A Terrible Beauty is Born by Ulick O’Connor (1975)

I grew up in a free country which was decolonised seven years before my birth. The reflexes of colonialism linger on for a time after the rulers have departed.
(page 14)

‘I defy anyone to study Irish history without getting a dislike and distrust of England.’
(Lady Gregory)

This is, in the old and best sense of the word, an amateur book. It is a highly personal perspective on the series of very famous events in Irish history. Ulick O’Connor had a long and successful life as a sportsman, lawyer, writer, poet, playwright, historian and biographer, summarised in his obituary:

As a sportsman he certainly excelled. As a lawyer I’ve no idea of his status. As a writer, apparently his biographies of Oliver St John Gogarty and Brendan Behan are still important. But he was definitely not a professional historian and it shows. This slim 180-page account of the leadup to and aftermath of the 1916 Easter Rising in Dublin is anecdotal and empassioned rather than detached and scholarly. It’s a handy enough introduction to the events, although there must be many far more rigorous and scholarly accounts.

And it seems to skip or gloss over complex details. Every time I looked up an aspect of the leadup to the rising on Wikipedia, I found it to be more complex and byzantine than O’Connor’s account. This appears to be a simplified and romanticised account.

What makes it stand out is O’Connor’s flashes of real anger against British imperial rule in Ireland and, in the later stages, the number of participants and eye-witnesses who O’Connor seems to have met and interviewed for this book and so quotes verbatim.

Introduction

Setting the personal tone of the book, it opens with O’Connor visiting the Public Records Office at Dublin Castle to see the file on his great-grandfather. This was Matthew Harris who fought in the Irish risings of 1848 and 1867 and became one of three members of the Supreme Council of the Fenians, who, even though he went on to be elected as an MP to Westminster, was in later life followed everywhere by detectives. O’Connor discovers his file is huge and could be compared to the Czarist authorities’ files on Lenin. So O’Connor is using his great-grandfather as an example of the huge amount of time and energy the British colonial system spent keeping tabs on anyone who spoke against it.

But the anecdote is also typical of O’Connor’s romanticising tendency: he is quick to say of his forebears, or of any notable Irishman he’s writing about, that tales were told of him round fireplaces and ballads sung in pubs. The heroes of his story are constantly being turned into tales and ballads sung wherever patriots assemble.

His name had passed into tradition so that as I grew up I heard him talked about with reverence. (p.8)

And it’s typical of O’Connor’s approach in a third way, in that he underpins it, not with scholarly documentary information or research, but with an anecdote told him by an eminent person. In this case it’s the novelist Liam O’Flaherty, who tells O’Connor that he remembered his father recalling Harris’s fiery speeches. And in another anecdote, a visitor to the West of Ireland tells O’Connor that the peasants still remembered his great-grandfather. This is how the book proceeds: by anecdotes about heroes.

And a fourth way in which the introduction sets the tone and approach is when O’Connor broadens out his theme to explain how the Irish patriots’ struggle for independence went on to inspire like-minded revolutionaries in Egypt, India and many other colonies of the British Empire, a point he repeats a number of times in the rest of the book.

Back to great-grandfather Harris: O’Connor tells us that in 1880 he was persuaded to moderate his beliefs enough to stand for Parliament. He was persuaded to do this by Charles Stewart Parnell whose strategy was to unite the three elements in Irish political life: the physical forcers, the Land league and the Parliamentary Party. It was Parnell’s great achievement to do this and make his parliamentary party into the deciding force in British politics.

1. Rise and fall of Charles Stewart Parnell

O’Connor steps back to give us the deep background: he says it was the Flight of the Earls in 1607 after defeat in battle which handed Ireland over to British control. His great-great-grandfather was alive at the time of the 1798 rebellion. His great-grandfather lived through the potato famine when up to a million died of starvation due to the incompetence of the British administration, and some 2 million emigrated, mostly to America.

In the four years after the famine, 58,000 families amounting to 316,000 people were evicted from their homes for non-payment of rent, saw their houses destroyed and were left destitute, living in caves or wooden huts or dying by the roadside.

In 1886, leader of the Liberal Party and Prime Minister William Ewart Gladstone introduced the first Home Rule Bill with a horrified description of the abject poverty found throughout rural Ireland.

At the turn of the century the British Empire was at its height. O’Connor quotes Louis Fischer, the biographer of Gandhi, as saying that imperialism is a sort of perpetual insult to the colonised and governed.

Charles Stewart Parnell was a Protestant, a member of the ‘Protestant ascendency’ born into a wealthy Anglo-Irish Protestant landowning family in County Wicklow in 1846. He was leader of the Home Rule League from 1880 to 1882, and then of the Irish Parliamentary Party from 1882 to 1891, by which time his party held the balance of power in the House of Commons.

In a typically family anecdote, O’Connor remembers his grandmother telling him how, as a small girl, she used to greet Parnell when he came to stay with her father in the west of Ireland. ‘She treasured the table on which he wrote his speeches as if it were the relic of one of her favourite saints’ (p.16).

She also taught O’Connor that it was incorrect to refer to the married woman Parnell had a ten-year affair with as ‘Kitty’ O’Shea, it should always be Mrs O’Shea. It is typical of the book that we see the whole Parnell tragedy through the eyes of an O’Connor family member.

What happened was when it looked likely the Liberals under Gladstone were going to win the 1892 general election and pass his Home Rule bill, some Tory leaders persuaded Captain O’Shea (who knew about his wife’s long-standing affair with Parnell) to divorce her, citing Parnell as the third party. As soon as this happened Gladstone, leading a party whose core was nonconformist, was forced to repudiate Parnell and withdraw his support for the Irish Party till it replaced its leader. Parnell refused to stand down and the furore split his party with the majority of its MPs, and all his senior colleagues, abandoning him to form a new party.

The following, much more recent, account suggests the train of events had more to do with Captain O’Shea’s greed than with scheming Tories. In this as everywhere else you can feel O’Connor’s 1) tendency to simplify the story and 2) burning animus against English rule.

The party split and Parnell went into exile in… England, dying the next year, 1891, of pneumonia, aged just 45. His body was brought back to Dublin. A crowd of some 200,000 watched the procession to Glasnevin Cemetery. Many people say a meteor (or shooting star as O’Connor puts it with characteristic romance) fall from the sky.

O’Connor quotes James Joyce’s famous quip about the Parnell ‘betrayal’ although, characteristically, he slightly misquotes him. Here’s the Joyce quote from his 1912 essay ‘The Shade of Parnell’:

In his final desperate appeal to his countrymen, he begged them not to throw him as a sop to the English wolves howling around them. It redounds to their honour that they did not fail this appeal. They did not throw him to the English wolves; they tore him to pieces themselves.

Joyce’s essay was written 21 years after Parnell’s fall and indicates how long-lasting the sense of failure and loss was, as described in vivid fictional form in 1) his short story ‘Ivy Day in the Committee Room’ and 2) the famous Christmas dinner argument scene in ‘A Portrait of the Artist as a Young Man’.

Rather than attempt a full historical perspective, O’Connor characteristically quotes the opinions of famous writers: Joyce, Dennis Ireland, W.B. Yeats, Sean O’Faolain, P.S. O’Hegarty, an old Sinn Fein writer who spoke to him. All the way through it’s these personal perspectives which O’Connor likes to give. And seeing as these writers or old-timers tend to romanticise and glamorise events, this contributes to the romanticising tendency of the whole book.

2. Celtic Revival

1884: foundation of the Gaelic Athletic Association: hurling, Gaelic football.

1893: Douglas Hyde, another son of the Protestant Ascendency, decided to set up the Gaelic League, an organisation to promote the Gaelic language, fast dying out in the cities but preserved among the peasantry. By 1906, over 3,000 branches.

An early convert was Lady Augusta Gregory, Anglo-Irish daughter of landed gentry (1852 to 1932). She was home schooled then married off to Sir William Henry Gregory, a widower with an estate at Coole Park, near Gort, in 1880. Sir William was 36 years older than her and had just retired from his position as Governor of Ceylon. He had a large house and estate at Coole Park which she, in the coming decades, turned into a major venue for nationalist writers. He also had a town house in London where she held literary soirées for leading figures of the time.

Throughout, O’Connor refers to the military element of the occupying power by the general term ‘the Garrison’.

Novelists George Moore and Edward Martyn were attracted to the Celtic Revival but it was the conversion of young William Butler Yeats which transformed things. Up till then he’d been writing fey pre-Raphaelite poetry under the influence of William Morris.

O’Connor fast forwards to the founding of the Abbey Theatre in 1904 and the renaissance of literary talent which constellated round it including J.M. Synge, James Stephens, George Russell A.E., Padraig Column, Katherine Tynan and more. O’Connor was to deal with the Celtic Revival separately in his 1984 group biography Celtic Dawn.

This all allows him to proceed by his favourite method which isn’t via documents or data, but by cherry-picking quotes from Famous Authors. On the upside, these are always chatty and anecdotal; on the downside, it’s the absence of any real historical context which gives the book its thin texture.

3. Portrait of turn-of-the-century Dublin

Parks, grand squares, the Season at the Castle, debutante balls. Population 400,000 with a small centre where it was easy to bump into people you knew (compare with London’s monstrous 6.5 million).

This leads him to Maud Gonne (1866 to 1953) ‘the most beautiful woman in Europe’ according to Wickham Stead, editor of the Times. Despite her claims she was of English descent on both sides but became a firebrand Irish revolutionary. Willie Yeats fell madly in love with her but she refused to become his lover.

In 1900, Gonne helped found Inghinidhe na hÉireann (Daughters of Ireland). Twenty-nine women attended the first meeting. They decided to ‘combat in every way English influence doing so much injury to the artistic taste and refinement of the Irish people’.

Lady Constance Gore-Booth (1868 to 1927) was an Irish revolutionary, nationalist, suffragist, and socialist, famous as the first woman elected to the UK Parliament (1918), though she did not take her seat. Born into Anglo-Irish aristocracy at Lissadell, she rejected her privileged background to fight for Irish independence, becoming a key figure in the 1916 Easter Rising. In 1900 she married Polish artist and playwright Casimir Dunin-Markievicz, and they styled themselves the Count and Countess = Constance Markievicz.

4. Arthur Griffith and Sinn Fein

Ireland was ruled by England from 1170. There was a short period of home rule from 1782 to 1800 which was put to an end by the 1800 Act of Union. Since 1800 nationalists had wanted to replace this foreign rule with home rule, some by constitutional means, some by violent uprising, as in 1848 and 1867.

In the early 1900s a journalist called Arthur Griffith came to prominence with a new strategy, passive resistance. In 1900 he founded the United Irishman which attracted top writers and became very influential.

Characteristically, O’Connor paints Griffith’s portrait by quoting other writers (Oliver St John Gogarty, James Joyce). Just as characteristically, he dwells on the way the short unprepossessing Griffith was madly in love with Gonne.

1903: Griffith starts publishing articles about how Hungary secured home rule within the Austro-Hungarian Empire under the Hungarian People’s Party led by Francis Deak. The next year he launched a political party to copy Deak’s strategy (the historical figure’s proper name appears to have been Ferenc Deák) – Sinn Fein, ‘Ourselves alone’.

Clause 14 of the Sinn Fein constitution: Non-recognition of the British Parliament. The plan was not just to abstain, but to set up a parallel Irish administration at all levels. However (in the book’s first mention of the Ulster problem) Griffith allowed for there to be a King of Ireland and a King of Britain.

Constance Markievicz joined Sinn Fein as did Maud Gonne.

Chapter 5. Roger Casement

Sir Roger Casement (1864 to 1916) worked for the British Foreign Office as a diplomat. He was honoured in 1905 for the Casement Report on the Congo Free State and knighted in 1911 for his investigations of human rights abuses in the rubber industry in Peru, sometimes credited as the ‘father of twentieth-century human rights investigations’.

Typically O’Connor conveys his importance by quoting writers – Joseph Conrad, who knew him in the Congo, and E.D. Morel who campaigned with Casement to end Belgium’s disgusting slave regime in the Belgian Congo (characteristically, the book incorrectly gives his initials as A.D.). See:

Resting in his native County Antrim, Casement heard about Griffith’s party and joined. He set out to learn Gaelic. He had seen imperialism at its most disgusting and had a shrewd feeling that Griffith’s strategy for freeing Ireland could work. He donated money to a school being run by a young Gaelic Leaguer called Eamon de Valera.

Chapter 6. The 1912 home rule bill

In 1910, though, the lead party was not Sinn Fein but the Irish Party led by Parnellite John Redmond. The Liberal Party returned to power in 1906 and, in order to pass its social legislation, needed the support of the Irish Party to pass its legislation neutering the House of Lords. In exchange its leader, Herbert Asquith, promised to sponsor another Irish Home Rule bill.

In March 1912, at a mass meeting in Dublin, Irish nationalists greeted the launch of an Irish Home Rule bill in Parliament but warned that if their hopes were dashed, Ireland would take arms.

 Chapter 7. Ulster

A quarter of the population of Ireland was Protestant, over a million living in the counties of Ulster. Two weeks after the Dublin nationalist meeting, a mass meeting was held in Ulster, with 100,000 men marching past Sir Edward Carson.

O’Connor analyses the Ulster Protestant as a typical colon in that his link to the imperial power gave him superiority. Even the poorest Protestant was, in a sense, superior to the richest Catholic. He compares them to the poor whites in the American South, persuaded of their racial superiority by their exploiters who thus kept the working class divided.

