Putin’s Wars: from Chechnya to Ukraine by Mark Galeotti (2022)

This is a very military history. Seeing as it also covers the decade before Vladimir Putin came to power, and that it is very focused on the minutiae of the Russian Army, Navy and Air Force, as well as details of the various reforms and reorganisations they have undergone during the Putin years, the book could more accurately have been titled ‘A History of The Russian Army, Navy and Air Force, 1990 to 2022’.

Military units

Here’s an example of what I mean by military minutiae. This is Galeotti’s description of the Russian army’s invasion of Chechnya:

From the north Major General Konstantin Pulikovsky led a mechanised force drawn from the 81st and 276th Motor Rifle regiments and a battalion of the 131st Independent Motor Rifle Brigade. From the west Major General Valery Petruk led elements of the 19th Motor Rifle Division supported by two regiments and two battalions of paratroopers along the railway tracks to seize the central station and then advance on the presidential palace. From the east, the 129th Motor Rifle Regiment and a battalion each of the 98th and 104th Airborne Divisions under Lieutenant Colonel Nikolai Staskov would make a similar thrust along the railway line to Lenin Square in the heart of the city and from there take the bridges across the Sunzha river. From the north-east, Rokhlin himself would lead elements of the 255th and 33rd Motor Rifle Regiments and the 66th Reconnaissance Battalion of the 20th Motor Rifle Division to take the Central Hospital complex, while units of the 76th and 106th Airborne Division would secure the Lenin and Sheripov oil processing factories and chemical works to prevent the rebels from destroying these crucial economic assets. (p.61)

The accounts of all the wars feature lots of paragraphs like this, precise accounts of which units under which commanders went where and how they fared in the fighting.

There’s also a lot of analysis of organisational and administrative reforms from between the wars, as Galeotti gives detailed accounts of the attempts of successive Russian defence ministers, most notably Anatoly Serdyukov and then Sergei Shogai, to reform the Russian army against opposition and inertia from the military high command.

Hence the chapter titled ‘New Look Army’ (pages 142 to 152), which gives us detail of how the Defence Minister and head of the general staff implemented the 2010 plan for a new-look Russian army, half the size of its predecessor but better equipped and better trained, with better retention of conscripts, fewer but better quality senior officers.

Galeotti explains, with maps, the reorganisation of the army into half a dozen military districts, gives a detailed breakdown of what a new-look motorised rifle brigade consisted of (3,800 officers and men) plus a list of all its components (including 1 nuclear, biological and chemical company) and so on. And a similar level of description of the new-look air force and navy, followed by an organogram showing the chain of military command starting with the president and working down.

And then the last 90 or so pages of the original edition of this book (before he added a new chapter about the Ukraine War), pages 229 to 310, present a very detailed review of the current state of all Russia’s fighting forces, army, navy and air forces, along with special forces, paratroopers and black berets, nuclear weapons and so on, as of the time of writing (April 2022).

In this long final section the book turns into a version of ‘Janes Fighting Ships’ only about all aspects of the Russian fighting machine, giving mind-numbing details of the speed, size, range, design and latest versions of a wide range of military kit, from machine guns (the AK12 to replace the ageing AK74) to its sole aircraft carrier (the Admiral Kuznetsov), along with equally excessive detail of each service’s organisational structure, divisions, brigades and so on and so on. Take the opening of the Spetsnaz section:

The Spetsnaz comprise seven regular brigades of various sizes, in total constituting perhaps 19 battalion-size units called Independent Special Designation Detachments (OOSN) each with around 500 personnel. The relatively small 22nd Brigade has just two OOSN, the 173rd and 411th, for example, while the large 14th Brigade… (p.292)

And so very much on, for page after page after page of excruciating detail.

I was looking for a book about the geopolitics of Putin’s Wars and that’s certainly here, attached to his fairly brisk accounts of each conflict, and when he summarises it, Galeotti is very good. But his accounts of the political background to each conflict, and even the wars themselves, take second place to his forensic analysis of Russian fighting forces and how they have changed and evolved since 1990.

Military biographies

As for the key political and military players, as the book trundled on I realised Galeotti was devoting quite a lot of time to them. All the key players in the 30-year period of the Russian army which he covers are given potted biographies. Putin is the most obvious one, along with sometime prime minister Dmitry Medvedev, but all the defence ministers, the key generals in each of the wars, and the leaders of the respective nationalist or independence uprisings, all are given a half-page potted biography (for example, the extended profile of key defence minister Sergei Shogai on pages 155 to 159).

Slowly this builds up into a sort of indirect social history, because all of them grew up in the ’60s, ’70s or ’80s, their life stories include snapshots of their lives and careers during the late Cold War, the Afghan War, the chaos of the Yeltsin years and so on. It isn’t a collective biography but, taken together, the many individual biographies begin to sketch out a network of real lives, and so start to give a feel for the institutional life of the last years of the Soviet Union.

The 1990s

For Russia the 1990s were a decade of chaos at home and humiliating conflicts abroad. The army almost fell apart amid the chaos following the end of the Soviet Union and economic collapse: stories of soldiers reduced to begging in the streets and even dying of malnutrition. In February 1991 the Warsaw Pact, which had been the West’s bogeyman since its inception in 1955, was formally disbanded.

Prime example of the chaos was how nationalist President Boris Yeltsin inherited a Duma packed with communists who blocked his every move, the standoff escalating to a crisis in October 1994 when pro-communist crowds seized TV channels and the Duma building, which prompted Yeltsin, on 4 October 1993, to send in the army who shelled their own parliament building, starting a fire which ended up gutting it. Like some chaotic Third World country.

Putin was manoeuvred into power by the KGB and other forces who wanted social and political stability after a decade of chaos under Yeltsin. As you’d expect, there are pages detailing Putin’s non-descript career, how he came over as loyal, reliable and dependable to a series of powerful men, until shadowy forces in the KGB and military helped broker the deal whereby Putin was nominated by Yeltsin to be his successor as president, on condition that he passed an act of immunity freeing Yeltsin from prosecution for his umpteen acts of corruption. Putin was made president in December 1999 and his first act was to pass this immunity law for drunk Boris.

All this Russian drunkenness, chaos and corruption is amusing to read about but the point that matters is that Putin came to power determined to restore Russia’s status as a superpower. He and his sponsors wanted to Make Russia Great Again (p.169).

‘Near abroad’

Putin wants to restore the territory lost to Russia when all the other Soviet states declared independence. Galeotti quotes a Russian defence minister in 1995 talking about ‘Near abroad’, meaning the countries and territories adjacent to Russia which it dominated for over a century through its Tsarist empire, and then bossed around through the Soviet era. It’s a well enough known phrase for Wikipedia to have an article on it, defining Russia’s ‘near abroad’ as ‘the post-Soviet states (other than Russia itself) which became independent after the dissolution of the Soviet Union.’

This concept overlaps with the nationalist notion of a Greater Russia which transcends modern borders to include all the old Tsarist territories. Both of them justify Russia interfering in, invading and taking control of their neighbours.

Reuniting the Russian people

During the Soviet Union entire populations were moved around the different republics with little concern for the consequences. It didn’t matter in the borderless USSR but it became very important when all the former Soviet Republics became independent states. At a stroke no fewer than 20 million Russians found themselves stuck in ‘foreign’ countries. To put it another way, all the countries bordering Russia contain Russian minorities, sometimes quite sizeable minorities.

The most obvious examples are the large Russian-speaking communities in the Crimea and in Eastern Ukraine which gave Putin the excuse for invading both of them in 2014 but there are also vocal Russian minorities in, for example, all three Balkan states. At any moment Putin might stir them into protests and then use these protests as a pretext for invading, pretty much as Hitler invaded the Sudetenland in 1938, to reunite its protesting Germans with the Fatherland. Which is why the leaders of the Baltic states are so worried.

So Putin 1) believes Russia has total command over its sphere of influence which can be defined as 2) Greater Russia, Russia at its greatest extent under the empire and also, maybe, the Soviet Union, and 3) wants to liberate these Russian communities now in foreign countries and reunite them with the Holy Motherland.

Russian irredentism

Yet another way of describing the same thing is the term Russian irredentism:

Russian irredentism refers to territorial claims made by the Russian Federation to regions that were historically part of the Russian Empire and the Soviet Union, which Russian nationalists regard as part of the ‘Russian world’. It seeks to create a Greater Russia by politically incorporating ethnic Russians and Russian speakers living in territories bordering Russia. This ideology has been significantly defined by the regime of Vladimir Putin, who has governed the country since 1999. It is linked to Russian neo-imperialism.

Insofar as all the old republics of the Soviet Union are now independent nation states, the Putin Doctrine represents a permanent threat to peace in Europe.

Comparison with Hitler

In many ways it’s like the situation of the German people after World War One. When the victorious Allies imposed the punitive Treaty of Versailles on defeated Germany they redrew the map of Europe so that no fewer than seven million Germans found themselves stuck in countries outside Germany. This was partly what Hitler was about with his popular promise to reunite all ethnic Germans in an expanded Fatherland. This, for example – its large German population – was why Hitler demanded the area known as the Sudetenland back from the state of Czechoslovakia, a nation which was only created by the Treaty of Versailles and which Hitler refused to recognise as a real country.

Putin is very close to Hitler’s way of thinking. He, Medvedev, foreign secretary Sergei Lavrov, members of his political party (United Russia), commentators and intellectuals, have all been lined up to claim that Ukraine simply isn’t a country, it has no claim to be a nation state. It was, is and always will be part of Greater Russia.

In his 2021 essay ‘On the Historical Unity of Russians and Ukrainians’, Putin referred to Russians, Ukrainians and Belarusians as ‘one people’ making up a triune Russian nation. He maintained that large parts of Ukraine are historical Russian lands and claimed there is ‘no historical basis’ for the ‘idea of Ukrainian people as a nation separate from the Russians’.

It would be one thing if this was just the view of a particular clique or party but in fact these nationalist, neo-imperial views are very popular across Russia. That’s the real worry. That even if Putin and his entire clique were vaporised it wouldn’t change the fundamental neo-imperial irredentist mindset of the entire Russian ruling class and a large part of its population. Russia is committed to being a source of instability and conflict in Eastern Europe for the foreseeable future…

Russian paranoia

To which we must add Russian paranoia. The whole premise of the Russian forces in all services, of Russian military doctrine, of the vast amount spent on arms and men, is that everyone wants to attack and destroy Russia. All Russian officials toe the Putin line that Russia is permanently under serious threat. Former head of the FSB, Nikolai Patrusheve, is on the record as saying the United States ‘would very much like Russia not to exist as a country’ (quoted p.312). As Galeotti puts it:

We can never underestimate the paranoias and resentments of Putin and his circle… (p.307)

Paranoia is defined on Wikipedia as:

an instinct or thought process that is believed to be heavily influenced by anxiety, suspicion, or fear, often to the point of delusion and irrationality. Paranoid thinking typically includes persecutory beliefs, or beliefs of conspiracy concerning a perceived threat towards oneself i.e. ‘Everyone is out to get me’.

If it’s a mental illness or psychiatric condition then the entire Russian military-political establishment is mentally ill.

Weakness of the Russian army

However, when he came to power Putin faced a simple challenge which was the army left to the Russian Federation after the collapse of the USSR was in very poor shape and this book is very largely about the efforts of his successive defence ministers, and hand-picked senior military staff, to reform and improve it.

Early on Galeotti mentions all kinds of reasons for the Russian army’s weakness. Obvious ones were chaos, mismanagement and universal corruption. The tradition of building a mass army of over a million using reluctant conscripts. The way the conscripts were signed up in two waves, in the spring and autumn, ensured lack of overlap and consistency. Galeotti also says the Russian army has a long-standing problem because it lacks the rank of non-commissioned officer that the British army has, the rank of men who’ve risen from private, command the trust of and speak the language of the ordinary soldiers, can convert officers’ orders into do-able actions.

Another problem was the Russian army has a centuries-old tradition of hazing, dedovshchina or ‘grandfathering’. Like everything Russian this is the legitimisation of brutal bullying designed to turn raw recruits into ‘men’. But, as well as regularly actually killing them, it of course does nothing of the sort, turns no-one into ‘men, it just brutalises them, preparing them to rape, pillage and torture whatever foreign population is unlucky enough to be occupied by them.

Then there was the vast problem of out-of-date equipment. Galeotti has passages throughout the book detailing the shortcomings of all kinds of Russian military kit, from tanks to body armour. The lack of reliable radios and communications led to friendly fire incidents in all the wars he describes. Half the Russian planes and helicopters shot down in the short Georgian war (7 to 12 August 2008) were shot down by their own side.

Hence the central thread which the book comes back to again and again, which was the efforts of successive defence ministers to reform the army, navy and air force at all levels, in all ways. Maybe the book should have been titled ‘The Reform of the Russian Army 1990 to 2022′.

Bad advice

I was amused that Yeltsin was encouraged to embark on the First Chechen War (11 December 1994 to 31 August 1996) by his advisers and Minister of Defence, who assured him they would take Grozny and pacify the country in a matter of weeks, that it would be a ‘bloodless blitzkrieg’ (p.56). The Russian attack began in November 1994 and was dogged by failure of every kind – ‘The plan was doomed from the start’.

Compare and contrast the over-optimistic advice given to George W. Bush about the invasion of Iraq, ‘they’ll be welcoming us with open arms and throwing flowers’ etc.

Compare and contrast Britain’s defence staff telling Tony Blair they could easily cope with policing Basra and sending troops to Helmand Province in Afghanistan, no problem.

Compare and contrast the Russian military establishment assuring Putin they could invade Ukraine, overthrow the government and elect a Russia-friendly administration within a week.

These military advisers, eh? Maybe the beginning of wisdom is never trust anything your military advisers tell you.

The First Chechen war (December 1994 to August 1996)

The First Chechen War was a disaster for the Russian army. It has been outsmarted and outfought, even losing cities to a ramshackle guerrilla army. All the inefficiencies, brutality and corruption of the army had been put on public display. (p.67)

The Second Chechen War (August 1999 to April 2000)

This time the Russians had a better plan and knew to advance slowly, pacifying and securing territory as they went, rather than the strategy in the first was which was to race to the capital Grozny leaving all the territory outside under the control of insurgents.

The Russo-Georgian War (August 2008 Russo-Georgian War)

The underwhelming performance of the military in Georgia… (p.88)

In 2008 when mighty Russia took on tiny Georgia, more than a quarter of all the armoured vehicles deployed simply broke down before they even reached the battlefield. (p.239)

It only lasted a week but, according to Galeotti, it was a war of blunders, including the bombing of abandoned airfields, officers lost to friendly fire and advances halted by broken-down vehicles (p.120). From his point of view – concerned with the issue of military reform – this little offensive was important because it gave Shogai and Putin the ammunition they needed to push through their sweeping reforms against resistance from the Army staff.

Annexing Crimea

Crimea had been part of the Russian empire for centuries and only (rashly) given by Nikita Khrushchev to the Ukraine Soviet Republic in 1954. So it was a prime example of the Greater Russia argument, the argument that, at the chaotic collapse of the Soviet Union, many territories which had for centuries been part of Russia were abruptly included in what were suddenly newly independent nations, often against the wishes of their Russian minorities.

Thus Ukrainians in western Ukraine were thrilled when their popular Euromaidan uprising led to the overthrow of Russia-leaning president Viktor Yanukovych and the establishment of a western-friendly government, but the large Russian minority in Crimea was genuinely scared, especially when the Kiev government indicated that they were going to remove Russian as an official language, remove Russian street signs etc. All this played into Putin’s master narrative:

In his 2021 essay ‘On the Historical Unity of Russians and Ukrainians’, Putin referred to Russians, Ukrainians and Belarusians as ‘one people’ making up a triune Russian nation. He maintained that large parts of Ukraine are historical Russian lands and claimed there is ‘no historical basis’ for the ‘idea of Ukrainian people as a nation separate from the Russians’.

Reading Galeotti’s account of the annexation of Crimea, what’s impressive was the lack of violence and Russian brutality. Russia infiltrated special units (Galeotti, of course, gives minute detail of just what units, led by which commanders, were deployed where) to all the key command points before the Ukraine high command had cottoned on to what was happening.

Crimea was an extraordinary military success. (p.178)

Local support

A key point is that a lot of Crimeans are ethnic Russians and genuinely welcomed the annexation. Putin organised a quick referendum and claimed 97% of the population approved the annexation (p.177). Do they think the rest of the world is stupid? Or are they so trapped inside their chauvinist box that they think Soviet-era electoral fictions are viable? Maybe both. They might as well have claimed 200% of the electorate wanted reunification with Russia. This kind of thing brings down derision and contempt on the Putin administration but they don’t see it.

And all along, as Galeotti points out, it isn’t necessary. If they had held a free and fair referendum, chances are the pro-Russian vote would still have won. But the Russian political elite has no concept of what democracy is and how to use it. The heirs to 250 years of Mongol khans and 400 years of tsars and 75 years of communist totalitarianism, the Russian elite literally knows no other way of ruling except via top-down diktats.

Comparison of Russian nationalism and Islamism

A key point, and a running thread through the book, is that in all these conflicts – Chechnya, Georgia, Moldova, Ukraine – the situation was made messy and confusing by the involvement of local militias. Chechnya is fascinating because some of the forces fighting the Russians were straight nationalists but, given the era and the proximity to Afghanistan, many of them were Islamic groups fighting for something else entirely, for the creation of an Islamic Caliphate in the Caucasus.

In a sense this kind of Islamic ideology and Russia’s chauvinism have a lot in common in that 1) they both inspire a kind of messianic intensity of belief and, 2) on a more practical level, that they don’t believe in borders. Greater Russia chauvinism flies free of accepted borders, borders are the enemy, keeping good Russians trapped in foreign countries created by an alien settlement somehow engineered by the perfidious West. Russia will only be great when these invalid nation states are swept away and the borders redrawn to include all true Russians in the genuine Greater Russia.

Identically the same with Islamist ideology, which believes all the borders and nation states of the Middle East were created by Western imperialists and the region will only be strong and pure when all believers are united in the restored caliphate, free of the trappings of the imperial West.

It’s a match made in heaven.

The role of militias in near Russian countries

To come back to the role of local militias, something which makes all the Russia wars feel very distinctive is that they were and are fought in places which are already riven by ethnic and tribal and cultural division. To read about Chechnya and Georgia is to be impressed by how fissile those ‘nations’ already were. The authorities in Georgia’s capital, Tbilisi, had only nominal control over the entire region of South Ossetia which was packed with pro-Russian separatists or, over to the west, on the Black sea coast, with the region of Abkhazia, ditto.

These are ‘countries’ which 1) already featured a large pro-Russian community and 2) were and are characterised by a high level of clan and tribal attachment which converts into tribal politicians, tribe-based mafias and, by an easy extension, clan-based militias.

The complicated role played by local militias in very clan-based, feuding societies is a central feature of all these conflicts.

Donbas and beyond

And continued in the Ukraine. For even as he was infiltrating his troops into Crimea for what proved to be a surprisingly bloodless annexation (February 2014), Putin was also encouraging local pro-Russian militias in eastern Ukraine.

The fascinating aspect of Galeotti’s account is how the conflict in the Donbas region of eastern Ukraine began spontaneously, with coalitions of independence politicians, activists, and rag-tag militias taking on the Ukrainian authorities. It certainly wasn’t a carefully planned operation like the annexation of Crimea, the opposite, and for some time the Kremlin didn’t know how to react. To begin with they began to siphon military hardware to the more successful pro-Russian militias, followed, after some months, by military advisers.

Galeotti says that in these early phases the aim was to warn the new pro-western regime in Kiev of the consequences of allying with the West, no more. However, as the Ukraine army got its act together and, working with pro-government militias, began to drive the pro-Russia forces East, the Kremlin had to decide whether to acquiesce in their defeat or escalate. They chose to escalate and sent in regular Russian troops, breaching the sovereignty of a European nation (p.187).

Galeotti describes the two ceasefire treaties, Minsk 1 and Minsk 2, their predictable failure, and the settling down of the problem into a permanent low-level conflict. It reminded me of some of the civil wars I’ve read about in Africa, contested borders, governments relying on local militias, all sides using exemplary violence i.e. carrying out atrocities on unarmed civilians designed to warn other villages and towns to surrender without a fight.

As 2014 turned into 2015 and 2016 the Ukrainians reformed and reinforced their army with a huge recruitment drive, better training, new kit. They drove the rebels back but could never win because whenever they looked close to victory, the Russians deployed a regiment to block them.

So the pattern was one of on-off ceasefires, trench warfare, sporadic local fighting, mutual sniping and shelling, and equally mutual recrimination, until 2022 when Putin decided that it was time to break the stalemate. (p.191)

Syria, the unexpected intervention

We in the West think the Arab Spring was a spontaneous uprising of oppressed peoples across the Middle East to overthrow their corrupt old rulers. See my review of:

From the paranoid perspective of the Kremlin, though, it looked a lot like the uprisings were the work of a West systematically getting rid of traditional Soviet allies (Gaddafi, Saddam, Bashar al-Assad). At the UN, Russia acquiesced in the West’s bombing of Libyan forces but felt betrayed when this led not to a ceasefire but to the overthrow of Gaddafi. All of this, of course, was in light of America’s overthrow of Saddam Hussein in 2003 which led not to a pleasant democracy but the collapse of the Iraqi state and chaos within and beyond its borders.

So Russia had at least three reasons for stepping in to prop up the Assad regime:

  1. the Assad family had been a friend and ally in the region: why not make him really indebted to you by saving his skin?
  2. as a message to America that Russia, too, could throw its weight around / be a regional force in the Middle East
  3. genuine concern that if Assad, too, fell, the whole Syria-Iraq strip of territory would fall to ISIS or other Islamist groups, which Russia has genuine cause to fear

Regarding ISIS, see my review of:

Regarding the international aspects of the Syrian civil war, see my review of:

The events of the Syrian civil war are complicated. But for Russia its intervention was surprisingly successful. It showed itself and the West that it could project its power significantly beyond its borders. It saved an old ally, thus bolstering its credibility. It served as a useful blooding ground for large parts of the Russian army, navy and air force, which were rotated through the theatre. It allowed the military to road test new technology, especially new drones, and to road test new doctrines and strategies for different situations and types of engagement.

It also marked the high point and maybe eclipse of the Wagner group of mercenaries, who were vital in holding the line during some attacks alongside the prone-to-run-away Syrian army, but also taught the Russian high command to keep them in their place.

Invasion of Ukraine

The 2022 invasion of Ukraine and the poor performance of Russia’s troops… (p.89)

Requires a post of its own…

List of post-Soviet conflicts Russia has been involved in

  • Transnistria war – November 1990 to July 1992
  • First Chechen war – December 1994 to August 1996
  • Tajikistan civil war – May 1992 to June 1997
  • Yugoslavia – 1992 to 1995 Russian forces were part of the UN peacekeeping force
  • Second Chechen War – August 1999 to April 2009
  • Russo-Georgian War – 7 to 12 August 2008
  • Russian forces joined international anti-pirate patrols off the coast of Somalia
  • Annexation of Crimea – February 2014
  • Start of Donbas war – February 2014
  • Syrian civil war – from 2015 Russian forces supported the Assad government
  • Second Nagorno-Karabakh War – 27 September to 10 November 2020 –Russia sent peacekeeping force in 2021
  • Invasion of Ukraine – 20 February 2014 to the present

Table of contents

For your information, here is a straight copy of the book’s table of contents, from which you can see its comprehensive scope and level of detail:

1. Before Putin

  1. Born in chaos
    • The Soviet Disunion
    • The August coup
    • Boris Yeltsin: the man without a plan
  2. A military in crisis
    • An army gone bad
    • Nukes for sale?
    • Bringing the boys back home
    • Empty dreams
    • ‘Pasha Mercedes’
  3. The first Chechen war
    • Resistance and resentment
    • High hopes, quick defeats
    • The plan
    • Taking Grozny…
    • … and losing Grozny again
  4. The wars of Russian assertion
    • Moldova’s post-Soviet hangover
    • Central Asia: the Tajikistan contingent
    • Balkan dash

2. Enter Putin

  1. Putin’s priorities
    • Who is Vladimir Putin?
    • Putin in charge
    • Putin’s ministers
  2. The second Chechen war
    • Round two
    • Retaking Grozny
    • Operation Wolf Hunt
    • The creation of ‘Kadyrovstan’
    • Lessons learned
  3. Ivanov, the Initiator
    • My name’s Ivanov, Sergei Ivanov
    • The spy and generals
    • Ivanov’s reforms
    • Size does matter
  4. Sedyukov, the Enforcer
    • Enter the taxman
    • Serdyukov’s purge
    • And enter Makarov
    • The Georgian excuse
  5. Georgia 2008: Tblisi’s move…
    • Harbingers
    • Provoking a war
    • The Georgian advance
    • The battle for Tskhinvali
    • The Russian advance
  6. Georgia 2008: …Moscow’s counter
    • The tide turns
    • The Abkhaz front
    • The audit
    • Did anything work well?
  7. ‘New Look’ army
    • Command and control: unified battle management
    • The ground forces: divisions to brigade
    • The air forces: rationalised
    • The navy: integrated at last
    • The airborne: survival

3. The New Cold War

  • Shoigu, the Rebuilder
    • Who is Sergei Shoigu?
    • ‘A servant to the tsar, a father to the soldiers’
    • General Gerasimov
    • Rearmament and recruitment
    • Ready for action
  • Crimea, 2014
    • Russia and Ukraine
    • ‘Returning Crimea to Russia’
    • Taking Crimea
    • Enter the ‘little green men’
    • ‘Crimea is ours’
    • An audit of the operation
  • Donbas, 2014-
    • Strelkov’s spark
    • A war of irregulars
    • The ‘Northern wind’
    • The fixing of the conflict
    • Stalemate
  • Lessons of the Donbas war
    • Command and control in a proxy war is hard
    • Information warfare is a powerful force multiplier
    • Implausible deniability has its place
    • Drones are the next big thing
  • Syria 2015 (1): the unexpected intervention
    • A long, bloody war
    • A friend in need
    • Heading to Hmeymin
    • Hmeymin’s hammer
    • Turning the tide
    • Victory of sorts
  • Syria 2015 (2); lessons of the Syrian campaign
    • Airpower is not (usually) enough
    • Mercenaries have their place, but need to know it
    • Brutality can work, but hearts and minds matter, too
    • Frenemies can find themselves in battle
    • A nice little war is good for business

4. Rearming Russia

  1. Rumble for ruble
    • When comparisons fail
    • ‘Let us starve, but let us export’
    • The metal-eaters
    • Buyer beware
    • Modernising the military
  2. Armiya Rossii
    • The battalion tactical group
    • The return of the division
    • Heavy metal
    • Specialised forces for specialised operations
    • Logistics
    • Capabilities
  3. The sky is Russia’s!
    • Always in transition
    • The aerospace forces
    • Defence of the motherland
    • Fist of the motherland
    • Heavy lift
    • Drones
  4. Contesting the sea
    • Never a naval power
    • Rusted, rebuilt
    • Organisation
  5. Power projection: blue and black berets
    • ‘Nobody but us’
    • By parachute, plane or track
    • The black berets
    • ‘Black Devils’
    • ‘Where we are, there is victory!’
    • Underwater sentinels
  6. The Spetsnaz
    • Special people, for special tasks
    • Tip of the spear
    • Putin’s Spetsnaz
    • The special operations command
  7. The nuclear backstop
    • Post-Soviet armageddon
    • Rail, road and tube
    • Under the waves
    • Strategic aviation
    • Modernisation and magic
    • Why nukes matter so much [they bolster Russia’s sense of itself as still a superpower]

5. The Future

  1. Political warfare
    • The rise of the spooks
    • Hybrid, ambiguous, non-linear, political
    • Outsourced warfighters [the Wagner group]
    • Information warfare
  2. New generation warfare
    • Small wars
    • Limited deployments
    • Big wars
    • Escalation, de-escalation and lesser apocalypses
  3. The challenges of the future
    • The Western flank
    • … And the turbulent South Caucasus, too
    • Central Asia: instability and jihad
    • China, the great frenemy
  4. Ukraine 2022: Putin’s last war?
    • Not the generals’ war
    • A police action, not a war
    • From Kyiv to the Donbas
    • How hubris destroyed a military
    • Deadlock
  5. Conclusions: the Eurasian Sparta?
    • A nation under arms?
    • The military myth
    • The security state?
    • A weak hand played well
    • After Putin?
  6. Ukraine 2023: a dispatch on a war in progress
    • The paradox of reform
    • War Putinism
    • The mutiny
    • The war in Russia
    • The imagination race
    • Prospects

General conclusions

The whole spectacle confirms my strong feeling that human beings simply cannot govern themselves. The naive expect humanity to take some kind of concerted action against climate change. Really? With people like this in charge?

Are modern wars doomed to failure?

Are modern wars winnable? When was the last time either Russia or America actually won a war?

For the Russians – Afghanistan, Chechnya, Georgia, Yugoslavia, Syria, Ukraine.

For the Americans – Vietnam, Afghanistan, Iraq.

Russian lies

I watched the BBC TV series ‘Putin and the West’ in which French president Francoise Hollande and British Prime Minister David Cameron baldly stated that Putin is a liar. Hollande said not only is Putin a liar but his entire approach to diplomacy is to lie, his strategy is based on lying about everything.

The Russians even lie when the lie is so blatant and absurd it damages their own cause. Galeotti’s book contains some nice examples. In 1993 during the Georgian war the Russians broke a ceasefire agreement by bombing Sukhumi while it was still held by Georgian forces.

Russian defence minister Grachyov responded with the implausible and widely derided claim that these were Georgian aircraft painted with Russian colours, bombing their own positions as a provocation. (p.122)

In moments like that you can see how lying is such second nature to the Russian establishment that it can’t see how stupid and ridiculous it makes them look to the outside world. This was captured in a recent press event in Delhi where Russian foreign minister Lavrov claimed the Ukraine war started when Ukraine attacked Russia and went on to claim that Russia was trying to halt this unfortunate war.

This is Göbbels-level lying which is so absurd that it makes you worry about the sanity of the Russian leadership. Putin ordered the military invasion of Ukraine but, having read Galeotti’s book it’s easy to think that Putin and his circle genuinely believe that they invaded the territory of a neighbouring country because they genuinely see Ukraine’s defection to the West as a kind of attack on Russia, on Russia’s idea of itself, on the Russian nationalist belief that Ukraine and Belarus aren’t independent nations at all. They felt culturally, psychologically and strategically ‘attacked’ and so sincerely believe that the military invasion was a justified response to the Ukraine government’s insult and threat to Russian hegemony.

At moments like this you can see how the Russian elite inhabits a different mindset, in effect a different reality, from the rest of the world, utterly blinded by their Greater Russia nationalism and prepared to do anything to protect it.

But there is, of course, an alternative interpretation, which is that a lot of these lies uttered in public fora are for domestic consumption. Edited by Russia’s totally cowed and quiescent media, they can then be broadcast on the nightly news, with the laughter track removed and roars of applause edited in.

Yes, it’s important to remember that the Russian government lies to everyone including its own people, and that if anyone finds out the truth and starts broadcasting it they are quickly locked up or pushed out a window or die of mystery poison. But then being lied to by your government is another venerable old Russian tradition. This isn’t my prejudice, it is a factual point Galeotti makes over and over again:

Russians have decades’ or even centuries’ experience of being lied to by their governments, especially regarding wars… (p.375)

The Russian bearhug

There’s a hoary old proverb about Mexico, ‘Poor Mexico! So far from God, so close to the United States!’ How much more true this is of every nation which borders Russia today. China, Mongolia and Kazakhstan probably needn’t be too worried, too big, nothing to steal.

But poor Georgia, Belarus, Latvia, Estonia and Finland – the Putin Doctrine, the concepts of Greater Russia, near abroad, Russian irredentism, Russian neo-imperialism, Russian nationalism – all these variations on the same theme mean the leaders and peoples of those countries must be permanently anxious about whether Russia will attack and invade them next.

It’s unlikely, seeing as most of the Russian army’s resources are deployed to – and being consumed in – Ukraine. But in planning for the future, the next five, ten years, should they be factoring in invasion by Russia?

Thank God there’s the whole length of Europe between my country and the resentful, angry, permanently aggrieved Russian bear.

War with China?

Although I’ve spent my entire life worrying about a nuclear war, subjected to movies and novels and documentaries about the horror of a nuclear war with the USSR or Russia, and although Putin and his mouthpieces go on and on about the threat from ‘the West’, Galeotti disarmingly says Russia is never going to face the threat of an invasion by NATO. Do you think the people of Belgium or Italy or Austria would ever want to attack Russia? Why? Let its people stew in the repressive authoritarian culture which they seem to love and recreate in every generation.

Galeotti argues that the real threat is China. The majority and the best Russian armed and air forces are concentrated in the west of the country, all on high alert for the mythical invasion by Holland and Denmark and Lithuania which is never going to come. But what about the vast area of Siberia?

Galeotti explains that during the imperial nineteenth century Russia seized large bits of territory from China. In principle these borders were re-agreed by a treaty of 2008, but what if China wants them back? Russia’s border with China is 4,000 kilometres long and very thinly protected (p.339).

The relationship between China and Russia is set to become more asymmetrical with China increasingly becoming the economic master and Russia the vassal. Deprived of trade with the West because of Ukraine sanctions, Russia is increasingly forced to sell its oil and gas to China which is aware of its partner’s weakness. What if China’s demands for unequal trade deals slowly, steadily increase? And apparently there has been growing concern in the FSB, some of it expressed publicly, at the growth of Chinese cyber activity against Russia, spying and hacking. And what about China’s growing influence in the five vast ‘stan’ countries to Russia’s south, Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan, where Chinese promises of investment and cash prove more attractive than Moscow’s penniless bullying? Likelihood is all these tensions will slowly ratchet up, the direction of travel is one way, with Russia contracting before an ever-growing China…

All of Russia east of the Urals is serviced by just two enormous train lines both of which could be easily ruptured and then none of its western forces could be redeployed. Any incursion could not be contained by forces which can’t reach the battlefield and so it is here, out East, that any escalation to battlefield nuclear weapons and beyond is most likely, or least unlikely. Discuss.

Over-optimistic?

The paperback edition of the book has a final chapter written in August 2023 covering the war in Ukraine up to that date and moving onto political conclusions. Galeotti’s account of the war (as of all the other wars he covers) is brisk and very readable, it’s his broader conclusions I question.

Writing in 2022, Galeotti pulls together a raft of evidence to suggest the war has been a disaster for Putin and Russia, it’s the end of the Russian army, public opinion is turning against him, draft dodging is up, there have been firebombing of draft offices, social media is awash with soldiers bitterly complaining about being used as cannon fodder, strongly implying that the president’s days are numbered and throwing in the old canard about him being ill, cancer, some immune disease etc.

It starts out sensible and maybe each of the strands are true, but life isn’t that sweet. There is no justice. Russia is an autocratic nation, ruled for its entire history by lying dictators. It’s not being pessimistic, it’s being coldly realistic, to assume that this will never change.


Credit

‘Putin’s Wars: from Chechnya to Ukraine’ by Mark Galeotti was published by Osprey Publishing in 2022.

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Eastern Approaches by Fitzroy MacLean (1949)

The situation, I felt, was fraught with amusing possibilities.
(Fitzroy’s confidently aristocratic attitude in a nutshell, page 142)

Brigadier Sir Fitzroy Hew Royle Maclean, 1st Baronet (1911 to 1996) was phenomenally posh, came from a landed Scottish aristocratic family with a long history of service in the British Army, and had the very best education Britain could provide (Eton, King’s College Cambridge), before joining the Diplomatic Service in 1933.

This classic, awesomely impressive (and surprisingly long) memoir reeks of the confidence and privilege of the class and generation of British aristocrats who ruled a quarter of the world at the peak  extent of the British Empire between the wars, and then led Britain’s war against Nazi Germany.

The book covers the eight years from 1937 to 1945 and divides into three distinct periods of employment and adventure:

  1. serving in the British Embassy in Moscow from 1937 until late 1939
  2. as soon as the war broke out he enlisted (as a private in the Queen’s Own Cameron Highlanders, his father’s old regiment) but the adventure really kicks off when, in early 1942, he joined the newly formed Special Air Service and spent a year or so in the North African desert
  3. in summer 1943 Churchill chose Maclean to lead a liaison mission (‘Macmis’) to central Yugoslavia to liaise with Josip Broz (also known as Tito) and his partisan forces, the longest, most detailed part of the book

It’s a long book at 540 pages. With a few more photos and maps, it crossed my mind that these three quite distinct adventures could possibly have been broken up into three smaller, more focused books. Combined like this, the range of the three subjects gives it an epic, almost unmanageably vast reach.

(Incidentally, the chapters in each of the three parts each start again at number 1, so there are three sets of chapters 1, 2, 3 etc.)

Part 1. Moscow and Central Asia (pages 11 to 179)

Paris politics

Maclean joined the Diplomatic Service in 1933 and in 1934 was posted to the Paris Embassy. The book kicks off with a brief summary of his experiences at the British Embassy in Paris and French politics of the mid-1930s i.e. hopelessly divided and chaotic, at times almost verging on civil war. It’s important to bear these divisions in mind when considering 1) the creation of the Vichy regime and how the Vichy French fought the British, especially in the Middle East (see A Line In The Sand: Britain, France and the Struggle That Shaped the Middle East by James Barrine) and 2) the nature of the French Resistance which, as numerous eye-witness accounts in Ben Macintyre’s book about the SAS explain, was tremendously fractured and often bitterly divided, including everyone from right-wing monarchists to fiery communists who often fought each other as much as the Germans.

Moscow and the show trials

Anyway, after a few years Maclean bored of Paris and in February 1937 asked to be sent to the Moscow embassy. Here he discovers the small foreign diplomatic community lives very isolated from the ordinary Russian people who, he discover, live in terror of the regime, everyone scared of any contact with foreigners, repressed, tight-lipped because of the spies and informers everywhere.

He arrives at a fascinating moment, just as Stalin’s show trials are getting into their swing. For the political analyst this is the best part of this section. He describes how Stalin’s purges swept away huge swathes of the top leadership in the Red Army and Navy – notably the charismatic Marshal Tukhachevsky – and then leading figures in the Soviet administration – notably the trial and execution of Zinoviev, Kamenev and other Old Bolsheviks in 1936.

The purges created a climate of terror in which the ordinary round of diplomatic parties and receptions became painful as all the Soviet officials stood on one side of the room, all of them terrified that the slightest contact with a foreigner would be reported and doom them, literally, to death. The centrepiece of all this is his eye-witness description of the trial of a dozen or so key figures in the Party, centring on Nikolai Ivanovich Bukharin.

Bukharin was tried in what came to be known as the ‘Trial of the Twenty One’, which took place on 2 to 13 March 1938, along with ex-premier Alexei Rykov, Christian Rakovsky, Nikolai Krestinsky, Genrikh Yagoda and 16 other defendants alleged to belong to a so-called ‘Bloc of Rightists and Trotskyites’. The trial was designed to be the culmination of the previous show trials, a climactic Final Act. The prosecutor alleged that Bukharin and others had been traitors from the start, had conspired to assassinate Lenin and Stalin, had murdered Maxim Gorky with poison, and planned to overthrow the regime, partition the Soviet Union and hand her territories over to their foreign collaborators in Germany, Japan and Great Britain.

All this is given in great detail in the book’s longest chapter, chapter 7, ‘Winter in Moscow’, pages 80 to 121, with vivid portraits of the state prosecutor Andrey Vyshinski and President of the Court Vasiliy Ulrich.

The purpose of the show trials

To many in the West the grotesque aspect of the show trials – the ridiculously lurid accusations and the grovelling obeisance of the accused – confirmed that Stalin’s rule was a dictatorship of the crudest kind. The trial was a breaking point for many western communists, the moment they were forced to concede that the dream of a communist utopia was in fact a totalitarian nightmare.

