A Terrible Beauty is Born by Ulick O’Connor (1975)

I grew up in a free country which was decolonised seven years before my birth. The reflexes of colonialism linger on for a time after the rulers have departed.
(page 14)

‘I defy anyone to study Irish history without getting a dislike and distrust of England.’
(Lady Gregory)

This is, in the old and best sense of the word, an amateur book. It is a highly personal perspective on the series of very famous events in Irish history. Ulick O’Connor had a long and successful life as a sportsman, lawyer, writer, poet, playwright, historian and biographer, summarised in his obituary:

As a sportsman he certainly excelled. As a lawyer I’ve no idea of his status. As a writer, apparently his biographies of Oliver St John Gogarty and Brendan Behan are still important. But he was definitely not a professional historian and it shows. This slim 180-page account of the leadup to and aftermath of the 1916 Easter Rising in Dublin is anecdotal and empassioned rather than detached and scholarly. It’s a handy enough introduction to the events, although there must be many far more rigorous and scholarly accounts.

And it seems to skip or gloss over complex details. Every time I looked up an aspect of the leadup to the rising on Wikipedia, I found it to be more complex and byzantine than O’Connor’s account. This appears to be a simplified and romanticised account.

What makes it stand out is O’Connor’s flashes of real anger against British imperial rule in Ireland and, in the later stages, the number of participants and eye-witnesses who O’Connor seems to have met and interviewed for this book and so quotes verbatim.

Introduction

Setting the personal tone of the book, it opens with O’Connor visiting the Public Records Office at Dublin Castle to see the file on his great-grandfather. This was Matthew Harris who fought in the Irish risings of 1848 and 1867 and became one of three members of the Supreme Council of the Fenians, who, even though he went on to be elected as an MP to Westminster, was in later life followed everywhere by detectives. O’Connor discovers his file is huge and could be compared to the Czarist authorities’ files on Lenin. So O’Connor is using his great-grandfather as an example of the huge amount of time and energy the British colonial system spent keeping tabs on anyone who spoke against it.

But the anecdote is also typical of O’Connor’s romanticising tendency: he is quick to say of his forebears, or of any notable Irishman he’s writing about, that tales were told of him round fireplaces and ballads sung in pubs. The heroes of his story are constantly being turned into tales and ballads sung wherever patriots assemble.

His name had passed into tradition so that as I grew up I heard him talked about with reverence. (p.8)

And it’s typical of O’Connor’s approach in a third way, in that he underpins it, not with scholarly documentary information or research, but with an anecdote told him by an eminent person. In this case it’s the novelist Liam O’Flaherty, who tells O’Connor that he remembered his father recalling Harris’s fiery speeches. And in another anecdote, a visitor to the West of Ireland tells O’Connor that the peasants still remembered his great-grandfather. This is how the book proceeds: by anecdotes about heroes.

And a fourth way in which the introduction sets the tone and approach is when O’Connor broadens out his theme to explain how the Irish patriots’ struggle for independence went on to inspire like-minded revolutionaries in Egypt, India and many other colonies of the British Empire, a point he repeats a number of times in the rest of the book.

Back to great-grandfather Harris: O’Connor tells us that in 1880 he was persuaded to moderate his beliefs enough to stand for Parliament. He was persuaded to do this by Charles Stewart Parnell whose strategy was to unite the three elements in Irish political life: the physical forcers, the Land league and the Parliamentary Party. It was Parnell’s great achievement to do this and make his parliamentary party into the deciding force in British politics.

1. Rise and fall of Charles Stewart Parnell

O’Connor steps back to give us the deep background: he says it was the Flight of the Earls in 1607 after defeat in battle which handed Ireland over to British control. His great-great-grandfather was alive at the time of the 1798 rebellion. His great-grandfather lived through the potato famine when up to a million died of starvation due to the incompetence of the British administration, and some 2 million emigrated, mostly to America.

In the four years after the famine, 58,000 families amounting to 316,000 people were evicted from their homes for non-payment of rent, saw their houses destroyed and were left destitute, living in caves or wooden huts or dying by the roadside.

In 1886, leader of the Liberal Party and Prime Minister William Ewart Gladstone introduced the first Home Rule Bill with a horrified description of the abject poverty found throughout rural Ireland.

At the turn of the century the British Empire was at its height. O’Connor quotes Louis Fischer, the biographer of Gandhi, as saying that imperialism is a sort of perpetual insult to the colonised and governed.

Charles Stewart Parnell was a Protestant, a member of the ‘Protestant ascendency’ born into a wealthy Anglo-Irish Protestant landowning family in County Wicklow in 1846. He was leader of the Home Rule League from 1880 to 1882, and then of the Irish Parliamentary Party from 1882 to 1891, by which time his party held the balance of power in the House of Commons.

In a typically family anecdote, O’Connor remembers his grandmother telling him how, as a small girl, she used to greet Parnell when he came to stay with her father in the west of Ireland. ‘She treasured the table on which he wrote his speeches as if it were the relic of one of her favourite saints’ (p.16).

She also taught O’Connor that it was incorrect to refer to the married woman Parnell had a ten-year affair with as ‘Kitty’ O’Shea, it should always be Mrs O’Shea. It is typical of the book that we see the whole Parnell tragedy through the eyes of an O’Connor family member.

What happened was when it looked likely the Liberals under Gladstone were going to win the 1892 general election and pass his Home Rule bill, some Tory leaders persuaded Captain O’Shea (who knew about his wife’s long-standing affair with Parnell) to divorce her, citing Parnell as the third party. As soon as this happened Gladstone, leading a party whose core was nonconformist, was forced to repudiate Parnell and withdraw his support for the Irish Party till it replaced its leader. Parnell refused to stand down and the furore split his party with the majority of its MPs, and all his senior colleagues, abandoning him to form a new party.

The following, much more recent, account suggests the train of events had more to do with Captain O’Shea’s greed than with scheming Tories. In this as everywhere else you can feel O’Connor’s 1) tendency to simplify the story and 2) burning animus against English rule.

The party split and Parnell went into exile in… England, dying the next year, 1891, of pneumonia, aged just 45. His body was brought back to Dublin. A crowd of some 200,000 watched the procession to Glasnevin Cemetery. Many people say a meteor (or shooting star as O’Connor puts it with characteristic romance) fall from the sky.

O’Connor quotes James Joyce’s famous quip about the Parnell ‘betrayal’ although, characteristically, he slightly misquotes him. Here’s the Joyce quote from his 1912 essay ‘The Shade of Parnell’:

In his final desperate appeal to his countrymen, he begged them not to throw him as a sop to the English wolves howling around them. It redounds to their honour that they did not fail this appeal. They did not throw him to the English wolves; they tore him to pieces themselves.

Joyce’s essay was written 21 years after Parnell’s fall and indicates how long-lasting the sense of failure and loss was, as described in vivid fictional form in 1) his short story ‘Ivy Day in the Committee Room’ and 2) the famous Christmas dinner argument scene in ‘A Portrait of the Artist as a Young Man’.

Rather than attempt a full historical perspective, O’Connor characteristically quotes the opinions of famous writers: Joyce, Dennis Ireland, W.B. Yeats, Sean O’Faolain, P.S. O’Hegarty, an old Sinn Fein writer who spoke to him. All the way through it’s these personal perspectives which O’Connor likes to give. And seeing as these writers or old-timers tend to romanticise and glamorise events, this contributes to the romanticising tendency of the whole book.

2. Celtic Revival

1884: foundation of the Gaelic Athletic Association: hurling, Gaelic football.

1893: Douglas Hyde, another son of the Protestant Ascendency, decided to set up the Gaelic League, an organisation to promote the Gaelic language, fast dying out in the cities but preserved among the peasantry. By 1906, over 3,000 branches.

An early convert was Lady Augusta Gregory, Anglo-Irish daughter of landed gentry (1852 to 1932). She was home schooled then married off to Sir William Henry Gregory, a widower with an estate at Coole Park, near Gort, in 1880. Sir William was 36 years older than her and had just retired from his position as Governor of Ceylon. He had a large house and estate at Coole Park which she, in the coming decades, turned into a major venue for nationalist writers. He also had a town house in London where she held literary soirées for leading figures of the time.

Throughout, O’Connor refers to the military element of the occupying power by the general term ‘the Garrison’.

Novelists George Moore and Edward Martyn were attracted to the Celtic Revival but it was the conversion of young William Butler Yeats which transformed things. Up till then he’d been writing fey pre-Raphaelite poetry under the influence of William Morris.

O’Connor fast forwards to the founding of the Abbey Theatre in 1904 and the renaissance of literary talent which constellated round it including J.M. Synge, James Stephens, George Russell A.E., Padraig Column, Katherine Tynan and more. O’Connor was to deal with the Celtic Revival separately in his 1984 group biography Celtic Dawn.

This all allows him to proceed by his favourite method which isn’t via documents or data, but by cherry-picking quotes from Famous Authors. On the upside, these are always chatty and anecdotal; on the downside, it’s the absence of any real historical context which gives the book its thin texture.

3. Portrait of turn-of-the-century Dublin

Parks, grand squares, the Season at the Castle, debutante balls. Population 400,000 with a small centre where it was easy to bump into people you knew (compare with London’s monstrous 6.5 million).

This leads him to Maud Gonne (1866 to 1953) ‘the most beautiful woman in Europe’ according to Wickham Stead, editor of the Times. Despite her claims she was of English descent on both sides but became a firebrand Irish revolutionary. Willie Yeats fell madly in love with her but she refused to become his lover.

In 1900, Gonne helped found Inghinidhe na hÉireann (Daughters of Ireland). Twenty-nine women attended the first meeting. They decided to ‘combat in every way English influence doing so much injury to the artistic taste and refinement of the Irish people’.

Lady Constance Gore-Booth (1868 to 1927) was an Irish revolutionary, nationalist, suffragist, and socialist, famous as the first woman elected to the UK Parliament (1918), though she did not take her seat. Born into Anglo-Irish aristocracy at Lissadell, she rejected her privileged background to fight for Irish independence, becoming a key figure in the 1916 Easter Rising. In 1900 she married Polish artist and playwright Casimir Dunin-Markievicz, and they styled themselves the Count and Countess = Constance Markievicz.

4. Arthur Griffith and Sinn Fein

Ireland was ruled by England from 1170. There was a short period of home rule from 1782 to 1800 which was put to an end by the 1800 Act of Union. Since 1800 nationalists had wanted to replace this foreign rule with home rule, some by constitutional means, some by violent uprising, as in 1848 and 1867.

In the early 1900s a journalist called Arthur Griffith came to prominence with a new strategy, passive resistance. In 1900 he founded the United Irishman which attracted top writers and became very influential.

Characteristically, O’Connor paints Griffith’s portrait by quoting other writers (Oliver St John Gogarty, James Joyce). Just as characteristically, he dwells on the way the short unprepossessing Griffith was madly in love with Gonne.

1903: Griffith starts publishing articles about how Hungary secured home rule within the Austro-Hungarian Empire under the Hungarian People’s Party led by Francis Deak. The next year he launched a political party to copy Deak’s strategy (the historical figure’s proper name appears to have been Ferenc Deák) – Sinn Fein, ‘Ourselves alone’.

Clause 14 of the Sinn Fein constitution: Non-recognition of the British Parliament. The plan was not just to abstain, but to set up a parallel Irish administration at all levels. However (in the book’s first mention of the Ulster problem) Griffith allowed for there to be a King of Ireland and a King of Britain.

Constance Markievicz joined Sinn Fein as did Maud Gonne.

Chapter 5. Roger Casement

Sir Roger Casement (1864 to 1916) worked for the British Foreign Office as a diplomat. He was honoured in 1905 for the Casement Report on the Congo Free State and knighted in 1911 for his investigations of human rights abuses in the rubber industry in Peru, sometimes credited as the ‘father of twentieth-century human rights investigations’.

Typically O’Connor conveys his importance by quoting writers – Joseph Conrad, who knew him in the Congo, and E.D. Morel who campaigned with Casement to end Belgium’s disgusting slave regime in the Belgian Congo (characteristically, the book incorrectly gives his initials as A.D.). See:

Resting in his native County Antrim, Casement heard about Griffith’s party and joined. He set out to learn Gaelic. He had seen imperialism at its most disgusting and had a shrewd feeling that Griffith’s strategy for freeing Ireland could work. He donated money to a school being run by a young Gaelic Leaguer called Eamon de Valera.