Carson had been Solicitor General in the Conservative government which fell in 1906 election. Next to him on the stand was Andrew Bonar Law, the Canadian-born new leader of the Conservative Party. In subsequent speeches Carson made it quite clear he was prepared to break the law and disobey officers of the Crown if home rule were passed.

In 1912 he and others set up the Solemn League and Covenant which was signed by hundreds of thousands (echoing the Covenants signed in Scotland during the civil wars).

Echoing Griffith, the Ulstermen set up their own provisional government. The Ulster Volunteer Force (UVF) was set up under a British Army general. F.E. Smith was a leading figure, who later became Attorney General of Britain.

In Britain, a British League for Ulster was set up and 120 MPs and 100 Lords joined it.

It became obvious that these Ulster refuseniks were the key issue in the Irish Question. Carson and the rest were openly declaring treason. Warrants were made out for their arrest, in Dublin but not issued. Prime Minister Asquith hoped Ulster resistance would die down.

Chapter 8. The Irish Volunteers

Mirroring the foundation of the Ulster Volunteers, in the south the Irish Volunteers were founded. It was founded by professor of Irish history Eoin MacNeill. Characteristically, O’Connor’s grandfather knew him. His mother told stories of going with her parents and MacNeill to the Aran Isles for the summer to learn Gaelic and come back with Gaelic-speaking nannies.

It was following an article about the Ulster volunteers, that MacNeill was approached to spearhead its southern equivalent. A committee of 30 was set up, including men from Redmond’s party. Roger Casement (returned from Peru) was made secretary.

By January 1914 there were 10,000 volunteers, by September 180,000.

Chapter 9. The Irish Republican Brotherhood (IRB)

Clann na Gael based in New York, run by old Feinian John Devoy. In 1907 he sent Thomas Clarke to Dublin to recruit for the IRB. Willie Yeats joined. And working class Catholic Sean O’Casey. They looked up to intellect and culture.

The (underground) IRB carefully infiltrated its members into the (aboveground) Irish Volunteers.

Chapter 10. The Citizen Army

In chapter 3 O’Connor gave us a very brief sense of upper class life in Dublin. This chapter emphasises the poverty. Dublin had the highest death rate of any city in Europe. The Irish Times compared living conditions of the poor to Dante’s Inferno.

August to Christmas 1913 Dublin saw a massive general strike, led by Jim Larkin (orator and journalist) and James Connolly (brilliant analyst who applied Marxist theory to Ireland, founder of the Irish Socialist Republican Party). He left for the States, then returned to become General Secretary of Larkin’s Transport Union.

The outcome of the long bitter violent general strike wasn’t concessions from the employers, but the creation of a Citizen Army which proceeded to arm itself. It came into being in November 1913 with a constitution drawn up by Sean O’Casey, who became its secretary and later wrote its history.

The Army Commander was Captain Jack White who had distinguished himself in the Boer War. He received a telegram of praise from Roger Casement.

Chapter 11. Guns for the Ulster Volunteers

In March 1914 a huge consignment of arms and ammunition arrived at Ulster to be distributed to the Ulster Volunteers. O’Connor describes how hundreds of cars owned by the landed gentry were parked along the route at night to light the lorries away from the port. Reading this, I was impressed by the commitment and organisation of these people, always painted as the baddies. I went looking for books about the Ulster Volunteers and only found two. History is written by the winners.

Its arrival triggered similar thoughts in the Irish Volunteers who arranged for Roger Casement. In July a yacht left Hamburg carrying 10,000 rifles. They docked at Howth, were met by Irish Volunteers, who marched with them back into Dublin.

Chapter 12. The Curragh Mutiny, then war

In March 1914 General Sir Arthur Paget, commander of British forces in Ireland, ordering to send detachments to protect depots in the north from raids by the Ulster Volunteers, firing on them if necessary. 60 officers and the leader of the 3rd cavalry brigade refused. This was regarded as a mutiny and rocked the British Army.

What it seemed to show everyone was that the British government would back down when faced with the threat of force. This triggers amusingly emotional rhetoric in O’Connor: ‘sordid intrigue… devious charade… ‘

O’Connor is quick to say in this rebellion of part of the Establishment against another, this splinter was the crack that foreshadowed the end of empire in violent independence movements around the world.

The Home Rule bill passed through the Commons in May 1914 and was scheduled to become law in September 1914. But in August the Great War broke out and all domestic legislation was suspended.

When war broke out, John Redmond, leader of the Irish Party which held the balance of power in the Commons, and with a force of some 180,000 trained men at his disposal, could have bargained with the Liberal government and witheld his support until the government absolutely promised to enact the bill. If an Irish government had been set up in Dublin, albeit with limited powers and still under ultimate British control, it is unlikely there would have been any Easter Rising.

But he didn’t. Without consulting his party he stood in the House of Commons and pledged the support of the entire nation of Ireland to the British in their time of need. This made the Irish immensely popular, even with the Conservative right, but at a stroke he handed over his trump card and had nothing left to bargain with.

The bill was placed on the statute book but only to come into force after the war. That was the rub. That was the cause.

Recruits flocked to volunteer. Some 300,000 Irish fought for the Empire, 40,000 of them were killed. But after the first flush of enthusiasm, many Irish found it difficult to win commissions in Irish regiments. The British Army establishment preferred Irish regiments to be officered by loyal British Protestant officers.

Chapter 13. Padraig Pearse and the military council

September 1914 the leadership of the Irish Republican Brotherhood decided that a nationalist uprising would take place before the war ended and began making plans.

James Connolly opposed the war from a Marxist point of view, as empires fighting over resources and markets.

Snapshots of: Padraig Pearse, at this point teaching at St Enda’s school; Thomas MacDonagh, English lecturer at the National University; Joseph Plunkett, poet and editor of the Irish Review. All three are members of the military council of the IRB. They didn’t expect a rising to defeat the British. They expected it to create an independent republic long enough for its case to be made at the conferences which would end the war. More poetically, the felt that they would revive the soul of their nation.

In March 1916 Clann na Gael contacted him to say they would be sending 20,000 rifles and 10 million rounds.

Meanwhile James Connolly, the socialist trade unionist, independent of the IRB, had concluded that an armed uprising was necessary, using his citizen army. Fearful lest the plans clash, the military council invited Connolly to a meeting in January 1916. He was delighted to hear the news from Joseph Plunkett and both sides agreed the uprising would happen at Easter 1916.

Chapter 14. The Easter Rising

Eoin MacNeill interferes MacNeill was the commander-in-chief of the Irish Volunteers but he was deliberately kept out of the loop by the IRB military council. Only on Good Friday did he learn about plans for an uprising on Monday. He strongly disapproved and went to St Enda’s to see Pearse. Pearse persuaded him plans were too far advanced and also a shipment of arms was arriving from Germany so MacNeill acquiesced.

But late on Saturday morning, he learned the arms shipment had been intercepted. Feeling he’d been fooled, MacNeill took out an advert in the Sunday papers telling his volunteers their traditional Easter weekend training manoeuvres were cancelled. Many read this and stayed at home. When the news of the uprising spread on Monday they weren’t ready. Pearse’s response was to send out envoys to Volunteer groups around the country and tell them to carry on, but the damage was done. On the Monday, most Volunteer groups did not rise along with Dublin. If they had the British Army would have been spread very thin. Instead they were able to concentrate their firepower in Dublin and end the uprising after a week (p.84).

O’Connor tells us that his grandfather knew MacNeill and once told him he wasn’t a bad man. Hard to see how he doesn’t come out of this as the fall guy.

The uprising began at 12 noon on Monday 24 April 1916 and continued for 6 days. At 11 Pearse and Connolly marched their men from Liberty Hall over to the poorly defended Post Office and seized it. Pearse stood between the huge Greek columns and read out a declaration of independence. O’Connor gives a good enough account but I’m not sure it’s worth my summarising his summary. Instead here’s the Wikipedia article:

Chapter 15. The uprising continues

The British put Brigadier Lowe in charge of suppressing the uprising. He brought a gunboat up the river which bombarded Liberty Hall then the GPO. Houses on both sides were set on fire. Eight or so other buildings had been seized so sporadic sniping and shelling took place round those, too.

The weirdest thing about it was the way most Dubliners strolled around watching it take place. O’Connor quotes the usual suspects, Gogarty, James Stephens, George Moore, Sean O’Casey, strolling round the city, listening to the shellfire, observing other citizens going about their business.

Chapter 16. The uprising ends; the executions

On Friday 28 April 1916 General Maxwell arrived and began investing the key sites in a rigorous way. At 2.30pm the next day, Saturday 29 April, Pearse surrendered to General Lowe.

Four days later the executions began. Sixteen rebel leaders were shot:

Signatories of the Proclamation of Independence: Patrick Pearse, Tom Clarke, Thomas MacDonagh, Joseph Plunkett, Sean Mac Diarmada, Éamonn Ceannt, and James Connolly.

Other leaders: Willie Pearse (brother of Patrick), Edward Daly, Michael O’Hanrahan, John MacBride, Seán Heuston, Con Colbert, and Michael Mallin.

MacBride was husband to Maud Gonne, the dazzling beauty who bewitched Willie Yeats.

Remember dashing Lady Constance Markievicz? She had been deputy of the troop which held Stephen’s Green then pulled back to the College of Surgeons. She was sentenced to death, too, which was commuted to life imprisonment as she was a woman. In fact she was released after less than a year when the British government offered a general amnesty.

About 1,350 people were killed or wounded, mostly civilians. The centre of Dublin had been gutted. The general population was furious with the rebels. Elsewhere life went on as normal with business carried out while the middle classes played golf and tennis.

Chapter 17. Poetic reactions

Characteristically, O’Connor summarises the aftermath by quoting the usual suspects: W.B. Yeats, George Russell, James Stephens, Lady Gregory, Tom Kettle.

He has a romantic notion of poets, that they are the first to notice the changes in a nation’s soul, that these poets grasped the rising’s significance way before the silly politicians.

Chapter 18. Roger Casement

In the last few years before the war Casement developed a pathological hatred of Britain’s rule in Ireland. Just before the Great War broke out he went to New York to work with Clann na Gael. In December 1914 he persuaded its leader, John Devoy, to Germany, as an envoy from independent Ireland and to secure arms. In fact Casement spent two weary years getting nowhere, and eventually asked to be returned to Ireland (with no guns). The Germans laid on a submarine which took him to the south coast but due to a SNAFU in the arrangements he was put into a canvas boat with two others, while the U-boat departed. The canvas boat overturned in high seas and Casement barely made it ashore. he staggered to the nearest house where he was resting when he was arrested by the local bobby, sent to Dublin and then to the Tower of London.

Chapter 19. The trial of Roger Casement

O’Connor was a practicing lawyer and so gives a brief but vivid account of Casement’s trial. As usual, a trial had nothing to do with ‘justice’ but entirely practical wrangles and politicking. Casement’s defence lawyer, Serjeant Sullivan, had himself recruited in Ireland for the British Army i.e was on the opposite side of the political cause. (O’Connor remembers seeing the 90-something old lawyer still beetling around the Dublin Inns of Court when your man was just a young barrister.)

Not just that, but the prosecuting counsel was F.E. Smith who had been active in the setting up of the Ulster Volunteers back in 1912 i.e. was extremely anti-Casement’s independence position and also, as O’Connor emphasises, arguably more guilty of treason than Casement.

The case revolved round the accusation that casement tried to recruit Irish prisoners of war held in Germany to join the German Army and fight against Britain. The defence argued that the treason act only applied to activities here in England, and Casement’s activities had taken place abroad.

Throughout the trial the authorities made available to the police, lawyers and senior figures in the Establishment the so-called black diaries in which Casement appeared to describe his personal homosexual activities in great detail. For a long time these were thought to be fakes but in the 1990s were apparently confirmed as true.

Poor Casement, a hero of international human rights, a principled nationalist and patriot, he was found guilty and hanged on 3 August 1916. He made a condemned man’s speech from the dock. O’Connor points out that so many Irish patriots did this that it is virtually a literary genre in itself. He made the point that the creation of the Ulster Volunteers created the atmosphere of violence, and the Curragh Mutiny in effect condoned disobedience to the Crown (although all that was fine if you were on the Protestant side).

(True to his recurring attempts to portray the rising as the having international impacts on other freedom struggles of other imperial colonies, O’Connor claims that Casement’s speech had a profound impact on the young Pandit Nehru.)

High Treason, Court of Criminal Appeal: the Trial of Sir Roger Casement 1916 - Government Art Collection

The Trial of Sir Roger Casement by Sir John Lavery (1916)

With the end of the Casement trial we reach the en of the build-up to and events of, the Easter Rising, on page 114 of this 180-page book. The rest of O’Connor’s book describes events over the next 4 years, the rise of Sinn Fein, the success of Arthur Griffith’s abstentionist policy, the granting of home rule and then the bitter civil war of 1921 to ’22.

Chapter 20. Sinn Fein

Some 3,000 people were interned after the rising. Over the next 12 months they were released in batches. By June 1917 the public mood had changed to become more sympathetic to the rising leaders who were coming to be seen as martyrs. In by-elections that year, Sinn Fein candidates won but refused to take their seats in the London Parliament, a tradition which continues to this day.

Eamon de Valera was the only commander who wasn’t executed. Upon release he contested a by-election and defeated the Irish Party candidate. Sinn Fein was replacing Redmond’s party.

Thomas Ashe, president of the IRB, went on hunger strike in prison. When he died, Michael Collins, who’d been released from internment at Christmas 1916, decided to organise a vast funeral for him. Characteristically, O’Connor tells us Sean O’Casey wrote a ballad requiem for Ashe, and quotes a hymn by Ashe himself.

