1916. He was delighted to hear the news from Joseph Plunkett and both sides agreed the uprising would happen at Easter 1916.

Chapter 14. The Easter Rising

Eoin MacNeill interferes MacNeill was the commander-in-chief of the Irish Volunteers but he was deliberately kept out of the loop by the IRB military council. Only on Good Friday did he learn about plans for an uprising on Monday. He strongly disapproved and went to St Enda’s to see Pearse. Pearse persuaded him plans were too far advanced and also a shipment of arms was arriving from Germany so MacNeill acquiesced.

But late on Saturday morning, he learned the arms shipment had been intercepted. Feeling he’d been fooled, MacNeill took out an advert in the Sunday papers telling his volunteers their traditional Easter weekend training manoeuvres were cancelled. Many read this and stayed at home. When the news of the uprising spread on Monday they weren’t ready. Pearse’s response was to send out envoys to Volunteer groups around the country and tell them to carry on, but the damage was done. On the Monday, most Volunteer groups did not rise along with Dublin. If they had the British Army would have been spread very thin. Instead they were able to concentrate their firepower in Dublin and end the uprising after a week (p.84).

O’Connor tells us that his grandfather knew MacNeill and once told him he wasn’t a bad man. Hard to see how he doesn’t come out of this as the fall guy.

The uprising began at 12 noon on Monday 24 April 1916 and continued for 6 days. At 11 Pearse and Connolly marched their men from Liberty Hall over to the poorly defended Post Office and seized it. Pearse stood between the huge Greek columns and read out a declaration of independence. O’Connor gives a good enough account but I’m not sure it’s worth my summarising his summary. Instead here’s the Wikipedia article:

Chapter 15. The uprising continues

The British put Brigadier Lowe in charge of suppressing the uprising. He brought a gunboat up the river which bombarded Liberty Hall then the GPO. Houses on both sides were set on fire. Eight or so other buildings had been seized so sporadic sniping and shelling took place round those, too.

The weirdest thing about it was the way most Dubliners strolled around watching it take place. O’Connor quotes the usual suspects, Gogarty, James Stephens, George Moore, Sean O’Casey, strolling round the city, listening to the shellfire, observing other citizens going about their business.

Chapter 16. The uprising ends; the executions

On Friday 28 April 1916 General Maxwell arrived and began investing the key sites in a rigorous way. At 2.30pm the next day, Saturday 29 April, Pearse surrendered to General Lowe.

Four days later the executions began. Sixteen rebel leaders were shot:

Signatories of the Proclamation of Independence: Patrick Pearse, Tom Clarke, Thomas MacDonagh, Joseph Plunkett, Sean Mac Diarmada, Éamonn Ceannt, and James Connolly.

Other leaders: Willie Pearse (brother of Patrick), Edward Daly, Michael O’Hanrahan, John MacBride, Seán Heuston, Con Colbert, and Michael Mallin.

MacBride was husband to Maud Gonne, the dazzling beauty who bewitched Willie Yeats.

Remember dashing Lady Constance Markievicz? She had been deputy of the troop which held Stephen’s Green then pulled back to the College of Surgeons. She was sentenced to death, too, which was commuted to life imprisonment as she was a woman. In fact she was released after less than a year when the British government offered a general amnesty.

About 1,350 people were killed or wounded, mostly civilians. The centre of Dublin had been gutted. The general population was furious with the rebels. Elsewhere life went on as normal with business carried out while the middle classes played golf and tennis.

Chapter 17. Poetic reactions

Characteristically, O’Connor summarises the aftermath by quoting the usual suspects: W.B. Yeats, George Russell, James Stephens, Lady Gregory, Tom Kettle.

He has a romantic notion of poets, that they are the first to notice the changes in a nation’s soul, that these poets grasped the rising’s significance way before the silly politicians.

Chapter 18. Roger Casement

In the last few years before the war Casement developed a pathological hatred of Britain’s rule in Ireland. Just before the Great War broke out he went to New York to work with Clann na Gael. In December 1914 he persuaded its leader, John Devoy, to Germany, as an envoy from independent Ireland and to secure arms. In fact Casement spent two weary years getting nowhere, and eventually asked to be returned to Ireland (with no guns). The Germans laid on a submarine which took him to the south coast but due to a SNAFU in the arrangements he was put into a canvas boat with two others, while the U-boat departed. The canvas boat overturned in high seas and Casement barely made it ashore. he staggered to the nearest house where he was resting when he was arrested by the local bobby, sent to Dublin and then to the Tower of London.

Chapter 19. The trial of Roger Casement

O’Connor was a practicing lawyer and so gives a brief but vivid account of Casement’s trial. As usual, a trial had nothing to do with ‘justice’ but entirely practical wrangles and politicking. Casement’s defence lawyer, Serjeant Sullivan, had himself recruited in Ireland for the British Army i.e was on the opposite side of the political cause. (O’Connor remembers seeing the 90-something old lawyer still beetling around the Dublin Inns of Court when your man was just a young barrister.)

Not just that, but the prosecuting counsel was F.E. Smith who had been active in the setting up of the Ulster Volunteers back in 1912 i.e. was extremely anti-Casement’s independence position and also, as O’Connor emphasises, arguably more guilty of treason than Casement.

The case revolved round the accusation that casement tried to recruit Irish prisoners of war held in Germany to join the German Army and fight against Britain. The defence argued that the treason act only applied to activities here in England, and Casement’s activities had taken place abroad.

Throughout the trial the authorities made available to the police, lawyers and senior figures in the Establishment the so-called black diaries in which Casement appeared to describe his personal homosexual activities in great detail. For a long time these were thought to be fakes but in the 1990s were apparently confirmed as true.

Poor Casement, a hero of international human rights, a principled nationalist and patriot, he was found guilty and hanged on 3 August 1916. He made a condemned man’s speech from the dock. O’Connor points out that so many Irish patriots did this that it is virtually a literary genre in itself. He made the point that the creation of the Ulster Volunteers created the atmosphere of violence, and the Curragh Mutiny in effect condoned disobedience to the Crown (although all that was fine if you were on the Protestant side).

(True to his recurring attempts to portray the rising as the having international impacts on other freedom struggles of other imperial colonies, O’Connor claims that Casement’s speech had a profound impact on the young Pandit Nehru.)

High Treason, Court of Criminal Appeal: the Trial of Sir Roger Casement 1916 - Government Art Collection

The Trial of Sir Roger Casement by Sir John Lavery (1916)

With the end of the Casement trial we reach the en of the build-up to and events of, the Easter Rising, on page 114 of this 180-page book. The rest of O’Connor’s book describes events over the next 4 years, the rise of Sinn Fein, the success of Arthur Griffith’s abstentionist policy, the granting of home rule and then the bitter civil war of 1921 to ’22.

Chapter 20. Sinn Fein

Some 3,000 people were interned after the rising. Over the next 12 months they were released in batches. By June 1917 the public mood had changed to become more sympathetic to the rising leaders who were coming to be seen as martyrs. In by-elections that year, Sinn Fein candidates won but refused to take their seats in the London Parliament, a tradition which continues to this day.

Eamon de Valera was the only commander who wasn’t executed. Upon release he contested a by-election and defeated the Irish Party candidate. Sinn Fein was replacing Redmond’s party.

Thomas Ashe, president of the IRB, went on hunger strike in prison. When he died, Michael Collins, who’d been released from internment at Christmas 1916, decided to organise a vast funeral for him. Characteristically, O’Connor tells us Sean O’Casey wrote a ballad requiem for Ashe, and quotes a hymn by Ashe himself.

Chapter 21. Conscription and the Dail

Most Irish still favoured the constitutional party of John Redmond and expected the home rule bill, which was on the statute books, to be implemented as soon as the war ended.

Then in spring 1918 the British made the latest in a long line of blunders when the Army Chiefs of Staff prevailed on Lloyd George to pass an act compelling the conscription of all able-bodied men in Ireland into the British Army. Not only Sinn Fein and the Irish Party but the Catholic party opposed it, though O’Connor skips completely over its implementation. He quotes A.J.P. Taylor as saying it was the decisive moment in Ireland’s seceding from the Union.

In the December 1918 general election the Irish Party was obliterated by Sinn Fein, winning just 6 seats to the nationalists’ 73. John Redmond had died in March.

The Sinn Fein MPs promptly set up their own government in the Mansion House in Dublin and called it the Dail. No fewer than 36 of the 73 MPs were in British prisons. A Declaration of Independence was read out.

Three delegates were chosen to attend the Peace Conference in Versailles. In April 1919 a President was elected and a Cabinet chosen. Griffith stood down in favour of de Valera who was beginning to acquire charisma and status, although the latter was in prison in England. Republican courts of justice were set up in the counties of Ireland and slowly these began to replace the British institutions.

When physical force was used later, it was important that the Volunteers and others derived genuine legitimacy by acting as the Army of an elected government rather than a paramilitary force.

Michael Collins, who was becoming chief fixer, organised the escape of de Valera from Lincoln prison.

Chapter 22.

The British banned the Dail and set about arresting nationalists. The cabinet ministers went into hiding. Collins had been made Director of Intelligence. Now he turned out to be a spymaster and guerrilla organiser of genius. O’Connor makes his recurring point that the strategy Collins developed went on to be copied by independence movements around the globe.

Collins knew they couldn’t fight the British soldier for soldier. But imperial rule rested on a network of spies and he could kill these spies. He got his own men on the inside of Dublin Castle and access to government files. He drew up lists of informers, and then he created a cadre of cold-hearted killers who began a campaign of targets assassinations starting in July 1919.

I noted that O’Connor mentioned when he had personal connections with various figures in the story. Now these become more frequent. He appears to have interviewed quite a few of these informers and assassins (Bill Stapleton, Joe Dolan) who give him vivid descriptions of actual assassinations they took part in.

The squad operated out of a decorators’ shop in Abbey Street. It’s difficult to credit, hard to believe, that this gang of assassins operated just a few minutes’ walk from Dublin Castle, the centre of the British police effort. How?

Chapter 23. The IRA in the countryside

At some point the Irish Volunteers morphed into the Irish Republican Army although, apparently, it’s difficult to pinpoint exactly when. O’Connor describes the spread of volunteers through towns around Ireland. Often these were dominated by Big Houses and/or British Army barracks, along with schools, Protestant churches and so on.

As so often, the authorities found it difficult to deal with an enemy which was part of the local population, appeared suddenly to assassinate someone or blow something up, then melted back into the general population. Also they knew the country better than the occupier, and where to hide out.

The strategy of ambushing British Army troops, convoys and so on, sometimes throwing grenades, sometimes mining roads, followed by rifle fusillades. The Brits called it ‘ditch murder’, but in his internationalist mode. O’ Connor points out how it went on to be copied by Mao Tse Tung, Tito, General Guap, Che Guevara and many others (p.140).

These attacks continued through 1920, with sometimes large-scaled engagements leaving 10 to 20 British soldiers dead. It was a real guerrilla war On Easter Sunday 1920 these flying squads set fire to 100 Inland Revenue buildings and 350 empty police stations.

Inevitably the British retaliated with a heavy hand. If a police station was attacked, neighbouring houses were to be burned down. Hunger strikers were to be helped to die. This not only embittered local populations but led to widespread resignations by Irishmen from the Royal Irish Constabulary.

Chapter 24. The Black and Tans

Many servicemen demobilised after the Great War were still unemployed. The British government launched a recruitment drive and many signed up to go and serve in Ireland. There was a shortage of uniforms so they were given dark green tunics and khaki trousers. So the locals nicknamed the Black and Tans. The first arrived in Ireland in March 1920. A few months later they were joined by Auxiliaries, ex-Army officers paid £7 a week. They were given licence to embark on savage, undisciplined reprisals .

Every media outlet was soon condemning their activities which came to be described as a terror campaign. They arrived in force in a town, made all the inhabitants assemble in the street, humiliated and beat them, set some houses on fire, occasionally bayoneted or shot anyone who resisted, then drove off leaving generations of bitterness behind them. Stupid stupid stupid.

The worst burning was in Cork where the Black and Tans went berserk, burning down key buildings including the City Hall. For weeks after they suspended burned corks from their hats. Who authorised this? Whose bright idea was this?

O’Connor gives a particular anecdote. On 15 December 1920 Canon Magnar of Dunmanway County Cork was in the street talking to a man. A lorryload of Auxies drew up, some jumped out, and shot the man dead. When the Canon protested, he was shot dead too.

O’Connor notes how they often destroyed local dairies and creameries in an effort to destroy local economies, prompting a letter of protest from AE who had spent many years setting up dairy co-operatives precisely to support locals. O’Connor quotes Yeats’ poem Nineteen nineteen:

Now days are dragon-ridden, the nightmare
Rides upon sleep: a drunken soldiery
Can leave the mother, murdered at her door,
To crawl in her own blood, and go scot-free;
The night can sweat with terror as before
We pieced our thoughts into philosophy,
And planned to bring the world under a rule,
Who are but weasels fighting in a hole.

Chapter 25. de Valera

Back in June 1919 de Valera was smuggled onto a ship to New York. Here he held press conferences as the spokesman of the new (not yet existent) republic. New York, Boston, Chicago, San Francisco, he spread the word in a calm and dignified manner, boosting his own profile in the process. He took a financier with him and together they raised over a million dollars by the time he returned in January 1921.

Meanwhile the Dail continued to set up an alternative governance infrastructure with land courts, district courts etc, complete with lawyers and judges. People stopped using the British courts and used the nationalist ones. O’Connor quotes landowners and senior figures praising the new regime for its fairness and efficiency.

As usual, O’Connor internationalises it to say that just these tactics would be used in other colonies under the phrase ‘civil disobedience’ (p.152).

Chapter 26. Michael Collins

By the autumn of 1920 Dublin was under curfew. Lorries of soldiers patrolled the streets, with wire netting so grenades thrown at them bounced off. Houses were subject to random searches and maybe burning by the Black and Tans and citizens hauled off to prison. A police state. Officials and Auxies were assassinated in the streets. The press had uniformly turned against the government.

Meanwhile Michael Collins held four portfolios within the unofficial government and maintained an intricate network of spies, informers and assassination squads. He kept scrupulous records and accounts which O’Connor has perused.

The government put a bounty of £10,000 on his head but, incredibly, he remained not only at liberty but calmly cycled around central Dublin between his various offices. One of Collins’s key spies in Dublin Castle, Eamonn Broy, personally told O’Connor of some of his escapades with Collins.

O’Connor gives a brief impressionistic pen portrait, admiring Collins’s meticulous way with figures and accounting, his head rammed with facts and details which helped him make intelligence connections, his absolute cold-bloodedness when it came to assassinations, his courage in facing out numerous dicey situations and, alongside, what O’Connor sees as a typically Irish strain of romantic patriotism (he spends a page attributing the same thing to Casement, earlier).

Chapter 27. Martyrs

25 October 1920 Terence MacSwiney, Lord Mayor of Cork, died after a prolonged hunger strike in Brixton Prison. His lingering death was given international coverage, along with his claims for Irish freedom. He had actually written a play about a nationalist hunger striker but here, as elsewhere, O’Connor says the British authorities didn’t pay enough attention to Irish poetry, plays and literature. Here’s just one example of O’Connor’s personal and ripe prose style.

As with the death of Thomas Ashe, a shudder ran through the Nation’s being. (p.160)

If you wanted objective history, O’Connor is not your man. Facts yes, but also plenty of melodrama, passion, bitterness and romanticisation, along with quite a few personal confidences from eye witnesses, that’s what this brief book provides.

MacSweeney was afforded a magnificent funeral at Southwark cathedral in London. Sir John Lavery made this preparatory sketch for a large-scale painting.

Sketch for the Funeral of Terence MacSwiney, Lord Mayor of Cork, at Southwark cathedral by Sir John Lavery (1920)

On 1 November good looking, 18-year-old medical student Keven Barry was hanged for his involvement in an ambush in which a British soldier was killed. According to O’Connor his name became a symbol around the world, and:

There are few places in the English-speaking world where ‘Keven Barry’ is not sung. (p.162)

I’d never heard of it till I read this book. 1) Times change 2) it’s a typical example of O’Connor’s chauvinism, which I use to mean ‘excessive or prejudiced support for one’s own cause or group’, which crops up throughout the book. I don’t really mean that in a bad sense – just to mean that he is very strongly biased indeed.

Yeats had been booked to debate at the Oxford Union and apparently walked up and down the central aisle railing against the British government’s stupidity and mismanagement. A.E. lobbied Lord Northcliffe to get his American newspapers to print opinion pieces decrying British atrocities in Ireland. What with this and de Valera and their own anti-British history, American opinion swung behind the nationalists. It played an important part in negotiations between Britain and Ireland as it was to do for the rest of the century.

O’Connor quotes a very effective letter from Yeats to the Times saying the British spent the entire Great War railing against Germany’s atrocities against civilians in Belgium and philistine burning of cultural centres and now they were doing exactly the same in Ireland.

Chapter 28. The Cairo gang

Set up by Sir Henry Wilson in autumn 1920 to identify and assassinate all key Sinn Fein and IRA personnel. In one night one of these death squads murdered the current and former Lord Mayor of Limerick. The latter was Alderman George Clancy who had been a close friend of James Joyce and appears in ‘A Portrait of the Artist as a Young Man’ as Davin, the peasant nationalist.

Collins used his intelligence network to identify members of the Cairo gang. O’Connor spoke with General Richard Mulcahy, Chief of Staff of the IRA, who is forthright about the need to destroy the death squads. So after much planning, Collins launched Black Sunday, when his death squads assassinated their death squads. 9am on the morning of 21 November 1920. A total of 14 British spies were executed.

O’Connor gives several pages detailed descriptions of men kicking in doors, shooting unarmed men in the back, as they nipped out of windows, taking them to a cellar and shooting them in the side of the head, the British torturing captives.

Lieutenant Aimes and Bennet were pulled out of bed by a group of armed men, placed standing together, both were then shot.

Some of the men refused to come out and were shot in bed. Others came to the door and were shot as they opened it. Two agents were shot on the landing, the stairs were covered in blood.

Flanagan took four Englishmen down to the cellar and after asking their names, shot them in the side of the head.

[Ordered to track down an Irishman identified as a snitch, Bill Stapleton tells O’Connor] We found him in a pub, a big burly man. He blustered at first: then we took him out and shot him.

O’Connor and other nationalists see this as the price of freedom. I see it as the inevitable outcome of the ethnic nationalist way of thinking. Compare the similar accounts I’ve summarised of the civil wars in Yugoslavia or the chaos in Iraq: perfectly decent educated men convinced that in order to make a better world they have to torture and execute other unarmed men, sometimes women, and burn their houses down.

In retaliation for the Bloody Sunday assassinations, later the same day a detachment of Black and Tans drove to Croke Park Sports ground where a Gaelic football match was in progress. They set up a machine gun and started firing into the panic-stricken crowd. A drunk Black and Tan lined up both teams and was going to execute them all until a sober regular British Army officer intervened.

And there are people who still insist that humanity is a rational creature.

O’Connor suggests Bloody Sunday was the day British rule broke in Ireland, although I thought he said the same about the introduction of conscription in 1917. Maybe it broke repeatedly. As I’ve said, O’Connor links Ireland to the independence struggles of other British colonies.

Not only was Bloody Sunday to mark the end of Britain’s rule in the greater part of Ireland, it was to be the beginning of the break-up of British rule throughout the Empire.

In Kenya, in Cyprus, in Egypt, Palestine and Burma, for the next forty years, guerrilla leaders were to claim Collins as their prototype and adapt the strategy he had designed for evacuating the colonial power. (p.175)

What beggars belief is that Collins organised the funeral of his friend Dick McKee who the British had tortured to death to get information about Collins’s operation, and attended the funeral in person, even though the entire British operation in Ireland was obsessed with finding and arresting him. How was that possible?

Epilogue

The last four pages of O’Connor’s book give a very brisk account of the peace talks which led to the Treaty and then the intense civil war between pro and anti-treaty Irish forces which followed, in which Collins himself (pro-treaty) was killed by anti-treaty forces.

He jumps to January 1922 when the British flag was taken down over Dublin Castle and the last troops marched down to the quay to take ship back to England. Negotiations had taken place from September to December 1921 and a treaty signed with the Dail in January 1922. The 6 northern counties were excluded although everyone expected them to join the Irish Free State within a few years. Civil war broke out between pro and anti treaty nationalists and lasted till May 1922. Griffith died of a stroke. W.T. Cosgrave became the independent nation’s first president.

A Senate was formed which at Griffith’s suggestion reached out to specifically invite the Protestant landed gentry. The new nation had to include everyone. W.B. Yeats was nominated and given the job of designing the states new coinage.

1927: De Valera had been anti the treaty but in 1927 was persuaded to attend the Dail.

1932: Five years later the party he created, known as Fianna Fail, won the 1932 general election.

1937: De Valera set about removing the last vestiges of British rule, in 1937 passing a new constitution.

1938: De Valera persuaded the British government to evacuate its three treaty ports.

1939-45: Thus cleansed of British presence it was easy for the Irish Free State to maintain independence in the war against Nazi Germany. So many Irishmen had died defending the Empire which treated them so poorly in 1914-18.

1948: Fianna Fail lost the general election but the new coalition government promptly removed Ireland from the Commonwealth. Non serviam.

In a throwaway last page, he says the tragic legacy of Northern Ireland was a result of Carson and his ilk refusing to accept the home rule movement and being prepared to go to war to preserve their economic and social status. If only they had thrown in their lot with the nationalists, together they could have forced the British government to give independence 1) much earlier and 2) on more inclusive terms to include the Ulster Protestants. Instead they insisted on holing up in their ghetto which, at the time of O’Connor’s writing (1975) was in chaos.

Thoughts

England’s crimes

It goes without saying that it makes me ashamed to be English to read (yet again) the litany of exploitation, repression, spying, corruption and naked violence with which the English mismanaged Ireland for centuries. But a few other thoughts as well:

History is written by the winners

They say history is written by the victors. The irony here is that the victors were the Irish nationalists who won their free state, with the result that thousands of books, papers, presentations, school syllabuses, TV series and movies have been made about Ireland’s heroic struggle for independence, and not least the dramatic events surrounding the Easter Rising. Supported by latterday English progressives, in the same way that we English now retrospectively (and safely) root for the independence movements in India, Kenya and scores of other places, taking a masochistic pleasure in seeing our own men shot and blown up and our own government covered in ignominy.

What about the losers? With no motive except idle curiosity I went looking to see if there are any books about the Ulster Volunteers and discovered there appear to be just three in print: Carson’s Army, a boringly specialised one about the precise configuration, training etc of the UVF; Friends in High Places; and Ulster will Fight, a series of three books which are prohibitively expensive and aren’t stocked by my London library. Of accounts of the Easter Rising and the long centuries of struggle behind it, there will be no end, as a proud nation promotes itself and mythologisers line up to retell the romantic story. Of the much less glamorous but in its way just as important obstinacy of the Ulster Protestants, very little. They’ll always be the ugly sisters in the fairy tale.

(An impression confirmed by contemporary historian Charles Townshend in his recent book ‘The Partition’ (2021) where he mentions ‘the dearth of significant historical studies of Ulster, certainly in comparison with the plethora of nationalist histories of Ireland (p.265).)

Nationalism

As I’ve read my way across the history of the nineteenth century I’ve come to think of nationalism as a mental virus, like something out of a zombie movie. It spreads across entire nations converting everyone to the belief that they must be ‘free’, no matter how much pain is caused and blood is shed in the process. The problem is that forging a nationalist identity almost instantly requires identifying the enemies within, the protestants or Jews or Roma or Muslims who are tainting ‘the purity of the Nation’.

Nationalism gave birth to the utter catastrophes of the 20th century, to the Great War and the collapse of empires which followed it, and led to the rise of fascism and its turbo-charged mission to liquidate the enemies of the People, all of which led up to the catastrophic Second World War.

The fever of nationalism spread far and wide as scores of imperial colonies fought for their freedom and independence: Israel, the partition of India, the long struggles in Algeria or Malaya or Kenya or Vietnam to name obvious ones.

In the 1970s the struggle of self-defined communities to be free led to ruinous civil wars in Cyprus and Lebanon and countless African nations.

And then after the long freeze of the Cold War, ethnic nationalism led to disasters in Rwanda and the Yugoslav civil wars. Then in this century the rise of ISIS in post-war Iraq, the Arab Spring which led to the ruinous Syrian civil war, and now here we are in 2026 with bloody rebellion in Iran, Israel’s brutal suppression of Palestine, the triumph of the Taliban in Afghanistan and the resurgence of ISIS in Syria. My barbers in south London are all Iraqi Kurds. For as long as I’ve been getting my hair cut there I’ve listened to them giving me the latest on their small nation’s struggle to be free.

Everywhere peoples conceiving of themselves as a nation which needs to be free, or needs to expel the enemy within (as in contemporary Myanmar needs to eliminate its Muslim Rohynga minority). There has been no end of young nationalist zealots who are prepared to die for the Fatherland and take quite a few people along with them.

Irish independence was no doubt a righteous cause, the repressive and incompetent rule of the pompous British needed to be overthrown, and the Irish patriots’ struggle for freedom is no doubt inspiring when viewed from the patriotic angle.

But read now, in 2026, after a century of any-level-of-violence-is-justified-to-free-my-people nationalism, and the hecatombs of atrocities it has inspired, a big part of my response to all of these stories is a shiver of horror at humanity’s utter inability to manage itself.

Now more than ever, Stephen Dedalus’s cry, ‘History is a nightmare from which I am trying to awake’, rings true.


Credit

‘A Terrible Beauty is Born’ by Ulick O’Connor was published by Hamish Hamilton in 1975.

Related reviews

Going Solo by Roald Dahl (1986)

What a fortunate fellow I am, I kept telling myself. Nobody has ever had such a lovely time as this!
(Going Solo, page 92)

In my simplicity I had thought that Going Solo was an account of Roald Dahl’s time in the RAF in Africa; I hadn’t realised it is simply the continuation of his autobiography, which had begun with Boy: Tales from Childhood (1984), that it picks up precisely where that book ended, and that the RAF memoirs form only a part of the book.

To be precise, the text starts with Dahl setting off in 1938 at the age of 22 for his first job, a three-year contract with the Shell Oil company in East Africa. Little did he or anyone else know that the Second World War would break out only a year later and that Dahl would volunteer for, and be accepted into, the Royal Air Force.