Chapter 6. The 1912 home rule bill

In 1910, though, the lead party was not Sinn Fein but the Irish Party led by Parnellite John Redmond. The Liberal Party returned to power in 1906 and, in order to pass its social legislation, needed the support of the Irish Party to pass its legislation neutering the House of Lords. In exchange its leader, Herbert Asquith, promised to sponsor another Irish Home Rule bill.

In March 1912, at a mass meeting in Dublin, Irish nationalists greeted the launch of an Irish Home Rule bill in Parliament but warned that if their hopes were dashed, Ireland would take arms.

 Chapter 7. Ulster

A quarter of the population of Ireland was Protestant, over a million living in the counties of Ulster. Two weeks after the Dublin nationalist meeting, a mass meeting was held in Ulster, with 100,000 men marching past Sir Edward Carson.

O’Connor analyses the Ulster Protestant as a typical colon in that his link to the imperial power gave him superiority. Even the poorest Protestant was, in a sense, superior to the richest Catholic. He compares them to the poor whites in the American South, persuaded of their racial superiority by their exploiters who thus kept the working class divided.

Carson had been Solicitor General in the Conservative government which fell in 1906 election. Next to him on the stand was Andrew Bonar Law, the Canadian-born new leader of the Conservative Party. In subsequent speeches Carson made it quite clear he was prepared to break the law and disobey officers of the Crown if home rule were passed.

In 1912 he and others set up the Solemn League and Covenant which was signed by hundreds of thousands (echoing the Covenants signed in Scotland during the civil wars).

Echoing Griffith, the Ulstermen set up their own provisional government. The Ulster Volunteer Force (UVF) was set up under a British Army general. F.E. Smith was a leading figure, who later became Attorney General of Britain.

In Britain, a British League for Ulster was set up and 120 MPs and 100 Lords joined it.

It became obvious that these Ulster refuseniks were the key issue in the Irish Question. Carson and the rest were openly declaring treason. Warrants were made out for their arrest, in Dublin but not issued. Prime Minister Asquith hoped Ulster resistance would die down.

Chapter 8. The Irish Volunteers

Mirroring the foundation of the Ulster Volunteers, in the south the Irish Volunteers were founded. It was founded by professor of Irish history Eoin MacNeill. Characteristically, O’Connor’s grandfather knew him. His mother told stories of going with her parents and MacNeill to the Aran Isles for the summer to learn Gaelic and come back with Gaelic-speaking nannies.

It was following an article about the Ulster volunteers, that MacNeill was approached to spearhead its southern equivalent. A committee of 30 was set up, including men from Redmond’s party. Roger Casement (returned from Peru) was made secretary.

By January 1914 there were 10,000 volunteers, by September 180,000.

Chapter 9. The Irish Republican Brotherhood (IRB)

Clann na Gael based in New York, run by old Feinian John Devoy. In 1907 he sent Thomas Clarke to Dublin to recruit for the IRB. Willie Yeats joined. And working class Catholic Sean O’Casey. They looked up to intellect and culture.

The (underground) IRB carefully infiltrated its members into the (aboveground) Irish Volunteers.

Chapter 10. The Citizen Army

In chapter 3 O’Connor gave us a very brief sense of upper class life in Dublin. This chapter emphasises the poverty. Dublin had the highest death rate of any city in Europe. The Irish Times compared living conditions of the poor to Dante’s Inferno.

August to Christmas 1913 Dublin saw a massive general strike, led by Jim Larkin (orator and journalist) and James Connolly (brilliant analyst who applied Marxist theory to Ireland, founder of the Irish Socialist Republican Party). He left for the States, then returned to become General Secretary of Larkin’s Transport Union.

The outcome of the long bitter violent general strike wasn’t concessions from the employers, but the creation of a Citizen Army which proceeded to arm itself. It came into being in November 1913 with a constitution drawn up by Sean O’Casey, who became its secretary and later wrote its history.

The Army Commander was Captain Jack White who had distinguished himself in the Boer War. He received a telegram of praise from Roger Casement.

Chapter 11. Guns for the Ulster Volunteers

In March 1914 a huge consignment of arms and ammunition arrived at Ulster to be distributed to the Ulster Volunteers. O’Connor describes how hundreds of cars owned by the landed gentry were parked along the route at night to light the lorries away from the port. Reading this, I was impressed by the commitment and organisation of these people, always painted as the baddies. I went looking for books about the Ulster Volunteers and only found two. History is written by the winners.

Its arrival triggered similar thoughts in the Irish Volunteers who arranged for Roger Casement. In July a yacht left Hamburg carrying 10,000 rifles. They docked at Howth, were met by Irish Volunteers, who marched with them back into Dublin.

Chapter 12. The Curragh Mutiny, then war

In March 1914 General Sir Arthur Paget, commander of British forces in Ireland, ordering to send detachments to protect depots in the north from raids by the Ulster Volunteers, firing on them if necessary. 60 officers and the leader of the 3rd cavalry brigade refused. This was regarded as a mutiny and rocked the British Army.

What it seemed to show everyone was that the British government would back down when faced with the threat of force. This triggers amusingly emotional rhetoric in O’Connor: ‘sordid intrigue… devious charade… ‘

O’Connor is quick to say in this rebellion of part of the Establishment against another, this splinter was the crack that foreshadowed the end of empire in violent independence movements around the world.

The Home Rule bill passed through the Commons in May 1914 and was scheduled to become law in September 1914. But in August the Great War broke out and all domestic legislation was suspended.

When war broke out, John Redmond, leader of the Irish Party which held the balance of power in the Commons, and with a force of some 180,000 trained men at his disposal, could have bargained with the Liberal government and witheld his support until the government absolutely promised to enact the bill. If an Irish government had been set up in Dublin, albeit with limited powers and still under ultimate British control, it is unlikely there would have been any Easter Rising.

But he didn’t. Without consulting his party he stood in the House of Commons and pledged the support of the entire nation of Ireland to the British in their time of need. This made the Irish immensely popular, even with the Conservative right, but at a stroke he handed over his trump card and had nothing left to bargain with.

The bill was placed on the statute book but only to come into force after the war. That was the rub. That was the cause.

Recruits flocked to volunteer. Some 300,000 Irish fought for the Empire, 40,000 of them were killed. But after the first flush of enthusiasm, many Irish found it difficult to win commissions in Irish regiments. The British Army establishment preferred Irish regiments to be officered by loyal British Protestant officers.

Chapter 13. Padraig Pearse and the military council

September 1914 the leadership of the Irish Republican Brotherhood decided that a nationalist uprising would take place before the war ended and began making plans.

James Connolly opposed the war from a Marxist point of view, as empires fighting over resources and markets.

Snapshots of: Padraig Pearse, at this point teaching at St Enda’s school; Thomas MacDonagh, English lecturer at the National University; Joseph Plunkett, poet and editor of the Irish Review. All three are members of the military council of the IRB. They didn’t expect a rising to defeat the British. They expected it to create an independent republic long enough for its case to be made at the conferences which would end the war. More poetically, the felt that they would revive the soul of their nation.

In March 1916 Clann na Gael contacted him to say they would be sending 20,000 rifles and 10 million rounds.

Meanwhile James Connolly, the socialist trade unionist, independent of the IRB, had concluded that an armed uprising was necessary, using his citizen army. Fearful lest the plans clash, the military council invited Connolly to a meeting in January 1916. He was delighted to hear the news from Joseph Plunkett and both sides agreed the uprising would happen at Easter 1916.

Chapter 14. The Easter Rising

Eoin MacNeill interferes MacNeill was the commander-in-chief of the Irish Volunteers but he was deliberately kept out of the loop by the IRB military council. Only on Good Friday did he learn about plans for an uprising on Monday. He strongly disapproved and went to St Enda’s to see Pearse. Pearse persuaded him plans were too far advanced and also a shipment of arms was arriving from Germany so MacNeill acquiesced.

But late on Saturday morning, he learned the arms shipment had been intercepted. Feeling he’d been fooled, MacNeill took out an advert in the Sunday papers telling his volunteers their traditional Easter weekend training manoeuvres were cancelled. Many read this and stayed at home. When the news of the uprising spread on Monday they weren’t ready. Pearse’s response was to send out envoys to Volunteer groups around the country and tell them to carry on, but the damage was done. On the Monday, most Volunteer groups did not rise along with Dublin. If they had the British Army would have been spread very thin. Instead they were able to concentrate their firepower in Dublin and end the uprising after a week (p.84).

O’Connor tells us that his grandfather knew MacNeill and once told him he wasn’t a bad man. Hard to see how he doesn’t come out of this as the fall guy.

The uprising began at 12 noon on Monday 24 April 1916 and continued for 6 days. At 11 Pearse and Connolly marched their men from Liberty Hall over to the poorly defended Post Office and seized it. Pearse stood between the huge Greek columns and read out a declaration of independence. O’Connor gives a good enough account but I’m not sure it’s worth my summarising his summary. Instead here’s the Wikipedia article:

Chapter 15. The uprising continues

The British put Brigadier Lowe in charge of suppressing the uprising. He brought a gunboat up the river which bombarded Liberty Hall then the GPO. Houses on both sides were set on fire. Eight or so other buildings had been seized so sporadic sniping and shelling took place round those, too.

The weirdest thing about it was the way most Dubliners strolled around watching it take place. O’Connor quotes the usual suspects, Gogarty, James Stephens, George Moore, Sean O’Casey, strolling round the city, listening to the shellfire, observing other citizens going about their business.

Chapter 16. The uprising ends; the executions

On Friday 28 April 1916 General Maxwell arrived and began investing the key sites in a rigorous way. At 2.30pm the next day, Saturday 29 April, Pearse surrendered to General Lowe.

Four days later the executions began. Sixteen rebel leaders were shot:

Signatories of the Proclamation of Independence: Patrick Pearse, Tom Clarke, Thomas MacDonagh, Joseph Plunkett, Sean Mac Diarmada, Éamonn Ceannt, and James Connolly.

Other leaders: Willie Pearse (brother of Patrick), Edward Daly, Michael O’Hanrahan, John MacBride, Seán Heuston, Con Colbert, and Michael Mallin.

MacBride was husband to Maud Gonne, the dazzling beauty who bewitched Willie Yeats.

Remember dashing Lady Constance Markievicz? She had been deputy of the troop which held Stephen’s Green then pulled back to the College of Surgeons. She was sentenced to death, too, which was commuted to life imprisonment as she was a woman. In fact she was released after less than a year when the British government offered a general amnesty.

About 1,350 people were killed or wounded, mostly civilians. The centre of Dublin had been gutted. The general population was furious with the rebels. Elsewhere life went on as normal with business carried out while the middle classes played golf and tennis.

Chapter 17. Poetic reactions

Characteristically, O’Connor summarises the aftermath by quoting the usual suspects: W.B. Yeats, George Russell, James Stephens, Lady Gregory, Tom Kettle.

He has a romantic notion of poets, that they are the first to notice the changes in a nation’s soul, that these poets grasped the rising’s significance way before the silly politicians.

Chapter 18. Roger Casement

In the last few years before the war Casement developed a pathological hatred of Britain’s rule in Ireland. Just before the Great War broke out he went to New York to work with Clann na Gael. In December 1914 he persuaded its leader, John Devoy, to Germany, as an envoy from independent Ireland and to secure arms. In fact Casement spent two weary years getting nowhere, and eventually asked to be returned to Ireland (with no guns). The Germans laid on a submarine which took him to the south coast but due to a SNAFU in the arrangements he was put into a canvas boat with two others, while the U-boat departed. The canvas boat overturned in high seas and Casement barely made it ashore. he staggered to the nearest house where he was resting when he was arrested by the local bobby, sent to Dublin and then to the Tower of London.

Chapter 19. The trial of Roger Casement

O’Connor was a practicing lawyer and so gives a brief but vivid account of Casement’s trial. As usual, a trial had nothing to do with ‘justice’ but entirely practical wrangles and politicking. Casement’s defence lawyer, Serjeant Sullivan, had himself recruited in Ireland for the British Army i.e was on the opposite side of the political cause. (O’Connor remembers seeing the 90-something old lawyer still beetling around the Dublin Inns of Court when your man was just a young barrister.)

Not just that, but the prosecuting counsel was F.E. Smith who had been active in the setting up of the Ulster Volunteers back in 1912 i.e. was extremely anti-Casement’s independence position and also, as O’Connor emphasises, arguably more guilty of treason than Casement.

The case revolved round the accusation that casement tried to recruit Irish prisoners of war held in Germany to join the German Army and fight against Britain. The defence argued that the treason act only applied to activities here in England, and Casement’s activities had taken place abroad.