Chapter 21. Conscription and the Dail

Most Irish still favoured the constitutional party of John Redmond and expected the home rule bill, which was on the statute books, to be implemented as soon as the war ended.

Then in spring 1918 the British made the latest in a long line of blunders when the Army Chiefs of Staff prevailed on Lloyd George to pass an act compelling the conscription of all able-bodied men in Ireland into the British Army. Not only Sinn Fein and the Irish Party but the Catholic party opposed it, though O’Connor skips completely over its implementation. He quotes A.J.P. Taylor as saying it was the decisive moment in Ireland’s seceding from the Union.

In the December 1918 general election the Irish Party was obliterated by Sinn Fein, winning just 6 seats to the nationalists’ 73. John Redmond had died in March.

The Sinn Fein MPs promptly set up their own government in the Mansion House in Dublin and called it the Dail. No fewer than 36 of the 73 MPs were in British prisons. A Declaration of Independence was read out.

Three delegates were chosen to attend the Peace Conference in Versailles. In April 1919 a President was elected and a Cabinet chosen. Griffith stood down in favour of de Valera who was beginning to acquire charisma and status, although the latter was in prison in England. Republican courts of justice were set up in the counties of Ireland and slowly these began to replace the British institutions.

When physical force was used later, it was important that the Volunteers and others derived genuine legitimacy by acting as the Army of an elected government rather than a paramilitary force.

Michael Collins, who was becoming chief fixer, organised the escape of de Valera from Lincoln prison.

Chapter 22.

The British banned the Dail and set about arresting nationalists. The cabinet ministers went into hiding. Collins had been made Director of Intelligence. Now he turned out to be a spymaster and guerrilla organiser of genius. O’Connor makes his recurring point that the strategy Collins developed went on to be copied by independence movements around the globe.

Collins knew they couldn’t fight the British soldier for soldier. But imperial rule rested on a network of spies and he could kill these spies. He got his own men on the inside of Dublin Castle and access to government files. He drew up lists of informers, and then he created a cadre of cold-hearted killers who began a campaign of targets assassinations starting in July 1919.

I noted that O’Connor mentioned when he had personal connections with various figures in the story. Now these become more frequent. He appears to have interviewed quite a few of these informers and assassins (Bill Stapleton, Joe Dolan) who give him vivid descriptions of actual assassinations they took part in.

The squad operated out of a decorators’ shop in Abbey Street. It’s difficult to credit, hard to believe, that this gang of assassins operated just a few minutes’ walk from Dublin Castle, the centre of the British police effort. How?

Chapter 23. The IRA in the countryside

At some point the Irish Volunteers morphed into the Irish Republican Army although, apparently, it’s difficult to pinpoint exactly when. O’Connor describes the spread of volunteers through towns around Ireland. Often these were dominated by Big Houses and/or British Army barracks, along with schools, Protestant churches and so on.

As so often, the authorities found it difficult to deal with an enemy which was part of the local population, appeared suddenly to assassinate someone or blow something up, then melted back into the general population. Also they knew the country better than the occupier, and where to hide out.

The strategy of ambushing British Army troops, convoys and so on, sometimes throwing grenades, sometimes mining roads, followed by rifle fusillades. The Brits called it ‘ditch murder’, but in his internationalist mode. O’ Connor points out how it went on to be copied by Mao Tse Tung, Tito, General Guap, Che Guevara and many others (p.140).

These attacks continued through 1920, with sometimes large-scaled engagements leaving 10 to 20 British soldiers dead. It was a real guerrilla war On Easter Sunday 1920 these flying squads set fire to 100 Inland Revenue buildings and 350 empty police stations.

Inevitably the British retaliated with a heavy hand. If a police station was attacked, neighbouring houses were to be burned down. Hunger strikers were to be helped to die. This not only embittered local populations but led to widespread resignations by Irishmen from the Royal Irish Constabulary.

Chapter 24. The Black and Tans

Many servicemen demobilised after the Great War were still unemployed. The British government launched a recruitment drive and many signed up to go and serve in Ireland. There was a shortage of uniforms so they were given dark green tunics and khaki trousers. So the locals nicknamed the Black and Tans. The first arrived in Ireland in March 1920. A few months later they were joined by Auxiliaries, ex-Army officers paid £7 a week. They were given licence to embark on savage, undisciplined reprisals .

Every media outlet was soon condemning their activities which came to be described as a terror campaign. They arrived in force in a town, made all the inhabitants assemble in the street, humiliated and beat them, set some houses on fire, occasionally bayoneted or shot anyone who resisted, then drove off leaving generations of bitterness behind them. Stupid stupid stupid.

The worst burning was in Cork where the Black and Tans went berserk, burning down key buildings including the City Hall. For weeks after they suspended burned corks from their hats. Who authorised this? Whose bright idea was this?

O’Connor gives a particular anecdote. On 15 December 1920 Canon Magnar of Dunmanway County Cork was in the street talking to a man. A lorryload of Auxies drew up, some jumped out, and shot the man dead. When the Canon protested, he was shot dead too.

O’Connor notes how they often destroyed local dairies and creameries in an effort to destroy local economies, prompting a letter of protest from AE who had spent many years setting up dairy co-operatives precisely to support locals. O’Connor quotes Yeats’ poem Nineteen nineteen:

Now days are dragon-ridden, the nightmare
Rides upon sleep: a drunken soldiery
Can leave the mother, murdered at her door,
To crawl in her own blood, and go scot-free;
The night can sweat with terror as before
We pieced our thoughts into philosophy,
And planned to bring the world under a rule,
Who are but weasels fighting in a hole.

Chapter 25. de Valera

Back in June 1919 de Valera was smuggled onto a ship to New York. Here he held press conferences as the spokesman of the new (not yet existent) republic. New York, Boston, Chicago, San Francisco, he spread the word in a calm and dignified manner, boosting his own profile in the process. He took a financier with him and together they raised over a million dollars by the time he returned in January 1921.

Meanwhile the Dail continued to set up an alternative governance infrastructure with land courts, district courts etc, complete with lawyers and judges. People stopped using the British courts and used the nationalist ones. O’Connor quotes landowners and senior figures praising the new regime for its fairness and efficiency.

As usual, O’Connor internationalises it to say that just these tactics would be used in other colonies under the phrase ‘civil disobedience’ (p.152).

Chapter 26. Michael Collins

By the autumn of 1920 Dublin was under curfew. Lorries of soldiers patrolled the streets, with wire netting so grenades thrown at them bounced off. Houses were subject to random searches and maybe burning by the Black and Tans and citizens hauled off to prison. A police state. Officials and Auxies were assassinated in the streets. The press had uniformly turned against the government.

Meanwhile Michael Collins held four portfolios within the unofficial government and maintained an intricate network of spies, informers and assassination squads. He kept scrupulous records and accounts which O’Connor has perused.

The government put a bounty of £10,000 on his head but, incredibly, he remained not only at liberty but calmly cycled around central Dublin between his various offices. One of Collins’s key spies in Dublin Castle, Eamonn Broy, personally told O’Connor of some of his escapades with Collins.

O’Connor gives a brief impressionistic pen portrait, admiring Collins’s meticulous way with figures and accounting, his head rammed with facts and details which helped him make intelligence connections, his absolute cold-bloodedness when it came to assassinations, his courage in facing out numerous dicey situations and, alongside, what O’Connor sees as a typically Irish strain of romantic patriotism (he spends a page attributing the same thing to Casement, earlier).

Chapter 27. Martyrs

25 October 1920 Terence MacSwiney, Lord Mayor of Cork, died after a prolonged hunger strike in Brixton Prison. His lingering death was given international coverage, along with his claims for Irish freedom. He had actually written a play about a nationalist hunger striker but here, as elsewhere, O’Connor says the British authorities didn’t pay enough attention to Irish poetry, plays and literature. Here’s just one example of O’Connor’s personal and ripe prose style.

As with the death of Thomas Ashe, a shudder ran through the Nation’s being. (p.160)

If you wanted objective history, O’Connor is not your man. Facts yes, but also plenty of melodrama, passion, bitterness and romanticisation, along with quite a few personal confidences from eye witnesses, that’s what this brief book provides.

MacSweeney was afforded a magnificent funeral at Southwark cathedral in London. Sir John Lavery made this preparatory sketch for a large-scale painting.

Sketch for the Funeral of Terence MacSwiney, Lord Mayor of Cork, at Southwark cathedral by Sir John Lavery (1920)

On 1 November good looking, 18-year-old medical student Keven Barry was hanged for his involvement in an ambush in which a British soldier was killed. According to O’Connor his name became a symbol around the world, and:

There are few places in the English-speaking world where ‘Keven Barry’ is not sung. (p.162)

I’d never heard of it till I read this book. 1) Times change 2) it’s a typical example of O’Connor’s chauvinism, which I use to mean ‘excessive or prejudiced support for one’s own cause or group’, which crops up throughout the book. I don’t really mean that in a bad sense – just to mean that he is very strongly biased indeed.

Yeats had been booked to debate at the Oxford Union and apparently walked up and down the central aisle railing against the British government’s stupidity and mismanagement. A.E. lobbied Lord Northcliffe to get his American newspapers to print opinion pieces decrying British atrocities in Ireland. What with this and de Valera and their own anti-British history, American opinion swung behind the nationalists. It played an important part in negotiations between Britain and Ireland as it was to do for the rest of the century.

O’Connor quotes a very effective letter from Yeats to the Times saying the British spent the entire Great War railing against Germany’s atrocities against civilians in Belgium and philistine burning of cultural centres and now they were doing exactly the same in Ireland.

Chapter 28. The Cairo gang

Set up by Sir Henry Wilson in autumn 1920 to identify and assassinate all key Sinn Fein and IRA personnel. In one night one of these death squads murdered the current and former Lord Mayor of Limerick. The latter was Alderman George Clancy who had been a close friend of James Joyce and appears in ‘A Portrait of the Artist as a Young Man’ as Davin, the peasant nationalist.

Collins used his intelligence network to identify members of the Cairo gang. O’Connor spoke with General Richard Mulcahy, Chief of Staff of the IRA, who is forthright about the need to destroy the death squads. So after much planning, Collins launched Black Sunday, when his death squads assassinated their death squads. 9am on the morning of 21 November 1920. A total of 14 British spies were executed.

O’Connor gives several pages detailed descriptions of men kicking in doors, shooting unarmed men in the back, as they nipped out of windows, taking them to a cellar and shooting them in the side of the head, the British torturing captives.

Lieutenant Aimes and Bennet were pulled out of bed by a group of armed men, placed standing together, both were then shot.

Some of the men refused to come out and were shot in bed. Others came to the door and were shot as they opened it. Two agents were shot on the landing, the stairs were covered in blood.

Flanagan took four Englishmen down to the cellar and after asking their names, shot them in the side of the head.

[Ordered to track down an Irishman identified as a snitch, Bill Stapleton tells O’Connor] We found him in a pub, a big burly man. He blustered at first: then we took him out and shot him.

O’Connor and other nationalists see this as the price of freedom. I see it as the inevitable outcome of the ethnic nationalist way of thinking. Compare the similar accounts I’ve summarised of the civil wars in Yugoslavia or the chaos in Iraq: perfectly decent educated men convinced that in order to make a better world they have to torture and execute other unarmed men, sometimes women, and burn their houses down.

In retaliation for the Bloody Sunday assassinations, later the same day a detachment of Black and Tans drove to Croke Park Sports ground where a Gaelic football match was in progress. They set up a machine gun and started firing into the panic-stricken crowd. A drunk Black and Tan lined up both teams and was going to execute them all until a sober regular British Army officer intervened.

And there are people who still insist that humanity is a rational creature.

O’Connor suggests Bloody Sunday was the day British rule broke in Ireland, although I thought he said the same about the introduction of conscription in 1917. Maybe it broke repeatedly. As I’ve said, O’Connor links Ireland to the independence struggles of other British colonies.

Not only was Bloody Sunday to mark the end of Britain’s rule in the greater part of Ireland, it was to be the beginning of the break-up of British rule throughout the Empire.

In Kenya, in Cyprus, in Egypt, Palestine and Burma, for the next forty years, guerrilla leaders were to claim Collins as their prototype and adapt the strategy he had designed for evacuating the colonial power. (p.175)

What beggars belief is that Collins organised the funeral of his friend Dick McKee who the British had tortured to death to get information about Collins’s operation, and attended the funeral in person, even though the entire British operation in Ireland was obsessed with finding and arresting him. How was that possible?

Epilogue

The last four pages of O’Connor’s book give a very brisk account of the peace talks which led to the Treaty and then the intense civil war between pro and anti-treaty Irish forces which followed, in which Collins himself (pro-treaty) was killed by anti-treaty forces.

He jumps to January 1922 when the British flag was taken down over Dublin Castle and the last troops marched down to the quay to take ship back to England. Negotiations had taken place from September to December 1921 and a treaty signed with the Dail in January 1922. The 6 northern counties were excluded although everyone expected them to join the Irish Free State within a few years. Civil war broke out between pro and anti treaty nationalists and lasted till May 1922. Griffith died of a stroke. W.T. Cosgrave became the independent nation’s first president.

A Senate was formed which at Griffith’s suggestion reached out to specifically invite the Protestant landed gentry. The new nation had to include everyone. W.B. Yeats was nominated and given the job of designing the states new coinage.

1927: De Valera had been anti the treaty but in 1927 was persuaded to attend the Dail.

1932: Five years later the party he created, known as Fianna Fail, won the 1932 general election.

1937: De Valera set about removing the last vestiges of British rule, in 1937 passing a new constitution.

1938: De Valera persuaded the British government to evacuate its three treaty ports.