The book therefore falls naturally into two halves: his experiences as a civilian in East Africa and the RAF period. This latter can itself be sub-divided into half a dozen or so parts:

  • training in Nairobi
  • more training in Iraq
  • his crash in the North African desert and the long hospitalisation and recovery which followed
  • fully recovered and returned to service for aerial combat in Greece
  • aerial combat over Vichy Syria

Before he becomes increasingly incapacitated by blinding headaches and is invalided home, arriving back at his mum’s house three years after he left, and that’s where the narrative ends.

I also hadn’t expected it to be a children’s book. Even Dahl’s ‘grown-up’ stories have an element of cartoon simplicity about them. They tend to be packed with eccentric characters who perform grotesque actions except that, in the ‘adult’ books, in the Tales of the Unexpected stories or a book like Uncle Oswald, these often involve sex. In this book there are, as you would expect, quite a few deaths, some pretty gruesome. And yet the same cartoon simplicity, the noticing of odd characters with silly names, the sense that situations and people are rounded and simple, is basically the same as he uses in his famous children’s books, Charlie and the Chocolate Factory, The Twits and so on.

Thus the narrator of this book portrays himself as ‘a conventional young lad from the suburbs’ (p.3) and, in the Africa section especially, the main content focuses on the oddballs, eccentrics and freaks that he meets. This air of an innocent boy abroad in the crazy adult world is emphasised by two notable features of the text:

1. The way that each of the generally short chapters ends by including the text of one of the many, many letters he wrote home to his beloved Mother throughout the three year period, often repeating what we’ve just been told in the main text.

2. The photos. At various points Dahl tells us about cameras he’s bought (and which get stolen from him, as on a Greek airfield) and it’s clear he was a compulsive snapper. The book is liberally sprinkled with photos illustrating every step of his adventures, images which become increasingly dramatic when he sees action in Greece and which include photos of improvised airfields, crashed Messerschmitts and burned-out Hurricanes. The photos of him also bring out what a devilishly handsome young man he was, and freakishly tall, at a strapping six foot six.

Roald Dahl wearing flying helmet, goggles and scarf standing in front of a hedge

Roald Dahl aged 24 training to fly with the RAF in Nairobi

By ship to Tanganyika

In the opening chapters the narrator travels by ship, the SS Mantola, in the old, lazy style, across the Mediterranean, through the Suez Canal and into the Red Sea, but the focus isn’t on places and atmosphere or history. It is on the peculiar upper-class types who, back then, in the 1930s, ran the British Empire and were, without exception, ‘the craziest bunch of humans I shall ever meet’. There’s Major Griffiths and his wife who, every morning, run round the ship’s deck stark naked to keep fit; the elderly Miss Trefusis who eats fruit with a knife and fork so as to avoid the beastly germs on one’s fingers; Dahl’s cabin-mate, the improbably named U.N. Savory, manager of a cotton mill in the Punjab who, it turns out, is bald but wears a series of four wigs, each thicker and fuller than the one before, in order to give the impression his luxuriant black hair is growing, before its monthly trim, all to impress the Sikhs he employs.

  • On the SS Mantola just about everybody had his or her own particular maggot in the brain (p.3)
  • Everyone on this ship was dotty (p.12)
  • The man was as potty as a pilchard. (p.19)

These chaps and chapesses had generated a special lingo, a dialect incorporating numerous words from Swahili, Hindi and so on.

  • sundowner = evening drink
  • chota peg = drink at any other time of day
  • the memsahib = the wife
  • a shufti = a look around
  • shenzi = poor quality
  • tiffin = supper

Dahl arrives in Dar es Salaam, the Red Sea port of what was then Tanganyika and is now Tanzania, which he describes as made up of small white and yellow and pink buildings set on a sweeping bay of golden sand against luxuriant tropical jungle. Wow. Reminder that it is 1938, before the world was ruined by over-population, tourism and pollution. The whole book is like this, conveying a fairytale sense of wonder and joy at everything Dahl sees and everyone he meets, he is continually reflecting:

what a lucky young fellow I was to be seeing all these marvellous places free of charge and with a good job at the end of it. (p.23)

The clarity of his prose and the untroubled enthusiasm of his schoolboy mentality makes this an extremely enjoyable book to read. Coming from such a modest background he doesn’t feel any class entitlement to the wonders of the Empire but is continually amazed and astonished at it – precisely as a schoolboy traveller back in time from our day might be.

Working for Shell in Dar es Salaam

Thus he is amazed to discover the Shell office in Dar es Salaam is run by just three Englishmen but set in a grand villa with an astonishing cohort of native servants, a cook, a gardener, and a ‘boy’ each. He is a personal valet who looks after every aspect of your clothes and shoes and rooms etc, but in return you were expected to look after him, his wives (at least two) and children. Dahl’s ‘boy’ is Mdisho. Dahl describes how one day he saved their ‘shamba-boy’ Salimu from being bitten by a black mamba snake and thus secured his undying loyalty.

He gets to be driven all around Tanganyika, visiting Shell customers in a wide range of farms and businesses, and revelling in the scenery and the wildlife, which is described as a boy would describe the wonders of a zoo, for there are lions! and hippos! and elephants! and zebra! Apart from the snakes. Dahl hates snakes.

Oh, those snakes! How I hated them! (p.44)

He is taking a sundowner on the terrace of a district officer, Robert Sanford, and his wife when a servant comes running round the corner of the house yelling that a lion is carrying away the cook’s wife. Sanford grabs a gun and gives chase so we have the comic sight of the lion loping along with cook’s wife between his jaws, chased by the cook, chased at a distance by Sanford brandishing his rifle, followed by Dahl wondering what he’s doing. Sanford fires a shot into the ground ahead of the lion who turns round and, seeing all these humans chasing him, drops the cook’s wife and canters off into the jungle. The cook’s wife is perfectly unharmed and gets to her feet smiling, and the whole crew return to the house where another drink is served and the cook gets on with preparing dinner.

Can this possibly have happened? Surely not as pat and neatly as he describes. The book is like this all the way through, perceived, imagined and written in the style of a crisp, clean children’s book. But, regarding this particular story, he goes on to write that the story became a legend and he was eventually asked to write up his version for the local paper, the East African Standard which paid him £5, his first published work. So maybe it did happen.

But whereas events like this in the hands of, say, Hemingway would have become a gripping insight into the eternal contest between man and beast, or in the hands of Graham Greene would have had a much messier ending involving someone’s adultery and guilt – under Dahl’s light touch it becomes a neat children’s story with a happy ending.

War breaks out

After a few more colonial adventures (the main one featuring ‘the snake man’, i.e. a little old European who specialises in catching poisonous snakes as and when they enter people’s homes) the Second World War breaks out on page 66 of this 223-page edition i.e. about a third of the way through.

To Dahl’s horror, he is conscripted by the captain of the King’s African Regiment and put in charge of a platoon of native soldiers (‘askaris’), armed with rifles each and one machinegun. He tells us that, as it had originally been a German colony (‘German East Africa’) there are far more German citizens in Tanganyika than all other European nationalities put together, and the army officer expects that, as soon as war is declared, all the Germans will try to escape on the one road which heads south towards Portuguese East Africa (nowadays called Mozambique). Dahl is ordered to stop them, and send them back to Dar where the men will be interned in a camp for the duration and the women and children remain free.

So he heads south in a lorry full of askaris. Like so many inexperienced young officers he has to rely on the experience of his (black) sergeant, who tells him where to stop and how to set up a roadblock. They camp for the night and the platoon cook makes a delicious meal of boiled rice and bananas.

Next day they get a phone call telling them war has, indeed, been declared and later that morning a convoy of German citizens in cars and vans arrives at the roadblock. In this account the German men get out of their cars holding guns and a young inexperienced Dahl finds himself confronted by the bullish leader of the convoy who refuses to return. He tells his comrades to start dismantling the roadblock and points his gun directly at Dahl. At which point a single rifle shot rings out and the man’s head explodes, his body falling to the road like a puppet. Dahl’s askaris emerge from their hiding places and the civilians mutely put down their guns, get in their cars and turn round, to be escorted to the camp by his lorryload of native soldiers (pages 59 to 70).

The thing is, in a story Dahl wrote a decade earlier, Lucky Break (1977), the shooting doesn’t happen. The Germans meekly turn around and return to Dar. Is this later version the true, unabridged version of events? Or a deliberately more violent and garish version, reflecting the uninhibited nature of culture as a whole, which became steadily more interested in graphic violence from the 1970s onwards? Or an old man (Dahl was 70 when this memoir was published) enjoying giving his readers the shivers?

Dahl joins the RAF and trains

In December 1939 Dahl enrols in the RAF. His employer, Shell, release him and continue to pay his salary for the duration of his service (!).

Dahl gives a beautifully boyish description of the long solitary drive from Dar up to Nairobi in Kenya, stopping to marvel at giraffes and elephants.

At Nairobi he is quickly inducted and taught to fly a Tiger Moth, which you started by swinging the big wooden propeller by hand, making sure not to topple forwards because then it would chop your head off. The text radiates boyish glee in the macabre and violent.

How many young men, I kept telling myself, were lucky enough to be allowed to go whizzing and soaring through the sky above a country as beautiful as Kenya? (p.90)

Once he can fly he is sent by train to Kampala, flown to Cairo, which was lovely, and then on to Habbaniya in Iraq, ‘the most godforsaken hellhole in the whole world’ (p.94) where he spends six months, from 20 February to 20 August 1940 (p.98) training in Hawker Harts.

Finally he ‘gets his wings’ and is transferred to RAF Ismailia on the Suez Canal, and posted to 80 Squadron, who were flying Gladiators against the Italians in the Western Desert of Libya. He is boyishly fascinated by the way the Gladiator’s two fixed machineguns fire bullets through a propeller rotating at thousands of times per minute (p.99).

He is stunned to be told no-one is going to show him either how to fly a Gladiator nor anything at all about aerial combat. He’s just going to be plonked in one and given the map co-ordinates of 80 Squadron and told to make his way there by himself. Here he makes the first of what become many comments and criticisms about the RAF and army’s lack of imagination and planning.

There is no question that we were flung in at the deep end, totally unprepared for actual fighting in the air, and that, in my opinion, accounted for the very great losses of young pilots that we suffered out there. (p.101)

He crashes

Dahl is at pains to point out that, although it was reported in the press that he was shot down by enemy planes, this was propaganda cooked up to make the incident sound patriotic.

On 19 September Dahl was ordered to fly his new Gladiator from RAF Abu Suweir on the Suez Canal to join 80 Squadron in the Western Desert. He refuelled at Amariya near Alexandria and flew on to Fouka. It is mind-boggling to learn that he had no radio and only a map strapped to his knee for guidance. The CO at Fouka gave him the co-ordinates of his final destination, the current 80 Squadron base, and he set off. But it wasn’t there. He flew up and down and round and round looking for it, as the desert dusk drew in and he ran short of fuel. He realised he had to make an emergency landing, tried to find a flat long stretch of desert and took the Gladiator down.

The plane hit a boulder at about 75 miles an hour. He regained consciousness to discover his nose was smashed, his skull fractured, he’d lost a few teeth and he couldn’t see. In one of the most vivid parts of the book, he describes the incredibly lethargy he felt, he just wanted to sleep, but the plane was on fire and eventually the scorching heat persuaded him to undo his straps and reluctantly leave the nice cosy cockpit and crawl onto the sand. Here he just wanted to curl up and sleep but, again, the fierce heat persuaded him reluctantly to crawl away towards the cool desert night.

Later he discovered the area he crashed in was no man’s land between the Italian and British front lines and that three brave British soldiers ventured out after nightfall to check the wreckage and were surprised to find the pilot had survived. They carried him back to British lines and thence began the long, complicated journey back to hospital in Alexandria.

Anglo-Swiss Hospital, Alexandria

In his clear, boyish style, Dahl vividly describes his prolonged hospital treatment. He spends around six months recovering from his injuries, under the care of the hospital staff, in particular nurse Mary Welland whose gentle ministrations to the swollen flesh around his eyes is calming and reassuring. He has various operations, including an adventure with a spanking new anaesthetic, sodium pentathol, which turns out not to work at all (pages 112 to 116).

Then one day, as Mary is laving his swollen eyes, one opens a crack and light floods in. For six weeks he had been blind, his other senses heightened. The return of light is a revelation (pages 118 to 122).

Dahl was discharged from hospital in February 1941, five months after he was admitted, and goes to stay with a wealthy English family in Cairo, the Peels.

When he reports to RAF Ismailia he is told 80 Squadron are now in Greece, and are no longer flying Gladiators, but Mark I Hurricanes. Once again he is thrown in the deep end, given just two days solo practice, the first time he’d flown a modern, super-speedy plane, the first plane with retractable undercarriage, with wing flaps, with a variable pitch propeller, with machineguns in the wings, that he’s ever flown.

Two days to teach himself then he’s ordered to fly solo across the Med to Greece. The Flight-Lieutenant tells him they’re fitting it with extra fuel tanks, but if the pump doesn’t work, he’ll run out and be forced to ditch in the sea. Then swim home.

Fighting in Greece

As soon as he lands his Hurricane at Elevsis airfield near Athens, the ground crew set him straight about the parlous situation. The entire RAF has just 15 Hurricanes and four clapped-out Blenheims. Dahl explains the background: the Italians invaded Greece in October 1940 but ran into unexpected resistance. The British government took a vital slice of Field-Marshall Wavell’s Eighth Army and planes and sent them to Greece in March 1941. When it was just the Italians to hold off, this was fine. But on 6 April 1941 the Germans invaded and began a steady advance which was to bring them to Athens just three weeks later on 27 April. The German Luftwaffe outnumbered the measly little RAF outfit by anything up to 100 to 1.

So Dahl had flown into an utterly hopeless situation, and the pilots and ground crew let him know it straightaway. Sending British forces to Greece had been a colossal miscalculation. Now the best that could be hoped for was managing their withdrawal. It was like Dunkirk but was being hushed up in the press.

Dahl immediately made friends with David Coke, in line to inherit the title Earl of Leicester, who is appalled to learn that Dahl has absolutely no idea about air combat whatsoever. Over a couple of pages he fills Dahl (and the reader) in on the basics.

There follow a sequence of absolutely thrilling and terrifying descriptions of aerial warfare. On his first flight he takes on a pack of 6 Junker 88s, apparently downing one but making every mistake in the book. The Squadron CO barely looks up when he tells him. Every day more men and planes are being lost. In the small ‘mess’ there are no friendships, people don’t talk. They are all alone with their thoughts, convinced they will all die within days.

Next day he tries to defend a British ammunition ship from attack, engaging with Stukas and being chased by what he says felt like 30 or so Messerschmitts to avoid which he descends right down to tree level, then fence level, terrifyingly dangerous. Did this actually happen or is the professional author in Dahl giving the reader a thrill for their money? It’s noticeable how many times he directly addresses the reader, as if in one of his children’s books:

You may not believe it but I can remember having literally to lift my plane just a tiny fraction to clear a stone wall, and once there was a herd of brown cows in front of me and I’m not sure I didn’t clip some of their horns with my propeller as I skimmed over them. (p.153)

There follows a chapter packed with incident as he details the four consecutive days leading up to the Battle of Athens:

  • 17 April he went up 3 times
  • 18 April went up twice
  • 19 April went up 3 times
  • 20 April went up 4 times

They try to defend ships in Piraeus harbour from German bombers. On 20th the entire squadron of 12 Hurricanes is sent up to fly over Athens to try and bolster morale, led by legendary air ace Flight-Lieutenant Pat Pattle, but of course the Germans send hundreds of Messerchmitts after them and it turns into a mad bloodbath. His description of the intensity of split second perceptions required continually is amazing.

Dahl survives but five of the 12 Hurricanes were lost. After he lands he finds he is drenched in sweat. His hands are shaking too much to light a cigarette. He has stripped and is washing alongside his friend David when the airfield is strafed by Me 109s.

Amazingly all seven planes survive and the Messerschmitts don’t return, probably expecting the little airfield to be heavily defended, not knowing it is only protected by one measly Bofors gun.

Next thing Dahl and the other 6 are ordered to fly to a new landing strip along the coast, near Megara. The existing ground crew will decamp with all tents etc that evening. Next morning the seven pilots awaken to a camp stripped almost bare. There’s no mess tent, no cooks, no food. As dawn breaks they climb into their planes, assemble at 1,000 feet and fly down the coast to Megara.

They land in a field which has been rolled flat. There is absolutely no-one else about. They wheel the planes into the cover of olive trees and climb a ridge from where they can see the sea. There’s a large oil tanker 500 yards out. They watch as Stukas dive bomb it, blow it into a fireball, and watch as the crew leap off into the flaming water and are roasted alive (pages 174 to 175).

The ground crew and other ancillaries arrive in lorries and set up tents. Again the pilots ask why the devil they’re not being sent straight to Egypt. They conclude it’s so that propagandists/the Press/the government can claim that the RAF stayed till the bitter end to protect ‘our troops’. Words like ‘mess’, ‘balls-up’, ‘muddle headed’, ‘incompetent’, ‘terrific cock-up’ sprinkle the text. The Commanding Officer unhappily tells them they have to stay.

A flight of Messerschmitts flies over. Their new base has been rumbled. They calculate they have an hour and a half before a bombing raid returns but the commanding officer idiotically refuses to let them take off and be prepared. Instead they must wait till 6pm on the dot and then fly off to cover the evacuation of troops. a) this gives the Germans exactly the right amount of time to return and shoot up the new airbase, killing one pilot in his plane as it is taking off and b) when they get to the location where they’re told they’re meant to be protecting the troops, there’s nothing there: no troops, no ships. In actuality the troops were being disembarked down the coast at Kalamata where they were being massacred by Ju 88s and Stukas. Another complete cock-up.

When they return from this pointless errand they find the new landing base has indeed been heavily bombed and have to land in smoke. In a hurry the Adjutant finally orders five other pilots to fly the five remaining Hurricanes to Crete, all other pilots to take a lorry and cram into a de Havillande Rapide. This includes Dahl. He carries his Log Book and crams in next to his buddy David.

Two hours later they land in the Western Desert and catch a truck back to Alexandria where the superbly well-mannered Major Peel and his wife immediately put their entire mansion at the disposal of nine filthy, hungry, smelly, penniless pilots.

‘The whole thing was a cock-up,’ someone said.
‘I think it was,’ Bobby Peel said. ‘We should never have gone to Greece at all.’ (p.195)

Although whether Bobby Peel actually said that, or even existed, is a moot point, given the neat roundedness of so many of the facts and anecdotes in this account.

So what comes over very powerfully indeed is the stupidity and futility of the short-lived British expedition to Greece. On the last page of this section Dahl gives his opinion straight, which is that diverting troops and planes from the African desert to Greece fatally weakened the Eighth Army and condemned it to years of defeats against the Germans under Rommel who at one stage threatened Cairo and thus the entire Middle East. It took two years for the British Army’s strength to be rebuilt sufficiently for them to drive Rommel and the Italians back into Tunisia and ultimately win the war in the desert.

Fighting in Syria

Lebanon and Syria were French colonies. When the Vichy government came to power in France, the French forces in Lebanon and Syria switched to the Vichy side and became fanatically pro-German and anti-British. They could obviously provide beachheads for the Germans to land in the Middle East and so threaten a) our oil supplies from Iraq b) the Suez Canal, our gateway to India (and large numbers of Indian troops). Which is why there was a bitter and hard-fought battle for control of Lebanon and Syria which pitched British, Australian and South African forces against the Vichy French.

In May 1941 80 Squadron were redeployed to Haifa in northern Palestine. They consisted of 9 pilots and Hurricanes and their task was to protect the Royal Navy as it pounded Lebanon’s ports. Dahl briefly describes a series of run-of-the-mill sorties, during which 4 of the 9 pilots were killed.

He spends much more time describing a solo mission he was sent on, to go, land and reconnoitre a satellite landing field 30 miles away. Here he discover a strip of land which has been flattened but has absolutely no other facilities whatsoever. It is ‘manned’ by one tall old man and a surprising legion of children.

It’s a peculiar scene, whose sole point is that the old man and the children are Jewish refugees from Nazi Europe. Dahl goes out of his way to demonstrate his naivety on the Jewish Question, and emphasises that he has been totally out of touch with European news for 2 years, and so simply doesn’t know about the escalating Nazi attacks on Jews (p.208). Which explains why he doesn’t understand what the man means when he says that he and the children are refugees, and really doesn’t understand it when the man says this is his country. What, you’re going to become a Palestinian, asks Dahl in his naivety. But the man is clearly a Zionist, clearly a believer that the Jews have a right to a homeland the same as every other nation on earth, and clearly believes that he and his comrades are going to build that homeland right here, in Palestine. Dahl is ‘flabbergasted’ at his attitude and, maybe, this is a good indicator of the lack of understanding of many British people and armed forces during and immediately after the war, as the Jews’ struggle to establish the homeland of Israel reached its climax.

Demobilised and return to England

Dahl continues dutifully flying missions from the Haifa base but during the month of June 1941 begins to suffer increasingly intense headaches, including ones which lead him to black out. The base medical officer reads his history, particularly the fractured skull from his crash, and orders him to cease flying. He is demobilised, takes a bus back to Cairo, catches a luxury liner to South Africa, then a troop ship which makes the perilous journey up the west coast of Africa, threatened by enemy planes but especially U-boats, eventually docking in Liverpool.

From here he makes phone calls to relatives and discovers his mother’s house in Kent was bombed out and so she’s bought a cottage in rural Buckinghamshire. It’s worth reminding that every few pages of this text includes excerpts from the letters he wrote to his mother regularly as clockwork throughout this period. Cumulatively, these convey a very close bond between mother and son. He catches a train to London, stays overnight at a relative’s place in Hampstead, then catches a train and a bus to his mother’s village, steps down from the bus and into his mother’s waiting arms, and it is with this moment that this exciting, eye-opening, boyish and fresh-faced memoir comes to a dead halt.


Credit

Going Solo by Roald Dahl was published by Jonathan Cape in 1986. All references are to the 2018 Centenary Collection Penguin paperback edition.

Roald Dahl reviews

War flying reviews

Second World War reviews

Over to You: Ten Stories of Flyers and Flying by Roald Dahl (1946)

Ten very early short stories by Dahl, all relating to the author’s own experiences flying for the RAF during the Second World War, and published in one volume the year after the war ended.

An African Story (1945)

A story within a story. The frame story is about a rebellious trainee RAF pilot in Kenya who one day flies so low he shears the head off a giraffe by accident. A few weeks later he is killed in a training accident and the ‘editor’ of the text says they found the following story among his papers.

The main text is a spooky and unpleasant story, set in Africa. A dirty miserly old man keeps a farm and the part of it that is relevant to the story is that each morning a slobbering idiot servant he keeps, named Judson, milks the one black cow who lives and grazes in the yard near the man’s house.

Judson is a cretin, slobbering at the mouth, doing what he’s told without question. At the start of the narrative, the old man discovers that the slobbering servant, who is hyper-sensitive to sounds (hyperacusis), has just whacked the old man’s dog with a stick and broken its back. Unpleasant. Why? Because it was making a ‘noise’ as it licked itself. Doubly unpleasant. The old man yells abuse at Judson then finishes the agonised dog off with a metal bar.

Judson is meant to milk the black cow once in the morning, once in the evening. On a couple of mornings in a row the cow has no milk. At first the old man accuses Judson of drinking it himself, but then he stays up all night cradling a shotgun and watching the cow, on the suspicion that maybe a native Kikuyu is sneaking in and stealing the milk.

In the event what he sees is strange: a massive black mamba snake slithers into the yard, rears its head and suckles the cow dry. The old man conceives a wicked revenge on Judson for killing his dog. He tells Judson it is a native boy sneaking in and stealing the milk, and he’ll get him, Judson, to lie in wait then jump out and beat him. So the old man gets Judson to dig a trench next to the cow and lie in it. Judson doesn’t like it because the cow is making a loud chewing noise which upsets him, but the old man covers him in straw and tells him if he pops up too soon he will shoot him dead.

The pair then wait up all night, the old man at the window with his gun, Judson in the trench. In the dark morning along slithers the huge black mamba snake and, when it is close to the cow and the trench, the old man yells at Judson to jump up and attack the phantom milk thief. Judson jumps up, the mamba leaps forward, biting him in the trench, and the story gives a long lingering description of his death throes.

As an amateur psychologist I’d say this story is overflowing with anger. Breaking the dog’s back is nasty and brutal but is only the preliminary for the contrive revenge which the old man takes. Now he hasn’t got a servant to help him. It makes no logical sense. It is a fantasia of super-human anger and vicious revenge. Was this streak in Dahl’s imagination already or is it a reaction to the war and the pointless deaths of so many friends?

Only This (September 1944)

An ageing woman alone in a cottage in the south of England hears the thundering of an immense flight of bombers flying overhead, pulls her armchair to the open window and imagines she can see her son flying one of them and slowly, as in a dream or nightmare or horror story, finds herself actually present in the cockpit as the the plane heads into flak over the enemy target, as a wing catches fire, then a sudden explosion, the cockpit fills with smoke then flames, the pilot heroically battles to keep it flying straight as the rest of his crew bail out, then slumps forward as the bomber begins its death fall.

At which the narrative cuts back to the woman in the chair by the window as dawn glimmers and the first roar becomes audible of the bombers returning. This short intense vision ends with the fact that the woman herself has died.

Katina (March 1944)

Quite a long narrative, packed with factual detail based on Dahl’s short period flying Hurricanes during the Battle of Greece, as the British force sent to try and hold the country was overrun by the German army and Luftwaffe.

It centres round the symbolic figure of a 9-year-old girl, the Katina of the title, who the narrator and his friends rescue from a bombed village where her entire family has been killed and who becomes a mascot to the entire squadron, is fed, dressed and looked after by all of them, even as German attacks become more intense, as the Germans strafe and bomb their airfields. There is a lot of affecting detail about the impact she has on the men of the squadron, her friendship with a flyer named Fin, how she is officially enlisted onto the squadron’s membership, given a tent of her own, invited to eat at all the meals and so on.

It rises to a visionary intensity when (spoilers) at the end, a huge flight of Messerschmitts is strafing the British airfield, everyone has run for the deep slit trenches but they all see Katina get out and run into the heart of the airfield, clenching her fists and defying the invader who murdered her family. Which is magnificent by a Messerschmitt fighter machine guns her to death. All the men run out to her but the doc concludes she’s dead but here’s the thing – in a non-realistic passage the narrator has a vision of flames within flames, of an intense red fire flaring up in the hearts of all the people of Greece.