Throughout the trial the authorities made available to the police, lawyers and senior figures in the Establishment the so-called black diaries in which Casement appeared to describe his personal homosexual activities in great detail. For a long time these were thought to be fakes but in the 1990s were apparently confirmed as true.

Poor Casement, a hero of international human rights, a principled nationalist and patriot, he was found guilty and hanged on 3 August 1916. He made a condemned man’s speech from the dock. O’Connor points out that so many Irish patriots did this that it is virtually a literary genre in itself. He made the point that the creation of the Ulster Volunteers created the atmosphere of violence, and the Curragh Mutiny in effect condoned disobedience to the Crown (although all that was fine if you were on the Protestant side).

(True to his recurring attempts to portray the rising as the having international impacts on other freedom struggles of other imperial colonies, O’Connor claims that Casement’s speech had a profound impact on the young Pandit Nehru.)

High Treason, Court of Criminal Appeal: the Trial of Sir Roger Casement 1916 - Government Art Collection

The Trial of Sir Roger Casement by Sir John Lavery (1916)

With the end of the Casement trial we reach the en of the build-up to and events of, the Easter Rising, on page 114 of this 180-page book. The rest of O’Connor’s book describes events over the next 4 years, the rise of Sinn Fein, the success of Arthur Griffith’s abstentionist policy, the granting of home rule and then the bitter civil war of 1921 to ’22.

Chapter 20. Sinn Fein

Some 3,000 people were interned after the rising. Over the next 12 months they were released in batches. By June 1917 the public mood had changed to become more sympathetic to the rising leaders who were coming to be seen as martyrs. In by-elections that year, Sinn Fein candidates won but refused to take their seats in the London Parliament, a tradition which continues to this day.

Eamon de Valera was the only commander who wasn’t executed. Upon release he contested a by-election and defeated the Irish Party candidate. Sinn Fein was replacing Redmond’s party.

Thomas Ashe, president of the IRB, went on hunger strike in prison. When he died, Michael Collins, who’d been released from internment at Christmas 1916, decided to organise a vast funeral for him. Characteristically, O’Connor tells us Sean O’Casey wrote a ballad requiem for Ashe, and quotes a hymn by Ashe himself.

Chapter 21. Conscription and the Dail

Most Irish still favoured the constitutional party of John Redmond and expected the home rule bill, which was on the statute books, to be implemented as soon as the war ended.

Then in spring 1918 the British made the latest in a long line of blunders when the Army Chiefs of Staff prevailed on Lloyd George to pass an act compelling the conscription of all able-bodied men in Ireland into the British Army. Not only Sinn Fein and the Irish Party but the Catholic party opposed it, though O’Connor skips completely over its implementation. He quotes A.J.P. Taylor as saying it was the decisive moment in Ireland’s seceding from the Union.

In the December 1918 general election the Irish Party was obliterated by Sinn Fein, winning just 6 seats to the nationalists’ 73. John Redmond had died in March.

The Sinn Fein MPs promptly set up their own government in the Mansion House in Dublin and called it the Dail. No fewer than 36 of the 73 MPs were in British prisons. A Declaration of Independence was read out.

Three delegates were chosen to attend the Peace Conference in Versailles. In April 1919 a President was elected and a Cabinet chosen. Griffith stood down in favour of de Valera who was beginning to acquire charisma and status, although the latter was in prison in England. Republican courts of justice were set up in the counties of Ireland and slowly these began to replace the British institutions.

When physical force was used later, it was important that the Volunteers and others derived genuine legitimacy by acting as the Army of an elected government rather than a paramilitary force.

Michael Collins, who was becoming chief fixer, organised the escape of de Valera from Lincoln prison.

Chapter 22.

The British banned the Dail and set about arresting nationalists. The cabinet ministers went into hiding. Collins had been made Director of Intelligence. Now he turned out to be a spymaster and guerrilla organiser of genius. O’Connor makes his recurring point that the strategy Collins developed went on to be copied by independence movements around the globe.

Collins knew they couldn’t fight the British soldier for soldier. But imperial rule rested on a network of spies and he could kill these spies. He got his own men on the inside of Dublin Castle and access to government files. He drew up lists of informers, and then he created a cadre of cold-hearted killers who began a campaign of targets assassinations starting in July 1919.

I noted that O’Connor mentioned when he had personal connections with various figures in the story. Now these become more frequent. He appears to have interviewed quite a few of these informers and assassins (Bill Stapleton, Joe Dolan) who give him vivid descriptions of actual assassinations they took part in.

The squad operated out of a decorators’ shop in Abbey Street. It’s difficult to credit, hard to believe, that this gang of assassins operated just a few minutes’ walk from Dublin Castle, the centre of the British police effort. How?

Chapter 23. The IRA in the countryside

At some point the Irish Volunteers morphed into the Irish Republican Army although, apparently, it’s difficult to pinpoint exactly when. O’Connor describes the spread of volunteers through towns around Ireland. Often these were dominated by Big Houses and/or British Army barracks, along with schools, Protestant churches and so on.

As so often, the authorities found it difficult to deal with an enemy which was part of the local population, appeared suddenly to assassinate someone or blow something up, then melted back into the general population. Also they knew the country better than the occupier, and where to hide out.

The strategy of ambushing British Army troops, convoys and so on, sometimes throwing grenades, sometimes mining roads, followed by rifle fusillades. The Brits called it ‘ditch murder’, but in his internationalist mode. O’ Connor points out how it went on to be copied by Mao Tse Tung, Tito, General Guap, Che Guevara and many others (p.140).

These attacks continued through 1920, with sometimes large-scaled engagements leaving 10 to 20 British soldiers dead. It was a real guerrilla war On Easter Sunday 1920 these flying squads set fire to 100 Inland Revenue buildings and 350 empty police stations.

Inevitably the British retaliated with a heavy hand. If a police station was attacked, neighbouring houses were to be burned down. Hunger strikers were to be helped to die. This not only embittered local populations but led to widespread resignations by Irishmen from the Royal Irish Constabulary.

Chapter 24. The Black and Tans

Many servicemen demobilised after the Great War were still unemployed. The British government launched a recruitment drive and many signed up to go and serve in Ireland. There was a shortage of uniforms so they were given dark green tunics and khaki trousers. So the locals nicknamed the Black and Tans. The first arrived in Ireland in March 1920. A few months later they were joined by Auxiliaries, ex-Army officers paid £7 a week. They were given licence to embark on savage, undisciplined reprisals .

Every media outlet was soon condemning their activities which came to be described as a terror campaign. They arrived in force in a town, made all the inhabitants assemble in the street, humiliated and beat them, set some houses on fire, occasionally bayoneted or shot anyone who resisted, then drove off leaving generations of bitterness behind them. Stupid stupid stupid.

The worst burning was in Cork where the Black and Tans went berserk, burning down key buildings including the City Hall. For weeks after they suspended burned corks from their hats. Who authorised this? Whose bright idea was this?

O’Connor gives a particular anecdote. On 15 December 1920 Canon Magnar of Dunmanway County Cork was in the street talking to a man. A lorryload of Auxies drew up, some jumped out, and shot the man dead. When the Canon protested, he was shot dead too.

O’Connor notes how they often destroyed local dairies and creameries in an effort to destroy local economies, prompting a letter of protest from AE who had spent many years setting up dairy co-operatives precisely to support locals. O’Connor quotes Yeats’ poem Nineteen nineteen:

Now days are dragon-ridden, the nightmare
Rides upon sleep: a drunken soldiery
Can leave the mother, murdered at her door,
To crawl in her own blood, and go scot-free;
The night can sweat with terror as before
We pieced our thoughts into philosophy,
And planned to bring the world under a rule,
Who are but weasels fighting in a hole.

Chapter 25. de Valera

Back in June 1919 de Valera was smuggled onto a ship to New York. Here he held press conferences as the spokesman of the new (not yet existent) republic. New York, Boston, Chicago, San Francisco, he spread the word in a calm and dignified manner, boosting his own profile in the process. He took a financier with him and together they raised over a million dollars by the time he returned in January 1921.

Meanwhile the Dail continued to set up an alternative governance infrastructure with land courts, district courts etc, complete with lawyers and judges. People stopped using the British courts and used the nationalist ones. O’Connor quotes landowners and senior figures praising the new regime for its fairness and efficiency.

As usual, O’Connor internationalises it to say that just these tactics would be used in other colonies under the phrase ‘civil disobedience’ (p.152).

Chapter 26. Michael Collins

By the autumn of 1920 Dublin was under curfew. Lorries of soldiers patrolled the streets, with wire netting so grenades thrown at them bounced off. Houses were subject to random searches and maybe burning by the Black and Tans and citizens hauled off to prison. A police state. Officials and Auxies were assassinated in the streets. The press had uniformly turned against the government.

Meanwhile Michael Collins held four portfolios within the unofficial government and maintained an intricate network of spies, informers and assassination squads. He kept scrupulous records and accounts which O’Connor has perused.

The government put a bounty of £10,000 on his head but, incredibly, he remained not only at liberty but calmly cycled around central Dublin between his various offices. One of Collins’s key spies in Dublin Castle, Eamonn Broy, personally told O’Connor of some of his escapades with Collins.

O’Connor gives a brief impressionistic pen portrait, admiring Collins’s meticulous way with figures and accounting, his head rammed with facts and details which helped him make intelligence connections, his absolute cold-bloodedness when it came to assassinations, his courage in facing out numerous dicey situations and, alongside, what O’Connor sees as a typically Irish strain of romantic patriotism (he spends a page attributing the same thing to Casement, earlier).

Chapter 27. Martyrs

25 October 1920 Terence MacSwiney, Lord Mayor of Cork, died after a prolonged hunger strike in Brixton Prison. His lingering death was given international coverage, along with his claims for Irish freedom. He had actually written a play about a nationalist hunger striker but here, as elsewhere, O’Connor says the British authorities didn’t pay enough attention to Irish poetry, plays and literature. Here’s just one example of O’Connor’s personal and ripe prose style.

As with the death of Thomas Ashe, a shudder ran through the Nation’s being. (p.160)

If you wanted objective history, O’Connor is not your man. Facts yes, but also plenty of melodrama, passion, bitterness and romanticisation, along with quite a few personal confidences from eye witnesses, that’s what this brief book provides.

MacSweeney was afforded a magnificent funeral at Southwark cathedral in London. Sir John Lavery made this preparatory sketch for a large-scale painting.

Sketch for the Funeral of Terence MacSwiney, Lord Mayor of Cork, at Southwark cathedral by Sir John Lavery (1920)

On 1 November good looking, 18-year-old medical student Keven Barry was hanged for his involvement in an ambush in which a British soldier was killed. According to O’Connor his name became a symbol around the world, and:

There are few places in the English-speaking world where ‘Keven Barry’ is not sung. (p.162)

I’d never heard of it till I read this book. 1) Times change 2) it’s a typical example of O’Connor’s chauvinism, which I use to mean ‘excessive or prejudiced support for one’s own cause or group’, which crops up throughout the book. I don’t really mean that in a bad sense – just to mean that he is very strongly biased indeed.

Yeats had been booked to debate at the Oxford Union and apparently walked up and down the central aisle railing against the British government’s stupidity and mismanagement. A.E. lobbied Lord Northcliffe to get his American newspapers to print opinion pieces decrying British atrocities in Ireland. What with this and de Valera and their own anti-British history, American opinion swung behind the nationalists. It played an important part in negotiations between Britain and Ireland as it was to do for the rest of the century.

O’Connor quotes a very effective letter from Yeats to the Times saying the British spent the entire Great War railing against Germany’s atrocities against civilians in Belgium and philistine burning of cultural centres and now they were doing exactly the same in Ireland.

Chapter 28. The Cairo gang

Set up by Sir Henry Wilson in autumn 1920 to identify and assassinate all key Sinn Fein and IRA personnel. In one night one of these death squads murdered the current and former Lord Mayor of Limerick. The latter was Alderman George Clancy who had been a close friend of James Joyce and appears in ‘A Portrait of the Artist as a Young Man’ as Davin, the peasant nationalist.

Collins used his intelligence network to identify members of the Cairo gang. O’Connor spoke with General Richard Mulcahy, Chief of Staff of the IRA, who is forthright about the need to destroy the death squads. So after much planning, Collins launched Black Sunday, when his death squads assassinated their death squads. 9am on the morning of 21 November 1920. A total of 14 British spies were executed.