1939-45: Thus cleansed of British presence it was easy for the Irish Free State to maintain independence in the war against Nazi Germany. So many Irishmen had died defending the Empire which treated them so poorly in 1914-18.

1948: Fianna Fail lost the general election but the new coalition government promptly removed Ireland from the Commonwealth. Non serviam.

In a throwaway last page, he says the tragic legacy of Northern Ireland was a result of Carson and his ilk refusing to accept the home rule movement and being prepared to go to war to preserve their economic and social status. If only they had thrown in their lot with the nationalists, together they could have forced the British government to give independence 1) much earlier and 2) on more inclusive terms to include the Ulster Protestants. Instead they insisted on holing up in their ghetto which, at the time of O’Connor’s writing (1975) was in chaos.

Thoughts

England’s crimes

It goes without saying that it makes me ashamed to be English to read (yet again) the litany of exploitation, repression, spying, corruption and naked violence with which the English mismanaged Ireland for centuries. But a few other thoughts as well:

History is written by the winners

They say history is written by the victors. The irony here is that the victors were the Irish nationalists who won their free state, with the result that thousands of books, papers, presentations, school syllabuses, TV series and movies have been made about Ireland’s heroic struggle for independence, and not least the dramatic events surrounding the Easter Rising. Supported by latterday English progressives, in the same way that we English now retrospectively (and safely) root for the independence movements in India, Kenya and scores of other places, taking a masochistic pleasure in seeing our own men shot and blown up and our own government covered in ignominy.

What about the losers? With no motive except idle curiosity I went looking to see if there are any books about the Ulster Volunteers and discovered there appear to be just three in print: Carson’s Army, a boringly specialised one about the precise configuration, training etc of the UVF; Friends in High Places; and Ulster will Fight, a series of three books which are prohibitively expensive and aren’t stocked by my London library. Of accounts of the Easter Rising and the long centuries of struggle behind it, there will be no end, as a proud nation promotes itself and mythologisers line up to retell the romantic story. Of the much less glamorous but in its way just as important obstinacy of the Ulster Protestants, very little. They’ll always be the ugly sisters in the fairy tale.

(An impression confirmed by contemporary historian Charles Townshend in his recent book ‘The Partition’ (2021) where he mentions ‘the dearth of significant historical studies of Ulster, certainly in comparison with the plethora of nationalist histories of Ireland (p.265).)

Nationalism

As I’ve read my way across the history of the nineteenth century I’ve come to think of nationalism as a mental virus, like something out of a zombie movie. It spreads across entire nations converting everyone to the belief that they must be ‘free’, no matter how much pain is caused and blood is shed in the process. The problem is that forging a nationalist identity almost instantly requires identifying the enemies within, the protestants or Jews or Roma or Muslims who are tainting ‘the purity of the Nation’.

Nationalism gave birth to the utter catastrophes of the 20th century, to the Great War and the collapse of empires which followed it, and led to the rise of fascism and its turbo-charged mission to liquidate the enemies of the People, all of which led up to the catastrophic Second World War.

The fever of nationalism spread far and wide as scores of imperial colonies fought for their freedom and independence: Israel, the partition of India, the long struggles in Algeria or Malaya or Kenya or Vietnam to name obvious ones.

In the 1970s the struggle of self-defined communities to be free led to ruinous civil wars in Cyprus and Lebanon and countless African nations.

And then after the long freeze of the Cold War, ethnic nationalism led to disasters in Rwanda and the Yugoslav civil wars. Then in this century the rise of ISIS in post-war Iraq, the Arab Spring which led to the ruinous Syrian civil war, and now here we are in 2026 with bloody rebellion in Iran, Israel’s brutal suppression of Palestine, the triumph of the Taliban in Afghanistan and the resurgence of ISIS in Syria. My barbers in south London are all Iraqi Kurds. For as long as I’ve been getting my hair cut there I’ve listened to them giving me the latest on their small nation’s struggle to be free.

Everywhere peoples conceiving of themselves as a nation which needs to be free, or needs to expel the enemy within (as in contemporary Myanmar needs to eliminate its Muslim Rohynga minority). There has been no end of young nationalist zealots who are prepared to die for the Fatherland and take quite a few people along with them.

Irish independence was no doubt a righteous cause, the repressive and incompetent rule of the pompous British needed to be overthrown, and the Irish patriots’ struggle for freedom is no doubt inspiring when viewed from the patriotic angle.

But read now, in 2026, after a century of any-level-of-violence-is-justified-to-free-my-people nationalism, and the hecatombs of atrocities it has inspired, a big part of my response to all of these stories is a shiver of horror at humanity’s utter inability to manage itself.

Now more than ever, Stephen Dedalus’s cry, ‘History is a nightmare from which I am trying to awake’, rings true.


Credit

‘A Terrible Beauty is Born’ by Ulick O’Connor was published by Hamish Hamilton in 1975.

Related reviews

Ulysses by James Joyce: Penelope

of course hed never find another woman like me to put up with him the way I do
(Molly Bloom thinking her husband, Leopold, should count his blessings)

he can stick his tongue 7 miles up my hole as hes there my brown part
(Molly angry at Bloom’s weird habit of kissing her bottom)

Im always like that in the spring Id like a new fellow every year
(Molly’s friskiness)

what else were we given all those desires for Id like to know I cant help it if Im young still can I
(Molly defends her natural urges)

compared with what a man looks like with his two bags full and his other thing hanging down out of him or sticking up at you like a hatrack no wonder they hide it with a cabbageleaf
(Molly compares a woman’s lovely boobs with a man’s ugly bits)

wherever you be let your wind go free
(Molly celebrates the joys of farting)

I bet he never saw a better pair of thighs than that look how white they are
(Molly’s body positivity)

God send him sense and me more money
(dismissing a boring old bishop she once heard deliver a moralising sermon, and sounding very like her irreverent namesake, Moll Flanders)

Lord the cracked things come into my head sometimes

‘Penelope’ is the 18th and final chapter of James Joyce’s novel, ‘Ulysses’. Here’s a reminder of the complete chapter numbers and names. (Note that the names given here are not printed in the published book, they were assigned in guidance and schemas which Joyce sent to supporters and have been used by commentators ever since; but you won’t find them in any published or online edition):

Part 1. Telemachiad

  1. Telemachus
  2. Nestor
  3. Proteus

Part 2. Odyssey

  1. Calypso
  2. Lotus Eaters
  3. Hades
  4. Aeolus
  5. Lestrygonians
  6. Scylla and Charybdis
  7. Wandering Rocks
  8. Sirens
  9. Cyclops
  10. Nausicaa
  11. Oxen of the Sun
  12. Circe

Part 3. Nostos

  1. Eumaeus
  2. Ithaca
  3. Penelope

Place in the sequence

As you can see, ‘Penelope’ is not only the final chapter but the third chapter of the third part of the novel, which is generally called ‘Nostos’, Greek for ‘The Return’, Joyce’s own name for it.

The preceding two chapters tell how (in ‘Circe’) middle-aged advertising salesman Leopold Bloom helped over-educated, drunk and depressed young Stephen Dedalus get away from Dublin’s red light district where he’d been involved in a fight with a soldier. In ‘Eumaeus’ Bloom helps Stephen to an all-night café down by the docks where he tries to restore him with a cup of (disgusting) coffee and a hot roll. In ‘Ithaca’ the pair leave the café and walk to Bloom’s home at 7 Eccles Street.

Here Bloom lets them in, makes Stephen a nice cup of cocoa and they talk about many things. Bloom offers to make up a bed on the sofa for Stephen and suggests all kinds of plans – that he could move in as a lodger and give his wife, Molly, Italian lessons, and maybe even join her as a professional singer in the music troupe Bloom fantasises about setting up and managing. But Stephen turns these offers down and, after the pair have gone for a pee in Bloom’s back garden, Bloom opens the garden gate and Bloom stumbles off into the night never to be heard of again.

Bloom re-enters his house, locks up, gets undressed interspersed with rummaging about in his drawers, looking at mementoes of his absent daughter and dead father, thinking about all kinds of subjects, not least extended fantasies about moving to a delightful cottage in the country. Then he finally gets into bed and thinks about the Central Event in the book which is that while he’s been out walking the streets of Dublin, his bosomy wife, Molly, stayed at home and was visited by the flash man-about-town and concert promoter Hugh ‘Blazes’ Boylan, who had sex with her.

All day long Bloom has been aware of their tryst, set for 4pm, so that he’s spent the book in a kind of PTSD hyper-self-aware state (which partly explains the super stream-of-consciousness style of the novel). But during the course of his ponderings, Bloom gets over it. He registers his own mixed emotions of jealousy and anger but circles, in the end, round to equanimity and, finally, tenderness. And in this sleep forgiving mood, he kisses Molly on her bare bottom.

Unfortunately, this has the effect of waking her up from her sleep. Now half awake, Molly quizzes her husband about where he’s been and he proceeds to tell her a pack of lies, saying he spent the evening at the theatre then went on to a restaurant for supper where a fellow diner, Stephen, injured himself performing a gymnastic feat and so he brought him home, here, to Eccles Street, to patch him up, and that’s why he’s come to bed late. And having recited this pack of lies which omits everything important which happened during the day and replaces it with a set of fabrications, Bloom falls asleep and hands the novel’s narrative over to his wife. And it’s here that the final chapter, ‘Penelope’, consisting of Molly Bloom’s long monologue, begins.

First a few more facts, then we’ll look in detail at Molly’s chapter.

Time

Each of the chapters of ‘Ulysses’ covers about an hour in the course of one long day, starting at 8am on Thursday 16 June 1904 and going through to the early hours of the following morning, Friday 17 June. (As Stephen remarks, ‘Every Friday buries a Thursday’.)

‘Ithaca’ takes place from about 2 to 3 am on the morning of Friday 17 June 1904. As Bloom lets Stephen out the back door of his garden, the bells of St George’s ring and the commentators tell me this marks 2.30 am. So assuming it takes Bloom about half an hour to lock up, get undressed, potter about and finally get into bed, ‘Penelope’ kicks off maybe around 3am in the morning.

Homeric parallel

Each of the chapters in ‘Ulysses’ is based on an episode from The Odyssey, the famous epic poem composed some 750 years BC by the ancient Greek poet Homer, which describes the ten-year-long voyage back from the Trojan War of the Greek hero Odysseus and his crew, and which features encounters with mythical creatures and legendary figures such as the giant Cyclops or the witch Circe.

In The Odyssey, Penelope is the wife of Odysseus who has waited 20 long years for her husband’s return, which we, the readers, know has been comprised of the ten years of the war itself, and then the ten years of Odysseus’s wanderings round the Mediterranean. During the last few years she has been fending off the horde of ‘suitors’ who have descended like locusts on her palace and are eating her out of house and home while they vie for her hand in remarriage, and so ownership of Odysseus’s kingdom of Ithaca.

Now the key point is that Penelope is every bit as cunning as her husband Odysseus, who is himself described as being the most cunning and many-minded of the Greek heroes. And so in her husband’s absence, Penelope has devised a series of strategies to put off the suitors. The most famous of these is that she tells them she must weave a burial shroud for Odysseus’s elderly father, Laertes, and cannot listen to their suits until she’s finished. For three long years she dutifully weaves the shroud during the day but then carefully unpicks it during the night, so that the task is never finished. Clever, eh?

Molly, her modern reincarnation in the novel, shares many of Penelope’s traits. 1) For a start she represents the final aspect of Bloom’s coming home, his nostos or return. Sure he arrived at his actual house in the previous chapter, but in a sense it’s only climbing into bed and kissing her that marks the completion of his odyssey and his final arrival Home.

2) As to the suitors, Odysseus arrives back at his palace but still has to dispel the suitors and take possession, but there no hordes of suitors in the ‘Ulysses’ version. There was one (Blazes Boylan) but he’s long gone. Instead Bloom arrives home at his house but needs, in some subtle psychological sense, to retake ownership by a) touching all his precious possessions and b) working through in his mind his responses to Molly’s infidelity to him – both processes which are itemised in ‘Ithaca’.

3) Where Molly most resembles Penelope is in her own cleverness, in being every bit as smart as her husband. Because the real point of this chapter is that at long last we get to hear her side of the story and it is significantly, and at all points, different from her husband’s.

Because the ‘Penelope’ chapter consists of a long, long interior monologue by Molly in which she passes in a chaotic review over all the key moments in her life, before and after her marriage to Bloom, mentioning and describing her parents, her girlhood in Gibraltar, incidents from her career, the umpteen times she’s been propositioned or molested or flirted with – but above all, hundreds of comments about Bloom’s character and habits which show him in a completely different light from the entire preceding narrative.

It does a number of things, this final chapter. It rounds off the whole novel by bringing Bloom’s odyssey to a conclusion. But it also gives the woman’s version of a world up to now dominated by men and men’s opinions. More specifically, it gives a completely different portrait of Bloom than we’ve hitherto had, portrayed in detail by someone who knows him intimately (really intimately) and whose version is often at drastic odds with what we’ve learned so far.

First a brief reminder of the key facts of Molly’s biography, then I’ll go through the monologue in detail.