But Maclean spends a couple of pages explaining not only why the accused were reduced to grovelling self-accusation, but also the purpose the trials served within the Soviet Union. You should never forget that the majority of any population is not very well educated and not very interested in politics and this was especially true of the USSR where the majority of the population was still illiterate peasants. That’s why the accusations had to be so lurid and extreme, to create cartoon images of total iniquity – that the accused had conspired to murder Lenin, conspired with foreign powers to overthrow the regime, had kidnapped, tortured and murdered people. Their villainy had to be caricatured enough to be understood by the most illiterate peasants and workers.

The extremity of the alleged crimes was designed to scare peasants and workers into thinking there was a relentless conspiracy against the regime, even at the highest levels, and this justified the atmosphere of fear, paranoia and suspicion which characterised Soviet Russia. Everybody should be on their guard all the time because anyone – even the highest in the land such as those on trial – could turn out to be wicked traitors.

This worked in Stalin’s favour because it universalised the climate of fear in which people would barely be able to think about questioning the regime, let alone organising meetings or planning anything.

Stories about foreigners bringing their foreign plans to overthrow the Workers’ Paradise would also make the entire population suspicious not only of foreigners and foreign ideas and the whole notion of outsiders. Good. This suited Stalin, too.

And the trials also provided scapegoats for the failings of the state. If there were famines, if there were shortages, blame it on the wreckers and the saboteurs. Papa Stalin is doing everything he can to combat the traitors and it’s a hard struggle but you can help him and help your comrades by reporting anyone you see talking or behaving suspiciously.

So the very grotesqueness and extremity and absurdity which broke the allegiance of western intellectuals like Arthur Koestler were precisely the qualities Stalin was aiming at in order to spread his message to the furthest reaches of the Soviet regime and its dimmest least educated citizens (p.118).

Travels in Central Asia

But the show trial, dramatic though it is, only takes up one chapter. The Russia section is better known for MacLean’s extensive travels to legendary locations in Central Asia, namely the romantic cities of Tashkent, Samarkand and Bokhara. Only a handful of Europeans had traveled to these places during the later Victorian period and then, with the war, revolution and civil war, then Bolshevik rule, they had been completely inaccessible under Soviet rule.

The chapters describing his attempts to visit them are, therefore, as much about his convoluted machinations to evade Soviet bureaucracy and play local officials and NKVD operatives as about the places themselves, with lengthy descriptions of the difficulties of travelling by Russian train, bus, lorry, horse or just walking, in his relentless odysseys around central Asia.

He undertook these epic journeys during periods of leave from the embassy.

Trip 1 – Baku

By train to Kharkov. Rostov on Don. Kuban Steppe. Baku. By boat (the Centrosoyuz) to Lenkoran. Boat back to Baku. Train to Tiflis, capital of Georgia, where he visits the British Military Cemetery and meets old English governess, Miss Fellows. By truck along the Military Road to Ordzhonikidze. Train back to Moscow.

Trip 2 – Alma Ata-Tashkent-Samarkand (September 1937)

Trans-Siberian train from Moscow. Alights at Sverdlovsk (former Ekaterinburg, p.54). Train to Novosibirsk. Changes to Tirksib railway (only completed in 1930) south towards Turkmenistan (p.56). The three categories of Soviet railway carriage: international, soft and hard. Alights at Biisk. Takes another train, south to Altaisk then onto Barnaul. Enter the Soviet Republic of Kazakhstan near Semipalatinsk. Alights and catches a lorry to Alma Mata ‘one of the pleasantest provincial towns in the Soviet Union’ (p.65), one of the first Russian towns built in Central Asia, in the 1850s, and which is ten miles from the railway. Lorry 40 miles to the village of Talgar in the foothills of the Tien Shen mountains. Dinner with locals then hitched a lorry back to Alma Ata. By dilapidated Ford motor car up into the mountains, to Lake Issik and magnificent view over the Steppe. Sleeps in a hut. Next morning bit of an explore then car back to Alma Ata.

Next day catches train the 500 miles south-west to Tashkent. It stops at Samarkand where he alights for a few hours and explores, seeing the domes of Shakh Zinda and the Gur Emir (p.73) then back onto the very crowded train. Extensive description of Samarkand pages 73 to 76. Tashkent, centre of the Soviet cotton industry (pages 76 to 78).

Having achieved his goals, by train back to Moscow, first across the Kazakh Steppe, then (in Russia proper) by way of Orenburg, Kuibyshev and Penza. But he had conceived two new goals: further south-west to Bokhara, and east across the Tien Shan mountains into the Chinese province of Sinkiang…

Trip 3 – Failing to get to Urumchi, capital of Sinkiang province (June 1938)

(Chapter 8) To Maclean’s delight he is given an official mission to travel to Urumchi, capital of Sinkiang, to ask the Chinese authorities for better treatment of Indian merchants. After comic wrangling with the Chinese embassy in Moscow he sets off on the 5-day rail journey to Alma Ata, two days across European Russia arriving at Orenburg ‘base of the imperial Russian forces in their campaign against the rulers of Tashkent, Samarkand and Bokhara during the second half of the last century’ (p.125). On past the Sea of Aral and along the course of the river Syr Darya, through Arys, Chimkent and Mankent to Alma Ata. Change rail lines to the Turksib line and head north and east 400 miles to Ayaguz, where starts the main road out of Soviet Russia and into Sinkiang.

At Ayaguz the Soviet officials and local NKVD are surprisingly helpful and lay on a bus (which quickly fills up) to take him to the border town of Bakhti. Overnight in the village of Urdjar, next morning arrive in Bakhti (p.130). Here a Sovsintorg official commandeers a lorry and they set off on the 48-hour journey to Urumchi.

However they barely get across the border with China, and arrive at the Chinese border post, when there are problems. His passport is taken off him and he is detained for hours. He discovers the passport has been sent by special messenger to the governor of the local area, Chuguchak, and they have to wait for a reply. Eventually a car returns from this mission and a sleek Chinese official informs Maclean the governor has received no information or authorisation about him and so, despite all his protestations, he must return to the Soviet Union, in fact all the way back to Alma Ata where he must contact the Chinese consul.

At the border Maclean gets the impression the Soviet officials knew all along this would happen and gently mock him. As it happens, one says with a smile, the same bus that brought him is still waiting. He can board it now and return to Bakhti. After driving all night he arrives at Ayaguz in time to catch the train back to Alma Ata.

Here there is more fol-de-rol between the Soviet authorities and the local Chinese Consul, a seedy man residing in a rundown building. The Soviet plenipotentiary instructs the Chinese to send a message to Urumchi. Next day the Chinese inform him that he is not allowed into the country, and an imposing NKVD officer tells him he must leave Alma Ata immediately, as it is a restricted area. The entire trip has been a complete failure (p.137).

It is interesting to read that Sinkiang was a rebellious troublesome province for the Chinese ever since it was incorporated into their empire and was in Maclean’s time because of course, it still is today:

Trip 4 – through Soviet central Asia to the Oxus and on to Kabul (autumn 1938)

(Chapter 9) He sets his sights on visiting Bokhara, former capital of the emirs, of reaching the fabled river Oxus, and crossing into Afghanistan. Leaves Moscow on 7 October on a train bound for Askabad. Third evening arrive at Orenberg ‘which for more than one hundred years marked the furthest point of Russia’s advance against the Kirghiz and Turkomans and the Khans of Bokhara and Khiva.’ Two more days the train passes through the Kara Kum or Black Desert past the bleak mud flats of the Aral Sea. On the fifth night reached Tashkent and woke not far from Samarkand but he decides not to revisit it, but to continue on the train, west, following the river Zaravshan, to Bokhara.

He alights at Kagan. He learns that the daily train to Bokhara has left so, on impulse, seeing a lorry laden with cotton bales just starting off down the road to Bokhara, he runs and jumps in the back. Unfortunately so does one of the NKVD minders who’ve been following him, and he’s been reported so after a short stretch a car packed with officials pulls the lorry over but by this time it is packed with Uzbeks who’d followed his example so Maclean is able to sneak off and hide behind a tree. Eventually, after the lorry has been thoroughly searched and no foreigner found it is allowed to continue on its way and the NKVD car turns back to Kagan. There’s nothing for it but to walk. It’s a very long walk, into the night, until he tops a slight rise and finds himself looking at the legendary city of Bokhara by moonlight.

(Chapter 10) Story of the Reverend Joseph Wolff. He explores Bokhara, finds no inn to take him so sleeps rough in a public garden, which irks the NKVD agents who he knows are tailing him. Next day he’s up and exploring again, seeing the ‘Tower of Death’, the principal mosques, the Kalyan, or Kok Gumbaz (Blue Dome), the grim thousand-year-old Ark or Citadel of the Emirs. He gives us a characteristically pithy historical summary.

With the capture in 1868 of Samarkand and the upper reaches of the Zaravshan by the Russians, who thus gained control of his water supply, the Emir of Bokhara was obliged to accept the suzerainty of the Tsar and Russian control of his relations with the outside world; but inside his own dominions he maintained his own army and enjoyed absolute power of life and death over his unfortunate subjects. The Russian population was limited to a few officials and merchants, while the Emir excluded other Europeans from his domains with a jealousy which has been emulated by his Bolshevik successors. Bokhara thus remained a centre of Mohammedan civilization, a holy city with a hundred mosques, three hundred places of learning, and the richest bazaar in Central Asia. It was not until 1920, three years after the downfall of his imperial suzerain, that the last Emir, after vainly invoking the help of both the Turks and the British, fled headlong across the Oxus to Afghanistan, dropping favourite dancing boy after favourite dancing boy in his flight, in the hope of thus retarding the advance of the pursuing Red Army, who, however, were not to be distracted from their purpose by such stratagems. (A leading part was played in these events by the same Faisullah Khojayev, whom I had seen condemned to death in Moscow six months earlier.)

He could have stayed a month but his leave is limited, so he catches a train back to Kagan, then another one south, heading towards Stalinabad, the capital of Tajikistan. The last section follows the course of the Oxus (Amu Darya) passing through eastern Turkmenistan. The far bank of the river was Afghan territory and that’s where he wanted to head next.

(Chapter 11. Across the Oxus) He alights at Termez, which he explores then seeks out the chief of police  and presents his diplomatic laisser passer which should allow him to the exit the Soviet Union anywhere, in this case crossing the river Oxus into Afghanistan. The chief of police gives him permission but when Maclean arrives at the actual frontier post at Patta Hissa, they haven’t been notified. By gentle persistence Maclean eventually persuades the officer in charge to arrange for the repair of one of the three paddle boats kept to cross the river but which had fallen into disrepair. Soldiers and engineers get the most viable steamer, ‘which rejoiced in the name of Seventeenth Party Congress,’ working and fix it up enough to put-put him across the river, it takes half an hour because of treacherous sand banks.

On the Afghan side some locals take his bags and him under their wing. They examine his passport without understanding it and he manages to convey he wants to head to Mazar-i-Sharif. Dinner and sleep. Next morning a horse is provided and he sets off under escort. the riverside reeds give way to desert. He is detained at a saria or mud fort by fierce locals before being grudgingly allowed to continue.

Off to the west are the ruins of Balkh, the ancient Bactria. The oasis of Seyagird. Tea with the headman who provides a cart for his baggage, then a further trek across desert eventually arriving at Mazar. He discovers a Russian couple who take him in but inform him of the cholera epidemic sweeping the area which means it is quarantined. He locates the local Director of Sanitation who agrees, after some negotiation, to sign a medical certificate declaring Maclean has had cholera and recovered. Portrait of Mazar, main point being it is the capital of what he calls Afghan Turkestan, which is cut off geographically and ethnically from Kabul and the south (p.164).

A truck was scheduled to drive the 300 or so miles to Afghanistan and the authorities assign him a seat. Tashkurgan and then up into rocky mountains to a place named Hai-Bak and, at 3 in the morning, to Doaba in the Andarrab valley, where he sleeps in a government rest house. In the way of British aristocrats, especially the Scots, he discovers ‘a fellow clanswoman’ Mrs Fraser-Tytler who, it turns out, he had known during his childhood in Inverness.

He takes a detour west to the Bamyan valley to see the two immense Buddhas carved in the rock. Then across the mountain which is the watershed between the Oxus and the Indus at a height of 12,000 feet and soon arrives at Kabul.

(Chapter 12. Homeward bound) He had hoped to head west to Herat and cross back into the USSR at Kershk and join the railway at Merv but none of this was to be. the Soviet consulate in Kabul made it quite clear that, because of the cholera epidemic, nobody was being allowed back into the USSR from Afghanistan.

Instead he is forced to head south into British India and fly. The route is: Kabul. Jalalabad. The Khyber Pass. Into British India and the town of Peshawar. Train to Delhi. As a pukka diplomat he meets the most senior British officials, dinner, good beds, a world away from his recent experiences. He obtains the visa he’ll need to exit Persia into the USSR.

From Delhi by plane to Baghdad, stopping over in Basra. After staying over in Baghdad, ‘a disappointing city’, he takes a car towards Tehran. Across the border into the Persia at Khanikin. Along a road built by the Brits to Kermanshah, and then to Hamadan, ‘the Ecbatana of the ancients’ (p.170). Changes car and car shares with four bulky Iranians driving north for the border with the USSR at Djulfa. Stops at Kavin (to eat), Zenjan (to sleep), through Mianeh, arriving at Tabriz the capital of Persian Azerbaijan.

Two days hobnobbing with the British Consul and haggling with the Persian governor about the validity of his exit visa. Eventually given permission to head north to the border, Djulfa in the valley of the Araxes. Comic scene where the Persian guards happily allow him onto the bridge across the river but the Soviet guard at the other end refuses to let him enter the USSR and when he turns to re-enter Persia the Persian border guard says this is impossible. Luckily a car arrives with a Soviet official who, reluctantly, accepts his diplomatic laisser-passer and lets him enter. He cashes money at the post office and checks into an inn.

Train to Erivan, capital of Soviet Armenia, running alongside the river Araxa which forms the border. Portrait of Erivan. Train to Tiflis, capital of Soviet Georgia, and so on to Batum, the second largest city in Georgia, on the banks of the Black Sea. He observes that so many of these central Asian towns were only conquered by the advancing Russian from the 1870s and many only began to be developed in a modern way after the Russian Civil War, so many of them have the same air of being half built, of having grand central squares full of vast totalitarian Soviet buildings, quickly giving way to a few streets of bourgeois wealth, and then extensive hovels and shacks.

He had hoped to sail from Batum but storms meant departures were cancelled. So by train back to Tiflis. It was 18 months since he was last there (on his first trip) and he finds it has been noticeably Sovietised and security tightened. He is arrested by the NKVD and spends a day arguing with NKVD officers until the commander returns and releases him back to his hotel.

Next morning he takes a lorry to Ordzhonikidze by the Georgian Military Road which is covered in snow; they regularly have to stop and dig the lorry out of drifts. From Ordzhonikidze he catches the sleeper train back to Moscow, arriving two days later in time to receive an invitation to dinner from the Belgian chargé d’affaires (see below).

What an extraordinary adventure! What a mind-boggling itinerary! It is a mark of how backward we have gone that Maclean was able to travel through all those countries in complete safety whereas now, in the supposedly enlightened and progressive 2020s, I don’t think any Westerner in their right mind would want to travel through central Asia, let along Afghanistan, or contemplate a jolly car trip across Iraq and Iran.

The glamour of central Asia

For those susceptible to it, all these places – Tashkent, Samarkand, the Oxus, western outposts of the legendary Silk Road – have a tremendous glamour and attraction. Reading his account you realise it’s  1) partly because they’re so remote and inaccessible and so simply to have visited them is an achievement which gains you kudos in a certain kind of upper-middle class circle; 2) partly because of the wonders and treasures when you arrive, such as the grand Registran in Samarakand; but also 3), as so often with travelling, because it is an escape from the humdrum modern world. A number of throwaway remarks indicate this, including one which leapt out at me: ‘Uzbek houses have changed very little since the days of Tamerlane‘ (p.143). These are places where you can, for long spells, believe that you have travelled back in time to the Middle Ages and not just of banal Britain, but to the glamorous days of Tamerlane and such legendary figures, or even further back, visiting the ruins of cities founded by Alexander the Great! It is, in a way, an escape back to the Arabian Nights wonderlands of childhood.

And picking up on the previous section, reading it now, in 2024, one can only marvel at the relative peacefulness and security and scope of where you could travel freely in the 1930s – albeit the entire system was about to be plunged into a global holocaust.

The methodology of Soviet imperialism

On a political level his travels in Central Asia give him an insight into the effectiveness of the Soviet empire:

As the basis for a policy of imperialism, this system has much to recommend it. Power is vested in the hands of a group of reliable natives, who are responsible for seeing that the wishes of the central authority are carried out. If they prove unreliable, they can be replaced by others, while, if the worst comes to the worst, an emissary of the central authority can be sent to put things right. By this means, no risks are taken and an appearance of autonomy is preserved. Moreover it is a system which is capable of application to any new country which happens to fall under Soviet dominion. Thus, more recently, in Estonia, Latvia and Lithuania Soviet Socialist Republics have been set up and politically reliable governments formed from members of the local Communist Parties. It is, we are now learning, a stereotyped pattern into which almost any people or country can be made to fit with a little squeezing and pushing. (p.35)

A German official predicts the course of the war

All this took place at the end of the 1930s as Europe hurtled towards war but there is surprisingly little about Hitler and the Nazis; in fact, given that MacLean was a diplomat, there’s surprisingly little about international affairs at all.

It’s only at the very end of the Asian adventures section, after he’s arrived back in Moscow exhausted, filthy and unshaven from his final trip to discover an invitation to a formal dinner being given by the Belgian chargé d’affaires that very evening, that there’s finally something about the broader international situation. And this is given as a prediction by a friend of his, his opposite number at the German embassy, Johnny Herwarth von Bittenfeld.

Herwarth (in MacLean’s account) makes a number of predictions which all were to come true. He thinks Britain backing down at Munich (September 1938) is a disaster because:

  • it will embolden Hitler to make more and more outrageous demands
  • it will weaken all voices within Germany calling for restraint
  • it will, thus, make war inevitable
  • war is only tenable if Germany can make peace with the Russians
  • if not, there will be a war on two fronts which Germany will lose and be utterly ruined

Part 2. War (183 to 299)

Coming from a long line of soldiers, when war breaks out Maclean wants to fight but discovers that it is impossible for someone serving in the Diplomatic Service to join the army. He is not allowed to resign in order join up. So he studies the Foreign Office rules intensely and realises there’s a loophole. He is allowed to resign from the service in one situation – if he wants to go into politics. So he contacts the Conservative Party who say they’ll be happy to have him as a candidate for the next constituency which becomes vacant and, armed with this, marches into his boss’s office (the Permanent Under-Secretary for Foreign Affairs, Sir Alexander Cadogan) and declares that he wants to go into politics, resignation in hand. As he predicts, his superiors are unable to stop him and so let him resign.

He promptly walks round to the recruiting office of his father’s regiment, the Queen’s Own Cameron Highlanders, where he enlists as a private soldier. (p.184). But, when the next by-election crops up he is  legally obliged, under the terms of his resignation letter, to stand and so finds himself the Conservative candidate and then wins the election to become Conservative MP for Lancaster in 1941 (p.189). He hadn’t hidden from the electors that he was in the Army and first duty was to serve and all through his subsequent service he remains, I think, Tory MP for Lancaster.

There are some pages about basic army life and training. As you might expect of someone so over-qualified to be a simple squaddy he is soon promoted to lance-corporal. Among other things he confirms that, in the Army, almost every other word is the F word which he demonstrates by quoting conversations or orders with the offending word bleeped out (pages 184 to 186).

Desert War

After two years of training and exercises he is, as you might expect, in 1941 commissioned as an officer and receives orders to fly to Cairo (p.189). After the retreat from Dunkirk, apart from a few abortive expeditions (a failed attack on Norway or on the French coast) North Africa was the main area of British overseas military activity.

Because I myself am not too clear about this and Maclean’s book refers only to some aspects, I’m going to cheat and quote Wikipedia’s summary of the entire Desert War:

Military operations began in June 1940 with the Italian declaration of war and the Italian invasion of Egypt from Libya in September. Operation Compass, a five-day raid by the British in December 1940, was so successful that it led to the destruction of the Italian 10th Army (10ª Armata) over the following two months. Benito Mussolini sought help from Adolf Hitler, who sent a small German force to Tripoli under Directive 22 (11 January). The Afrika Korps (Generalleutnant Erwin Rommel) was formally under Italian command, as Italy was the main Axis power in the Mediterranean and North Africa.

In the spring of 1941, Rommel led Operation Sonnenblume, which pushed the Allies back to Egypt except for the siege of Tobruk at the port. At the end of 1941, Axis forces were defeated in Operation Crusader and retired again to El Agheila. In early 1942 Axis forces drove the Allies back again, then captured Tobruk after the Battle of Gazala but failed to destroy their opponents. The Axis invaded Egypt and the Allies retreated to El Alamein, where the Eighth Army fought two defensive battles, then defeated the Axis forces in the Second Battle of El Alamein in October 1942. The Eighth Army drove Axis forces out of Libya to Tunisia, which was invaded from the west by the Allied First Army in Operation Torch. In the Tunisian campaign the remaining Axis forces surrendered to the combined Allied forces in May 1943.

North Africa was so important because of the Suez Canal in the heart of Egypt. If the Germans captured Cairo it would have at least three results: 1) they would cut off easy communications with India (a huge source of manpower) and with the entire theatre of war in the Far East (Burma). More importantly 2) the Germans would be able to push on through Palestine to Iraq and Persia, source of much of the oil which was fuelling the British war effort. 3) This oil would be sent to support the German war effort in Russia and German troops coming up from Persia through the Caucasus would open a new front against Russia leading, perhaps, to the decisive defeat of Russia and to Germany, in effect winning the war.

Those were the ultimate stakes behind the Desert War and explains the genuine concern and even panic when the Afrika Corps, at its furthest extent, got within 80 miles of Cairo, and that explains why the (second) Battle of El Alamein was so important, signalling the definitive end of German advances, the beginning of German defeats, and the widespread sense that the tide of the war was changing.

Chapter 1. Special Air Service

Maclean had been invited to join some sort of commando but this fell through. Instead he literally bumps into David Stirling (who he knows vaguely because he’s good friends with Stirling’s brother, Peter, and they’re both from another grand, ancient, noble Scottish family) who invites him to join the SAS.

Stirling explains that the idea is to parachute small numbers of men behind enemy lines in North Africa and cause as much mayhem as possible, thus drawing vital resources away from the front line. After various experiments they’ve discovered that attacking lightly defended airfields is the most destructive thing they can do. They use the Lewis Bomb, a clump of explosive with a pencil fuse developed by SAS founder member Jock Lewis (p.194). Profile of the dedicated fighting machine, Paddy Mayne (p.195).

Maclean describes the Free French who were part of the unit almost from the start. The physical training i.e. long hikes in the desert and practice parachuting. He has to make six jumps and hates it. All a bit futile seeing as by the time he joined, the unit had settled down to being taken and collected from missions by the Long Range Desert Group (p.196).

Chapters 3 and 4. Raid on Benghazi

May 1942: Detailed description of the build up to, and execution of a ‘daring’ raid against Benghazi led by Stirling, accompanied by Randolph Churchill (compare and contrast the account of the same farcical raid given in Ben Macintyre’s SAS: Rogue Heroes).

I have always found that in dealing with foreigners whose language one does not speak, it is best to shout. (p.221)

They manage to penetrate into the highly defended city and find a safe (bomb-damaged) house to hole up in but that evening both the inflatable dinghies they’ve brought to paddle out to enemy ships and attach limpet mines to them, turn out to have leaks and simply won’t inflate. Disheartened, they spend a tense day hiding out in this damaged house, petrified of discovery, before exiting the city in the same clanking car they’d entered by, bluffing their way past the Italian guards thanks to Maclean’s fluent demotic Italian and everyone’s (Maclean, Stirling, Randolph Churchill’s) aristocratic confidence.

Chapters 5 and 6

Having extricated themselves from this failed and farcical attempt, they withdraw to Cairo. He mentions the dinner he and Stirling were invited to which was given by Winston Churchill, Chief of the General Staff General Smuts and General Alexander, the first time he meets Churchill.

The strategic situation has deteriorated and Rommel is now at El Alamein just 90 miles from Alexandria. So the SAS’s plans for a second go at Benghazi escalate into a full-blown raid by some 200 men backed by aerial bombing. Trouble is so many people are involved that security is breached and word gets around. Thus, after a very long and painful 800 mile drive of a lengthy convoy across the desert, with many mishaps, our boys finally get to the very edge of Benghazi but are greeted by a hail of machine guns and mortars, are forced to make a hasty retreat, and are pursued up into the Gebel mountains by squads of Italian warplanes who strafe and bomb them. Several trucks full of explosives and stores are blown up and it’s a miracle they weren’t all killed.

There then follows the very long account of their perilous escape across the desert, driving by night, by day being seriously bombed and strafed by Italian planes, running so low on food that eventually the entire day’s ration was one spoonful of bully beef.

A number of good men are killed on this mission. Maclean initially thought it had been a futile waste of time but GHQ assured them that it had kept a lot of enemy resources tied up, extra men to guard Benghazi and then squadrons of airplanes to search for them which were, therefore, not at the front i.e. it had been useful (p.256).

Chapter 7. Persia

Maclean explains that the British now faced the threat of an enormous pincer movement, with German forces trying to take Stalingrad up in southern Russia and pushing forward in north Africa towards Cairo and, ultimately, the Suez Canal (p.263). If you look at a large-scale map you can see how, if the Germans were victorious, they would not only take the Suez Canal, lifeline to British India, but push on through Palestine to take Iraq and Iran, meeting up with their comrades who would have pushed on south through the Caucasus. And the point of Iran was the oil. Command of Persia, and to a lesser extent Iraq, would give the Nazi empire all the oil it ever needed to maintain its war industry.

Which is why Maclean found himself posted to the Middle East and Persia service. Here, conferring with the commanding officer, General Maitland Wilson, he discovered the problems facing the British occupation of the country, most obviously that there were very few British soldiers involved. He had been summoned to discuss with Wilson the possibility of setting up an SAS-style outfit to operate behind enemy lines if the worst came to the worst and the Germans conquered Persia (p.264).

Kidnapping the general

Out of this conference comes the specific idea of kidnapping a man named General Zahidi, an unpleasant type who had sway over the tribes of south Persia, was known to be hoarding grain to inflate the price but, most importantly, was thought to be in communication with the Germans and helping them make plans to conquer Persia.

This chapter describes in great detail the preparation and execution of ‘Operation Pongo’ which, despite all the hoopla, boils down to parking a lorryload of British soldiers out the front and back of the General’s house in Isfahan, and then Maclean accompanied by a few other officers walking in, insisting to see the General, then holding him up at gunpoint, walking him out to a waiting car, and driving him off to the nearest military airport where he was flown out of the country and interned under British custody in Palestine.

On searching Zahedi’s bedroom Maclean confirms British suspicions, discovering ‘a collection of automatic weapons of German manufacture, a good deal of silk underwear, some opium, an illustrated register of the prostitutes of Isfahan and correspondence from a local German agent’ (p.274).

Incidentally, remember how I suggested part of the appeal of the mysterious cities of Central Asia was the sense of stepping back in time into the Middle Ages or beyond, well the same goes for the Persian city of Isfahan, one of the few cities Maclean has been to which lives up to its reputation, and of which he writes:

Despite the hideous modern statue of the late Shah still standing there and despite his misguided attempts, fortunately abandoned by his successor, to bludgeon Persia into giving a half-hearted and entirely superficial imitation of a modern Western industrial state, Isfahan recalls the great capital city of the Middle Ages. (p.270)

And the whole notion of kidnapping an enemy general recalls the comparable exploit, the kidnapping of General Heinrich Kreipe, the German commander of Crete, by a group of super-pukka chaps, as described in Ill Met by Moonlight by William Stanley Moss (1950), albeit it considerably more fraught and dangerous for being carried out in enemy territory.

Chapter 8

The strategic situation changes. The Germans are checked in North Africa and at Stalingrad. The immediate threat to Persia has abated. After the capture of David Stirling in January 1943 the SAS had split up into different units (including a Special Boat Service run by George Jellicoe).

Maclean is summoned back to Cairo and told that, with North Africa on the verge of being secure, the Allied focus is turning to Italy. He is ordered to plan for SAS-style raids on Sicily but the mission is called off at the last moment. He’s at a bit of a loose end when he is summoned back to London where he meets Churchill for a weekend conference at Chequers (p.280). Here he is told he is going to be dropped into Yugoslavia (spelled ‘Jugoslavia’ throughout the book) to find out more about the partisans who have been fighting against the Germans and to contact their supposed leader, ‘Tito’. Nobody’s sure, at this point, whether Tito exists, whether he’s a man (or even a woman) or maybe the name of a committee of some kind?

Churchill tells him to establish the situation on the ground, find out whichever partisan group is killing most Germans, and help them to kill more. Churchill wrote that he wanted: ‘a daring Ambassador-leader to these hardy and hunted people’ (p.294).

What we knew for sure was that the partisans were communists and so likely to be in thrall to Soviet central control so Maclean asks Churchill directly, should he be worried about the political aspects of the situation. The straight answer is No. His mission is to find out who is killing the most Germans and help them to kill more (p.281), a point reiterated when he meets Churchill in Cairo (p.403).

He gives a detailed and very useful summary of the origins of Yugoslavia, going back to the conquest of Constantinople by the Ottoman Turks, and the long struggle of the Balkan Christian nations to free themselves, leading into a detailed description of the region before, during and after the Great War and leading up to the Nazi invasion (pages 279 to 293). He’s especially good on the deeply embedded enmity between Serbs (Orthodox Christians who fought hard against the occupying Turks i.e. have a paranoid embattled mindset) and the Croats (Catholic Christians who were part of the Austro-Hungarian Empire and so considered themselves civilised and superior to their barbarian neighbours) still a good read for anyone interested in the background to the ruinous civil wars of the 1990s. Right at the end of the Yugoslavia section he comments:

In the Balkans the tradition of violence is old-established and deep-rooted. (p.524)

Part 3. Yugoslavia

Zivio Tito. Smrt Fašismu. Sloboda narodu.
(‘Long live Tito. Death to Fascism. Liberty to the People.’ Partisan slogans, page 345)

Maclean is now aged 32. He selects a team of a dozen or so men who are trained, equipped and parachuted into Yugoslavia a week after the Italian capitulation i.e. early September 1943. They are met by Partisans and efficiently taken to Tito’s headquarters in an old castle. Maclean introduces himself and his team and makes it plain he is here on an investigation into the overall situation.

His description and analysis of the situation in Yugoslavia is fascinating and spread over many pages as new facts come in and shift his understanding. It contains many insights into the situation in Yugoslavia and of partisan fighting in general.

Occupation mentality Nobody who hasn’t lived under enemy occupation, specially Nazi occupation, can understand the bitter enmities, rivalries and retaliations it triggers.

For anyone who was not himself in German-occupied Europe during the war it is hard to imagine the savage intensity of the passions which were aroused or the extremes of bitterness which they engendered. In Jugoslavia the old racial, religious and political feuds were, as it were, magnified and revitalized by the war, the occupation and the resistance, the latent tradition of violence revived. The lesson which we were having was an object-lesson, illustrated by burnt villages, desecrated churches, massacred hostages and mutilated corpses. (p.338)

Tito’s intelligence and independence What makes Tito so impressive is his readiness to argue any point out with a completely open mind then make a decision, which is generally the right one.

Tito’s name derives from this quickness to make decisions. He so regularly said to his men ‘You will do this, and you will do that’ which, in Serbo-Croatian, is ‘Ti to; ti to’, hence his nickname (p.311).

– Maclean concludes that the partisans are so numerous (at least 100,000 under arms) and well organised that they will probably emerge as the major element in post-war Yugoslav politics. At which point the big question will be: Will Tito, a dedicated communist, fall into line behind Moscow as all other communist parties have? (p.339) But Maclean quotes a conversation he had with him where Tito emphasises that so many Yugoslavs have been killed or tortured that they won’t willingly throw away their hard-earned independence (p.316) and Tito himself has undergone the experience of building up and leading a national resistance movement from scratch, a position, Maclean thinks, he will be reluctant to surrender (p.340).

The Četniks The other resistance fighting organisation is the Četniks led by Draža Mihailović. Two points: 1) they were Royalists who took their orders from the king who was in exile in Italy and so fundamentally detached from the realities on the ground. 2) They were demoralised by the Nazis brutal reprisals for their activities (p.336). This contrasted with the Partisans who ignored Nazi reprisals and won a grudging admiration for fighting on regardless of how many men, women and children were murdered, tortured or burnt alive by the blonde beasts from Germany.

The Ustaše (also called Ustashas or Ustashi) was a Croatian racist, terrorist, and Nazi-like movement, active from before the war (1929) which during the war was allowed to implement a reign of terror. Their genocide of the Orthodox, murdering priests, locking villages in churches and burning them down (p.334). Events which shed light on or explained the brutality of the Bosnian war of the 1990s:

This kaleidoscope of heroism and treachery, rivalry and intrigue had become the background to our daily life. Bosnia, where we had our first sight of enemy-occupied Jugoslavia, was in a sense a microcosm of the country as a whole. In the past it had been fought over repeatedly by Turks, Austrians and Serbs, and most of the national trends and tendencies were represented there, all at their most violent. The population was made up of violently Catholic Croats and no less violently Orthodox Serbs, with a strong admixture of equally fanatical local Moslems. The mountainous, heavily wooded country was admirably suited to guerrilla warfare, and it had long been one of the principal Partisan strongholds, while there was also a considerable sprinkling of Cetnik bands. It had been the scene of the worst of the atrocities committed by the Ustase, of the not unnaturally drastic reprisals of the Cetniks and Partisans. (p.337)

The power of communism In guerrilla warfare ideas matter more than material resources (p.331). This is where the devoted belief of the communists comes in and Maclean’s analysis suggests a very profound historical point that he doesn’t quite articulate: that communism flourished in countries all round the world, and particularly among guerrillas, partisans and militias all across the Third World after the war, not because it was right, but because it was the most effective ideology for binding together and motivating those kinds of liberation fighters. Communism triumphed in the Darwinian struggle of ideologies for a number of obvious reasons:

  • it promises a better fairer world; if you care for humanity, you must be a communist
  • it is based on scientific principles and a teleological view of history which means it is inevitable, unstoppable
  • it transcends ethnic or national rivalries, purports to unite all people, races and creeds, in a transnational crusade for justice and equality
  • these and other considerations bred a fanatical adherence

(Seen from this strictly utilitarian point of view, communism’s modern equivalent would be militant Islam, extreme Islamic groups across the Middle East and North Africa being shown to create not only fanatical devotees but to unite fighters from all backgrounds and races (a theme mentioned in The World’s Most Dangerous Place: Inside the Outlaw State of Somalia by James Fergusson, 2013).)

He gives a good potted biography of Tito, son of a Croatian peasant (pages 310 to 313).

The epic trek to the Adriatic

The army engineer he’s brought with him supervises the flattening of a likely looking field to make a runway for the RAF to fly in much-needed supplies to the Partisans, but HQ back in Cairo make it clear the RAF aren’t keen on entrusting their pilots’ lives to amateur airfield builders. A new plan is suggested: that the Royal Navy brings supplies to a port on the coast of Dalmatia, until recently held by the Italians and not yet annexed by the Germans. In fact the Navy are wary, too, and prefer to drop supplies at an island off the coast.

Anyway, Maclean agrees a plan with Tito (impatient to get supplies anyway he can) who gives him Partisans to escort Maclean and a few of his team (Street, Henniker-Major and Sergeant Duncan) across country to the Adriatic coast, there to assess the situation and suggest the best island. Thus commences a long and arduous trek across mountains, through woods, crossing a German-patrolled road, fording a river, meeting all kinds of eccentric characters along the way and seeing for themselves the carnage meted out by the once-occupying Italians.

The itinerary is: Jajce (Tito’s base in Bosnia). Bugojno. Kupres. Livno (recently recovered from the Germans amid much fighting). Arzano (‘a few tiny white-washed houses, clinging to the side of a hill’). Zadvaije.

Then, at last, we heard the dogs barking in Baska Voda, were challenged once more, and, between high white-washed walls, found ourselves on a narrow jetty, looking out over a tiny harbour.

Then by local fishing boat out to the island of Korcula. They are treated royally, swim in the sea, taken round all the villages on the coast and greeted with acclaim. Trouble is, the bloody radio has stopped working so he can’t radio his whereabouts back to Cairo HQ. In the event a Navy motorboat turns up with, of course, an old chum of his from the navy and some tons of equipment.

Summary

An enormous amount happens in the next year and a half, described in 120 closely-written pages. Here are some highlights in note form:

The Germans consolidate their hold on the Dalmatian coast thus slowly squeezing off possible places for the Allies to land munitions for the partisans.

He is collected by Royal Navy motor boat and taken across the Adriatic to Allied HQ in southern Italy for orders. He is flown to Malta, then on across Libya to Cairo. Preparations are underway for a Big Three conference in the Middle East. Maclean submits his report, conclusion so far about the situation in Yugoslavia and the central importance of the partisans.

On return to Bari he finds the situation has deteriorated the Germans have seized more of the coastline. Repeated attempts to fly him back in are defeated by fog and snow. A captured German airplane is filled with top envoys from Tito to fly to Allied HQ but it has just loaded up when a German plane appears out of nowhere, attacking it with bombs and machine gun fire, killing some of Tito’s top lieutenants and some of Maclean’s British friends.

Finally he gets to land, drops some equipment and British officers, takes on board a new selection of Tito representatives, and flies back to Bari with a view to taking them on to Allied HQ in Egypt. Churchill and staff have returned from the Tehran conference with Stalin and Roosevelt (28 November to 1 December).

The central problem is that Britain has, up until now, been giving official support to the Royal Yugoslav Government in exile, appointed by King Peter, and sending arms to the Royalist Cetniks led by by Draža Mihailović. Now Maclean has to tell Churchill and other bigwigs that the Cetniks are not only not very effective on the ground but strongly suspected of acquiescing or even helping the Germans. Meanwhile, the real anti-German force is the partisans. So Maclean’s meetings with Churchill are designed to make him switch official British government support from the Cetniks to the partisans. But this leaves the  big problem that Maclean is reporting that Tito’s partisans will not only be the biggest force in post-war Yugoslavia but will probably form the government. Therefore British support for the King and the royal government in exile is increasingly irrelevant and backing the wrong horse. But how to switch British support without alienating the king, the Cetniks and the large proportion of the Yugoslav population which remains royalist? (Later on Maclean says that even the communists conceded that over half the population of Serbia was monarchist, p.490.)

This tricky diplomatic challenge runs throughout the rest of the Yugoslav part of the book and negotiations, between so many different parties, moving through so many different stages, are impossible to summarise. In a nutshell, young King Peter acquiesces in the decision but, as so often, it is his older advisors and other members of the royal family, who prove intractable and complicate the situation.

Maclean is flown back to Bari and then makes the dicey crossing back to an unoccupied Yugoslav port in a RN motor-torpedo boat. He reunites with his small staff and Tito’s staff and, after studying maps and latest German troop movements, they all agree the only viable island base for operations is the island of Vis. He then travels back to Bari to meet the Commander in Chief, General Alexander, to persuade him to assign the resources and troops required to convert Vis into a stronghold, for example building a large airfield and barracks for a permanent British force.

Yet another flight, from Bari to Marrakesh in Morocco where Churchill is recovering from flu, to persuade the great man to sign off on the Vis plan. they learn that Tito’s old headquarters in Jajce has fallen to the Germans and so, thinking they need some bucking up, Churchill writes a personal letter to Tito for Maclean to deliver by hand (p.413).

He is flown back to Bari and then parachuted into Bosnia to find and report the decision to Tito.

(Chapter 10) He is taken to meet Tito at temporary headquarters and discovers a Yugoslav Anti-Fascist Council has bestowed in Tito the rank of Marshall. Tito is delighted by the letter in which Churchill flatters him and readily agrees with the plan to make Vis a major support base for his partisans. They move about a lot and finally make a new HQ in caves overlooking a valley.