All the story up till then had been underplayed, written in a muted, understated style which, for example, casually mentioned that this or that pilot didn’t return from a mission, as one by one they’re picked off. Which makes the florid efflorescence of this vision of fire and anger at the end of the story all the more startling.

Beware of the Dog (October 1944)

Opens with a Spitfire pilot badly wounded, his right leg blown away by enemy airplane cannon fire, struggling to make it back to Blighty. It is an exercise in describing the light-headedness and hallucinations resulting from loss of blood. The pilot manages to bail out and tumble through thousands of feet of cloud spinning round and round and this very cleverly turns into the alternation of day and night at the hospital where he finds himself when he comes round with no memory of how he got there.

The kindly nurse tells him he’s in a hospital in Brighton and is very kind and carefully gives him bed baths, he begins to suspect he is not in Brighton, not even in England, he suspects he fell in enemy territory and is being softened up prior to a debriefing in which he will be encouraged to give away military secrets. So when a man dressed impeccably as a British Wing Commander arrives, he refuses to reply to his questions with anything but his name, rank and serial number.

At first I thought this was a story about his paranoia, not least because of the brilliant way the point-of-view descriptions of him tumbling out of the sky morph seamlessly into his lying in the hospital bed. But then I, also, began to suspect the nurse and the so-called Wing Commander who comes to interview him and the factual basis of his suspicions appears to be given when he painfully tumbles out of bed and crawls across the floor to a window, hoists himself up and sees that he is not in busy urban Brighton at all, but in a house in the middle of country and that opposite it is a house with a sign reading ‘Garde du chien’, French for ‘Beware of the dog’ (hence the title of the story). So he is in occupied France and the entire thing really is a clever setup to lull him into a false sense of security and allow the Germans to milk him for military information.

They Shall Not Grow Old (March 1945)

The narrator is a fighter pilot based in Haifa, north Palestine, flying sorties over Vichy France-controlled Lebanon and Beirut. His mates are ‘the Stag’, ginger-haired and the oldest flyer in the squadron at 27, and Fin. The story opens with Fin failing to return from a mission. His friends kick around in the sun and conclude he must have bought it. Tents and schedules and rations are reorganised. The commanding officer, ‘Monkey’, reports him missing.

Then a miracle happens. Two days after he failed to return the others hear the droning of an engine and Fin’s Hurricane comes into land. He gets out and walks towards his stunned colleagues. But he himself is staggered and then upset when they tell him he’s been gone 2 days; for him, it was just a normal mission, he flew over Beirut harbour, confirmed the presence of two French ships, and flew back. Why all the fuss. Monkey has to carefully explain that he’s been gone for two days. Fin thinks he’s going mad.

Slowly things settle down and next day he goes out on another flight with some of the other planes. One of their colleagues, Paddy, is shot down, and as his plane hits the ground Fin suddenly remembers what happened to him, and starts yelling on the radio that he remembers, he remembers!

Once they’ve gotten back to base and gathered in the ops room, Fin tells them a long, visionary story about how he was enveloped in white cloud and dove down and down to clear it but descended beneath the surface of the earth and there was nothing there, then he looked up and saw a visionary line of planes flying across the sky, and he knew it was a procession of all the dead flyers and he flew up to join it, all sorts of planes, allied and enemy, and they fly into a wonderful light, and he realises pilots about him have opened their cockpits and are waving like children on a rollercoaster, then he sees a vast airfield where all the planes have landed and he descends towards it, sees all the pilots getting out and walking towards a beautiful light, but suddenly his plane won’t land, he tries to force it to, but it resists all his urgings and climbs away, up into the clouds so that he loses sight of the vision altogether and then he was in his plane over the sea and flying back to the airfield and landed.

Well, his audience of fellow flyers is stunned. People walk away without commenting or asking questions. The daily routine resumes and they continue flying sorties. They know the Syrian campaign is coming to an end. On one of these sorties, Fin is shot down. The narrator shouts through the radio for him to bail out, but all they hear, as his plane hurtles towards the ground, is Fin yelling: ‘I’m a lucky bastard, a lucky, lucky bastard.’

Is this because he knows he is now, at last, going to fly his ghost plane towards the great light he saw? That this time round he is going to die for real, and go to heaven? Is that where the procession of planes he saw was heading? Was there some cock-up in his passage to the afterlife, and now, after a few days hiatus, he is filling his destiny?

The impact of the story is all the greater because the style throughout is so plain and understated, and because Dahl is very good at picking out the details of scenes – the feel of the heat on the airmen’s backs as they hang round the airfield, the noise of the planes, and a little sequence about Fin’s local girlfriend, Nikki, which helps make the real world setting that much more convincing – which all makes Fin’s vision all the more spooky and supernatural.

Someone Like You (November 1945)

Two pilots are getting really drunk in a bar. The conversation is punctuated by them asking the waiter for more drinks, even while agreeing that the beer is foul and the whiskey is worse. Doesn’t stop them and the reader realises it is part of the ‘therapy’. They have both seen terrible things, have terrible emotions coiled up inside them, getting hammered is the only way they can let it out.

The older more experienced one is a bomber pilot. He has a lot to get off his chest. He admits he hates his job, He’d rather be anything else in the world. He’s become obsessed by the thought that, when he’s over the target, just a minuscule jink on his rudder will shift the plane a hundred yards to the left or right, and will mean the difference between life or death for hundreds of people on the ground. He asks his drinking buddy to look round the nightclub they’re sitting in, then drunkenly points out that he’s killed many times the number of people in this room, hundreds of times more.

They have another drink and the bomber pilot tells the story of old Stinker Sullivan. He had an Alsatian dog he doted on and named Smith. One day the squadron was ordered to up sticks and fly to Egypt, immediately. Old Stinker ran round the airfield shouting for his dog which didn’t turn up. Forced to fly off without him. Here’s the point of the story: in the new base he slowly began talking to Smith the dog, referring to Smith, then taking him for walks, then telling him to ‘behave’ in restaurants. All the time there was no Smith there. Hallucination. Or comfort.

The point of the story is the three indicators of psychological damage, namely their determination to get drunk, the bomber pilot’s obsessive worry about the innocent people he kills, the powerful story of Stinker Sullivan going mad (four, actually, since the unnamed narrator shares his own irrational behaviour which is, after he’s gotten into a car, to count to 20 before driving off in order to prevent accidents).

Death of an Old Old Man (September 1945)

‘Oh God, how I am frightened’ is how this story starts. First-person account of a fighter pilot, tired after 4 years of combat, describing how terrified he is all the time he’s on the ground, in the mess, preparing the plane, a state of continual anxiety and terror. Once he’s up in the air his computer mind takes over, making split second decisions. The Spitfire becomes an extension of his body. He has a long duel with a Focke Wulf somewhere over Holland, which ends with them flying towards each other and shearing each other’s wings off. The narrator bails out and parachutes down into a field, at the last minute realising he’s heading straight for a cows’ muddy drinking pool. The chute falls on top of him and he is struggling up to his chest in water with the huge tangled canopy when he hears steps and the enemy pilot jumps onto him, seizes him by the neck and drowns him.

Except he doesn’t die. His disembodied consciousness watches the struggle from a distance, watches the German flyer emerge from the pool dragging a wet bundle (his own body) drop it and stomp off across the field. And the consciousness of the dead pilot pursues him, talking to him, the German reacts with terror and starts running, the dead pilot considers following him but then decides to go and have a lie-down among the primroses and violets.

So a lot happens. There’s a lot of information packed into a small space. First the semi-nervous breakdown of a pilot cracking under the strain. Then the beautiful description of flying a Spitfire meshing with the intensity of aerial combat. Then the panic of parachuting from a stricken plane. The gruesome struggle in the muddy pond. And then the ghost story ending. Amazingly, this intensely male, haunted and violent story was first published in the Ladies’ Home Journal in September 1945, one month after the end of the war.

Madame Rosette (August 1945)

The longest story of the collection, at 41 pages, in which two pilots who we have met in other stories (the Stag, Stuffy) go for a night on the piss in Cairo, picking up a young pilot from 33 Squadron, William, along the way. There is a great deal of background colour, about the sights and smells of Cairo, descriptions of hotels and bars, and a lot of comedy, for example when they decide to befriend and buy drinks for two local men in a belly dancing club and discuss the relative merits of thin women versus fat women.

But the core of the story is that, earlier that day, Stuffy had been enchanted with a woman who served him in a shop and is surprised when the Stag explains that any woman in Cairo can be bought, if you have enough cash. He explains there is an ageless brothel keeper named Madame Rosette, and if you give her the young woman’s details, she will send a pimp to the shop in question and make the woman in question an offer she can’t refuse. Then Stuffy will be able to ‘take her out’ for dinner or a dance or whatever, confident in the knowledge that they’ll end up having sex.

Initially Stuff is intoxicated by this revelation, and gets Madame R’s phone number off the Stag and rings her (from the bar where they’re drinking, kept by an Englishman named Tim) at the last minute giving a fake name, claiming to be one Colonel Higgins, describing the woman who served him and the shop, and Madame Rosette says she’ll see what she can do. Without thinking Stuffy gives her the phone number and room number of the hotel they’re staying in.

To cut a long story short, as the day progresses Stuffy comes to have second thoughts, gets increasingly nervous at both the cost and the squalor of the deal and eventually gets the Stag to ring Madame Rosette back to cancel the deal, holding the phone at some distance from his ear to avoid the barrage of abuse she unleashes.

So then they bathe, dress and head out for a night on the town. But something the Stag mentioned has stuck in Stuffy’s mind, the notion that Madame Rosette’s brothel is staffed by women who have been coerced into prostitution and then blackmailed to remain in it.

Eventually, completely drunk, the three pilots decide to ‘liberate’ the prostitutes and take a horse-drawn carriage to Madame Rosette’s where they bluff their way past the enormous bouncer, demand to see the Madame herself, and tie and gag her in her office, before bursting into the room containing the hookers in various states of undress, announce with fake officiality that they are the Military Police and frogmarch them down the street to the nearest bar, where all military pretence collapses and it turns into a wild party, ending with the three pilots each taking a horse-drawn cab to deliver back to their homes the ‘liberated’ prostitutes all except for the three who have taken their fancy.

Why do young men join the army? Well, you couldn’t behave like that in Huddersfield or Hackney, could you?

A Piece of Cake (1945)

An account of Dahl’s crash in the desert, which he described more fully in the memoir Going Solo. The facts are more or less the same, including the name of the airfield he took off from, but he omits the basic fact that he was given the wrong co-ordinates for the airfield he was meant to be flying to and ended up circling round empty desert looking for it till his gas ran out, he was forced to make a crash landing and really did crash, his face violently thrown against the windshield, smashing his nose, dislodging a few teeth, knocking him unconscious, hitting his forehead so hard all the skin swelled up and effectively blinded him.

This version includes one of the most powerful elements of the incident which is the way he felt so sleepy, so lethargic, he just wanted to curl up in a ball and go to bed and found the increasing heat (his cockpit was on fire) really boring and only reluctantly could persuade himself to move, only then discovering he couldn’t and how it took a long time to realise this was because he was still strapped in and even longer to realise how to undo his straps and topple out of the cockpit onto the desert.

What distinguishes this version from the one in Going Solo is that it includes a number of vivid hallucinations, described at great length which, presumably are the result of the morphine or painkillers he was given back in hospital.

(It is itself a revised version of the original article which appeared in the Saturday Evening Post titled Shot Down Over Libya which gave the entirely misleading impression that Dahl was shot down by enemy action rather than running out of gas and attempting an emergency landing.)

Yesterday Was Beautiful (1945)

An unnamed British fighter pilot has bailed out and landed safely enough, on a Greek island, but sprained his ankle so walking is difficult. He hobbles into a dusty village which seems to be deserted. He notices an old man sitting by a water trough and asks him if someone has a boat to take him across to the mainland. The man thinks about it and says, yes, there is a man in the village who can help, a Joannis Spirakis. But his house was hit this morning by a German bomb and obliterated. So he is staying in the house of Antonina Angelou. But be aware that her daughter was in the house when it was bombed and killed. Her name was Maria.

So the pilot hobbles down the little main street to the house the old man indicated and knocks and the door is answered by a woman all in black who takes him through to a kitchen where sits a very old, shrivelled up old lady. She asks him about the Germans, how far away they are. They will be on the island soon. Then she asks him how many he has killed. Then she tells him to kill them all, every man, woman and baby.

Only after delivering this angry rant does she come back to his question, about the boatman Joannis Spirakis. She gets up, little shrivelled old creature, and walks him back to the front door and points up the little high street to the old man the pilot first spoke to. That, she says, is Joannis Spirakis.

It’s a very powerful short (8 short pages) story, told in a minimal prose style and conveying the unbearable pain and suffering, the dislocation and madness, of war.

Thoughts

1. The irrational

I came to this collection from Dahl’s war memoir Going Solo which was published in 1986. That book is, for the most part, rational and factual. Therefore the most striking aspect of these stories from 40 years earlier, right at the start of his career, is the way they focus on the irrational, the weird, the uncanny and the hallucinatory. On at least two occasions people seem to live on after their deaths – in fact we are given powerful visions of a pilot’s afterlife, along with the mother who dies when her son’s bomber crashes: the ten stories feature at least three ghost stories.

There are plentiful hallucinations, the three ghost stories being examples, along with the description of the pilot bailing out and tumbling through the clouds in Beware of the dog and the final fiery vision of the narrator of Katina. Most of the account of his crash in the desert in fact skips over the incident itself in order to describe at length a number of vivid and strange hallucinations he has.

Then there are the strange mental states explored in Yesterday was beautiful and the disturbed mental state of the bomber pilot in Someone like you.

This is all extraordinarily strong meat – very fierce psychological states, deeply disturbed individuals, visions and hallucinations littered with sudden violent deaths. They are written in Dahl’s crisp and understated prose but that makes the sound of screaming feel even louder.

2. Dahl and Hemingway

As I read through the stories it became obvious to me Dahl was deeply influenced by Hemingway. He uses very simple language and simple syntax. For example, rather than using commas to separate items he’ll write ‘and x and y and z’. He never uses contractions; he always spells everything out:

I did not use the altimeter… I do not know how long I sat there…

These are small things but they make the language feel stately, almost like the Bible at moments. I began to get irritated by his predilection for the word ‘upon’ instead of the more obvious ‘on’. ‘He laid it upon the table’.

The sun was hot upon their shoulders and upon their backs

He uses the simplest adjectives – good, bad, the simplest opinions – ‘it was fine’. Here’s an example from They Shall Not Grow Old:

We had only six Hurricanes in the air; there were many of the Junkers and it was a good fight.

The Hemingway thing is not to use contractions or short cuts or slang, but to spell everything out in a lightly mannered explicitness. Whether or not Dahl wrote like this earlier who can say. But all these stories bear the same hallmark of extreme, Hemingwayesque simplicity of style and syntax.

There is a direct parallel with the context of Hemingway’s earliest stories. Hemingway served as an ambulance driver with the American Red Cross in Italy during World War I and his earliest stories, the ones collected in In Our Time, describe men trying to manage the extremely powerful emotions triggered by the terrible sights and experiences of war. The plainness of the style is in deliberate contrast with the terrible events witnessed and the riot of awful emotions the protagonists are struggling to suppress and control. Very tightly controlled mania.

In this respect, in their context – the memories of combat and the wild thoughts and feelings unleashed by it, all controlled in an artificially plain and deceptively ‘simple’ style – Dahl is not just copying a ‘style’ but an entire strategy, an entire way of thinking about what writing is for.

6-foot-6 Roald Dahl (28) and 6-foot tall Ernest Hemingway (45) in London in 1944

I thought I’d been reasonably clever figuring this out from the style alone, but then 30 seconds on Google showed me that there was a well-known real life connection between the two authors. Dahl actually met Hemingway when the great man came to London working as a journalist during the war, and on the Roald Dahl Foundation website there’s a page about a student who wrote asking Dahl his advice about writing short stories, and Dahl replied telling him to ‘study Hemingway, particularly his early work’.

In that reply Dahl only mentions one aspect of Hemingway’s style i.e. use as few adjectives as possible, but hopefully my little analysis shows that the two writers had more than just that in common. It’s about using a minimalist style in the context of suppressed emotion that gives this approach its power.


Roald Dahl reviews

Bert Hardy: Photojournalism in War and Peace @ the Photographers’ Gallery

‘Everywhere I look, and most of the time I look, I see photographs.’
(Bert Hardy)

This is a lovely overview of the entire career of acclaimed English photographer Bert Hardy (1913 to 1995), responsible for some of the most iconic shots of British life in the mid-twentieth century.

The Gorbals Boys 1948. Photo by Bert Hardy/Picture Post/Hulton Archive/Getty Images

The exhibition includes:

  • 87 black-and-white prints
  • two photos enlarged and pasted on the walls
  • two display cases showing Hardy memorabilia such as front covers of Picture Post, letters and negatives, press passes and diaries, even his passport (!)
  • and, off to one side, a darkened room showing a slideshow of his colour photos

There’s even a case displaying one of his cameras. All this stuff is loaned from the Bert Hardy archive, now held by Cardiff University, making what is probably as major a retrospective as we can expect for some time.

Blackpool Railings, 1951. Photo by Bert Hardy/Picture Post/Hulton Archive/Getty Images

All the photos are brilliant. Hardy was a photographer of genius. Born into a working-class family in the shabby area around Elephant and Castle, Hardy was self-taught and, once he’d gotten his big break during the war – getting a gig to photograph conditions in London’s bomb shelters – he went on to have a very varied career indeed.

He was lucky enough to break into the profession as it was experiencing the peak of photojournalism. During the 1930s there’d been a revolution in photojournalism and press reporting. This was precipitated by the advent of new, high quality lightweight cameras such as the 35mm Leica, but also the popularity of new, often left-wing editorial perspectives, themselves driven by wide cultural awareness of the miserable poverty caused by the Great Depression at the start of the 30s. Thus the late 30s saw the heyday of ground-breaking photo-journals such as Life in the USA (founded 1936) and Picture Post in Britain (founded 1938).

Photo by Bert Hardy/Picture Post/Hulton Archive/Getty Images

Magazines like this pioneered the use of photography-led journalism, extended pictorial essays about society during the politically fraught and feverish 30s. Lead editor at Picture Post was Tom Hopkinson and it was Tom who gave Bert his big break.

Bert had left school at 14 (1927) and got a job as a lab assistant at the Central Photo Service where he slowly familiarised himself with all the technical aspects of the trade. He practiced by taking photos of friends and his extended family (he was the eldest of seven sibling). His first commercial work was when he took a photo of the ancient King George V riding in an open top carriage along Blackfriars Road in 1935, turned it into a postcard and sold 200 copies around his neighbourhood.

In 1936 he was given a job as photographer at the General Photographic Agency and began to get work published in the Daily Mirror, Daily Sketch and the photo magazine, Weekly Illustrated. In 1941 he applied for a job with the Picture Post and the editor, Tom Hopkinson, set him a challenge – to take photos of Londoners in the air raid shelters where, notoriously, no lights were allowed, obviously creating difficult conditions for someone using a 1930s camera.

In the event, Hardy’s photos were vivid, well-composed and atmospheric and Hopkinson gave him a staff job on Picture Post where he was to remain for the next sixteen years (until the magazine closed in 1957). So this story explains why one of the first sections of the exhibition is devoted to images from the war.

Life of an East End Parson, 1940. Photo by Bert Hardy//Picture Post/Hulton Archive/Getty Images

In 1942 he was recruited into the Army Film and Photographic Unit (AFPU) with the rank of sergeant. Three days after D-Day he joined the troops in Normandy and went on to document the Liberation of Paris (August 1944), the invasion of Germany (November 1944), the crossing of the Rhine (March 1945) and arrived at Bergen-Belsen concentration camp a few days after it was liberated by British troops (April 1945). (I wonder if he met the SAS soldiers who were the first to discover Belsen, as detailed in Ben Macintyre’s book ‘SAS: Rogue Heroes’). He was then sent with the AFPU to Singapore in the Far East, where he became Lord Mountbatten’s personal photographer – there are some striking photos of the devilishly handsome Earl – and where he remained until September 1946.

He went on to cover Cold War conflicts in Greece and Korea (where his shots of the amphibious landings at Inchon in 1950 won awards) and then post-colonial conflicts in Malaya, Kenya, Yemen and Cyprus. The Inchon photos on display here are thrilling, conveying a real sense of the danger and contingency.

Assault Craft, 1950. Photo by Bert Hardy/Picture Post/Hulton Archive/Getty Images

As to the other conflicts, I was particularly struck by images of supposed Mau Mau rebels cooped up behind barbed wire, and a particularly poignant photo of a British soldier searching a tubby, scruffy old peasant leading a donkey in Cyprus. So stupid, wars; complete failures of intelligence, failures to negotiate sensible rational solutions to human quarrels. (For the Mau Mau rebellion from the African point of view, see my reviews of the novels of Ngũgĩ wa Thiong’o.)

But it wasn’t all war: Bert went on photo assignments to an impressive roster of countries, photographing ordinary life in Thailand, Bali, Burma, and across Europe to Ireland, France, Spain and Portugal, Italy, Switzerland, Germany, Poland and Yugoslavia. He also went to Botswana, India, Indonesia, Morocco, Nyasaland, Rhodesia, Sudan and Tibet. Wow. What a life for a poor boy from the Elephant and Castle.

Farmer in the Douro Valley, Portugal (September 1951) Photo by Bert Hardy

Between these foreign forays he travelled widely in the UK, recording the grim living conditions of working class people in London, Glasgow, Belfast, Tyneside and Liverpool and, along the way, documenting social and cultural changes after the war. By the early 1950s his work had become so well known and acclaimed that he was offered a job on the bigger, richer Life magazine (which he turned down).

Display case showing front covers of photojournalism stories by Hardy along with other memorabilia. Photo by the author

In the 1950s Bert branched out to cover the glamour and glitz of London’s theatre land and visits by Hollywood stars. Just before Picture Post closed, Hardy took 15 photos of the Queen’s entrance into the Paris Opera on 8 April 1957, which were assembled into a photo-montage – there’s a case devoted to this elaborate magazine spread.

In parallel to the war, travel and glamour work, he also covered sporting events – the exhibition features shots of cycling (early on he had freelanced for Cycling magazine), wrestling and boxing stars.

Robinson And Fans, 1951. Photo by Bert Hardy/Picture Post/Hulton Archive/Getty Images

Videos

Exhibition overview:

Interview with the curators:

Thoughts

Life just seemed so much more interesting and varied in those days. Britain’s cities look mired in crushing poverty, hardly anyone had a television (plenty didn’t have an inside toilet or hot water), but one aspect of this was a much greater diversity of people and dress and accent. Nowadays everyone dresses (more or less) the same and sounds the same and carries the same phones, and the shopping malls of London, Liverpool, Belfast or Glasgow all look depressingly the same with the same chain stores selling the same products. The world had much more genuine diversity and character back then.

But above and beyond learning a lot of detail about Bert Hardy’s career and individual commissions, the simple thought this exhibition prompts is that his photos need almost no explanation. They come from an era when photography and photojournalism was intended to be immediately comprehensible to a wide and popular audience, and by God, they are – incredibly direct and impactful.

The contrast with our own image-cluttered and intellectually verbose age is emphasised when you walk up a floor at the Photographers’ Gallery to see the four finalists for the Deutsche Börse Photography Foundation Prize 2024. Each one of these requires a lengthy wall caption to introduce them and their aims and project plans and so on; and then each photograph requires a lot of explanation, some of them covering an entire A4 page.

Obviously all the Hardy shots do have wall labels giving their title and one in every three or four also has a caption giving a bit more detail and context – but none of them really need it. The whole point is that the images speak for themselves in a way that, interestingly, a lot of modern photography just doesn’t. Which means they are wonderfully democratic and accessible and inclusive, in a way that so much modern art and photography simply isn’t.

Cockney Life in the Elephant and Castle: ‘My goodness, my Guinness’ (1949) Photo by Bert Hardy/Picture Post/Hulton Archive/Getty Images


Related link

Photographers’ Gallery reviews

The River Between by Ngũgĩ wa Thiong’o (1965)

The ways of the ridges, the ancient wisdom of the land, its song and ritual.
(Traditional tribal values as expressed by the wise old man, Chege, page 52)

The River Between is Thiongo’s second novel (although the introduction to the Penguin Classics edition tells us he wrote it first).

It opens with a description of the land, a land of ridges, two in particular, Kameno and Makuyu, between which flowed Honia, the river of life, ‘the river between’ the two ridges with their different settlements and people.

Back in prehistory here lived Gikuyu and Mumbi, father and mother of the tribe (p.17). They were made by Murungu, the Creator, who told the people he gave them the land in perpetuity. Here heroes arose, such as Mugo wa Kibiro the great seer, Wachiori the glorious warrior, Kamiri the powerful magician.

Two boys are fighting on the plain, Kamau and Kinuthia. Young Waiyaki with the goat scar tries to break it up. Waiyaki is the son of Chege who is a respected elder of the tribe, knows the history of the people and the land and the meaning of all the rituals. He warned against the coming of the white men but his peers didn’t listen.

It is the time when Nairobi was still growing and the railway was being built into the interior, so the Edwardian era? Some notable elders of the people of the ridges convert to the white man’s religion.

[To be honest I found the opening of the book, its description of the land and the two ridges with the river between, confusing. It was only by about page 50 that I had a clear sense that the village on one ridge – Kameno – will come to represent the old tribal ways, while the village on the other ridge – Makuyu – comes to be associated with Christianity and the new white man’s values.]

The day of Waiyaki’s ‘second birth’ arrives. Elders assemble, wine is drunk, a goat is slaughtered. Waiyaki sits between his mother’s legs, attached to her by an umbilical cord made from tendons from the slaughtered goat. A midwife cuts this symbolical cord and Waiyaki is born again.

Chege lives apart, in his thingira, the man’s hut. It’s pretty primitive, shared with sleeping goats and sheep. At daybreak wrinkled old Chege takes Waiyaki along the Honia river, then up the valley side, along a path to a holy hill, with a sacred tree and a great view across the land of ridges, with Mount Kerinyaga in the distance, the mountain of He-who-shines-in-holiness (p.17). Chege repeats the story of Murungu, the Creator, creating Gikuyu and Mumbi. Chege tells him about the great seer Mugo wa Kibiro, how he predicted the coming of the white man but nobody believed him. It is a visionary setting in which Chege predicts the coming of a ‘saviour’ who will drive the white man and restore the tribes to their rightful place.