Molly key facts

  • current name Marion ‘Molly’ Bloom
  • born Marion Tweedy, daughter of Major Brian Tweedy, of the Royal Dublin Fusiliers
  • Molly was born and raised in Gibraltar because that’s where Major Tweedy’s regiment was stationed
  • age 33
  • earns money as a soprano singer and is fairly well known around Dublin
  • been married for 15 years to Leopold Bloom
  • two children: a daughter, Milly, who just turned 15 yesterday, and a son, Rudy, who died in infancy, aged 11 days, a decade ago, since when the couple haven’t had sex

Stream-of-consciousness

The latter 5 or 6 chapters of ‘Ulysses’ differ from the first ten or so in each being dominated by one big formatting idea. Thus ‘Nausicaa’ is written in the style of a lady’s romantic novel and ‘Circe is in the form of a play. Molly’s chapter is another case in point: it is the book’s purest example of the invention (often attributed to Joyce) of the stream-of-consciousness. It’s 24,000 words long, filling 40 to 50 pages of the book versions and yet it contains of just 8 unpunctuated sections i.e the words flow seamlessly together with no punctuation at all for thousands and thousands of words. The final section alone contains 3,680 words and no punctuation.

Why the initial style is hard

Surprisingly, though, it isn’t as hard to make sense of as the densest of the ‘initial style’. Brainy young Stephen Dedalus’s thoughts in ‘Proteus’ 1) contain loads of learned references, including 2) quotes from theology and literature, 3) often in foreign languages and 4) the references are often cut off halfway through, clipped and abbreviated, sometimes down to just one word, and all chopped up by continuous full stops into tight little fragments.

Rhythm begins, you see. I hear. A catalectic tetrameter of iambs marching. No, agallop: deline the mare.

It’s the combination of these four elements which makes the ‘initial style’, and Stephen’s stream-of-consciousness in particular, often so impenetrable.

Why Molly’s style is much easier

By contrast, all these challenging elements are missing in Molly’s thoughts. There are no fancy-ancy quotes or foreign languages or tight truncations; instead, a soothing flow of words:

theyre all so different Boylan talking about the shape of my foot he noticed at once even before he was introduced when I was in the D B C with Poldy laughing and trying to listen I was waggling my foot we both ordered 2 teas and plain bread and butter I saw him looking with his two old maids of sisters when I stood up

In one of the book’s many commentaries I came across the highly revealing fact that Joyce originally wrote the chapter out as traditional prose and then went back and took all the punctuation out. Once you know that, you can kind of feel your way towards the missing stops. Maybe ‘full stop’ is being slightly too dogmatic, but you can feel the ghost of the missing punctuation. In other words, the prose isn’t really endlessly flowing, it’s actually made up – once you get a feel for it – from relatively traditional units. So the excerpt above could be loosely punctuated thus:

they’re all so different – Boylan talking about the shape of my foot – he noticed at once, even before he was introduced – when I was in the D B C with Poldy laughing and trying to listen, I was waggling my foot – we both ordered 2 teas and plain bread and butter – I saw him looking with his two old maids of sisters when I stood up

Not that difficult after all, is it? In fact, surprisingly easy. Obviously there are plenty of passages which aren’t quite as easy to silently punctuate into traditional prose as this one, but a lot are, and once you get used to reading it while looking for these sentence-like units, you develop the knack for recognising them and so extracting the sense, relatively quickly.

While reading ‘Ulysses’ I came across the RTE radio dramatisation of the novel which was made for the centenary of Joyce’s birth in 1982. You can listen to each individual chapter as a separate track on Spotify.

Listening to this radio production of ‘Penelope’, what you almost immediately realise is the obvious fact that, if you’re going to read this text (or indeed anything) out loud, you regularly have to stop for breath. And any sensible reader will tend to stop for breath at the natural breaks of sense, at the end of cadences or phrases. So listening to someone read out Molly Bloom’s soliloquy really brings out the ghostly punctuation which, as I’ve suggested, in practice still exists in the text. Reading it out loud tends to naturally reintroduce the invisible punctuation.

In addition, this (marvellous) reading also brings out the changes of tone and expression which are continually occurring throughout the text, as appropriate for different phrases, and this, too, helps to chop up what at first seemed like page after page of solid text, into what are in reality much more manageable, understandable phrases.

The ‘Eternal Feminine’

As to the reason for this endless flow – in the schematic charts and diagrams which Joyce made about the book, he said ‘Penelope’ took the sign ∞ representing infinity, supposedly because she represents the Eternal Feminine.

Personally, I shy away from this kind of talk because discussing the ‘nature of woman’, ‘female psychology’ and so on was problematic and controversial at the time, and has only become more mired in four generations of feminist theory, not to mention the worldwide swamp of social media.

If you do a quick Google search and read any articles or commentary about Molly and her monologue you will quickly discover how the entire subject is infested by experts who cite the received ideas of our age, that Molly is a ‘strong independent women’ who ‘expresses her own sexuality’ in ‘defiance of the patriarchy’ and countless other clichés. You can find thousands of feminist interpretations at the click of a button.

What I noticed in the two commentaries I’ve tended to have open beside me, is that because they both go on at length about feminism, sexism, the patriarchy and so on, they completely ignore many other aspects and details which are just as important.

Therefore in my summary I will try to stick closely to what the words actually say and not wander off into sweeping generalisations about The Female Mind, Female Sexuality, the Patriarchy and all the other high-level issues which so many commentators instantly jump to. Their approach takes us away from the words on the page, which are not only funny and surprising but are deliberately designed to 1) recap information about quite a few characters we’ve met previously in the book and 2) prompt us to rethink everything we thought we knew about her husband, Leopold.

Yes yes

In that spirit, looking at the actual words on the page, there’s an obvious aspect of the concept of the infinite, which is that this big chapter starts with the word ‘yes’ and ends with the word ‘yes’. This is an obvious manoeuvre by Joyce to bring out the Eternity theme.

Pondering this I conceived a Kafkaesque nightmare of a hypothetical reader who finds themselves somehow condemned to read the chapter forever, because as soon as they read the final ‘yes’ they are transported back to the first ‘yes’ and so spend the rest of their lives stuck inside an endless loop of Molliness.

Section lengths

Precise definitions of the section lengths vary slightly on whether you’re referring to the 1922, 1961 or Gabler (1984) edition. I used an online word counter to count the words in each section of the Planet Gutenberg online edition.

Section 1: 3,746 words (opens with ‘Yes because he never did…’)

Section 2: 4,404 words (opens with ‘theyre all so different Boylan talking about the shape of my foot…’ and makes up what is supposedly the longest sentence in literature)

Section 3: 921 words (opens with ‘yes I think he made them a bit firmer sucking them like that so long he made me thirsty…’)

Section 4: 2,208 words (opens with ‘frseeeeeeeefronnnng train somewhere whistling…’)

Section 5: 2,378 words (opens with ‘Mulveys was the first when I was in bed that morning…’)

Section 6: 3,619 words (opens with ‘that was a relief wherever you be let your wind go free…’)

Section 7: 3,230 words (opens with ‘who knows is there anything the matter with my insides…’)

Section 8: 3,680 words (opens with ‘no thats no way for him has he no manners nor no refinement nor no nothing in his nature…’)

Summary

As explained, I am going to avoid wading into the many high-level feminist debates raised by the soliloquy (there’s no shortage of people doing that) and instead try to focus on the exact words and what they tell us.

Section 1 (3,746 words)

Molly is surprised that Bloom has asked her to make him breakfast in bed tomorrow morning. This request doesn’t occur in ‘Ithaca’ so is a puzzle.

Quickly she moves on to a sharp assessment of one of the many other people who appear in the monologue, Mrs Riordan who we met as Dante, nanny to young Stephen Dedalus in ‘Portrait’. In a surprising coincidence we discover she lived as an old lady in the same hotel as Molly and Bloom and the latter used to take her for excursions in her bathchair. I find this one of the most striking things in the entire monologue.

But Molly is cross because Dante never left them any money in her will when she died. Also, she was very moralistic, down on bathsuits etc so Molly is glad she’s not like that.

She likes Bloom for his kindness that way, mind you he’s useless when he’s ill, and so are men generally, ‘weak and puling’, compared to women who have to hide it all. Remembering Bloom being in hospital after he sprained his ankle at a party, she does the first of many shrewish comments about other women using their wiles to get close to Poldy, in this case Miss Stack buying him flowers to get into his bedroom, the implication she had a fancy for him or they even had sex (?).

She suspects he must have had an orgasm during the day because he asked for breakfast i.e. it gives him an appetite. But she’s equally sure it’s not an affair, it’s not ‘love’, so speculates it might be with one of the prostitutes from nighttown, which leads her on to think about all the little bitches Bloom’s picked up on the sly, ‘if they only knew him as well as I do’. She knows that’s why she kissed his bottom, it’s a tell-tale sign and remembers the smell of other women on his clothes.

Just recently she came into a room where he was writing which he hurriedly covered up with blotting paper, poor fool (we know it was probably a letter to his penpal lover Martha Clifford though Molly doesn’t know her name).

She hated it when he had a pash for their scullerymaid, Mary Driscoll, the pair of them flirting under her nose (we know about Mary because she appeared among the many accusers in Bloom’s dream trial in ‘Circe’) and was outraged when Bloom suggested Mary eat Christmas dinner with them, and driven to distraction by her queening round the place (singing in the WC) until she confronted Bloom with an ultimatum, her or me, he chose her and so she gave Mary her week’s notice.

She remembers the last time Bloom came on her bottom, on an evening when they’d gone for a walk with Blazes Boylan and the latter had squeezed her hand. She imagines seducing some young boy, then remembers Bloom’s insistent questioning of who is she thinking about.

She seems to go on and think that now she’s had sex with Boylan, the first time is over, now it will become more routine. She wonders why you can’t just get people to kiss and hug you, she loves kissing.

I wish some man or other would take me sometime when hes there and kiss me in his arms theres nothing like a kiss long and hot down to your soul almost paralyses you

Then thinks about having to go to confession, the silly euphemisms the priest uses, then that she was a bit attracted to the priest with his bullneck.

Id like to be embraced by one in his vestments and the smell of incense off him like the pope

Thinking back to her afternoon sex with Boylan, she wonders if he was satisfied with her, she didn’t like him slapping her on the bottom:

I laughed Im not a horse or an ass

A flower he was wearing reminds her of a funny tasting drink she associates with an American she knew, can’t figure out if he slept with her. She associates it with a thunderstorm which put the fear of God into her, thinks about the end of the world, what could you do except go to church and pray, which reminds her that Poldy isn’t religious, refuses to go to church, says there is no soul, just grey matter inside us. Which circles back to memories of sex with Boylan that afternoon:

he must have come 3 or 4 times with that tremendous big red brute of a thing he has I thought the vein or whatever the dickens they call it was going to burst… no I never in all my life felt anyone had one the size of that to make you feel full up…

With a little recrimination to God:

whats the idea making us like that with a big hole in the middle of us or like a Stallion driving it up into you because thats all they want out of you with that determined vicious look in his eye

But then a surprising debunkment of Boylan:

still he hasnt such a tremendous amount of spunk in him when I made him pull out and do it on me considering how big it is so much the better in case any of it wasnt washed out properly the last time I let him finish it in me

Surely the second he refers to Bloom (‘the last time’) since we thought Boylan had only done it once. Interesting to note she’s describing coitus interruptus in the first part. Then a complaint about condoms (?):

nice invention they made for women for him to get all the pleasure

Thoughts of contraception lead to the opposite, of large families like Mina Purefoy‘s whose husband keeps getting her pregnant so she lives in a swarm of children. She wonders about having a child by Boylan but then considers that Poldy has more spunk in him.

Then she remembers coming across him flirting with Josie Powell, the unmarried name of Josie Breen, who Bloom had a thing with, at a dance, which Bloom tried to justify then led to a stand-up row about politics, something about Jesus being a carpenter and the first socialist. But generally how she managed the rivalry with Josie, how she knew Bloom liked her better. But still she ponders how she would win Bloom back is he resumed his passion for Josie, in ‘his plabbery kind of a manner’. How she’d revive him by little touches, getting him to fold down her collar, whereas she’d go and confront Josie directly.

Remembers the night Bloom almost proposed when she was in the kitchen making a potato cake, and how Josie was always embracing her, Molly, in front of Bloom, as if it was Bloom, one among many women who flirted with him. Molly used to tease Josie with how close she was to Bloom, then after they got married she stopped coming round.

She wonders what life is like for her now, with her mad husband, Breen. Last time they met, Josie told her he sometimes gets into bed with his muddy boots on. At least Poldy always wipes his feet on the mat, always blacks his own boots, always takes off his hat when he comes up in the street. Whereas Breen is mad about this postcard he got with U.P. on it.

No she’d rather die than marry another man, mind you Bloom is lucky to have her: ‘hed never find another woman like me to put up with him the way I do’, and thinking of women driven to distraction by their husbands she thinks of Mrs Maybrick who poisoned her husband with white arsenic for love of another man. She was hanged.

Commentary: although there’s a fair amount about Bloom and Boyland, and their penises and spunk, in fact the section can be seen as Molly comparing herself with seven other women, with their different beliefs, moral values, and experiences of love and marriage. Knowing Joyce I imagine with a bit of effort you could work each of them up into symbolising different types or categories.

Section 2 (4,404 words)

its all very well a husband but you cant fool a lover

She blames Bloom for having some new fad every week. She left her suede gloves behind in the toilet at the DBC Dame Street, Poldy suggested offering a reward. Boyle likes her feet, likes her crossing them, he liked watching her take off her stockings. But this segues into Bloom one time asked her to walk in the horses’ dung in the street, ‘of course hes not natural like the rest of the world’.

She remembers him saying she’d beat Katty Lanner (a real-life dancer). The tenor Bartell DArcy who kissed her in church, he liked her low notes. She thinks she’ll tell Bloom about it one day and show him the place where they ‘did it’ – surely she means had sex.