Chapter 11. New deal

Increasing air drops from the RAF and USAAF. Maclean is responsible for assigning officers to work with partisan units throughout the country.

Despite occasional stoppages, air-supplies were now arriving on a far larger scale. Air-support, too, was increasing by leaps and bounds….It was now possible, owing to the presence of my officers with Partisan formations throughout the country, to co-ordinate their operations with those of the Allied Armies in Italy. (p.429)

A Russian Mission arrives led by a Red Army general. This is the thin end of the wedge as East and West start to compete for the allegiance of Tito and his partisans.

A passage giving the decision, context and implications of the British government decision to stop supplying the Cetniks and diplomatic negotiations with King Peter (in exile in London) to see if he’s prepared to form a government of national unity i.e. let communist partisans enter his government in exile (pages 438 to 441). This would be best achieved if Maclean flies back to London to give advice, preferably accompanied by a representative of Tito.

Chapter 12. Change of scene

So he’s picked up by Dakota and flies to Algiers to meet with the new Supreme Allied Commander, General Wilson. Here, among many other decisions, it is decided to set up a Balkan Air Force which would train partisan volunteers and be responsible ‘for the planning, co-ordination and, to a large extent, execution of air operations in the Balkans’ (p.444). Long-distance phone call to Churchill with comedy because neither of them know how to use the newfangled scrambling equipment.

Next day he flies to London with the Tito delegate, Major Vlatko Velebit. It’s the spring of 1944 and England is overflowing with Americans and rumours of D-Day. He is summoned to a meeting with General Eisenhower, then to another one at Number 10. the military side – more supplies to the partisans – is easily agreed. The political negotiations with King Peter and the Royalists much more challenging. Peter has by now made an important public announcement telling his people to drop the Cetniks and support the partisans but this only has the effect of weakening his own support among disgruntled royalists without much increasing support for the partisans which was already strong.

Maclean receives a call from Buckingham Palace to go and brief the king who he finds to be surprisingly well-informed about the situation in Yugoslavia (p.449).

Then they get a radio message from Vivian Street, British officer with Tito HQ, that the cave hideout came under heavy attack from a co-ordinated German attack, many partisans were killed through Tito and senior officers made their escape. (Maclean gives a sustained description of the attack and gripping escape, pages 450 to 452.)

The HQ had been near the village of Drvar. In retaliation for supporting the partisans the Germans exterminate every man, woman and child in the village. That level of barbarism is what we were fighting to liberate Europe from.

The Germans pursue and harass Tito’s team who eventually radio for help. A date is made for a US Dakota to land at a cleared strip and Tito and key staff (and his dog Tigger) are loaded aboard and evacuated to Bari, the first time he’s been forced to leave Yugoslav soil since the conflict began (p.454).

Everyone agrees that, in order to continue functioning and provide a figurehead he must be returned to Yugoslav soil as soon as possible and the island of Vis, so long pondered as a new HQ, is agreed. Tito and his staff are taken there by Royal Navy destroyer, HMS Blackmore.

Chapter 13. Island base and brief encounter

Maclean drily observes that Tito likes caves. He makes his base on the island of Vis three-quarters up the side of Mount Hum. Since he was last there the island has been transformed with a huge Allied airfield built with as many as a dozen huge American bombers parked up.

The narrow roads were crammed with Army trucks and jeeps, stirring up clouds of red dust as they rushed along. Every few hundred yards dumps of stores and ammunition, surrounded by barbed wire and by brightly painted direction posts, advertised the presence of R.E.M.E., of N.A.A.F.I., of D.A.D.O.S., and of the hundred and one other services and organizations… Down by the harbour at Komisa was the Naval Headquarters, presided over by Commander Morgan Giles, R.N., who had what was practically an independent command over a considerable force of M.T.B.s and other light naval craft, with which he engaged in piratical activities against enemy shipping up and down the whole length of the Jugoslav coast… (p.458)

Also the establishment of the Balkan School of Artillery, set up on Vis as part of Maclean’s Mission under the command of Lieutenant-Colonel Geoffrey Kup:

whose life-work it became to instruct the Partisans in the use of the American 75-mm. Pack Howitzer. This was a light mountain gun, transportable on mule-back, if there happened to be any mules, and in general ideally suited to the type of warfare in which we were engaged. (p.459)

Also a partisan tank squadron being trained up in North Africa (p.464).

The Germans undertake another offensive, called the Seventh Offensive, against the partisans which starts with fierce fighting but then, like all the others, peters out.

The tide of the war is really turning. On 5 June 1944 Rome fell to the Allies. The following day saw the D-Day landings in Normandy. The Allies need to co-ordinate attacks on the Germans with the partisans; there needs to be discussion of the parts of northern Italy Tito wants to claim for Yugoslavia; plus the ever-intractable problem of the king and royalists. So it is that Supreme Allied Command in Italy ask for him to visit and Maclean organises the trip, accompanied by senior advisers, bodyguards and the faithful dog, Tigger.

It had been kept secret from Maclean, Tito and others that Churchill himself intended to fly in and meet Tito for the first time, and so the so-called Naples Conference came about. Churchill is fulsome in his praise, Maclean thinks Tito is amazed and pleased, the one-time peasant and revolutionary now sitting at the same table as one of the big three world leaders.

The high political problem is still how to reconcile with communist partisans with the royal government in exile, which has now crystallised round its prime minister, Dr Ivan Subasic. After ten days the Naples Conference ends and Subasic flies with Tito, his staff, Maclean etc back to Vis where the two Yugoslav parties hold a series of negotiations while the Brits sunbathe and swim in the beautiful aquamarine sea.

In the end a deal of sorts is agreed and Subasic flies back to London to put it to the king and his government.

Chapter 14. Ratweek plan

June 1944. Rumours that the Germans might retreat, withdrawing to a line they could better defend to the north of Yugoslavia. To do this they will need the central railway line from Belgrade to Salonika. Therefore it is the Allied aim to blow up the line and trap German forces in Yugoslavia.

The scheme was called ‘Operation Ratweek’. My proposal was that, for the space of one week, timed to coincide as closely as possible with the estimated beginning of the German withdrawal, the Partisans on land and the Allies on the sea and in the air, should make a series of carefully planned, carefully co-ordinated attacks on enemy lines of communication throughout Jugoslavia. This would throw the retiring forces into confusion and gravely hamper further withdrawal.

In drawing up these plans, we had recourse to all available sources of information concerning the enemy’s order of battle and the disposition of his troops, while at every stage we consulted by signal the British officers and the Partisan Commanders on the spot. Thus, the whole of the German line of withdrawal would be covered and every possible target accounted for. In the light of what we guessed the enemy’s plans to be the attack was fixed for the first week of September. (p.471)

Maclean decides to go from Bosnia to see for himself the situation in Serbia. Flies in and rendezvous with John Henniker-Major who’s been with the Serb Partisans since April. The Serb Partisans the Cinderellas of the movement, with less support from the local population, fewer rough mountains to hide in (unlike Bosnia), less successful against the Germans and so seizing fewer arms and so less well supplied than elsewhere. Lucky they have a good leader in Stambolic.

In April/May had come a change. The King announced his rapprochement with Tito and that led many to switch from supporting the passive Cetniks. Tito sent some of his best commanders to shake up the Serbian operation, notably Koca Popovic. And the Allies made a decision to stop supplying the Cetniks and supply the Partisans. As a result the latter began undertaking more operations and having greater success. Those who wanted to fight the invader went over to them, more successes, more seized arms and more prestige and respect, created a snowball effect. But still the deadly civil war between Partisans and Cetniks persisted.

So Maclean has been flown in to liaise with the Serb partisans. He is introduced to Koca, they pull out maps and have a comprehensive review of the situation, with Koca explaining where his forces can attack by themselves and where they’ll need air support, and what supplies.

Chapter 15. Ratweek fulfilment

He marches with partisans to Bojnik then onto the village where the Commander of the 24th Partisan Division, the formation responsible for the attack on the railway in the Leskovac area, had set up his Headquarters and where he finds Johnny Tregida, his liaison officer with the 24th Division. He kips in a courtyard full of Bulgarian prisoners. Next day they ride horses to Leskovac, where the attack on the railway is to take place. Information has found the town packed with German armour and motor transport and so HQ back in Bari had decided to send an unusually heavy fleet of bombers, some 50 Flying Fortresses. Maclean and his partisans watch from a nearby hill as these silver planes from high in the sky unload a huge payload on Leskovac and flatten it.

That night he observes the partisan attacks on the railway line, tackling enemy pillboxes while they set charges to blow up bridges and culverts, then tear up the railway itself and burn the sleepers. The idea is to delay or even trap the German forces in Greece and Yugoslavia, to prevent them being transferred to north Italy and Austria, to make the Allies job in those places easier.

All over occupied Yugoslavia similar attacks take place to destroy communications and bottle up the German forces. They notice enemy planes flying north and suspect they are carrying senior staff officers, communicate this to HQ who undertake attacks of these little convoys which promptly cease.

Maclean rides north to reunite with Boca, and is struck by the lush fertility of the Serb countryside and its rural prosperity, compared to rockier, poorer Bosnia. It’s a long journey over many days and Maclean gives a wonderful impressionistic account of the small villages of whitewashed houses, the locals bringing food, waking up in an orchard of plum trees, and so on. What experiences he had!

News comes through that the Bulgarians are negotiating an armistice and then that they have come in on the Allied side, with the result that Bulgarian forces throughout Yugoslavia switch sides. He meets up with Boca and Partisan headquarters which is itself riding north, now making a convoy.

They enter Prokuplje as liberators and are feted and feasted. He has just rigged up a bath and is having locals boil water when news comes of a German counter-attack, they have to quickly load their belongings and ride out.

He really enjoys life on the move in Serbia, the lush countryside and friendly villagers and wonderful food and so is annoyed when he receives a direct order from General Wilson. Tito has disappeared from Vis and Maclean is to report to the nearest partisan airstrip in order to be flown out of Serbia and find him.

Chapter 16. Grand finale

Tito has disappeared from Vis and his unexplained absence causes quite a bit of resentment among the British who had been entirely funding the partisans and lost good men among their liaison officers. After confirming his absence Maclean returns to Serbia, to hook up with the troops of Peko Dapcevic at Valjevo in time to see it fall to the partisans, helped by British Beaufighters. He finally locates Tito who’s in the Vojvodina and replies equably enough to a letter he sends him.

The second half of the chapter, pages 504 to 514, is devoted to Maclean being in at the liberation of Belgrade, the notable aspects of which are: 1) that the advance and battle are dominated by the Red Army which has crossed the Danube into Serbia – there’s lots of fraternising with Russians so lucky that Maclean speaks fluent Russian and also has received a Russian military medal which he dusts off and pins prominently to his uniform; and 2) the Germans put up a fierce resistance as they retreat, some of which Maclean witnesses at close quarters.

Chapter 17. Who goes home?

A few days after the conquest of Belgrade, Tito flies in and holds a victory march where Maclean is much moved by the ramshackle, dirty, patched-up appearance of the partisans, indicative of years of struggle, living off the land, guerrilla warfare. Now the partisans set about consolidating their grip on power. Tito negotiates a power-sharing deal with Royalists but it is plain this is only a temporary agreement.

On 27 October Maclean has his first meeting with Tito and conveys British irritation at his unexplained disappearance. In fact by this time the mystery has been cleared up because Stalin, at their most recent meeting, had told Churchill that Tito was visiting him in Moscow.

Maclean’s team of officers who had each been assigned to various partisan groups, now assemble in Belgrade and quickly convert themselves to a working British embassy. The last few pages describe this transition of the partisans from wartime guerrillas to peacetime administration. There is still fighting in the north but Tito has settled into the White Palace, Prince Paul’s former residence on the outskirts of the city (p.523). Maclean is still involved in negotiations with the king and royal government in exile, featuring Dr Subasic (who flies to Moscow to get Stalin’s blessing, p.520) which are detailed and complex but ultimately futile, for the partisans are solidly in power, with the numbers, the arms and the organisation to enforce it.

There is a lot of detail about the negotiations which dragged on until early March 1945 (p.530). But for Maclean the glory days of guerrilla warfare and living in the field were over and he asks to be transferred away from Yugoslavia. In mid-March he flies out after 18 months’ very intensive engagement, before the geopolitics and diplomacy get complex and messy. The book ends with his description of getting into the plane, taking off and watching the coastline disappear behind him. He had just turned 34. What an amazing series of adventures to have had by such a young age!

It’s very striking that the book ends with no summary, no conclusions, no Final Thoughts, no analysis of the political situation, let alone a retrospective description of how the war ended, how relations with Russia deteriorated, the start of the Cold War, Yugoslavia’s evolution under Tito’s rule or any of that – nothing, nada.

Maclean restricts himself very consciously to a first-person account of the immediate, of what he saw and thought and said and experienced. He gets on the plane and flies West and it’s over. It’s a very abrupt but totally appropriate ending.


In his father’s footsteps

Very slightly and subtly, Maclean’s father hovers in the background. Once or twice he casually mentions that some of the places he visits in Central Asia were visited by his father 30 years earlier. He enlists in the same regiment as his father. His father fought in the North African desert in the First World War and at some points MacLean passes through some of the same places e.g. Matruh (p.204). Living up to his father’s achievements.

Private school

Maclean’s aristocratic upbringing and bearing are present throughout, in his confidence and savoir vivre, in his practical skills (skiing, camping, hunting and shooting), in his urbane easiness in the company of filthy partisans or prime ministers and kings. Only once or twice does he explicitly refer to his privileged upbringing, but then in the same kind of way that all his generation and class did (the tones collected and defined by Cyril Connolly for so influencing the mindset and writing of the 1930s generations of poets and novelists):

The M.L. arrived that night and I went on board, as excited as a schoolboy going home for his first holidays.

Upper-class chums

A central characteristic of the posh, of aristocrats, of the landed gentry, reinforced by the network of private schools they attend, is that they all know each other, they are all ‘old friends’. Not only that but it only suffices to work with someone for a bit – in the Foreign Office or the Army, say – for them to be recruited into your cohort of ‘old friends’. And so these people move in a kind of gilded world filled with old friends and bonhomie.

And so, leaving them in the able and experienced hands of Jim Thomas, an old friend from Foreign Office days, I went…

In Mrs. Fraser-Tytler I found a fellow clanswoman with whom my friendship dated back to the days of my childhood in Inverness…

It was in this frame of mind that I went to see Rex Leeper, an old friend from Foreign Office days, and now His Majesty’s Ambassador to the Greek Government then in exile in Cairo… (p.278)

One of the sailors I recognized as Sandy Glenn, an old friend with a number of adventurous exploits to his credit… (p.373)

I recognized the work of my old friends Mark Chapman Walker and Hermione Ranfurly, the Commander-in-Chief’s highly efficient Military Assistant and Private Secretary… (p.401)

John Clarke and Andrew Maxwell were both old friends of mine… (p.432)

The problem which had been exercising me for some time, namely, how to get my old friend Sergeant (now Sergeant-Major) Charlie Button into Jugoslavia… (p.435)

Ralph Stevenson…British Ambassador to the Royal Jugoslav Government…was an old friend from Foreign Office days… (p.468)

The example of a partisan they worked with closely – ‘Brko, by now an old friend…’ (p.491) – indicates how it’s not length of time that makes someone an ‘old friend’, but depth of experience and closeness of companionship. Old friends need not, in fact, be old friends at all, just people you’ve gotten to know and trust, sometimes over comparably short periods of time.

This is a quality I commented on in my reviews of John Buchan, whose fabulously posh protagonists are continually bumping into ‘old friends’ whenever they need help. Not being plugged into a network of successful, well-connected ‘old friends’ in commanding positions across politics, business, the forces, the arts, I can only marvel at the ease and confidence with which these privileged creatures lived out their charmed lives. For example, take this profile of David Stirling’s Intelligence Officer, Gordon Alston:

By the time he reached the age of twenty-five Gordon had managed to have a remarkably full life. Having got off to a flying start when he left Eton at seventeen to become a racing motorist in Italy, he had later tried his hand at journalism in France and brewing beer in Germany. Since early in the war he had served in Commandos or Commando-type units. This varied experience had left him with a taste for adventure, a knowledge of foreign languages, and, most conveniently for us, an altogether remarkable flair for military intelligence.

How ripping! A big part of the pleasure of reading books like this is not only all the operational war stuff, but simply marvelling at the wonderfully varied, adventurous lives these privileged people seemed to live.

(And, as a digression, it crosses my mind that it’s the quality whose degraded, shabby, poor relation – a seedy, fake bonhomie – is satirised and ripped to shreds in William Boyd’s comic novel A Good Man in Africa.)

Upper-class manners

Being phenomenally posh, being a polished specimen of the British upper class, gives him the impeccable manners, savoir faire and confidence to meet and socialise with all ranks, from peasants to monarchs. The book invites us into this world, lends us the cloak of his manners and politesse, so that we are not as surprised as we maybe should be when Maclean calmly records being sent to meet the future leader of Yugoslavia, invited to spend the weekend with Churchill or to dine with exiled King Peter. Other countries will continue to have kings and emperors and aristocrats and leaders who reek authority and stickle for etiquette and procedure, so it makes sense that we should have a cohort of impeccably turned-out sophisticates who can match them at their game.

It is a symbol of how far Britain has fallen that the shambling liar Boris Johnson was Foreign Secretary from 2016 to 2018, embarrassing Britain at international events around the globe purely because Theresa May needed to keep a potential usurper and his faction in the ever-fractious Conservative Party onside. Shaming.

Roughing it

Aristocrats aren’t all floppy haircuts and parties in Chelsea, especially the Scottish variety. Instead, Maclean really loves roughing it, and takes to life on the road in Central Asia or on the run with partisans in the forests of Bosnia with equal alacrity. He likes the simple life.

Having eaten my breakfast, I cleaned out my mess tin and used it for boiling some snow-water on the stove, to shave in. It was an agreeably compact mode of life, with no time, space or energy wasted on unnecessary frills. (p.420)

Time after time he tells us that sleeping rough, bunking down in an orchard wrapped only in his greatcoat and with his backpack for a pillow, eating primitive food in a cave in Bosnia or bully beef in the Libyan Desert, this is what he wants, this is how he likes it, pure and clean and simple.

Lols

Maclean has a dry, understated sense of humour, the true aristocratic drollness, an unflappable ability to put up with discomfort and find the amusing in every situation. The book is studded with a number of comic setpieces.

Our short train journey had an improbable, dreamlike quality, which even while it was actually in progress, made it hard to believe that it was really happening. From the inside, Tito’s special coach was even more like a hut than from the outside, with an open stove in the middle and benches round the wall. The stifling heat of the stove induced sleep. The benches on the other hand were just too narrow to sleep on with any security. On the floor lay Tigger, in a bad temper and snapping at everyone’s ankles. At last, after a great deal of fussing and settling down, he went to sleep, only to be woken again almost immediately by a Cabinet Minister falling off one of the benches on top of him, whereupon pandemonium broke loose. It was not a restful journey… (p.421)

Also the story of the British officer, living and working with the partisans who, wherever he puts his sleeping bag and goes to sleep, always fidgets and ends up rolling yards, sometimes quite a distance away, one time being found wrapped round a tree stump, another time on the edge of a precipice, each time fast asleep and snoring his head off.

An eye for the ladies

There’s no mention of a girlfriend, lovers, no romance and certainly no sex of any kind. It’s part of the book’s tact and discretion. But Maclean does have what we used to call ‘an eye for the ladies’ and permits himself regular mention of particularly toothsome young women whenever he encounters them:

[In Korcula] a small crowd had soon collected to look at us. It included, I noticed with pleasure, one extremely pretty girl., (p.366)

From now onwards [Charlie Button] took charge of the Mission’s administrative arrangements, and ‘Gospodin Charlie’, as he was known, could be seen planning moves, negotiating for pack-horses, bartering strips of parachute silk for honey or eggs with buxom peasant girls… (p.435)

The technicalities involved were explained to me by an officer of the United States Army Signal Corps, while a pretty W.A.C. Sergeant prepared to take a recording of what was said. (p.444)

The Americans furnished me, in case of need, with a stenographer, a blonde young lady of considerable personal attractions wearing a closely fitting tropical uniform… (p.466)

Most of them [the population of the little Serbian town of Dobrovo] were rosy-cheeked, stolid-looking creatures, broad in the beam, with thick arms and legs, but amongst them, I noticed, was one exceptionally pretty girl, slim and dark, with classical features and a clear, pale skin, holding a little curly-haired child by the hand. (p.492)

And many more.

Upper-class tact

A crucial aspect of good manners, as of diplomacy, is tact. As the book progressed I became increasingly aware of the narrative’s tact. What I mean is that he is very discreet and polite about the many individuals named in it. About his army colleagues, first in the SAS then on location in Yugoslavia, he is uniformly full of praise, especially praising those who won medals. He has to use tact when dealing with all manner of Soviet officials and local peasants and brigands in Central Asia. He has to be tactful in his dealings with Tito, and in Yugoslavia has to train his officers in how to interact with the partisans tactfully i.e. show them how to use equipment without insulting their manhood or achievements. (Maclean has some comic stories about illiterate partisans eating various supplies such as plastic explosive, stories echoed in Ben Macintyre’s stories about the French Resistance.)

This quality comes out into the open, as it were, in the various descriptions of Winston Churchill, where Maclean allows himself to mention Churchill’s eccentricities:

  • at Chequers insisting on spending the evening with senior military staff watching Mickey Mouse cartoons in his private cinema
  • meeting underlings at his Cairo villa lying in bed in a silk dressing gown smoking a cigar (p.401)

But he only goes exactly to the same point as the common myth of Churchill’s whimsical personal style and no further. He tells humorous anecdotes about people but is never indiscreet. That would be bad form.

Once this had occurred to me I realised you could regard the abrupt ending of the book as itself an act of tactfulness. If he’d gone on to describe events after his departure from Yugoslavia in March 1945 (the final months of the war, conflict with Russia, the Cold War and scores of other issues such as the election defeat of Churchill) it would have stained and muddied the purity of the kind of narrative he wants to tell. Ending his text so abruptly is an aesthetic statement – less is more – and supreme act of tactfulness.

H.G. Wells

Happening to be reading a lot about H.G. Wells at the moment, I was struck when Maclean makes a reference to him, describing the American Lightning aircraft, with their twin tails and bristling cannon, as ‘like something out of H.G. Wells’ (p.393) – presumably he’s referring to Wells’s Edwardian novels about the war in the air, although also, maybe, to his description of apocalyptic war in ‘The Shape of Things To Come’ (1933) – either way, testimony to the grip on the popular imagination, about the future and disastrous wars, that Wells continued to exert.

Penguin are pants

I’m reluctant to buy new paperback books because they’re generally such poor quality. This book is a case in point. The typeface was degraded and poor quality on every page. Random words appear in lighter typeface than their neighbours. Random letters within words are partly effaced. Entire lines have either the upper or lower part of the letters distorted. You know when you make a photocopy of a document and position the original badly so that the photocopy misses off one side of the page? Like that, the final parts of letters are cut off all down the right hand side of the text. Some pages are in a different font from the main text (pages 152 to 153).

Precisely 24 hours after it arrived I noticed that, looked at side-on, the middle pages of this brand new book had ceased to lie flat but had become wavy. When I opened to these pages I discovered they were the ones containing half a dozen or so very very very bad quality reproductions of photographs, and something about reproducing these photos in plain ink on normal paper must have somehow made them absorb moisture from the atmosphere and become wrinkled and creased. They look like they’ve been dropped in the bath.

Only occasionally did all this make it impossible to actually read, but these marks of poor quality appeared on every one of the book’s 543 pages and were a constant distraction. They made me think what a mug I was to spend £12.99 on such a shoddy production. Never buy new Penguin books. Very poor print standards.


Credit

Eastern Approaches by Fitzroy MacLean was published by Jonathan Cape in 1949. All references are to the 2019 Penguin paperback edition – printed to a very poor standard.

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Huntingtower by John Buchan (1922)

‘I learned in the war that civilisation anywhere is a very thin crust.’
(Buchan’s central message, delivered in this book by John Heritage, poet and soldier, page 116)

I’ve been reading old John Buchan novels I’ve picked up in second-hand shops as a break from the Africa project which overflowed with famine, civil wars, military coups, massacre, torture and child soldiers.

However, reading the series of five novels about Sir Edward Leithen has not turned out to be as easy and relaxing as I imagined. They all show the same weaknesses, which include the off-puttingly upper-class milieu, his terrible way with names but, above all, the weirdly contorted and contrived storylines.

Having finished the five Leithen books, as an experiment I tried one other novel (he wrote 30), this one the first of the series of three novels featuring on the face of it a very different protagonist, the retired Glasgow greengrocer and businessman, Dickson McCunn, ‘late of Mearns Street, Glasgow, wholesale and retail provision merchant, elder in the Guthrie Memorial Kirk, and fifty-five years of age’ (p.55).

He makes an effort to show McCunn as coming from a different class than the hunting, shooting and fishing, Oxford and the bar Leithen, moving in his high society circles – instead McCunn is obviously intended to be a broadly comical figure and the story does, here and there, raise a wan smile, although ‘comic’ is not the term. It’s quite funny that Heritage mishears Dickson’s name and insists on referring to him throughout as ‘Dogson’.

Instead the plot is standard Buchan thriller i.e. a number of thriller tropes strung together on a wildly improbable and frequently incomprehensible plot.

The plot

So this Dickson McCunn is not just any old greengrocer, that would be a bit too déclassé – instead he has, until the novel opens, been the owner of the largest food and greengrocery supply business in all Glasgow

  • The big provision shop in Mearns Street—now the United Supply Stores, Limited
  • ‘you’re a household name in these parts. I get all my supplies from you,’, says Lord

‘Comic’ touches are that he is a member of a literary society and likes to quote Tennyson and Browning i.e. is amusingly behind the times, and is inordinately proud of the safety razor he has just treated himself to. He has just the day before sold the grocery store he has built into the city’s premier emporium. Now, aged 55, he wants to have adventures. The broad comic joke of the entire novel is that he stumbles into an adventure and discovers that real-life adventures are not at all the entertaining romances he imagined.

What had become of his dream of idylls, his gentle bookish romance? Vanished before a reality which smacked horribly of crude melodrama and possibly of sordid crime. His gorge rose at the picture, but a thought troubled him. Perhaps all romance in its hour of happening was rough and ugly like this, and only shone rosy in the retrospect. (p.53)

So McCunn packs his bags and heads off for a walking tour of the Carrick district of Galloway (p.25). Before he goes:

That morning he had received an epistle from a benevolent acquaintance, one Mackintosh, regarding a group of urchins who called themselves the ‘Gorbals Die-Hards’. Behind the premises in Mearns Street lay a tract of slums, full of mischievous boys with whom his staff waged truceless war. But lately there had started among them a kind of unauthorised and unofficial Boy Scouts, who, without uniform or badge or any kind of paraphernalia, followed the banner of Sir Robert Baden-Powell and subjected themselves to a rude discipline. They were far too poor to join an orthodox troop, but they faithfully copied what they believed to be the practices of more fortunate boys. Mr. McCunn had witnessed their pathetic parades, and had even passed the time of day with their leader, a red-haired savage called Dougal. The philanthropic Mackintosh had taken an interest in the gang and now desired subscriptions to send them to camp in the country. Mr. McCunn, in his new exhilaration, felt that he could not deny to others what he proposed for himself. His last act before leaving was to send Mackintosh ten pounds.

Tramping the roads turns out to be not quite as glamorous as the poets make it sound. On the first day he meets beggars and tramps who are not as picturesque as he hoped. The second day he is tired and the weather takes a turn for the worse.

At the Bull Inn at Kirkmichael McCunn meets John Heritage, a posh Englishman and would-be poet. They have an argument of sorts because Buchan makes Heritage the kind of superficial posing socialist that he despised. He makes Heritage a) sympathise with the Bolsheviks in Russia the novel was serialised in 1921 i.e. while the Russian civil war was still in full swing) and b) take a ludicrously dewy-eyed view of the working class. To which an irritated McCunn delivers an eloquent rebuke:

‘You ideelise the working-man, you and your kind, because you’re ignorant. You say that he’s seeking for truth, when he’s only looking for a drink and a rise in wages. You tell me he’s near reality, but I tell you that his notion of reality is often just a short working day and looking on at a footba’-match on Saturday…. And when you run down what you call the middle-classes that do three-quarters of the world’s work and keep the machine going and the working man in a job, then I tell you you’re talking havers. Havers!’ (p.28)

McCunn then reads the slim volume of verse Heritage has published (titled Whorls), which is an opportunity for Buchan to ridicule modern poetry, thus showing what a philistine he was. NB Also at the inn is a stranger he chats to for a while, a handsome young man with an Australian accent. Anyway, after his argument with Heritage he goes back to Mrs Morran’s place and so to bed.

Next morning McCunn has breakfast early and sets off. He comes across a detour from the main road which apparently leads to a peninsula of land which leads from Kirkmichael down to the sea, with a sign reading ‘Dalquharter and Huntingtower. (The peninsula is known as the Cruives, an old name which is ‘something to do with fishing.’ Hence the name of the village pub, The Cruives Inn.)

McCunn tosses a coin to decide whether to walk on or take make a detour to see this Huntingtower place and it comes down tail, for the detour.

He is irritated, after walking a way, to see the poet’s figure approaching up a tributary road. They fall in together and walk onto a pretty village. The innkeeper here is surprisingly rude and says there’s no room, so they poke around and come across a private house which does rooms in the care of sweet little old lady Mrs (Phemie) Morran.

She makes them a fine tea and when McCunn asks about this Huntingtower delivers a handy history. It’s always belonged to the Kennedy family, until the most recent heir to the family, name, Quentin Kennedy, went off to the war and died of the influenza. Now the place is up for sale.

After lunch our boys set off to see the house but when they come to the lodge are met by a rude and officious gatekeeper who tells them no. This, of course, is a red rag to a bull, and Heritage and McCunn follow the wall round till it turns to hedge, slip through it and go to explore the house. En route they flop down in pretty fields with a view and talk about poetry and Heritage whistles an aria from a Russian opera then goes on to tell the story of how he was posted to Italy at the end of the war and from his rooms by the Spanish Steps heard a guest in the same hotel, a pretty Russian girl, sing this air.

Finally they arrive in sight of the house but are disappointed to see that instead of a weathered rocky old pile it is a newly built house but a pastiche of a Tudor mansion, completely inappropriate for this harsh northern clime.

Dickson had never before been affected by an inanimate thing with so strong a sense of disquiet. He had pictured an old stone tower on a bright headland; he found instead this raw thing among trees. The decadence of the brand-new repels as something against nature, and this new thing was decadent. But there was a mysterious life in it, for though not a chimney smoked, it seemed to enshrine a personality and to wear a sinister aura. He felt a lively distaste, which was almost fear. He wanted to get far away from it as fast as possible.

Buchan uses the same tactic in The Dancing Floor where he just asserts that the Greek village his heroes arrive at is eerie and spooky, without very much evidence, and then repeats the assertion in various ways until the reader is compelled to buy into it if you’re going to accept the story at all. He often does this. Asserts a factitious mood of foreboding with absolutely no justification, just because he needs to concoct an atmosphere of menace which then underpins the flaky plot.

Dickson’s mind was a chaos of feelings, all of them unpleasant. He had run up against something which he violently, blindly detested, and the trouble was that he could not tell why. It was all perfectly absurd, for why on earth should an ugly house, some overgrown trees and a couple of ill-favoured servants so malignly affect him? Yet this was the fact; he had strayed out of Arcady into a sphere that filled him with revolt and a nameless fear. Never in his experience had he felt like this, this foolish childish panic which took all the colour and zest out of life.

And:

‘I called this place Paradise four hours ago,’ Heritage said. ‘So it is, but I fancy it is next door to Hell. There is something devilish going on inside that park wall and I mean to get to the bottom of it.’

Forced. Contrived.

Then several things happen which justify the accusation of outrageous coincidences. They hear footsteps as another officious porter or lodgemaster arrives and so begin to head away, but Heritage suddenly falls to his knees. He’s heard singing coming from the open window of the house and it is the voice of the beautiful Russian girl he met at the Spanish Steps!!!!! Of all the people in all the world, they just happen to bump into the very one Heritage was telling a story about 5 minutes earlier…

They hasten back to the nice cottage of Mrs Morran for tea where they spread out a map, with Heritage determined to go back, defy the gatekeepers and get into the house, when there’s a commotion as a dirty ragamuffin boy forces his way through to the parlour where he identifies himself to McCunn as…the very leader of the Gorbals wanna-be Boy Scouts who McCunn gave some money to as his last gesture before leaving the city. Quite a coincidence!

The Die-Hards are on some kind of outward bound, Boy Scout trip to the region, when they, also, had stumbled across the mysterious house and then been rebuffed by the rude gatekeepers, since when they’ve taken to staking out. So not only a coincidence that the boys McCunn gives charitable donations too just happen to have come to the exact same corner of Scotland as he has, but are staking out exactly the same house which he and Heritage have developed an interest in!

Apparently Buchan sub-titled the novel ‘A Glasgow fairy tale’ and he tells us straight out from the first that McCunn was looking for romance and adventure. The Russian princess is referred to three times as ‘a fairy tale princess’. And the characters themselves archly refer to being in an old fashioned romance:

‘You should be happy, Dogson,’ said the Poet. ‘Here we have all the materials for your blessed romance – old mansion, extinct family, village deserted of men and an innkeeper whom I suspect of being a villain.’

Long story short, these lads, known as the Gorbals Die-Hards and led by one Dougal Crombie, join forces with McCunn and Heritage. Through a series of convoluted complexities and a great deal of sneaking down the valley of the adjacent river, and crossing fords, and sneaking behind bushes and across lawns etc etc they eventually gain admittance to the house and discover it contains two Russian women, Saskia and her elderly cousin, Eugènie (first named on page 67). Saskia is, of course:

  • tall – that he could tell, tall and slim and very young. (p.63)
  • Dickson insisted on stripping off his trusty waterproof and forcing it on the Princess, on whose slim body it hung very loose and very short.
  • the slim girl, into whose face the weather had whipped a glow like blossom

And:

Dickson’s first impression was of a tall child. The pose, startled and wild and yet curiously stiff and self-conscious, was that of a child striving to remember a forgotten lesson. (p.65)

And:

Again Dickson was reminded of a child, for her arms hung limp by her side; and her slim figure in its odd clothes was curiously like that of a boy in a school blazer. (p.70)

Right at the end of the story:

She is no more the tragic muse of the past week, but a laughing child again, full of snatches of song, her eyes bright with expectation. (p.206)

Later:

He had thought that women blushed when they talked of love, but her eyes were as grave and candid as a boy’s. (p.137)

All the classiest women are slim. The best kind of women have the quality of children. But the absolute bestest women are actually boys.

The younger prettier one, Saskia, explains. They once belonged to one of the grandest families in Russia. When the revolution struck they formed part of the general resistance of their class. As the tide turned against them they were tasked with saving jewels belonging to the Russian royal family. These they smuggled out as far as France.

But here some thriller voodoo intervenes because Saskia emphasises that the criminal Bolsheviks have agents everywhere on the lookout for them and the jewels. When these agents closed in on them in France they fled to Scotland. Saskia had met a noble Scot named Quentin Kennedy who told her he owned a fined house where she would be welcome to stay, and gave her a letter of introduction to his ‘factor’, Loudon (p.69). But when she arrived in Scotland and came to the house she found herself imprisoned and guarded by the three men who Heritage, McCunn and the Die-Hards have seen patrolling the grounds.

Illogically, although her coming was anticipated, none of these bad guys intercepted her before she actually got to Huntingtower nor, since she arrived, have they searched or interrogated her to find the whereabouts of the jewels. Well, they asked her where the jewels were and she refused to tell them and these international terrorists left it at that! This simply doesn’t make sense and is typical of the yawning plot holes or lack of logic which lace Buchan’s ‘shockers’.

Saskia says her gaolers are awaiting the arrival of another man, their master, the leader of the conspiracy, who McCunn and Heritage nickname The Unknown.

Chapter 6

Well, they decide McCunn should take the jewels to his bank in Glasgow. This he does, although the episode is milked of as much paranoid thriller voodoo as possible, with a messenger from the besieged house racing after the horse and cart McCunn goes to the railway station in, the creepy inn-keeper Dobson who is clearly in on the conspiracy leaping onto the train and keeping tabs on him, and then the package which McCunn accidentally on purpose leaves exposed in a cab he’s hired, sure enough being stolen. As in The Power-House, as in The Thirty-Nine Steps, Buchan is at pains to convey the sense of a vast invisible conspiracy with its tentacles in every city.

Anyway, the box the baddie steals from the cab was a decoy and McCunn gaily walks into the biggest bank in Glasgow to reveal that he has the princess’s precious jewels sown into his shirt and waistcoat, he cuts them free and puts them in a safety deposit box.

So, on the face of it, grocer supremo Dickson McCunn has done more than his fair share of helping a damsel in distress and ensuring that her treasure is safe. However, this is a thriller and we all want to know what happens back at Huntingtower and how the siege will play out, right?

And so Buchan gives his middle-aged grocer a crisis of conscience, making him pause as he catches a tram back to his town house and ask himself whether he isn’t running away precisely when his friends need him most etc (p.85). Maybe this is a plausible piece of plotting but it feels a lot like Buchan bending his character in order to reinvolve him with the entire convoluted plot to the end.

By the time he’s gotten off the tram he has come to the decision to go back into the valley of doom and help Heritage and the beautiful princess. However, being a practical businessman he takes practical steps. First of all he orders a huge hamper of luxury provisions which he will take with him to feed the allies (Heritage, the ladies, the Die-Hards).

Then he goes to see his Glasgow lawyer (Mr Caw of Paton and Linklater) to ask him to contact the firm in Edinburgh responsible for renting out Huntingtower. He makes as if he, the wealthy Glasgow businessman, wants to buy it and to warn the factor, Loudon, that he is on his way, today or tomorrow.

Then he goes to see Mr McNair a gunsmith who is a fellow elder in the Guthrie Memorial Kirk. Unfortunately, the careful Scot says he can’t sell him a gun – but he can lend him a service pistol and 50 cartridges (p.88). Thus armed, McCunn hastens to catch the 7.33 from Glasgow to Kirkmichael.

Chapter 7

McCunn checks into the Salutation Hotel at Auchenlochan and sets off to visit the lawyer Loudon. Loudon gives him a thorough, intelligent summary of the state of Huntingtower and is readily willing that McCunn see it and buy it; he just reasonably insists that he needs to inform the owners, who live abroad, how about visiting sometime next week? He insists that nobody is allowed inside the building so is fazed when McCunn insists he saw some women in it. He then changes his story to tell some cock-and-bull yarn about a mad old relative of the family that’s being kept there – it’s she who will take a week or so to get out of the way before McCunn can visit. At this point McCunn realises Loudon is lying and is in on the conspiracy.

He doesn’t let on and instead says he’ll be returning to Glasgow by the late train, shakes hands and leaves. His suspicions are confirmed when he hangs around in the shadow on the other side of the street and see Dobson, the dodgy inn-keeper, slouch up and go round the side of Loudon’s house. They’re in on it together.

McCunn walks along the main road to Dalquharter and is accosted by one of the Die-Hards who takes him to their camp in the woods, very neatly done with a fire burning. Dougal tells him they’ve smuggled Heritage into the house again. McCunn tells Dougal to send some of the boys to the station to fetch the big hamper of food which has been delivered to the station. Dougal then introduces him to the rest of the ‘men’, being:

  • Thomas Yownie, the chief of staff
  • Peer Pairson
  • Napoleon
  • Wee Jaikie
  • Auld Bull

Chapter 8

After this sojourn with the Die-Hards McCunn goes straight to Mrs Morran’s, checks in and falls fast asleep. At 1o the next morning Dobson pays a visit and is rudely officious, warning McCunn that he is not allowed to go near the house nor to walk along the coast. it degenerates into a shouting match with McCunn saying Dobson is obviously hiding something he doesn’t want other people to see and Dobson losing his temper, shouting abuse, banging his head on the lintel and falling down the stairs on his way out (p.107).