In this visionary setting, Chege tells Waiyaki he must go to school at the Siriana Mission and learn the ways of the white man. And so he does, and is a star pupil, learning fast.

Cut to two young girls, Nyambura and Muthoni, daughters of Joshua, drawing water from the river Honia, river of the cure. Their father is Joshua who has converted to the white man’s religion. All of a sudden Muthoni confesses to her sister that she wants to be circumcised. The Christian tradition they’ve been baptised into isn’t enough for her. She wants to be ‘a real girl, a real woman’ (p.25). To get a man and be married, she must be circumcised ‘or how does a girl grow into a woman?’ (p.25).

Nyambura is worried because she knows their father will be furious if he finds out, considering it a throwback to pagan ways. But she agrees to keep it a secret and maybe even aid her visit to their aunt at Kameno, where she can get the deed done.

p.27 Profile of the girls’ father, Joshua, and the fervour of his Christian faith. Among the traditional round mud thatched huts on Makuyu, his house stands out for having four walls and a tin roof. He thinks most of his people, unconverted to Christianity, live in ‘the depth of darkness’.

Joshua’s Christian zeal means he intends to make his home a beacon of Christian values, which he enforces very strictly on his wife, Miriamu, and two daughters, to the extent of routinely beating his wife when she breaks any of the rules (p.30) (cf the monster controlling father in Chimamanda Ngozi Adichie’s first novel, Purple Hibiscus).

Christmas is approaching when he, of course, will celebrate the Christian feast, but most of the villagers, unconverted, will celebrate pagan festivals, particularly the annual ceremony of female circumcision which is, for Joshua, a particular abomination.

[The sense of the missionaries from the distant white city just beginning to impinge on traditional villages, making odd converts here and there who stick out in the sea of paganism, learn to despise their peers and pray for the white man’s ways to triumph, all this a) echoes descriptions of the exact same phenomenon in Chinua Achebe’s Things Fall Apart and b) are obviously setting us up for a clash between zealous Joshua and his headstrong daughter. Whether this leads to tragedy, as in Things Fall Apart, or just domestic conflict, remains to be seen.]

It is a number of months after Muthoni confessed to her sister that she wants to be circumcised. It is a Sunday and Joshua gives a particularly long sermon. Afterwards Muthoni is nowhere to be seen. Joshua sends his wife and remaining daughter out to find her but she has gone. Under pressure, Nyambura admits that Muthoni has gone to the aunt in Kameno to be circumcised. Joshua goes mad.

Before she could run out Joshua was on her. He glared at her, shaking her all the time. He was almost mad and small foams of saliva could be seen at the sides of his mouth. (p.34)

Joshua orders Nyambura to go to her aunt’s at Kameno, to demand that Muthoni come home. Nyambura does so and returns the next day to announce that Muthoni will not come home. At which point Joshua declares that she is no longer his daughter.

Chapter 9 returns us to Chege, the elder of Kameno, giving us back story about how he survived a famine though his first wives died. The theme of circumcision is repeated.

Circumcision was the central rite in the Gikuyu way of life. Who had ever heard of a girl that was not circumcised? (p.37)

[So Joshua and Chege are non-too-subtly being lined up as polar opposites, new white values versus traditional tribal ways.]

Chege has great hopes for his son Waiyaki who is the last of his line and who Chege hopes will be the great saviour of his people prophesied by tribal seers. Admittedly he has sent him to the missionary school at Siriana (run by a missionary named Livingstone), but that is solely so he can absorb the ways of the white man in order to become more powerful, return and continue the life of the tribe. It is pretty obvious that Waiyaki is destined to grow beyond his tribal background and disappoint his father.

Waiyaki’s perspective: he is attending the tribal dances leading up to the ceremony of male circumcision. He is looking forward to testing his endurance and courage in the ceremony. The dance involves the whole tribe moving and swaying provocatively, going into a trance, possessed by the chanting and music.

At the same time Waiyaki has heard the news that Muthoni has run away from Joshua’s house. it isn’t a trivial domestic matter but a major piece of news which is gossiped about and commented on. And now she appears in the dance, doing what is traditional which is, apparently, telling stories of sex and acting them out, ‘scenes and words of love-making’ (p.41).

Waiyaki gives himself up to the rhythm of the dance, shaking his hips, then finds himself face to face with the rebel Muthoni. They dance wildly, passionately. But then Waiyaki notices his mother watching him from the crowd and the spell snaps. He leaves the dance, wanders through the gyrating crowd. He finds himself on the edge of the forest and then Muthoni is there too. If you’re expecting them to go into a passionate clinch, you’re disappointed. Instead he boyishly asks her why she ran away from her father’s house and she explains that she passionately wants to be circumcised, to become a woman, to be one of the tribe, to be like every other girl of her generation. Then leaves. Waiyaki goes to bed troubled.

Chapter 10: Waiyaki waits, sitting in the cold water of the Honia river, along with other boys, waiting for the circumcision ritual. [Presumably this is because cold shrinks the penis and makes the foreskin more labile and easy to stretch and cut. And numb so the boys don’t feel it?]

The village elder cuts Waiyaki’s foreskin off with a knife. Village women shout and cheer. He is wrapped in a white sheet. His penis drips blood onto the earth. This is important because it signifies the bond between himself and the tribal land which will never be broken.

The circumcised boys stay in a mud hit with grass for bedding while their inflamed penises well up and they moan in constant pain. If they complain the attendants threaten them.

[One threat is that they will bring a woman to the hut and have sex with her in front of the initiates. The point being they will get erections at the sight, the hardness pressing the swollen cut flesh, and make them howl in agony, page 45. There is a similar scene in Leslie Thomas’s novel The Virgin Soldiers, where three dim squaddies circumcise themselves under the misapprehension that this will get them a few weeks R&R. Instead they are just send to hospital where the nurses amuse themselves by bending low over the injured men or lightly caressing their feet and flirting, which gives the men erections, which makes them cry with pain, which makes the nurses stroll off laughing.]

All the boys make a full recovery and return to normal life. Chege is pleased his son passed the test. All the girls, too, except for Muthoni. Chege and the other elders discuss her case. they say it is the curse of the white man. If Joshua was still one of them he would simply sacrifice a black ram under the Mugumo tree and Muthoni would be healed.

Waiyaki goes to visit Muthoni in the dirty hut she’s sleeping in. [With the best will in the world it’s impossible not to be repelled by the extremely primitive conditions the tribe lives in and these barbaric practices. Both boys and girls risk fatal infections from the operation. Muthoni is sleeping on a ‘bed’ made of bamboo poles with grass, sacking and banana leaves for bedding. Long skeins of black soot hang from the ceiling.]

This is all in Kameno, presumably the hut belongs to the aunt? [Yes, this is finally explained on page 50.] Anyway, Waiyaki goes down into the valley and up the ridge opposite, to Makuyu to tell Nyambura that her sister is unwell, so Nyambura takes to visiting her every day. As Kameno is only half an hour’s walk away, and she knew Muthoni was staying with her aunt, it’s difficult to understand why Nyambura wasn’t visiting her already. Many times in Thiong’o’ books the characters just seem to be exceptionally stupid. For example, when she visits, all Nyambura is capable of saying, again and again and again, is ‘Why did you do it?’ ‘Why did you…?’ ‘Why?’ In fact she carries on mindlessly asking it even after Muthoni dies (p.51).

So Nyambura waits days and days, as Muthoni becomes iller and iller, until she’s actually gone into a delirium, before telling her mother who, very reasonably, cries: ‘Why didn’t you tell me before?’

Having waited until Muthongi was raving delirious, only then do Waiyaki and Nyambura decide she should maybe be taken to the nearest hospital, at the mission. The narrative is obscure. I think Waiyaki and ‘ten men’ carry her there, but we skip that part, skipping forward three days to when Waiyaki returns to tell the aunt, then Joshua’s family, that Muthoni died in the hospital.

All this has happened by page 52 of this 143-page novel so I think we could categorise the first third as The Tragedy of the Girl Who Wanted to be Circumcised and, in future, whenever I read about female genital mutilation, I’ll think of Muthongi and her motives for wanting to have it done (peer pressure, to be part of her year group, part of her tribe, part of her culture, accepted as a woman no longer a girl etc).

Still, I can’t help being struck by the basic stupidity of the characters. If they’d taken Muthongi to the white man’s hospital as soon as the wound became swollen and infected, they’d have cleaned and disinfected it and she would have lived. Instead they trusted to nature and the aunt’s herbal remedies, and she died. The whole thing is presented by Thiong’o as a Great Moral Choice that Muthongi had to make between the old world and the new world. I read it completely differently, as a symbol of ignorance, needless suffering and death.

Chapter 11

p.52 Chege ponders Muthongi’s death. In the doom-laden, symbolism-heavy, spirit-dominated worldview of the traditional tribal it is taken as a portent and the novel, of course, is soaked this worldview. In a sense the narrative is the story of young Waiyaki’s journey to liberate himself from this worldview, to step outside it and critique it.

p.53 Cut to the first description of Livingstone, the man who runs the Siriana Mission. Livingstone plays the same structural role as Mr Howlands in Weep Not, Child, namely The White Man, whose history, personality, motivation we have explained to us. But whereas Howlands was an angry landowner who turned into a sadistic District Officer during the Mau Mau rebellion (1952 to 1960), Livingstone is a different animal. Twenty-five years earlier he came to the land of the ridges as a missionary full of vigour and high hopes. Now he is old and fat and bald, with a double chin and much lowered expectations.

He has seen too much of ‘these people’, their witchcraft, superstition, leaving the bodies of cursed men who’ve died out to rot. He attended some of the dances preceding religious rituals and was horrified at their sexual explicitness, their ‘immorality’. And now this monstrous death of a young girl from circumcision without anaesthetic or medicine.

Then an assistant brings the news that Muthongi was the daughter of the famous convert, Joshua. For some reason this crystallises Livingstone’s dislike of ‘these people’, his feeling that he needs to combat their savage customs and barbaric practices more aggressively. The chapter closes with the typically melodramatic sentence, ‘the war was now on’ (p.54).

Chapter 12

Muthoni’s death crystallises opposition to the Christians among the traditional elders. One of the boys who carried her to the mission even claimed to have seen the Christians poison her. Rumours swirl. For them it is proof that associating with the white man and his religion brings only evil.

On the other side, Joshua preaches with fire in his eye, convinced that Muthoni was seized by an evil spirit as a warning to the faithful. He thunders that anyone associated in any way with circumcision will be cast out.

Waiyaki watches the two sides crystallise into sides, people being forced to choose a side. Some of the previous Christians, led by Kabonyi, abandon the faith and revert to tribal belief. Waiyaki, being the young hero of a novel, is unsure where he stands in the debate, as he has a foot in both camps, being the son of one of the most vehement tribalists (Chege who is, incidentally, ill with a stomach complaint) but attending the Christian Mission school where he likes the white teachers.

Livingstone strikes the next blow, declaring that anyone who defied the church and continued with their tribal customs, especially any part in circumcision, would be expelled from the Siriana school. Waiyaki returns home to find his father has just died.

Chapter 13

Three years later Waiyaki never went back to the mission school and in fact set up his own school, consisting of his office and one other building divided into four classrooms. It’s raining and the rain is coming through the thatched roofs forming pools of water.

The other major thing that’s happened is the alienating of all the land around the two villages to white settlers. Many families have been pushed off ancestral land they’ve inhabited for ages, or forced to work for the new white owners.

The two boys we encountered fighting on the plain at the start of the narrative, Kamau and Kinuthia, they are now Waiyaki’s teachers i.e. he is in charge of this little village school. And they still quarrel and Waiyaki is still the peacemaker. [It shows a fairly elementary sense of structuring for Thiong’o to open with a scene between boys which is then cannily echoed like this, 50 pages and ten years or so (?) later; reminds me of the same sort of thing being done in umpteen movies cf p.71[=-.]

They are said to have regular arguments about politics, but their understanding is painfully simple-minded. Kinuthia thinks it was a mistake to ever let the missionaries into the land because, once established, they invited their white brothers to come, who have now taken the land away from its rightful owners. This is bad, and the Giyuku people must take their land back. That’s it. Not much of a political analysis or program, is it?

So Kinuthia is one of many saying they must band together in order to clear the white man out. They will form a Kiami.

Chapter 14

Waiyaki’s school is called Marioshoni. It has become famous throughout the country as the first self-help school. The people are hungry for learning, hungry to acquire ‘the white man’s secret magic and power’ (p.65).

Use of the word ‘magic’ immediately alerts you to how very, very far they are from understanding the world, since the entire point of the white man’s learning is that it is utterly dis-enchanted, utterly secular, materialistic, mechanistic. The narrator describes the tribal people not wanting to abandon their old tribal ways but to acquire the white man’s learning. They don’t realise that the two cannot be reconciled.

Anyway, for his role in setting up the school Waiyaki finds himself being lionised as the man who will save his culture, ‘the champion of the tribe’s ways and life’ (p.67).

Chapter 15

Waiyaki can’t sleep, troubled by worries about the conflict brewing in his culture, about memories of Muthoni, gets out of bed, steps out of his hut, is dazzled by the big moon in the sky, enchanted, holds out his arms and wants to hold her, wanders down the ridge to the river, crosses it and climbs the other side towards Joshua’s village, Makuyu. Suddenly he bumps into Nyambura, and realises she is the ghostly figure who has been haunting his dreams…

Then we are shown Nyambura’s perspective, namely that she is lonely. Her sister, Muthoni, was her best friend and confidante. She’s still her father’s daughter i.e. a Christian, but she associates her father with her sister’s death. As to Waiyaki, he is now a name in the land but she finds him cold and aloof (we know he’s just nervous and shy).

Well, I’d bet £20 from this set-up that they end up falling in love. They walk a little together, under the mellow moonlight, both thinking their own thoughts, both strongly attracted. Then they go off to see family or friends they were en route to, but thinking about each other…

Chapter 16

Waiyaki had invited Nyambura to come and see his school but she fails to turn up. It is Njahi, the season of the long rains, the season which makes people happy because crops bud and grow. Women laugh as the do the field work. But in the last few years the seasons have become less predictable, Maybe it is the evil influence of the Christians.

Waiyaki is bothered by his father’s prediction that he would be the saviour of his people. Is it him, or is it Kabonyi, the one-time Christian convert who broke away and led the recidivists. Much older than Waiyaki, Kabonyi is a governor of the school and blocks Waiyaki’s wishes at every opportunity.

Sometimes he feels bound to endless service in the name of the tribe and yearns to be free. Then again, he knows his father would be proud of him setting up a school. And it doesn’t stop there, Waiyaki dreams of establishing a college for higher education.

Kinuthia comes to visit. They go to his mother’s hut where she’s made dinner, as all mothers and wives ought to. Kinuthia tells Waiyaki to watch out for Kabonyi, who is jealous of him.

Chapter 17

Two weeks later. Waiyaki goes to see Joshua preach. He is stronger than ever, more vehement and confident of his faith. Waiyaki has the same thoughts he always does, a feeling of yearning, the confusion of whether he is or isn’t the savour his father predicted. His thoughts are boring, the same one issue round and round. Also, he had hoped to see Nyambura in church.

Afterwards he walks a way with Kamau and they both see Nyambura walking in the distance. Kamau says she’s a beautiful woman and Waiyaki is stricken with jealousy. A little further on the track, once Kamau has left, Waiyaki and Nyambura meet. He desperately wants to tell her he loves her. She feels the same. Puppy love.

Chapter 18

Waiyaki is now known throughout the land of ridges as The Teacher. He is going to cross the learning of the white men with the values of the tribe. [We have been told this lots and lots of times without any indication whatsoever what this learning the white people involves. It’s not just a handful of tricks like reading that can be put in a box marked learning. It is an entire worldview and accompanying technical, scientific, mathematical, engineering, legal, accounting and financial knowledge. The more the narrator and Waiyaki talk about ‘the magic of the white man’ without giving any detail whatsoever as to what this involves, the more pathetically dim and naive they come across as.]

Parents day at the village school. The narrator rams home, yet again, that Waiyaki is now revered as THE TEACHER, the man who can infuse traditional ways with the white man’s magic.

The children sing a song about learning. Their parents burst into tears. Yet again the narrative tells us that Waiyaki is the saviour. The white man has come and appropriated their land. But now their children will be educated and will take it back from the white man. The sleeping lions of the ridges will awake yada yada yada.

When all the singing is over Waiyaki makes a speech saying the school buildings need a metal roof; the children need desks, pencil, paper; they need to build more schools; they need to train more teachers.

Kabonyi stands and makes an effective speech against Waiyaki, saying the land is oppressed and they live in poverty because of the white man. They must unite now to kick him out, not ignore the issue by building new schools. Who needs the white man’s education anyway?

But the people don’t cheer and when Waiyaki stands to make an impassioned reply, the crowd of parents and elders cheers him and starts chanting ‘The Teacher! The Teacher!’ (p.91)

Kabonyi makes his son, Kamau, help him home. He is seething after the public humiliation in front of the entire community. He openly says he wishes Waiyaki dead, and Kamau himself is angry that he and his father both are always being humiliated by Waiyaki.

Within months more schools are built on the surrounding ridges on the model of Waiyaki’s pioneering one and the people far and wide come to revere him.

Chapter 19

Things seen from Joshua’s perspective, namely that Waiyaki, having become the figurehead of the old tribal ways, is the biggest threat to Joshua’s Christian mission. So he 1) sets up some Christian village schools of his own and 2) takes his fight to the enemy, organising a large Christian rally in Kameno at which he preaches with marvellous fervour (p.95).

Waiyaki is conflicted (as he has been for the last 20 or 30 pages) between a self appointed mission to reconcile the two ridges, to reconcile Joshua and Kabonyi, and his deeper vocation, to spread education education education.

Waiyaki can see the big meeting going on from his own hut but goes for a walk. Walking down to the river he sees Nyambura. She is feeling this and he is feeling that. God, the trouble with these novels is the themes and ideas are really, really, really trite, I can feel myself becoming stupider as I read them. Not only that but the characters have the same handful of stupid thoughts and worries, over and over and over again until you want to scream.

Chimamanda Ndozie Adichie is an absolute joy to read because each sentence is elegantly shaped and freighted with intelligence and insight. Thiong’o is torture to read because his themes are obvious, his characters are stupid and his prose is clumsy. It figures that the central figures of this and the preceding novel are both children turning into teenagers, because their thoughts and ideas are so very juvenile. Nyambura feels alienated from her father. She feels sad about her dead sister. And she loves Waiyaki. We know this because the text tells us this again and again and again.

She could only be saved through Waiyaki. Waiyaki then was her Saviour, her Black messiah, the promised one who would come and lead her into the light. (p.98)

She is filled with doubt. Should she stay true to her father? Or give herself to Waiyaki? But she is afraid of her father. And she loves Waiyaki. Except she won’t allow herself to call it love. She asks God to help her. She asks God to forgive her. Should she stay true to her father? Or should she cleave to Waiyaki? But Waiyaki is a big man now, the Saviour of his people. Would such a big man be prepared to marry a woman who isn’t circumcised? She is filled with doubt. Should she stay true to her father? Or should she give herself to Waiyaki? She asks God to help her. She asks God to forgive her.

Round and round and round and round go the same tuppenny, trite thought process in these immature, uneducated peasants.

She walks away from her father’s house down to the river and prays. Waiyaki happens to be there and sees her. A kind of holy light emanates from her. She’s not far from where he was circumcised all those years ago. ‘The place would forever remain sacred to him’ (p.99).

He tries to sneak away but treads on a dry twig which cracks – as in thousands of cheesy TV shows and movies.

She raised her head and saw him. Waiyaki stood and looked at her. Nyambura still knelt. Their eyes met and they did not utter a word. Nyambura was afraid of the intense excitement that possessed her. (p.99)

Etc. Maybe I’m missing the point and this is all intended to be what publishers nowadays call Young Adult Fiction, written for people between the ages of 12 and 18. But even a 12 to 18 year old would burst out laughing when Waiyaki asks Nyambura whether she comes here often (p.100).

Waiyaki finally bloody takes her hand and declares that he loves her. Nyambura is confused, excited, embarrassed, feels a painful sorrow come into her heart, lets herself be embraced ‘in a moment of passion’ etc, and Waiyaki asks her to marry him.

She pushes him away and whispers ‘No’. Because of her father. She wants to stay loyal. She explains, crying. He stands stunned, crying. Then they part. As soon as they’ve left the clearing or spot where they were standing…out of the bush steps Kamau, Waiyaki’s deadly rival, who overheard every word of their conversation.

I smiled, because it’s as contrived as a scene from a Shakespeare comedy or a cheesy TV show. Kamau had followed Nyambura because he intended to tell her he loved her, but had been foiled by his rival! And Kamau then utters the cheesiest, tritest, most clichéd sentiment imaginable, when he says: ‘He’ll suffer for this!’ (p.102)

Chapter 20

Waiyaki goes from ridge spreading the news about education and meets final year students at Sisiana who he begs to join his crusade for education. His efforts are paralleled by Kabonyi, now the leading figure in the kiami, the group of elders representing the people. He is going from ridge to ridge making people take an ‘oath of allegiance to the purity of the tribe’ (p.103). Both sides, the traditionalists and the Christians, are growing and hardening their positions.

Waiyaki feels guilty (‘moments of self-blame’) that he didn’t carry out the work of reconciliation he kept thinking about but delaying in his fervour for education (just as he did in the previous chapter and the one before that).

Kinmuthia comes to see him and warns him that all kinds of rumours are spreading about Waiyaki, that he is betraying the tribe, that he was regularly attends Joshua’s services (he went once), that he is going to marry Joshua’s daughter (he proposed, she turned him down), that he went for a long meeting with the young men at the Siriana Mission (he went to ask them to join him as teachers). Kabonyi and Kamau are behind these rumours and they have loads of young men who have sworn to kill traitors.

Then the hut of one of Joshua’s newest followers is burned down. The Kiama have power everywhere. And now it looks like they’re about to put their extreme rhetoric into action.

Chapter 21

With the predictability of teen fiction, Nyambura comes to regret saying No to Waiyaki, and wishing she could relive the lovely feeling of wellbeing and safety she felt in his strong embrace etc. She loves him, she wants him, he is her saviour etc but she is scared of her father, scared of rebelling against her upbringing, as Muthoni did etc etc.

She goes to that patch of bush next to the river then sits in her favourite spot all day long hoping Waiyaki will come. But he doesn’t. When she gets home Joshua is furious with her, refusing to believe she hasn’t spent the day with him, and yelling that if he hears of her being seen with Waiyaki, he will disown her like he disowned Muthoni.

She is bitterly angry and mortified. She rejected Waiyaki precisely to stay loyal to her father and now her father is punishing her for it. She cries herself to sleep, as many a mooning teenager has before and since.

Chapter 22

Waiyaki delivers new teachers recruited from Siriana and becomes the god of the tribe and the region. Description of Kinuthia’s joy and awe at working for such a great man. But he knows the movement afoot throughout the people goes wider than education into political agitation to get rid of white farmers, white government, white missionaries.

Waiyaki, as for the last 70 pages or so, is wracked by uncertainty about whether he is the saviour (‘Was he that saviour? Was he the promised one?’ p.113) foreseen by the old prophet and his father or just a gifted educationist.

Christmas is coming, peak time for the Christian contingent but also the day of the festivals and rituals devoted to the circumcision.

Waiyaki goes to see his mother who is an old widow now, but wants to know if the rumours are true that he’s going to marry Joshua’s daughter. She warns him the Kiama is the voice of the people.

She’s barely finished doing this than, as in a cheesy TV show, Kamau arrives from the Kimia and says Waiyaki’s presence is required at a meeting of the elders and the Kimia going on right now.

Chapter 23

Kamau takes him to what turns out to be a kangaroo court of the Kimia and the Elders. Kabonyi mounts a sustained attack on Waiyaki, bringing up all the accusations we have, by now, heard loads of times – that Waiyaki attends Joshua’s church, he is going to marry Joshua’s daughter, he spends long meetings at the Christian Mission, in short he is conspiring to damage the purity of the tribe and the people contrary to the oath he’s taken.

Waiyaki loses his temper and storms out, handing victory of Kabonyi and his hate-filled son Kamau. The last few bits of dialogue record some of the worried elders aggressively saying that all the young girls and boys must be circumcised, by force, if necessary.

Chapter 24

A few days later Kinuthia bursts into Waiyaki’s hut and excitedly tells him the Kimia has relieved him of his status as The Teacher and they are talking about mounting an attack on Joshua’s house. Waiyaki immediately sets off down into the valley, across the river and up the other side, bursting into Joshua’s house as they are singing ‘When shepherds watched their flocks by night’. They are outraged at this blasphemy. Waiyaki says he only came to warn them there may an attack on them. Joshua stands and execrates Waiyaki, blaming him for his daughter’s death etc, and Waiyaki, mortified, steps to the doorway.

As he does so Kamau and the four tribesmen who had come to kidnap Nyambura and are hiding in the bush outside Joshua’s house, see Waiyaki exiting it. So he is a traitor! They will go back and inform the Kimia. Now it really is war between the tribe and Waiyaki (p.127).

Back inside Nyambura has watched all this and finally, thank God, makes her decision to opt for Waiyaki. She stands, walks between the congregation, takes Waiyaki’s hand and declares the loves him. Her father rails against her, disowns and banishes her from his house.

Nyambura and Waiyaki walk out into the darkness of the night. Kamau and his gang have gone. Both feel waves of conflict and emotion. They walk down the hill to the river and to their favourite spot and lay down on the grass where ‘a stronger throb, heart-rending, was sweeping away their bodies. Their souls joined into one stillness; so still that their breathing seemed to belong to another world, apart from them.’ (p.131). Does this mean they had sex?

They get up and continue up the hill to Mayuku where Kinuthia is waiting. Waiyaki tells him that the next day he will return to the sacred grove where his father made his prophecy, that a saviour of the tribe would arise and free them.

Chapter 25

Cut to the next day and Waiyaki at the sacred grove, in front of the ancient fig tree. He repeats all the doubts and self blame we’ve heard him recite so many times before. He then itemises the various factions, namely the Christians led by Joshua and the tribals represented by Kibonya and Kamau. the Montagues and the Capulets. The Jets and the Sharks.

Then he has a revelation. He realises Education is not enough, it was never enough. Education is only of value if it leads to political action to right the injustice of the people being thrown off their land by the whites. He sees it as a slogan or mantra: Education for Unity. Unity for political freedom. Education, Unity, Political Freedom. This finally squares the circle and unifies his interests and the needs of the people.