In particular Bloom ‘hes mad on the subject of drawers’, and stares at young girls on bicycles with their skirts blowing up to show their knickers as they ride. The time at a fair when a woman was standing against the sun and he stared even though he was with her and Milly. The hypocrisy of men who can go and get anything they like from anything in a skirt but insist on interrogating them (women) about where they’ve been and with who etc. ‘drawers drawers the whole blessed time till I promised to give him the pair off my doll to carry about in his waistcoat pocket’ (which of course links up with the subject of the ‘Nausicaa’ chapter where Bloom gets his rocks off watching Gerty show him her drawers).

The time they were in the rain and he begged her to lift her skirt a little and she touched his trousers ‘the way I used to Gardner’.

Bloom was always canny not like ‘that other fool Henny Doyle he was always breaking or tearing something in the charades’. Bloom sent her 8 poppies. But he could never embrace well ‘like Gardner‘. She hopes Boylan will come round again, on Monday, same time, 4pm.

She hates people calling at random times like the time Professor Goodwin found her flushed from cooking stew. We learn that Boylan sent ahead a gift of port and peaches (which we saw him buying in Thornton’s fruit and flower shop in ‘Wandering Rocks’.

She’s scheduled to go to Belfast with Boylan the following week; lucky Bloom is to go to Ennis to commemorate his father’s death, would be tricky being in rooms next to each other; if Bloom had sex with her, Boylan would know.

She remembers the time Bloom carried bowls of soup from the dining car along a moving train spilling them everywhere, and the steward locked them in their compartment in revenge. She hopes Boylan books first class tickets. Trains remind her of the nice workman who got her and Bloom their own compartment in the train for their outing to Howth.

She remembers patriotic concerts she did in support of the Boer War where she sang the Rudyard Kipling poem The Absent-Minded Beggar. This song is mentioned numerous times in Bloom’s thoughts earlier in the book. Funnily enough I devoted a blog post to it when I had my Kipling phase. She wore a brooch for Lord Roberts and had a map of the war. Which leads her to reminisce about ‘Gardner lieut Stanley G 8th Bn 2nd East Lancs Rgt’ who fought in the war and apparently died there of enteric fever.

he was a lovely fellow in khaki and just the right height over me Im sure he was brave too he said I was lovely the evening we kissed goodbye at the canal lock my Irish beauty

She likes the army, after all she’s an army brat, her father was a major, so:

I love to see a regiment pass in review the first time I saw the Spanish cavalry at La Roque it was lovely… the Black Watch with their kilts in time at the march past the 10th hussars the prince of Wales own or the lancers O the lancers theyre grand or the Dublins that won Tugela

Interchangeable men I’ll note here where I’ve noticed it, that Joyce deliberately blends all the men in her life together under the one pronoun ‘he’. In consecutive phrases ‘he’ can refer to Bloom or Boylan or his or her father or various others. The implication (apart from Molly being dreamily half-awake) is that all men are the same. At a deeper level, maybe the implication is that all people are the same, that our identities are only skin deep, like name labels stuck on our chests at a conference which soon peel off.

She notes how Boylan’s father made money selling horses to the army and hopes he’ll buy her a nice present when they go to Belfast ‘well he could buy me a nice present up in Belfast after what I gave him’ i.e. sex. She’d love to go shopping with him. She’ll have to take her wedding ring off or risk being reported to the police (married woman with unmarried man) although:

O let them all go and smother themselves for the fat lot I care

She remembers that Boylan is heavy, hairy too, would be more convenient to have sex doggy position:

always having to lie down for them better for him put it into me from behind the way Mrs Mastiansky told me her husband made her like the dogs do

She remembers Boylan was beautifully dressed but for the first ten minutes in a foul temper because he’d just lost £20 on the Gold Cup horse race which reverberates through the novel. He got the tip from Lenehan and that reminds Molly of sitting in a coach next to Lenehan coming back from the Glencree dinner (in ‘Wandering Rocks’ Lenehan remembers this journey, pressed up against Molly so he could feel the outline of her fine breasts: ‘His hands moulded ample curves of air’, which gave him an erection). Unsurprisingly she thinks Lenehan is a creep. At that social do she was aware of the Lord Mayor staring at her with his dirty eyes. Molly’s fate is to be eyed up and chatted up wherever she goes.

She wishes she had cutlery as fine as the ones at that dinner and reflects she could have stolen a few by slipping them into her muff. Shopping: she wants two new chemises and a kidfitting corselet as advertised in The Gentlewoman. Which makes her reflect she’s getting a bit tubby, needs to lay off the stout at lunchtime. Mind you, the poor quality of the booze they get from Larry O’Rourke.

She’s got one pair of garters Bloom bought her, and he got her some lovely face cream which made skin ‘like new’, she asked him to buy a new bottle (which we saw him do right at the start of his part of the narrative). She only has 3 sets of clothes and one at the cleaners.

She feels sorry for herself wearing such shabby outfits and remembers she’ll be 33 this September i.e. 32 now. Mind you take Mrs Galbraith, older than her and a fine looking woman though on the turn. She remembers watching Kitty O’Shea brush her hair in the house opposite in Grantham Street. (This peripheral contact with Kitty parallels Bloom’s brief encounter with Charles Stewart Parnell, recovering his hat after it was knocked off in a riot.)

In another parallel her thoughts drift to Lily Langtry, the Jersey Lily, widely known to be having an affair with the Prince of Wales. So these two women mirror Molly in having extra-marital affairs: one with the leader of the nationalist Irish, one with the future King of England.

In a real digression she remembers Bloom buying a volume of Rabelais for her, and her not getting on with its absurdity and obscenity. (We know from ‘Ithaca’ that Bloom thinks he can educate Molly by leaving good books around.)

Back to the Prince of Wales, she knows he visited Gibraltar the year she was born, planted some tree. Back to Bloom and she wishes he’d change job ‘and go into an office or something where hed get regular pay or a bank where they could put him up on a throne to count the money all the day’, instead he mooches round the house under her feet all the time.

Molly remembers going to Mr Cuffe to plead for Bloom’s job back after he was fired; Cuffe stared at her breasts (as more or less all the men seem to) and politely refused. What she remembers more is the shabby dress she had to make the visit in.

Bloom thinks he knows about women’s clothes but hasn’t got a clue and she remembers some terrible hats he thought she looked great in. Just like he’s rubbish at cooking, ‘mathering everything he can scour off the shelves into it’.

Section 3 (921 words)

Molly ponders her breasts, thinking maybe Boylan made them firmer by sucking them, which leads onto the breasts on the grand statues of naked women you see everywhere, the woman often hiding one breast behind her hand. Mind you not as silly as men’s bits:

compared with what a man looks like with his two bags full and his other thing hanging down out of him or sticking up at you like a hatrack no wonder they hide it with a cabbageleaf

And she remembers various men who have exposed themselves to her:

  • that disgusting Cameron highlander behind the meat market
  • that other wretch with the red head behind the tree where the statue of the fish used to be when I was passing pretending he was pissing standing out for me to see it with his babyclothes up to one side
  • theyre always trying to show it to you every time nearly I passed outside the mens greenhouse near the Harcourt street station

She remembers popping into a men’s toilet in the freezing winter of 1893 coming back from a party and teasingly thinks ‘pity a couple of the Camerons werent there to see me squatting in the mens place’.

Of men’s penises she thinks: ‘I tried to draw a picture of it before I tore it up like a sausage or something I wonder theyre not afraid going about of getting a kick or a bang’.

She remembers Bloom encouraging her to let herself be photographed nude when he lost his job to earn some money, which reminds her of the painting of a naked nymph they have above their bed, or the erotic photos he keeps hidden in his drawer (catalogued in ‘Eumaeus’).

She remembers him trying to explain the word metempsychosis which had cropped up in a book right at the start of Bloom’s narrative: ‘he never can explain a thing simply the way a body can understand’ and then he went and burned the bloody pan frying his kidney this morning. Sounds like any wife complaining about any husband.

Then she switches men and complains about Boylan biting her nipple till she screamed: ‘arent they fearful trying to hurt you’. She remembers having swollen breasts full of milk when Milly was born and Bloom (typically) saying she could rent herself out as a wetnurse. She remembers ‘ that delicate looking student that stopped in no 28 with the Citrons Penrose’ nearly catching her washing naked through the window.

As to her full breasts she a) got Dr Brady to write her a prescription and b) got Bloom to suck the milk out of them, they were so hard and painful: ‘he said it was sweeter and thicker than cows then he wanted to milk me into the tea well hes beyond everything.’

Just one more of his outrageous suggestions, she thinks she should write them all in a book titled ‘the works of Master Poldy’. He used to suckle her for an hour at a time, the big baby: ‘hey want everything in their mouth all the pleasure those men get out of a woman’.

Then a very explicit memory of the multiple orgasms Boylan gave her:

O Lord I must stretch myself I wished he was here or somebody to let myself go with and come again like that I feel all fire inside me or if I could dream it when he made me spend the 2nd time tickling me behind with his finger I was coming for about 5 minutes with my legs round him I had to hug him after O Lord I wanted to shout out all sorts of things fuck or shit or anything at all

Though she had to restrain herself because you never know with some men, some men want you to remain coy and well behaved even while having sex. And she looks forward to more of the same with Boylan come Monday: ‘O Lord I cant wait till Monday’.

Section 4 (2,208 words)

Molly’s fourth sentence begins with her hearing a train whistle ‘frseeeeeeeefronnnng train somewhere whistling’, the latest of Joyce’s hundred or so attempts to transcribe non-human sounds (the cat, the door, bells, gongs, clocks, the sea and many more).

Molly thinks of the men who work in trains, away from their wives at night. ‘Im glad I burned the half of those old Freemans and Photo Bits leaving things like that lying about hes getting very careless’ – are these saucy magazines?

It was hot earlier, the rain shower was refreshing, she thought it was going to get as hot as Gibraltar. She remembers her father’s friend Mrs Hester Stanhope (a real-life historical figure) who sent her a nice frock from the B Marche Paris and her husband: they called each other Doggerina and Wogger, and she remembers a letter she wrote him.

She would give anything to be back in Gibraltar where life was free and easy. Take Edwardian clothes: ‘these clothes we have to wear whoever invented them expecting you to walk up Killiney hill then for example at that picnic all staysed up you cant do a blessed thing in them in a crowd run or jump out of the way’.

She hated bullfights, the horses all getting ripped open. She was good friends with Hester, who showed her how to put her hair up, she slept in her bed the night of the storm and they had a pillow fight in the morning.

She remembers blushing the first time ‘he’ looked at her, when she was with her father and Captain Grove: ‘he was attractive to a girl in spite of his being a little bald intelligent looking disappointed and gay at the same time’. ‘She’ gave Molly The Moonstone to read. Reminds her she doesn’t like books with Molly in the title like that Molly Flanders.

She’s hot and uncomfortable, the blanket is too heavy and her nightdress has ridden up so she moves around to get comfortable. She remembers the mosquito nets in Gibraltar, how long ago it seems. She remembers in detail the day the Stanhopes left, the dress Mrs S was wearing, then how terribly dull life was after they both left.

Ships remind her of guns booming whenever a dignitary arrived at Gibraltar like General Ulysses Grant (Ulysses – a small connection). She remembers old Sprague the consul dressed in mourning for his son (echoing Bloom) and then Captain Groves and her dad having endless yarns over whiskey in the evenings about imperial battles.

Boredom and trying to get a reaction reminds her of how she’d dress up and put her gloves on in the window for the benefit of the young doctor in the house opposite, in Holles Street, but he never got the idea. Men are stupid.

there was a nice fellow even in the opposite house that medical in Holles street the nurse was after when I put on my gloves and hat at the window to show I was going out not a notion what I meant arent they thick never understand what you say even youd want to print it up on a big poster for them… where does their great intelligence come in Id like to know grey matter they have it all in their tail if you ask me

She thinks of recent letters and cards, including one from Milly, and a letter from a Mrs Dwenn in Canada who wrote out of the blue wanting to know the recipe for pisto madrileno (apparently the Spanish version of ratatouille). And one from Floey Dillon who wrote to say she was married to a very rich architect. And: ‘poor Nancy Blake died a month ago of acute neumonia well I didnt know her so well as all that she was Floeys friend more than mine poor Nancy.’

She thanks God Boylan has fucked her:

O thanks be to the great God I got somebody to give me what I badly wanted to put some heart up into me

But she hopes he’ll write her a letter, she’d love a real love letter, ‘I told him he could write what he liked yours ever Hugh Boylan.’ It just makes you so happy: ‘true or no it fills up your whole day and life always something to think about every moment and see it all round you like a new world.’

Then she’ll write an answer from bed where he can imagine her. Need only be a few words, in fact the less the better, lets the imagination work. Not like here friend Atty Dillon who wrote long elaborate letters copied from The Ladies Letterwriter to the fellow that was something in the Four Courts. He ended up jilting her. ‘A few simple words’ is best.

This section ends with a sudden spurt of bitterness at the fate of women to be pursued and worshipped when young, and then dumped and ignored once they get old.

as for being a woman as soon as youre old they might as well throw you out in the bottom of the ashpit.

Note that it ends with a full stop, one of only two in the entire chapter.