To be one the safe side, to forestall attack, McCunn persuades little Mrs Morran to accompany him along the main road to the bridge across the river where she turns to go home while he cuts down a track beside the river running to the sea. Maybe this is intended to be spooky, maybe it’s intended to be comic, but it comes over as bizarre.

After a great deal of unnecessary fuss and complication, McCunn crosses the river where it hits the beach under the guidance of Auld Bill and arrives at cliff tops beneath the house and has to be helped up them etc etc. All instead of just walking up to the house and pulling out the gun if any of the three guards try to stop him. There’s always a huge amount of sneaking over heather, and fording rivers, and clambering up cliffs in Buchan stories, rather than just knocking on the front door.

Chapter 9

Incomprehensibly, rather than just take the princess far far away, for example to Glasgow, the allies have decided to spirit her out of the main house and down to the old ruined watch tower in the grounds (!?). Having dumped equipment here, they all then sneak up to the house, across the verandah (pretty easily avoiding the supposed guards) and into the garden room.

Here he meets Heritage who tells him the latest news. Saskia has given more details about Mr Unknown, about the Mastermind behind her (not very effective) kidnap. He comes from a rich family but when the revolution broke out, threw in his lot with the Bolsheviks. He is a kind of evil genius, ‘none of your callow revolutionaries’.

A digression on antisemitism

Buchan, or his character, betrays the typical bourgeois or aristocratic belief that mere working class people couldn’t have overthrown an entire social order, couldn’t possibly win a war against armies led by aristocrats and bolstered by British and allied forces. Ghastly oiks couldn’t possibly do all that by themselves. This is one source of the popular stereotype that there must be mysterious powers behind the revolution, either renegade aristocrats (as here) or, much more perniciously, the Jews. According to the notes to this book there was an academic spat about whether Buchan was antisemitic or not, a long time ago, in the 1970s. Buchan may or may not have been but some of his characters certainly are. Here’s the view of the ‘fairy tale princess’ Saskia:

‘Our enemies were very clever, and soon the hunt was cried against me. They tried to rob me of [the jewels], but they failed, for I too had become clever. Then they asked the help of the law – first in Italy and then in France. Oh, it was subtly done. Respectable bourgeois, who hated the Bolsheviki but had bought long ago the bonds of my country, desired to be repaid their debts out of the property of the Russian Crown which might be found in the West. But behind them were the Jews, and behind the Jews our unsleeping enemies.’ (p.68)

And here’s Heritage, supposedly one of the good guys:

‘The place for you,’ said Dickson dryly, ‘is in Russia among the Bolsheviks.’
Mr. Heritage approved. ‘They are doing a great work in their own fashion. We needn’t imitate all their methods – they’re a trifle crude and have too many Jews among them – but they’ve got hold of the right end of the stick. They seek truth and reality.’

Mind you, Heritage’s antisemitism lies alongside his ignorant support of the Bolsheviks, of which he is later completely cured. So possibly antisemitism is expressed by characters who are intended to be callow, naive and ignorant, and who eventually learn better. Maybe.

Anyway, the allies all conclude that the Big Bad Man is coming that very night. They continue into the house and deliver McCunn’s magnificent hamper of luxuries to the Russian ladies. Saskia is overwhelmed and gives McCunn a kiss. This transports him to seventh heaven, a moment familiar from a million movies where the glamorous young heroine gives the middle-aged old hero’s assistant a kiss and transports him back to his youth!

Heritage has a plan. They’re inside the house now. Rather than go outside to engage in battle he plans to lure the three guards inside and lock them up. And using the Die-Hards, this is exactly what they do, wait for the guards to enter, then turn the lights off and lure them via noises or mutterings or distant lamps into three separate cellars or rooms where they can be locked tight. But not before one of them, the one called Léon, bumps into McCunn and, mistaking him for Dobson, shares the news that the Unknown is arriving at dawn aboard a Danish brig. When the bad guy realises it’s not Dobson he’s talking to there’s a mad scuffle in which Heritage gets knocked to the stone floor and knocked unconscious. At which point half a dozen Die-Hards jump on him, disarm him and bundle him into a cupboard which they lock.

All the good guys emerge onto the verandah, along with provisions, waterproofs and whatnot. There’s a banging of pots at the other end and McCunn sees a figure against a glass door. In that moment McCunnis convinced that this must be the Fourth Man they are all waiting for and pulls out the loaded pistol he was lent by Mr McNair and fires. He wings the figure who spins and disappears into the house. but something about the way he moved makes McCunn realise it is Loudon the factor (p.125).

Now, I was genuinely shocked by this. McCunn, up until now a figure of fun, is ready to shoot dead someone whose identity he can’t even make out in the dark. He’s as bad as the Bolsheviks.

Chapter 10

Inexplicably, rather than heading inland and getting as far away from the coast where the boat full of baddies is about to arrive, heading, for example, to the bloody train station, catching a train to Glasgow, reporting everything to the police and putting Saskia under diplomatic protection, the Allies decide instead to hole up in the ruined tower stop the cliffs. Here they Heritage comes round from his concussion, and they have another long debate about their plight.

Here something emerges into the full light which I hadn’t noticed previously which is somewhere along the line, Saskia had told them that she had been told to wait at Huntingtower for ‘her friend’. McCunn makes the super-sensible point that they should get to safety then send this ‘friend’ a message. Saskia obstinately refuses to leave (p.130). This is just stupid and feels like a contrivance to drag out the already thin and creaking plot.

Now McCunn comes up with a hare-brained scheme. Coming into the village several times he’s noticed a big white house (i.e. country house) on a hill. Why doesn’t he go there and try to recruit the laird and his people? He’ll need some evidence or they’ll think him mad, so he says he’ll take Saskia and, improbably, she agrees to go. Meanwhile, they’ll take Eugenie to Mrs Morran’s where she can be put to bed in a nice warm bed. (Good grief, do they think a gang of international terrorists aren’t capable of storming a little old lady’s b&b?)

So first McCunn accompanies both women through gathering rain and wet grass and grounds and along the empty road to Mrs Morran’s cottage. Here the old lady, with the instinctive reverence for aristocracy which conservatives like Buchan like to believe hide in the hearts of every peasant, curtseys to the princess. Then she tells McCunn to go stay in the attic room while the strips, dries and dresses both ladies in good solid highland clothes. McCunn is astonished in the change in Saskia’s appearance once she is wearing:

a heavy tweed skirt cut very short, and thick homespun stockings, which had been made for someone with larger feet than hers. A pair of the coarse low-heeled shoes, which country folk wear in the farmyard, stood warming by the hearth. She still had her russet jumper, but round her neck hung a grey wool scarf, of the kind known as a ‘comforter’. (p.135)

Mrs Morran then makes them a fine breakfast with hot tea as if they had all the time in the world. Eugènie is put to bed and McCunn and Saskia, covered in waterproofs, set off into the rain again, and there is a typically tortuous description of the elaborate route via roads, tracks, heather, moorland and whatnot till they get to the front door of the big house on the hill overlooking the railway station. (Get on a train at the railway station and hie to Glasgow, maybe then to London and complete safety? No.)

Mrs Morran had told McCunn over breakfast that this house belonged to the dashing hero Sir Archibald Roylance, one of Buchan’s recurring characters. The one-armed butler shows them into Roylance who is lounging in a chair bored, reading a book. As McCunn tells him the story, he leaps out of the chair exclaiming, in an impeccably posh dropped h, that ‘It’s more absurd than this shocker I’ve been readin’.’

Chapter 11

Astonished at the turn of events, Roylance bows to the princess and then they converse. He confirms that he was one of Quentin Kennedy’s best friends, they went to the same school together etc. Saskia tells him her story but Buchan says explicitly that she gives more detail now that she is talking to someone of her own class. In particular, she identifies the Great Unknown as a Russian man named Paul Abreskov.

Once he’s heard the full story, Roylance declares he’ll take Saskia to the local head of police and then bring her back here where he can defend her. But Saskia obstinately insists that she return to the hunting tower, to meet with her friend and to support Heritage and the Die-Hards who are fighting on her behalf.

When McCunn expresses his wish to get back in the fight, too, Roylance is inspired to join them. Unfortunately every single member of his staff, including himself, was wounded or crippled in the war. So McCunn tells Roylance to take Saskia to see the cops while he borrows his bicycle to get back to the house. But on the way his bike has a stick through the spokes which sends him flying and knocked unconscious, by two mercenaries paid by Dobson to get him.

Out for a walk, Mrs Morran comes across McMunn’s hat, sees a scuffle took place in the roadside mud, finds the bicycle hidden in bushes and concludes that McMunn has been captured. On the road back she comes across Wee Jaikie and tells him to sound the alarm (p.149).

Chapter 12

When McCunn comes round he’s tied to a tree. He has a couple of pages of regretting ever getting caught up in ‘romance’ and adventures (‘He did not want to die’ etc) before Wee Jaikie appears and cuts most of his bonds but is interrupted by the return of his capturers. These loiter just long enough to taunt him for being captured and sharing with the reader the vital information that the Danish brig has arrived and anchored and the baddies will be landing in half an hour. Then they move off, allowing Wee Jaikie to return and finish cutting McCunn free.

McCunn staggers back up to the public highway and encounters a man squatting down and repairing his motorcycle. He is a handsome young man who McCunn recognises as the man with the Australian accent he met at the Black Bull inn way back at the start of the story. Now the thing is that, during one of the many conversations between McCunn and Heritage about the mysterious Unknown Man who Saskia has told them she’s terribly afraid of, the mastermind of the kidnappers etc, our guys had decided it must be this Australian fellow. So the chap has barely looked up from his tinkering with his bike before McCunn grabs a spanner and takes a wild swing at him. Luckily the man ducks and then stands and punches McCunn, knocking the older man flat.

After some moments of understandable confusion, the man reveals that, far from being the Enemy, he is in fact The Friend who Saskia keeps going on about, the one she promised she’d meet here, the meeting which is her excuse for not doing the sensible thing and catching a train to Glasgow.

He introduces himself as going by the name of Alexander Nicholson but his real name is, of course, Russian, being Alexis Nicolaevitch. He quickly gives his backstory i.e. he left Russia before the war and emigrated to Australia, went back when war broke out, and when Russia signed its ceasefire made his way to join Australians fighting on the western front, and so found himself in Paris after the war.

And, of course, he is not just a ‘friend’ but the fiancé of the beautiful princess (‘She is my kinswoman. She is also my affianced wife’ p.159). He is, in fact, the fairy prince. And of course, desperately interested when McCunn reveals that he, McCunn, knows where the princess is and has been helping her.

So he helps McCunn onto the back of the bike and they set off towards the village but are almost immediately intercepted by Dougal, head of the Die-Hards. He tells the two men that the enemy ships have arrived, three boatloads of 23 or 24 men.

As usual with Buchan the situation feels needlessly complicated. Dougal tells them the enemy are on their way to besiege the tower. Heritage and some of the boys are inside and will put up a stiff fight. But when Lord Roylance returned with Saskia, Dougal insisted on putting them up in the house, allowing the enemy to think they’re in the tower, while they remain safe and at large (why oh why don’t they head away from the blasted enemy?).

Apparently, Roylance and Saskia got to meet the chief constable who believed their story but said it would take a while to rouse his men (really?) so there’ll be no help from that quarter for a while (really? when the country is being invaded by foreign nationals?)

Chapter 13

Cut to John Heritage holed up in the old tower and barely believing that an enlightened modern man could be caught up in an adventure out of romance. He’s alone in the tower but a) notifies the guards (who have managed to get out of their locked rooms in the main house) by shouting at them from the windows, b) and convinces them the princess is with them by waving skirts around and mimicking conversations in French for the guards’ benefit.

Dawn comes up and the morning passes and then the afternoon with nothing much happening except Heritage becoming more and more anxious. He fondly imagines the police, tipped off by Roylance, will arrive any moment and capture the whole pack of enemies. It gets chilly and in a typically waspish incident, Buchan has the one-time poet tear up his own slim volume of verse in order to feed the fire in the tower. You see, once a young man has tasted ‘action’ all his poetic vapourings, as well as his foolish left-wing tendencies, will evaporate.

Finally something happens which is a whole crowd of wet-looking rough sailors arrive and form a siege party. A posh man yells up at him to let them in, but Heritage stoutly refuses. He has been charged with defending the tower and he will stay to the end. When several try the door he shoots. Then they get a battering ram and pound the door again, and he shoots through a crack in the masonry and hits someone. Finally he sees something lob a bomb at the door which explodes in a great crash of timber and he hears the mob pouring into the ground floor of the tower. So Heritage retreats up the stairs to the topmost parapet and prepares to sell his life dear.

But at that moment he sees a white figure come running from the house and with horror realises it is the princess who he thought was miles away. She’s obviously seen the mob besiege and then storm the tower where a brave man is prepared to give his life for her. And so she runs down to within earshot of the mob and harangues them in Russian, then turns and runs off. The enemy forget all about Heritage, pour back out of the tower and set off in pursuit of the girl.

So really, Heritage’s occupation of the tower for most of the day had absolutely no practical value because it didn’t allow the princess to go anywhere, in fact the opposite, as soon as it began to fall she rushed within sight of her enemies. Like so much in Buchan it’s quite exciting and action-packed so long as you don’t actually think about its plausibility.

Chapter 14

Back to Dougal when Sir Archie arrives along with Sime the butler, Carfrae the chauffeur, and McGuffog the gamekeeper, and an armful of guns and two big cartridge-magazines. There is a typically long-winded debate about what to do: Roylance is for going to join Heritage in the tower, but Dougal objects that they would then be presenting themselves as sitting ducks. Dougal; counter-suggests that the ten or so of them go down to the beach heavily armed and fire on the sailors when they try to land, killing many of them. Roylance says that is illegal in a law-abiding country, and so they find themselves pushed back into the strategy of reoccupying the house and withstanding a siege. Innumerable details of how they barricade every door and window, Roylance all the time worried in case the whole thing is a mistake and they get in bad trouble with the law.

Eventually they see the figures coming from the seaward end of the house’s lawns and making for the tower. Panic stations. They hear the shots Heritage fired and then the explosion of the bomb. Saskia is wound up into a fever of concern and suddenly tells Roylance she’s going to save Heritage, wriggles through one of the blocked doors and is gone.

As we saw through Heritage’s eyes, she breasts a ridge and shouts at the attackers who promptly leave the tower to chase her. We see the breathless pursuit through Roylance’s eyes, who shoots the lead enemy who is getting within yards of the tiring girl in the leg. She reaches the ladder up the steep wall to the veranda as the leaders of mob close in but then suddenly a tall man emerges from nowhere, picks her up and forces her up the ladder our boys had leaned against the wall and turns to face the mob, addressing them in Russian. It is, of course, Alexis the fairy prince.

He harangues the mob then turns, races up the ladder, drawing it up after him, and through a part-open door into the house which is quickly barricaded. Saskia recognises her Alesha and runs into his arms. Our chaps hurriedly deploy their forces and then the whole thing turns into the defence of the Alamo or Rorke’s Drift, as the enemy try to break through various doors or windows only to meet fierce resistance.

Despite valiant fighting our team are forced to make an orderly retreat to the first floor landing. Suddenly out of the mob of sailors steps the elegant figure of Paul Abreskov, former lover of Saskia and now Bolshevik leader. In impeccable English he politely says the fight is now over and asks Saskia to come with him.

Obviously Saskia defies him, backed up by Roylance. Suddenly the mood in the mob at the bottom of the stairs changes. Messengers come from outside and they start to waver. Paul makes another plea as Dobson re-enters and tells him they must go now, the police have arrived, they’ll all be arrested. Then an evil look comes into Paul’s eye and he says if he can’t have Saskia, no-one can have her, and he reaches into his pocket, they hear a click and his hand comes out ready to throw.

At that second a figure comes out of nowhere, grabs Paul’s hand and makes a throw into the corner. The bomb Paul meant to throw at our team goes off with a terrific bang, blowing a hole through the fireplace into the next room. When the smoke clears their saviour is revealed to be Heritage, come from the tower, and Paul, like all the attackers, has gone.

Heritage announces that the police have just this moment arrived. Then who the devil was worrying the mob so for the previous ten minutes? At which one of the Die-Hards enters the room, wet and torn and scratched and bleeding, to be greeted by his chief, Dougal. Yes it was the Gorbals Die-Hards who saved the day!

Chapter 15

Goes back in time a few hours to tell things from McCunn’s point of view. Having escaped from being tied up, and mistakenly hitting out at Alexis, he had let the fairy prince and the Die-Hard zoom off on their motorbike and walked to Mrs Morran’s. Here he discovered was the command post of Thomas Yownie. He, the other Die-Hards and especially Mrs Morran are very concerned for nice Mr Heritage. First they hear the bomb go off which blows in the tower door, then Napoleon bursts in to report that he’s seen at least 27 baddies swarming up from the beach. At which point Yownie has a brainwave. Dobson is a lead figure in the opposition and he has a mortal fear of the police. Now night has fallen it is very dark so…why don’t the Die-Hards pretend to be the police?

And that’s what they do in a great comic set-piece which Buchan emphasises by adopting the tones of a military historian or, even better, a bard singing of the deeds of heroes. So he describes how the five or so boys dispose themselves around the building, blowing their police whistles from near and far, engaging in threatening conversations about how many of the mob had been captured, a constable informing his superior that the boats have been seized, Loudon is taken and so on, sowing doubt and fear into their listeners, especially Dobson who keeps rushing into the house to tell the irritated Paul that their cause is lost and they must flee.

There’s then a tense description of how Heritage escaped from the burning tower which was more fraught and dangerous than you’d think since he tried climbing down the outside only to find a great hole blocked his way and had to climb back up to the attic room and fight his way down the red hot stairs where he picked up burns and set his clothes alight before finally making it out into the cool wet heather.

Meanwhile McCunn and Mrs Morran listened to the effective cries of the Die-Hards and then witnessed the arrival of the actual police, some mounted on horses, who gave chase to the fleeing baddies. In the bay two boats are riding and pitching in heavy seas but the third is still ashore waiting for someone. McCunn and Napoleon realise it must be the enemy mastermind and then he’s upon them, rushing through the dark across the grass. Both McCunn and Napoleon try to tackle him, the boy being thrown off and McCunn being shot at at close range, but both fail to stop him and the agile young Russian leaps into the third boat, which quickly casts off.

But the storm is blowing up and the Atlantic breakers growing with each passing minute. From his vantage point ashore McCunn watches the three ships, one by one, founder and sink. Next day the dead bodies are washed ashore.

Chapter 16

Which ties up the loose ends. It’s only a week since McCunn set off on his merry ramble through the countryside but what a week! Now the storm has blown itself out and spring has arrived and the house, which seemed so threatening under lowering skies, now seems handsome set amid beautiful gardens.

1. The affair is hushed up. The police are leaned on by a superior not to make a report. The coroner gives death by drowning of unknown sailors to the baddies. Loudon is found dead at the foot of the cliff and the papers give him a glowing obituary as a sound member of the community (cf the glowing obituary given to Andrew Lumley who everyone thinks is a leading light of the community and only a handful know is the leader of a wicked international conspiracy in The Power-House).

Anyway, this is a fairy tale so all the goodies live happily ever after. 2. Some of the Russkies survive the storm and Alexis, in fine aristocratic style, forgives them and pays their passages to British Dominions where they can start new lives.

3. Saskia and Alexis walk hand and hand on the sunny greensward with their lives ahead of them.

4. Dickson and Heritage can see the lovers from where they’re sitting. Dickson is worried that Heritage will be devastated that Saskia, who he was in love with, is affianced to another man. But on the contrary, Heritage has the true gallant knight’s happiness that he served a beautiful princess. And he goes on to deliver an Author’s Message:

‘The trouble about you, Dogson,’ says Heritage, ‘is that you’re a bit of an anarchist. All you false romantics are. You don’t see the extraordinary beauty of the conventions which time has consecrated. You always want novelty, you know, and the novel is usually the ugly and rarely the true. I am for romance, but upon the old, noble classic lines.’ (p.207)

Which reminds me of the huge biography of Lord Salisbury I read a year ago, a lifelong arch-conservative whose philosophy was summed up in a pithy quote:

Whatever happens will be for the worse and therefore it is in our interest that as little should happen as possible.

If you are convinced that change, any change, is for the worst, then of course you will try your damnedest to prevent any change and conserve things just the way they are. And that is the conservative mindset.

5. Dickson wanders on and looks down on the camp of the Die-Hards who are camping in the house’s empty grounds. He reflects on how few chances they’ve had in life and decides he will adopt them as his wards, house and clothe and feed them and pay for their educations.

6. Throughout the tumultuous week McCunn’s wife, referred to only as ‘Mamma’, has been away at a spa. Now she returns home to find her husband looking tanned and with a few cuts and bruises. He seats her by the fire and treats her to some of their maid’s scones. Then McCunn ends the novel by taking out and giving to her a beautiful necklet of emeralds. It is, of course, a gift from the grateful Saskia and Mamma is delighted.

Thoughts

I watch too many movies for my own good. The thing about American films is how smoothly (by and large) they are plotted and how swift the action is. By complete contrast, Buchan’s shockers come from another era, when readers (apparently) enjoyed rickety plots and an extreme amount of circumstantial detail.

The descriptions of McCunn or Heritage or one or other of the Die-Hards creeping through heather, hiding in bushes, fording the river, sneaking across the lawn, doubling back on this road, that track, this path, that bit of beach or wood or orchard or whatnot, initially add atmosphere but eventually become very wearing.

Arguably, these long, long descriptions of the scenery the various protagonists traipse or creep or hurry through is a central characteristic of Buchan’s novels. All the kind of thing which would be immediately dropped if American scriptwriters got their hand on the plot, stripped out the persiflage and made it simpler and more coherent.

The comic climax, with the Die-Hards running round pretending to be the police, entirely makes sense, in its own terms, as a comic scene in a comic novel. But plenty of the other scenes – for example the immense fuss surrounding McCunn’s train trip to Glasgow with the princess’s jewels – feel clunky and over-detailed.

The basic premise, of a Russian princess bearing priceless jewels hiding in a remote Scottish house make reasonable sense and you can imagine it being the workable premise of a movie or TV series – but almost everything else about the story (starting with how she is imprisoned but her captives make barely any efforts to ask where she’s hidden them) would have to be radically rethought to achieve something like grown-up plausibility.

The rejuvenating effect of adventure stories

It’s a recurring theme in the six Buchan novels I’ve just read, that adventures make you young again.

But there was far more in his heart than this sober resolution. He was intoxicated with the resurgence of youth and felt a rapture of audacity which he never remembered in his decorous boyhood. ‘I haven’t been doing badly for an old man,’ he reflected with glee. What, oh, what had become of the pillar of commerce, the man who might have been a Bailie had he sought municipal honours, the elder in the Guthrie Memorial Kirk, the instructor of literary young men? In the past three days he had levanted with jewels which had once been an Emperor’s and certainly were not his; he had burglariously entered and made free of a strange house; he had played hide-and-seek at the risk of his neck and had wrestled in the dark with a foreign miscreant; he had shot at an eminent solicitor with intent to kill; and he was now engaged in tramping the world with a fairy-tale Princess. I blush to confess that of each of his doings he was unashamedly proud, and thirsted for many more in the same line. ‘Gosh, but I’m seeing life,’ was his unregenerate conclusion. (p.133)

But not just McCunn:

Sir Archie was never very clear afterwards about the events of the next hour. The Princess was in the maddest spirits, as if the burden of three years had slipped from her and she was back in her first girlhood. (p.183)

When I mentioned this to a friend she pointed out that it’s not just the character who is rejuvenated by these boyish adventures, it is the reader, too, who feels young again. The rejuvenation of the character in the text mimics or echoes the juvenilisation of anybody who reads what is, in effect, an adventure story for children.

And this is because, in this type of adventure yarn, we the readers know beyond any doubt that the good guys will win – and, indeed, that there are clearly identified good guys and bad guys. (Almost as simple-minded as US foreign policy.) There is a reassuring, comforting predictability about these ‘shockers’ so that immersing yourself means that all the complexities of adult life not only fall away from the characters, but from the reader as well.

After that Dickson leaves him [Heritage] and wanders among the thickets on the edge of the Huntingtower policies above the Laver glen. He feels childishly happy, wonderfully young, and at the same time supernaturally wise. (p.208)

And, of course, the stars of the story are a group of slum children, ranging from teenage years to toddlers. It is a child’s adventure story which features a gang of spunky kids, themselves readily envisionable as cartoon characters.

The Gorbals Boys 1948. Photo by Bert Hardy/Picture Post/Hulton Archive/Getty Images, currently on display at Bert Hardy: Photojournalism in War and Peace at the Photographers’ Gallery until 2 June 2024

The character of Russia

‘You do not understand,’ she said. ‘I cannot make any one understand – except a Russian. My country has been broken to pieces, and there is no law in it; therefore it is a nursery of crime … My people are not wickeder than others, but for the moment they are sick and have no strength … Russia is mortally sick and therefore all evil is unchained, and the criminals have no one to check them. There is crime everywhere in the world, and the unfettered crime in Russia is so powerful that it stretches its hand to crime throughout the globe and there is a great mobilising everywhere of wicked men. Once you boasted that law was international and that the police in one land worked with the police of all others. Today that is true about criminals… It is not Bolshevism, the theory, you need fear, for that is a weak and dying thing. It is crime, which to-day finds its seat in my country…’ (p.142)

Exactly a hundred years later I’m listening to current affairs programmes which countenance the idea that Russia might trigger a third world war, while Putin’s security state works day and night to undermine the economies, infrastructure and culture of the West. So plus ça change…

In praise of the middle classes

In contrast with a Russia that has been run by proletarians, commissars, a communist tyranny, and now oligarchs and yet another dictator, Buchan has his character Alesha, the exiled Russian aristocrat, deliver a paean to the value of the British middle classes, which is also a tribute to the unflappable nature of the book’s hero, Dickson McCunn:

‘You will not find him in Russia. He is what we call the middle-class, which we who were foolish used to laugh at. But he is the stuff which above all others makes a great people. He will endure when aristocracies crack and proletariats crumble. In our own land we have never known him, but till we create him our land will not be a nation.’ (p.206)

1977 BBC Scotland dramatisation


Credit

Huntingtower by John Buchan was first published by Hodder and Stoughton in 1922. References are to the 2008 World Classics paperback edition.

Related links

John Buchan reviews

Salisbury: Victorian Titan by Andrew Roberts (1999) part 2

‘Whatever happens will be for the worse and therefore it is in our interest that as little should happen as possible.’
(Salisbury writing about the Balkan crisis of 1887 in a sentence which sums up his political philosophy)

‘Salisbury: Victorian Titan’ is divided into two equal parts of about 430 pages each:

  1. Tory Tribune, 1830 to 1885 (pages 5 to 422)
  2. Tory Titan, 1885 to 1903 (pages 425 to 852)

By the second half I thought I had a good handle on the book’s strengths and weaknesses. Its obvious strength is the way it examines all the major political events and issues in British and international politics between about 1865 and 1902 in fantastic detail, as seen from the point of view of the hero of this enormous biography, Robert Cecil, 3rd Marquess of Salisbury.

Using extensive quotes from Salisbury’s correspondence and speeches, plus citations from the letters or reported remarks of those around him (principally his political colleagues, occasionally his family) we get day-by-day, sometimes hour-by-hour recreations of how it seemed to Salisbury, what his thoughts and strategems were, how he manoeuvred those around him or attacked those on the opposition party, how he managed the relentless, hyper-complex task of managing British domestic, international, and imperial challenges.

So: amazing insights into a figure who really does emerge as a giant of his times, Prime Minister from 1885 to 1902, with only a three year gap. And yet the book’s strength is also, I think, its weakness, which is that the focus is so unrelentingly on Salisbury, what he said and thought and wrote, his speeches around the country and in the House of Lords, his comments over dinner or at parties, what family and confidantes recorded him saying to them – that, although the book covers an amazing number of issues, I began to realise that you fail to get a well-rounded presentation of those issues.

One example stands for many: only as much of the ill-fated expedition of General Gordon to Khartoum is explained and described as is necessary to understand what a political opportunity it presented to Salisbury to attack Gladstone for failing to relieved besieged Gordon in time. But the full background to the Mahdi’s rising, explaining the context of his rise, his appeal, and previous military engagements, and the subsequent history of British involvement in the Sudan are mostly missing. The topic swims into view as it affects Salisbury then, when it ceases to be relevant to him, disappears.

A bigger, more dominant and recurring theme is Ireland and Irish nationalism. Again, it initially feels like you’re getting a lot of information but, after a while, I realised it was a lot of information only about Salisbury’s day-to-day management of the way successive Irish crises impinged on British politics. So Roberts mentions agrarian disturbances, the regular murders and atrocities, and he mentions that this is mostly caused by inequalities to do with land and rents – BUT you don’t get a clear explanation of why. There’s no stopping to give a broader explanation of the context of Irish discontent, the rise of nationalism, the background to rural violence and so on. Roberts mentions a number of organisations, such as the Irish Brotherhood, but without any background on their formation and activities.

The great tragic Irish leader Charles Stewart Parnell appears in the narrative mainly in a very detailed account of his trial which Salisbury helped to organise and provided evidence for. Yet after reading pages and pages about this I was still left feeling unclear what the distinctive thing about Parnell and his party was. And Roberts throws away the event that ruined Parnell, his being mentioned in a divorce case, which led his puritanical supporters to abandon him, in a few phrases. So I didn’t get a full, rounded, thorough explanation of Parnell’s success and rise, just a few episodes as they impinged on Salisbury’s concerns to manage the Irish Problem.

I hope by now you’ve got my drift: this is an awesomely huge, thoroughly researched, insightful, clever and beautifully written biography of Salisbury BUT it is not a good history of Britain during his times. Every page is plastered with quotes and citations from his letters and speeches but these focus entirely on how Salisbury used events to manipulate the politics around him.

It is an extraordinarily detailed view of what politics is actually like i.e. the ceaseless calculating of what is to your own or your party’s advantage, the constant jostling and politicking against the opposition party and just as much with enemies within your own party. Reading about Salisbury’s Machiavellian manipulations is wonderfully insightful and entertaining. But time and again I felt I was being short-changed on the issues themselves. It’s perfectly logical and entirely sensible that we only see events or issues insofar as they impinge on our man Salisbury. But as page 400 turned to page 500, and then on to page 600, I became a little irked at a sense that I was missing out on the actual history of the period.

Contents

Roberts gives sub-titles to his chapters which summarise the issues each one covers, so an effective way of conveying its scope is simply to copy that:

Chapter 26: Reconstruction at home and abroad (January to April 1887)

  • 1887: Salisbury reshuffles his cabinet, coming to rely on George Joachim Goschen, 1st Viscount Goschen, a former Liberal, then Liberal Unionist, who he makes Chancellor of the Exchequer; Sir Michael Hicks Beach as the Chief Secretary for Ireland
  • death of Stafford Henry Northcote, 1st Earl of Iddesleigh, formerly Lord Northcote, Salisbury’s challenger in the Commons to leadership of the Tories
  • 1887: The Mediterranean Agreements, a series of treaties with Italy, Austria-Hungary and Spain
  • Bulgaria: Alexander of Battenberg, prince of Bulgaria, abdicated in 1886 after a pro-Russian coup, triggering a Balkan crisis about who to replace him: the constant worry was that Russia would interfere, prompting Austria to retaliate, triggering a general European war
  • 1888 June: Kaiser Wilhelm II ascends the throne of the German Empire, worrying everyone with his impetuous outbursts and lack of understanding of the intricate skeins of European diplomacy
  • Egypt: ‘I heartily wish we had never gone into Egypt’, Salisbury wrote. British influence was necessary to safeguard the Suez Canal but upset the Ottoman Sultan, the rival Power, France, and the people of Egypt who resented British influence
  • The French were afflicted by a permanent ‘inferiority complex’ and so behaved badly at every opportunity, in a dispute about the Newfoundland fisheries, in the New Hebrides in the Pacific, obstructive in Egypt, planting a flag in the empty wastes of Somalia

Chapter 27: ‘Bloody Balfour’ (March 1887 to July 1891)

  • March 1887 Salisbury appointed his nephew Arthur Balfour the Chief Secretary for Ireland. An aloof, philosophical man, commentators thought he would be a soft touch but he implemented Salisbury’s strategy of cracking down on lawlessness that, in the wake of the Mitchelstown Massacre when Irish police opened fire on protesters killing 3 (9 September 1887) and Balfour gave them his full support, he was nicknamed ‘Bloody Balfour’. Conversely, Balfour’s sternness impressed the future defender of Ulster, Edward Carson.
  • (It speaks volumes about this society and this ruling class, that the Irish Viceroy, the 6th Marquess of Londonderry, had been Balfour’s fag at Eton.)
  • July 1887: Balfour steered the passage of the ‘Perpetual Crimes Act’, a Coercion Act to prevent boycotting, intimidation, unlawful assembly and the organisation of conspiracies against the payment of agreed rents which led to the imprisonment of hundreds of people including over twenty MPs
  • March and April 1887: The Times newspaper published letters they claimed proved Parnell’s association with the Phoenix Park murders and violent crimes. Parnell sued the newspaper whereupon it emerged that the letters were all forged by a notorious crook. Salisbury backed the Times and the prosecution i.e. Tories talk about ‘honour’ and ‘the law’ when it suits them, but break it or ignore it when it suits them

28: ‘The genie of imperialism’ (May 1887 to January 1888)

  • June 1887: Queen Victoria’s Golden Jubilee; interesting to learn what a struggle the authorities had to know how to mark it appropriately; in the end it was the template or trial run for the much bigger Diamond Jubilee ten years later; of course a cartload of ‘honours’ were doled out, usually as a reward to the Unionist cause (p.461)
  • The Colonial Conference: Salisbury was not a doctrinaire imperialist and was against the idea of forging a closer union or federation with the (mostly white) colonies i.e. Canada, the Cape Colony, Australia and New Zealand; but the Colonial Secretary Sir Henry Holland took advantage of all the premiers being in London for the Jubilee to stage one anyway
  • In the 1880s Britain took control of Bechuanaland, Burma, Nigeria, Somaliland, Zululand, Kenya, Sarawak, Rhodesian and Zanzibar
  • 13 November 1887 ‘Bloody Sunday’: a crowd of marchers protesting about unemployment and the Irish Coercion Acts, and demanding the release of Irish Nationalist MP William O’Brien, clashed with the Metropolitan Police, with 400, 75 badly injured, two policemen were stabbed and one protester was bayonetted
  • Tithes: an example of Salisbury’s defence of the Church of England, his Tithe Rent-Charge Bill was wrangled over for 4 years, from 1887 to 1891; it aimed to get non-payers of tithes to the Church subject to County Court judgements which would make it easier for the clergy to obtain their money
  • Allotments: Salisbury strongly objected to a Bill brought to allow local councils to compulsorily purchase land in order to create allotments for the poor;
  • Fiscal retaliation: this was another phrase for protectionism which Salisbury was also vehemently against; the issue was to grow and grow, reflecting the fact that sometime in the 1880s Britain lost the industrial and economic lead she had enjoyed for most of the century; protectionism was raised at party conferences again and again but Salisbury managed to stave it off; after his retirement the policy of imperial protectionism would tear the party apart and contribute to the Tories’ catastrophic defeat in 1906

Chapter 29: Rumours of Wars (February to July 1888)

  • A reshuffle:
  • ‘Pom’ Macdonnell: Salisbury appointed as his personal private secretary Schomberg ‘Pom’ McDonnell, fifth son of the Earl of Antrim who turned out to be an outstanding administrator and confidante
  • The Vienna Incident: the new young touchy Kaiser thought that his diplomatic overtures had been snubbed and so made it known that he planned to ‘cut’ his uncle, the Prince of Wales, when they were both on visits to Vienna; diplomatic panic; chancelleries and embassies go into overdrive; children
  • General Boulanger’s war scare: Georges Ernest Jean-Marie Boulanger, nicknamed ‘General Revenge’, was a French general and politician, an enormously popular public figure who won multiple elections in the 1880s, vowing revenge for the defeat of 1870, taking on not only Germany but Britain if necessary, causing many sleepless nights in the Foreign Office; at the height of his popularity in 1889 it was widely was feared that he might make himself a dictator; as usual with French bluster, it came to nothing
  • Newfoundland and Bering Sea disputes: diplomatic fracas with France about fishing rights off Newfoundland and then with America about ownership of the sea around the Bering Straits; the point of all these quarrels is the way Salisbury managed them down, without letting them escalating into fighting talk
  • House of Lords reform: surprisingly, Salisbury supported reform of the House of Lords (mainly to kick out crooks) but was predictably against professionalising it; he defended the House of Lords not for its members’ achievements or intelligence but because simply by dint of being wealthier and better educated than most people, they were less likely to be influenced by ‘sordid greed’ (p.493); this of course sits at odds with the reams of evidence throughout the book that those who sought ‘honours’ were precisely the ambitious and greedy
  • February to July 1888: Sir Garnet Wolseley, hero of the (unsuccessful) march to relieve Gordon at Khartoum (1885), was promoted to Adjutant-General to the Forces in the War Office from where he issued a series of alarmist warnings about the threat of a sudden invasion from France and cuts to the army budget, all of which an irritated Salisbury had to manage down

Chapter 30: The Business of Government (August to December 1888)

  • County councils: the most important piece of domestic legislation of 1888 was the creation of County Councils as the primary instruments of local government replacing the previous ad hoc and regionally varying procedures (p.499)
  • The Drinks trade: the nonconformist and Temperance interest among the Liberal Unionists tried to add to the local government bill provisions to limit pub opening hours and cut back on the drinks trade; Salisbury opposed this, believing every Englishman should be free to go to hell his own way
  • Votes for women: in the County Council elections which were held in 1889 women candidates were elected for the first time (p.502); Salisbury wasn’t against women having the vote, and is cited as saying he had no problem with educated women having it; he was against extending the franchise to the lower classes; in the event, like lots of other pressing issues he managed to block and delay it so women’s suffrage became an issue which damaged the Edwardian Liberal governments
  • In 1888 Sir Lionel Sackville-West, British minister at the Washington legation, made a rookie error by replying to a letter, ostensibly from an Englishman in America, asking who he should support in the presidential election; Sackville-West wrote back suggesting Grover Cleveland would be better for Britain; the letter was a ruse, written by an American, Sackville-West’s reply was published in the newspapers and the US government kicked him out for this undiplomatic faux pas i.e. an ambassador expressing about an election in a foreign country; Salisbury was furious; during the fracas Sackville-West succeeded to his father’s title and went back to the huge Knole Park estate with a state pension
  • A ‘black man’: in 1885 a Tory colonel had won the Holborn by-election against an Indian, Dadabhai Naoroji; in 1888 Salisbury made a speech in which he referred to this event and made the remark that ‘I doubt if we have yet got to the point where a British constituency will elect a black man to represent them’; not only the Liberals but many commentators came down on him like a ton of bricks; interestingly, the Queen wrote to criticise him; Dadabhai Naoroji was elected MP for Finsbury Central in 1895, becoming Britain’s second ethnic minority MP; he enjoyed referring to himself as ‘Lord Salisbury’s black man’
  • The Viceroy’s India proposals: before Frederick Temple Hamilton-Temple-Blackwood, 1st Marquess of Dufferin and Ava, was sent off to India to be viceroy (in 1884) he had drawn up proposals to extend the powers of viceregal and local legislative councils, including an element of direct voting; Salisbury quashed these as all other hints at Indian self-rule
  • This leads Roberts into a consideration of Salisbury’s diplomatic style which was highly secretive; he often didn’t inform cabinet colleagues about initiatives; this was partly because he considered the Foreign Office ‘a nest of Whiggery’ and the level of ambassadorial competence generally very low (p.514); Roberts discusses the basis of his diplomatic thinking which was utterly pragmatic – most treaties, he admitted, are based on force or the threat of force (p.512) or, as he put it somewhere else, bluster and bluff; 15 years later, as the world entered the new century, that bluster and bluff would no longer do – big armies, big navies and heavy industry increasingly became key to international affairs
  • Fascinating fact: before 1914 Britain only had 9 ambassadors (compared to 149 in 1997) and just 125 diplomatic posts abroad

Chapter 31: Africa (1885 to 1892)

When Salisbury left the Foreign Office in 1880, nobody talked about Africa. When he returned in 1885, everyone was talking about Africa, and the quarrels it was causing between the Powers (p.518).