O’Connor gives several pages detailed descriptions of men kicking in doors, shooting unarmed men in the back, as they nipped out of windows, taking them to a cellar and shooting them in the side of the head, the British torturing captives.

Lieutenant Aimes and Bennet were pulled out of bed by a group of armed men, placed standing together, both were then shot.

Some of the men refused to come out and were shot in bed. Others came to the door and were shot as they opened it. Two agents were shot on the landing, the stairs were covered in blood.

Flanagan took four Englishmen down to the cellar and after asking their names, shot them in the side of the head.

[Ordered to track down an Irishman identified as a snitch, Bill Stapleton tells O’Connor] We found him in a pub, a big burly man. He blustered at first: then we took him out and shot him.

O’Connor and other nationalists see this as the price of freedom. I see it as the inevitable outcome of the ethnic nationalist way of thinking. Compare the similar accounts I’ve summarised of the civil wars in Yugoslavia or the chaos in Iraq: perfectly decent educated men convinced that in order to make a better world they have to torture and execute other unarmed men, sometimes women, and burn their houses down.

In retaliation for the Bloody Sunday assassinations, later the same day a detachment of Black and Tans drove to Croke Park Sports ground where a Gaelic football match was in progress. They set up a machine gun and started firing into the panic-stricken crowd. A drunk Black and Tan lined up both teams and was going to execute them all until a sober regular British Army officer intervened.

And there are people who still insist that humanity is a rational creature.

O’Connor suggests Bloody Sunday was the day British rule broke in Ireland, although I thought he said the same about the introduction of conscription in 1917. Maybe it broke repeatedly. As I’ve said, O’Connor links Ireland to the independence struggles of other British colonies.

Not only was Bloody Sunday to mark the end of Britain’s rule in the greater part of Ireland, it was to be the beginning of the break-up of British rule throughout the Empire.

In Kenya, in Cyprus, in Egypt, Palestine and Burma, for the next forty years, guerrilla leaders were to claim Collins as their prototype and adapt the strategy he had designed for evacuating the colonial power. (p.175)

What beggars belief is that Collins organised the funeral of his friend Dick McKee who the British had tortured to death to get information about Collins’s operation, and attended the funeral in person, even though the entire British operation in Ireland was obsessed with finding and arresting him. How was that possible?

Epilogue

The last four pages of O’Connor’s book give a very brisk account of the peace talks which led to the Treaty and then the intense civil war between pro and anti-treaty Irish forces which followed, in which Collins himself (pro-treaty) was killed by anti-treaty forces.

He jumps to January 1922 when the British flag was taken down over Dublin Castle and the last troops marched down to the quay to take ship back to England. Negotiations had taken place from September to December 1921 and a treaty signed with the Dail in January 1922. The 6 northern counties were excluded although everyone expected them to join the Irish Free State within a few years. Civil war broke out between pro and anti treaty nationalists and lasted till May 1922. Griffith died of a stroke. W.T. Cosgrave became the independent nation’s first president.

A Senate was formed which at Griffith’s suggestion reached out to specifically invite the Protestant landed gentry. The new nation had to include everyone. W.B. Yeats was nominated and given the job of designing the states new coinage.

1927: De Valera had been anti the treaty but in 1927 was persuaded to attend the Dail.

1932: Five years later the party he created, known as Fianna Fail, won the 1932 general election.

1937: De Valera set about removing the last vestiges of British rule, in 1937 passing a new constitution.

1938: De Valera persuaded the British government to evacuate its three treaty ports.

1939-45: Thus cleansed of British presence it was easy for the Irish Free State to maintain independence in the war against Nazi Germany. So many Irishmen had died defending the Empire which treated them so poorly in 1914-18.

1948: Fianna Fail lost the general election but the new coalition government promptly removed Ireland from the Commonwealth. Non serviam.

In a throwaway last page, he says the tragic legacy of Northern Ireland was a result of Carson and his ilk refusing to accept the home rule movement and being prepared to go to war to preserve their economic and social status. If only they had thrown in their lot with the nationalists, together they could have forced the British government to give independence 1) much earlier and 2) on more inclusive terms to include the Ulster Protestants. Instead they insisted on holing up in their ghetto which, at the time of O’Connor’s writing (1975) was in chaos.

Thoughts

England’s crimes

It goes without saying that it makes me ashamed to be English to read (yet again) the litany of exploitation, repression, spying, corruption and naked violence with which the English mismanaged Ireland for centuries. But a few other thoughts as well:

History is written by the winners

They say history is written by the victors. The irony here is that the victors were the Irish nationalists who won their free state, with the result that thousands of books, papers, presentations, school syllabuses, TV series and movies have been made about Ireland’s heroic struggle for independence, and not least the dramatic events surrounding the Easter Rising. Supported by latterday English progressives, in the same way that we English now retrospectively (and safely) root for the independence movements in India, Kenya and scores of other places, taking a masochistic pleasure in seeing our own men shot and blown up and our own government covered in ignominy.

What about the losers? With no motive except idle curiosity I went looking to see if there are any books about the Ulster Volunteers and discovered there appear to be just three in print: Carson’s Army, a boringly specialised one about the precise configuration, training etc of the UVF; Friends in High Places; and Ulster will Fight, a series of three books which are prohibitively expensive and aren’t stocked by my London library. Of accounts of the Easter Rising and the long centuries of struggle behind it, there will be no end, as a proud nation promotes itself and mythologisers line up to retell the romantic story. Of the much less glamorous but in its way just as important obstinacy of the Ulster Protestants, very little. They’ll always be the ugly sisters in the fairy tale.

(An impression confirmed by contemporary historian Charles Townshend in his recent book ‘The Partition’ (2021) where he mentions ‘the dearth of significant historical studies of Ulster, certainly in comparison with the plethora of nationalist histories of Ireland (p.265).)

Nationalism

As I’ve read my way across the history of the nineteenth century I’ve come to think of nationalism as a mental virus, like something out of a zombie movie. It spreads across entire nations converting everyone to the belief that they must be ‘free’, no matter how much pain is caused and blood is shed in the process. The problem is that forging a nationalist identity almost instantly requires identifying the enemies within, the protestants or Jews or Roma or Muslims who are tainting ‘the purity of the Nation’.

Nationalism gave birth to the utter catastrophes of the 20th century, to the Great War and the collapse of empires which followed it, and led to the rise of fascism and its turbo-charged mission to liquidate the enemies of the People, all of which led up to the catastrophic Second World War.

The fever of nationalism spread far and wide as scores of imperial colonies fought for their freedom and independence: Israel, the partition of India, the long struggles in Algeria or Malaya or Kenya or Vietnam to name obvious ones.

In the 1970s the struggle of self-defined communities to be free led to ruinous civil wars in Cyprus and Lebanon and countless African nations.

And then after the long freeze of the Cold War, ethnic nationalism led to disasters in Rwanda and the Yugoslav civil wars. Then in this century the rise of ISIS in post-war Iraq, the Arab Spring which led to the ruinous Syrian civil war, and now here we are in 2026 with bloody rebellion in Iran, Israel’s brutal suppression of Palestine, the triumph of the Taliban in Afghanistan and the resurgence of ISIS in Syria. My barbers in south London are all Iraqi Kurds. For as long as I’ve been getting my hair cut there I’ve listened to them giving me the latest on their small nation’s struggle to be free.

Everywhere peoples conceiving of themselves as a nation which needs to be free, or needs to expel the enemy within (as in contemporary Myanmar needs to eliminate its Muslim Rohynga minority). There has been no end of young nationalist zealots who are prepared to die for the Fatherland and take quite a few people along with them.

Irish independence was no doubt a righteous cause, the repressive and incompetent rule of the pompous British needed to be overthrown, and the Irish patriots’ struggle for freedom is no doubt inspiring when viewed from the patriotic angle.

But read now, in 2026, after a century of any-level-of-violence-is-justified-to-free-my-people nationalism, and the hecatombs of atrocities it has inspired, a big part of my response to all of these stories is a shiver of horror at humanity’s utter inability to manage itself.

Now more than ever, Stephen Dedalus’s cry, ‘History is a nightmare from which I am trying to awake’, rings true.


Credit

‘A Terrible Beauty is Born’ by Ulick O’Connor was published by Hamish Hamilton in 1975.

Related reviews

Mrs Dalloway by Virginia Woolf (1925)

Why did she suddenly feel, for no reason that she could discover, desperately unhappy?

‘Mrs Dalloway’ feels like a significantly better, fuller, more complete and significant novel than ‘Jacob’s Room’. But maybe that’s because it’s much more traditional and easier to read.

I powerfully disliked ‘Jacob’s Room’ because it felt, to me, packed with barely contained unhappiness and occasional hysteria, which I found badly triggering i.e. triggered the same feelings in me. ‘Mrs Dalloway’ contains some of the same technical tricks as Jacob, but feels much, much more contained and controlled and accessible.

Continuities between Jacob and this include:

  • it’s set in London with an obsessive attention to the precise geography of the city and the exact routes taken by the main protagonists
  • a large cast of secondary characters, often passersby or people just on the streets or parks or shops of London who the main characters momentarily notice, who pop up for a brief mention then disappear forever
  • unexpected segues or jumps between scenes which neither begin nor end in a conventional way

But what makes it significantly easier than Jacob, is 1) there are far fewer lead characters, just 4 or 5 and 2) we get to know them in much, much more detail than in Jacob. Jacob went out of its way to omit any explanation of characters’ backgrounds and relationships to each other, leaving the reader in a permanent sense of frustration and bewilderment. Its extreme fragmentation and continual hopping about from one fragmented scene to another was its main artistic aim. By contrast, in ‘Dalloway’ there’s just a handful of characters and everything about their backstories is explained at great length. We get to know and walk around the characters. In this respect it is a far more conventional, ‘ordinary’ and accessible novel than its predecessor.

Main cast

The action of the novel follows one day in the life of its characters, a Wednesday in June 1923. Each of the main characters has some business to carry out and so the novel follows them going about their tasks, lightly jumping from one to another.

1. Mrs Clarissa Dalloway

Wife of Richard Dalloway, a Conservative MP. Just entering her 52nd year. Has a daughter, Elizabeth, 17 and serious. Lives in a lovely town house in Mayfair, complete with maids etc, notably Lucy. Was raised in a country house, Bourton, in Gloucestershire. When her father, old Mr Parry, Justin Parry, died, the house went to her brother, Herbert. A neighbour sees:

A charming woman, Scrope Purvis thought her (knowing her as one does know people who live next door to one in Westminster); a touch of the bird about her, of the jay, blue-green, light, vivacious, though she was over fifty, and grown very white since her illness. (p.2)

Mrs Kilman sees:

her small pink face, her delicate body, her air of freshness and fashion

She thinks of herself as having:

a narrow pea-stick figure; a ridiculous little face, beaked like a bird’s. That she held herself well was true; and had nice hands and feet; and dressed well, considering that she spent little. But often now this body she wore (she stopped to look at a Dutch picture), this body, with all its capacities, seemed nothing — nothing at all. She had the oddest sense of being herself invisible; unseen; unknown… (p.7)

When a wave of depression flows over her at not being invited to Lady Brunton’s, she feels ‘herself suddenly shrivelled, aged, breastless’ (p.26). She is essentially talentless: she has no gift for writing or talking, can’t play the piano, doesn’t follow her husband’s political campaigns, is astonishingly ignorant (she doesn’t know what the equator is) (p.107).

She knew nothing; no language, no history; she scarcely read a book now, except memoirs in bed…

Not that she was striking; not beautiful at all; there was nothing picturesque about her; she never said anything specially clever… (p.66)

She has the frigid anti-passion of her class and gender and especially of her author (I say this having read Victoria Glendinning’s biography of Leonard Woolf which shows that theirs was a sexless marriage, probably never consummated, because Virginia became hysterical every time the subject of sex was even raised, let alone moved towards.) ‘Horrible passion! she thought. Degrading passion!’ Her main activity in life is bringing disparate people together at her parties. She really enjoys doing this and enjoys her life.

In people’s eyes, in the swing, tramp, and trudge; in the bellow and the uproar; the carriages, motor cars, omnibuses, vans, sandwich men shuffling and swinging; brass bands; barrel organs; in the triumph and the jingle and the strange high singing of some aeroplane overhead was what she loved; life; London; this moment of June. (p.2)

How unbelievable death was! — that it must end; and no one in the whole world would know how she had loved it all!