The novel climaxes with Waiyaki addressing a large meeting of the people he asked Kinuthia to organise, which Thing’o prepares in typically over-the-top tones:

Then there was a whisper which made everyone rise in excitement: ‘The Teacher! The Teacher!’ Then they sat down again and let Waiyaki pass, his head and broad shoulders indeed caught against the yellow beams that passed through the trees. And he looked powerful and beautiful and they were tense on both sides of the Honia river. Great hush fell over the land as he strode towards a raised piece of ground where the Kiama sat, where his destiny would be decided. (p.138)

Chapter 26

The confrontation scene where first Waiyaki and Kanyobi trade accusations. It’s the same stuff we’ve heard half a dozen times: Waiyaki took Muthoni to the white man’s hospital where they poisoned her; he came back without cleaning himself and so brought uncleanness into the tribe; he consorted with the white men at Siriana; he is going to marry Nyambura, and so on.

Waiyaki rebuts all this then goes on to remind them of the basics, repeating the creation story, how Murungu the Creator created Gikuyu and Mumbi, father and mother of the tribe, then gave the people the land in perpetuity (p.141).

He does all this in order to make his one big political pitch: they must unite, overcoming the differences between Joshua and Kabonyi, because only by being united do they stand a chance of kicking the white man off their land.

However, his best efforts are defeated by Kabonyi, who makes a massive deal about the central importance to their values of keeping an oath, especially the oath administered by the Kimia to maintain the purity of the tribe – and then shocks everyone by declaring that Waiyaki is going to marry Joshua’s daughter, thus bringing impurity into the tribe and breaking his oath. And at this moment he gets his son, Kamau, to bring Nyambura before the meeting and dares Waiyaki to renounce her.

Waiyaki steps over to Nyambura, takes her in his arms and there is a great big expectant silence. He is about to declare his love and explain that no oath can prevent love, when a woman screams ‘The oath!’ and the cry is taken up by all the others and all his efforts to speak are drowned out.

On the last part of the novel’s final page Waiyaki realises all his efforts have been for nothing, as he is drowned out in a torrent of catcalling and abuse. Members of the Kamia rise to say that he and Nyambura will be placed in the hands of the Kimia who will judge them and decide what to do.

The crowd melts away, guilty at what it has done to their great Teacher, until everyone has left the meeting place and night falls once again over the ridges of Makuyu and Kameno and only the steady throb of the river that runs between can be heard in the darkness.

What will happen to Waiyaki? In a sense it doesn’t matter, because his whole political pitch for unity among the people has been rejected for the shorter-term aims of Kabonyi who wants to beat the other black faction (the Chsistians). And Thiong’o doesn’t have to draw the moral that this is exactly what happened to post-independence African governments, who consistently put the triumph of their own ethnic, tribal or regional faction over the interests of the nation as a whole.

Thoughts

African disunity

That’s what the novel is a parable of, the inability of Africans to unify against the common enemy, the same theme as in Weep Not, Child where the black landowner throws in his lot with the white men against his own people. And this disunity carried on after independence in the form of political parties which reflected tribal and regional groupings and so could never be reconciled to work together. Divided they fell.

Thiong’o’s writing

African literature and Kenyan literature in particular, had to start somewhere, and Thiong’o went on to produce reams of novels, essays, plays, political commentary and criticism, setting an early model for Kenyan authors and activists. Well and good. And these early novels amply explain traditional tribal values from the inside, while dramatising the issues raised by the initial coming of the white man, and then the land theft of full-blown colonialism, with the agonising choices individuals caught in a changing world had to make. Good.

But, to be honest, these novels are weak. Weak with strong moments. At moments his intentions mesh with his limited style and produce scenes of force and conviction. But mostly his text lapses into laughable melodrama, simple-minded psychology and his prose becomes a tissue of clichés. All the characters experience their experiences and feelings directly, like children, with no detachment, irony or sophistication. They are angry. They are sad. They are happy. Like characters in a Janet and John book. No depth, no subtlety to savour and enjoy. Which makes them profoundly, stultifyingly boring.

And then I think I’m being too critical, and that Thiong’o was the first guy to really achieve this level of articulacy and publication in his entire country and culture, so maybe instead of picking nits I should be celebrating his achievements. Probably. But unlike Achebe, I wouldn’t recommend these books to anyone.


Credit

The River Between by Ngũgĩ wa Thiong’o was first published by William Heinemann in 1965. References are to the 2002 Penguin Classics paperback edition.

Related reviews

Weep Not, Child by Ngũgĩ wa Thiong’o (1964)

‘Hurrah and victory for the black folk!’
(Typically naive political slogan Weep Not, Child, page 73)

Weep Not, Child was Ngũgĩ wa Thiong’o’s first novel, written in English and published in 1964, the same year as Nigerian author Chinua Achebe’s third novel, Arrow of God. But whereas Achebe wrote about the Igbo people in Nigeria in West Africa, Thiong’o is a native of Kenya in East Africa, which is where all his fictions are set.

I write ‘written in English’ because, after writing three novels in English, Thiong’o came to feel strongly that the African novelist ought to write in his or her own native tongue and so, from the 1970s to the present day, his novels, plays and essays have all been written in his native tongue, Gĩkũyũ.

Via a long writing career, along with his committed political involvement, and his numerous essays, Thiong’o long ago established himself as a major presence in African literature, and has been nominated for the Nobel prize.

Weep Not, Child

It’s a short book, just 136 pages in the Heinemann African Writers’ paperback edition and, I’m afraid to say, after the monumental vision of Achebe’s Africa trilogy, or the stylish grace and lucidity of Chimamanda Ngozi Adichie’s prose, Thiong’o suffers by comparison. His prose feels simple, almost school level, and the insights and ideas expressed by both the third-person narrator and the characters also seem childish in their illiterate simple-mindedness (more detail, below). That said, the very simplicity of the style arguably matches the stark (and highly political) outlines of the story.

Part One. The Waning Light

It’s set in Mahua village not far from Kipanga town. Ngotho is a middle-aged African, not well off, living in a village compound with his two wives, Njeri the eldest and Nyokabi. By Njeri he has three children, Boro, Kori and Kamau. By Nyokabi he has two sons, Mwangi, who died in the recently finished Second World War, and the boy Njoroge.

Boro fought in the white man’s war, and is now withdrawn and drinks too much. Kori works in an African tea shop. Kamua is apprenticed to a carpenter, Nangwa, in the village. The narrative kicks off as it is announced that Njoroge is going to school (Kamahou Intermediate School, p.109), a big achievement to be proud of in their community.

We learn about their neighbours who are each emblematic. The immediate neighbour is a man named Jacobo who owns a lot of land and a big house ‘like a European’s house’ (p.18). His wife is Juliana, a fat jolly woman. They have a daughter, Mwihaki, a little girl who Njoroge likes to play with. She’s in the year above Njorogoe at school and looks after him when he is a vulnerable new boy.

Mr Howlands is the local big white man, who owns most of the good land and a fine house and has lots of black employees and servants. His wife, the Memsahib, is bored, and regularly demands that the black servants be beaten and, periodically, sacked. Howlands is a product of the First World War, uncertain and disillusioned by the peace, who sought an opportunity and a purpose in Africa.

The older black characters, Ngotho and his friends, like meeting up in the barber’s shop in Kipanga. Recurring scenes turn the conversations there into a kind of chorus commenting on the main action.

Like Chinua Achebe, Thiong’o is not shy of depicting his people as they actually were, warts and unacceptable attitudes, customs and behaviour, and all. Njoroge is afraid of his father. Ngotho’s attitude to his wives:

When a woman was angry no amount of beating would pacify her. Ngotho did not beat his wives much. (p.11)

Children are routinely beaten and thrashed, at school or by their parents. Njoroge longs to be a bit older in order ‘to have the freedom to sit with the big circumcised girls and touch them as he saw the young men do.’ (p.22)

This community loves listening to old stories. The father, Ngotho, tells old folk stories, legends of the creation of the world by the Creator Murungu, as well as stories from when he was a boy and was press-ganged along with so many others during the white man’s first war. He explains that the Creator gave them all the land but the white man took the best of it away. In their little area the best land now belongs to the white man Mr Howlands.

As the narrative unfolds the Land Issue develops as the central theme. Ngotho obsessively remembers the words of Mugo wa Kibiro, an old medicine man and prophet who foresaw the arrival of the whites, and that they would seize the ancestral land given them by the Creator, but also that they would, eventually, leave. So:

  • the white man Mr Howlands thinks he owns the land. He thinks that ‘he alone was responsible for taming this unoccupied wildness’ (p.31)
  • Ngotho and Africans of his generation remember the folk stories about the Creator giving all the land to his ancestors in perpetuity, and passively wonders when the white man will leave and give it back to its rightful owners
  • Ngotho’s sons, especially Boro and Kamau, are disgusted that his father and father’s father were weak enough to have the land stolen from them by the white man

Njoroge’s father, Ngotho, loyally, faithfully works for Mr Howlands, turning up day after day, on time, and working the land with impressive fidelity, but in fact exemplifies the mutual misunderstanding about the land. Ngotho does all this not because he respects Mr Howlands, but in order to maintain his contact with land which he is convinced is his, and will one day revert to him and his sons.

Some of them have vaguely heard of a man named Jomo who came back from the war and calls for their ancestral land to be given back. One of the brothers refers to Jomo as the black Moses, come to lead his people home. (Presumably this refers to Jomo Kenyatta, the great Kenyan nationalist leader.) This chimes with the ways, as he attends school and learns to read, Njoroge develops a deep and simple Christian faith, that God rewards hard work with justice and fairness (p.49).

The thing is, the entire narrative is told in a kind of fog of ignorance and half understanding. The characters are illiterate peasants or barely urban workers. None of them have the education or articulacy to really analyse their situation. Things such as the land issue or the character of this rumoured leader, Jomo, are the stuff of rumour conveyed with great vagueness or naivety. Here’s a typical dialogue between young Njoroge and his older brother Kamau:

‘Do you think it’s true what father says, that all the land belongs to the black people?’
‘Yes. Black people have their land in the country of black people. White men have their land in their own country. It is simple. I think it was God’s plan.’
‘Are there black people in England?’
‘No. England is for white people only.’
‘And they have left their country to come and rob us of what we have?’
‘Yes. They are robbers?’
‘All of them?’
‘Yes.’ (p.43)

It’s not that it’s untrue, it’s just that it’s a very basic, very primitive account, on a par with the extremely simple creation myth which Ngotho tells his family. This makes reading the book frustrating, because all the characters are at such a very low level of education and awareness. Then again, maybe this is the entire point of the novel, to show the slow growth in awareness and political understanding of the main character, from village ignorance to more informed disillusion. But it’s an irritating read.

The menfolk gear up for a general strike, many coming to visit Ngotho to discuss it. They airily assume that all black men will join it because its aim is so noble, to drive the white men out of the land and reclaim their birth-right – that’s how simple and naive they are. Njorege, through whose eyes we see most of the action, doesn’t know what a ‘strike’ is. See what I mean by low level? How can something succeed when most of the characters don’t even know what it is?

Mr Howlands warns his black workers that if any of them join the strike they’ll be sacked on the spot. The Ngotho household is divided because his two wives tell Ngotho he would be mad to join the strike, achieve nothing, and lose his job. The theme of masculinity and patriarchy is evident and generally attached to Ngotho who genuinely doesn’t know what to do for the best.

Five years later New Year. Njoroge’s class assemble for their marks. He is top of the class (which made me reflect on how the schoolchild protagonists of this kind of novel generally are top of their class cf the natural intelligence driving Ugwu in Chimamanda Ngozi Adichie’s novel Half of a Yellow Sun). Mwihaki passed, too.

But they get home to find both their families in too much of a state to congratulate them. It was the day of the much-vaunted strike. Speakers came from Nairobi to address the locals, including Ngotho’s son, Boro, who has gone into politics. They describe how the white men came, stole their land and forced them to fight in two white men’s wars, from which they returned poorer than ever. Loud cheers.

To everyone’s surprise the police invade the stage and then usher onto it Jacobo, Ngotho’s neighbour, wealthy black man who has thrown in his lot with the whites. Outraged, Ngotho stands and strides toward the stage, and the crowd hesitates enough for the scene to crystallise as Ngotho for the blacks and Jacobo for the whites, before the crowd roars and surges towards the stage. The police reply with tear gas, truncheons and bullets. Two are killed. Ngotho is knocked to the ground and loses consciousness.

In the barber’s shop the old men discuss the riot and say it only goes to show that ‘we black people will never be united. There must always be a traitor in our midst.’ (p.60).

p.61 Ngotho is thrown off his land because it turns out it ‘legally’ belongs to Jacobo, who has now become his arch enemy. The family relocates to land owned by Nganga. It costs a lot to build new huts and Mrs Howlands has, of course, fired Ngotho, so times are very hard. But Kamau’s wages go up and they survive. He and Kori also donate money to continue funding Njoroge’s education.

There ought to be a name for the genre of story which is about the first member of a family to attend school and further education, often thanks to significant funding and sacrifices by his family or community. The same kind of story is told by Chinua Achebe in No Longer At Ease. Later, when he goes on to secondary school, the entire local area raises money for his fees, so proud are they of his achievement (p.105).

Interlude

Two and a half years later Fragments. An angry white administrator looks out over the Kenyan country shortly before returning to Britain, with the self-serving thought: ‘And to think of all we did for them’ (p.62). Some men gossip about the assassination of a black chief who was collaborating with the white administration.

We hear that Jomo has been arrested and a state of emergency is declared (p.63). This latter references dates events to October 1952, when the British authorities declared a State of Emergency after the Mau Mau murdered a loyal Kikuyu chief.

Njoroge continues to hear important things, central issues to the politics of independence, but his child’s point of view makes them frustratingly dim and naive.

Njoroge had heard about the colour-bar from his brothers in Nairobi. He did know what it was really. But he knew that the strike had failed because of the colour-bar. Black people had no land because of colour-bar and they could not eat in hotels because of colour-bar. Colour-bar was everywhere… (p.64)

Part 2. Darkness Falls

Two years later Njoroge has left primary school and been going to secondary school for two years (p.68). For his loyalty to the whites, Jacobo has been made a chief. The whites have banded together to protect themselves against the Freedom Boys of the Forest. Mr Howlands has been appointed District Commissioner.

Njoroge gets home to find the family assembled. Boro has come to tell them that Kori was arrested with a number of other agitators. As he’s describing it Kori comes staggering in, having jumped out of the police lorry carrying him and other prisoners. Boro regularly argues with his father. Ngotho refuses to take the Mau Mau oath from his own son. (This is the first mention of Mau Mau, p.71)

p.72 The men of the family discuss the Mau Mau. They all hope Jomo Kenyatta will win his court case and freedom. But he doesn’t.

Ngotho is upset because he has lost the vital connection with his ancestral land and wonders what kind of man that leaves him. He put all his hopes in Jomo. ‘For him Jomo stood for custom and tradition purified by the grace of learning and much travel’ (p.74).

What the text lacks in psychological depth or sophistication, it makes up for in the straightforward simplicity of its agit-prop rhetoric. As they discuss how Jomo lost his court case to be released from prison, Ngotho’s wife, Nyokabi, speaks out:

‘It seems all clear as daylight. The white man makes a law or a rule. Through that rule or law or what you may call it, he takes away the land and then imposes many laws on the people concerning that land and many other things, all without people agreeing first as in the old days of the tribe. Now a man rises and opposes that law which made right the taking away of land. Now that man is taken by the same people who made the laws against which the man is fighting. He is tried under those alien rules….’ (p.75)

Boro says the white people win because they stick together while the black people are divided.

p.76 Cut to Mr Howlands, now District Officer Howlands, in his office. Showing how embittered he is that his wife has left him to become a missionary. All he has left is the land which he has worked so hard to develop i.e. he’s not going to give it up without a fight.

Describes the malicious pleasure he takes in promoting Jacobo and setting one black man against another. Divide and rule. Jacobo comes in for order. He thinks Howlands likes him, respects his loyalty. But Howlands thinks he is a ‘savage’. I found the characterisation of Howlands thin and naive. He doesn’t sound or think like a British colonial administrator. He has the same simple, naive thoughts as the African characters i.e. I’m afraid, Thiong’o.

Jacobo feeds Howlands false information that Ngotho is a Mau Mau leader. Howlands gives Jacobo carte blanche to arrest Ngotho and his family for anything he can.

p.80 As a result Njeri and Kori are arrested for breaking curfew. Ngotho is abused by Boro for sitting by and doing nothing about the arrest. He becomes a shell. He looks none of his family in the eye. Young people no longer congregate in his compound to hear him tell the old stories.

p.82 Njoroge’s school receives a letter saying that if it doesn’t close down immediately, the headmaster and all the pupils will be beheaded. The kind of message sent out by the Viet Cong, by the FLN in Algeria, by umpteen jihadi groups across the Middle East – all collaborators with the oppressive colonialist authorities will suffer the ultimate penalty. Always the same logic to terrorise the entire population into submission.

p.84 The climate of fear created by the Mau Mau. Njoroge is preparing for the exam for entrance to secondary school. (Hang on, if that happens at age 11, as in the UK, and nine and a half years have been mentioned as passing since the opening scenes…well, no way was Njoroge one and a half when the narrative opened. I admit I don’t understand the timeline.

Njoroge laments that his infant friend Mwihaki’s father (Jacobo) a) became a leading figure in the white man’s homeguard and b) was attacked (no details).

p.87 Njoroge walks into town to see Kamau who tells him half a dozen local men were abducted and found dead in the forest, including the barber who hosted so many convivial evenings, and Nganga who kindly gave Ngotho permission to build a new compound on his land. The whites say it was the Mau Mau but the blacks say it was the whites who then blamed the Mau Mau.

Walking home Njoroge bumps into Mwihaki. He still holds a torch for her. She has grown, is an adolescent with budding breasts. Njoroge himself is tall, appears older than he is. They nervously make a date for the following Sunday.

They meet at the church where the preacher (who was once one of Njoroge’s infant school teachers) laments the tragedy, the bloodshed and fear, which have come over the land of the Gikuyu. He implies that the end of days is at hand.

Njoroge and Mwihaki walk back to her house i.e. the house of Jacobo. He isn’t there. He is always away on business but when he does return everyone is terrified of his power and anger. Unexpectedly Jacobo arrives with three bodyguards but, equally unexpectedly, he doesn’t abuse or threaten Njoroge, instead praises him for continuing school and says he will be one of those who rebuild the country.

Njoroge and Mwihaki go up a hill, look out over the plain, and worry that the end actually is at hand. They are both genuine Christians and wonder how Jesus could countenance the destruction of the world and all the people in it. They both struggle to express their emotions (and so does Thiong’o). In a burst she says she wants to live with him and be friends forever. But Njoroge is starting to see himself as a kind of saviour figure, sent to comfort and liberate the land from its white oppressor.

p.97 Cut back to Howlands who is portrayed as a pantomime villain, chortling at how easy it is to set black against black. What does he care if entire villages in the jungle are wiped out, mwah haha, the Sheriff of Nottingham played by Alan Rickman, he might as well be twirling the ends of his black moustache.

Enter Jacobo, the Sheriff’s dim sidekick. Somehow neither of them have managed to arrest Ngotho yet, despite Howlands allegedly having spent years scheming to defeat his enemy. Bit of a pathetic enemy, and pretty useless schemes.

Jacobo shows Howlands the most recent anonymous letter he’s received threatening death if he doesn’t leave off helping the white man.

Some months later Njoroge is heading a Christian procession to a nearby village, chatting to a fellow devotee, with a group of Christian woman walking behind them singing hymns. All of a sudden they are stopped by a white officer and realised they are surrounded by soldiers. The officer lets the women go then makes the boys and the men squat while he examines their papers. The black soldiers beat some of the black Christians.

Their preacher, Isaka, is separated from them because he has no papers. The others are told to be on their way but haven’t gone far before they hear two screams then machine gun fire.

p.102 Cut to Boro and his lieutenant hiding in the bush and discussing their next steps. It was Boro et al that the white man’s patrol was out hunting. We are given a very simplistic account of Boro’s motives, namely Revenge. Boro doesn’t care about the other’s fine talk about freedom. Killing the white man and his lackeys is his aim.

‘Freedom is meaningless unless it can bring back a brother I lost [in the white man’s war]. Because it can’t do that, the only thing left to me is to fight, to kill and to rejoice at any who falls under my sword. But enough. Chief Jacobo must die.’ (p.103)

In the fairy tale simplicity of this I suddenly heard the note of Victorian melodrama at its cheesiest. ‘Chief Jacobo must die!’

p.104 Njoroge graduates from junior school, the only boy in his area to do so. Many people in the area contribute to his school fees. He now has a full-blown messiah complex.

Njoroge now had a new feeling of pride and power for at last his way seemed clear. The land needed him and God had given him an opening so clear that he might come back and save his family and the whole country. (p.105)

Njoroge meets up with Mwihaki, as he keeps doing. It’s one year after the last time they walked up the hill. Now she criticises him for always talking about tomorrow and going on about the people. Njoroge replies with guff about Jesus and faith and hope and freedom and this completely reassures Mwihaki. I’ve no idea what age they’re meant to be, 11, 12, 13? It’s a childishly simple-minded conversation but without the charm.

p.108 So Njoroge starts attending the famous Siriana secondary school, a boarding school. It’s the first time he’s been taught by white teachers and he is surprised by how warm and supportive they are, surprised how boys from the other tribes of Kenya all get along.

One day a football team from a European school come for a game. To his surprise Njoroge gets talking to one of the boy supporters who is none other than Stephen, son of angry bitter Mr Howlands. Turns out the two boys share the same experience of being stared at and made uneasy by boys of the other race. They are both uneasy in this country covered in black stormclouds.

p.112 Mwihaki writes from back in Kipanga, where her father (Jacobo) lives in fear of attack. Every day bodies are found in the forest. She walked past some black people being beaten by police and begging for mercy. It’s a nightmare.

p.114 It’s the third term at the school. Njoroge really loves it, especially likes English lessons (of course), is awed by the way the white missionary teachers work alongside their black colleagues and black children with no colour consciousness at all. It is a sort of utopia.

With no warning Njoroge is called to the headmaster’s study and handed over to two policemen who drive him to a homeguard post nicknamed the ‘House of Pain’ where he is accused of being Mau Mau, interrogated and beaten unconscious. One night to recover then he’s interrogated again, this time by Mr Howlands who applies pincers to his genitals. Njoroge screams in agony. For the first time Howlands reveals what it’s all about: Jacobo has been murdered. Apparently, they’ve interrogated his father who, under torture, confessed to being Mau Mau and killing Jacobo which is, of course, nonsense. A few days later Njoroge and his two mother are released.

p.119 Ngotho on the other hand is detained. What happened is Jacobo was murdered and the cops arrested Ngotho’s son, Kamau. it was then that Ngotho decided to sacrifice himself for his son by walking into the nearest police station and confessing to Jacobo’s murder. Ngotho has become, for Howlands, the symbol of everything ungrateful and blocking his will in this wretched country. Hence the fury with which he tortures him, day after day.

In some obscure way Njoroge is racked by the thought that it’s his relationship with Mwihaku which somehow brought all this tragedy down on his family.

p.122 Ngotho is allowed home. He has to be carried out of the homeguard post. His nose is split in two, he can’t move his legs, he can’t sit without pain (was he in fact castrated, as Howlands in a frenzy told Njoroge?)

Out of the night appears the prodigal son, the accusatory son, the genuine Mau Mau, Boro. There’s a melodramatic scene where Ngotho struggles to sit up and blesses his son, tells him to fight on, before falling back on the bed and expiring. Victorian melodrama.

p.126 Five months later Njoroge is 20 years old. He is working as a shop assistant in a dress shop owned by an Indian. It is a humiliating come-down after all his fancy talk of saving his family and his country. Turns out that Mr Howlands was murdered the same night Ngotho died. His brothers Boro and Kamau are facing murder charges.

p.127 Thiong’o describes Howlands’ last hours of anger and frustration against Ngotho and his entire family really, really badly. Boro bursts in and accuses him of stealing the land, killing many black people, raping women etc. Howlands says it is my land. Boro shoots him. it is all done very, very badly, with laughably thin psychology or insight.

p.130 Mwihaki’s perspective, how she had heard about her father’s murder from the head of her school, then returned home. Her mother, obviously, hates the Ngotho family and Mwihaki is understandably swayed by this but, despite everything, still wants to see Njoroge again.

Mwihaki and Njoroge meet on the hill where they’ve had so many conversations. Njoroge has been beaten down, all his hopes destroyed, the only reliable thing in his life has been Mwihaki and so now he tells her that he loves her. Good grief, this is bad:

‘Mwihaki, dear, I love you. Save me if you want. Without you I am lost.’ She wanted to sink in his arms and feel a man’s strength around her weak body.

Njoroge tells her that he wants to flee Kenya, go to Uganda maybe, but Mwihaki, like so many young women, says No, she has to stay near her mother who needs her. Njoroge experiences her refusal to leave with him as a massive disappointment and disillusion. He sees his last hope of escape, of starting anew somewhere else, disappear, stricken that ‘his last hope had vanished’ (p.134). Unfortunately, all these overwrought feelings came over as barely comprehensible twaddle, to me.

p.134 It is a very shallow book, an immature young man’s book. It’s overstuffed with themes but Thiong’o treats none of them adequately, with any depth. He makes this character of Njoroge bear all kinds of significances which the story, and its complete lack of psychological depth or acuity, just don’t justify.

Thus now, in the last few pages, the narrator makes a big deal of the fact that Njoroge has, at a stroke lost his faith in God, lost his hope for a better day, lost his naive belief that he could be the redeemer who saved his country. Once he thought he would save his country but now he works in a dress shop whose customers look at him sadly and whisper about his family tragedy behind their hands. He has plummeted from utopian heights to humiliating depths.

Which is why he goes out wandering along the endless road till he comes to a tree which has been familiar to him all his life and prepares a noose. He’s about to hang himself when he hears his mother Nyokabi’s voice calling. Like Mwihaki, filial duty overcomes him, he turns from the noose, greets his poor aged mother and returns home with him.

The last sentences describe how Njoroge’s conscience accuses him of being a coward and how the poor young man, completely broken in spirit, miserably agrees.

Thoughts

I see the political importance and consciousness-raising purpose of Weep Not, Child but I couldn’t warm to either the simple style or the even simpler level of thought.