Between 1885 and 1900 most of the borders of modern Africa were set by European statesmen who’d never been there. To this day, this is one of the root causes of the chronic instability, political and economic backwardness of Africa. But at the time the various deals the nations of Europe struck, and the straight lines they drew through jungles and deserts, represented a triumph because the primary aim was never fairness or the interests of Africans, it was to prevent European nations going to war.

The lines on the map weren’t drawn in accordance with the logic of geography or tribes, traditional territory, language or commerce. The aim was to stop Europeans going to war.

‘We have been engaged in drawing lines upon maps where no white man’s foot has ever trod. We have been giving away mountains and rivers and lakes to each other, only hindered by the small impediment that we never knew exactly where the mountains and rivers and lakes were.’ (p.529)

(Some) reasons the European colonisation of Africa accelerated in the last decades of the nineteenth century:

  • the discovery of gold and diamonds in South Africa
  • the opening up of East Africa by the Suez Canal
  • the evangelical impulse to eliminate the slave trade and convert the heathen
  • France’s lust for la gloire after her ignominious defeat in the Prussian War
  • private adventurism and entrepreneurship (Rhodes)
  • the quests of each nation’s industry to sources of raw materials and markets
  • the evil greed of Belgian’s King Leopold II
  • Britain’s need for a safe route to India
  • the invention of steamships and advanced weaponry (the Gatling gun)
  • the development of medicines for tropical diseases (p.518)

African issues:

  • Bullying Portugal: ‘a tiresome little Power’ (p.520) I was surprised how much trouble it was to negotiate a treaty with Portugal to stop their incursions into what we called Nyasaland, thus preventing the Portuguese owning a belt right across the middle of Africa, from Angola in the west to Mozambique in the East
  • Zanzibar: managing German attempts to overthrow the Sultan of Zanzibar and to establish Uganda as a German protectorate; Salisbury was appalled at the Germans’ brutality to Africans; acquiring Zanzibar involved a trade-off whereby we accepted France’s acquisition of Madagascar (p.529)
  • March 1890 the Kaiser abruptly sacked Bismarck (p.525); Salisbury negotiated a deal to hand Germany Heligoland in the Baltic in exchange for sole protectorate over Zanzibar
  • Britain acquired the future Uganda and Kenya, Germany kept Tanganyika, Rwanda and Burundi;
  • 1890 The Sahara: Salisbury agreed Conventions with France whereby we backed the Royal Niger Company’s claim to the Niger valley in exchange for agreeing French control of the western Sahara and the Algerian hinterland as far as Lake Chad
  • Italian ambitions: in exchange for British control of the Nile valley Salisbury let the Italians stake the Red Sea coast i.e. Eritrea and Somalia
  • Cecil Rhodes: Salisbury though Rhodes a chancer but backed his request for a royal charter to develop the huge area in south-central Africa which would develop into Rhodesia; in thanks for his support Rhodes named the dusty capital of his new territory Salisbury (which would become the city of Harare, capital of modern Zimbabwe) (p.534)

During a seven year period Salisbury laid down the outlines of colonial Africa which were to last well into the twentieth century.

Chapter 32: Mid-Term Crises (January 1889 to December 1890)

  • The Kaiser pays Victoria a visit, potentially embarrassing because he had been rude to the Prince of Wales the previous year
  • General Boulanger, a bellicose right-winger who had threatened a coup in Paris, in the event fled to Brussels
  • Royal grants: Salisbury became very close to the Queen, they thought alike on many matters, and so he tried to move the question of grants to minor royals out of the Commons, where it had become a regular peg for Liberals and Radicals to make republican remarks
  • The two-power standard: Salisbury secured cabinet support to greatly increase spending on the navy and invented a new rule of thumb, that the Royal Navy should be as big as the next two largest navies (of France and Russia) combined
  • The Paris Exhibition: Salisbury refused to let the British ambassador attend the centenary celebrations of the French Revolution, an event which haunted Salisbury and informed his reactionary Toryism
  • The Shah’s visit: after initial reluctance Salisbury hosted Nasr-el-Din in London and at his Hatfield home
  • The ‘socialist’ current: the London dock strike from August to September 1889 and the huge marches to support it worried gloomy Salisbury that socialism was on its way; he thought it represented an attack on property and law (of contracts, rents etc)
  • The Cleveland Street Scandal: scandal about a male brothel just north of Oxford Street, frequented by members of the royal household and some posh army officers
  • A mid-term crisis: objections to a slew of domestic bills bring his government close to losing a vote and having to quit
  • Prince Eddy in love: Eddy being Prince Edward’s eldest son, second in line to the throne; when he fell in love with a French princess it threatened the delicate balance of European power because Salisbury’s general aim was to keep in with the central powers (Germany and Austria) as protection against France and Russia; having a potential French queen-in-waiting would wreck his whole strategy so he moved heaven and earth to get Victoria to forbid the marriage
  • Trouble at Barings bank which faced bankruptcy until the ruling class rallied round to refund it

Chapter 33: Alliance Politics (January to October 1891)

  • Visitors at Hatfield: the Kaiser visits; Salisbury thinks he is mad and dangerous; and then Crown Prince Victor Emmanuel of Italy
  • Free education: a policy of Chamberlain and the Radical Unionists to which Salisbury acquiesces, creating an Education Bill which passed in August 1891
  • The Prince of Wales in difficulties: Salisbury negotiates peace in a bitter row between the prince and some offended aristocrats
  • The death of W.H. Smith, a steadfast and loyal supporter of Salisbury as Leader of the House of Commons; after careful politicking Salisbury has the post filled y his nephew Arthur Balfour
  • Party organisation: the importance of chief agent of the conservative party, Richard Middleton, and Chief Whip, Aretas Akers-Douglas
  • The Liberal Unionist alliance: the importance of the good working relationship with the super-posh Marquess of Hartington, 8th Duke of Devonshire, leader of the Liberal Unionists

Chapter 34: Leaving Office (November 1891 to August 1892)

  • The general election: friends and colleagues die; the Tory government finds it hard to pass bills; by-elections go against them; much debate whether to call an election for the end of the year (Salisbury’s preference) or June; July 1892 it was and although the Conservatives and Liberal Unionists won 314 seats and the Liberals 272, the balance of power was held by the Irish Nationalist MPs who won 72, and who went into alliance with the Liberals on the understanding that Gladstone would introduce a Home Rule bill
  • Gladstone: Salisbury considered Eton and Christ Church-educated, Anglican Gladstone a traitor to his class in the long bloodless civil war which is how he saw British politics
  • Cabinet style: Salisbury accepted the result and in August tendered his resignation to the Queen, who was very upset; she loathed Gladstone; his cabinet colleagues testify to Salisbury’s calm and cheerful collegiate style; once they got rid of Randolph Churchill, it had been a successful and good tempered cabinet

Chapter 35: Opposition (August 1892 to June 1895)

  • The Second Irish Home Rule bill: Gladstone lost no time in forming an administration, then moving his Home Rule Bill on 13 February 1893; Salisbury’s calculations about the best strategy to block it, his effectiveness because it was defeated by 10 to 1 in the House of Lords
  • Gladstone resigns: Gladstone found himself increasingly at odds with his own cabinet, in particular opposing the ongoing increase of the Royal Navy; he was the oldest person ever to be Prime Minister, aged 84, and on 2 March resigned
  • Lord Rosebery: the Queen couldn’t call for her favourite, Salisbury, because the Liberals still had a majority in the Commons, so Gladstone was replaced by the Liberal Imperialist Archibald Philip Primrose, 5th Earl of Rosebery, who was Prime Minister from March 1894 to June 1895 when he called, and lost, a general election; Rosebery was naive and fell into Parliamentary traps Salisbury laid for him, undermining confidence in his government
  • Evolution: Salisbury was sympathetic to science and Roberts describes a major speech he gave at Oxford about Darwin’s theory of evolution which, however, basing itself on Lord Kelvin’s completely erroneous theory about the age of the earth, claimed there wasn’t enough time for Darwin’s theory to have taken place; all completely wrong, as Kelvin’s theories were utterly wrong: Kelvin thought the sun about 20 million years old, whereas we now know it is about 4.5 billion years old, and that the earliest life on earth probably developed about 3.5 billion years ago
  • Dissolution: The Spectator called Lord Rosebery ‘the butterfly Premier’ and he couldn’t heal the widening divide between his form of Liberal Imperialism, aggressive abroad, radical at home, with the Liberal core; his cabinet split on all its policies, namely the annexation of Uganda, the increased navy budget and appointing Lord Kimberley foreign minister, and Home Rule and the introduction of a graduated death duty at home
  • 21 June 1895 Rosebery lost a minor vote, when his war minister was censured for a supposed lack of cordite for the army, and chose to take the opportunity to resign; the Queen called for Salisbury who agreed to take office and prepare a general election for July
  • Chamberlain: though he disagreed with some of his Radical policies Salisbury came to respect Chamberlain for his forthright character and that, not having gone to public school or university, he didn’t give himself airs

Chapter 36: Problems with Non-Alignment (June to December 1895)

  • A landslide: oddly, to us, Salisbury formed his government before holding the election; it was a landslide, the Tories taking 340 seats, their allies the Liberal Unionists 71, with the Liberals on 177, and 82 Irish Nationalists; the cabinet numbered 19, compared to 1886’s 15 (today it is 22)
  • The Hamidian massacres: series of atrocities carried out by Ottoman forces and Kurdish irregulars against Armenians in the Ottoman Empire between 1894 and 1896, named after the Ottoman Sultan Abdülhamid II, up to 100,000 died; Salisbury wanted to send the fleet to the Dardanelles but was over-ruled by his cabinet and the reluctant Royal Navy, infuriating him, and then he was castigated in the press and by the opposition for being weak

I was particularly interested in the fervid debate about this because lots of well-meaning liberals and churchmen insisted that ‘something must be done’, just as they do nowadays when there are atrocities in the Arab/Muslim world, but Salisbury’s objections remind me of the modern debate I’ve followed in the pages of Michael Ignatieff, Frank Ledwidge and so on, which is, there’s only so much we can do? Exasperated, Salisbury asked one correspondent would he have us invade Turkey and take on the Sultan’s army of 200,000? And then other European powers come in on Turkey’s side thus triggering a European war? No.

  • The signing of a Franco-Russian Entente led to the setting up of a Joint Naval and Military Defence Committee
  • Walmer Castle: his other nominees crying off because of the cost, Salisbury ended up appointing himself Warden of the Cinque Ports
  • Venezuela: the problem – America takes a very tough line about a border dispute between Venezuela and British colony, British Guiana, with President Cleveland seeking re-election, populists and the yellow press calling for war; Salisbury loftily ignores the fuss

Chapter 37: ‘Splendid Isolation’ (December 1895 to January 1896)

  • The Jameson Raid: the foolishness and failure is dealt with in my review of The Boer War by Thomas Packenham
  • The Kruger telegram: the Kaiser congratulated the Boer president, Paul Kruger, for snuffing out the Jameson Raid before it got started; the British press went mad with anti-German hysteria; rumour had it Germany was sending marines to help the Boers; Britain responded by sending battleships; it knocked British trust in German good faith
  • The poet laureate: Tennyson died in 1892. In 1895 Salisbury appointed his sometime all, the small poet and pamphleteer Alfred Austen to the job; Roberts thinks was a joke at the expense of the literary establishment
  • ‘Splendid isolation’: Roberts is at pains to show that Salisbury was never a splendid isolationist, a phrase coined by a Canadian politician and which he rejected; on the contrary he had signed various treaties and deals which allied us with various European powers, but his belief was that the country should act independently of treaties, in response to ever-changing events
  • Venezuela: the solution – the Americans continued very belligerent and Canada made plans to repel an American attack and Salisbury asked the war office to make plans to send Canada help, but after months of bombast an international tribunal resolved the Venezuela question

Chapter 38: Great Power Politics (February 1896 to May 1897)

  • The Jameson aftermath: i.e. the raiders were handed back over to the British authorities who brought them back to Britain for trial, as well as setting up a Royal Commission which, as usual, exonerated the senior political figures (most notably Chamberlain who almost certainly encouraged the raid) while sending to prison some small fry
  • The march on Dongola: on 1 March 1896 the army of the Emperor Menelik II of Ethiopia defeated the Italian army of Eritrea at Adowa. This raised fears that he might incurse into Sudan and so threaten southern Egypt. This was the pretext Salisbury needed to send an army south into Sudan to retake it from the Dervishes also known as the Mahdi Army, who had held it ever since the killing of Gordon at Khartoum in 1885
  • September 1896: The Balmoral Conversations: against the backdrop of another pogrom against Armenians, with Tsar Nicholas II about Turkey in which Salisbury raised his hobby horse that the Powers partition the Ottoman Empire while the Tsar said his country wanted control of the Dardanelles
  • The ‘wrong horse’ speech: Salisbury’s speech to the House of Lords on 19 January 1897 announcing an end to support for Turkey and its bloody Sultan, saying British policy since Lord Palmerston (the 1850s) and the Crimean War (1853 to 1856) had been mistaken; ‘we put all our money the wrong horse’ (p.646); British Near Eastern policy had shifted from Turkey to Egypt (p.703); a major foreign policy rethink; into the vacuum left by Britain’s rescinded support stepped Germany, as described in The Berlin-Baghdad Express: The Ottoman Empire and Germany’s Bid for World Power, 1898 to 1918 by Sean McMeekin
  • Crisis on Crete: Christian Greeks outnumbered Muslim Turks 7 to 1 and wanted to be united with Greece; Salisbury thought it ridiculous that the territory or policy of a modern nation ought to be based on its literary history; he blockaded Crete ports to try and enforce peace but representatives of Greek Prince George landed and acclaimed him leader of liberated Crete at which point both Greece and Turkey started preparing for a major land war. Salisbury cajoled the cabinet into blockading Greece but war broke out in April 1897 with Turkey quickly invading northern Greece who promptly begged the Powers to intervene for peace: ‘The Greeks are a contemptible race’
  • Gerald Balfour: Salisbury appointed another nephew, Gerald Balfour, Chief Secretary for Ireland, and he promptly brought out an Irish Land Bill which Salisbury thought contemptible and worked to defeat in the Lords; then the idea of a permanent royal residence in Ireland, like Sandringham, except none of the royal family approved; then the 1898 Irish Local Government Bill
  • The Transvaal: the economic and political build-up to the Boer War, namely that British experts predicted that the Transvaal’s mineral wealth would soon make it the pre-eminent power in South Africa to which the Cape Colony would defer; Salisbury appointed Lord Milner as Governor of the Cape Colony and High Commissioner for Southern Africa; Salisbury himself wanted to avoid a conflict with the Boers, but in his first official meeting with British officials in SA, Milner made it clear he was determined to engineer one

Chapter 39: Apogee of Empire (June 1897)

  • The Diamond Jubilee: detailed description
  • Jingoism: Salisbury was against extreme patriotism and sabre rattling in speeches and articles; in practice he believed all international affairs derived from physical force but a permanent aggressive imperialist stance hemmed in a foreign policy which he believed had to remain agile and adaptive; scornful of the two Jingo pipe-dreams of 1) a Cape to Cairo railway entirely through British territory, 2) an Imperial Federation behind protective tariffs
  • The three high points of Jingoism were the Diamond Jubilee, Mafeking Night and the Khaki Election (p.835)
  • Honours: Roberts gives a sustained consideration of Salisbury’s attitude to, and record of, giving ‘honours’ (see section below)
  • Bishop-making: as with the honours, an assessment of his policy of bishop making which was pragmatic i.e. he tried to make equal appointments from the Low, Broad and High church traditions in order to keep the Church of England together, something he believed vital for the nation
  • The Munshi: Victoria became irrationally attached to an Indian Muslim named Abdul Karim, aka the Munshi, meaning ‘teacher’, who came to represent all her Indian subjects to her; unfortunately, pretty much the entire Royal household hated him and Salisbury was called in on several occasions to calm arguments

(It’s worth noting Queen Victoria’s striking lack of racism, the reverse, her active wish to promote and encourage subjects of all races from across the empire. Thus she repeatedly demanded that the army in South Africa be supplemented by Sikhs, Gurkhas and Zulus, only to be met by obstructiveness from the War Office, Cabinet and Salisbury himself. Their arguments were 1) distributing arms to coloured subjects set a bad precedent and 2) in a tight spot, English squaddies might refuse to take orders from a person of colour; p.756.)

Chapter 40: Choosing his ground (July 1897 to September 1898)

  • Imperial Federation: pipe-dream Salisbury pooh-poohed; thought Britain stood to lose out economically and, if every citizen in the Federation got a vote, politically, too
  • A French convention:
  • Port Arthur: the Russians seized Port Arthur on the coast of China forcing British ships to vacate the area, signalling a ramping up of the scramble for China; newspapers, politicians and even his own cabinet saw this as a humiliation and claimed Salisbury’s policy of splendid isolation had failed, but Salisbury’s mild response was because he saw trouble brewing with France
  • Anglo-German relations: when Salisbury was off sick his Secretary for the Colonies, Chamberlain, suggested to the German ambassador that Britain and Germany sign a non-aggression pact
  • 4 May 1898 the ‘dying nations’ speech: to a packed audience of the Primrose League at the Royal Albert Hall describing a Darwinian vision of nation states, that weak states become weaker whilst strong states become stronger; “The nations of the earth are divided into the sheep and the wolves – the fat and defenceless against the hungry and strong”; as a comment on the rise and fall of nations it was banal enough; its real purpose was to justify Realpolitik
  • The death of Gladstone: Salisbury was one of the coffin bearers and was genuinely upset which is strange given his deep-seated loathing of Gladstone as a traitor to his class, not least in Ireland (p.693)
  • Curzon as Viceroy: January 1899, Salisbury appointed George Nathaniel Curzon, aged just 40, Viceroy of India; he was to be an inspired choice (p.694)
  • Secret Convention with Germany (‘the Delagoa Bay agreement’, p.719) agreeing no other Power allowed to intervene in Angola or Mozambique the two huge colonies of the weak Power, Portugal, and how the 2 colonies would be divided if Portugal collapsed
  • 2 September 1898 The Battle of Omdurman: part of General Kitchener’s campaign to retake Sudan from the Mahdist Islamic State, revenge for the death of Gordon, a disciplined Anglo-Egyptian force let 50,000 or so Mahdists charge their lines and massacred them with machine guns; around 12,000 Muslim warriors were killed, 13,000 wounded and 5,000 taken prisoner while Kitchener’s force lost 47 men killed and 382 wounded (p.697); journalists present with the British force, and young Winston Churchill in his account of it, were critical of Kitchener for allowing the wounded Sudanese to be murdered; Kitchener was rewarded by being made Baron Kitchener of Khartoum
  • 1898: Winston Churchill published his first book, aged 24

Chapter 41: The Fashoda Crisis (September to November 1898)

  • The Fashoda Crisis was the biggest international crisis since 1878. The intrepid Captain Marchand of the French army marched across the Sahara and planted the French flag at the abandoned mud-brick fort on the banks of the White Nile named Fashoda. A week later General Kitchener, fresh from the victory of Omdurman, arrived with his army and insisted that Fashoda, like all of the Sudan, belonged to Britain. There was a real risk Britain and France would go to war. Salisbury wasn’t fussed about places in mosquito-ridden West Africa (about which we signed Conventions with France) but was insistent that British control of the Nile valley was a sacrosanct principle of British foreign policy
  • France was being disputatious over colonies around the world including Siam (Thailand), Tunis, Madagascar, Niger; ‘They [the French] are so unreasonable and have so much incurable hatred of England’ (p.480)
  • It’s worth remembering how rubbish France was; a century of revolutions, not least the 1871 Commune, had left its society riven by religious and class hatred which had been revived by the bitter Dreyfus Affair – Émile Zola published his famous letter ‘J’Accuse…!’ on 13 January 1898 – and France was on her seventh government since 1893; that’s why its governments and ruling class were so touchy about Britain’s apparently effortless superiority; that’s why populist press and politicians whipped up patriotic feeling against Britain – to try to paper over the large cracks in French society
  • The Marchand expedition: the impressive achievement of Captain Marchand who led 20 French officers and NCOs and 130 French Senegalese over 2,000 miles on a 24-month trek on foot and by boat from Loango at the mouth of the Congo to the Nile
  • When Kitchener met up with Marchand at Fashoda the two men raised their respective flags, denied each other’s right to occupy it, then settled down into a cordial friendship while they let the politicians back in Europe sort things out
  • Parisian politics: the British ambassador worried that war fever was running so high there might be a military coup in Paris led by generals who would use a war with Britain to smother the ongoing Dreyfus scandal; while her populist press ranted for war, ministers were uneasily aware of Germany’s ongoing animosity, and when the Tsar explicitly proclaimed the Franco-Russian entente didn’t apply outside Europe France’s position got steadily weaker; the French government looked like collapsing (again)
  • Triumph: realising they couldn’t win, the French backed down, covering their pusillanimity with vaunting rhetoric; Marchand was ordered to make his way to the Red Sea through Abyssinia (he didn’t have enough provisions to return the way he’d come and returning down the Nile under British supervision would have been humiliated)
  • In February 1899 a Convention was signed with a new French ambassador laying out clear demarcation between the zone of French influence in west Africa and the Maghreb, giving Britain exclusive influence over Egypt and Sudan

Chapter 42: The Outbreak of the Boer War (December 1898 to October 1899)

  • grossly overweight Salisbury had a tricycle with raised handlebars made for him and cycle paths laid out in the grounds of Hatfield House
  • like many grandees back in London, Salisbury had a low opinion of the Boers who he had met on his travels 30 years earlier and thought rough, ignorant slave drivers of the native Africans;

Background: Britain had annexed the Cape Colony, the band of territory right at the bottom of Africa, with the results that the Boer population, descendants of the original Dutch settlers, undertook their ‘Great Trek’ into the interior and set up what developed into two states, the Orange Free State and, to its north, the much larger Transvaal, so called because it was on the other side of the River Vaal. Their descendants called themselves the voortrekkers.

In the 1880s diamonds and gold were discovered which promised to make the Boer government rich. In 1882 the Boers elected as president Paul Kruger, a hard-core, unrepentant Boer nationalist.

The issue was that tens of thousands of migrants had moved into the Transvaal, to work in the ever-growing mines. The Boers referred to them as ‘Uitlanders’ and subjected them to an array of discriminatory laws: they were heavily taxed but in return had worse schools, poor accommodation, were subject to high prices, police brutality, arbitrary arrest, biased legal decisions, censorship of the press and so on. Above all, although they paid taxes, they were forbidden from voting. In Roberts’ opinion the Boers ran little less than ‘a tight, tough, quasi police state’ (p.717). Most of these Uitlanders were ‘freeborn’ Britons so that when the British Uitlanders petitioned the Queen to intervene on their behalf, the war party could claim that lack of help undermined the prestige and authority of Britons throughout her empire.

So British men of the war party, such as Cecil Rhodes, Joe Chamberlain and Lord Milner, kept up a steady barrage of propaganda back to their masters in London, claiming the Boers subjected their black workers to slave-like tyranny, were backward and uneducated, were liable to declare war on friendly black tribes, as well as all the injustices meted out to the Uitlanders.

The fundamental argument was that the ongoing existence of two troublesome, unjust, unpredictable colonies disturbed Britain’s settled rule in South Africa and would only get worse. The war party argued that conflict was inevitable, and so helped to create the expectation, in Parliament and the press, for war. Milner sent Salisbury a note comparing the British workers were treated like ‘helots’ (p.721), Salisbury said they were treated like serfs.

The Boer view was it was their country which they had founded by the sweat of their brows in the face of native reprisals, and that they had their own, highly puritanical ultra-protestant belief and culture, all of which were being swamped by tens of thousands of incomers, and also by the booming immigrant population in the Cape. In other words, they felt their entire identity and heritage was being threatened (p.726).

  • Sir Alfred Milner: High Commissioner of the Cape Colony, was instructed to negotiate better rights for Britons at the so-called Bloemfontein Conference, but found Kruger unmoveable and called him ‘a frock-coated neanderthal’ (p.722)
  • Appeasing Germany: Britain and Germany had been haggling about possession of the islands of Samoa; Salisbury didn’t care tuppence about Samoa so happily gave them all to Germany with a view to mollifying the ever-aggrieved Kaiser
  • Lady Salisbury’s illness: she suffered a stroke and showed signs of dementia, partly distracting Salisbury from his duties; you wonder whether Roberts inserts this as an extenuating factor, softening Salisbury’s responsibility for the war
  • Exasperation with the Transvaal: Kruger offers to give Uitlanders the vote once they had been resident for 7 years, plus guaranteed seats in the small Transvaal parliament; some in the cabinet thought the crisis was over
  • (The Aliens Bill: Roberts points out that at the same time as Salisbury et al were supporting unlimited emigration to the Cape and were compelling it on the Boers, his cabinet passed an Aliens Bill designed to severely restrict immigration into Britain; this was to address the flood of Jewish immigrants who were fleeing antisemitic pogroms in Poland and Russia)
  • Both sides arm: British intelligence reported that both the Transvaal and Orange Free State were buying arms in Europe and importing it via Delagoa Bay, the major port right at the bottom of Mozambique, only 30 or so miles from the border with Transvaal (p.724); for their part the British government moved troops into Natal
  • The Smuts Proposals: Transvaal’s Attorney General Jan Smuts contacts the ambassador to make a series of proposals which represent significant concessions around offering Uitlanders the vote and representation in parliament, but premised on the Transvaal remaining independent and outside British suzerainty
  • The Boer Ultimatum: the British government ramped the pressure up on the Boers, with a series of demands which the Boers, initially, acceded to; so it was a surprise when it was the Boers who issued the set of demands or ultimatum which finally triggered the conflict, setting out a list of demands which must be met by 5pm on Wednesday 11 October

Chapter 43: ‘The Possibilities of Defeat’ (October 1899 to May 1900)

I was wrong about Roberts mentioning Lady Salisbury’s illness in a bid to exonerate his hero because he does the opposite; he heavily blames Salisbury for the Boer War. He cites AJP Taylor who apparently said that Milner dragged Chamberlain who dragged Salisbury into the conflict – but in order to flatly contradict him (Taylor).

No, Salisbury had masterminded British foreign policy for over a decade, was a master of far-seeing strategy; he personally approved every dispatch sent to the Boers, and Roberts cites memos and messages between the key ministers which show Salisbury approving the escalation of Britain’s demands, approving the sending of troops to Natal, and manipulating the presentation of the issues so as to ensure the casus belli (cause of war) was one which would rouse and unite the widest number of the population, or politicians and the press (p.736).

Salisbury should have known better. He should have accepted Kruger’s very fair offers to address the issue of the Uitlanders and worked to extend British suzerainty slowly, by economic means maybe. He should have thought of a clever solution.

Instead he let himself and the British government be painted into a corner where the only two options were fight or have British prestige around the world undermined (p.734). This was an epic failure of statecraft. It was Salisbury’s war and, although he proved remarkably phlegmatic about its initial reverses (so-called ‘Black Week’, Sunday 10 December to Sunday 17 December, when the British Army suffered three devastating defeats) its length, bitterness, cost, the way it divided the nation, the enmity it raised in the other Powers, especially Germany, and the sheer cost of death and misery, all are down to Salisbury.

As Britain’s powerful and long-serving Prime Minister and Foreign Secretary, Salisbury must bear overall responsibility for the situation. (p.732)

Moreover, it was entirely his responsibility that the War Office and the British Army were so poorly prepared to fight such a war (p.756).

  • The death of Lady Salisbury: Salisbury was devastated and never the same again
  • ‘Black week’: Sunday 10 December to Sunday 17 December (p.749): the British army began its war the same way it had begun every one since Waterloo, led by useless generals to a series of disastrous defeats
  • A peace offer: the presidents of the two Boer republics (the Transvaal and the Orange Free State) offered peace, so long as they retained sovereignty, which Salisbury contemptuously refused, claiming they had started the war
  • In the first weeks of the war the Boers surrounded and besieged three major towns, Ladysmith, Kimberley and Mafeking. The military turning point probably came when Ladysmith was relieved on 28 February 1900 but the psychological breakthrough came with the relief of Mafeking on 17 May 1900 after 217 days (p.761) though not before 478 people had died of starvation

Chapter 44: Resolution (May to October 1900)

  • Curzon: Curzon was an outstanding Viceroy in India but was obsessed with the idea that Russia was extending its influence into Persia and that we must fight back; Salisbury put up with Curzon’s criticisms but complained that he spoke as if Salisbury had an army of 500,000 at his back (as the Czar did) when a) there weren’t that many British troops in the whole world and b) the most active forces were tied up in South Africa
  • The Boxer Rebellion: see my review of The Boxer Rebellion and the Great Game in China by David J. Silbey (2012)
  • On 3 September General Frederick Roberts formally annexed the Transvaal
  • Social policy: Liberal Unionist Joe Chamberlain bombarded Salisbury with proposals for social reform bills almost all of which Salisbury managed to reject; they did manage:
    • 1897 Workmen’s Compensation Act
    • 1899 Small Dwellings Acquisition Act
  • The ‘Khaki’ election: held between 26 September and 24 October 1900, when popular opinion believed the Boer War was won, the Boer president Kruger had fled to Holland and all their regular forces had surrendered; result: the Conservative and Liberal Unionist Party 402, Liberal Party 183
  • The Unionist alliance: a short review of the effectiveness of Salisbury’s coalition of Conservatives with Liberal Unionists; Chamberlain said he was treated with more respect as a Liberal Unionist in a Conservative cabinet than he had been as a Radical in Gladstone’s Liberal cabinet

Chapter 45: Reconstruction (October 1900 to January 1901)

The ‘Hotel Cecil’: Salisbury handed out so many official positions to members of his extended family that he prompted widespread accusations of nepotism and croneyism (pages 789 to 790), something he himself acknowledged (p.825). Conservative MP Sir George C. T. Bartley wrote to Salisbury in 1898 complaining that in the Tory Party:

‘all honours, emoluments and places are reserved for the friends and relations of the favoured few’ (p.788)

It says it all that, when he finally resigned as Prime Minister, on 11 July 1902, he was succeeded by his nephew, Arthur Balfour.

The death of Queen Victoria: they had become very close, and even if they disagreed, the Queen was always a fixed point of reference to navigate by, so Salisbury took her sudden death (on 22 January 1901) very hard. Late in her life her eyesight was failing and notes to her had to be written in letters one inch high, often only ten words to a page. In return she sent replies written in a handwriting which had become so indecipherable that special experts were called on to explicate it (p.794).

What this kind of anecdote displays is not so much something about Victoria, but about Roberts and the kind of book he wants to write, namely popular, unacademic, accessible, strewn with humorous anecdotes and so, very readable.

Chapter 46: ‘Methods of Barbarism’ (January to December 1901)

  • King Edward VII: Salisbury had had some professional encounters with the new king, when they sat on committees, but he generally ignored his suggestions and limited what government papers he saw; but to his own surprise they quickly formed an effective working relationship
  • The Boer War, the second phase: the main fighting ended but the Boers upset everyone by mounting a scattered guerrilla war; when you consider that they were fighting for the land they had settled and called their own, for land they and their forefathers had worked for generations, it’s entirely understandable
  • Anglo-German relations: after victory in the Khaki election of 1900, Salisbury reshuffled his cabinet but the biggest change was him giving into cabinet pressure and relinquishing the dual role he had had of Prime Minister and Foreign Secretary; he was replaced by Lord Lansdowne, a Liberal Unionist, who had had a poor reputation at the War Office (but then, everyone did); Lansdowne’s arrival marked a break with what had come to be regarded, rightly or wrongly, as Salisbury’s policy of ‘Splendid Isolation’ i.e. refusing to commit to alliances with any of the major European Powers (France, Germany, Austria, Russia)
  • The concentration camps: Roberts seeks to set the record straight: the concentration camp was not invented by the British but by the Spanish in the war against America 2 years earlier; the camps came about because thousands of Boer women and children, left undefended when their men went off to join commando unit, were at the mercy of the Blacks and/or unable to fend for themselves; plus the deliberate British policy of deliberately burning homesteads anywhere near where a commando attack took place rendered them homeless; but the British were completely unprepared for the scale of the immigration and coralling all underfed people in barbed wire encampments quickly led to the spread of epidemic disease; at their peak the numerous camps held some 118,000 white and 43,000 coloured inmates; the Royal Army Medical Corps had planned to serve 40,000 soldiers – in the event they had to cater to 200,000 soldiers and over 200,000 refugees; some 20,000 women and children died (4,000 adults, 16,000 women); these were obviously not extermination camps like the Nazi ones, but British incompetence led to a holocaust of innocents which is held against us to this day; Roberts lists all the possible extenuating circumstances (a handy list) but is robust regarding his hero: Salisbury ‘must bear the ultimate responsibility for what happened’ (p.806) campaigner Emma Hobhouse blamed it on ‘crass male ignorance’ i.e of the hygiene and accommodation required by women and children

It’s worth pointing out that even in Roberts’s broadly sympathetic account, Salisbury, as I understand it, habituates himself to lying about the causes of the war; its origins were all about redressing the injustices suffered by the Uitlanders; once the fighting started, some Boer units mounted incursions over the border into the Cape Colony; and this allowed Salisbury to completely change his rhetoric and claim that the British were acting in self defence against a dastardly invasion. He took to repeating this in public speeches, in private correspondence and diplomatic replies to the Powers, for example in a note to the new king, advising him how to reply to a personal communication from Tsar Nicholas:

‘The war was begun and elaborately prepared for many previous years by the Boers and was unprovoked by any single act of England’ (p.808)

Obviously, he is presenting the strongest, most unambiguous case possible to one of the great Powers, and during a time of war but it was a line he peddled in a variety of contexts, including private correspondence. Here he is writing to his son:

‘This unhappy war has lasted much longer than we expected…but I have no doubt that it was forced upon us and that we had no choice in regard to it.’ (p.810)

This strikes me as being a very Big Lie. Moreover, if Salisbury and his ilk based their claim to rule the country on the idea that they represented a disinterested values of honour and legality, then bare-faced lies and distortions like this undermined that claim, and showed them up to be just another special interest group protecting their own interests (and grotesque mistakes).

The cost of the Boer War

Salisbury spent a lifetime castigating the Liberals for the costs of their policies and claimed to run a fiscally responsible administration. Roberts shows how the Boer War blew that claim out of the water. It ended up costing some £223 million, led to increases in income and other taxes, and a vast increase in government borrowing. Salisbury left his successor (Balfour) a fiscal disaster.

  • The Taff Vale judgement: on 22 July 1901 the House of Lords handed down a judgement that a trade union could be sued (by employers who suffered from a strike). Superficially a victory for the forces of Reaction, this decision single-handedly galvanised working class movements and activists to realise they needed organised representation in Parliament and led to the setting up of the Labour Party.

Chapter 47: A Weary Victory (January 1902 to August 1903)

  • The Anglo-Japanese alliance: 30 January 1902 Britain departed the splendid isolation she had enjoyed for decades by making a defensive pact with Japan to last 5 years; this was to counter relentless Russian expansion into decaying China and the worry that the Russian and French fleets combined outnumbered the British one and so could, potentially, disrupt Britain’s Pacific trade
  • Coronation honours: Salisbury strongly opposed some of the names the new King Edward put forward for his coronation honours, particularly Thomas Lipton who he thought entirely unworthy of entering the House of Lords
  • The Education Bill: English education policy was stymied because the core of the system was so-called Voluntary schools which were run by the Church of England and taught Anglican religion; many of these schools were poorly funded and so Salisbury wanted to give them government support; however, ratepayers from other religions, some Catholic but many non-conformists, refused to pay rates if they were going to support their children being taught a different religion; the solution was, obviously, to increase the provision of non-denominational state schools but Salisbury blocked this because a) of his deep attachment to defending the Church of England and b) because of his scepticism about teaching the children of the working classes, anyway; Roberts digs up some scandalous comments from his journalism period, in which Salisbury says what’s the point of educating working class kids if they’re just going to return to the plough or the factory; this was not only a scandalously snobbish, privileged point of view, but economically stupid; while Britain wasted a huge amount of political time and money fussing about these issues, the Germans and Americans were instituting practical educational systems appropriate to the needs of a modern industrial economy i.e. technical and engineering apprenticeships and colleges; Salisbury embodied the kind of ‘principled’ and ‘honourable’ Reaction which condemned Britain to slow economic decline
  • Peace at Vereeniging: 31 May, after prolonged negotiations, a peace was signed ending the Boer War; Milner had wanted to fight on until every Boer combatant was killed but head of the army Kitchener thought enough had been done, a difference of opinion reflected in fierce arguments in the cabinet; the treaty terms were surprisingly lenient, amnestying most Boer fighters and letting them return to their farms (the ones that hadn’t been burned down) and families (the ones who hadn’t died in the British camps)
  • Retirement: Salisbury had said he would go when the war ended; with his wife dead and Queen Victoria dead and the war over, he began to feel his age and infirmities, nodding off in cabinet meetings;

‘I thought I had much better resign and get out of the way; especially as, since the death of the last Queen, politics have lost their zest for me.’ (p.829)

  • Salisbury prepared the way for his retirement with his cabinet colleagues; he rejected the plan to have his nephew, Balfour, replace him on the same day as smacking too much nepotism; and went to see the King to hand over the seals of office on 11 July 1902; the King was prepared for the visit and handed him the Grand Cross of the Royal Victorian Order; within 24 hours his nephew was appointed Prime Minister, to much mocking from the Liberal and Irish Nationalist benches; allegedly, this is the origin of the phrase ‘Bob’s your uncle’, though that is disputed; Balfour found it difficult to fill his uncle’s giant shoes, the coalition began losing by-elections, and was eventually massacred in the landslide Liberal victory at the 1906 election
  • Death: he went steadily downhill after retiring, suffering a series of ailments (ulcers, kidney problems) then a heart attack which led to the final decline and he died on 22 August 1903

The legacy

What an enormous biography this is, overflowing with facts and insights, completely achieving its goal of persuading the reader that Salisbury was one of the titans of the Victorian age. Roberts makes a sustained case for his hero but the more he defends him, the more negative the final impression one has, of a big reactionary buffalo who set his face against all change in any aspect of British society, and solidly, intransigently in defence of his class, the landed aristocracy, its wealth, privileges and power.

The nature of the Conservative Party

‘Hostility to Radicalism, incessant, implacable hostility, is the essential definition of conservatism.’

‘The use of Conservatism is to delay changes till they become harmless.’ (writing to Lady Raleigh after the 1892 election defeat; p.841)

Salisbury engaged in a lifelong struggle against what he saw as the forces of atheism and political progressivism, becoming a master of patient obstructionism. (p.841)

The Conservative Party opposed the extension of the franchise, votes for women, reform of the voting system, home rule let alone independence for Ireland or any of the other colonies, opposed trade unions and workers’ rights, opposed universal education, opposed old age pensions, opposed the welfare state, opposed the National Health System, opposed the abolition of the death penalty, equal rights for women, gay liberation, opposed the expansion of universities and every new artistic movement for the past 200 years. In other words, the Conservative Party opposed every political measure and social achievement which most modern people would describe the hallmarks of a civilised society. They defended the privileges of the aristocracy and the bigoted Church of England, hanging, fox hunting, the brutal administration of Britain’s colonies, and corrupt nepotism. In international affairs they gave us the Boer War, Munich and the Suez Crisis. In every argument, on every issue, they have been the enemy of enlightenment, peace and civilisation.

And what kind of people are attracted to this small-minded, snobbish, xenophobic party of reaction? Admittedly he was writing in a private letter to the Radical Liberal Unionist Joe Chamberlain, but in 1900 Salisbury described the Conservative Party as:

‘a party shackled by tradition; all the cautious people, all the timid, all the unimaginative, belong to it. It stumbles slowly and painfully from precedent to precedent with its eyes fixed on the ground.’ (p.800)

Roberts reports this all quite candidly. It’s for the reader to decide how much this description still applies to the Conservative Party of today.