Bravo to Woolf for not making her heroine a writer, poet, painter etc but a fairly ordinary upper-middle-class woman with few if any talents. She is therefore (in an admittedly narrow, upper class way) a sort of everywoman.

Task: Clarissa is organising things for a big party she’s hosting that evening.

2. Richard Dalloway

Clarissa’s husband is a conscientious Conservative MP, not top drawer material, never likely to make the Cabinet.

He was a thorough good sort; a bit limited; a bit thick in the head; yes; but a thorough good sort. Whatever he took up he did in the same matter-of-fact sensible way; without a touch of imagination, without a spark of brilliancy, but with the inexplicable niceness of his type. He ought to have been a country gentleman—he was wasted on politics. He was at his best out of doors, with horses and dog… (p.65)

He is invited to luncheon with Lady Bruton, along with their old friend, the pompous Hugh Whitbread.

3. Peter Walsh

Clarissa has known since a boy. He’s six months older than her. He was always unconventional, got kicked out of Oxford for being a Socialist. Back in the 1890s when they were young, he proposed to Clarissa who turned him down. Years later he returns from India (where he’s been for 5 years, 1918 to 1923) and turns up unannounced at the Dalloway house. He is back in London to organise a divorce from his wife because he has fallen in love with a major’s wife, Daisy, aged just 24 i.e. less than half his age. Foolish man.

Task: Walsh has an appointment to see the lawyers Messrs. Hooper and Grateley of Lincoln’s Inn about his divorce.

4. Septimus Warren Smith

The outsider, completely outside the network of Clarissa’s friends and family which mostly dominates the text. Septimus is aged about thirty, pale-faced, beak-nosed, wearing brown shoes and a shabby overcoat. He is a shell-shocked World War One veteran who talks to himself and threatens suicide to his terrified, long-suffering wife Lucrezia.

Task: at noon Septimus and Lucrezia have an appointment with the Harley Street nerve specialist Sir William Bradshaw.

Lucrezia Warren Smith

Long-suffering wife of Septimus. Looks after him all day and shepherds him to the Harley Street appointment, then back to their rented room.

Secondary characters

Sally Seton

Unconventional woman Clarissa fell in love with and kissed back in the 1890s (p.30). And turns up out of the blue at Clarissa’s party. And is changed utterly. Clarissa compares their youthful hijinks with the plump conventional woman she’s become.

She smoked cigars,… she ran down the passage to fetch her sponge bag, without a stitch of clothing on her, and Ellen Atkins asked, ‘What if the gentlemen had met her?’ But everybody forgave her. She stole a chicken from the larder because she was hungry in the night; she smoked cigars in her bedroom; she left a priceless book in the punt. But everybody adored her (except perhaps Papa). It was her warmth; her vitality — she would paint, she would write. Old women in the village never to this day forgot to ask after ‘your friend in the red cloak who seemed so bright.’ She accused Hugh Whitbread, of all people (and there he was, her old friend Hugh, talking to the Portuguese Ambassador), of kissing her in the smoking-room to punish her for saying that women should have votes. Vulgar men did, she said. And Clarissa remembered having to persuade her not to denounce him at family prayers — which she was capable of doing with her daring, her recklessness, her melodramatic love of being the centre of everything and creating scenes, and it was bound, Clarissa used to think, to end in some awful tragedy; her death; her martyrdom; instead of which she had married, quite unexpectedly, a bald man with a large buttonhole who owned, it was said, cotton mills at Manchester. And she had five boys! (p.161)

Aunt Helena

Old Mr Parry’s sister, so Clarissa’s aunt (p.28), now in her 80s and with one glass eye. A great traveller in India in the 1860s and a keen watercolorist of rare orchids (p.158).

Tertiary characters

Scrope Purvis – neighbour in Westminster.

Sir John Buckhurst – venerable judge, caught up in the traffic jam in Brook Street (p.13).

Dr Holmes – physician to Septimus Smith who insists there’s nothing physically wrong with him.

Large, fresh coloured, handsome, flicking his boots, looking in the glass, he brushed it all aside — headaches, sleeplessness, fears, dreams — nerve symptoms and nothing more, he said.

(Compare and contrast the physician who shows up to pronounce Leonard Bast dead at the end of E.M. Forster’s novel Howards End, and the useless doctor who misdiagnoses the daughter with terrible consequences in D.H. Lawrence’s story England, My England. Doctors generally get a bad rap in the fiction of this period.)

Mr Brewer – managing clerk at Sibleys and Arrowsmiths, auctioneers, valuers, land and estate agents, Septimus’s boss.

Lady Millicent Bruton – invites Richard Dalloway to lunch, but not Clarissa, upsetting her.

Miss Milly Brush (40) – Lady Bruton’s secretary, ‘knobbed, scraped, angular, and entirely without feminine charm’ (p.90).

Perkins – Lady Bruton’s servant (?) (p.91).

Miss Pym shop assistant at Mulberry’s the florists, hands always red (p.9).

Edgar J. Watkiss, a workman carrying a roll of lead piping round his arm (p.11).

Mrs Sarah Bletchley with her baby in her arms.

Mrs Emily Coates – passerby in Pall Mall.

Mr Bowley – appears in Jacob’s Room.

Maisie Johnson – freshly arrived from Edinburgh, encounters Septimus and Lucrezia in Regents Park.

Mrs. Dempster – worn-out old lady in Regents Park observes Maisie’s interaction with the Smiths.

The unknown young woman who Peter spots in Trafalgar Square, is suddenly infatuated with and follows north till she disappears into a house in Bloomsbury, leaving him feeling deflated.

The elderly nurse with a pram in Regent’s Park, sat knitting on the bench where Peter comes to rest and falls asleep.

Miss Isobel Pole – lectures about Shakespeare, Septimus attended and developed a crush on her, wrote her letters and poems and stalked her.

Mrs Filmer – older woman living in same boarding house as Septimus and Lucrezia.

Agnes the serving girl in the Smiths’ boarding house.

Sir William Bradshaw – Harley Street physician, calm recommender of a sense of proportion (p.87).

Lady William Bradshaw – wife, fusses about her son at Eton and her hobbies, namely:

Large dinner-parties every Thursday night to the profession; an occasional bazaar to be opened; Royalty greeted; too little time, alas, with her husband, whose work grew and grew; a boy doing well at Eton; she would have liked a daughter too; interests she had, however, in plenty; child welfare; the after-care of the epileptic, and photography… (p.80)

Doris Kilman – Kicked out of her school for her German ancestry during the war, Richard came across Miss Kilman and hired her as a history tutor for Elizabeth. Over 40, embarrassingly poor, ‘heavy, ugly, commonplace’, she had a mighty religious conversion 2 years and 3 months ago (109). Now when she comes Clarissa isn’t sure how much of their time is history and how much is religious zeal.

Rev. Edward Whittaker whose sermon converted Miss Kilman.

Mr Fletcher – retired, of the Treasury, ‘neat as a new pin’, worshipper in Westminster Abbey

Mrs Gorham – widow of the famous K.C., worshipper in Westminster Abbey

Mrs Burgess – a good sort and no chatterbox, who Peter confides in about his affair, advises that while he’s away in England, hopefully Daisy will come to her senses.

Old Joseph Breitkopf – a frequent guest at Bourton who liked singing Brahms but didn’t have any voice.

Events

‘Jacob’s Room’ was divided into 14 distinct chapters. ‘Mrs Dalloway’ doesn’t have any chapters or parts. From time to time there’s just a break in the text, which indicates a new scene or time:

10am

Mrs Dalloway is walking across Green Park towards the florists. She bumps into her old friend Hugh Whitbread. She walks along Piccadilly and into the shop window of Hatchards. She crosses into Bond Street and walks up to her florists, Mulberry’s. A car backfires in the street outside. Various passersby stop and notice. The road is blocked and we meet the shell-shocked war veteran Septimus Smith.

Ripple of excitement among passersby about who is inside the car (which has curtains over its windows), the Prime Minister, the Prince of Wales. The narrative takes us down the Mall to the crowd outside Buckingham Palace including, in Woolf’s usual manner, a clutch of casual bystanders who she bothers to name – shawled Moll Pratt with her flowers on the pavement, Mrs Emily Coates, Sarah Bletchley with babe in arms, little Mr Bowley.

All of them then witness something strange which is an airplane flying low over central London and emitting smoke as if writing letters in the air. In classic modernist confusion nobody can agree what the letters spell.

Cut to: Lucrezia sitting next to her depressed husband Septimus Smith in Regents Park. Her feelings of desperate loneliness now her husband is mad.

Maisie Johnson, a young woman freshly arrived from Edinburgh, asks them the way to Regents Park tube and thinks them a very strange couple. Mrs Dempster who has lunch in the park and feeds the squirrels observes their interaction. The plane eventually flies off, giving a few moments thought to a Mr Bentley mowing his lawn in Greenwich. A seedy-looking nondescript man carrying a leather bag hesitates at the entrance to St. Paul’s Cathedral. Woolf’s novels are packed with these inconsequential moments from random strangers’ lives. In fact she theorises it a bit, attributing this affinity with complete strangers to Clarissa:

Odd affinities she had with people she had never spoken to, some woman in the street, some man behind a counter… (p.135)

Presumably this flitting between snippets of random strangers’ lives was part of the modernism which discombobulated the book’s first readers. All I can say is I took it in my stride and enjoyed this bird’s eye overview of London and random people doing random activities. A hundred years later the technique is thoroughly assimilated.

Clarissa arrives home, discovers her husband has been invited to luncheon with Lady Millicent Bruton, and is jealous. This triggers a wave of memories, her childhood at the family home at Bourton, her wooing by Peter Walsh. But much more she remembers her close friendship with the unconventional Sally Seton which ended with the latter kissing her (p.30).

She is awoken from her revery when the doorbell rings and it’s Peter Walsh, out of the blue. They sit and reminisce. He tells her he’s come back to organise a divorce so he can marry a woman (unfortunately, herself married) Daisy.

Their conversation is just becoming personal, and Clarissa is allowing herself to feel something for this silly loveable man, when the door opens and her daughter, Elizabeth walks in. Walsh had been pacing up and down and now he simply says ‘Goodbye’ and leaves the room, and their densely emotional conversation simply ends.

Reeling, Peter walks along Victoria Street and into Whitehall where he sees a procession of Boy Scouts leaving memorials at the Cenotaph.

11.30am

He is in Trafalgar Square looking at the statues. In a peculiar passage, he sees an attractive woman crossing the road and ends up following her, trailing her, fantasising about starting a completely new life with her, across Piccadilly, up Regents Street, across Oxford Street, up Great Portland Street, and off into a side street where she goes into a house.

The fantasy bursts, and he continues up towards Regents Park, dawdles till he finds a park bench with a nurse sitting on it, knitting, sits down and slowly falls asleep. Starts snoring.

He wakes with a start and painfully remembers the stay at Bourton, in the early 1890s, when he declared his love to Clarissa and she not only rejected him but very visibly fell in love with another guest, simple dashing young Richard Dalloway.

These memories are interrupted when the little girl who’s with the nanny accidentally runs into Lucrezia as she walks miserably with her husband. This takes us into 4 or 5 pages describing Smith’s worsening mental illness, delusions of grandeur (the secrets of the universe), hearing voices, seeing his dead friend Evans in unexpected places.

Peter is now up and walk and walks past the miserable Smiths sitting on their park bench. He is reflecting on the ship journey back to England, being struck that women now openly apply face powder and lipstick, something nobody did in his day.

He remembers how much he dislikes Clarissa’s old friend Hugh Whitbread, an utterly conventional pompous ass who married the Right Honourable Evelyn someone and has a post at Court; how conventional Richard Dalloway is; his disapproval of Shakespeare’s Sonnets for being disreputable etc. How much he still likes Clarissa, her sense of life and comedy, her sense of duty, always running round helping people; how, now into his 50s, he just doesn’t need people any more.

Exiting the Park he hears and sees an ancient crone singing for money. She is a kind of pivot because we also see her through Lucrezia’s eyes and the narrative switches to describing Lucrezia’s story, how she met Septimus. He had fallen in love with the lecturer in Shakespeare, Miss Isabel Pole, working at Sibleys and Arrowsmiths, auctioneers, valuers, land and estate agents. He was one of the first to volunteer and served the full four years. He became very close to his officer, Evans, who was killed just before the Armistice. Now he hears Evans talking to him from behind trees and park benches.

The end of the war found Septimus in Milan, billetted with an innkeeper whose two daughters made hats. Lucrezia was the younger. They fell in love and married and came back to London, took rooms in Tottenham Court Road, and Septimus slowly became more (mentally) ill. He talks openly about killing himself and wonders how to do it most effectively.