The blurb says it’s a novel about the impact of the Mau Mau emergency on one family but, as my summary conveys, it’s a very skimpy summary, with few if any descriptions of Mau Mau members – Boro popping up for a page two or three times in the narrative is not an adequate treatment of this massive, long-lasting, nationwide rebellion. I suppose some killings, like the execution of Howlands, are described in some detail but, due to the very poor psychology of the scene, it made little or no impression on me. Instead, the story foregrounds the shallow but shrill family melodrama which I’ve summarised.

I think we’re meant to react to the poignancy and emotion of the story, especially the humiliation piled on humiliation of the once buoyant and optimistic Njoroge, at the end. But I’m afraid what came over to my cynical mind was how abjectly unprepared African nations were to manage themselves, if they were placing their hopes in the hands of simpletons and ignoramuses like Njoroge or Boro.

Maybe the situation obtaining in Kenya and Uganda and Nigeria at independence was entirely the fault of the British government, but this book, far more than an insight into the Mau Mau phenomenon (which it hardly gives at all) struck me as being an indictment of how naive, ignorant and unprepared for any form of self rule that generation of Africans was.

So I read it as a tragic story but for this reason and not at all for the reasons given in the narrative and which Thiong’o intended.


Credit

Weep Not, Child by Ngũgĩ wa Thiong’o was first published in the Heinemann African Writers’ series in 1964. References are to the 1987 paperback edition.

Related links

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The Night Wanderers: Uganda’s Children and the Lord’s Resistance Army by Wojchiec Jagielski (2009)

Warning: this review contains graphic descriptions of torture and mutilation.

Were you forced to kill any of your relatives or neighbours?
Were you forced to chop off people’s hands or feet with a machete?
Were you forced to gouge out people’s eyes?
Were you forced to rape women?
Were you forced to burn people alive?

(Part of the questionnaire given to freed child soldiers in north Uganda, quoted in The Night Wanderers, page 38)

Wojchiec Jagielski

Wojchiec Jagielski is a Polish journalist who specialises in reporting from the world’s worst conflicts. Hence, for example, ‘Towers of Stone’, his 2009 book about the gruesome brutal wars in Chechnya, along with books on Afghanistan and South Africa.

But it’s not not just reporting – Jagielski is interested in the psychology created by terrible conflicts and, beyond that, in the voodoo, spectral elements, the worlds beyond normal human experience which extreme situations create, the deprivation, degradation, demoralisation spread over long periods, which create new psychic zones.

For this reason – for Jagielski’s interest in moods and alternative states and his interest in depicting them in prose which is often more about poetry and fleeting perceptions than the journalist’s tradition fare of facts and dates – he has often been compared to the famous master of such writing and fellow Pole, Ryszard Kapuściński.

No surprise that snippets of praise from Kapuściński are found on the jackets of Jagielski’s books (”A stunning and beautiful book…Jagielski has scaled the heights of reportage’), or that Kapuściński wrote the introduction to one of his books, or that this very book was nominated for the Ryszard Kapuściński Prize.

Part 1 (Gulu and its night wanderers)

Ugandan elections 2006

The Night Wanderers is set in Uganda in 2006. Nominally Jagielski was in Uganda to cover the February 2006 general election and party politics are, accordingly, described in part 2. But the meat of the book is his descriptions of the appalling plight of the thousands of children abducted by the rebel group, the Lord’s Resistance Army (LRA), led by the psychopath Joseph Kony. J.M. Barrie wrote about the Lost Boys but it was a fairy tale compared to this lost generation of Ugandan children.

The Acholi

The north of Uganda is inhabited by the Acholi people. Some 2 million of them have been driven out of their villages, forced to abandon their homes, their fields and crops, to leave behind the graveyards full of ancestral spirits, and instead herded into about 200 refugee camps where they have built huts and live, but which they can never regard as home.

Exemplary cruelty

The rebels terrify civilians by attacking villages, hacking people to death with machetes, chopping off their hands, slitting their throats, clubbing them to death, hacking them to pieces with axes, raping the women, herding people into huts and burning them alive. The cruelty is exemplary: it is punishment for not believing in the wonderfulness of Joseph Kony, and also to terrify entire regions into submission. Thus:

On the orders of their commanders, the guerrillas killed the villagers in extremely cruel ways. They butchered and burned them alive, forced the prisoners to commit cannibalism and infanticide. They raped and tortured, cut off people’s lips, gouged out their eyes, and chopped off their hands and feet. They left behind bloodied corpses and gutted houses. (p.138)

(Why does the LRA cut off people’s lips? As a warning to others not to report encounters with them to the authorities or to the Ugandan Army, p.296.)

Refugee village headman

Jagielski meets Abola Imbakasi, headman of one such refugee camp, Palenga. His meek son, Robert, was taken by the guerrillas for 3 months (p.18). On returning he had to be exorcised by a priest but is still not the same. His mind has been permanently damaged by what he saw and was forced to do.

The children’s treatment centre

Jagielski meets Nora who runs a rehabilitation centre (a ‘children’s treatment centre’) for children who’ve escaped or been rescued from the guerrillas. All of them have killed, multiple times. Jagielski watches one of the therapy methods which is to let them act out what they did as a kind of gruesome pantomime, some of them acting out their own roles, some of them playing the villagers who they hacked, burned, tortured, shot and burned. The terrible questionnaire (p.38).

The journalist’s responsibility

Jagielski explains that he’s never had problems interviewing the commanders and leaders who order massacres and atrocities. They’re always confident it was the only way to achieve justice or peace. They are always full of excuses, justifications and blame others (see Putin’s justifications for murdering civilians in Ukraine).

In his experience it is always much harder talking to the victims of atrocities. For many their story, their experience, is all they have left. Therefore sharing it with a journalist is like a precious trust. Part of which is they think that by sharing their story, it will bring about justice in the outside world, and will bring them peace and closure. It is far harder dealing with these poor people when neither of those things happen, when the world doesn’t suddenly galvanise itself to address their wrongs, when they are left feeling even worse than they did before they told their stories (p.33).

Rebel magic

The ferocity of the attackers, the way they chiefly emerged at night, the way they hid in the jungle and picked off anyone foolish enough to stray into the darker jungle, all this gave rise to folk stories and legends: that they could dematerialise at will, could appear anywhere like witches, had magical powers, that they change the children they kidnapped from humans into savage animals (p.39)

And indeed, villagers, adults, normal civilians who haven’t been inducted, regard returnees from the rebels as ‘spirits of the forest’, as bewitched, soulless, voodoo, jinxed, bad luck (p.49).

Initiation killing

Jagielski learns from Nora’s interviews with countless child soldiers how new initiates into the LRA were forced at gunpoint to murder their own fathers, mothers, sisters, brothers, best friends, neighbours, in front of everyone, in front of plenty of witnesses, because then there was no going back, then they were forced to stay. This was the initiation ceremony into the Lord’s Army (p.45).

The boy Samuel

Jagielski is particularly interested in interviewing Samuel, who was abducted at age 9 and was soon afterwards forced to kill his first person, a boy from his village, and whose story Jagielski tries to piece together. Nora tells him the best age to create a child soldier is 9, old enough to be independent, young enough not to really know right and wrong. Mouldable (p.57).

Jackson the journalist

After trips to refugee camps or to interview the children, Jagielski returns to the bar at Franklin’s Inn where he regularly meets Jackson, now a radio journalist, himself inducted into the guerrillas many years earlier. Jackson plays the role of sardonic, satirical commentator on Jagielski’s efforts, claiming that no matter how many questions he asks, he’ll never understand what it’s like (p.46).

Atrocities

The narrative is regularly punctuated by descriptions of the most appalling atrocities, for example on pages 45, 50, 72, 138, 144, 146,

When they had finished their interrogation, the older guerrillas started killing the villagers. The commanders forbade them from shooting unnecessarily, to save bullets, and also because the noise of shots would alert the army. The peasants were tied up and made to lie on the ground, as the guerrillas unhurriedly murdered them one by one – men, women, old people, and also small children who weren’t fit to be prisoners. They killed them with machetes, axes, hoes and large knives usually used as agricultural tools. None of the villagers put up resistance or fought for their lives. Terror and a sense of doom had taken away their capacity for any kind of action. (p.137)

Or the story (repeated twice) of the LRA attack on a funeral procession when they forced the mourners to cook and eat the remains of the deceased, allegedly on the orders of Onen Kamdalu (p.241).

Gulu

Jagielski bases himself in Gulu, administrative capital of north central Uganda and each evening observes the same eerie ritual: every evening as the sun sets thousands of children (as many as 15,000) arrive having trekked from all the surrounding villages, for their own safety, to avoid the risk of being kidnapped and conscripted by the LRA. It is this silent army of forlorn children who arrive every evening and make beds in public spaces and on the sidewalks, who Nora calls ‘the Night Wanderers’ which give the book its title (p.58).

Jagielski describes the arrival of these tens of thousands of silent children in spooky spectral terms. The way the town of Gulu changed its atmosphere. the way adults departed abandoned the streets to the thousands of ghostly children. The peculiar way these children inspired irrational fear in the adult population, harbingers of evil (p.59).

Jagielski tells us he stayed at the Acholi Inn Hotel (p.91). This is a real place, still exists, and you can book a stay there, if you want.

Jagielski tells the history of how Uganda was created as a nation by the British, yoking together completely different peoples and tribes, the Buganda – agriculturalists – in the south, the Acholi, Lango and other peoples who lived by grazing and cattle, in the north.

Milton Obote and Yoweri Museveni

At independence in 1962 the British tried to reconcile these different peoples, making Milton Obote from the Lango tribe prime minister and the king of the Buganda, Frederick Mutesa II, president. But in 1966 Obote overthrew Mutesa and declared himself president. In 1971 Obote was overthrown by his own army chief of staff, Idi Amin from the Kwakwa people. In 1979 Ami invaded Tanzania but was swiftly repulsed and overthrown by the Tanzanian army (for a vivid description of Amin’s horrifying rule and the Tanzanian invasion, see Giles Foden’s powerful novel The Last King of Scotland).

Obote returned to power and swiftly commenced violent repression even worse than Amin’s triggering the Ugandan Bush War against him, led by members of Obote’s army plus tribal opponents. They crystallised into the National Resistance Army (NRA) and attracted support from the many Rwandan Tutsi exiles and refugees living in southern Uganda (who were to go on to form the Rwandan Patriotic Front and invade Rwanda in 1990).

In 1986 Obote was overthrown for the second time and the leader of the NRA, Yoweri Museveni, came to power. Museveni began a campaign of intimidation against the powerful Acholi people in the north and it was this which inspired Acholi resistance.

Alice Auma

Jagielski gives a pen portrait of Alice Auma, a withdrawn young woman who had failed to get pregnant by two husbands and been returned to her father in shame, before she began having visions and claimed to have visitations from spirits and announced she was a prophet of the Lord. She named the chief spirit visitor Lakwena (p.74).

Alice became known as Alice of the Holy Spirit. She set up a temple where she could heal the sick and the mentally disturbed. Then announced she was establishing an army which would not just defend the Acholi from the Ugandan Army’s depredations, but conquer all of Uganda and establish religious rule. She gathered followers from conventional guerrilla forces who were losing encounters against the army. She promised if they sprinkled holy water on their guns every bullet would find its billet, and if they smeared holy oil on their bodies they would be invulnerable.

Although this didn’t actually happen, the intensity of their belief led them to surprising victories over the conventional army and word spread. Conventional troops fled in panic when they heard the psalm-singing Alice army approaching. The army grew to several thousand and fought its way south to within 100 miles of the capital. But then her spirits abandoned her. Her troops said it happened when she crossed the White Nile and went beyond the borders of Acholi land. The central army also recruited powerful witches and magicians and defeated Alice’s army in November 1987.

Alice fled to Kenya where, ten years later (1997), Jagielski interviewed her. She didn’t say much. She claimed to have found a spirit cure for AIDS. She died in 2007.

Joseph Kony

Her father tried to take up her baton for a while but lacked the charisma. Then a new prophet arose in Acholiland, Joseph Kony. He claimed to be visited by Lakwena who had instructed him to create a new army, the Lord’s Army, and liberate Acholiland. One by one other rebel groups folded and ceasefired with the Ugandan army. Only the most fanatical opponents or those who had committed the most barbaric crimes held out and gravitated towards Kony’s army which, by a process of selection, became full of psychopaths, ‘vile, bloodthirsty, accursed creatures’ (p.81). (Jackson explains more about Lakwena, pages 198 to 200).

But they lacked manpower and the villages were no longer as keen to hand over their sons as they had been for Alice’s Army. So Kony took to kidnapping children on an industrial scale. Jagielski thinks the force Kony renamed the Lord’s Resistance Army might be the only child army in history.

Interview with Kony

Jagielski gives extended quotes from what I initially took to be a newspaper interview Kony gave, in which he disclaimed all responsibility for kidnapping children, claiming the mutilations were carried out by the Uganda army not him, swearing that his cause is just etc (pages 201 to 203). In fact the material comes from this video interview carried out by Sam Farmer, who must, as the saying goes, have balls of steel to doggedly track down a known mass murderer to his lair.

Warning: this video contains graphic and upsetting images of mutilation.

Sister Rachele Fassere

The story of Sister Rachele Fassere who tried heroically to rescue the 139 girls abducted by the LRA from the most eminent school in the region, St Mary’s convent school in Aboke.

Britain’s imperial behaviour and legacy: pages 71, 104, 154,

The stock African accusation against imperialists, the British, against all outsiders:

‘And that’s where the problem lies – in the names,’ said Jackson…’You give your own names to whatever you find in your country, and you’re convinced that once you’ve named it all, you’re also going to understand it all. But we have our own names too, but we look at things in our own way.’ (p.114)

Part 2 (Kampala)

In part 2 Jagielski leaves Gulu, travelling south by bus (with Jackson) to the capital of Uganda, Kampala. Thus we get a pen portrait of Kampala’s history – one of the few cities in all Africa that existed before the Europeans arrived i.e. that Europeans didn’t found. Winston Churchill was delighted with it and called it the pearl of Africa (p.154)

Jagielski checks into the Speke Hotel where all the foreign correspondents say, meet and swap knowledge (p.122). How western journalists co-op or rip off the hard-earned knowledge of local African journalists (pages 123 to 126).

Spirits

Alice Auma, and Joseph Kony after her, both triumphed because of the nearly universal belief in spirits. The book adverts again and again to spirit belief. For example, the passage about the area around Luwero where so many villagers were slaughtered that there was no-one to give them burial rites and so the spirits of the dead were trapped in this world and entered the bodies of the living (p.146).

Extended passage naming some of the spirits who take Kony, how he behaves when possessed etc, chief among them Lakwena (pages 166 to 169).

Jackson’s family believed that when his father came home from the war he was possessed by a spirit which eventually drove him to hang himself. The entire family and village were too scared to cut the rope he’d hanged himself by under the belief that anyone who did so would themselves be possessed and die, and had to bribe an old, old lady, known to be an ajwaka or healer, to do it.

Part 2 has more history and politics in it than part 1, which was more about individuals like Nora, Samuel et al. Jagielski is quite a repetitive writer. Some ideas are repeated in nearly the same phrasing. The dispossessed refugee men of Penga often raped women:

as if only by inflicting rape could they come alive and shake off their inertia (p.18)

Two hundred pages later, Nora complains that Acholi men are ‘useless’. They steal the money their womenfolk earn, simply abandon them, or rape them:

as if only through violence, by inflicting pain and harm, could they restrain something beyond their control which was causing their former world and old way of life to slip away before their very eyes. (p.237)

In a bigger example of repetition, the sequence of events whereby the British left Obote as Prime Minister and the king of Buganda as president, then Obote overthrew the king to become a dictator (1966), was himself overthrown by Amin (1971), who was overthrown by the Tanzania War (1979), which brought Obote back to power (Obote II), how Obote was even more bloodthirsty than Amin (maybe as many as 500,000 Ugandans died under his second regime), how this triggered the Ugandan Bush War (1980 to 1986), which eventually overthrew Obote and replaced him with Museveni – this narrative is repeated at least twice, some parts of it 3 or 4 times.

Part 2 goes into more detail about the biographies of all three players, Obote, Amin, Museveni, plus the restored king of Buganda, King Kabaka Ronald Muwenda Mutebi or ‘King Ronnie’ (p.140).

Pages about Amin and the mutual loathing between him and Julius Nyerere (pages 142 to 144); ‘the personification of horror (pages 155 to 166, including some of the scenes described in ‘The Last King of Africa’).

Another thing Jagielski repeats is the claim that Uganda became a place of war, horror and death. Because he repeats this kind of phrasing, stretched out to paragraphs, many times, and because the narrative is non-chronological but hops about in time, it becomes hard to figure out which leader it happened under and why it happened. Many passages like this:

Presidents changed but the nightmare continued and Uganda never stopped flowing with blood, as if it had been sacrificed to the god of war and evil. (p.145)

Wracked by lawlessness and violence, Uganda continued to be a bloodbath, doomed to horrific destruction, curse with an apocalypse. (p.164)

After almost two decades of the tyrannical regimes of Obote and Amin, civil wars, massacres, lawlessness and bankruptcy, plague and famine, and one and a half million corpses, it had come to be known as a doomed country… (p.170)

The bravery of British journalist William Pike, who edited the newspaper New Vision without fear or favour, and his lead journalist, Allio Ewaku Emmy (pages 126 to 129).

What triggers the more political flavour of part 2 is that Museveni had prided himself on not being like the old dictators, not hanging on forever…and yet, at the time Jagielski is writing, Museveni was trying to alter the constitution in order to allow him to run for president more than two times (as most constitutions require). That happened in November 2005, which dates the writing of these sections to that moment, rolling on to the subsequent elections of February 2006.

(In fact as I write, at the start of 2024, Museveni is still president of Uganda, having held the post since 1986, 38 years and counting.)

Museveni

Pen portraits of Museveni on pages 129 to 133, 139 to 140, 144 to 145, 170 to 177. Museveni surprised everyone by changing quickly, on taking power, from a firebrand socialist revolutionary guerrilla to a pragmatic head of state prepared to work with western banks and let capitalism thrive.

Museveni on slavery

Museveni discomfited other African rulers with a few home truths:

‘We like to complain about the whites, but have we ever wondered why only Africans let themselves be enslaved? Why didn’t we put up resistance? It was our own greed and quarrelsome nature that ruined us. That’s why we were defeated and conquered. We ourselves are to blame. It was our chiefs, waging fratricidal wars, who took people prisoner to sell them to slave traders from Europe. It was those black traitors who bear the blame for slavery.’ (quoted on page 171)

1. The kind of thing a white person could never say or think.

2. I think he’s wrong though, in two ways. Firstly, the reason Africa was so prey to depredation was because it was the most economically, socially and technologically backward of the continents (with the exception of Australia) due to the reasons laid out at length in Jared Diamond’s Guns, Germs and Steel.

But there’s a second thing going on here which is that Museveni, like most modern commentators, is thinking within the framework of black and white that has been firmly established over the past 100 years, which has created a false homogeneity among black people. I’m continually impressed, on a pretty much daily basis – reading the papers, listening to the radio, going to exhibitions – how black activists think there is some kind of inherent unity among black people, that all black people share the same interests and concerns. This seems to me wrong, wrong about any community or group of people.

What I’ve read in the books by Jeal or Hochschild or Segal give the impression that the Africans we’re talking about, in the 1700s and 1800s, didn’t have this simplistic modern binary between Black and White, nor share the modern idea that all black people share a common identity, common goals, need to be united etc. This all seems, as far as I can tell, to have sprung up among black people in the West, whether civil rights movements or black power or Nation of Islam or Black Lives Matters – all these groups define themselves by contrast with whites (and mostly derive from America).

My reading of the sources is that back in the 1700s and 1800s this kind of ‘black consciousness’ simply didn’t exist. Instead Africans identified themselves with tribes, maybe religions, with regions and languages, and regarded all Africans outside their tribal or religious group as others, others who could be quite legitimately enslaved or waged war on or whatever. They had no need to feel guilty as they were smiting the enemy and then selling them into slavery, thus boosting their own prowess, preserving their tribe, making their family wealthy, and that’s what mattered to them.

In a nutshell, Museveni is projecting back onto his ancestors a kind of black consciousness which is a twentieth century (and mostly American) creation and (like America) simply didn’t exist so no-one was aware of it and no-one acted on it, in the period he’s projecting it back onto.

African unity

3. Finally, yet again the strong impression given is that the whole concept of black unity in Africa is a joke. Here’s Michela Wrong describing the moribund Organisation of African Unity:

The summit of the Organisation of African Unity, that yearly get-together where insincere handshakes were exchanged, 29-year-old coup leaders got their first chance to play the international statesman, and the patriarchs of African politics politely glossed over the rigged elections, financial scandals and bloody atrocities perpetrated by their peers across the table.

(‘I Didn’t Do It For You: How The World Used and Abused A Small African Nation’ by Michela Wrong, p.357)

Biafra. The Rwanda genocide. The wars in Congo. The civil war in South Sudan. Just the history of Uganda alone makes clear how difficult Africans find it to live in peace with other Africans. One and a half million Ugandans dead in 20 years of civil wars and insurgencies is proof of something.

Look at how the insurgency of the Lord’s Resistance Army got mixed up with ongoing enmity between all the regional nations: at various points the governments of both Sudan and Democratic Republic of Congo gave the LRA aid and support, while Sudan backed Kony in retaliation for Uganda’s longstanding support of the secessionist movement in South Sudan.

Where is the ‘African unity’ in any of this? In fact Jagielski’s description of the poisonous backstabbing rivalry between African states is bleakly hilarious (pages 195 to 196).

The Ugandan opposition

Jagielski visits the HQ of the opposition party, the Forum for Democratic Change.

Portrait of Nasser Sebaggala, opponent of Museveni and mayor of Kampala from 2006 to 2011.

Portrait of Museveni’s slighted mistress Winnie Byanyima, who has blossomed into an international figure (pages 178 to 180). Winnie married Museveni’s one-time physician, Dr Kizza Besigye, and encouraged him to become a leading political opponent, to stand in the presidential election against Museveni (180 to 181).

As usual with the African elections I’ve read about, nobody talks about policies, instead the campaigns rotate solely around personality and character i.e. Museveni is the ‘great leader’ who has saved Uganda or Museveni has hung on too long and must go. Playground level.

Bounty hunters

A page on freelance bounty hunters around the world. The international community put a bounty of $1.5 million on Kony’s head, which attracted freelancers (p.193). In that case surely the question is, how come nobody tracked him down and killed him? Simply because he’s surrounded by trigger-happy bodyguards?

Bishop Joseph Kibwetere

Auma and Kony aren’t the only ones possessed by spirits. The story of Bishop Joseph Kibwetere who gathered a large following when he predicted the end of the world for 31 December 1999. He and his followers all burned to death in a church fire in March 2000. Or did he escape? Prophets and visionaries appear whenever there’s a natural disaster, droughts, floods, epidemics (p.209). (It doesn’t so much sound like, as actually is the European Middle Ages.) The ebola epidemic of the early 2000s which was, of course, seen as another attack of bad spirits and, like so many evil things, came from the Congo (pages 210 to 212).

Jagielski’s unhelpful way of describing disease

Jagielski writes about disease in a melodramatic, anthropomorphised way which undermines your trust in his descriptions of other things. Here he is describing the action of AIDS:

But the invisible virus was alive inside her, lying in wait, and when it launched its lightning attack, giving no chance for defence, it was too late to save her. (p.214)

This isn’t a very useful way of talking about or thinking about infectious diseases. Anthropomorphising disease like this is not far short of the local belief in spirits, except that Jagielski doesn’t have the excuse of no education. He’s dumbing down from dramatic effect.

In fact it has two deleterious effects. 1) Talk to any health professional and they’ll tell you we need to remove moralising and stigma from infectious disease. This kind of dumbed-down anthropomorphising encourages scientific illiteracy and folk attitudes. Most western nations are facing health crises, specifically over measles, caused by the decline in MMR vaccinations, triggered by rumour and false information. Many people thought the COVID vaccines were some kind of state-run conspiracy. For this reason discourse about illness should be kept scientific, factual and precise.

2) The second bad effect is that anthropomorphising illness like this, using this kind of emotionalising, unscientific way of describing disease, opens the door to moralising which quickly leads to judging victims, for example the way AIDS was initially stigmatised as a ‘gay plague’ or more recent slurs about monkeypox. Medieval worldview. Burn witches etc. People need to be encouraged to think about disease in the correct scientific, objective fashion.

A journalist’s complaint

Another thing I didn’t like was his self-centred hand-wringing about the moral challenges and compromises involved in being a journalist.

Messy, abandoned friendships, business started and interrupted, then forgotten, littered the routes of all my journeys. (p.216)

Well, I reflected, as I read the fifth or sixth such passage, if you don’t like it, get a job in an office. A lot of journalists seem to imagine that when I buy a book on a particular subject I’ll really appreciate lots of stuff thrown in about how hard their job is and how they have to continually make work-life compromises and let people down and oh it’s so difficult. Well, I don’t. Boring.

In a way the journalist’s profession has betrayal encoded into it. It demands gaining people’s trust and extracting confidences from them, purely in order to publicise and reveal them, all for a sense of a job well done, for satisfaction, applause and prizes. (p.216)

Like going to see your doctor with troubling symptoms and just wanting a diagnosis and treatment but instead having to listen to a long lecture about how badly paid doctors are and there’s never enough time to see patients and all their other gripes. No. Just diagnose and treat me. Same with journalists: don’t tell me all about your sensitive scruples and heroic regrets. Just tell me the bloody story.

Part 3 (back to Gulu)

To his own surprise, Jagielski didn’t hang around in Kampala to wait for the results of the election. He had unexpectedly bumped into Jackson and decides to return to Gulu. On the way Jackson tells him something extraordinary: most of the guests at the Acholi Inn Hotel where he’s staying are former guerrillas, people who have carried out the most appalling atrocities.

He describes the standard military corruption: all Ugandan soldiers are all corrupt. Their officers keep all their pay for themselves so the ordinary soldiers are forced to steal from the locals, hold them up at temporary roadblocks, even sell their arms and ammunition to the guerrillas.

Not only that, but many of the shops in Gulu sell goods stolen from country villages which the guerrillas  have looted and then send on here. And that the guerrillas, who kidnap other people’s children, send their own children to good public schools here in Gulu. This isn’t a dysfunctional society so much as dysfunctional people. When so many people dysfunction what hope is there for ‘normal’ society?