No policies

To explain, or put the case for the defence, Salisbury’s was a strong disbeliever in theories, manifestos and policies. He distrusted all such claptrap. He despised continental philosophy and was proud of being a philistine in the arts. 1) He thought general theories (such as everything the Liberals espoused) led to unintended consequences, and tended to overthrow the established practices he was so attached to (see the French Revolution, proclaiming brotherhood and ending in tyranny). And 2) he thought a politician needed to be free of pre-commitments in order to react to each issue or crisis as it arose, with the maximum of flexibility, without having his hands tied by promises made to get elected years previously. Epitome of pragmatism.

‘I believe that freedom from the self-imposed trammels of particular theories is necessary if you want to deal with the world as it is.’ (p.475)

He could barely be persuaded to issue any kind of manifesto or platform before the general elections he fought. He thought it sufficed to say the government of the country would be in safe, conservative hands.

Foreign policy

The case is stronger for Salisbury’s foreign policy. Here his dislike of prior commitments was (arguably) a virtue, as it led him to reject every suggestion by his cabinet colleagues to form alliances with this or that of the Powers (France, Germany, Austria or Russia). The central portion of the book makes it clear that this was important as it allowed Salisbury maximum freedom of manoeuvre in handling the many crises which kept coming up, especially in the decaying Ottoman Empire. In fact the major learning from the diplomacy of the 1880s and 90s was how close Europe repeatedly came to a general conflagration, and Roberts shows that Salisbury’s adept diplomacy often prevented that coming about.

Roberts calls the period from Salisbury’s becoming Foreign Secretary to his retirement the Pax Saliburiana. On the face of it the Boer War is a massive, disastrous stain on that claim but from Salisbury’s point of view the single most important thing about it was that none of the major Powers got involved. They complained but the crisis didn’t trigger a general European war.

Same with the Scramble for Africa. In most modern books this is viewed from a woke perspective as a scandal, a historic crime. But seen in context, the thing is not that Africa was arbitrarily carved up with no consultation of the people who lived there, but that none of the potential conflicts between the Powers led to actual war. At the back of his mind was fear of a vast European conflict and he was 100% successful in avoiding this. As Roberts pithily puts it, one of the most remarkable things about the First World War was not that it occurred, but that it didn’t break out earlier.

Everything changed as soon as he retired, and the Entente Cordiale of 1904, far from securing Britain’s security and the peace of Europe, was just the first of the web of alliances which was to plunge Europe into the catastrophic World War ten years later. Would the war have occurred if Britain had stuck to Salisbury’s policy of splendid isolation? Discuss.

Salisbury sayings

‘I was delighted to see you had run Wilfred Blunt in. The great heart of the people always chuckles when a gentleman gets into the clutches of the law.’ (p.448)

The Pope is ‘to be looked upon in the light of a big gun, to be kept in good order and turned the right way.’ (p.449)

‘Always tell the Queen everything.’ (p.515)

Salisbury cynicism

Salisbury was brutally honest about imperialism. He didn’t waste his time with fancy ideas of civilising and morality and whatnot. He really disliked colonial adventurers and chancers. He saw imperialism as an extension of the precarious balance of power between the ‘powers’ or main countries of Europe (Britain, France, Germany, Austria, Russia). Thus he was under no illusion that empire was anything other than the imposition of force to maintain Britain’s interests. Thus Egypt and Sudan had to be held in order to secure the Suez Canal as the conduit to India (p.519), whereas he frankly rubbished the fantasy the fantasy of Cecil Rhodes and the Jingoists of building a railway running from Cairo to the Cape without leaving British territory (p.534).

Thus Britain installed a new pliable ruler of Zanzibar who was installed:

as soon as British warships had bombarded the palace and ousted the pretender. (p.52)

Overthrowing the Ottoman Sultan for a more biddable alternative; overthrowing the king of Burma; overthrowing the Khedive of Egypt; overthrowing the Amir of Afghanistan; overthrowing the heir to the Zanzibar throne, and so it goes on, Britain bringing ‘civilisation’ to the rest of the world and then lecturing everyone about rights and duties and law and honour. No wonder the French despised the British establishment for its deep-dyed hypocrisy.

Imperialism

Poor Lord Curzon saw all his grand schemes for India and beyond (winning influence in Persia, building railways lines across the Middle East) stymied by Salisbury’s basic principle of not alienating Russia and then, when the Boer War drained Britain’s finances, by chronic lack of money. In one of his many letters to Curzon Salisbury gives a (maybe exaggerated) insight into imperial policy earlier in the century:

‘In the last generation we did much what we liked in the East by force or threats, by squadrons and tall talk. But we now have “allies” – French, German, Russian: and the day of free, individual, coercive action is almost passed by. For years to come, Eastern advance must depend largely on payment: and I fear that in this race England will seldom win.’ (p.809)

Salisbury was always gloomy about the present, but this suggests the interesting idea that the empire was created during a unique ‘window’ when force and bluster won huge territories but, by 1900, that era had ended. (Cf taking colonies by force, p.511)

Manipulating the legal system

One of the things that comes across powerfully is the way the ruling class of all flavours (Tory, Liberal, Liberal Unionist) blithely manipulated the legal system, throwing their weight behind prosecutions or releasing individuals early, as it suited them, for example, releasing Irish MP John Dillon early from prison because he was ill, to ensure he didn’t die behind bars and become a martyr (p.451). In the case of the Cleveland Street scandal, Roberts casually mentions that his hero ‘technically’ conspired to pervert the course of justice and committed misprision of a felony, but he did it in a good cause so that’s alright (p.546).

The rotten ‘honours’ system

And the way politicians treated the ‘honours’ system as a simple set of partisan rewards. There was absolutely nothing ‘honourable’ about them, as there isn’t to this day. ‘Honours’ were used to reward loyal service to the government or big financial donors or, frequently, to get rid of unwanted colleagues, ‘kicking them upstairs’ to the House of Lords. Talking of the Liberal Unionists, Robert remarks:

although they refused the rewards of office Salisbury ensured that they were liberally sprayed by the fountain of honours. (p.427)

Home Secretary Henry Matthews was considered to have performed badly during the Jack the Ripper crisis (3 April 1888 to 13 February 1891):

and in 1895 he was awarded a viscountcy as a consolation for not being asked to return to office. (p.507)

The Duke of Beaufort, an important Tory magnate:

corresponded with Salisbury over twenty-five years on the usual aristocratic subjects of cadging arch-deaconries for friends, baronetcies for neighbours and honours for the mayors of towns on his estate. (p.546)

The only reason the Lord Mayor was keen on the visit of Kaiser William was that he thought ‘he might cadge a baronetcy out of it’ (p.555). In 1890 some Tories planned to lure the Liberal Lord Bernard over to their party with the offer of an earldom (p.569). Salisbury himself turned down the Queen’s offer of a dukedom not once but twice, but allowed his son (already Lord Cranbrook) to be raised from a viscount to an earl (p.579).

When forming his 1895 cabinet Salisbury did not appoint Henry Holland, Lord Knutsford, and so gave him a ‘consolation’ viscountcy; Matthews was no reappointed but made Viscount Llandaff; Ellis Ashmead-Bartlett wasn’t given a job, but ‘picked up a consolation knighthood’ (p.602).

Thomas Lipton the tea magnate brown-nosed the queen by donating a huge £25,000 to the Princess of Wales’s project to give London’s poor a banquet at the Diamond Jubilee. Salisbury considered him ‘worthless’ (p.796) but he was a friend of the Prince of Wales and so ‘duly received his knighthood the next year’ (p.661). Basically, you can buy these ‘honours’ if you pay enough and put in enough brown-nosing.

Salisbury despised ‘the rage for distinctions’ but used it as cynically as any other prime minister (pages 668 to 673). In fact in the 6 months of his short caretaker government, he doled out no fewer than 13 peerages, 17 baronetcies, and 23 privy councillors. As Roberts says, not a bad haul for party hacks the party faithful (p.670).

The man more responsible than anybody else for the self-defeating fiasco of the Boer War, Lord Milner, was, of course, given a barony as reward (p.800). Then, as now, colossal failure was rewarded by corrupt politicians.

(Roberts uses the verb ‘cadge’ so many times to describe pushy officials grubbing for honours that I looked it up. ‘Cadge’ is defined, formally, as: ‘to ask for or obtain something to which one is not strictly entitled’, less formally as: ‘to get (food, money, etc) by sponging or begging.’ So you can think of all those Victorians jostling and bothering the Prime Minister for honours as well-heeled beggars and pompous spongers.)

The endless queue of people in the worlds of politics, the church or local government relentlessly pestering him for awards and honours made Salisbury’s view of human nature even more cynical and jaded:

‘Directly a man has satisfied his most elementary material wants, the first aspiration of his amiable heart is for the privilege of being able to look down upon his neighbours.’ (p.668)

And yet he continued to hand them out like smarties, as politicians have continued to do right down to the present day.


Credit

Salisbury: Victorian Titan by Andrew Roberts was published in hardback by Weidenfeld and Nicholson in 1999. References are to the 2000 Phoenix paperback edition.

Related reviews

The Square Egg and Other Sketches by Saki (1924)

Eight amusing short pieces by Hector Hugh Munro (pen name Saki) who was shot dead by a sniper while serving on the Western Front during the First World War. These last few pieces were collected and published posthumously in 1924.

The Square Egg: a badger’s eye view of the mud war in the trenches

The first few pages are a humorous description of life in the First World War trenches, whose main points can be summarised as:

  • snuffling around in the mud is like being a badger
  • though engaged in a titanic struggle against one of the greatest armies in the world, the average soldier thinks about the enemy relatively little
  • the subject which does consume the soldier’s every waking minute is the mud and how to avoid it; now the narrator knows what it’s like to be one of those animals you see at the zoo wallowing in muddy enclosures
  • he describes the nature of the many estaminets just behind the front lines, a cross between coffee houses and bars, and the way they always manage to have small children running round and getting in the way

At which point the text morphs into an anecdote about a chap he met in such an estaminet, a shifty French bloke who talked to him about eggs, specifically the way he’s noticed one of the many hens kept by his aunt lays eggs with the hint of angles. Consider how, through a programme of selective breeding, one could eventually create hens which produce only square eggs! Well, this guy claims to have done just that!! (Saki’s narrator makes wry, sardonic references under his breath).

The shifty Frenchie then explains how he had set up a thriving square-egg business but then came the war, he has been sent to the Front and his aunt is now selling his square eggs without any special consideration about keeping the breeding line secure and keeping the money she owes him. Therefore he has decided to take her to court to stop her, but the law is so expensive, monsieur. So, could Saki please lend him a small sum towards his legal fees, 80 francs should do it! The whole thing is, in other words, a scam.

This was a mildly amusing story which confirmed my sense of how many Saki’ stories are set on farms or involve farmyard animals.

Birds of the Western Front

These texts written at the Front highlight, almost exaggerate, Saki’s characteristic upper class nonchalance; everything is cast into an ironical manner which, for example, amuses itself by making elaborate and ironic comparisons. Thus, since the war began:

Rats and mice have mobilized and swarmed into the fighting line, and there has been a partial mobilization of owls, particularly barn owls, following in the wake of the mice, and making laudable efforts to thin out their numbers. What success attends their hunting one cannot estimate; there are always sufficient mice left over to populate one’s dug-out and make a parade-ground and race-course of one’s face at night.

Crows and rooks have become habituated to shellfire and machine guns. Drolly, Saki describes observing a pair of crows fighting a pair of sparrowhawks while above them the same number of English and German airplanes were fighting. Nature red in tooth and claw. He observes that magpies have been bereft of the poplar trees they used to love to nest in, and so on with further observations about buzzards, kestrels, larks and a hen-chaffinch which he noticed unaccountably hanging around a wrecked woodland, even during the most intense bombardment.

He ends with the sardonic observation that English gamekeepers as a breed believe their precious gamebirds and pheasants and whatnot must be protected from the slightest disturbance. They should come to the Western Front and learn how hardy birds are in face of even the most ruinous disruption.

The Gala Programme: an unrecorded episode in Roman history

The scene shifts abruptly from the present war, jumping back in time 2,000 years to ancient Rome.

It is the birthday of the Roman Emperor Placidus Superbus who has arrived at the Circus Maximus to enjoy the games, but just as the first entertainment is about to begin – a thrilling chariot race – hundreds of shouting women are lowered by ropes into the track and completely prevent the race taking place.

‘Who are these furies?’ the emperor demands. ‘The dreaded Suffragetae,’ his miserable Master of Ceremonies explains. The emperor has a brainwave. ‘Skip the chariot race,’ he tells the MC, ‘let’s go straight to part two, the combat of wild animals.’ And so a horde of beasts are let loose among the protesting women, to really very entertaining effect :).

Takes its place with the other 3 or 4 Saki stories entirely dedicated to commenting on / ridiculing the suffragettes.

The Infernal Parliament

Bavton Bidderdale (a typically Sakian preposterous name) dies, but the medical authorities contest the exact cause of death etc and so, although his soul has gone down to hell, the officials there keep it in a kind of limbo until the paperwork is sorted out.

While he’s waiting, the officials offer to show him round and suggest taking a tour of the infernal Parliament, a relatively new innovation. As he arrives the infernal Parliament is having a debate to lodge a formal complaint with the human race for describing events or activities as ‘devilish’ or ‘fiendish’ when they are, in fact, nothing of the sort, but entirely human.

Other details obviously mock contemporary parliamentary debates (and, in the final passage, mock a living playwright, possibly George Bernard Shaw) but these references are lost without some kind of annotation. You can see the comic intention but it would have more bite if included in my dream idea of an ‘Annotated Saki’.

The Achievement of the Cat

A wonderfully suave and ironical tribute to the qualities of the domestic cat:

It is, indeed, no small triumph to have combined the untrammelled liberty of primeval savagery with the luxury which only a highly developed civilization can command; to be lapped in the soft stuffs that commerce has gathered from the far ends of the world; to bask in the warmth that labour and industry have dragged from the bowels of the earth; to banquet on the dainties that wealth has bespoken for its table, and withal to be a free son of nature, a mighty hunter, a spiller of life-blood. This is the victory of the cat.

The Old Town of Pskoff

Not a story at all, but a straightforward description of how this city in west Russia, now referred to as Pskov, represents a kinder, quainter, more colourful and older Russia than the unpleasantly nouveau riche style of Petersburg. Sounds like it’s based on a real visit and the real views of Hector Munro who had been a foreign correspondent in Russia and, indeed, wrote a history of it.

Clovis on the Alleged Romance of Business

The last appearance of Clovis Sangrail, the witty, ironic, ‘languidly malicious’ young man who embodies key aspects of Saki’s droll, langorous, ironic humour.

This one is a short squib, a return to the format of his early Reginald ‘stories’, and amounts simply to a 2-page speech by Clovis, declaiming, fairly predictably, against the so-called Romance of business. In his view, business is deadly dull, which is why all the best adventures have been written about the young men who ran away from it:

The romance has all been the other way, with the idle apprentice, the truant, the runaway, the individual who couldn’t be bothered with figures and book-keeping and left business to look after itself.

The Comments of Moung Ka

Moung Ka is a wise man who lives by the banks of the River Irrawaddy (whichm, upon looking it up, I discover is the longest river in modern Burma).

The opening description of the landscape and birds where Moung Ka lives is a final reminder that, although people routinely describe Saki as a deliciously malicious critic of Edwardian upper class society, he was also obsessed with animals, and wrote a lot of vivid descriptions of landscapes and the wild animals living in them. A collection of excerpts titled ‘Saki’s nature and animal writing’ would be surprisingly extensive.

In the tall reed growth by the riverside grazing buffaloes showed in patches of dark slaty blue, like plums fallen amid long grass, and in the tamarind trees that shaded Moung Ka’s house the crows, restless, raucous-throated, and much-too-many, kept up their incessant afternoon din, saying over and over again all the things that crows have said since there were crows to say them.

Anyway, the story, such as it is, is another political satire. Old Moung Ka reads the paper which is brought up the river and then interprets its contents for his village followers. He comments on two related pieces of news. The recently announced division of Bengal by the (British-run) government of India has been cancelled. In 1905 Lord Curzon divided Bengal along sectarian lines, into a Hindu and Muslim province. The policy was a disaster, leading to an outburst of terrorism and sectarian violence and so was reversed in 1911. This is the news Moung Ka reads out to his followers.

And contrasts with the fact that the newspaper tells him that the United Kingdom itself is about to be partitioned. It isn’t explained what he means so it took me a moment to realise he must have been referring to the granting to Ireland of home rule, which led to vehement protests from Protestant Ulster and a serious crisis which dominated Edwardian politics from 1911 up to the outbreak of the Great War.

The very last joke in this, Saki’s very last published story, is a satirical and political one. Earlier Moung Ka had explained to his followers that Britain is what is called a Democracy. One of the followers doesn’t understand how come, if Britain is a Democracy, it can enact such a big and impactful decision  (the partitioning of Ireland) without consulting its people.

Moung Ka clarifies – and this, one imagines, is the point of the whole ‘story’ – that he didn’t say Britain was a democracy; he said Britain is what is called a democracy. The implication being that its alleged democracy is in fact a sham. The implication being that Saki is a Unionist and considers the prolonged political haggling about granting Ireland independence to be squalid and destructive.

There’s plenty of meat in this short text to chew over, it confirmed my sense of Saki as an unrepentant Unionist and conservative and anti-suffragette reactionary, and review in my mind the reactionary views which crop up periodically through the short stories and underpin the entire novel When William Came.

Then again, the world is more full than ever before of division, dispute and angry argument. For my part, I like to take leave of this long journey through Saki’s complete works by remembering the grazing water buffalo like plums fallen amid long grass, and the eternal crows in the tamarind trees.


Saki’s works

Alliance: The Inside Story of How Roosevelt, Stalin and Churchill Won One War and Began Another by Jonathan Fenby (2006)

‘In politics one should be guided by the calculation of forces.’ (Stalin at Potsdam)

Alliance is a thorough, insightful and gripping account of the wartime meetings between ‘the Big Three’ Allied leaders – Roosevelt and Churchill and Stalin – which determined the course of the Second World War and set the stage for the Cold War which followed it.

In actual fact the three leaders in question only met face to face on two occasions:

  1. Tehran 28 November-1 December 1943
  2. Yalta, 4-11 February 1945

The third great power conference, Potsdam July 1945, took place after Roosevelt’s death (12 April 1945) and with his successor, former vice-president Harry Truman

There were quite a few meetings between just Roosevelt and Churchill:

  1. Placentia Bay, Canada – 8 to 11 August 1941 – resulting in the Atlantic Charter
  2. First Washington Conference (codename: Arcadia), Washington DC, 22 December 1941 to 14 January 1942
  3. Second Washington Conference, 19 to 25 June 1942
  4. Casablanca, 14 to 24 January 1943 – Roosevelt’s first mention of the policy of ‘unconditional surrender’
  5. First Quebec Conference – 17 to 24 August 1943 (codename: Quadrant)
  6. Third Washington Conference (codename: Trident), 12 to 25 May 1943
  7. First Cairo Conference (codename: Sextant) November 22 to 26, 1943, outlined the Allied position against Japan during World War II and made decisions about postwar Asia
  8. Second Cairo Conference, December 4 to 6, 1943
  9. Second Quebec Conference (codename: Octagon) September 12 to 16, 1944 – Churchill strongly disapproved of the Morgenthau Plan, but had to support it in exchange for $6 billion of Lend-Lease aid to Britain

I hadn’t realised that Churchill flew to Moscow not once, but twice, for one-on-one meetings with Stalin – which had some very rocky moments.

  1. Second Moscow Conference (codename: Bracelet) 12 to 17 August 1942 – Churchill stayed in State Villa No. 7 and, when he told Stalin Britain would not be launching a second front any time soon, Stalin became insulting, asking why the British were so frightened of the Germans. Churchill responded with details of Operation Torch – Anglo-American landings in North Africa designed to open up the Mediterranean, and increased bombing of German cities.
  2. Fourth Moscow Conference (codename: Tolstoy) 9 to 19 October 1944 – this was the meeting where Churchill and Stalin discussed percentages of influence in post-war European nations: Russia 90% in Romania, UK 90% in Greece, Yugoslavia 50/50, and so on.

(The First and Third Moscow conferences were meetings of foreign ministers only i.e. not directly including Churchill or Stalin.)

These top-level meetings are colourful and interesting, and Fenby covers them in minute detail, giving a blow-by-blow account of what was discussed at each of the conference sessions, on each of the days, but nonetheless, the actual conferences are like the tips of the iceberg. Nine-tenths of the book is about the exchanges of messages between the Big Three leaders, by cable and telegram and phone calls, the texts of various speeches and declarations, and the complex matrix of diplomatic missions and exchanges which took place at a lower level, with special envoys shuttling between the three countries, meeting their opposite numbers or conveying messages from one to the other.

Since almost everyone concerned seems to have left diaries of these meetings, plus the vast official record and countless press announcements, Fenby is able to quote liberally from all these sources in order to recreate the complex web of communications which defined the ever-shifting diplomatic relations between the three powers.

The book sticks closely to a chronological account of all the meetings and messages and slowly I began to realise it might more accurately described as a diplomatic history of the alliance. Or a History of Allied Diplomacy During World War Two. And I came to realise the book can be enjoyed on a number of levels:

Character studies of the Big Three

The opening chapter is a kind of prelude, giving vivid pen portraits of the Big Three leaders:

Winston Spencer Churchill, Prime Minister of Great Britain

The stories about Churchill are often funny and loveable. We learn that he liked to go to bed in silk pyjamas. If he had no meetings he stayed in bed till noon, reading all the papers. Time and again eye-witnesses describe him as an over-grown schoolboy, insisting on swimming naked off the coast on a trip to visit Roosevelt, on another occasion arriving at an American military display dressed in a romper suit with his topee brim turned up so that one reporter thought he looked like a small boy going down to the beach to dig a hole in the sand. En route to Yalta, Churchill’s daughter, Sarah, described him as looking like ‘a poor hot pink baby about to cry’ (p.351). After the Yalta conference ended, he ‘walked from room to room, genial and sprightly, like a boy let out of school’ (p.380). Unlike the two other leaders he appeared to have no sex drive whatsoever.

Winston Churchill and a baby in a pram

Spot the baby

Churchill drank like a fish – sherry for breakfast, wine with lunch, champagne, wine and brandy with dinner.

On a striking number of occasions he was naked – swimming in pools naked, on one occasion padding round the bomber flying him back from Moscow naked from the waist down, appearing half-naked in front of the Moscow ambassador (who, memorably, drew a sketch of the naked British PM), and once – allegedly – when staying at the White House, being caught by Roosevelt emerging naked from the bath and, unabashed, declaring, ‘The Prime Minister of Great Britain has nothing to conceal from the President of the United States.’

Driven to the newly liberated area around Remagen, Churchill, surrounded by photographers, was caught short and unzipped to have a pee, telling the gentleman of the press that this particular moment of their great victory was not to be recorded. In his diary Brooke records that he will never forget ‘the childish grin of intense satisfaction that spread over his face’ (quoted page 388). He comes across as the ultimate naughty schoolboy.

Churchill was also given to flights of schoolboy sentimentality; he easily broke into tears, especially about loyal and trusty servants.

  • ‘I love that man’, he told his daughter Sarah, about Roosevelt, with tears in his eyes. (p.224)
  • Telling Moran that night of the [Polish diplomatic leader’s] request to be dropped into his homeland [to die fighting the Nazis rather than acquiesce in a diplomatic sell-out to the Russians], Churchill had tears in his eyes. (p.330)

And, of course, reams of magniloquent speech emerged effortlessly from his well-stocked mind. All us Brits have been brought up on the key moments from his wartime speeches. But as the book goes on, you come to realise this could also be a weakness. I watched his ‘historic’ address to both Houses of Congress on YouTube and realised that, if the spell drops for a moment, it is possible to see Churchill as a pompous old windbag. During the Tehran Conference, at the end of 1943, Roosevelt is reported as tiring of Churchill’s relentless verbosity (p.236).

And old and tired – one eye-witness memorably described him as a tired old man who kept going by sheer will power alone. But the windbag element opens the door to understanding the strong anti-British feeling which was present at all levels of the American administration and society, and steadily increased as the war progressed. In a telling phrase, Fenby says that by the time of Yalta, Britain was much the most junior partner of the alliance and Churchill knew it. ‘Britain had lost its aura of 1940’ (p.353).

Franklin Delaware Roosevelt, President of the United States

It is quite a surprise to read so many of the senior staff who worked with Roosevelt describing him as a heartless SOB – that’s not at all how he comes over in the Pathé newsreels where he’s always laughing and joshing, but the eye-witnesses are 100% consistent.

The laughing and joshing is connected to another of Roosevelt’s characteristics, which was his conviction that he could talk round anyone with banter and good humour. This partly explains his relationship with Stalin. a) Roosevelt, being an optimistic, can-do American, couldn’t really conceive the depths of evil which Stalin represented. b) Roosevelt believed he could manage Stalin as he had managed so many apparently tough opponents in his long political career.

‘I know you will not mind my being brutally frank with you when I tell you that I think I can personally handle Stalin better than your Foreign Office or my State Department.’ (Roosevelt to Churchill)

What he thought he could do was to outwit Stalin as he had done with so many interlocutors. (Walter Lippmann, political commentator)

During the course of 1943 Roosevelt and Hopkins and their entourage became steadily more pro-Stalin and inclined to cold shoulder Churchill. Fenby records that some, more realistic, American diplomats resigned in protest at their boss’s wishful thinking about Soviet intentions and readiness to brush the show trials, gulags and famines under the carpet.

Franklin D. Roosevelt smiling from a car with cigarette holder in handf

Roosevelt trusted Stalin more than Churchill

Josef Stalin

It’s sometimes difficult to believe that a man as monstrous as Stalin ever lived and breathed and walked, let alone shook hands with the other two, made jokes and delivered gracious toasts. All the eye-witness accounts confirm that he was extremely practical and factual. He had three demands and he made them right from the start:

  • for Britain and America to send more arms and munitions to help the Red Army fighting the Germans
  • for Britain and America to open a second front as soon as possible i.e. invade France
  • after the war to have a guaranteed security zone or buffer comprising Poland and the Baltic states in Europe (the situation in China/Manchuria was more complicated but Stalin’s basic principle was easily applied here, too: he supported whichever solution gave Russia maximum security)

Uncle Joe often had a twinkle in his eye and charmed most of his guests. Only occasionally did the psychopath emerge. At one of the many drinks receptions and dinners accompanying the meetings, a Russian general was showing Kerr how to handle one of their tommy guns, when Stalin seized it and said, ‘Let me show you how a real politician behaves’, and made a mock gesture of machine gunning everyone else in the room. At Yalta, Roosevelt asked Stalin who the quiet man with the pince-nez was. Stalin saw the president was gesturing towards Beria and laughed, ‘Oh that’s our Himmler’ (p.369). When Churchill explained to Stalin that he might lose the upcoming British general election, as he was only the leader of a particular party, Stalin replied, ‘One party is much better’ (p.377).

Joseph Stalin sitting at a desk writing on documents, pipe in mouth

How many people was Stalin responsible for killing?

Character studies of their many subordinates

But the book is by no means only about the Big Three. There’s a also a huge amount of highly enjoyable gossip about the cohorts of advisers and diplomats and military men the Big Leaders were surrounded by. Here are quick sketches of some of them:

The Brits

  • Major Arthur Birse – Churchill’s Russian translator
  • Field Marshal Alan Brooke – Chief of the Imperial General Staff (CIGS) and, as chairman of the Chiefs of Staff Committee, was the foremost military advisor to Winston Churchill. He was nicknamed ‘Shrapnel’. In the 1950s his diaries were published which contained scathing criticisms of senior figures of the war, including Churchill. Brooke admired Stalin for his quick grasp of strategy and military reality – but still thought him a cold-hearted, mass murderer. He was a keen birdwatcher.
  • Sir Alexander Montagu George Cadogan, Permanent Under-Secretary for Foreign Affairs from 1938 to 1946, kept extensive diaries which were later published.
  • Field Marshal Sir John Dill, May 1940 to December 1941 Chief of the Imperial General Staff (CIGS) and in Washington, Senior British Representative on the Combined Chiefs of Staff. Though much admired by Americans as senior as George Marshall, Churchill did not like him, nicknamed him Dilly-Dally, and replaced him with Alan Brooke.
  • Anthony Eden, Foreign Secretary from 1940 to 1945 – Churchill’s loyal lieutenant, principled, vain, self-centred
  • Edward Wood, Lord Halifax from 1941 to 1946 British Ambassador in Washington
  • Sir Archibald Clark Kerr – ambassador to China from 1938 to 1942, where he won the respect of Chiang Kai-shek; then ambassador to the Soviet Union from 1942 to 1946 where his tough approach and broken nose earned him the nickname, ‘the Partisan’.

The Americans

  • Averell Harriman – inherited $100 million from his father and was chosen to manage the massive Lend-Lease programme. US ambassador to the Soviet Union from October 1943 to January 1944. Had an affair with Winston Churchill’s son’s wife.
  • Harry Hopkins – gangling son of an Iowa saddle-maker who ended up becoming instrumental in Roosevelt’s New Deal scheme, and moved into the White House to become Roosevelt’s adviser throughout the war.
  • George Marshall – supremely capable Chief of Staff of the US Army, September 1939 to November 1945.
  • Cordell Hull – the longest-serving U.S. Secretary of State, 1933 to 1944, at daggers drawn with his junior, Sumner Welles, who he eventually got fired in 1943. Hull was the underlying architect of the United Nations. Eden described him as ‘the old man’. Cadogan referred to him as ‘the old lunatic’.
  • Sumner Welles – Under secretary of state 1937 to 1943: ‘the age of imperialism is ended’. Hull hated Welles and got him sacked when stories of his gay lifestyle began to leak to the press.
  • Henry L. Stimson – Secretary of War (1940 to 1945), principled grand old man in his 70s, he vehemently opposed the Morgenthau Plan, and kept a diary full of insights.

Americans in China

  • General Joseph Stilwell – in charge of some Chinese Nationalist forces, adviser to Chiang Kai-shek, supervisor of American lend-Lease to the Nationalists. Known as ‘Vinegar Joe’ he despised the British in India and Burma from the start, but came to loathe Chiang as he came to understand how Chiang’s policies ignored ideas like efficiency and were entirely based on paying bribes to, and keeping in place, administrators and senior soldiers who supported him. This explained the Nationalists’ woeful record at fighting. Stilwell took to referring to him as the Peanut (because of the shape of Chiang’s shaven skull).
  • Claire Chennault – retired from the US Air Force in 1937, Chennault went to China to work as freelance adviser to the Chinese Air Force. After Japan invaded Manchuria Chennault found himself becoming Chiang Kai-shek’s chief air adviser, training Chinese Air Force pilots, and setting up the so-called Flying Tigers.

Roosevelt wanted to replace Stilwell who, by 1943, hated the Chinese with a passion. But his Chief of Staff refused to accept the obvious replacement, Chennault, because he was outside the formal command structure and was far too close to Chiang. So nothing was done, one of several reasons why American policy in China was allowed to drift…

The Russians

  • Vyacheslav Molotov– USSR Foreign Minister. Molotov is a pseudonym like Stalin, it means ‘hammer’. According to witnesses Molotov was completely inflexible, unbending, unyielding.
  • Ivan Maisky – USSR Ambassador to Britain 1932 to 1943.
  • Maxim Litvinov – Soviet ambassador to Washington 1941 to 1943.

The French

  • Charles de Gaulle – leader of the Free French. A relatively junior officer in the French Army, de Gaulle escaped the German invasion and on 18 June made a radio appeal from London to the French to resist the occupiers. He was a legend in his own mind, remplis with a particularly Gallic form of arrogance and hauteur, and eventually managed to convince the French nation of his historic uniqueness. But it is very funny to read how powerless he was in the context of the Great Powers, and how he was routinely ignored by all sides as irrelevant. Churchill was, in fact, generally respectful – we had fought side by side the French during the German invasion of 1940. I’d forgotten that Roosevelt hated de Gaulle with a passion. He was convinced de Gaulle was a dictator-in-waiting in exactly the same mould as Mussolini.

The Americans dislike the Free French

Even after the United States declared war on Germany (11 December 1941), it was only the beginning of what turned into a very long haul. Fenby quotes Charles de Gaulle who, on hearing the news of Pearl Harbour, declared (with typically French brio/arrogance) that the war was won, it was only a matter of time. Obviously almost everyone who was going to die over that matter of time was going to be Russian, American and British. It is heart-warming to read how much Roosevelt and the Americans disliked the Free French under de Gaulle. At Yalta, Roosevelt said the Americans would only give the French a sector of Germany to run ‘out of kindness’. Stalin concurred. Both men obeyed the well-known dictum:

Bad-mouthing the French always has its appeal. (p.358)

De Gaulle was furious at not being invited to the Yalta Conference – despite the fact that the three participants gifted France control of a sector of post-war Germany which they had done nothing to ear. In a typically high-handed gesture, de Gaulle cancelled a post-conference meeting that had been arranged with Roosevelt. The president really lost his temper and drafted a flaming reply criticising not only de Gaulle but the entire French nation until his translator, career diplomat Charles ‘Chip’ Bohlen agreed that de Gaulle was ‘one of the biggest sons of bitches who ever straddled a pot’. This amused Roosevelt who calmed down and set his diplomats to working on a much toned-down reply.

Like a novel

So this 400-page book is a bit like a 19th century novel. You are formally introduced to each new character, with pen portraits, other people’s descriptions, titbits about their private lives and professional achievements. Then settle in to watch the cast assemble, disperse, meet, take notes, observe each other and generally interact. By half-way through, when Fenby describes a meeting involving Eden, Hopkins, you have a good idea of what they all looked like, where they were coming from, and what to expect.

Big ideas

So much for the gossip, but there’s also plenty of through-provoking stuff about the geopolitics.

I find it fascinating, reading about any war, to learn how war aims change and evolve during a prolonged conflict. History – the passage of time – simplifies everything to black and white, whereas at the time, the leaders of the allied powers were working amid a blizzard of conflicting aims and goals, on at least four levels:

  • the leaders of the big three nations (USA, Britain, USSR) disagreed among themselves, and as the war progressed, frequently changed their minds
  • their advisers often strongly disagreed with their leaders, and also amongst themselves
  • in the democracies, the opposition political parties and voices in the press and other commentators often strongly disagreed with government policy
  • and underlying all this human froth was the deep, enduring reality of geography and the geopolitical priorities which that entails

It makes for a fascinating maze, a kind of four-dimensional chess, which Fenby confidently steers us through, often with a wry smile on his face.

Stalin wanted arms and Russian security

To take the last one first, Stalin knew what he wanted and he largely got it. It is bracing to read the eye-witness accounts of the western diplomats who met and admired him. They knew he was a dictator, some were repelled by his history of brutality, but all admired the clarity and conviction of his thinking. When the war was over, Stalin wanted to ensure he had SECURITY in the West and the East. From the get-go he wanted to ensure a geographical buffer to protect Russia from any further attack from East or West. His methods were brutal and disregarded all humanitarian values, but he had the advantage of being absolutely clear about his aims. And he achieved them. In 1942 he asked for control of the Baltic states and Poland to provide his buffer, and this request caused quite a serious rift between Britain (who wanted to agree in order to pen Russia in) and America (who rejected all plans, pacts and alliances, and was committed to giving every nation its ‘freedom’). In the event, Stalin extended his buffer zone half-way across Europe to take half of Germany.

And in the Far East, as I’ve just read in Fenby’s excellent history of China, this simple priority – security – explains why Stalin initially allied with the right-wing Kuomintang against Mao’s communists. Stalin would deal with whoever seemed able to provide security to the USSR, and the Kuomintang were, in 1945 anyway, the strongest power in China, once the Japanese had surrendered.

But Stalin had two more-immediate concerns which he hammered away at repeatedly:

  1. More arms – he wanted the allies to send him much, much more arms and munitions to help the Red Army fight the Germans who – be it remembered – advanced up to the outskirts of Moscow, up to the river Don and deep into the Caucasus.
  2. Second Front – he wanted Britain and America to invade France as soon as possible, a demand he kept up in every conversation and exchange throughout all of 1942 and 1943 and into 1944.

Winston Churchill wanted to preserve the British Empire

This threw up all kinds of problems around the current and future economic and political organisation of the British Empire which took up a lot of Churchill’s time and energy and that of the other conservative politicians around him – concerns about the preferential trading system within the Empire and Commonwealth, which now seems as remote as the Corn Laws – as well as the responsibility of trying to secure and police an extremely farflung set of territories, which beset the British chiefs of staff.

In the end, it was a failure. Fresh in my mind is J.G. Ballard’s eye-witness account in his three autobiographies of the seismic impact the loss of Singapore (15 February 1942) had on the British Empire in the East. It lost face forever. It was seen as defeatable. Everyone realised its days were numbered. In the event, Britain gave independence to India in 1947 just two years after the war ended, and over the next fifteen years the rest of the British Empire unravelled.

And all this – the collapse of the British Empire – comes to seem increasingly obvious when you read this book and see how utterly, helplessly dependent the British government and empire and, Churchill personally, were on the Americans – and then to read in detail, with extended quotes, Roosevelt’s cast-iron opposition to the British Empire.

Arguably, Churchill deluded himself about American intentions. Rather like Kipling, he deludedly saw the young United States coming under the tutelage of the wise and mature British Empire to organise a post-war world in which both would exercise the White Man’s Burden to tutor the native peoples of the world to democracy and statecraft.

Churchill thought the Anglo nations would need to be united in order to contain a Soviet Union which he early on realised would try to extend its influence deep into Europe. Whereas Churchill was rudely dismissive of China, which had displayed nothing but weakness under its despotic but inefficient Nationalist leader Chiang Kai-shek. (Stalin, it is interesting to note, was just as dismissive of Chiang’s regime and insisted he not be invited to the Big Three meeting at Tehran.)

Roosevelt wanted a post-imperial world of free nations

If Stalin’s central and inflexible obsession was about gaining SECURITY for Russia, America’s was the idealistic notion that, when the war ended, all the old empires and old alliances and old European ideas about ‘balances of power’ – the kind of complex alliances which had triggered the First World War and failed to avoid the Second – would be abandoned for all time and be replaced by a comity of free nations engaged in free trade under the aegis of global governing bodies (the United Nations, the World Bank, the International Monetary Fund). In this world order about four major states would be the top players – US, Britain, USSR, China – and Britain would be one, but only one, among many.

Churchill thought the Brits and the Americans were fighting to overthrow the tyrannies of Germany and Japan, and hoped that afterwards extended American power would mesh with a rejuvenated British Empire to promote Anglo-Saxon ideas of law and justice. But the Americans disagreed: they saw themselves as overthrowing all the European empires and establishing principles of democracy and free trade throughout the world. Roosevelt is repeatedly quoted telling trusted advisers (specially Harry Hopkins, and also Roosevelt’s son, Elliott) that Churchill was wilfully misunderstanding him.

‘I can’t believe that we can fight a war against fascist slavery, and at the same time not work to free people all over the world from a backward colonial policy? The peace cannot include any continued despotism… Equality of peoples involves the utmost freedom of competitive trade.’ (Roosevelt to Churchill)

‘I’ve tried to make it clear to Winston – and the others – that, while we’re their allies and in it to victory by their side, they must never get the idea that we’re in it just to help them hang on to the archaic, medieval Empire ideas… Great Britain signed [sic] the Atlantic Charter. I hope they realise the United States Government means to make them live up to it.’ (Roosevelt to his son, Elliott)

The Morgenthau Plan

One of the key issues to emerge during 1944 was how to treat Germany after the war. Fenby goes into great detail about the Morgenthau Plan named after Henry Morgenthau, US Secretary of the Treasury, which planned to hammer Germany, permanently dividing it into smaller states and stripping it of all industrial capacity, denuding the Ruhr industrial heartland, and returning it to a pastoral, agricultural society for the foreseeable future.