Section 5 (2,378 words)

Section 5 opens with a similar passage to section 1 (intentionally?) in that it is a harsh character assassination of an older woman. In section 1 it’s Mrs Riordan (the Dante of ‘A Portrait of the Artist as a Young Man’). Here it is the elderly Spanish housekeeper of the Tweedy family in Gibraltar, Mrs Rubio. Molly condemns her as a:

disobliging old thing… with her switch of false hair on her and vain about her appearance ugly as she was near 80 or a 100 her face a mass of wrinkles

and also, as with Mrs Riordan, feels threatened by / despises the old woman’s religious zeal:

with all her religion domineering because she never could get over the Atlantic fleet coming in half the ships of the world and the Union Jack flying with all her carabineros because 4 drunken English sailors took all the rock from them and because I didnt run into mass often enough in Santa Maria to please her with her shawl up on her except when there was a marriage on with all her miracles of the saints and her black blessed virgin with the silver dress

So Molly dislikes her on account of 1) her age (she seems ancient to Molly, who is only 15); 2) her religious zeal (which clearly Molly has no time for); and 3) also a Spanish nationalist reason. Apparently the Spanish Mrs Rubio is still angry that the British seized a part of Spain with just ‘4 drunken sailors’. (Incidentally the number 4 seems to have no historical provenance: the actual capture of Gibraltar was, as you might expect, a bigger bloodier affair.)

So one morning this ‘disobliging old thing’ brings her a letter from Lieutenant Mulvey who is clearly a ‘beau’ of the 15-year-old Marion. This Mulvey followed her in the street one day, but instead of scaring Molly this just excited her and made her want to ‘pick him up’. Then he wrote her a letter making an appointment to see her, which thrilled her to bits, she kept it on her and was so excited that she wanted to move the hands on the clock forward to make the appointment come quicker.

Now who does this remind you of? Of Blazes Boylan of course, whose letter Molly received at the start of this long day, setting his arrival for 4pm. Direct parallel. History repeats.

Cut to Molly being out with this Mulvey who kissed her ‘under the Moorish wall’ and ‘he crushed all the flowers on my bosom’. She considered him her sweetheart. Given the graphic sexual details everywhere else, I was intrigued by the phrase:

I put my knee up to him a few times to learn the way

What way? Well, For the flirtatious lolz she told him she was engaged ‘to the son of a Spanish nobleman named Don Miguel de la Flora and he believed me’.

Eventually he was posted away, in May (she remembers because she always feels like a new man in the spring: ‘Im always like that in the spring Id like a new fellow every year’). She knew precisely how far to flirt:

I had that white blouse on open in the front to encourage him as much as I could without too openly they were just beginning to be plump

They were at some place up on some mountain among entrances to ancient galleries of St Michael’s caves, a beautiful sunny day and far from anywhere, and:

he caressed them outside they love doing that its the roundness there I was leaning over him with my white ricestraw hat… my blouse open for his last day

Obviously he wanted to go further:

he wanted to touch mine with his for a moment but I wouldnt let him he was awfully put out first for fear you never know consumption or leave me with a child embarazada that old servant Ines told me that one drop even if it got into you at all

And remembers how she’s experimented with how it would feel to have a penis inside her by using a banana.

after I tried with the Banana but I was afraid it might break and get lost up in me somewhere because they once took something down out of a woman that was up there for years

You can see why sex-averse Virginia Woolf loathed this book, can’t you? I’d forgotten it was stuffed (so to speak) with so much sexual crudeness or candour (depending on taste). As to men, well:

theyre all mad to get in there where they come out of youd think they could never go far enough up

Back to Mulvey, she would have full sex but instead masturbated him to climax:

how did we finish it off yes O yes I pulled him off into my handkerchief pretending not to be excited but I opened my legs I wouldnt let him touch me inside my petticoat because I had a skirt opening up the side I tormented the life out of him first tickling him I loved rousing that dog in the hotel rrrsssstt awokwokawok his eyes shut and a bird flying below us he was shy all the same I liked him like that moaning I made him blush a little when I got over him that way when I unbuttoned him and took his out and drew back the skin it had a kind of eye in it

Yep, sounds like a penis alright. Amusingly, she can’t clearly remember Mulvey’s name, though this is consistent with her using the pronoun ‘he’ to refer interchangeably to many men (mainly Bloom and Boylan).

Molly darling he called me what was his name Jack Joe Harry Mulvey was it yes I think a lieutenant he was rather fair he had a laughing kind of a voice

Lucky Jack Mulvey promised he’d come back for her and she promised she’d let him **** her, even if she was married. Twenty years ago it must be and he’s probably promoted and married and little does his wife know about his little sexual adventure with Molly Tweedy.

Far from anywhere she blew up the paper bag they’d brought biscuits in, then burst it with a bang which made all the pigeons take off. She wanted to fire his gun but he didn’t have one. HMS Calypso she thinks he was assigned to, because it was printed on his cap (note another sly Odysseus reference slipped in).

Cut to memories of some pompous old Bishop who delivered a sermon about the New Woman riding bicycle and wearing bloomers, which triggers her to think how funny she’s ended up with the surname Bloom. Her rival for Leopold, Josie Breen, used to joke that she was looking ‘blooming’ whenever they met, still better than names with bottom in them like Ramsbottom.

She doesn’t really remember her mother (who is a very shadowy figure in the whole book). Her name was Lunita Laredo and she was a Gibraltarian of Spanish/Jewish descent. A vivid memory of running down Williss Road and her boobs jiggling:

they were shaking and dancing about in my blouse like Millys little ones now when she runs up the stairs I loved looking down at them

She remembers the wonderful view from the Rock over the Straits to Africa. She was so infatuated with Mulvey, she kept the hankie the masturbated him into under her pillow for weeks, for the smell of it.

Mulvey appears to have given her a ring as a keepsake, ‘that clumsy Claddagh ring for luck’ that she then gave to another lover, Gardner, the soldier who went off to the Boer War where he died of enteric fever.

She has the impression of a moustache and for a moment thinks it was Mulvey’s but then realises she’s getting him mixed up with Gardner.

Another train whistles, reminding Molly of Love’s Old Sweet Song and her upcoming performance, which triggers a repeat of her scorn for the other singers:

Kathleen Kearney and her lot of squealers Miss This Miss That Miss Theother lot of sparrowfarts skitting around talking about politics they know as much about as my backside

As the daughter of a soldier who’s lived abroad, Molly views herself as much more worldly than the daughters of bootmakers and publicans, ‘I knew more about men and life when I was 15 than theyll all know at 50’.

She reflects on her looks. Her father left her her English accent (raised among soldiers in garrison) but she has her mother’s eyes and figure. Let them get a husband and a lovely daughter and get a fine man like Boylan falling over her and swiving her 4 or 5 times. She thinks about the correct posture, neck and facial position to project her singing voice best, and considers which songs to sing: Love’s Sweet Song and Wind from the South but not My Lady’s Bower, ‘too long for an encore’.

She thinks she could have been a prima donna if she hadn’t married Bloom. She’ll dress to impress.

Ill change that lace on my black dress to show off my bubs and Ill yes by God Ill get that big fan mended make them burst with envy

And then she realises she needs to pass wind and shifts position in the bed, carefully so as not to wake Bloom. (Remember the reference a few lines earlier to the song Wind from the South? A Joyce joke). So she softly passes wind, in another joke doing so in synch with the whistle from another passing train.

Section 6 (3,619 words)

Molly starts by being happy at having passed wind and wondering if it was the pork chop she ate earlier which gave her wind, she doesn’t trust that butcher.

She remembers being a girl in Gibraltar, the freezing cold nights, which leaps to being much older and stripping and creaming herself for the pleasure of the medical student living opposite (mentioned above).

Which links into her hoping Poldy isn’t going to fall in with the medical students, squandering money and getting drunk, what do they find to talk about?

We get more specifics on Bloom’s request for breakfast, which wasn’t reported in ‘Ithaca’. According to Molly, he ordered: ‘eggs and tea and Findon haddy and hot buttered toast’ which leads onto how she enjoys hearing him clunking up the stairs with the rattling cutlery. Then onto the cat, licking itself but she doesn’t like its claws. (It strikes me as odd that the cat doesn’t have a name. Surely Joyce missed a trick, he could have given it an ironically Odyssey-connected name.)

Hunger: she thinks she’ll buy a nice piece of plaice, no cod, and some jam which flows into the thought of buying more and organising a picnic, which flows into memories of various outings, better at the seaside but not in a boat after he swore blind he could row and then got into so much trouble they nearly drowned, and the water flooding into the rowing boat ruined her shoes and the wind ruined her hat.

But the sea brings memories of Gibraltar, the smell of the sardines and the bream in Catalan bay all silver in the fishermen’s baskets.

She remembers all the grandiose plans Bloom made, saying he’d change their place into a musical academy, or a hotel, full of plans and schemes which all come to nothing.

he ought to get a leather medal with a putty rim for all the plans he invents then leaving us here all day

She gets scared being alone in the house at night and remembers a vagrant who got 20 years for murdering an old woman, she’d castrate men like that. She remembers the night she swore she heard burglars and she made Poldy go downstairs with a candle frightened out of his wits, making as much racket as he could to scare them off, of course there was no-one.

Then she’s unhappy the way Bloom sent their daughter, Milly, away to Mullingar to get a job at a photographer’s, she thinks because he sensed Molly and Boylan’s impending affair. She should have been sent to Skerry’s Academy to study for the civil service.

She remembers Milly becoming a handful ‘with her roughness and carelessness’, breaking a statuette, refusing to peel the potatos, and Bloom taken to explaining things out of the paper to her and Milly pretending to play along. Cunning, like her dad. She’s started flirting with the boys and reminds Molly of herself at that age. She’d started to go beyond bounds for example to the skating rink and she smelled tobacco on her clothes.

all the people passing they all look at her like me when I was her age

And being prissy at the theatre, insisting Molly not touch her, which makes her remember men who’ve ogled and rubbed up against her at theatres. Milly didn’t even want Molly to kiss her at the station when she was leaving well – in the same tone as she said Bloom will never find anyone else like her, Molly thinks good luck to her daughter to find someone else who’ll dance attendance on her when she’s ill, like her old Ma.

I think Molly says she didn’t have a climax till she was 22:

of course she cant feel anything deep yet I never came properly till I was what 22 or so it went into the wrong place (?)

Milly’s boyfriends including Conny Connolly and Martin Harvey. She thinks such devotion means a man’s a bit cracked in the head which reminds her of Poldy’s father, must have been cracked to commit suicide.

She thinks it’s Bloom’s fault for not getting a servant and instead having the two women in the family slaving away for him, apart from the useless cleaner they had, Mrs Fleming, sneezing and farting everywhere and you had to follow her round fixing her work, and the time she left a smelly old dishcloth behind the dresser.

All the friends Bloom brings back at all hours including Simon Dedalus, and his son who won all the prizes, what was he doing bringing him home, and why did he have to drop down into the area to get into the house, amazing he didn’t rip his grand funeral trousers, shame her old drawers weren’t hanging up for them both to see!

And we learn that Mrs Fleming, useless as she was, is now leaving them to look after her husband who’s got to have an operation.

Thoughts of the body circle round to Molly realising her period’s about to start, not surprising considering ‘all the poking and rooting and ploughing he [Boylan] had up in me’. Damn! That means she’ll be bleeding when Boylan next visits in just three days time (it’s Friday and he’s scheduled to come around on Monday). Menstruation she sees as a curse, out of action five days every three weeks, ‘simply sickening’.

She remembers the most embarrassing occasion when it came on when they were at the theatre, had been given a box by one Michael Gunn to see Mrs Kendal and her husband at the Gaiety, when it came on her and her struggle to concentrate with her husband yakking on next to her.

O patience above its pouring out of me like the sea

She’s very self-conscious about having sex in the bed with all the springs jingling so seems to say that when Boylan came round she put the quilt on the floor and a pillow under her bottom.

She thinks she’ll shave her pubic hair to look like a young girl again, that’ll surprise Boylan next time!

And during these thoughts she’s eased out of bed and is squatting over the chamberpot bleeding into it, hoping she won’t break it, thinking about rinsing it out and perfuming it in the morning, very self conscious about it making such a noise, and so the section ends.

Section 7 (3,230 words)

Molly continues menstruating on her chamber pot. She remembers encounters with a gynaecologist, Dr Collins, who she’d gone to see, worried about some discharges, during which she gets long medical words wrong like ‘omissions’ and is amused by the posh word he used for her bits, ‘vagina’: comedy at the expense of her illiteracy.

Which segues into the letters Bloom wrote her, quoting Keats and other poetry. She was so excited by him and the letters she masturbated 4 or 5 times a day. She was impressed by his high political talk about home rule and the Land League. She’s thinking all this while she’s still on the pot:

I better not make an alnight sitting on this affair they ought to make chambers a natural size so that a woman could sit on it properly

I think she says the Leopold kneels to masturbate, ‘I suppose there isnt in all creation another man with the habits he has’; and then bemoans his habit for years of sleeping upside down in the bed, with his head at her feet and his feet by her head. The posture reminds her of him taking her to see an Indian god all yellow in a pinafore on his side, presumably a Buddha.

She reaches for a napkin which she ties round her parts, then slips back into bed, noting how deeply Bloom is sleeping, and repeating her hunch it’s because he had an orgasm today, and wondering who with, and waspishly pointing out he can only get it if he pays for it these days.

She laments the many moves of house they’ve had to make due to Bloom’s inability to keep a job or progress, including Raymond Terrace, Ontario Terrace, Lombard Street, Holles Street and then the City Arms hotel with the toilet out in the hall and you could always tell who’d used it before you by the stink. Things are always just starting to shape up when he puts his big foot in it, getting dismissed again and again, from Thoms and Helys and Mr Cuffes and Drimmies.

St George’s bells chime, saying its 2am (?) can that be right?