‘Where two elephants fight, the greatest victim is the grass.’ (Acholi proverb, p.229)

Rehabilitating child brides

Jagielski returns to the child treatment centre. It’s pretty obvious he fancies Nora and she’s quite happy to flirt with him. He admires her tight-fitting jeans. The other care worker, Christine, is careful to knock on Nora’s door, even when it’s open, so she doesn’t walk in on them kissing or worse. I found these scenes a bit icky (for example, page 249).

Lunch. Watching the children at crafts. The eldest girl is 16. All of them who were capable of it, were taken as child brides by guerrilla leaders and have borne children. On returning to the world they are shunned by their families. So the centre teaches them to sew, makes crafts, open market stalls. This is the route to financial independence and, once they’ve earned some money, to interesting some man into marrying them.

Refugees

Refugees are people who may not have lost their lives to war, but their existence has been robbed of its meaning. War has taken away all their faith, hope, dreams and energy. (p.234)

Former guerrilla leaders

Jagielski talks to the former LRA leaders now living quietly at the Acholi Inn:

Jagielski carries out an extended interview with Banya (pages 240 to 248), a characteristic figure in that he had been a senior figure in the formal Ugandan army but quit when Museveni came to power, disgusted that Museveni overthrew the interim rulers (who succeeded Amin) through violence, and also worried Museveni would start persecuting the Acholi (as he did). One day envoys from Kony arrived at his home and told him to come now or they would kill his entire family. So he went with them and was never allowed back.

Christine returning the lost boys

At the centre Nora works alongside Christine. They dislike and avoid each other. Nora thinks Christine obeises herself to a husband who’s moved to Kampala and is rumoured to have taken a second wife. Christine denies all this and thinks Nora is disreputable for not having married and settled down.

A long passage seeing things through Christine’s eyes, the arrival of the first liberated child soldiers at the centre, Christine’s opinion that they need love and support and, above all, to be told it’s not their fault. All of them were forced to kill or mutilate under threat of it happening to themselves.

The best medicine for these damaged children turned out to be routine: wake-up same time, breakfast, chores etc (p.259).

Jagielski accompanies Christine as she takes some of the last boys in the camp back to their various villages, observing their receptions (pages 259 to 269). Life in the dirt poor refugee camps, with absolutely no purpose, is hard for the reclaimed boy soldiers. Many of them run back into the bush, where there’s at least a purpose, and food. Or are so shunned by former neighbours and even their own family that they become embittered, violent. Some of them spontaneously kill.

Mato oput

Jagielski witnesses a ceremony of mato oput meaning reconciliation for a crime, and learns the complex traditional methods for a wrong-doer to admit their guilt, the compensation to be paid by his family, the road to acceptance and reconciliation (pages 266 to 269, 273 to 282).

A detailed description of Acholi beliefs about dead people’s spirits, specially how they persecute the living if they’re not happy (pages 269 to 273). Worth mentioning that a Catholic priest, Father Remigio, accompanied Christine and Jagielski on this trip, and was by his side explaining all aspects of the mato oput ceremony, their provenance and meaning.

The Acholi king

The Achioli king is named David Onen Acana II. His shabby court looks like a provincial post office. Some facts about the Acholi who migrated into north Uganda from Sudan where they were nomadic shepherds, hunters and fishermen.

When he arrives the king is discussing the future of Kony with one of his advisers, Chief Lugai. They’d been invited to meet Kony in the bush but when they got there he didn’t show up. The king and Chief Lugai say Museveni needs to pardon Kony and the International Tribunal at the Hague drop its charges. Only then will Kony come in, and he must be handled with traditional Aconi rites i.e. Mato oput (p.288).

The king then laments at length how the old tribal ways are being destroyed not only by the war, the enforced relocation of 2 million people, but criticism from Christian missionaries and Muslim imams and the new young generation in cities who turn to the West (pages 289 to 291). In other words, the inevitable process of ‘modernisation’ and ‘development’.

Father Cosmas

An interview with the Catholic priest Father Cosmas who is quite clear that Alice was possessed by satanic spirits but that Kony is Satan himself (p.294). Stories he has heard from children who have been rehabilitated and made their confessions to him.

Severino Lukoya

Jagielski says goodbye to Nora, with the uneasy feeling that he has wormed his way into her and Samuel’s affections merely to exploit them for his book then dump them. And that’s what she accuses him of.

The last thing he does in Gulu is go to visit Severino Lukoya. He was the father of Alice Auma who, after Alice’s forces were defeated, claimed that the spirits had entered him and that he was now the spokesman for Lakwena et al. In the event the forces he led were defeated by the Ugandan Army even more heavily than Alice’s, he fled to Kenya, and the mantle passed to Joseph Kony who lied that he was Alice’s cousin. So it’s a family romance, of sorts.

Anyway, Severino quietly returned to Gulu, built a church for his own denomination, and has been living quietly, left in peace by the authorities. Jagielski discovers he is now a very old, weak old man. Severino is assisted by Martin the chaplain who seats him on a chair and hands him one of the holy bottles. Then Jagielski witnesses the old man being possessed by Lakwena.

Severino speaks in Acholi, Martin translates, and it’s basically a recap of Severino’s career i.e. being chosen by God, trying to preach the word of God, going off to bush to live by himself, choosing water to purify and stones to act as weapons and incite his men to fight for the Last Judgement…

Then it’s over and the old man shrinks in his chair, exhausted.

Thoughts

1. This is a very, very good book which doesn’t so much explain as immerse you in the bloody, complex history of modern Uganda and especially the horrifying reality of the LRA’s campaigns and their terrible aftermaths for all concerned.

2. It’s a fount of information not only about the LRA and about Uganda’s troubled history, but many aspects of the folklore and traditional beliefs of the Acholi people, above all their profound belief in the role of spirits in all aspects of human life.

3. It also gathers together a range of valuable eye-witness accounts: from children directly involved, from some of Kony’s henchmen, from Nora and Christine, plus Jagielski’s witnessing of the mato oput ceremony, the knowledge of Father Remigio, the opinion of Father Cosmas, Jackson’s conveying of the voodoo mysticism of the Acholi people which no outsider can really understand.

4. It’s a real shame the book doesn’t have an index as I found myself wanting to reread certain passages or flip through the explanations of particular topics which are scattered in fragments through the text and so hard to re-find unless you’ve made a record or turned down the page. Part of my motivation in making such detailed notes and providing precise page references in this blog is to create such indexes, as best I can, for my own use and as, hopefully, a help to other readers.

5. Jagielski is in the same ballpark as Kapuściński but not in the same class. Kapuściński can be, by turns, genuinely philosophical, reaching deep into human nature, or lyrical, or quirky and drily humorous (as throughout his book about Haile Selassie). Jagielski attempts the same kinds of thing and they’re interesting enough, such as his fairly frequent personification of abstract entities:

The day fixed for the elections overslept and got up late, looking grey. For ages it couldn’t gain full consciousness and get itself going. (p.187)

This kind of thing is entertaining enough, but without the real depth or lyricism of his mentor.

6. Obviously most of the subject matter of The Night Wanderers is beyond appalling but, if you’ve read 20 or 30 books about contemporary Africa, as I have, you get used to Africans massacring each other, generally in the most brutal, sadistic ways possible.

What it makes me wonder is … you know how anti-colonial critics, post-colonial writers and anti-colonial historians often criticise the Europeans for, among countless other crimes, imposing their notion of the nation state onto cultures which were more flexible and fluid, based around tribes and traditional rulers … well, in descriptions of the collapse of whole regions of supposed ‘states’ (such as Rwanda or Congo or Uganda or Sudan) into violent anarchy, I wonder if it’s simply a matter of older traditional African culture reasserting itself, of societies rearranging themselves around their core attachment to tribes…and that the endless guerrilla wars are just the modern name given to the age old tradition of warlords gathering supporters and fighting the ruling king…

They’re called warlords and guerrillas these days but, from my reading of Gerald Segal’s book about Islamic slavery, I learned a lot about the continually shifting, rising and falling kingdoms and empires of west Africa, rising as new warrior chiefs achieved ascendancy, falling as other states seized land and towns under violent new leaders…

So isn’t the violent chaos in many African countries simply a continuation of the old traditions, but now with Kalashnikovs? That’s the strong impression you get from Jagielski’s extended description of the tangled web of insurgencies, civil wars, militias and guerrillas, which completely ignores state borders and sprawls across a huge area of north Africa taking in Somalia, Sudan north and south, Uganda, Congo, Darfur, Chad, Central African Republic, as far west as Niger, large parts of which are under no state control (pages 195 to 197).

And stepping right back – isn’t this patchwork quilt of petty kingdoms based around local chieftains in fact the way most humans have lived through most of history? Wasn’t this the same continually warring tribal world the Romans encountered everywhere they advanced, for example the complex tribal networks of Gaul and Britain endlessly at war with each other as described in Julius Caesar’s Gallic Wars? Or, hundreds of years later, the equally complex, warlord-based societies of Dark Age Britain and, indeed, right across post-Roman Europe? Isn’t it, in fact, the natural way most humans have lived in most of history – and the huge, secular, technocratic and democratic states we in the West take for granted, aren’t these the oddities and exceptions to the rule?

Antonia Lloyd-Jones

A word on the translation by Antonia Lloyd-Jones. It reads very well indeed. The word order and use of subordinate clauses do not feel as if converted from another language, as often happens with translations from French or German. It reads like English and very well written English at that. There are a few odd turns of phrase, which I enjoyed:

  • When Museveni announced new presidential elections that he intended to win again and extend his reign, Dr Besigye cast him a challenge and stood for election too. (p.180)
  • Museveni had the victory in his grasp. (p.184)
  • Emmy cast him a look but didn’t say anything. (p.194)

The only blemish on her style is her very frequent use of the word ‘whom’ which regular readers of this blog will know I have developed an irrational dislike of. I dislike it’s prissy formality. Nobody says it in actual speech. It is becoming a literary fossil.

There he had met Nora, the first person to whom he had told everything he had seen and endured. (p.187)

‘What about those who don’t even know whom they have killed?’ (p.283)

Despite being British, Lloyd-Jones uses the word ‘pants’ for trousers (p.248) and ‘line’ for queue (p.172). Maybe the sub-editors at the New York publishers insisted. But these are microscopic quibbles. It’s a highly readable, fluid translation.


Credit

The Night Wanderers: Uganda’s Children and the Lord’s Resistance Army by Wojchiec Jagielski was published in the Polish original in 2009. The 2012 English translation by Antonia Lloyd-Jones was published by Old Street Publishing (OSP). References are to the OSP paperback edition.

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An Ice-Cream War by William Boyd (1982)

Nothing today had been remotely how he imagined it would be; nothing in his education or training had prepared him for the utter randomness and total contingency of events.
(Gabriel Cobb reflecting on the chaos of the Battle of Tanga, An Ice-Cream War, page 172)

This is a long, deeply researched and immaculately described historical novel, set during the Great War in British East Africa, filling 383 densely printed Penguin pages.

Boyd is a lovely writer. His style is clear and polite, in a very English way. It’s obviously less funny than ‘A Good Man in Africa’, which is a full-on comedy, but it also feels more formal, somehow more old fashioned, appropriately for its historical setting. There are moments of psychological acuity or observational detail or deft phrasing to give pleasure on every page.

Part 1. Before the war

Chapter 1. 6 June 1914, Dar-es-Salaam, German East Africa

Introduces us to Temple Smith, ‘a very fat man with a thick black walrus moustache’ (p.310), the American owner of a sisal plantation in the south of British East Africa (what will later become Kenya). Smith has travelled down to Dar es Salaam, which is in the adjoining colony of German East Africa, in order to collect a consignment of coffee plant seedlings. He is ambitious and wants to expand his farm from just growing and processing sisal

Through his eyes we see Dar as it was in 1914 and the arrival of several German ships at the harbour. Smith is greeted by his nearest neighbour from across the border in the German colony, one Erich von Bishop. An efficient crop-haired man, Bishop is here to greet his wife, Liesl, who has been on an extended holiday to her relatives in Europe (where she has put on a lot of weight).

(There’s a bit of backstory, which is that we learn why Smith is in Africa. He was bored being manager of an iron foundry in Sturgis, New Jersey, and had applied to an advertisement to be the manager of a big game hunt to Africa, in this case for the ex-US president Theodor Roosevelt and his son Kermit when they came on a big game safari back in 1909. When he questioned the need to massacre quite such huge numbers of wild game he was sacked but had come to like Africa and decided to stay on and try to make it as a farmer.)

There is an odd, apparently inconsequential episode, when Smith visits a local prostitute in a bordello. She is rake thin, covered in bangles and ointment and smells. When she spits something out the window which lands with a clatter on some nearby roof he chickens out and doesn’t go through with it…

Chapter 2. 8 June 1914, The Northern Railway, German East Africa

Bishop invites Smith to share the train journey from Dar back inland to the nearest station to their farms. We see the long uncomfortable railway journey through the eyes of Liesl von Bishop who is not happy to be back in Africa and, as angry women do, finds both the men pitiful and pathetic. Smith alights at Moshi station where he is met by his native foreman, Saleh.

Chapter 3. 10 June 1914, Taveta, British East Africa

Smith’s farm (which he has named Smithville) with its acres of sisal plants, barns, warehouse to house the massive decorticator machine, some tramlines. His placid wife, Matilda, and two yapping little boys, Glenway and Walker (p.45).

Chapter 4. 24 July 1914, Ashurst, Kent, England

Long chapter introducing us to the Cobb family through the eyes of the spoilt younger son, Felix, who’s just left private school before going up to Oxford next term. Felix has come under the influence of a charismatic boy called Holland, at school, and so fancies himself as a fashionable, progressive intellectual.

Holland’s sway over Felix had been established in their final year at school, and Felix had accepted it with the zeal of a disciple acknowledging the messiah. (p.189)

With the result that Felix finds his family, and everything about the impressive country estate in Kent, unbearable – his father the permanently bad-tempered retired Major Hamish; his sisters Cressida, Yseult and the twins Albertine and Eustacia; his conventional mother and his various male in-laws, namely:

  • Lieutenant Nigel Bathe married to Eustacia
  • Sammy Hinshelwood
  • the honourable Greville Verschoyle married to Albertine
  • Lt Col. Henry Hyam, married to Yseult (who, when war starts, bags a job in the Committee of Imperial Defence)

The only person he likes, adores even, is his older brother, 27-year-old Captain Gabriel Cobb who collected him from the station and with whom he goes for a swim in the old willow pool while filling him in on the latest family gossip. As part of their banter Gabriel chats about his time in the army in India where he hasn’t seen any fighting but he has stuck a few wild pigs. Felix is disgusted and asks whether they squeal. Well, you’d squeal if you were stuck with a spear, laughs Gabriel. This is a characteristically clever piece of prolepsis by Boyd for Gabriel will, himself, be stuck like a pig in the upcoming war (in Part 2, chapter 6).

This grand country pile is, we learn, the reward from a metal company in Wolverhampton which produces items like Felix’s electro-plated nickel-silver cigarette case (pages 52 and 209).

Chapter 5. 25 July 1914, Stackpole, Kent, England

Felix’s jaundiced jealous view of his brother’s marriage to Charis. He is mightily pissed off because at the last minute brother Gabriel told him he was being replaced as best man by Sammy Hinshelwood, Felix being downgraded to chief usher.

Chapter 6. 26 July 1914, Trouville-sur-mer, France

Gabriel and Charis’s honeymoon, filled with details about hotels and seabathing in 1914, but centring on Gabriel’s inability, on two successive nights, to get an erection, despite clambering on top of Charis and sort of rubbing his groin against her (still in his pyjamas) to her complete bewilderment. It’s only on the third night that he bangs his knee, navigating across the bedroom in the dark, she loses her temper and tells him to ‘come and let mummy rub it, you silly boy’ when, to both their surprises, he suckles her like a baby and gets a proper erection, which is a definite improvement, even if he then ejaculates prematurely before he has penetrated her. Sigh. A vivid imagining of the bad old days of total ignorance about almost every aspect of sex.

Next morning he reads a French paper and announces to an astonished Charis that Austria has declared war on Serbia and they must return to Britain immediately, that same day.

Part 2. The war

Chapter 1. 9 August 1914, Smithville, British East Africa

Officious army and customs officer Reggie Wheech-Browning – ‘a ludicrous beanpole of a man’ (p.338) – drops by to tell Smith that war has broken out and to leave his farm immediately. Smith thinks it’s stuff and nonsense and doesn’t budge.

A week later a force of German askaris (African soldiers) led by two German officers marches onto his land and up to his beloved factory. It is von Bishop who he met in the opening chapter. Very politely von Bishop announces he is commandeering Smith’s farm, as his men set fire to his sisal crop and start pulling up the short length of tram track he had lain down. It’s all he can do to prevent von Bishop from vandalising his precious decorticating machine. When asked, von Bishop very politely signs an affadavit itemising all the things he’s burned or is confiscating, but insists he will also be commandeering the farmhouse. Smith has one hour to pack his belongings, wife and two small boys into a mule-drawn buggy, and told to shamble off down the track towards Voi.

On the outskirts he is, ludicrously, fired on by the ramshackle force of askaris led by Wheech-Browning. Once he’s yelled who he is he’s allowed to proceed to Voi where he puts his family up at the government dak, with a view to himself journeying on to Nairobi to establish who’s going to pay him compensation.

Chapter 2. 20 August 1914, Nairobi, British East Africa

Ensconced in snobbish, pretentious, half-built Nairobi, Smith discovers that well-heeled Brits and various foreigners have set up a volunteer defence force while they wait for the relief force to arrive from India but have become disillusioned by two weeks of inactivity. In Voi he’s been greeted by Matilda’s father i.e. his father-in-law the slope-shouldered Reverend Norman Espie.

Smith goes to see his insurance company, the grandly named African Guarantee and Indemnity Company which is in fact a small office above a butcher’s shop on Sixth Avenue run by one immigrant Indian, Goolam Hoossam Essanjee Esquire. Essanjee explains that Smith’s claim of theft of his farm and equipment will have to be confirmed the company’s assessor who is also Goolam Hoossam Essanjee Esquire.

Chapter 3. 30 August 1914 ,Voi, British East Africa

10 days later. Wheech-Browning drives Smith and Essanjee in an early motorbike with sidecar out of Nairobi, past Voi. They stop in the open scrub an hour or so from Smith’s farm when they suddenly come under fire from Germans hiding in a rocky hill 600 yards away. As the reader anticipated, the Indian, Essanjee – the lieutenant dispensable of the situation – is hit twice and dies. Wheech-Browning and Smith bundle his body into the sidecar, and hightail it away from the ambush.

Chapter 4. 26 October 1914, SS Homayun, Indian Ocean

56 days later, and we join Gabriel aboard a tramp steamer sailing from Bombay to British East Africa. He had hung around in Britain waiting for news, then been sent out to India, to Bombay then up to Rawalpindi to join his regiment, the West Kents. But then to his disgust he was separated from them and posted to a subaltern regiment, the 69th Palamcottah Light Infantry, part of Indian Expeditionary Force B, and has to entrain all the way back down to Bombay and then board the smelly old SS Homayun for a hot slow boring voyage across the Indian Ocean.

Everyone is seasick. Incidents including a concert party interrupted by a rainstorm and the flogging of a mutineer. Sammy Hinshelwood distinguishes himself by his coarse stories about sex which, of course, embarrass but also arouse the only recently blooded Gabriel. He becomes friendly with the eccentric, intense Dr Bilderbeck who gives him the best advice for life in the front line: always have a pillow and a basin.

Chapter 5. 2 November 1914, Tanga, German East Africa

Tanga was a major port on the northernmost part of German East Africa, close to the border with British East Africa. Description of Gabriel and his troop loading into a lighter, being towed to the beach, jumping into the neck-high water, making their way to the beach and a little inland. Then the confusing long delay as they wait all through a hot day for instructions, their air of chaos when Gabriel goes up to the ‘red house’ on a hill which is staff headquarters. The constant sound of gunfire from ahead of them. Initial intelligence said the town had been abandoned. Now they realise the Germans have heavily fortified it and are fighting off all attacks.

Chapter 6. 3 November 1914, Tanga, German East Africa

Plausible sounding account of the battle Tanga in that it’s mostly Gabriel stuck in charge of his 70 or so scared Indian soldiers with a cheerfully naive number two, Gleeson. When they are told to go forward they blunder through dense undergrowth, are dispirited by a flight of Indian troops running back from the front, then blunder into an area of bees nest which attack and sting them very severely. At one point in the sequence of events he bumps into Bilderbeck again, who orders the handful of remaining Indian sepoys to advance. When they don’t move Bilderbeck calmly shoots one in the head at point blank range, a spatter of fresh brain landing on his boot.

Eventually it’s just Gabriel and Gleeson left as they make their way forward, are shot at by people with northern accents who they realise are the Lancashire regiment, identify themselves and discover the Lancs are pinned down by a load of Indian soldiers who take shots every time they try to retreat. Gleeson can speak Hindi so he is sent to the side of the house facing the Indians and starts shouting to them that they’re British.

Around then Gabriel sees a German officer emerge from a house a few hundred yards away, leading his men, in plain view and takes the opportunity to fire a shot. It completely misses but triggers an immense fusillade on the house they’re holed up in. When it dies away Gabriel turns to escape the house and comes across Gleeson lying on the floor with his lower jaw show away to reveal the enormous human tongue, glugging down his own blood and still blinking and moving his eyes.

Dazed with horror Gabriel leaps out the back window of the house and runs for the tree cover, telling himself all the time that he’ll come back to rescue Gleeson which we know he won’t. En route back to the beach he stumbles across a troop of German askaris who chase him, (grotesquely enough, through a graveyard), catch up, then slash at him with bayonets, one severing a thigh muscle so that he falls to the ground, taking two other severe stab wounds in the abdomen before he passes out. I assumed he was dead.

Chapter 7. 6 November 1914, Tanga, German East Africa

The Germans win the Battle of Tanga i.e. repulse the British attack. Bilderbeck is the British representative sent to supervise the handing over of British stores to the victorious Germans and ferrying the British wounded back to the ships, liaising with a German officer named Hammerstein, assisted by von Bishop whose eyes we see everything through. After the British had been forced to flee from the beaches, their battleships subjected the town to a heavy barrage. A shell landed near von Bishop giving him loud tinnitus so he asks the German medic Dr Deppe to examine him. Bilderbeck discovers Cobb is still alive though severely injured from the pig sticking he got from the bayonets and has a few words with him, in his hospital bed, before he returns to the beach and thence the British ships.

Chapter 8. 16 March 1915, Oxford, England

Six months later. Cut back to Felix who is now in his second term at Oxford. Things are not well. He continues to copy his hero, Holland, but neither of them make much impact in wartime Oxford. All the able-bodied students have volunteered and gone off to war. Felix has a slight astigmatism, Holland an unspecified ailment. Both are regularly handed white feathers by old Edwardian ladies in the street for being cowards. Felix is horribly embarrassed by this and has taken to wearing an eye patch to visibly excuse himself; Holland, true to his provocative aesthetic attitude, wants to be given white feathers and is jokily jealous because Felix has more than him. It’s that kind of jokey, studentish relationship.

But other things about Oxford are disappointing, too. Felix is at war with his scout, a wizened con-man named Sproat and his mute son, Algy. And his tutor is an ancient decrepit don named Jock Illiffe whose overheated rooms pong of cats. Once Felix read him the same essay that he’d read the previous week and Illiffe, sitting back in his chair with his eyes closed, didn’t even notice. With the result that he’s failed his Moderations or ‘Mods’ in History.

To cap it all he’s developed a cold sore at the corner of his mouth, the size of a sixpence, which refuses to go away, which solidifies into a scab, which breaks when he smiles and bleeds. Very unsightly.

So this chapter is a successfully evocative painting of Oxford in the first year of the Great War. It also gives us a Felix-eye view of the Cobb family. The splenetic Major has pinned up a big map of northern France in the study and forces the entire family and all the servants to attend a daily update on the progress of the war. The family have, of course, taken the news about Gabriel being severely wounded, very badly. There’s also news about the various other brothers-in-law and family hangers-on.

Holland has acquired a mistress in London, an artist’s model named Enid who takes morphine and makes his life hell, so he’s writing some jolly good poetry about it. Felix, very much still the shy virgin, has a crush on Holland’s sister, Amory, who’s at art school, and is invited to a party she’s giving.

Chapter 9. 18 March 1915, Stackpole Manor, Kent

Felix catches the train back to the family home in Kent. Charis is living there, now, in the former servant’s cottage, which was to have been her and Gabriel’s newlyweds home. She keeps bursting into tears about Gabriel. His father is still short and angry, but his flesh hangs off him. He looks like a demented Victorian cleric.

What a horrible old man, Felix thought. (p.199)

The Felix chapters are drily comical, with overtones of Aldous Huxley and Evelyn Waugh. Cyril, the sweary working class man Felix liked, his son now tells him has been killed on the Western Front. Felix is genuinely shocked and upset. Then Charis springs it on him that the family have arranged a birthday party for her on 29 March, he’s invited, in fact everyone’s expecting Felix to ‘squire’ Charis. But it clashes with Amory’s party. Family duty or the (remote) possibility of sex. Decisions decisions for a young man.

Chapter 10. 29 March 1915, Café Royal, London

We meet Felix and Holland in the stylish Café Royal, whence they catch a cab to Cheyne Walk in Chelsea and upstairs to a sordid flat where Amory lives and which is hosting a very bohemian party, packed with artists and models, all smoking and drinking heavily, a girl playing guitar to an adoring coterie etc. Felix is introduced to Pavelienski or ‘Pav’, the east European model Amory models for. Amory herself is a thing chestless woman who almost completely ignored Felix and is irritated when Holland insists he accompanies them to the famed bohemian nightclub, the Golden Calf, as Amory had booked a table for 16 and Felix is supernumary.

(The Cave of the Golden Calf was a real nightclub, a consciously bohemian creation decorated by leading artists of the time – Wyndham Lewis, Charles Ginner and Spencer Gore – praised by Ezra Pound and frequented by Katherine Mansfield, Ford Madox Ford, and Augustus John. Wikipedia)

Anyway, Felix’s attempts to seduce Amory go disastrously awry as she shakes him off and calls him a ‘silly boring little boy’, getting up to go and dance with Pav. Suddenly sober and realising what a fool he’s made of himself, Felix goes wandering through the dark streets of London feeling poetic and soulful till he comes to a baked potato stand, buys one, is propositioned by an old prostitute, taken back to her squalid digs, is fleeced £2 for a horrible experience, unable to get an erection (like his brother Gabriel, in Trouville) so the hooker starts to masturbate him and he climaxes almost immediately (like his brother in Trouville), ejaculating over the sheets, prompting the outraged prossie to tell him to ‘fuck orf out of it’. Felix stumbles into his clothes and down the steep stairs and out into the bleak streets. Sex, eh.