Fenby brings out how some of the vengefulness of the plan stemmed from the Jewish ethnicity of Morgenthau and his even more extreme deputy, Harry Dexter White, who was also Jewish. (This was widely recognised at the time:  Secretary of State Henry Stimson described the Morgenthau Plan as ‘Semitism gone wild for vengeance’ and ‘a crime against civilisation’.) As both men learned more about the Holocaust (initially a top secret known only to the administration) it didn’t soften their determination to destroy Germany. Morgenthau estimated his model of a deindustrialised Germany would support about 60% of the current population; the other 40% would starve to death. Roosevelt told his cabinet that Germany should only be allowed only a ‘subsistence level’ of food. If a lot of Germans starved to death – tough.

By contrast, Churchill, when he was presented with the Morgenthau Plan at the Second Quebec Conference in September 1944, was extremely reluctant to agree with it and fought to water down its provisions. This was because Churchill could already see, with a clarity the Morgenthau backers (including Roosevelt) lacked, that the immediate post-war problem would not be Germany but Russia, which was gearing up to conquer half of Europe.

Completely contrary to the Morgenthau Plan, Churchill correctly predicted that a revitalised and economically strong Germany would be vital a) to resist Russian encroachment b) to revive the European economy as a whole.

There was another, more pressing aspect to the Morgenthau Plan. When details were leaked to the press in September 1944, it had a damaging impact on the war effort.

  1. Goebbels leapt on it, making much of the Jewish heritage of its author, and was able to depict it as evidence of the global Jewish conspiracy against Germany which he and Hitler had been warning about for a generation (p.319).
  2. More significantly, US military figures as senior as George Marshall claimed the plan significantly stiffened German opposition, and directly led to the deaths of American soldiers. Roosevelt’s son-in-law Lieutenant-Colonel John Boettiger worked in the War Department and claimed the Morgenthau Plan was ‘worth thirty divisions to the Germans’.

In the longer term, the Morgenthau ideas of reducing German industrial output and deliberately impoverishing the German population turned out to be impractical and counter-productive. During the years of the Occupation, from summer 1945 onwards, it became clear that Germany was the economic and industrial heartland of Europe and that impeding its recovery would condemn the entire continent to poverty. Plus, preventing the Germans from producing their own goods threw the burden of supplying even the basic necessities of life onto the American forces on the ground, who quickly realised how impractical this was.

Just a year after the war, the Morgenthau Policy was comprehensively overthrown in a famous speech titled Restatement of Policy on Germany delivered by James F. Byrnes, US Secretary of State, in Stuttgart on September 6, 1946, which became known as the ‘Speech of Hope’.

After the war it became known that Harry Dexter White, although never himself a communist, had been passing classified information to the Soviet Union, enough for him to be given a codename by his Soviet ‘handlers’. Called before the House Unamerican Activities committee in 1948, White denied being a communist. Shortly after testifying he had a heart attack and a few days later died, aged just 55, apparently of an overdose.

And so White’s enthusiastic support of the Morgenthau Plan could be reinterpreted as aiding the Soviets by ensuring Germany was rendered utterly powerless after the war. A great deal of debate still surrounds White’s role. Stepping back, you can see how the story of the Morgenthau Plan crystallises the complex, overlapping nexuses of geopolitics, economics, ethnicity and conflicts between the supposed Allies, and the conflicts within the administration of the most powerful of the three powers, the United States.

Sick men

All three were sick men. Several eye-witnesses testify how sick Churchill was and how he only kept himself going by sheer willpower. But the facade crumbled after the Tehran Conference. Churchill was exhausted when he flew back from Persia to Cairo, and by the time he’d taken an onward flight to Tunis to meet General Eisenhower, he was almost too weak to walk, and, upon arrival, was confined to a villa where doctors discovered he had pneumonia. Churchill’s fever worsened and then he had a heart attack. His personal physician thought he was going to die.

It is amazing that, with rest and injections of the new-fangled drug penicillin, he not only made a full recovery, but after a week was full of energy, firing off messages to the Cabinet in London, to Stalin and Roosevelt and worrying about the next stage of the military campaign to take Italy. And little short of mind-boggling that he went on to live for another 21 years.

And of course Roosevelt also was a very ill man. In March 1944, shortly after his 62nd birthday, he underwent testing at Bethesda Hospital and was found to have high blood pressure, atherosclerosis, coronary artery disease causing angina pectoris, and congestive heart failure. Fenby explains Roosevelt had a cluster of symptoms nowadays referred to as post-polio syndrome (p.280). He went to the estate of a rich friend in South Carolina and ended up staying four weeks, sleeping a lot, cutting down on his chain-smoking and trying to drink less booze. But he never regained his former ‘pep’.

The most revealing symptom of this – and typical of Fenby’s semi-humorous, gossipy touch – was that the President stopped tinkering with his beloved stamp collection, up till then his favourite way of unwinding last thing at night. His personal physician, Admiral Ross McIntire, created a daily schedule that banned business guests for lunch and incorporated two hours of rest each day. But when he returned to Washington, witnesses testify that from that point onwards he was a good deal more flippant and ill-informed. At meetings he lacked focus, increasingly telling rambling anecdotes about his forebears. Churchill thought him no longer the man he had been.

Choosing the vice-president

It beggars belief that this crippled and deeply ill man determined to run for president a record-breaking fourth time and spent a lot of 1944 criss-crossing his huge nation making election speeches. The election was held on 7 November 1944 and Roosevelt won 53.4% of the popular vote and 432 out of the 531 electoral votes. He had campaigned in favour of a strong United Nations, so his victory symbolised support for the nation’s future participation in the international community (unlike the isolationism which swept America at the end of the First World War).

Roosevelt wanted to retain his vice-president, Henry Wallace. A contingent of the Democratic party wanted the Southern Democrat Harry Byrd. Roosevelt was persuaded to nominate a compromise candidate, Harry S Truman from Missouri. Did many people at the time realise what a momentous choice this would turn out to be?

And am I the only person who noticed that all three contenders for the vice-presidency were named Harry?

One way of thinking about the Yalta Conference in February 1945, is that Stalin dragged a very ill man half-way round the world and then, backed by his henchman Molotov, was able to run rings round him. Roosevelt no longer seemed to take in information, or push for solid agreements. His doctor thought his brain was going and gave him only months to live.

Roosevelt clings to Stalin till the last moment

I hadn’t realised the extent to which the Roosevelt administration became so utterly pro-Soviet, and increasingly anti-British. All discussions about helping Britain after the war with loans were tempered by concern that Britain would rise to become a major economic rival of the US. It came as a big surprise to Roosevelt and his economic advisers when Churchill bluntly told them that Britain was broke, and would go bankrupt without major economic assistance (p.305)

In the last hundred pages Roosevelt’s administration starts gearing up for the presidential campaign of 1944, and for the first time you really hear about his Republican opponents, and suddenly realise that there was a great deal of domestic opposition throughout Roosevelt’s presidency to everything he stood for – from Republicans who opposed the state socialism of the New Deal, to isolationists who fought tooth and nail to keep America out of the war, and then to an array of political figures and commentators who accused Roosevelt’s Democrats of being far too supportive to the Communist mass-murderer, Stalin, and not supportive enough of the right-wing Nationalist government of China under Chiang Kai-shek. Reading this book, it’s easy to sympathise with these last two points.

In this context Fenby goes into detail of the diplomatic toing and froing surrounding the Warsaw Rising – not the fighting itself, but the increasingly desperate attempts of the Polish government in exile to get the Allies to support the rising, the repeated requests made by Roosevelt and Churchill to Stalin to get the Red Army – which had halted its advance only 50 kilometres from the Polish capital – to intervene, or to get permission to land and fly Western planes from Ukrainian airfields to drop supplies to the Polish resistance.

All of which Stalin refused and stonewalled. It suited him to have the entire Free Polish Resistance massacred by the Germans, clearing the way for the puppet communist government which he planned to put in place. Afterwards the Americans and Churchill fell in with Stalin’s obvious lies that it was military shortages which prevented the Red Army from intervening. Only the tough-minded George Kennan felt the West should have had a full-fledged showdown with Russia about it.

Same with the Katyn Massacre – in which some 22,000 Polish military officers and intelligentsia were executed by the Soviet Union, specifically the NKVD (the Soviet secret police) in April and May 1940. The Nazis discovered the burial site and publicised it in 1943, but Stalin resolutely denied all responsibility and claimed it was a Nazi atrocity – and Britain and America, once again, went along with his lies, for the sake of alliance unity.

The Cold War

Maybe it was appropriate that Roosevelt died just as the war ended. Every day made it plainer that the Soviets were going to ignore all promises and do whatever it took to impose communist governments across Eastern Europe, most notably in Poland whose governance was a running sore between the three ‘allies’ from the start of 1945. Right to the end Roosevelt hoped that, if he ignored this or that broken promise or atrocity by Stalin, the dictator would adhere to the main agreements.

Maybe it was appropriate that Roosevelt died and a new, simpler but arguably tougher man took over, Harry Truman, who was plunged into managing the future of the world as the greatest war in history came to a close. Truman had no idea relations with Moscow had become so rocky. And he hadn’t been told about the atom bomb. Can you imagine the awesome burden which suddenly landed on his shoulders!

In some ways the last 20 pages of the book are the most interesting: with the war in Europe over, Churchill – as Roosevelt predicted – became yesterday’s man. An exhausted Britain looked to the future and elected the Labour government with a landslide in July 1945. Roosevelt was dead and Truman replaced him as president with a completely new remit, sacking former advisers (for example, briskly dismissing Morgenthau while Roosevelt’s most loyal adviser, Harry Hopkins, retired), very much his own man from the start. The Labour Party leader Clement Attlee replaced Churchill. And on August 6 the atom bomb was dropped on Hiroshima. On 14 August Japan surrendered, bringing the world war to an end.

A new era had dawned – but Fenby’s highly detailed, fascinating and gripping account helps the reader understand how the outlines of what became known as the Cold War had been established long before the shooting stopped.


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Natalia Goncharova @ Tate Modern

This is the UK’s first ever retrospective of the Russian avant-garde artist Natalia Goncharova. It’s huge, bringing together over 160 international loans which rarely travel, including works from Russia’s State Tretyakov Gallery which houses the largest collection of Goncharova’s work.

The exhibition is imaginatively laid out with some lovely rooms, and it certainly gives you a good sense of her range of styles, not only in painting, but in lithographs, fashion and costume design, especially for modern ballet, posters, pamphlets and much more. But it also leaves you with a few nagging questions…

Peasants Picking Apples by Natalia Goncharova (1911) State Tretyakov Gallery, Moscow © ADAGP, Paris and DACS, London 2019

Fabric design

Goncharova was born in Russia in 1881. She grew up on her family’s country estates in Tula province, 200 miles from Moscow. Her family were impoverished aristocrats who made their fortune through textiles, in fact the name of Goncharova’s family estate, Polotnianyi Zavod, means ‘cloth factory’. From early childhood, Goncharova witnessed the rhythms the farmers’ lives – working the land, planting and harvesting – and also became deeply familiar with all the stages of textile production, from shearing sheep to weaving, washing and decorating the fabric.

Hence two threads to her artistic practice:

  1. fabric design, which ran through the 1910s and led to her wonderful designs for the Ballets Russes in the 1920s and 30s, as well as commissions from fashion houses
  2. a profound feel for the rhythms of agricultural labour, which she depicted in a number of early paintings (like Peasants picking apples, above)

The first room epitomises both threads with several paintings showing agricultural labourers, in a highly modernist style, alongside a display case containing an example of the kind of traditional costume worn by the peasant women on Goncharova’s estate.

Installation view of Natalia Goncharova at Tate Modern

Cubo-futurism

What comes over is Goncharova’s very quick artistic development from about 1908, when she was doing stylised but essentially traditional paintings of peasant subjects, to 1911 when she had transformed herself into one of the leading lights of the Moscow avant-garde.

Her swift development was helped by two Moscow industrialists – Ivan Morozov and Sergei Shchukin – who had built up extensive art collections of leading European artists such as Cézanne, Gauguin, Picasso and Derain, and made their collections accessible to the public. These French works had an electrifying effect on young Russian avant-garde artists, which was accentuated by news of the new movement of Italian Futurism, which they could read about in international art magazines.

Goncharova swallowed both influences whole and became the leader of what contemporaries came to call Russian ‘cubo-futurism’. Various contemporaries are quoted commenting that she was the leader of the younger generation, not only in painting, but in self-presentation, creating an avant-garde ‘look’, as well as happenings, given walking through Moscow’s streets wearing stylised tribal markings on her face, or involved in volumes of avant-garde poetry published just before the Great War.

A work like Linen from 1913 seems to be a straight copy of Picasso-style cubism, cutting up an everyday domestic scene into fragments and pasting in some text, as if from a newspaper or advertising hoarding. The main differences from a cubist work by Picasso or Braques is that the text is in Russian, and the bright blue is completely unlike the cubist palette of browns and greys.

Linen (1913) by Natalia Goncharova. Tate © ADAGP, Paris and DACS, London 2019

The 1913 exhibition and ‘everythingism’

This exhibition feels logical and well designed, and features at least two particularly striking rooms. The first one is dedicated to recreating the landmark retrospective Goncharova was given in September 1913 at the Mikhailova Art Salon in Moscow. The 19193 show included more than 800 works (!) and was the most ambitious exhibition given to any Russian avant-garde artist up to that date. Goncharova was thirty-two years old.

The curators have brought together thirty big paintings which featured in the 1913 show and created a central column in the style of those circular bulletin boards you get in Paris, on which they have plastered copies of some of the posters and reviews of the original exhibition.

Here we learn that Goncharova’s fellow artist and long-time partner, Mikhail Larionov, invented the term ‘everythingism’ to describe her openness to diverse styles and sources, the way her paintings invoke all kinds of sources from the folk designs of her family farm, through to the latest ideas from Paris and Rome.

Thus the thing which comes over from the 30 or so works in this room is their tremendous diversity. There’s a striking female nude which reminded me of something similar by Matisse, there’s a pipe smoker at a table, a motif familiar from Cézanne, there’s a surprising work which looks like a dappled impressionist painting. It really is a little bit of everything and so ‘everythingism’ seems an accurate label.

You could claim this is as a positive achievement, indeed one of the wall labels praised the lack of ‘hierarchy’ in Goncharova’s diverse styles and I understood what they were getting at. There was the implication that it is somehow masculine to want to be the leader of the avant-garde, at the cutting edge, always one step ahead: and somehow a slave of capitalist or consumer culture to need to create a unique brand or style.

By contrast, Goncharova is praised for her more easygoing, unmasculine and uncapitalist stance – allowing herself to be open and receptive to all kinds of visual approaches, mixing Cézanne with Russian icons, or cubism with peasant designs, or futurism as applied to distinctly Russian cityscapes. She was presented as ‘a universal artist’.

You can see how, at the time, she seemed to contemporaries to be a one-woman explosion of all the latest visual breakthroughs and trends because she was covering so much territory.

The drawback of this approach is that Goncharova risks, in retrospect, appearing to be a Jill of all trades but a mistress of none. Lots of the works in this room were interesting but you found yourself thinking, ah, that’s the cubist influence, that’s the futurism, that’s a touch of Cézanne, and so on. They all had her mark, but not so many seemed entirely her, if that makes sense.

For me the most distinctive work in the room was the series of paintings she called Harvest, which was originally made up of nine large works which were designed to be hung together. Two have gone missing but Tate have hung the other seven together on one wall and the effect is stunning.

Harvest: Angels Throwing Stones on the City (1911) by Natalia Goncharova. State Tretyakov Gallery, Moscow © ADAGP, Paris and DACS, London 2019

The palette of red, orange and tan runs across all seven paintings and gives them a tremendous visual unity. Also note the highly stylised, almost child-like depiction of the human figure, with simplified arms and legs and big simple eyes. The same big wide white eyes with huge jet black irises which appear in Peasants picking apples. This is maybe her core visual style.

Harvest uses Christian motifs. It was inspired by popular prints and the frescoes in Russian cathedrals and takes its images from the Book of Revelation in which the end of the world is presented as a symbolic harvest with the grapes of human souls being gathered and thrown into the winepress of God’s anger.

All in all, surprisingly religious, unironically religious, for an avant-garde artist. It comes as no surprise to discover that room six of the exhibition is devoted to just her religious paintings, featuring half a dozen enormous works she did on Christian subjects, notably four tall narrow full-length portraits of the four evangelists. I can see the way she has applied her distinctive cubo-futurist style to a very traditional Russian subject – I note her characteristic way with big white eyes – but I didn’t really warm to them.

The Four Evangelists by Natalia Goncharova (1911)

Fashion and design

Room four picks up the theme of Goncharova the fashion designer, showing work commissioned from her by the couturier to the Imperial court, Nadezhda Lamanova, in 1911 to 1912. This room also includes work commissioned from Goncharova after the war by Marie Cuttoli, whose design house Myrbor showcased carpets and fashion designs by famous contemporary artists.

There’s a series of sketches from the 1920s, haute couture-style sketches which make the women subjects look as tubular as a Fairy Liquid bottle, with no hips or waist or bust, which were utterly unlike her modernist paintings, and looked more or less like any other fashion sketches for stick-thin flappers from the Jazz Age.

But on the opposite wall was a piece which I thought might be my favourite from the whole show, a study Goncharova did for a textile design in the later 1920s. I loved the vibrancy of the colours and the primitiveness of the design. In fact it’s only one of a series she did using bird motifs but, to me, it was a standout piece.

Design with birds and flowers: Study for textile design for House of Myrbor 1925 to 1928 by Natalia Goncharova. State Tretyakov Gallery, Moscow © ADAGP, Paris and DACS, London 2019

The Great War

In April 1914, Goncharova and Larionov were invited to Paris by the famous ballet impresario Sergei Diaghilev to work on designs for his opera-ballet The Golden Cockerel. This was presented in Paris to great acclaim and the pair followed it up with an exhibition. But then the Great War broke out, and both were forced to return to Moscow. Larionov was called up for military service and sent to the front line, was wounded within weeks and invalided out of the army.

Goncharova responded to the crisis by creating a series of prints titled Mystical Images of War which brought together symbols Britain, France and Russia together with images from the Book of Revelation and Russian medieval verse. They use her trademark stylisation of the human face and eyes, and throw in the religious iconography which we’ve by now realised was a big part of her psyche.

The fourteen or so prints on display in room five are a really interesting mix of modern warfare and traditional Orthodox iconography, featuring angels wrestling biplanes, the Virgin Mary mourning fallen soldiers, and the Pale Horse from the Apocalypse. She chose to create prints in order to reach a broad popular audience with what are, essentially, patriotic rallying cries, which also feature patriotic heroes who defended Mother Russia against invaders.

‘Angels and Aeroplanes’ from Mystical Images of War by Natalia Goncharova (1914) © ADAGP, Paris and DACS, London 2019

Books and photos

Room seven is a narrow corridor between the conventionally-shaped rooms six and eight. As in other exhibitions, this corridor makes a good space not to hang works of art, but to place books, pamphlets, photos, prints and posters related to the artist under review, in the long rack of display cases lining the wall.

For this exhibition the curators have displayed artist manifestos, exhibition catalogues and a number of books of poetry which Goncharova was involved in writing or designing or illustrating. The later part of the case displays the ephemera she produced for a series of artists’ balls in Paris, including posters, tickets and programmes. There’s a speaker on the wall from which comes a Russian voice reciting some of the avant-garde poetry included in the pamphlets on display. (It is, apparently zaum or ‘transrational’ poetry, from ‘World Backwards’ by Alexey Kruchenykh and Velimir Khlebnikov, and Vzorval or ‘Explodity’ also by Kruchenykh.)

Cubo-futurism

Room eight is devoted to another series of cubo-futurist works, highlighting classic Modernist-style depictions of factories and machines and cars and bicycles, all those implements of power and speed which were fetishised by the Italian founder of Futurism, Marinetti.

There are some great pieces here, classic Futurist depictions of machines and factories, a big painting of a bicyclist, another titled Aeroplane over a Train, and a vivid depiction of rowers on the river (which reminded me of the similar treatment given the same subject by Cyril Powers, the British printmaker, twenty years later, as featured in the current exhibition of the Grosvenor School of Modern Art at Dulwich Picture Gallery).

Cyclist (1913) by Natalia Goncharova (1881 to 1962) State Russian Museum © ADAGP, Paris and DACS, London 2019

Admirable though many of these paintings were, I began to be nagged or puzzled by something. Usually in a major retrospective, you are shown samples of the artist’s work throughout their career. Goncharova was established as a leader of the Russian avant-garde by the time of her huge exhibition in 1913, and lived on until 1962, producing works well into the 1950s.

So where are they? Where are all the later works? Here we are in room eight of ten and we are still… only at 1913?

The first eight rooms of this ten-room survey have all hovered around the years 1910 to 1914. Nowhere does the exhibition say so explicitly, but are we to conclude from this lack of later content that her golden years were a brilliant but brief period, from 1911 to 1914 or 1915?

Goncharova in Paris

Only in this, the ninth and penultimate room, do we learn what happened to Goncharova as a result of the Russian Revolution, namely that she and Larionov were on a tour with Diaghilev’s Ballets Russes through Switzerland, Italy and Spain when the October Revolution broke out. The revolution, and then the civil war, prevented them from returning home, and in 1919 Goncharova moved into a flat in Paris that would remain her home for the rest of her life.

This penultimate room contains half a dozen works from the 1920s during which Goncharova received more commissions for ballet costume, some from fashion houses (as mentioned earlier) and a few funky commissions for interior design, including an impressive painted screen made in 1928 for the American patron Rue Winterbotham Carpenter. She did the interior designs for the Paris house of Serge Koussevitsky, exploring the motif of the Spanish Lady on a monumental scale.

When she had accompanied the Ballet Russe in Spain, Goncharova had become fascinated by the clothes of the Spanish women she saw, and ‘the Spanish woman’ became a recurring motif in her inter-war years, maybe because the vividness and ethnic distinctiveness of the outfits reminded her of the Russian peasant look she knew so well.

By far the most impressive work was a huge abstract work titled Bathers from 1922. It is immense, at least fifteen feet across, and reminded me of all kinds of other modernist abstract painters though I couldn’t quite put my fingers on who. First time it’s ever been exhibited in the UK and a coup for the exhibition organisers.

Bathers by Natalia Goncharova (1922)

Ballet designs

Anyway, the point remains – why isn’t there more of her work from the 1920s, 30s, 40s and 50s? You might have expected the last room in the show to cover the later part of her career but, instead, the exhibition takes an unexpected detour to make this final room, arguably the best in the exhibition.

It is a big space which has been specially darkened to create an atmospheric setting in which to review Goncharova’s work for the ballet and the theatre. Lining the walls are drawings and sketches for costumes Goncharova designed for productions of The Golden Cockerel (Rimsky-Korsakoff) and Les Noces (Stravinsky). There are some videos of her costumes and backdrops being used in revivals of the ballets, The Golden Cockerel footage is a silent but colour film of a production dressed in Goncharova’s costumes which toured Australia in the late 1930s.

But the highlights of the room are four or five of the actual costumes themselves, the costumes Goncharova designed for these classic ballet productions, which are featured in display cases around the room. They are all wonderfully bright and imaginative, drawing on the (to us) exotic and fanciful traditions of Russian legend and folklore.

Theatre costume for Sadko (1916) by Natalia Goncharova. Victoria and Albert Museum, London © ADAGP, Paris and DACS, London 2019

And, last but not least, the room is filled with music, with clips from the famous ballet scores in question, wonderful Russian melodies filling the air as you stroll from wonderful costume to fascinating set designs, or stop to watch footage of actual performances using Goncharova’s colourful and vivid costumes.

The music, the darkened atmosphere, the videos of performances, and the glass cases of costumes – all make this room completely unlike the previous nine and a very evocative space to be in.

Summary

This is a major exhibition by a leading Russian artist who, for a period before the Great War, epitomised the avant-garde for her compatriots. She produced a lot of striking paintings, as well as pioneering designs for ballet costumes and sets, and a wealth of prints and posters and pamphlets and poetry books.

And yet I was left with two nagging questions: first, from such a profusion of images and designs, not that much really rang my bell. A lot of it was striking and thought-provoking and interesting – but possibly only the design with birds and flowers really set me alight.

The stylised human figures with those big eyes is the nearest Goncharova comes to having a recognisable ‘look’ and I liked it, but only up to a point. I actively disliked its application to the icons and evangelists and wasn’t, at the end of the day, that taken with the Great War prints, either.

Comparison with Käthe Kollwitz

Great War prints by a woman artist made me think of the epic prints created by the German woman artist Käthe Kollwitz. These are infinitely more powerful. Comparing the two made me think that maybe Goncharova was held back by her attachment to the Russian Orthodox tradition and its Christian iconography. Kollwitz, by contrast, has broken free of all traditional or religious straitjackets in order to create spartan images of humanity under stress which still speak to us today with horrifying force.

The Survivors by Käthe Kollwitz (1923)

Then again, maybe I’m comparing apples and oranges. Goncharova’s works were created at the very start of the war, when it was thought of as a religious crusade, and everyone thought it would be over by Christmas. Whereas Kollwitz’s haunting images were made nearly ten years later after not only bitter defeat, but collapse of the German state and descent into semi-civil war. So it’s not a fair comparison at all. But you can see why, if you set the two side by side – as we latecomers a hundred years later are able to – Kollwitz’s images are vital, a necessary record of a horrifying period; whereas Goncharova’s are an interesting and nice inclusion in a retrospective of her work, but have nowhere near the same importance or force.

Where is the later work?

And second, where was the work from the later years? Are we to deduce from its almost complete absence from this exhibition, that the curators consider Goncharova’s work from the 1930s, 40s and 50s to be poor or sub-standard? Or is it for some reason hard to borrow and assemble for an exhibition like this?

As far as I could see, the only work dating from either the 1940s or 1950s was one medium-size set design for Stravinsky’s ballet The Firebird, which Goncharova drew in 1954.

Set design for the final scene of The Firebird by Natalia Goncharova (1954) Victoria and Albert Museum, London © ADAGP, Paris and DACS, London 2019

I thought this was brilliant, vivid and fun, in a completely different style from everything which preceded it, like a highly stylised illustration for a children’s book. So is this what Goncharova’s work from the 1950s looked like?

Having devoted eight or so rooms to going over with a fine tooth comb the intricacies of her output from 1911 to 1915 or so, it’s a shame we didn’t get at least one room telling us what happened to her style in the entire last thirty years of her career.

Video

‘Visiting London Guide’ produce handy two-minute video surveys of all London’s major exhibitions. I include them in my blog because they give you an immediate sense of what the exhibition looks like.


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Turkey: A Short History by Norman Stone (2012)

I picked this up in the library to shed more light on the very early years of Anatolia, specifically on the Seljuk Turks who stormed into the old Persian Empire in the 1050s, seized the seat of the Abbasid Caliphate, Baghdad, in 1055 and went on to inflict a seismic defeat on the Byzantine Empire at the Battle of Manzikert in 1071, the equivalent – for the region – of our Battle of Hastings, which marked the decisive shift of control of Anatolia i.e. modern Turkey, away from the Christian Greeks and towards the Islamicised Turks.

On reflection it was foolish to expect much on just this one era from a book which is only 165 pages long, only claims to be a short history, and which has reached the origin of the Ottoman Turks (the 1250s) by page 23 and the fall of Constantinople (in 1453) by page 32.

The Seljuk period is skimmed over in a few brief pages and the Battle of Manzikert in a couple of brief sentences. I’m glad I had read the long, detailed account of the build-up, the battle itself, and its historical repercussions, in John Julius Norwich’s book, Byzantium: The Apogee.

Odd tone

This is an odd book. All the important dates and ideas are here, but Professor Stone comes across as a rather grumpy and capricious older fellow, who makes dated attempts at humour, and is easily distracted by historic trivia.

He takes a dismissive tone to much historical debate, a kind of urbane, pooh-poohing lofty tone. For example, he jocosely points out that Iranian schoolchildren learn that Turkish barbarians came and stormed their civilised empire, while Turkish schoolchildren learn that effete, decadent imperial Persia was revived and renewed with the strong, virile blood of the Turks. Similarly, discussing the influence of Asian tribes on the early state of Russia (in the 1500s), he writes,

The Russian princes eventually copied the Tatars, Moscow most successfully, and in 1552, Ivan the Terrible conquered the Tatar capital, Kazan, on the Volga. Nineteenth-century warhorses then presented Russian history as a sort of crusade  in which indignant peasants freed themselves from ‘the Tatar yoke’. (p.20)

‘Nineteenth-century warhorses’? I’m still not totally sure what he means by that phrase. Does he just mean boring schoolmasters, or is he also referring to the wider culture of Russian writers and journalists and thinkers etc.

He mentions the many areas or issues where the early history of the Turks is contested by historians, where there are conflicting theories – but rarely without being pretty casual, sometimes rather dismissive, or even facetious.

There is a twentieth-century claim that the early Ottomans (which is a westernisation of Osmanli) were bright-eyed fighters for the cause of Allah, itself the answer to a rather Christian-triumphalist claim that they were noble savages who had to learn everything from Byzantium, but the evidence either way is thin. (p.23)

Jocose

So all the right dates are here, along with nodding references to the main cruxes or issues of Turkish historiography – and the book does give you a good quick overview of the entire history from the Seljuks to the glories of the great Ottoman Empire (at its peak in the 1550s) and then its long decline down to the death agonies in the First World War, and then the rebirth of modern Turkey under Mustafa Kemal Atatürk.

But all conveyed in a deliberately jocose, facetious way.

The Turks had a modern army, whereas the Christians were still fighting pre-gunpowder wars, in which heavy cavalry, imprisoned in armour, charged off pretentiously after quarreling leaders had windbagged away as to who would lead. (p.27)

‘windbagged away.’ Presumably Stone thinks – or his editors suggested – that he could make the knotty and complex history of medieval and Renaissance Turkey more palatable if he slipped in wrote it in a jokey and irreverent tone.

The Pope staged a great conference in Rome in 1490 and, as in Cold War days, it attracted all manner of bores, adventurers and braggarts – poor Cem [the Ottoman sultan’s exiled brother], some stray Byzantine pretenders, a fake Georgian prince or two, men wanting money to print unreadable tracts, Portuguese waffling at length, Hungarians going on about their woes… (p.43)

Hence the ho-ho tone of much of his commentary (‘Portuguese waffling at length, Hungarians going on about their woes’) – except that it itself is heroically out of date. It reads like the jokey slang of the Just William stories, or Geoffrey Willans’ Down with Skool! books from the 1950s. Looking it up I see that Professor Stone was born in 1941, so is now 78, was around 70 when this book was published. On one level, then, it feels a bit like a repository of naughty schoolboy attitudes from the 1950s.

Turkish trivia

Not only is the tone odd, but Stone is easily distracted by eccentric factoids and historical trivia. For example, it is odd that the prelude to this short book, where space is surely a premium, spends five pages describing the German academic exiles from Nazi Germany who came, settled in Istanbul, and helped set up the world-class university there. All very well and interesting, but not really the first or most important thing which readers ought to know about Turkish history.

Once we get to his swift outline of the Turks’ obscure early history in Central Asia, it is dotted with odd explanations, for example the fact that the Italian word pastrami derives from a Turkish original which he uses to illustrate some key aspects of the Turkish language – the way it includes preposition, tenses and other information by making changes to internal vowels and adding prefixes and suffixes and structural changes (although this brief paragraph is not really very useful).

He is particularly fond of the way medieval crowns and titles have descended by historical accidents to the most unlikely descendants. Thus he tells us that, after the last crusaders had been kicked out of the Holy Land in 1291, some took refuge in highly fortified islands, such as Cyprus, the ruler of which called himself ‘King of Jerusalem’ for generations afterwards, the title eventually passing to… the Courtenay family in Devon!

Similarly, he describes the machinations by which the Sultan Bayezid (1360 – 1403) kept his brother Cem detained by various Christian powers far from the throne, until Cem died – at which point Bayezit had all Cem’s descendants murdered – except for one, who fled to the Knights of St John on Rhodes, converted to Christianity, acquired a title from the Pope and… has a chief descendant in Australia!

The book is packed with trivial pursuit factoids such as:

  • on the Bosnian-Serbian border there were silver mines Srebrenica, the town which saw massacres during the Yugoslav wars, derives from the Slavonic name for ‘silver’
  • in the Middle Ages the Black Sea was the high road for the Russian trade in furs and slaves – the present-day Turkish name for prostitute, orospu, is medieval Persian, and the central part of it denotes ‘Rus’
  • Turkish rulers hit on the idea of recruiting young boys from occupied lands (especially Greece) to the court, converting them to Islam, giving them an education and training. Some formed the nucleus of elite units within the army known, in Turkish, as the yeñi çeri (meaning ‘new soldiers’) who, over time, became known to Westerners as the Janissaries
  • The Topkapi palace in Istanbul is laid out in courtyards with elaborate pavilions known as köşk, the Turkish word for an ornate wooden mansion, smaller than a palace – which is the source of the English word ‘kiosk’

And there are lots more distracting and diverting factoids where they came from.

Contorted style

Another major feature of the book is the odd, garbled prose style. On every page he phrases things, well, oddly.

To what extent was the success of the Ottomans based on Islam, or would you read this the other way round, and say that the Ottomans were successful when their Islam was not taken too seriously? (p.7)

His prose is not incomprehensible, just oddly laid out. Stiff. Ungainly.

There is a line in Proust, to the effect that someone looks on history as would a newly born chicken at the bits of the eggshell from which it had been hatched. (p.8)

You can see what he’s getting at, but can’t help noticing how inelegantly it has been phrased.

By the mid-fifteenth century Byzantium had shrunk to the point that it consisted of just Constantinople and its hinterland. (p.29)

Or:

The Mameluks had made endless trouble for Constantinople and with their fabled riches from trade they provided an obvious target for Selim, who trundled his gunnery and Janissaries to effect against them. (p.49)

I think he means that Selim trundled his guns and Janissaries off to fight the Mameluks, with (or to) great effect i.e. his guns and Janissaries were very effective. Odd phrasing though, isn’t it? And these oddities crop up on every page. After a while I began relishing the book, not only for its ostensible subject, but also for its car-crash prose.

As early as the eighth century, Turkish mercenaries had made their appearance in Persia, in the then capital of which, Baghdad, the Caliphate reigned over all Islam. (p.18)

A personal history of Turkey

Maybe you could turn my critique on its head by simply describing this book as a personal history of Turkey, one in which Professor Stone felt released from the corsets of formal, academic history writing, to air his opinions about everything – from penpushing bureaucracies to partisan school teachers, from the absurdities of the old Eastern Europe through the tastiness of Turkish tea – all served up in an idiosyncratic style which is continually reaching for the droll and the whimsical, rather than the serious or profound.

Madrid and Ankara are both artificial capitals, without economic activity between pen-pushing and boot-bashing. (p.54)

Conclusion

So, if you’re looking for a short history of Turkey written in idiosyncratic English, which certainly covers all the bases but also includes an entertaining selection of odd anecdotes and Turkey trivia – then this is very possibly the book for you!


Related links

Reviews of other books and exhibitions about the Middle Ages

One Day in the Life of Ivan Denisovich by Alexander Solzhenitsyn (1962)

Sleep apart, the only time a prisoner lives for himself is ten minutes in the morning at breakfast, five minutes over dinner and five at supper. (p.17)

It is the start of 1951 (p.36), some prisoners are discussing what will happen now that China has joined the Korean War, will there be a world war? (p.124) and Ivan Denisovich Shukhov, 40 years old (p.39) is prisoner S 854 in the 104th work team at an unnamed forced labour camp somewhere in Siberia, where the daytime temperature is -27 degrees C.

Daily life is about survival, decent boots, making the most of the pitiful thin fish soup and magara porridge, served for breakfast, lunch and dinner, trying to wangle your way out of the physically most draining labour and into something cushy like cleaning the floor of the guards’ room (nice and warm), trying to wangle a puff of someone’s cigarette butt, a fragment of extra food.

Shukhov has woken up feeling feverish so goes along to the camp doctor but is too late; only two prisoners a day are let off work and the two slots are already taken. Back in the barrack he and the rest of the 104th are told to dress, line up and march to the camp gates where they are thoroughly searched, before marching off to the building site of a new power station, rags and muffles pulled to cover as much of their faces as possible from the biting wind.

Solzhenitsyn emphasises that Shukhov is an ordinary guy, ‘a man of timid nature [who] knew no way of standing up for his rights’ (p.24). He is not educated, not an intellectual, thus the poem which the medical assistant Vdovushkin is writing ‘is beyond Shukhov’s ken’ (p.22) and he doesn’t understand the two men in the building site office who are discussing the merits of Eisenstein’s film Ivan the Terrible.

When Shukhov gets out, in two years time, he hopes to be a stove-setter or a carpenter or a tinker (p.39). He is meant to be everyman or, in this case, everyzek (zek being an abbreviation for the Russian for prisoner). He is a Christian, is surprised anyone isn’t, but right at the end tells the Baptist prisoner, Alyosha, that he doesn’t believe in heaven or hell. And he seems to half believe the folk myth that each month God creates a new moon. Why? Because he crumbles the old one up to make stars. (p.94) In his village they call the moon ‘the wolf’s sun’ (p.134).

Shukhov hasn’t been back to his home village of Temgenovo (p.84) or seen his wife since 1941 when he marched off to war. Ten years absence. During the war, in 1942, his unit was surrounded and captured by Germans. After a few days five of them managed to escape back to Russian lines. Three were shot dead by sentries, and the authorities considered Shukhov and his comrade must be spies. So they were convicted of treason and given ten years (pp.58-59).

He met team leader Tiurin in his previous camp, at Ust-Izhma (which is where he made the hand-made spoon which he still uses and hides carefully in his boot). Shukhov spent seven years in the far north, logging.

Well, a zek’s belly can stand anything. Scrape through today somehow and hope for tomorrow. (p.72)

The simple format of a day in the life allows Solzhenitsyn to describe a surprising variety of people, and the work they have to do, and the world of dodges and scams the zeks pull on each other and the authorities. Anything for extra food. Anything to be near a fire or – God be praised – inside out of the sub-zero cold

He describes the crucial relationship between a team leader and his men, in fact the complex web of networks a prisoner finds himself in. He casts an experienced eye on those around him, from the 16-year-old Ukrainian Gopchick, who is quick and savvy and will survive, to the recently arrived naval captain who still thinks the world owes him a favour, is not adjusting quickly enough to the necessary posture of complete submission.

They are marched out of the camp to the power station and, by the afternoon, have got stoves going to heat up the sand enough to make mortar and actually get so into their work, priding themselves on working as a team to send up mortar and bricks to the third story which they’re building, that they’re late finishing.

At going home time, just one zek who’s dropped off somewhere means the entire contingent of 463 zeks have to wait stamping their feet as the sun disappears and the stars come out. After a lot of pushing and shoving, they’re allowed through the wire perimeter fence and march back to camp. While standing around Shukhov spots a bit of hacksaw blade lying in the snow and quickly palms it. There’s a tense moment when each zek is searched before entering the main camp, but he successfully smuggles it through in his mitten and slips it in a crack in his bunk. Later he’ll find a stone, whet the blade, and make it into a cobbler’s knife. He earns a little bit of cash making slippers for zeks with money from rags and waste bits of wood.

Back inside the main camp, Shukhov carries out a number of complicated manoeuvres. He offers to stand in the cold queue for parcels for a posh zek named Tsezar, who turns up late and takes the place Shukhov has kept. In exchange Tsezar says Shukhov can have his portion of skilly for dinner. Graphic description of the mob of zeks trying to get into the hot filthy canteen, where the harassed cook serves out skilly which is glorified dishwater with a few fragments of rotten fish or vegetables.

Fine details of how you have to scrounge a decent tray to collect the bowls for your team. There are 24 in the 104th. Shukhov and Gopchik pinch trays, and bring the bowls to a section of bench where his ‘brothers’ are sitting. His body rejoices as the tepid skilly slips down into his belly, and he takes the old zek’s precaution of sucking the fish, its bones and gills and eyes, slowly and methodically. Calories in every slurp.