Twelve noon (p.82)

The sound of Big Ben (which, I realise, tolls through the book on the hour, every hour). Septimus and Lucrezia have an appointment with Sir William Bradshaw, nerve specialist, in Harley Street. Woolf mocks Bradshaw and his pathetically inadequate advice to Septimus to cultivate a proper sense of ‘proportion’. To achieve this, Bradshaw says he’ll arrange for Septimus to be sent to a rest home, a care home (nobody uses the word asylum). Although presented sweetly, this obviously has a coercive element and leads onto a peculiar couple of pages where Woolf claims that, the (pathetically inadequate) concept of ‘proportion’ is accompanied by a ‘sister’ concept, ‘Conversion’. This is obscure but seems to refer to compulsion, to forcing his patients to acquiesce in his diagnoses, with the implication that he will be forced to go to this home (asylum). This sense of being forced against his will, plays a crucial role in the climax of Septimus’s story.

Like all contemporary physicians, Bradshaw knows nothing about the workings of the brain and central nervous system.

One thirty (p.90)

According to a clock in nearby Oxford Street where is walking Hugh Whitbread, 55, respected holder of a position at Court, ‘unbearably pompous’. He, too, has been invited to luncheon with Lady Bruton and arrives on the doorstep of her house in Brook Street at the same moment as Richard Dalloway.

She talks of this and that and mentions that Peter Walsh is back in England. But it turns out she has invited them both there simply because she needs their help writing a letter to The Times about her hobby horse, encouraging the emigration of the ‘surplus population’ to the colonies, specifically Canada. Hugh is a gluttonous creep in many respects but in this, writing formal letters in the style of the Establishment, he is outstanding and does a great job, developing and refining it at Lady Bruton’s instructions. Then lunch is over and the two men depart.

But a wind is blowing up Brook Street and for some indefinable reason they find it difficult to part and end up together going into a jewellers’s shop where Hugh buys a necklace for his wife, Evelyn. Talk of Peter Walsh has reminded him of his wooing of Clarissa and suddenly he wants to buy her a present. Lacking judgement of jewellery, in the blink of an eye he has bought some red and white roses and strides through Green Park towards their house, intending to give them to her and tell her he loves her.

Scholars think the Dalloways live in Great College Street, Westminster, though this is nowhere made explicit.

3pm (p.103)

Big Ben sounds the hour as Dalloway enters his house, surprising Clarissa. He gives her the roses but can’t quite bring himself to tell her he loves her. He quickly leaves to attend a committee, concerned with Armenian survivors of the genocide though Clarissa, characteristically, can’t remember whether it’s Armenians or Albanians.

Miss Kilman emerges from being cloistered with Elizabeth. She was hired as a history tutor for Elizabeth but during the war had a religious conversion. We get the story of her conversion. Now she and Elizabeth emerge to go shopping. There is a momentary standoff between Clarissa and Miss Kilman which Clarissa ends by laughing. They exit.

3.30pm (p.112)

Clarissa watches the old lady opposite laboriously climb her stairs and thinks that, that is life.

Meanwhile, Mrs Kilman is infuriated beyond measure by the way Mrs Dalloway laughed at her, seething with hatred for her dim, philistine privilege. She and Elizabeth go to the Army and Navy Story (to buy a petticoat) and then have tea and a chocolate eclair. Woolf gives us Miss Kilman’s thoughts which are almost as demented as Septimus’s in her seething anger at being ugly and poor and clumsy.

Miss Kilman goes into Westminster Abbey to share her misery with God and some other sniffling worshippers. Elizabeth, 17, loves being out in the busy streets and takes a bus down the Strand, across into Fleet Street and bravely ventures towards St Paul’s Cathedral, all the way thinking a confused, immature 17-year-old girl’s thoughts about what she might do when she grows up.

The passing backwards and forwards of omnibuses is a link to the Smiths, Septimus lying on the sofa in their lodgings while Lucrezia tries to fix a hat at their table, a hat for Mrs Filmers’ married daughter, Mrs Peters. For half an hour he comes out of his madness and actively helps Rezia design the little hat and she is deliriously happy but then Mrs Filmer’s grand-daughter arrives to deliver the paper, and Rezia gives her a sweet then accompanies her back to her flat, leaving Septimus by himself, and he has tremors of relapse.

When she comes back he suggests she gets out all his mad writings, the letters and poems and diagrams and drawings, and burns them all, but she wants to keep them, sorts them and ties them with string.

At this point the indefatigable Dr Holmes arrives downstairs and Rezia runs down to head him off but he insists on blundering up to see his ‘perfectly well’ patient, which triggers a panic attack. Because Septimus associates the doctors with Sr William’s air of polite coercion, of being confined to an asylum.

So as soon as hears Holmes’s voice, Septimus quickly considers various methods of suicide and, as Dr Holmes enters the room, throws himself out the window and down onto the area railings. So that he is impaled on the railings. Yuk.

What happens next is odd because instead of having hysterics, Rezia is given a sweet drink by the doctor and feels relaxed and has happy visions, presumably a powerful tranquilliser. And it isn’t made clear whether Septimus is dead or badly or lightly injured. Mystery.

The ambulance carrying Septimus whizzes past Peter Walsh out walking and he’s struck by how civilised the notion of the traffic pulling aside to let is pass is, after the chaos of the Orient (i.e. India). Peter reacts a bit deliriously, with a hint of the Woolf madness, which is disguised as his temperamental over-susceptibility.

6pm (p.137)

Peter arrives back at his hotel, a sad sterile place, his mind awash with memories of Clarissa on his many visits to Bourton. He is upset when these fantasies are punctured by a one-line note she’s had sent round which simply says ‘Heavenly to see you!’ So conventional, so middle-aged and disappointing. And he reflects on his affair with Daisy, her mad love for him, his jealousy, the whole thing utterly inappropriate and disreputable, as he gets dressed for Clarissa’s party. No wonder she married Richard.

He goes down to the hotel dining room where he is shy and sits at a table by himself. After dinner he gets into conversation with the Morris family, being old Mr Morris, young Charles Morris, Mrs Morris and Miss Elaine Morris.

Evening falls over the city. Peter realises he’ll go to the party simply because he wants a gossip and to hear the latest talk about the future of India. As night falls the streets light up and fill with lively young people. Peter prides himself at not being at the Oriental Club surrounded by harrumphing old bloaters, but sitting on a cane chair outside his hotel near the Tottenham Court Road enjoying the sense of youth and possibility.

He pays a penny for an evening paper, reads the cricket scores, then leaves it on the table and sets off walking through Bloomsbury, heading south and west to Westminster and a lovely description of people stepping out their houses and into cabs, of windows lighting up, the sound of gramophones through windows on this hot June evening, till he arrives at Clarissa’s house and braces himself.

The servants, Lucy bustling about front of house and Mrs Walker, the very harassed cook and old Mrs Barnett, Ellen Barnett, helping the grand ladies off with their cloaks. Mr Wilkins a sort of butler/announcer, hired specially for parties.

Clarissa is terrified that the party is not going well, people are not mingling, are standing around tutting about the draught (Peter desperately wishes he hadn’t come, he knows nobody). But then more guests arrive and it starts to go. Clarissa stands at the main door to the drawing room greeting them all as they’re announced by Wilkins. Lady Bruton has come and Clarissa is genuinely relieved. Then she is amazed that Sally Seton has gatecrashed, happened to be in London, heard about it etc. She is now Lady Rosseter with five strapping sons!

And then the Prime Minister, an amusingly non-descript little man. Peter Walsh, an outsider from India, is appalled at the snobbery of the English, and then amused to see pompous Hugh Whitbread dancing attendance like a toady. And then he is touched with how old but gracious Clarissa looks in her green dress, effortlessly managing her guests. And there’s pages of her dealing with each of these guests, maybe based on real people (?), certainly an interesting variety.

Coincidentally (it’s a small world; well it’s a big world actually, but fiction is a small world) Sir William Bradshaw arrives, with his wife. He’s the pompously expensive nerve doctor who was so fundamentally useless to Septimus, and who Lucrezia was so relieved to escape. Interestingly, Clarissa once went to him with a problem and had the same experience, being impressed by his tone and dignity, but everso relieved to escape back out onto the street. Lady B explains they are late because they were just leaving when someone rang up Sir William to tell him a sad case of his had just killed himself (p.162).

Aha. So Septimus succeeded in killing himself. I was wondering whether I’d have to look it up on the internet to find out what happened (as I had to Google it to find out what happened at the end of ‘Jacob’s Room’).

News of this death affects her badly and Clarissa withdraws into a little side room. She feels it has a special message, is meant as an act of defiance. (Surely in this we can hear Woolf defending madness and suicidal ideations as something more than just illness, but a rebellion, a defiance, suicide as a kind of treasure).

And Clarissa’s response is to find Sr William somehow, obscurely, evil. When she met him professionally she felt the evil of compulsion in him, forcing his patients at their most vulnerable time. It awakens in her a deep terror:

Then (she had felt it only this morning) there was the terror; the overwhelming incapacity, one’s parents giving it into one’s hands, this life, to be lived to the end, to be walked with serenely; there was in the depths of her heart an awful fear.

Because:

Somehow it was her disaster — her disgrace. It was her punishment… She felt somehow very like him — the young man who had killed himself. She felt glad that he had done it; thrown it away. (p.165)

Mad though this sounds, I know exactly what she means. It feels profoundly true.

Meanwhile Sally and Peter sit together and have a long chat about old times. He is 53, she is 55. This I found very moving because I’m about their age and at parties have sat and talked to friends I met at university when we were 20 and full of dreams and now look at each other, grey and middle-aged and worried about our children. That feeling comes over very well indeed.

And Peter confides that he never got over his love for Clarissa, the rest of his life was a throwing-himself-away. Sally sympathises and insists she comes to stay with him in her huge house in Manchester and meet her husband, a vastly wealthy mine owner who started out a working man himself and brought himself up by his shoestraps.

And they both watch young Elizabeth, looking radiant, walk over to her doting father who tells her how beautiful she is. Sally says she’s getting up to go and talk to them. And then the novel ends on a kind of bombshell, which I shall quote in its entirety. Sally leaves him and:

‘I will come,’ said Peter, but he sat on for a moment. What is this terror? what is this ecstasy? he thought to himself. What is it that fills me with extraordinary excitement?
It is Clarissa, he said.
For there she was.

Nothing will happen between them, we know too much about them to sentimentally think that. But it is like colour in the composition of a painting. It ends on a tremendous upbeat of something we have come to realise is much more potent than love or memory, something much deeper.

It really is about as beautiful and moving as a novel can possibly be.

Thoughts

1. ‘Mrs Dalloway’ is not at all the avant-garde, modernist text I’d been led to believe, but a remarkably conventional, normal novel, easy to read and understand.

2. Mrs Dalloway is a posh, upper-class wife of a Conservative MP, a classic lady who lunches, it’s not clear that she’s ever done a day’s work in her life, just orders around her servants and suppliers. As such she has 0% of my sympathy. My sympathies are always with people who work for a living and not the parasitic upper classes which throng so much classic bourgeois fiction. But not having much sympathy for her doesn’t at all prevent me from appreciating the craft and beauty of the novel.

3. As you know I had a severe abreaction to Jacob’s Room, a book which gave me a powerful sense of mental illness barely controlled. It is symptomatic of this book’s greater sense of control and order that the mental illness is still there but has been channelled into just one character, isolated and delimited, as it were. Still that figure is a major player, the opposite pole to Clarissa, Septimus Smith. Into this character Woolf was able to pour all her demons, the voices talking in her head, and the calm and practical planning how to kill yourself.

The whole world was clamouring: Kill yourself, kill yourself, for our sakes. But why should he kill himself for their sakes? Food was pleasant; the sun hot; and this killing oneself, how does one set about it, with a table knife, uglily, with floods of blood — by sucking a gaspipe? He was too weak; he could scarcely raise his hand. Besides, now that he was quite alone, condemned, deserted, as those who are about to die are alone, there was a luxury in it, an isolation full of sublimity; a freedom which the attached can never know. Holmes had won of course; the brute with the red nostrils had won. But even Holmes himself could not touch this last relic straying on the edge of the world, this outcast, who gazed back at the inhabited regions, who lay, like a drowned sailor, on the shore of the world.