Cut to Felix having taken the milk train back down to Kent and, having been cleaned out by the whore, forced to walk through the dew-drenched countryside to Stackpole. Here he’s surprised to see the light on in the cottage, knocks and is admitted by Charis who is still wearing her gown from the night before, the night of her party, the party Felix rudely missed in order to undergo his series of humiliations in London, as he now ruefully thinks. Sitting in her small front room in front of the fire sipping tea he suddenly feels intimately close to her, his brother’s wife, and tries to stifle the thoughts. The reader wonders whether they’ll end up becoming an item, two damaged ingenues…

Chapter 11. 17 June 1915, Nanda, German East Africa

Three months later. We discover that von Bishop’s wife, Liesl, has been nursing the injured. Kicked out of her house on the border with the British colony, she spent a few months in Dar until, out of boredom, she volunteered to help at the hospital but was then evacuated with all the long-term patients to a hospital far in the south and inland, at a place called Nanda.

A new clutch of patients arrived along with their doctor, Dr Deppe. One is Captain Gabriel Cobb. He is still alive, recovering from severe wounds, learning to walk with crutches. Liesl is a bad-tempered fat woman. So pale and freckled, she sweats continually. Her only pleasure is the brief shower at the end of the day when her maid, Kimi. pours several buckets of water over her head. Then she dries on a frayed towel, slips into casual clothes, eats and goes to bed early. Teutonic joylessness.

Chapter 12. 21 November 1915, Voi, British East Africa

Back to Temple Smith. It’s about a year after he was evicted from his farm. He joined the East African Mounted Rifles but has done nothing except practice drills and acquire more bits of uniform which barely cover his fat frame, while Voi expands into a vast armed camp containing Indian force B, South African coloureds and whites, Kings African Rifle blacks, a huge heterogeneous force.

He’s been called in to meet the head of this force, Brigadier-General Pughe. He’s s short pompous man who turns out to be drunk on brandy and promptly ignores his advice about the lie of the land. Serves the stupid British right.

Talking of which Smith walks back towards the enormous camp, past the fenced areas for donkeys and horses (dying by the dozen due to tsetse fly) to the aerodrome which amounts to a big area of flat, cleared scrubland and a couple of warehouses made out of canvas awning. The entire presence of the Royal Air Force is just two BE2C biplanes.

To Smith’s immense irritation the officious twerp Wheech-Browning is dressed up in flying gear with a reversed cap and flying goggles and about to go for his first flight with flying officer Drewes. it’s a disaster. They bounce along the ‘runway’ but after lifting about 12 feet slowly sink back to the ground. It’s too hot, the air is too thin. But it carries trundling along towards a drainage ditch, pitches head first into it and Drewes is killed. Bystanders rush over to the wreckage to pull his body out but Wheech-Browning, indestructible, emerges as blithe and jolly as ever.

Chapter 13. 10 December 1915, The King’s Arms, Aylesbury, Buckinghamshire

Felix and Charis have ended up becoming an item. We find them in bed in a pub 30 miles or so away from Stackpole. They have had eight sexual encounters and are familiar with each other’s body. We watch Charis inset a tiny sponge dabbed in an unnamed solution attached to a fine thread into her vagina, the thread just sticking out. Contraception 1915. They both know the ghost of Gabriel hovers over their couplings but neither has the guts to raise the subject.

Nigel Bathe came back from Mesopotamia where he lost both arms in a bomb-throwing training exercise when one went off in his hand. Christ. The casual horror not of war but the incompetent preparations for it.

A recap of how Charis and Felix became lovers i.e. he repeatedly kissed her and wore down her rejections. In the end she’s lonely want wanted comforting. They devised stories about visiting distant relatives as excuses for meeting up in remote inns for weekends of love.

On the train back from Aylesbury to London Felix admits he feels dreadfully guilty. Charis reassures her that they have created their own bubble of love. But inside she is full of remorse and guilt. Humans and their ridiculous emotions. But then this is a novel. A verbal artifice created with the aim of describing extreme or complex emotions, all for our entertainment.

Chapter 14. 11 March 1916, Salaita Hill, British East Africa

Detailed description of the war in Africa. Temple Smith is obviously going to be our eyes and ears for this. On 12 February the Brits launch a headlong assault on Salaita Hill where 600 South Africans are mown down by German machine gunners. A second attempt finds the hill abandoned, the Germans have withdrawn from the town of Taveta to scrub country and two hills beyond General Smuts from South Africa is put in charge of the campaign. A month later, against Smith’s advice, the Brits insist on trying to storm the two hills. He watches the whole sorry fiasco and watches the obstinate stupid British officer in command, Colonel Youell, shot in the neck and quickly bleed to death.

Smith accompanies his body in a field ambulance back to staff HQ, reports to General Pughe who is completely drunk then, in utter disgust, goes into town, gets his mule-handler to saddle up his mule and heads off towards Smithville, his homestead which he hasn’t seen for 18 months.

First of all, there are no Germans there. After a lot of tense creeping towards the farmhouse in expectation of being shot he discovers that every surface in every single room has been covered in human faeces. Then he encounters Saleh, the old chief servant, Saleh shows him that a) the grave of his dead baby daughter has been opened and the bones scattered everywhere (they collect them together and rebury them) and b) the Germans have taken the decorticator – almost as soon as Smith left, according to Saleh. Smith vows revenge against von Bishop. The tone and intemperance of his vow reminded me fleetingly of Morgan Leafy’s tone of permanent rage in Boyd’s novel, ‘A Good Man in Africa’…

Chapter 15. 24 June 1916, Nanda, German East Africa

Back at the German hospital several things have happened to Gabriel. He has recovered enough to be able to walk around freely. The research base had been converted not only into a hospital but a prisoner of war camp. The British officer in charge had conceived a plan for Gabriel to keep infecting his thigh wound with dirt in order to remain an invalid and therefore outside the prison camp and in the hospital. He also suggested that Gabriel help out with basic nursing activities, for example washing German wounded or holding them as they evacuated their dysenteric bowels – because from this privileged position he was able to a) pilfer supplies and b) find out the latest military situation (which is that the Germans are slowly withdrawing along the railway line in face of solid British advances, towards Dar).

But the chapter starts a few weeks after all the British POWs have been evacuated to the coast. There is no military reason why Gabriel should continue malingering. The truth is he’s fallen in lust with Liesl. She doesn’t give a toss about him, is a big, solid, no-nonsense German Frau who goes about her duties with angry efficiency. but a few weeks previously Gabriel, dropping off some of the cigarettes he’s taken to rolling from local tobacco for both of them, glimpsed her stripped naked having her evening shower – and was seized with raw lust. Now he can barely be in her presence without trembling although she, of course, is completely oblivious to his behaviour.

Chapter 16. 25 June 1916, Stackpole Manor, Kent

Charis is finding the affair unbearable. She’s spent 18 months writing letters to Gabriel and never had a reply. She stops and feels dreadfully guilty, so guilty that she has a second wind and writes Gabriel a long letter explaining that she’s been having an affair and why – but not naming Felix as the lover, and posts it to the Ministry of Defence as usual.

As usual, Felix drops by the cottage late that night. He’s taken to doing this, taking Charis’s sexual availability more and more for granted. After their latest midnight sex and Felix has returned to his room, Charis writes Felix a simple note saying she is going away, she has written Gabriel telling him everything.

Except that she didn’t tell Gabriel everything in her letter to him, she didn’t identify Felix as her lover. I predict the discrepancy between the two letters will cause trouble. I predict Felix will think Charis has written to Gabriel about naming him and be stricken with panic.

Chapter 17. 26 June 1916, Stackpole Manor, Kent

Felix opens Charis’s letter at an otherwise typical family breakfast, reads its few lines, jumps to his feet yelling ‘Jesus Christ!’ and runs down to the cottage to find Charis long gone. Turmoil. Panic. He is of course distraught that she’s told Gabriel everything but something in the tone of the note makes him panic think she’s killed herself so her runs to the ornamental fish ponds they spent so much time mooning beside. Notices the big stone bust of the emperor Vitellius is missing. Leaps into the freezing water and discovers her body. She had tied round her neck with twine then tied it multiple times round the bust and chucked it in. She looks peaceful in submarine death, her hair floating calmly round her face. Well, this is a fine pickle!

Chapter 18. 1 July 1916, Sevenoaks, Kent

There’s an inquest. Felix lies his face off and claims to have lost the letter in the frenzy of searching for Charis, maybe in the pond. Everybody believes this except the local doctor who Charis had been doing refugee work with, Dr Venables. Venables asks him for a drink at a bar in a hotel not far from the magistrates’ court in Sevenoaks where the inquest is held. Here he asks Felix point blank if he was having an affair with Charis. It takes all Felix’s self possession to try and appear calm as he pretends to be outraged and deny it. Venables then asks whether Charis was having an affair with anyone else, which Felix says he doubts. Thoughts are rampaging through his head. The calm reader, used to this sort of thing, realises that Charis was probably pregnant.

Part 3. The Ice-Cream War

Chapter 1. 25 January 1917, Dar-es-Salaam, German East Africa

It is six months later. Unsurprisingly Felix has enlisted. Equally unsurprisingly, it’s in a regiment which is fighting in Africa and we now meet him on deck the troop ship as it steams into Dar es Salam harbour. He’s with the Fifth Battalion, the Nigerian Brigade, being cobbled together from African conscripts, not at all fashionable. But it is Africa. He is driven by guilt, the need to do something, out of which slowly formed the idea of a quest to find brother Gabriel.

Anyway, long uncomfortable train journey to a station in the middle of nowhere called Mikesse. He’s collected her by a Scot with an impenetrable accent named Gilzean. Five hours bumpy driving to a camp where he’s informed his regiment are the other side of the river Rufiji. Since the British invaded German East (as it’s known) at Kilimanjaro in the campaign Smith had witnessed the scrappy start of, they had driven the Germans steadily south and across the Rufiji river when the rains came and fighting stopped.

From this camp Felix has to continue riding a mule along muddy tracks alongside porters, sometimes through swamps, eventually reaching the wide Rufiji river, across which he is taken by ferry, then into his regimental camp, outside which porters are burning a huge mound of horses and mules which are killed off in epic numbers by tsetse fly. He’s arrived at the dump named Kibongo.

Chapter 2. 15 April 1917, Kibongo, German East Africa

Three months later it has rained every single day, food has run low because the trails to the river on the north side have been flooded and the ferry has been washed away. Felix and his battalion are stuck on the south side and on emergency rations. They’re all wasting away, reduced to eating the few monkeys they can shoot. Some black troops regularly die from eating the corpses of horses or mules. Wretched. Except for the ongoing comedy of Felix’s inability to understand Gilzean’s impenetrable Scottish accent.

Chapter 3. 15 July 1917, Nanda German East Africa

With Gabriel in Nanda. The Germans are losing the campaign. Gabriel is keeping a secret record of everything he hears. Dr Deppe has been moved on and Gabriel has stopped rubbing dirt in his wound to keep it infected. Deppe’s replacement tries to get Gabriel incarcerated with the new contingent of POWs but Liesl insists he is left free to carry on his medical assistance. Ongoing comedy because Liesl appears to have no idea that Gabriel burns with almost uncontrollable lust for her big full-breasted, thunder-thighed body.

The British have landed at Kilwa south of the mouth of the Rufiji so will be fighting their way towards Nanda. Something about the way the narrator keeps reminding us that Gabriel is keeping a secret record of everything he hears begins to make me suspect it will be found and Gabriel will be arrested and shot as a spy. Will he get to kiss Liesl before then or cup her huge breasts in his shaking hands? Doubt it.

Chapter 4. 19 October 1917, Lindi, German East Africa

The British advance, fighting increases, more Germans are taken prisoner, but it is the fate of Felix’s company to do peaceful duties far from the fighting, building latrines or walls, flattening land for airfields, accompanying supplies to supply depots near the front line etc. Felix gets time off from supervising the digging of latrines to go to HQ at Lindi on the coast to see if he can discover anything about Gabriel. Here he bumps into fat Smith and, in a coincidence, it turns out they’re both looking for Bilderbeck. And in an outrageous coincidence the first (unmarked) door Smith opens is to an office occupied by Reggie Wheech-Browning, his nemesis.

Wheech-Browning is able to inform Smith that von Bishop is still alive or that the British Army has no notification of his death (so Smith can continue his quest to kill him for despoiling his farm) and Felix that no news has been received of Gabriel’s death (so Felix can continue his quest to find him).

He tells them about Bildebeck’s end; he was in a siege of some German troop, went up onto the walls to harangue them every night, and one night snapped and charged the German lines shouting how they were preventing him from ‘finding his girl’, one of the many odd obsessions which made Bilderbeck such unnerving company for Gabriel and everyone else on the ship from India.

Chapter 5. 19 November 1917, Nanda German East Africa

Chapters 5 to 10 take place over the course of 6 days and form one continuous episode, the arrest, escape and trek of Gabriel Cobb.

The German army in German East has been commanded by Paul von Lettow-Vorbeck. Now his HQ has arrived at Nanda which is swollen with staff, soldiers and askaris. Liesl and Gabriel discuss the fact that the British are now only 50 miles away. In a few days, chances are, he’ll be liberated. Gabriel is surprised to discover this makes him unhappy. Here in the hospital, as a glorified orderly, he feels safe and secure. He decides to sneak round the back of Liesl’s bungalow for one last surreptitous look at her nakedness but when he sees it packed with German officers realises his folly.

He is caught, lightly interrogated, found guilty of spying but not shot as I expected. Instead he is locked in an old mealie sack shed for several days. On the first night Liesl comes to see him. She says they’re going to take him with them. He almost cries and begs her help. She comes back the next night with a metal hinge. It takes Gabriel ten minutes to dig a channel under one of the loose wooden walls.

He trembles with lust and fear and panic standing so close to that large body, those trembling breasts. Liesl, apparently still unaware of his feelings, gives him a sack containing food and water and tells him not to try to get through the lines to the British but hide somewhere for a couple of days till the Germans have left, then slip back into Nanda and find her.

Chapter 6. 22 November 1917, Nanda German East Africa

To his vast irritation von Bishop is tasked by Paul von Lettow-Vorbeck, head of the entire East German Army no less, with recovering the escaped prisoner. He says goodbye to Liesl and notices how big and manly she has become. He doesn’t know her any more. He chooses three of the ruga-ruga, natives with filed teeth reputed to be cannibals, and sets off north to find the fugitive.

Chapter 7. 22 November 1917, The Makonde plateau, German East Africa

Day one of Gabriel’s trek north. He is in poor shape generally, worse after three days locked in a shed. It’s hot, the thorn bushes scratch him, his injured leg starts to seize up. Locals in villages he passes notice him, the children throw stones. His plan is to press on across the wide flat plateau till nightfall.

Chapter 8. 22 November 1917, near Nambindinga, German East Africa

Unusually for once Felix’s company is in the vanguard of an advance. Much good it does them as one of his fellow officers, young Loveday with the irritating habit of peppering his conversation with French phrases, is blown in half by a landmine.

Anyway, suddenly arrives Wheech-Browning, that bad penny, ‘that ludicrous bean-pole of a man’, to inform Felix they’ve heard news of Gabriel. Smith was in an advance force which has taken Nanda, discovered the POW camp and some of the soldiers told them Gabriel had been there for years, had been arrested, had escaped just the day before.

Wheech-Browning drives Felix into Nanda, where they come across Smith questioning Liesl who, of course, he met right back at the start of the novel. He wants to know where Bishop is but now, as WB and Felix arrives, informs them of the enormous coincidence that von Bishop (who Smith is after) is chasing Gabriel (who Felix is after).

Felix introduces himself and asks the all-important question: Did his brother ever receive a letter from home? Liesl answers promptly and authoritatively NO, and Felix feels a wonderful sense of sweet relief flood his body. So Gabriel never learned about his affair with Charis. In fact, the reader knows he wouldn’t have in any case, as Charis never mentioned Felix by name. But Felix doesn’t know this.

He needs to go out into the bush to find Gabriel. Smith wants to find Bishop. They both ask WB but the latter says that if, as they claim, it’s a case of security / intelligence well, he’ll jolly well have to come, too. Is there no limit to the man’s irritatingness?

Chapter 9. 24 November 1917, The Makonde plateau, German East Africa

Exciting description of Bishop and the ruga ruga’s pursuit of Cobb across the plateau. They see a fire as dusk falls. They creep up but one trads on a stick, the mule hears and starts hee-hawing, and they see the figure flee. By the time they get there the small base by the fire is deserted, with Cobb’s sack of stuff, bread, a book, abandoned. Bishop sends the three natives to capture Cobb. Why does the book Cobb had belong to von Bishop. Mysteries. He falls asleep, wakes at dawn next morning. After some time the three natives return. One is carrying a sack. As Bishop sits with his rifle, one of them throws severed Cobb’s head into the dirt at his feet.

And that, children, is what you get for peeping at naked women having a shower!

Chapter 10. 25 November 1917, The Makonde plateau, German East Africa

Smith, Felix and Wheech-Browning come across the camp the next day. There’s a small burial mound. Half a mile away a business of vultures and big birds. When they ride over to it they see it’s a body without a head, already half eaten. Going back to the camp they dig into the mound and find Gabriel’s head buried wrapped in a blanket. Felix is convulsed with weeping. Both he and Smith are plain puzzled: who would do a thing like that?

Part 4. After the war

Chapter 1. 15 May 1918, Boma Durio, Portuguese East Africa

Six months later and the German forces have retreated into Portuguese east Africa but are still at large. Felix’s Nigerian regiment is decommissioned, the men sent back to Nigeria, but he wants to stay on and hunt von Bishop, so he takes up Wheech-Browning’s offer of a job in Army Intelligence. But, in the classic style, instead of being anywhere near the fighting he is turned into a supplies officer at a nowhere dump in the middle of rich agricultural land, Boma Durio, where he makes ragged friendships with some of the Portuguese officers

The chapter opens with the arrival of, you’ve guessed it, Intelligence Officer Wheech-Browning. He gets Cobb to give instruction to the Portuguese officers in how to use the (very simple) Stokes mortar. It doesn’t work very well so he goes to pace out the distance and is horrified when he hears the lick and sees a puff of smoke meaning a mortar has been launched. He yells at the Portuguese captain who’s accompanied him to run but the mortar detonates, ripping his clothes off, covering him in bruises and cuts. Dazed he staggers to the crater and realises it was a direct hit on Captain Pintao who has been vaporised.

Then appears Wheech-Browning who apologises profusely and explains that he had the lanyard in his hand when he sneezed. Terribly sorry, old chap. Wheech-Browning, his rise and rise, might, in a funny sort of way, be emerging as the central subject of the entire novel.

Chapter 2. 13 November 1918, Kasama, Rhodesia

Von Bishop is still with the German army commanded by Paul von Lettow-Vorbeck. After going south into Portuguese, capturing supplies, they’d doubled back north into the German colony then headed west into Rhodesia which is where they now are, having captured a town full of provisions.

Many men and some of the officers are coming down with and quickly dying from the Spanish flu. Von Bishop is still haunted by the horrible killing of Cobb on the plateau. The ruga ruga spoke no English and he didn’t speak their language. They did what they thought would please him (like Pharaoh beheading Pompey for Caesar). Next night the three natives disappeared, leaving von Bishop to rendezvous with von Lettow-Vorbeck’s main force at the river crossing into the Portuguese colony. He lied that they found Cobb’s body dead from exposure and buried it.

Von Bishop is strolling round town when a motorbike courier arrives. He is British so von Bishop informs him he is arrested while the courier gets out his case and hands von Bishop a note announcing that the war is over and hostilities have ceased. At last, he thinks, with huge relief.

Chapter 3. 2 December 1918, Nairobi, British East Africa

Felix is recuperating at a convalescent home for officers in Nairobi. He’s just received a letter from his mother telling him his father has been sent to a sanatorium, and that his friend Holland recently telephoned from Russia to announce that he’s joined a revolution there. Turns out Felix was hit in the occiput by shrapnel from the mortar and it badly affected his sight, which was fragmented but has, mercifully, almost completely recovered as the wound healed. He regrets not writing earlier to inform them of Gabriel’s death.

He had been reading a newspaper when the letter arrived. It had an account of the final surrender of Paul von Lettow-Vorbeck and his vexatious German Army. They had all been transported to Dar. It listed the 30 or so officers and included von Bishop’s name. At that moment Felix conceived a plan. He was going to travel to Dar, find von Bishop and shoot him dead in revenge for the gruesome murder of his brother.

Chapter 4. 5 December 1918, Dar-es-Salaam, German East Africa

Description of how von Bishop, along with the other captured officers, surrendered at Abicorn, were shipped up Lake Tanganyika to the port of Kigama and then the long train journey to the coast. Here they are greeted as heroes by the German community and von Bishop is reunited with Liesl who, he immediately notices, has lost a lot of weight, is back to the slim figure she had when he saw her off to Europe in 1913. They go to the small bungalow she is being allowed as a German civilian. The maid gets him a beer and almost immediately Liesl asks what happened to Gabriel.

Von Bishop tells the prepared lie, that he found Gabriel dead of exposure. Liesl apparently believes him. For a second she was going to say something – ‘Erich, I…’ – probably going to admit that she helped Gabriel escape, but Erich doesn’t want to hear it and talks over her. Liesl changes tack and goes on to say that she recognises one of the British men who came after von Bishop, saw him here in Dar just the day before. We know she’s referring to Felix.

Chapter 5. 9 December 1918, Dar-es-Salaam, German East Africa

The climax of the book. A few nights later Felix sneaks up on the bungalow now inhabited by von Bishop and his wife. He is full of confused moral contradictions like human beings so often are, at least in fictions. He has a great big service revolver. He climbs noisily in through an open window and sees a prone body on the bed and whispers, then pokes, then shouts at the unresponsive German. The door opens a light goes on and von Bishop’s wife tells him Erich is dead. Died three hours ago of Spanish flu.

Felix improvises an excuse for being there, something about wanting to talk to him about his brother’s death. He asks Liesl if Erich told her how Gabriel died and she says ‘Yes’ in a calm manner, so calm that Felix instantly realises she knows nothing about the beheading. Erich must have lied to her. She is ignorant. On the spot, he decides not to tell her. It doesn’t matter any more. Why carry on spreading suffering?

Epilogue

Epilogue. 3 January 1919, Mombasa, British East Africa

Felix and Temple Smith have met up and review the whole story. They’re on the quayside at Mombasa as Felix prepares to get his boat back to England.

Both smile wryly at the flu beating them to the revenge they wanted to wreak on von Bishop. The narrative ends on a comic note for while Felix is still puzzled by Liesl’s complete indifference to her husband’s death, Smith is vexed about the disappearance of his precious decorticator. He’s scoured the farms of the entire region round his homestead and never found it.

They wave him off as he gets the small lighter out to the steamer and he mounts to the railings. Then the decorative canon onshore fire a salute to a battalion of Indian troops preparing to embark on a steamer. The loud noise triggers Felix’s optical problem, the result of the mortar injury, his sight becomes fragmentary and patchy, the sea and sky, the land and the people on it, all reduced to jagged fragments.

Thoughts

English scenes

Of the 18 chapters in the section titled ‘The War’, no fewer than seven are set in England and feature Felix Cobb. Of the total 40 chapters, 10 are set in Britain (or Trouville). My point is there’s a lot of scenes and events set in England for a book supposedly about the war in Africa. Not complaining or criticising, just pointing out that a lot of these scenes are as – if not more – effective than the African ones. I felt I got to know Charis, Felix and Holland better than most of the African characters.

Conveying information

Giles Foden has written five novels set in Africa, each incorporating large chunks of history, including one set in the same region of East Africa during the Great War (‘Mimi and Toutou Go Forth’). So I’m able to do a direct comparison and say Boyd is much better at integrating lots of factual backstory with a complex plot. In Foden it feels like the plot stops while a character clumsily invokes the historical facts. In Boyd the third person narrator tells us everything we need to know then smoothly goes on with the plot. Boyd is a much smoother, more accomplished writer in this technical sense of arranging his plot and integrating factual material. His prose is also much more smooth and finished and not odd and cranky as Foden’s is. He also has a continual dry sense of humour which peeks out at all kinds of moments, unlike Foden who is heavy and humourless throughout. When Foden tries to be amusing, as in ‘Mimi and Toutou Go Forth’, it’s like watching Gordon Brown try to tell a humorous anecdote i.e. you feel embarrassed for him.

Comic coincidences

Stories need coincidence of a kind which don’t happen in real life: old lovers bumping into each other etc. In Foden’s stories the coincidences are unbelievable because he takes them, like everything else, with deadly seriousness. Boyd has a lovely sense of humour which helps you accept his coincidences. Thus, Smith’s life is bedevilled by a tall officious British officer named Wheech-Browning but the way they keep bumping into each other, instead of undermining the story (as it does in Foden), because Boyd plays it for dry laughs, somehow the comedy takes the edge off the improbability and laughs you into believing it. It has (it occurs to me) the same kind of comedy of coincidences Waugh deploys so well in his novels, with the same scapegraces popping up in unlikely places.

Influences and echoes

Isn’t there a scene in D.H. Lawrence where posh people die in the pond of their big posh house? I remember it from the movie version of ‘Women in Love’. The memory of this made me think of the English scenes as a kind of nexus of tropes from Lawrence (for the passion), Huxley (for the social comedy) and Waugh (for the withering satire). Boyd is a very good, very entertaining writer, but maybe the reason he’s never had a breakthrough work and never become a really big name is because what he’s good at is refreshing existing tropes and memes: the comedy of ‘A Good Man in Africa’ contained multiple echoes of English farceurs from Kingsley Amis to Tom Sharpe. I’ve mentioned the English writers who the English scenes in this book bring to mind. Even the war scenes, in their ridiculous futility, remind me of Evelyn Waugh’s (surprisingly numerous) war scenes.

So he’s a very good, very entertaining writer, full of echoes.


Credit

An Ice-Cream War by William Boyd was first published by Hamish Hamilton in 1982. References are to the 1983 Penguin paperback edition.

William Boyd reviews

  • A Good Man in Africa (1981)
  • An Ice-Cream War (1982)

Africa reviews