Then over to Hut 7 to swap a few hard-earned roubles for a tiny glassful of excellent tobacco from the Lett. Back to his hut to listen to Tsezar excitedly open his parcel (after it had been opened and rifled through by the guards, of course), and discuss it with the naval captain.

But the latter irritated Lieutenant Volkovoi, the Security Chief, at roll call. Now he is taken away for ten days in an isolation cell. Skilly only every other day, the walls covered with ice. Not everyone survives.

Then they’re turfed out of the huts for a final head-count, all five hundred of them under the frosty moon, with more swearing from the guards, and the hut-commander beating the slowcoaches. Shukhov gives Tsezar good advice about hiding the contents of the parcel and makes sure he is first back to protect its hiding place for him. Good to have someone like Tsezar as a friend.

He climbs up to his bunk, belly full of two helpings of the wretched skilly, Tzesar’s ration of bread hidden in his jacket to be enjoyed next morning. He lies on the hard mattress, no sheets, head on the pillow full of wood shavings, feet in the sleeves of his jacket to stop them freezing, grubby blanket pulled over him, and his coat laid on top of that.

It has been a good day.

People

  • the old artist with a grey beard who touches up the prisoners’ numbers
  • Andrei Prokofievich Tiurin, team leader of the 104th
  • Alyosha the Baptist, who’s hidden a copied-out manuscript of the New Testament
  • Buinovsky the ex-naval captain, only been in the camp three months, has a lot to learn, imprisoned because a british admiral he was seconded to during the war sent him a thank you gift, which led to his trial and imprisonment
  • Der, B 731, a convict-supervisor on the power station building site
  • Eino, an Estonian on the 104h
  • The camp security officer, known as ‘the Father Confessor’
  • Fetiukov, a snivelling sneak and hanger-on in the 104th
  • Gopchik, Ukrainian lad of 16
  • ‘One and a half’ Ivan, a thin weedy camp guard
  • Khromoi, the mess orderly
  • Kilgas the Lett in Hut 7, always has good tobacco
  • Kolya Vdovushkin, medical assistant to the camp doctor, who is writing a long poem
  • Panteleyev, member of the 104th
  • Pavlo, deputy of the 104th, with his rolling West Ukrainian accent
  • Stepan Grigorych, the camp doctor
  • Senka, deaf member of the 104th, he’d survived Buchenwald
  • Shkuropatenko B219, a supervisor at the building site
  • The Tartar, lean violent disciplinarian guard
  • Tsezar, team-mate of Shukhov’s who receives impressive parcels from home
  • Lieutenant Volkovoi, Security Chief, who used to use a thick bullwhip on the prisoners
  • S 123, a stringy old man serving a 25 year sentence

Demotic style

The translation by Ralph Parker dates from 1963. English writers, even up to the present day, especially if they went to private school, still think it is acceptable to write about ‘one’ doing this or that, and break the back of sentences in order to avoid ending a sentence with a participle (preferring to write ‘the man about whom I told you’ rather than what every normal person would say, ‘the man I told you about’).

Presumably Solzhenitsyn’s Russian is pretty demotic, capturing the everyday speech of the zeks, the swearing of the camp guards, and the thoughts of the profoundly uneducated Shukhov – and all this has forced Parker to be more demotic than, maybe, his natural English would have permitted.

Thus it would be ludicrous to have prison camp inmates saying ‘one does’ and one does not’ all the time and so, very sensibly, Parker uses the phrasing most ordinary people would use, using ‘you’, you have to look sharp, you have to keep your wits about you, you have to know when to bend to authority etc.

And he uses ‘fuck’ sparingly, for example when Solzhenitsyn conveys the attitude of the zeks to the guards and petty officials who lord it over them. Fuck ’em, is the attitude. I imagine camp inmates swore all the time. Maybe this was Solzhenitsyn’s own restraint, and maybe he knew what would bear publication in 1962. The subject matter was controversial enough, best not to offend the literary sensibilities of the editors and writers he was trying to recruit to his cause.

Proverbs

Instead of learned quotations, the poor and illiterate have folk wisdom and proverbs. Shukhov’s mind is full of them.

  • You’ve only to show a whip to a beaten dog. 53
  • Thrift is better than riches 71
  • A man with two trades to his name can easily learn another ten.
  • Hasty work is scamped work. 89
  • A man who’s warm can’t understand a man who’s freezing. 96
  • The quickest louse is always first to be caught in the comb. 131

In The Great Gatsby F.Scott Fitzgerald makes the simple observation that there are only two kinds of people, the sick and the well.

In Denisovich Solzhenitsyn divides people into two further categories – the warm and the freezing.

Also: the hungry and the full. As in Primo Levi’s accounts of Auschwitz, concentration camp inmates may not always be cold, but they are always hungry, permanently surviving on the verge of malnutrition.


Related links

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Russian history

Russian literature

Russian art

Modern Couples: Art, Intimacy and the Avant-Garde @ the Barbican

This is an extraordinarily packed, dense and demanding exhibition. The basic idea is deceptively simple. The show looks at over 40 artistic couples who were pioneers of early 20th century avant-garde art, photography, design and literature, and explores the stories of their sexual, emotional and artistic relationships, liberally illustrating the narratives with photos and art works, books and pamphlets, fabrics and ceramics, chairs and bookshelves, which one or other or both of them produced.

Women first

One central aim of the exhibition is to show that, more often than not, the women in these artistic relationships were as, if not more, important and influential (and creative in their own right) than the male artists and male critics of their time – and ever since – have acknowledged.

So, in a small but telling detail, in all the displays of couples, it is the woman who is presented first, the woman’s name which appears first and the woman’s work and contribution which is most explored.

Thus in the opening room we are told that the model Camille Claudel played a larger role in the career of sculptor Auguste Rodin than is usually credited, as well as being an interesting sculptor in her own right, with samples of her work to prove it.

The same goes for Maria Martens, who enjoyed a long and passionate working relationship with the more-famous Marcel Duchamp, but was a notable artist in her own right.

Later on we learn that Gustav Klimt’s lifelong soul-mate, and the model for some of his most famous paintings – Emilie Flöge – was more than just a muse and model, but a talented fashion designer who ran her own very successful couture house, the Schwestern Flöge (1904 to 1938), in Vienna.

Emilie Flöge and dress designs c.1900

Emilie Flöge and some of her dress designs c.1900

The exhibition works through scores of other examples, in each case showing that the women in each famous couple were often notable artists, sculptors, designers and business people in their own right, as well as contributing ideas, designs and artworks to what would nowadays be seen more as collaborative relationships than the old-fashioned story of an active Male Artist and a passive Female Muse.

Natalia Goncharova, the Russian Futurist artist, painter, costume designer, writer, illustrator, and set designer was every bit as innovative as her lifelong partner and founder of Rayonism, Mikhail Larionov.

Frida Kahlo, during the 1930s overshadowed by her husband, the famous mural painter Diego Rivera, has subsequently emerged as a powerful artistic figure in her own right.

Leonora Carrington has traditionally been seen as a ‘muse’ for the Surrealist artist, Max Ernst, during the three intense years of their relationship, 1937 to 1940, but she was a sculptor and painter in her own right, as well as the author of a harrowing account of her experience of mental illness, Into the Abyss.

Early in their relationship Georgia O’Keeffe was the junior partner to her husband, the famous New York photographer Alfred Stieglitz, but her career as a painter would go on to eclipse his reputation.

And so on.

In fact, the show at moments suggests that it was sometimes the men who were the muse figures for a woman artist, for example in the section on Picasso and how his image was crafted and shaped by his lover Dora Maar, in her own photographs and sculptures.

Picasso en Minotaure, Mougins, 1937 by Dora Maar © ADAGP, Paris. Photo © Centre Pompidou

Picasso en Minotaure, Mougins, 1937 by Dora Maar © ADAGP, Paris. Photo © Centre Pompidou

So, on one level, this exhibition is a massive, encyclopedic review of twentieth century avant-garde art as retold from the women artists’ perspectives. Redressing a balance. Restoring, or creating, a new feminist interpretation of many artistic relationships, from the super-famous to the sometimes relatively obscure.

Collaborations

But this theme – rediscovering and rethinking the importance of the women collaborators vis-a-vis often more famous male artists – is not the only one. It is complemented by explorations of the diverse meanings of the very ideas of ‘working relationships’ and ‘collaborations’.

Take homosexual partnerships. Alongside the long sequence of heterosexual couples, there are rooms devoted to gay, lesbian or bisexual couples, for example the passionate same-sex relationship between Virginia Woolf and Vita Sackville-West which inspired Woolf’s novel, Orlando. Or the room devoted to the long-lasting artistic relationship between transgender couple Claude Cahun and Marcel Moore.

Other rooms expand the notion of ‘relationship’ beyond the idea of a simple binary couple, for example the relationship of the three Magic Realist painters – Paul Cadmus, Jared French and Margaret Hoening French – who worked together so closely that they attributed their works to a joint pseudonym made up from the first two letters of their first names – the PaJaMa collective.

Other rooms move beyond threesomes to explore larger groups of artists who collaborated and worked together during this exuberant period. Thus one room focuses on the community of lesbian writers and artists in 1920s Paris, while another explores the Surrealist idea of the ‘Chance Encounter’ in a room which brings together some ten or so artists, male and female, who collaborated together in loose and shifting networks of co-operation.

Paul Cadmus and Jared French (1937) photographed by George Platt Lynes © 2018 Estate of George Platt Lynes

Paul Cadmus and Jared French (1937) photographed by George Platt Lynes © 2018 Estate of George Platt Lynes

In other words, the exhibition starts off by exploring the notion of modernist artistic couples but quite quickly deconstructs, reconfigures, explores and rethinks what working artistic relationships actually meant in practice for a wide variety of artists.

It may begin with women who challenged conventional notions of female behaviour and the role of ‘the wife’ or ‘the mistress’ or ‘the muse’, but soon becomes an investigation of a number of types of artistic working relationships, between not only heterosexual and same-sex couples, but among larger and more fluid groupings.

Is modernism about love or the Machine Age?

But alongside the notion of the couple, the collaboration and the group, the curators make a bold assertion which I find hard to agree with, namely that artistic modernism was coterminous with ‘modern love’. To quote the introductory wall label at the start of the exhibition:

Modern art. Modern love. From the 1890s through to just after the Second World War, these two phenomena were interwoven and indelibly linked. Side-by-side, artist couples forged new ways of making art and of living and loving.

And in the scores and scores of wall labels which follow, there is much, much more along the same lines. All of the artists are given thumbnail biographies and these tend to focus as much on their love lives, on their bohemian rejection of bourgeois conventions around love, marriage, sexuality and so on, as on their actual artistic achievements.

Central to the exhibition is the claim that Modernism, or the 20th century avant-garde, was about love and sex and desire. Or, as the curators put it:

‘Modern Couples’ roots Modernism in the field of desire.

This claim, or assertion, allows the curators to present a coherent and persuasive narrative. Modern Art is about love and desire. 20th century women artists and authors invariably depicted love and desire. Therefore women artists are central to Modern Art.

Or: If love and desire are the core subject of Modernism, then women artists, who focused on love and desire, must be central to Modernism.

It is a circular, self-fulfilling and self-reinforcing argument.

Having established this axiom, the show can then settle down to ticking off a familiar checklist of feminist art concerns, demonstrating how these radical women artists ‘subverted’ traditional ‘patriarchal’ ideas of ‘gender stereotyping’ and explored ‘transgressive’ sexuality i.e. by having numerous lovers or by being lesbians.

By selecting love and ‘desire’ as the central theme of Modernism, the curators are able to pull together:

  • the heterosexual and homosexual relationships of women artists
  • women artists’ ambivalent roles as sexual objects and muses to men
  • women artists’ own sexual feelings and needs, expressed in infidelities, affairs and multiple partners
  • the fact that women artists sometimes got pregnant and gave birth
  • the way women artists explored and mythologised the condition of femininity and fertility
  • alongside the legion of lesbian artists, seen as social and political pioneers in the way they explored man-free notions of same-sex desire

All of these multifarious activities and interests can be pulled together as if they make up a single coherent movement, all saying the same thing, all addressing the same handful of ‘issues’, all united in the same aim.

And the way the same theme and subject – love, sex and the (generally female) body – is repeated on all the wall labels and is exemplified again and again in the artworks also contributes to this sense of a huge transcontinental network of artists, sculptors and writers all inspired by the same theme. Reinforcing the curators’ premise that ‘modern art’ is coterminous with ‘modern love’.

This strikes me as being very neat, very convenient and not completely true, for one very big reason.

At university I was taught that the huge array of new artistic and literary strategies which we call ‘Modernism’ was, at least in part, a reaction to the ongoing dominance of the Machine in modern life, and a response to the hectic pace of technological change which accelerated from the 1890s onwards.

Electric lights, bicycles, skyscrapers with electric elevators, motor cars and airplanes, the cinema and portable cameras, were just a few of the technologies which didn’t exist in 1890, were only just being developed in 1900, and which had become almost commonplace by 1910, in a few decades of dizzying technical and engineering change.

I was taught that T.S. Eliot in The Waste Land and James Joyce in Ulysses and Alfred Döblin in Berlin Alexanderplatz and John Dos Passos in U.S.A. use techniques of collage, parody and fragmentation to convey the disorientating experience of life in modern, fast-moving cities and the way it had uprooted sensitive people from their cultural and communal identities, producing a blizzard of fragmented experiences.

The City of Ambitions (1910) by Alfred Stieglitz. Courtesy of the George Eastman Museum

The City of Ambitions (1910) by Alfred Stieglitz. Courtesy of the George Eastman Museum

Same with the photomontages of Alexander Rodchenko and the Russian Constructivists, or the zealous machine-worship of the Futurists, or the angularities of the Vorticists, or the geometric forms of Fernand Léger, or the Suprematism of Kazimir Malevich, or the shock close-ups and split screens and montages of Sergei Eisenstein, or the grid pictures of Piet Mondrian which began life as attempts to capture the energy of fast-moving traffic around modern city blocks.

I was taught that all of these undeniably ‘modernist’ books and artworks were first and foremost responses to what many artists felt was the disruptive impact of a host of new technologies on modern life. They have nothing – visually or intellectually – to do with love and desire.

So it’s a surprise to realise that this indisputably key element of Modernism – the hectic, alienating, urban, machine-riddled aspect of the Modernist movement – is largely absent from this exhibition. If it’s mentioned at all it is only to be quickly downplayed.

Thus when the exhibition describes the Futurist poet and provocateur, Marinetti it does so mainly in order to prove that his partner, Benedetta, was a pioneering artist in her own right, who feistily stood up to Marinetti’s misogynist rhetoric and co-wrote a lot of his most famous works.

Fair enough, but this perspective downplays Marinetti’s importance as (half-crazed) apostle of The Machine – of the new age of fast cars, planes and trains, a mania which influenced the Surrealists in Paris and the Vorticists in London.

Room 20, devoted to Russian Modernism, describes the artistic output of Alexander Rodchenko, Varvara Stepanova, Lilya Brk and Osip Brik, and Vladimir Mayakovsky mainly in terms of their fluid relationships and collaborations i.e. in order to justify the curators’ central premise.

What is underplayed is the crucial importance of The Machine Age to their development of new styles of photography and photomontage, design, experimental film and so on – radical responses to the impact of new technologies on human life which were so acute and perceptive that many of them still influence us to this day.

A. Rodchenko and V. Stepanova descending from an airplane in a still for the film The General Line by Sergei Eisenstein (1926) a very rare appearance of a machine in an exhibition overwhelmingly devoted to bodies and desire. Courtesy Rodchenko and Stepanova Archives, Moscow

A. Rodchenko and V. Stepanova descending from an airplane in a still for the film The General Line by Sergei Eisenstein (1926). A very rare appearance of a machine in an exhibition overwhelmingly devoted to bodies and desire. Courtesy Rodchenko and Stepanova Archives, Moscow

Some of the exhibition wall labels do refer to the new experience of the modern city, a bit, where absolutely necessary, reluctantly – but overall the exhibition systematically downplays or ignores it in order to focus on its core concern – with relationships, love, ‘desire’ and the female body.

For me, this is simply to ignore, underplay and obscure a vital element in early 20th century avant-garde modernist art and literature.

Moreover, if you think about it, the curators’ unrelenting focus on love, sex and (generally) women’s bodies leads to a deep irony.

By choosing to equate Modernism exclusively with love and desire, an exhibition which sets out to reject sexist stereotypes of women in a subtle way ends up limiting women to – the realm of the emotions, of love and desire.

An exhibition which ostensibly sets out to tell us that women were interested in more than just the stereotypical concerns of love and sex (they were also successful businesswomen and designers), paradoxically goes to great lengths to tell us in sometimes embarrassing detail about the love lives, partners and sensuality and eroticism of these same women.

Which tends to have the cumulative affect of confirming the stereotypical prejudice that women, at the end of the day, aren’t interested in wider ideas, social change, technology, science and engineering, in designing better engines, cars, planes and trains.

No, with a handful of exceptions, most of the women in this exhibition are described as being predominantly interested – in their lives and art and writing – in love and sex. The lesbians, gays and transgender people, too, are defined, categorised and interpreted in the light of their sexual preferences, not in any wider social or intellectual concerns.

[At a more remote level, for people who don’t give a damn about art or artists (90+% of the population), this exhibition confirms every philistine prejudice they’ve ever held about the art world, namely that it’s a Sodom and Gomorrah of sexual perversion, infidelity, adultery and pornography. (There is quite a lot of nudity on display, as you’d expect in an exhibition about desire and the body, lots of bare boobs and one or two naked penises. Visitors are warned that the room about the Surrealists’ ‘Chance Encounter’ has so much explicit content that it might not be suitable for under-16s. Oooh er.)]

Meanwhile, beyond the artists’ studios and bedrooms in the 1910s and 20s, there was an immense and exciting world – the world of motorbikes and racing cars and fast trains and ocean liners and skyscrapers and high speed elevators and escalators and department stores and cinemas and world wars and machine guns and tanks and airplanes, the world where people tested themselves against machines, climbed mountains, did solo flights across the Atlantic.

But all this is ignored, left out, omitted, elided and glossed over, in the curators’ keenness to assert that the essence of Modernism was… love and desire, marriages and mistresses, ‘transgressive sexuality’, ‘the queer citizen’, ‘women’s liberation’, ‘same-sex acceptance’ and so on.

It is difficult to read every word of all the wall labels, not only because there are so many of them, but also because so many of them end up saying the same thing. The circumstantial details of each artist and their relationships maybe be distinct and individual but so many of the labels take us to the same destination – explaining that so and so made ‘the body’ the centre of their practice or ‘the site of transgressive desire’ or an epitome of ‘queer citizenship’, and so on.

The explosively diverse and often fascinating works of many of these artists are time after time reduced, interpreted via the same handful of ideas which rotate obsessively around sex, ‘desire’, the body, and transgressing gender stereotypes.

It is, in my opinion, both a narrow view of Modern Art, and a very narrow view of the female, lesbian and gay achievement of the time, both in the art world and beyond.

A tsunami of information

So much for the core ideas of the exhibition, and my issue with some of them.

The actual experience of visiting Modern Couples is to be completely overwhelmed by a tsunami of names and stories. The two floors of the Barbican Gallery have been divided up into some 23 small rooms, into most of which have been crammed displays about at least two sets of couples, with each couple introduced and explained by sometimes lengthy texts on the wall, as well as scores and scores of key quotes from the respective artists and authors.

It’s a lot to take in – to read the explanation of each couple, and then try and match the quotes to what you’ve just read about their lives – and then to find the energy to look at the actual art works. To give you a sense of the scale and the deluge of information, here’s the list of the Artist Couples:

  • Aino and Alvar Aalto
  • Vanessa Bell and Roger Fry
  • Vanessa Bell and Duncan Grant
  • Lilya Brik and Vladimir Mayakovsky
  • Claude Cahun and Marcel Moore
  • Benedetta and Filippo Tommaso Marinetti
  • Leonora Carrington and Max Ernst
  • Camille Claudel and Auguste Rodin
  • Nancy Cunard and Henry Crowder
  • Sonia Delaunay and Robert Delaunay
  • Lili Elbe And Gerda Wegener
  • Emilie Flöge and Gustav Klimt
  • Federico García Lorca and Salvador Dalí
  • Natalia Goncharova and Mikhail Larionov
  • Eileen Gray and Jean Badovici
  • Barbara Hepworth and Ben Nicholson
  • Hannah Höch and Til Brugman
  • Hannah Höch and Raoul Hausmann
  • Frida Kahlo and Diego Rivera
  • Dora Maar and Pablo Picasso
  • Alma Mahler and Oskar Kokoschka
  • Alma Mahler and Gustav Mahler
  • Maria Martins and Marcel Duchamp
  • Margrethe Mather and Edward Weston
  • Lee Miller and Man Ray
  • Lee Miller and Roland Penrose
  • Tina Modotti and Edward Weston
  • Lucia Moholy and László Moholy-Nagy
  • Gabriele Münter and Wassily Kandinsky
  • Winifred Nicholson and Ben Nicholson
  • Georgia O’Keeffe and Alfred Stieglitz
  • PaJaMa: Paul Cadmus, Jared French, and Margaret French
  • George Platt Lynes, Monroe Wheeler and Glenway Wescott
  • Lavinia Schultz and Walter Holdt
  • Varvara Stepanova and Alexander Rodchenko
  • Sophie Taeuber-Arp and Jean Arp
  • Toyen and Jindrich Štyrský
  • Marianne von Werefkin and Alexej von Jawlensky
  • Virginia Woolf and Vita Sackville-West
  • Virginia Woolf and Leonard Woolf
  • Unica Zürn and Hans Bellmer

That’s a lot of biographies to read and digest, that’s a lot of names to remember.

Nude with Poppies (1916) by Vanessa Bell. Swindon Art Gallery

Nude with Poppies (1916) by Vanessa Bell. Swindon Art Gallery

Here are the names, careers, art and writing of the ‘Sapphists’ featured in just one room, the one dedicated to ‘The Temple of Friendship’ i.e. the lesbian writers and artists of 1920s Paris:

  • Djuna Barnes and Thelma Wood
  • Natalie Clifford-Barney and Romaine Brooks
  • Natalie Clifford Barney and Rémy de Gourmont
  • Natalie Clifford-Barney and Liane de Pougy
  • Natalie Clifford Barney and Renée Vivien
  • Sylvia Beach and Adrienne Monnier
  • Luisa Casati
  • Radclyffe Hall and Una Troubridge
  • Tamara de Lempicka
  • Ida Rubinstein
  • Gertrude Stein and Alice B. Toklas

And that’s before you get to the artists featured in the Surrealist ‘Chance Encounter’ room, namely:

  • Eileen Agar and Joseph Bard
  • Eileen Agar and Paul Nash
  • Marcel Duchamp as Rrose Sélavy
  • Leonor Fini and André Pieyre de Mandiargues
  • Gala and Salvador Dalí
  • Gala, Paul Éluard and Max Ernst
  • Valentine Hugo and André Breton
  • Jacqueline Lamba and André Breton
  • Kiki de Montparnasse and Man Ray
  • Nadja and André Breton
  • Nusch and Paul Éluard
  • Grace Pailthorpe and Reuben Mednikoff
  • Valentine Penrose and Alice Rahon
  • Valentine Penrose and Roland Penrose
  • Dorothea Tanning and Max Ernst
Dorothea Tanning and Max Ernst with his sculpture, Capricorn, 1947 © John Kasnetsis

Dorothea Tanning and Max Ernst with his sculpture, Capricorn, 1947 © John Kasnetsis

Not only must the visitor assimilate this tsunami of names, relationships and diversity of artistic and literary practices, but every visitor to the exhibition is given a free handout, a ‘glossary’, which includes even more themes to think about.

For when the curators had collated this much information about this many people and assembled this many works all in one place – it turns to be an interesting exercise to detect all kinds of further links and connections between the huge diversity of artists, activities or artworks on show.

Thus the free handout suggests that, as you walk round the exhibition, you look out for the following themes:

  • Activism
  • Agency – ‘Feminism, agency and the desire for independence underpins much of the work by women artists in the avant-garde period.’
  • Breaking up
  • Businesswomen – Emilie Flöge, Sonia Delaunay, Aino Aalto
  • Chance encounter
  • Chloe liked Olivia – quote from Virginia Woolf epitomising ‘the new queer citizen of the 20th century’
  • Clandestine
  • Co-authored – or collaboration, one of the show’s central themes.
  • Communicating vessels – ‘Two different bodies, rubbed against one another, attain, through the spark, their supreme unity in fire’ – André Breton, 1932.
  • Collage
  • Daring – ‘What have I dared embark upon by entering your life?’ Dora Maar to Picasso, 1936.
  • Desire
  • Elegy – ‘Butterflies represent a scene of your life in which the dawn awakens on your lips. A star takes shape according to your design.’ Jean Arp remembering Sophie Taeuber-Arp after her death.
  • Escape to the country
  • Feminism – ‘We will be better than the wife, the mother or the sister of a man, we will be the female brother of the man’ – Natalie Clifford Barney
  • Gift
  • Homoeroticism – ‘The work that came out of Monroe Wheeler, Glenway Wescott and George Platt Lynes’s at times uneasy polyamorous relationship opened up a queer utopian space, away from 1930s American conservatism, in which the male subject could be liberated.’
  • Intimacy
  • Liberation – sexual liberation, liberation from Victorian clothing and Victorian morality, liberation from constricting fabrics and dull designs, liberation from boring interiors, liberation from artistic naturalism and even from language
  • Love
  • Mad love
  • Mirroring – ‘I am one, you are the other. Or the opposite. Our desires meet one another.’ Claude Cohun, 1930.
  • Muse – Dora Maar took photos of her lover Picasso in ‘a turnaround of gender expectations‘.
  • Mythology
  • Nest
  • Non-binary – ‘Gender fluidity, sexual empowerment, awakening, and the fight for safe spaces of becoming, were part of the avant-garde currency.’
  • Play
  • Printed word – ‘It could be a political text, a perfect branding platform, a token of love, a site of artistic collaboration or a platform for transgressive or erotic content.’
  • Procreation
  • Publishing – Many modernists experimented with setting up their own publishing company, most notably the Hogarth Press of Leonard and Virginia Woolf.
  • Pygmalion
  • Radical abstraction
  • Reinvention – The importance of the portrait, in art and literature. Claude Cohun and Marcel Moore, life partners for 45 years, and produced a huge body of work playing with ‘gender politics‘.
  • Revolution – Alexander Rodchenko and partner Varvara Stepanova’s revulsion for the West’s cult of ‘Woman as object’ and determination to embrace ‘gender equality‘.
  • Selfie
  • Sidelined – women sidelined by men, obviously, always, everywhere
  • Total work of art
  • Triadic
  • Two-people movements – Rayism invented by Natalia Goncharova and Mikhail Larionov, the Mask Dancer movement of Lavinia Schultz and Walter Holdt, the Tactilism of Benedetta and Filippo Marinetti, the Orphism of Sonia and Robert Delaunay.
  • Utopia
  • War
  • X-rated – ‘Many artists in this exhibition used eroticism in their art as a way of fighting bourgeois conformity, propaganda and artistic censorship.’

Is that enough to think about yet?

A self-portrait by Claude Cahun, subverting gender stereotypes. Courtesy of Jersey Heritage Collections

A self-portrait by Claude Cahun, subverting gender stereotypes. Courtesy of Jersey Heritage Collections

This is what the exhibition is like. Overflowing with texts, quotes, references, biographical data, artistic theory and, underpinning it all, emerging sooner or later in every wall label for every artist – the axioms of modern identity politics and feminism – gender politics, the body, gender fluidity, transgressive art, gender equality, and so on.

Numbers

I counted a total of 103 paragraphs of wall text – sometimes very long, densely factual paragraphs. It would take at least an hour just to read them, and that’s before the 50 or so quotes from artists’ letters, diaries and so on.

There are over 40 couples, but many more ‘couples-plus’ – groups and movements of artists and writers to get a handle on – with the result that the exhibition features more than 80 writers and artists in total.

And there are a staggering 600 objects on display, including paintings, sculptures, models, furniture, personal photographs, love letters, gifts, books – 35 first editions from Virginia and Leonard Woolf’s Hogarth Press – magazines, rare archival material and much, much more!

Les deux amies (1923) by Tamara de Lempicka. Association des Amis du Petit Palais, Geneve

Les deux amies (1923) by Tamara de Lempicka. Association des Amis du Petit Palais, Geneve. A portrait of two naked women painted by a woman!

In the event, this was simply too much for me to take in. I started off dutifully reading every wall text but quickly got tired, saturated, full up – I started skimming some and then just ignored others. I went round about five times, each time reading at new bits of text, toying with quotes here and there – above all, trying to let the actual art fight its way through the jungle of biography and interpretation and bitty quotations and make its impact.

I came to roughly two conclusions.

1. One is that, if you’re a student or have an educational motivation, this is a spectacular opportunity to see works great and small, by artists famous and obscure, by men, women, gays, lesbians and trans people, from what feels like all the most important art movements of the early 20th century.

(In fact it’s far from being a complete overview of early 20th century art – that would fill ten Barbican galleries – but it is an impressive stab at conveying a really comprehensive overview of important modern art as retold with women, gays and lesbians to the fore.)

2. The second point is that among the 600 paintings, books, photos and furniture on display there are some real masterpieces, many on loan from abroad, and so a rare opportunity to see many beautiful things in the flesh.

Small is not necessarily beautiful

In this respect – my response to the art – I found the smaller, more cramped rooms to be unconducive to aesthetic enjoyment.

For example, the small first room which is shared by the story of Camille Claudel and Auguste Rodin, and the story of Maria Martins and Marcel Duchamp, included some plaster busts and faces by the former pair, and some bronze casts of Maria’s body parts (her buttocks and vagina) made by Duchamp. But it was so small, cramped and crowded that it felt more like a reading and learning space, than an art space.

The reduction ad absurdum of this shoehorn approach was the way that the no doubt complex and interesting working relationship between modernist designer Lilly Reich and her long-term partner and collaborator, Ludwig Mies van der Rohe, was explained via one chrome and black leather chair and three paragraphs of text plonked at the bottom of the stairs to the first floor.

He claimed to be the sole designer of this classic and hugely influential chair. Only decades later did it emerge that she had as least as much input as he did into the design. What a beast!

Barcelona chair by Mies van der Rohe (1929)

Barcelona chair by Mies van der Rohe (1929)

Interesting story, but blink and you might miss it altogether.

The show is co-curated by Emma Lavigne, Director of the Centre Pompidou in Metz. The French connection made me think of some of the smaller displays as types of ‘bonnes bouches’ or ‘tasty bites’ – fleeting treats designed to add to the overall argument, but whose main function would be to inspire you to go away and find out more.

Big rooms where art can breathe

By contrast, I only really felt comfortable – and that I was really getting an aesthetic kick (as opposed to processing large amounts of biographical and art information) – in some of the larger rooms. There were plenty of other highlights, but I would single out rooms 14, 15 and 17.

Room 17

Room 17 displayed the work of two and a half couples: of the English artist Ben Nicholson, who 1. enjoyed a close working relationship with Winifred Nicholson (whom he married) in the early 1930s before 2. then partnering with the sculptor Barbara Hepworth. The wall labels quote letters they exchanged in which they spoke of becoming, literally, one person, with one taste and one artistic motivation.

In this same room, on the opposite wall, was a suite of work by Jean Arp and Sophie Taeuber-Arp. I found the juxtaposition of the sculptural abstractions of Nicholson and Hepworth with the playful abstracts of Arp really interesting.

But I was transfixed by the four or five 18-inch-high marionettes made by Sophie Taeuber-Arp for a puppet production of a folk tale about King Stagg. These possessed something almost nothing else in the exhibition did – which was charm and humour.

Marionettes by Sophie Taeuber-Arp (1918)

Marionettes by Sophie Taeuber-Arp (1918)

Room 15

Room 15 is a rare example of a room devoted to just one couple, in this case the wife-and-husband partnership between Sonia and Robert Delaunay (who were married from 1910 to Robert’s death in 1941). This married couple developed a movement variously titled Simultanism and then Orphism, in which different patterns of colours are set against each other to create disruptive effects.

The Delaunay room benefited immensely from being just about them, with no other couple squeezed in. It had more than twenty works hung around the walls, most of them – from what I could see – the calm, restful abstract designs by Sonia, mostly for fabrics and dresses. This made for a really absorbing and beautiful space.

Design B53 (1924) by Sonia Delaunay

Design B53 (1924) by Sonia Delaunay

But the room I found it literally hard to leave and, even when I’d left it, found myself walking round the entire ground floor in order to visit again with a renewed frisson of delight, was room 14 devoted to the overlapping artistic partnerships of Gabriele Münter and Wassily Kandinsky, and Marianne von Werefkin and Alexej von Jawlensky.

This foursome produced German Expressionist paintings of wonderful colour and vivid design at their self-styled artist colony at Murnau in Bavaria, in the years just before the Great War. Wow.

I liked lots of other things in the exhibition (the enormous painting of naked lesbians by Tamara de Lempicka, the thrilling Constructivist photos of Varvara Stepanova and Alexander Rodchenko, the dazzling photos of Lee Miller done by Man Ray, the couple of small but wonderful paintings by Gustav Klimt, some of the abstract paintings produced by Roger Grant and Vanessa Bell’s Omega Workshop, the wonderfully aloof portraits painted by Romaine Brooks), but for sheer visual pleasure, nothing beat this room of hyper-bright, vivid brushstrokes, bold childlike designs, and colour-drenched splashes and flourishes by this German foursome.

Improvisation III by Wassily Kandinsky (1909)

Improvisation III by Wassily Kandinsky (1909)

Probably I should have been reading up on how their work ‘subverted’ this or that tradition, and ‘challenged gender stereotypes’, or how the two women definitely contributed as much or more to their commune as the men.

But I switched off all that curatorial chatter, and just stood in awe of these wonderful, beautiful, transcendent works of art. No reproductions can do justice to the shiny vibrancy of the real thing in the flesh. Go and see them for yourself.

Conclusion

It must have taken an immense amount of effort by the four co-curators to bring together such an epic collection of objects and art works and to bring order, coherence and meaning to the multiple stories behind them.

If you are a feminist I can see how this exhibition of feminist artists lovingly assembled by feminist curators with scores of texts by feminist scholars would thunderingly confirm all your feminist beliefs. That’s what it’s designed to do.

And I wondered, as I left, whether this exhibition now and in the future, might be seen as a landmark show, a really massive rethinking of early 20th century modern art which reinstates women’s stories in all these important relationships, and often rehabilitates them as being as, if not more, creative than their male partners.

And also for the way it explores the idea that modern art was characterised, more than any previous type of art, by its collaborative nature, by the way it was produced by partnerships, by trios or quartets, by small groups working, thinking and making together.

It is a strong, well-argued, illuminating and very thought-provoking show.

But, that said, it’s hard to imagine that a lot of these artists and their stories won’t already be well known to the average gallery goer – the stories of Picasso and Dora, Frida and Diego, Virginia and Vita and the names of Dali, Ernst, Man Ray, Klimt, Marinetti, Nicholson and Hepworth are hardly unknown, and the notion that, ‘behind every great man there’s a great woman’, is hardly a radical thought – as indicated by the fact that there’s a centuries-old proverb on the subject.

Similarly, it’s hard to imagine that the fact that there were lesbian writers in the 1920s or gay photographers in the 1930s, will come as a great surprise to the average gallery goer. Homosexuality is not really news to most people. Most of the people the exhibition is targeted at will, I suspect, have heard of Virginia Woolf before, and will know she had a lesbian affair with Vita Sackville-West.

My position, after forty years of studying twentieth century art, literature and history, is that the Century of Catastrophes is too diverse and complex to be reduced to any one narrative or interpretation. From about the 1890s onwards there was (and still is) too much going on in an interconnected world of billions of human beings for any one narrative or story to hope to tell any kind of definitive ‘truth’.

For example, this is an exhibition, at bottom, about European and American white women, often very wealthy women (Nancy Cunard, Natalie Barney). You can immediately see that focusing on these often very privileged people tends to omit the stories of working class people of both genders in those continents. You could be forgiven for not realising there were things called the First World War and the Russian Revolution during the period the exhibition covers. Not enough ‘same sex desire’ to merit inclusion.

Similarly, there is precious little (surprisingly) about the black experience of modernity (there is one black person in the exhibition, the jazz musician Henry Crowder, who is included because of his influence over the immensely wealthy patron of the arts and writer, Nancy Cunard).

In fact, now I think about it, jazz is a crashingly obvious and central element of Modernism, from Stravinsky to Eliot, and is depicted in countless modernist art works. But it doesn’t fit with the curators’ insistence that Modernism be defined by couples, love and relationships, sex and partners and gender and desire and so… it isn’t here.

My view is that the ‘Modern’ experience of humanity, the bewildering catalogue of technological, scientific and cultural change which overwhelmed Homo sapiens in the early twentieth century – is too vast and multiform for any one narrative to encompass.

The curators make a powerful and persuasive case that Modernism was characterised above all by new thinking about love, eroticism, desire and relationships, much of which promoted the liberation of women (and trans people and gays).

Lee Miller with a cast of her torso, Downshire Hill, London, England 1940 by Roland Penrose © Roland Penrose

Lee Miller with a cast of her torso, Downshire Hill, London, England 1940 by Roland Penrose
© Roland Penrose

I accept all their points as valid, and the body of evidence they’ve assembled is pulverisingly persuasive. And yet I still think that an equal if not more important element of Modernism was artists’ reaction to the revolution in everyday life caused by new technologies. And everyone’s world was turned upside down by the Great War. And the entire intellectual world was galvanised by the radicalism of the Russian Revolution. And I haven’t mentioned the famously disruptive discoveries of Einstein and others, undermining the static view of the forces of nature held since Newton. Too much was happening. No wonder the art from this period is so excited and effervescent.

Alternative interpretations

But I’m well aware that my own interpretation can itself be trumped by other competing narratives. That there are numerous ways of looking at this period of cultural history.

For example, arguably the most important aspect of the era was the collapse of the old European empires – the German, Austro-Hungarian, Russian and Ottoman Empires. The entire art of the period could be interpreted in terms of the breakdown of the ideologies, laws and customs which supported them, of which conventions about relations between the sexes are just a small sub-set.

Or there’s a Marxist interpretation which suggests that the era was characterised by unprecedented wealth derived from the West’s imperialist domination of the rest of the world – wealth which gave rise to a new class of super-rich collectors and connoisseurs who patronised ‘modern’ art and literature and experimented with new ‘decadent’ lifestyles. (Vide Nancy Cunard, Natalie Barney and the numerous other rich American women who populate the 1920s lesbian room).

Or there’s a strong post-colonial interpretation which says that the decisive impetus for Modernism and its revolutionary overthrow of 400 years of realistic art came from the cultural appropriation of the African masks and Oceanic art looted by imperial collectors, which were enthusiastically copied by Picasso and Matisse, and which had a transformative effect on everyone who followed them.

To give just a few of the most obvious interpretations of the art of the period.

This exhibition is an impressive and stimulating attempt to write one particular story about early twentieth century art. But it is only one interpretation among a sea of alternative stories.

The promotional video

P.S. What does ‘modern’ mean?

When I told my wife I was off to see an exhibition titled ‘Modern Couples’ she thought it would be a V&A-style celebration of contemporary celebrity pairs like Elton John and David Furnish, the Beckhams, Kanye West and Kim Kardashian, and so on.

No, I explained. When art and literary critics say ‘modern’ what they mean is art from the 1900s, 1910s and 20s. They mean art and literature which is over a hundred years old. That’s what they mean by ‘modern’.

And even as I explained it, I realised how odd this use of the word ‘modern’ is. Eventually this stuff is going to be 150 years old. Will we still be describing it as ‘modern’ in 2050? At what point will someone have to come up with a better name? Or will Modernist art remain ‘modern’ forever?


Related links

Women in art

Other reviews of artists featured in this exhibition

Books about artists featured in the exhibition

Other Barbican reviews