A note in the Oxford University Press edition of ‘Mrs Dalloway’ tells me that Woolf suffered mental collapses in 1895, 1904 and 1913 to 1915; that she tried to kill herself in 1895 (aged 13) and again in 1913 (aged 31). In 1922 when she felt another attack coming on, she went to see a Harley Street specialist who was, predictably, useless.

So the novel dramatises her two states – being a posh sensitive woman in London, and being mentally ill unto making practical plans to commit suicide – in its two central characters. It is a bipolar book.

And the two halves are brought together in the climactic party in a very complex, moving, disturbing, but sympathetic way, as Clarissa sorts through her complex response to Lady William’s mention of Septimus’s suicide. It is really a wonderfully complex working of a stricken subject and her horrible experiences into a beautiful work of art.


Credit

‘Mrs Dalloway’ by Virginia Woolf was first published by the Hogarth Press in May 1925. References are to the 2004 Vintage paperback edition.

Related links

The Virginia Woolf Society holds a DallowayDay event on the Saturday before or after the third Wednesday in June.

Related reviews

St Mawr by D.H. Lawrence (1925)

St Mawr isn’t a place or a person, it’s the name of a horse, a great bay stallion, high spirited, dark and dangerous, whose image and personality dominate the narrative.

The story is set in 1923 (p.126). St Mawr is purchased by Mrs Witt, a rootless, wandering American millionaire widow (life story summarised on page 102), for her son-in-law Rico (real name Henry Carrington). She buys the horse for him so that he can join her and her daughter, Rico’s wife, Louise (Lou), on their rides along Rotten Row in London’s Hyde Park as part of London’s horse-riding upper class. Lou is American by passport but was sent to posh private schools across Europe with the result that she knows Rome better than any American city.

Louisiana family, moved down to Texas. And she was moderately rich, with no close relation except her mother. But she had been sent to school in France when she was twelve, and since she had finished school, she had drifted from Paris to Palermo, Biarritz to Vienna and back via Munich to London, then down again to Rome. Only fleeting trips to her America.

Rico is an Australian, son of a government official in Melbourne, who had been made a baronet. When his father dies, Rico becomes Sir Henry Carrington. Lou and Rico meet and fall in love in Italy, separate, their paths cross again at the resorts of the international rich. They make a handsome pair and so, despite misgivings, marry, and she becomes Lady Carrington, and they settle in a little house in Westminster (maybe not far from the town house of Virginia Woolf’s Clarissa Dalloway). In other words, they belong to the privileged international jet set of the 1920s.

Satire

Lawrence starts out deeply satirising them. Mrs Witt is an ungrateful monster who hates every city she settles in (Rome, Paris, London) while Lou is portrayed as wilful and spoilt. But Lawrence’s greatest scorn is reserved for Rico because he is the type of privileged but talentless ‘artist’ who infested the international scene (and, I imagine, still does) and which Lawrence loathed.

He and Lou manage to become ‘fashionable’ in London, although his painting never does. It is symptomatic that a relatively short time into their marriage, Lawrence tells us the couple stop having sex, it’s just too exhausting! Now for Lawrence sex is an indicator of a person consummating themselves, their lives, and so the couple’s sexlessness indicates their sterility.

So that’s how it starts off. However, as the narrative progresses, against the odds, the two American women, Mrs Witt and Lou, emerge as the main protagonists and most sympathetic figures in the story.

Geronimo/Phoenix

Like a certain type of international rich widow, Mrs Witt has acquired an ethnic pet, Geronimo Trujillo, an American, son of a Mexican father and a Navajo Indian mother, from Arizona. Characteristically, Mrs Witt refuses to call him by his given name (Geronimo) but insists on calling him Phoenix. He possesses the stereotypical Indian silence and remoteness.

Part 1. England

Rotten Row

So that’s the setup. The narrative gets going with Mrs Witt established in London and deciding to dress up to the nines and ride a horse along Rotten Row, joining but at the same time mocking and scorning the native English upper classes, ‘her eyes became dagger-like as she watched the clipped, shorn, mincing young Englishmen.’

Mrs Witt quickly coerces her daughter to join her and their striking appearance makes the papers. At which point they round on Rico and bully him into joining them. Mrs Witt having only brought two horses from her place in the country, they need to buy him a horse.

Enter St Mawr

The ladies keep their horses in a stable in a mews in Westminster. Next time she’s there, the owner, old maid-ish Mr Saintsbury, tells Lou he has a new horse for sale, St Mawr, seven and a half years old. Lou is immediately attracted to the skittish, rather dangerous big horse. It is a symbol.

She was already half in love with St. Mawr. He was of such a lovely red-gold colour, and a dark, invisible fire seemed to come out of him. But in his big black eyes there was a lurking afterthought. Something told her that the horse was not quite happy: that somewhere deep in his animal consciousness lived a dangerous, half-revealed resentment, a diffused sense of hostility. She realised that he was sensitive, in spite of his flaming, healthy strength, and nervous with a touchy uneasiness that might make him vindictive.

St Mawr as symbol of untamed life

In his introduction to the Penguin edition, Lawrence’s friend, biographer and critic Richard Aldington, says St Mawr is Lawrence. The other characters get the Lawrentian treatment (paragraphs describing their moods and feelings described in great detail, with much repetition of key words); but St Mawr is the only character which is worth that treatment.

The wild, brilliant, alert head of St. Mawr seemed to look at her out of another world. It was as if she had had a vision, as if the walls of her Awn world had suddenly melted away, leaving her in a great darkness, in the midst of which the large, brilliant eyes of that horse looked at her with demonish question, while his naked ears stood up like daggers from the naked lines of his inhuman head, and his great body glowed red with power.

What was it? Almost like a god looking at her terribly out of the everlasting dark, she had felt the eyes of that horse; great, glowing, fearsome eyes, arched with a question and containing a white blade of light like a threat. What was his non-human question, and his uncanny threat? She didn’t know. He was some splendid demon, and she must worship him.

And much more in the same vein. Lou very consciously contrasts her pretend artist husband, all ‘attitude’ i.e. fake, with the horse, whose demonic darkness is the real thing. The horse comes from another world, from Lawrence’s dark world of ancient gods.

She realised that St. Mawr drew his hot breaths in another world from Rico’s, from our world. Perhaps the old Greek horses had lived in St. Mawr’s world. And the old Greek heroes, even Hippolytus, had known it. With their strangely naked equine heads, and something of a snake in their way of looking round, and lifting their sensitive, dangerous muzzles, they moved in a prehistoric twilight where all things loomed phantasmagoric, all on one plane, sudden presences suddenly jutting out of the matrix. It was another world, an older, heavily potent world. And in this world the horse was swift and fierce and supreme, undominated and unsurpassed.

It speaks to something deep in Lou.

When he reared his head and neighed from his deep chest, like deep wind-bells resounding, she seemed to hear the echoes of another darker, more spacious, more dangerous, more splendid world than ours, that was beyond her. And there she wanted to go.

Unlike all the posh rich happy people they know and which Lawrence cordially detests.

People, all the people she knew, seemed so entirely contained within their cardboard let’s-be-happy world. Their wills were fixed like machines on happiness, or fun, or the-best-ever. This ghastly cheery-o! touch, that made all her blood go numb.

Events

Banned When out riding in the Park, Mrs Witt crowds St Mawr against a railing and he rears and nearly throws Rico. Rico scrambles off and Phoenix mounts and calms the horse. He terrified so many bystanders that the Park police are called and ban him from the Park.

Shropshire The Witt household decamp to Shropshire. Mrs Witt has rented a tall red-brick Georgian house looking onto a churchyard, and the dark, looming church, and moves there with Phoenix and her horses. Not far away live the Manbys, at Corrabach Hall, rich Australians returned to the old country and set up as squires, all in full blow. Rico had known them in Victoria: they were of good family: and the girls made a great fuss of him.

Outing Rico rides St Mawr over to the Manbys at Corrabach but has the devil of a time starting, getting properly saddled and then horse insists on going sideways onto the village pavements terrifying passersby before he sets off at a blistering almost out-of-control gallop.

Hair Mrs Witt insists on cutting Lewis’s hair.

Maiden name We learn that Mrs Witt’s maiden name is Rachel Fannière.

Men Mrs Will and Lou have a long conversation about the inadequacy of modern men. Mrs Witt admires men with mind but Lou thinks most modern thinking is just the clatter of knitting needles.

MRS WITT: ‘Man is wonderful because he is able to think.’
LOU: ‘But is he?’ cried Lou, with sudden exasperation. ‘Their thinking seems to me all so childish: like stringing the same beads over and over again. Ah, men! They and their thinking are all so paltry. How can you be impressed?’ (p.55)

And:

‘You’ve no idea how men just tire me out: even the very thought of them. You say they are too animal. But they’re not, mother. It’s the animal in them has gone perverse, or cringing, or humble, or domesticated, like dogs. I don’t know one single man who is a proud living animal.’

It’s symptomatic that, when Mrs Witt volunteered to work for the Ambulance Corps during the war she tended many men but never found a real man among them.

Pan The Manbys come over to visit along with a local artist, Cartwright. He looks a bit goatish and this leads into a 3-page discussion of the god Pan, the difference between the goat-satyr figure, the much huger great god Pan, whether he still exists anywhere, in anyone, how you can only see him if you know how to open your third eye.

Excursion The whole gang take to their horses on an excursion to ride to a local landmark, the Devil’s Chair. Once again, Rico has the devil of a time getting St Mawr saddled and then even mounting him, as the horse keeps shying and rearing. En route Mrs Witt is subjected to the conversation of Frederick Edwards, husband of one of the Manby girls, who subjects her to detailed descriptions of his fox hunting exploits, despite the latter’s broad American sarcasm.

The old England such as Lawrence thinks has all but been destroyed.

They came at last, trotting in file along a narrow track between heather, along the saddle of a hill, to where the knot of pale granite suddenly cropped out. It was one of those places where the spirit of aboriginal England still lingers, the old savage England, whose last blood flows still in a few Englishmen, Welshmen, Cornishmen. (p.71)

The war

They rode on slowly, up the steep rise of the wood, then down into a glade where ran a little railway built for hauling some mysterious mineral out of the hill in war-time, and now already abandoned. Even on this countryside the dead hand of the war lay like a corpse decomposing.

Feminism Lawrence assigns a little outburst of feminism to one of the silly Manby daughters, Flora. He equates feminism, suffragettism, women’s rights with the shallow, living-on-the-surface point of view, the partying and politics world, ignorant of the great dark depths which Lawrence values.

‘I think this is the best age there ever was for a girl to have a good time in. I read all through H. G. Wells’s History, and I shut it up and thanked my stars I live in nineteen-twenty odd, not in some other beastly date when a woman had to cringe before mouldy, domineering men.’

Lawrence’s mockery of this is just a subset of his contempt for the shiny happy people worldview prevalent in the 1920s, endless parties, endless entertainments, everyone having such fun. (Wells’s ‘Outline of History’ was published in 1919, so Flora is displaying how spiffingly up-to-date she is.)

The accident At the peak of this excursion, soon after they’ve reached the Devil’s Chair and looked out over the amazing view into Wales, St Mawr throws and falls on Rico, and when handsome young Edwards goes to rescue, kicks in the face.

Lou’s vision of evil Amid the general mayhem and panic, the others get the horse off Rico, Mrs Witt becomes practical American, checking his heart and bones, and Lou says she’ll ride back to the nearest farm to fetch some brandy.

On the way she has a massive 4-page-long vision of evil swamping the earth, and the only thing you can do is try to resist it. It’s a bewildering phantasmagoria of the earth swamped by great tides of evil in which Lawrence indicts both bolshevism and fascism but also the endless swarming rise in population and the West’s insistence on having a good time and partying while allowing the evil to spread corruption within. And against all this the individual must fight.

The individual can but depart from the mass, and try to cleanse himself. Try to hold fast to the living thing, which destroys as it goes, but remains sweet. And in his soul fight, fight, fight to preserve that which is life in him from the ghastly kisses and poison-bites of the myriad evil ones. Retreat to the desert, and fight. But in his soul adhere to that which is life itself, creatively destroying as it goes: destroying the stiff old thing to let the new bud come through. The one passionate principle of creative being, which recognises the natural good, and has a sword for the swarms of evil. Fights, fights, fights to protect itself. But with itself, is strong and at peace.

Rico survives. He has some broken ribs and a crushed ankle. He wants St Mawr shot at once.

Servile humans versus animal freedom These feel like sermons, like Lawrence the preacher letting rip.