She describes Bloom’s poor attempts at cunnilingus:

when I wouldnt let him lick me in Holles street one night… he does it all wrong too thinking only of his own pleasure his tongue is too flat or I dont know what he forgets that wethen I dont Ill make him do it again

She wonders if the woman Bloom was with today was Josie, then decides he doesn’t have the guts to risk it with a married woman, despite her Josie Breen’s) mad husband. She thinks Poldy having sex was ‘the fruits of Mr Paddy Dignam yes they were all in great style at the grand funeral’ i.e. all those men all got hammered and went on somewhere and Bloom paid for a prostitute (she thinks; we know that’s not at all correct).

They think they’re so grand, those silly men in their little funeral parade and she rattles off a list of the male mourners at Dignam’s funeral who we met in chapter 6, but Molly says they’ve never seen a military parade like she knew back in Gibraltar, now that was impressive.

She feels sorry for poor Paddy’s wife and orphans which leads into memories of a dinner and formal singing, thoughts of Ben Dollard the base baritone, 5 shillings admittance to the concert, and then praises Simon Dedalus’s voice, untrained but effective (and we remember Simon singing at the Ormond Hotel in ‘Sirens’), she remembers he was married to May Goulding but a widower now.

She remembers seeing Stephen as a boy of 11, 11 years ago, when she was in mourning for poor Rudy, ‘he was an innocent boy then and a darling little fellow in his lord Fauntleroy suit and curly hair like a prince on the stage’ (‘prince’ of course reminds us of Stephen’s recent obsession with Shakespeare, Hamlet and the lecture at the National Library).

Suddenly she realises Stephen was predicted in the tarot cards she played with this morning and goes back through the cards in detail. She guesses at Stephen’s age and hopes he’s not a lank-haired poet, briefly imagining seducing him. Bloom claimed he’s a professor, Molly knows he’s surely too young, and hopes he’s not a professor like old Professor Goodwin whose specialist subject is whiskey.

Which segues into poetry, she likes poetry, and random quotes from favourite poems. It would be a nice change to have an intelligent person to talk to (Stephen) and not have to listen to Bloom’s endless talk about Billy Prescott’s ad and Keyes’s ad and Tom the Devil’s ad.

Instead she remembers seeing lithe young men at Margate bathingplace lazing on the rocks or diving into the sea, if only all men were that fit and handsome. Then some more rudeness:

I often felt I wanted to kiss him all over also his lovely young cock there so simple I wouldnt mind taking him in my mouth if nobody was looking as if it was asking you to suck it so clean and white he looks with his boyish face I would too in 1/2 a minute even if some of it went down what its only like gruel or the dew theres no danger

If she’s never met the adult Stephen this must be a sort of sleepy fantasy Stephen of her imagination she’s imagining sucking off and swallowing. Quite staggeringly pornographic, isn’t it?

She resolves to throw the tarot cards again in the morning to see if they’re fated to be together and anyway she’ll read and study some poetry so as not to appear ignorant if they meet, while she’ll teach him about sex until he half faints, and then:

then hell write about me lover and mistress publicly too with our 2 photographs in all the papers when he becomes famous

I’d forgotten that Molly has this quite graphic fantasy about Stephen. Remembering it sheds a whole new light on his character extending right back through ‘Portrait of the Artist’. What would happen if in the next few weeks Molly does meet Stephen, is taken by his strange intelligence and youth, while he sees sex sex sex in the older, voluptuous woman, and they ended up falling in love and eloping? Has anyone ever written a sequel to ‘Ulysses’ in which that happened?

Section 8 (3,680 words)

But then, what’s she going to do about Boylan? Thinking about Boylan makes her cross again at him slapping her on the bottom, such a peasant ‘he doesnt know poetry from a cabbage’. She criticises the way he just stripped off his shoes and trousers, might as well be an animal, he might as well have been an old lion. Well, maybe he was so excited because her boobs were so round and tempting. To be honest, they excite her sometimes, in fact she’d like to be a man:

I wished I was one myself for a change just to try with that thing they have swelling up on you so hard and at the same time so soft when you touch it

Men are lucky:

they can pick and choose what they please a married woman or a fast widow or a girl for their different tastes

Whereas women are restricted and limited. Jealousy. Why can’t people remain friends while sleeping around? She’s glad she’s still young and excitable but frustrated that Bloom never touches her, never embraces her any more. Only kisses her on the bottom, where she has least expression, like kissing an inanimate object, one time he kissed the front door, she thinks Bloom is mad, ‘what a madman nobody understands his cracked ideas but me’.

A woman needs loving and cherishing:

a woman wants to be embraced 20 times a day almost to make her look young no matter by who so long as to be in love or loved by somebody

Sometimes she gets so sexually frustrated she fantasises about going down to the docks and picking up a sailor or maybe one of the dangerous looking gypsies from their camp in Rathfarnham, some stranger to ‘ride me up against the wall without a word or a murderer anybody’.

Men, eh? She remembers some fine KC giving her and Bloom a fish supper after winning a bet on a boxing match but later that night catching him coming out of a dingy alley (Hardwicke lane) followed by a common prostitute, then going back to his wife.

She is irritated with Bloom being such a big lump and tries to budge him over in the bed, and irritated at him expected to be waited on with breakfast in bed. A little feminist polemic:

itd be much better for the world to be governed by the women in it you wouldnt see women going and killing one another and slaughtering when do you ever see women rolling around drunk like they do or gambling every penny they have and losing it on horses yes because a woman whatever she does she knows where to stop sure they wouldnt be in the world at all only for us they dont know what it is to be a woman and a mother how could they where would they all of them be if they hadnt all a mother to look after them

Speaking of needing mothers she wonders what Stephen’s doing away from his books and home and study, keeping bad company now his mother’s died.

Which morphs into thinking about her son Rudy, going over the decision to bury him in ‘that little woolly jacket I knitted crying as I was but give it to some poor child but I knew well Id never have another’. She and Bloom have never been the same since.

Back to Stephen, she wonders why he wouldn’t stay the night (how does she know this, it feels like Joyce’s awareness bleeding into hers). Remember Hugh Kenner’s point that Molly never says something but she soon contradicts it? Well, barely a few phrases after her little feminist praise of women, the exact opposite:

I hate that in women no wonder they treat us the way they do we are a dreadful lot of bitches I suppose its all the troubles we have makes us so snappy

She thinks Stephen could have slept on the sofa in the other room, mind you she’d have heard her filling the chamber pot, ‘arrah what harm’.

Dedalus, odd name. Makes her think of names of people on Gibraltar, she’s particularly tickled by a woman named Opisso, she’d die rather than have such a name.

small blame to me if I am a harumscarum I know I am a bit I declare to God I dont feel a day older than then

For the third time she laments that Stephen didn’t stay, she’d like to give him Spanish lessons then he’d see she’s not so ignorant after all: quite the persistent thinking about clean-cocked young Stevie.

And it goes on: she thinks Stephen was tired, and needed a rest, and she’d have happily brought him breakfast in on the sofa. She’s really taken with having Stephen as a lodger:

supposing he stayed with us why not theres the room upstairs empty and Millys bed in the back room he could do his writing and studies at the table in there for all the scribbling he does at it and if he wants to read in bed in the morning like me as hes making the breakfast for 1 he can make it for 2… Id love to have a long talk with an intelligent welleducated person

Which segues into needing to buy a new bed, and shopping triggers thoughts of going to the market early to get fresh fruit and vegetables, she’d love a fresh juicy young pear. And then another pornographic passage I can’t make out whether it starts about Stephen but it definitely becomes about Bloom, arousing him then making him feel guilty about Boylan:

Ill start dressing myself to go out presto non son piu forte Ill put on my best shift and drawers let him have a good eyeful out of that to make his micky stand for him Ill let him know if thats what he wanted that his wife is fucked yes and damn well fucked too up to my neck nearly not by him 5 or 6 times handrunning theres the mark of his spunk on the clean sheet I wouldnt bother to even iron it out that ought to satisfy him if you dont believe me feel my belly unless I made him stand there and put him into me Ive a mind to tell him every scrap and make him do it out in front of me serve him right its all his own fault if I am an adulteress

So she’ll let Bloom know that his wife has been well fucked and the mark must be of Boylan’s spunk, but what does ‘make him do it out in front of me’? Force Bloom to masturbate in front of her to shame him, to make it clear that if he masturbates and refuses to fuck her then she will be unfaithful, ‘its all his own fault if I am an adulteress’?

Supercrudely she says if he wants to kiss her bottom, he can kiss her hole, and she’ll get a £1 or 30 shillings out of him to go shopping with. She’ll buy some fine new drawers and let him masturbate onto her from behind:

Ill let him do it off on me behind provided he doesnt smear all my good drawers… Ill tighten my bottom well and let out a few smutty words smellrump or lick my shit or the first mad thing comes into my head… Ill tighten my bottom well and let out a few smutty words smellrump or lick my shit or the first mad thing comes into my head then Ill suggest about yes… then Ill wipe him off me just like a business his omission’

She realise it’s getting late, they’ll be up in China, the nuns will be getting up soon, she should try and get some sleep. She’ll get up early go and buy some flowers to brighten the place up in case Bloom brings Stephen home again, I’m surprised how much longing for Stephen features in this last section.

She’ll clean the piano and they’ll have music, she’ll buy some cakes and has a passage thinking about her favourite types. Flowers,

I love flowers Id love to have the whole place swimming in roses God of heaven theres nothing like nature the wild mountains then the sea and the waves rushing then the beautiful country with the fields of oats and wheat and all kinds of things and all the fine cattle going about that would do your heart good to see rivers and lakes and flowers all sorts of shapes and smells and colours springing up even out of the ditches primroses and violet

She dismisses Bloom’s highfalutin atheism, nature disproves it, and they all end up calling for the priest as they lie dying. Thoughts of God and nature line us up for the final passage in which she reminisces about the day she and Bloom spent outdoors on Howth hill.

the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life

What she remembers is genuinely liking him, but also her canny manipulation of him.

that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky

And Joyce gives her a magnificent passage recapping all her memories of her girlhood in Gibraltar, all the sights and sounds and words of the hot place, the castle and the multicultural society of Greeks and Turks and Jews and Arabs, and it ends with the famous magnificent climax:

and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.

Molly’s feminism?

If you summarise Molly’s soliloquy, it’s easy to speak in clichés about her being a strong independent woman or expressing her sexuality, as if that’s a fine and impressive thing like a speech or a declaration. But if you read it closely (and if you’ve read my summary) you’ll realise she’s far from being a role model for feminists, she’s far too bitchy and critical of other women for that, critical of old women and scornful of her rival female singers.

And ‘expressing her sexuality’ sounds fine in the abstract but when you read the detail of her thoughts (I’m tempted but won’t repeat the fruitier passages), again, it’s not necessarily such a fine and noble thing; it feels much muckier, messier, real and compromised than that, as actual sex tends to be.

Is Molly a male projection?

All the commentaries go on about Molly being a modern woman freely expressing her own sexuality and, having gone through it in this much detail, you can see how Molly is, indeed, staggeringly rude but totally honest and accepting of sex, the sex act, her own desires and fantasies, yes.

However, I could never forget that this whole thing is written by a man. I.e. is it just a man’s fantasy of how sexually frank and candid he’d like a woman to be? Is it purely a male fantasy to imagine a woman who goes to sleep fantasising about sucking a young man’s cock or having it done to her doggy fashion? Is Molly’s much vaunted sexuality in fact male projection?

In a sense, the most relevant criticism of Molly is what the woman Joyce based her on, his own partner, Nora Barnacle, thought of her, and Nora was famously unimpressed by Molly. (As, when I summarised some of the passages to her, was my wife.)

This is vanishingly tiny anecdotal evidence but it crystallises my feeling that Molly is a construct made of words, not always convincing, and the relentless dominance of sex fantasies… well, rather than capturing a woman’s thoughts, it just felt too relentlessly male to me.

Men, eh?

That said, I was struck by the number of thoughts Joyce gives his creation which diss or rubbish male sexuality:

  • theyre so savage for it
  • they want to do everything too quick take all the pleasure out of it
  • can you ever be up to men the way it takes them
  • only for the name of a king theyre all made the one way
  • arent they fearful trying to hurt you
  • arent they thick never understand what you say even youd want to print it up on a big poster for them
  • they always want to see a stain on the bed to know youre a virgin for them all thats troubling them theyre such fools
  • I suppose he thinks I dont know deceitful men all their 20 pockets arent enough for their lies

All these sentences mocking men’s obsession with sex were written by a man. The steady stream of criticisms of the male sex, maybe that’s plausible in a woman’s passing thoughts? Or does it reveal a kind of self-obsession with masculinity on Joyce’s part? Is there something masochistic in Joyce the man writing quite so many passages slagging off men as sex-obsessed? Was it a form of self-critical therapy? Or was he simply bringing together lots of the criticisms you hear women say or women write about men, bundling them, along with much else besides, into Molly’s big boisterous character?

I’m not sure there’s any way of arriving at a conclusive answer, which is why I’ll note the questions but leave it at that.

Weaving contradictions

Hugh Kenner makes the point that Molly is a creature of contradictions, she doesn’t make a statement without somewhere else stating the opposite. Boylan is superb, Boylan is coarse. Bloom is inadequate, Bloom has more spunk in him than Boylan. The prospect of Stephen excites, then again he probably has long lank student hair. She’s proud to be a woman, she hates being a woman. She’ll bring Poldy breakfast in bed, she’ll throw it at him.

Kenner smartly compares this pattern of Molly stating then denying, with Homer’s Penelope weaving her shroud by day and unweaving it by night. Typically Kenner in being cute, insightful and amusing. I’ve written a blog post summarising Kenner’s book on ‘Ulysses’, coming soon.


Credit

‘Ulysses’ by James Joyce was published by Shakespeare and Company in 1922.

Related links

Joyce reviews