All the slaves of this world, accumulating their preparations for slavish vengeance, and then, when they have taken it, ready to drop back into servility. Freedom! Most slaves can’t be freed, no matter how you let them loose. Like domestic animals, they are, in the long run, more afraid of freedom than of masters: and freed by some generous master, they will at last crawl back to some mean boss, who will have no scruples about kicking them. Because, for them, far better kicks and servility than the hard, lonely responsibility of real freedom.

The wild animal is at every moment intensely self-disciplined, poised in the tension of self-defence, self-preservation and self-assertion. The moments of relaxation are rare and most carefully chosen. Even sleep is watchful, guarded, unrelaxing, the wild courage pitched one degree higher than the wild fear. Courage, the wild thing’s courage to maintain itself alone and living in the midst of a diverse universe.

Man and animals We are unworthy of the animals we have subdued, enslaved and murdered in their billions.

She felt a great animal sadness come from him. A strange animal atmosphere of sadness, that was vague and disseminated through the air, and made her feel as though she breathed grief. She breathed it into her breast, as if it were a great sigh down the ages, that passed into her breast. And she felt a great woe: the woe of human unworthiness. The race of men judged in the consciousness of the animals they have subdued, and there found unworthy, ignoble. Ignoble men, unworthy of the animals they have subjugated…

Underneath it all was grief, an unconscious, vague, pervading animal grief… The grief of the generous creature which sees all ends turning to the morass of ignoble living.

Eunuchs Lou is horrified when she learns that her husband plans to sell St Mawr to the Manbys who will have it gelded. Lawrences makes it symbolise the sterility of modern civilisation.

The mean cruelty of Mrs. Vyner’s humanitarianism, the barren cruelty of Flora Manby, the eunuch cruelty of Rico. Our whole eunuch civilisation, nasty-minded as eunuchs are, with their kind of sneaking, sterilising cruelty. (p.97)

Lou and her mother are at one in despising modern men. Improbably, they both rejoice that full-blooded animal horse kicked the pathetic Freddy Edwards in the face.

‘The funny thing is, mother, they think all their men with their bare faces or their little quotation-mark moustaches are so tremendously male. That fox-hunting one!’
‘I know it. Like little male motor-cars. Give him a little gas, and start him on the low gear, and away he goes: all his male gear rattling, like a cheap motor-car.’
‘I’m afraid I dislike men altogether, mother.’
‘You may, Louise.’ (p.98)

They go on to enjoy the joke that, instead of giving Miss Manby the horse to geld, they should give her Rico, saying he’s already been emasculated. In other words, Mrs Witt and her daughter bond over the accident, deciding it’s them against the world, against men, against horrible England, and they are going to save St Mawr.

Mrs Witt and Lewis ride to Merriton

So far I have omitted to mention that St Mawr came with a small, dapper, self-contained Welsh groom, Morgan Lewis. He broke St Mawr into riding in the Park and then came with the rest of the party to Shropshire. Here his uncanny self possession and his quietly confident way with the difficult horse intrigues both mother and daughter (Mrs Witt and Lou).

Now, the two women learn that Flora Manby has been to see Rico at the farm where he’s recovering from the riding accident (fascinatingly, he hasn’t been transferred to a hospital but is just under the supervision of the local doctor, no specialist bone consultants etc) and bought St Mawr from him.

When they hear this, the Witt women decide to save St Mawr and Mrs Witt, on impulse, has Lewis saddle up St Mawr and her own horse and the pair set off heading east towards friends of hers in Oxfordshire, at a fictional place called Merriton. (In the days before A roads and the tyranny of the car you could, apparently, ride across country in any direction you wanted.)

Anyway, this ride takes several days and, with wild improbability, tough old Mrs Witt (51) is described as falling in love with small dapper Lewis. In the middle of the ride they see a shooting star and this triggers a 2-page hymn by the usually taciturn Lewis to the pagan rural beliefs of his boyhood. And this in turn makes Mrs Witt see in him something different from all the other useless posh English fops she’s met in this country. So in a mad scene, as they trot along on their horses, she proposes to him. Obviously he is non-plussed, then thinks she is teasing him, then, when forced, explains that his body is a kind of temple and he won’t allow any woman near it, specially any woman who has treated him and thinks of him as a servant. Mrs Witt is irritated then angered by his presumption and they both forget it ever happened.

The reader doesn’t, though. It has the strange illogical logic of Lawrence’s dreamworld, maybe. Aldington, in his introduction, says the incident is introduced solely to humiliate Mrs Witt, who Lawrence created in order to mock, but it doesn’t read like that at all. As the book continues Mrs Witt and Lou emerge as the strong satirical ones, superior to the empty headedness of 1920s culture and English chaps and chapesses.

For a moment the ghost hangs over the whole narrative, of the possibility that Mrs Witt will inappropriately pair off with Lewis and Lou will marry strong silent Phoenix. It’s as if these are the conventional, semi Mills and Boon romantic clichés which Lawrence gestures towards, before soundly rejecting.

Flora, Rico and Lou

Meanwhile, back in Shropshire, it becomes ever clearer that Flora Manby loves Rico who is falling in love with her, too. We saw how Lou and Rico were alienated, how she thought him shallow. When the accident occurred it was Flora who shrieked and ran over to the man trapped under the horse rather than Lou. As he’s been recovering at the farm (Flints Farm) Flora has visited him every day, brought lovely flowers and books to read. She manages his transfer to a car and transport to the Manby family home where she’s decorated a room on the ground floor for him.

Lou watches all this with sardonic amusement, and writes her mother about it. In their correspondence the two American women finalise their plans. Lou and Phoenix, and Mrs Witt, Lewis and St Mawr, are to make their separate ways to London. Here they arrive in August 1923. Lou is dismayed to realise how small and dingy the apartment she lived in all that time feels tom her. Like a back number. There’s just time for the visit of a caricature bright young thing, The Honourable Laura Ridley, for Lawrence to mock.

2. America

Mrs Witt arranges for them to be taken across the Atlantic not on a liner (simply too ghastly!), instead as passengers on a merchant vessel bound for Galveston Texas. The party are Mrs Witt and Lou, Phoenix and Lewis and St Mawr.

Past the Isle of Wight, into the Channel, across the grey Atlantic and into the dazzling blue harbour of Havana, Cuba. After a few days on to Texas and a train to the ranch they own and whose profits fund their travels round Europe. But Lou finds it unreal, the cowboys and ranchers like figures from a Zane Grey novel or, worse, a silent movie. St Mawr fits in though visibly different from the long-legged Texan horses. Phoenix loves being back among Spanish and Indians to gossip with. We hear little of Lewis, marooned among the big Texans.

So Lou and Mrs Witt motor to San Antonio, catch a train to Santa Fe and hole up in a hotel where Mrs Witt announces she has made her last decisions and takes to her bed.

Lou and Phoenix ride out into the desert to check out a ranch a Mexican wants to sell. Phoenix drives. On the journey Lawrence tells us that Phoenix is blossoming in his territory and fantasises about taking a white woman lover to enjoy her money and for daytime respectability, but to have many Indian and Mexican mistresses in the night time. And he thinks Lou fancies him. This is a big mistake as Lou is absolutely fed up with men, and the world, and just wants to be left alone.

She understood now the meaning of the Vestal Virgins, the Virgins of the holy fire in the old temples. They were symbolic of herself, of woman weary of the embrace of incompetent men, weary, weary, weary of all that, turning to the unseen gods, the unseen spirits, the hidden fire, and devoting herself to that, and that alone. Receiving thence her pacification and her fulfilment. Not these little, incompetent, childish self-opinionated men! Not these to touch her. (p.146)

Anyway, they arrive at the dusty, waterless primitive ranch, thousands of feet up a hill from the desert floor and Lou falls in love with it. Lawrence gives a massive 14-page description which mixes the stunning views and natural beauty with the story of the New England immigrants who built the place and struggled against the odds, and lack of water in summer and deep snowdrifts in winter, to raise a flock of goats, for their wool and goat’s cheese, and struggle and fail to make a go of it.

The intertwining of the old settlers’ doomed attempts to make a go of it, how they eventually gave up and sold out to a Mexican who has, in turn, failed to turn a profit, are skillfully blended with Lawrence’s astonishing powers of observation and description. He was a phenomenal travel writer, observing and turning into bombshells of beauty all his observations.

These last 20 pages of descriptions of the dusty desert, its cacti and pine trees and native flowers, make the starkest possible contrast with the story’s Shropshire section, particularly the horse excursion through the heather and ling and bilberries of the hillside towards Wales. Stepping right back from any characters and narrative, it’s a dazzling tale of two utterly different terrains.

So it is that Lou buys the ranch for $1,200 and persuades Mrs Witt to leave the hotel in Santa Fé and submit to being driven by Phoenix all the way out to this dusty outpost. The thing is, they won’t have to make a business of it, since they live on income from the ranch described earlier. it will simply be a retreat and Lou wants to retreat, to escape the world.

‘As far as people go, my heart is quite broken. And far as people go, I don’t want any more. I can’t stand any more. What heart I ever had for it – for life with people – is quite broken. I want to be alone, mother: with you here, and Phoenix perhaps to look after horses and drive a car. But I want to be by myself, really.’ (p.162)

The novella ends with a great speech by Lou explaining why she wants to escape men and their civilisation. The thought of going off in a taxi for cheap sex nauseates her. If she does have anything to do with a man again it will because of spiritual affinity. Meanwhile, she will live in the desert, pure and alone.

‘There’s something else even that loves me and wants me. I can’t tell you what it is. It’s a spirit. And it’s here, on this ranch. It’s here, in this landscape. It’s something more real to me than men are, and it soothes me, and it holds me up. I don’t know what it is, definitely. It’s something wild, that will hurt me sometimes and will wear me down sometimes. I know it. But it’s something big, bigger than men, bigger than people, bigger than religion. It’s something to do with wild America. And it’s something to do with me. It’s a mission, if you like. I am imbecile enough for that! – But it’s my mission to keep myself for the spirit that is wild, and has waited so long here: even waited for such as me. Now I’ve come! Now I’m here. Now I am where I want to be: with the spirit that wants me. – And that’s how it is. And neither Rico nor Phoenix nor anybody else really matters to me. They are in the world’s back-yard. And I am here, right deep in America, where there’s a wild spirit wants me, a wild spirit more than men. And it doesn’t want to save me either. It needs me. It craves for me. And to it, my sex is deep and sacred, deeper than I am, with a deep nature aware deep down of my sex. It saves me from cheapness, mother. And even you could never do that for me.’

And that’s how this strange, visionary novella ends. The two obvious points are that 1) right at the end this strong independent woman can only define herself against men, again and again, rather than in her own right. 2) Where’s St Mawr? I thought he was a symbol of life and freedom and the dark reality underlying the shallow tinsel of civilisation and yet, as soon as the team reach America, he disappears, and the last twenty pages of the book are this Hymn to the Desert.

Themes

Hatred of the modern world – ‘A great complicated tangle of nonentities ravelled in nothingness.’

Hatred of modern England, so cramped and nailed down.

The two American women stood high at the window, overlooking the wet, close, hedged-and-fenced English landscape. Everything enclosed, enclosed, to stifling. The very apples on the trees looked so shut in, it was impossible to imagine any speck of ‘Knowledge’ lurking inside them. Good to eat, good to cook, good even for show. But the wild sap of untameable and inexhaustible knowledge–no! Bred out of them. Geldings, even the apples.

High in the sky a star seemed to be walking. It was an aeroplane with a light. Its buzz rattled above. Not a space, not a speck of this country that wasn’t humanised, occupied by the human claim. Not even the sky. (p.109)

Hatred of the 1920s party mindset.

I felt I couldn’t sit there at luncheon with that bright, youthful company, and hear about their tennis and their polo and their hunting and have their flirtatiousness making me sick.

People, all the people she knew, seemed so entirely contained within their cardboard let’s-be-happy world. Their wills were fixed like machines on happiness, or fun, or the-best-ever. This ghastly cheery-o! touch, that made all her blood go numb.

I feel in the minority. It’s an awful thought, to think that most all the young people in the world are like this: so bright and cheerful, and sporting, and so brimming with libido. How awful! (p.121)

Hatred of what civilisation has done i.e. emasculate men and destroy the natural world.

Mrs. Witt thought she could detect the scent of furnace smoke, or factory smoke. But then she always said that of the English air: it was never quite free of the smell of smoke, coal smoke.

The darkness was never dark. It shook with the concussion of many invisible lights, lights of towns, villages, mines, factories, furnaces, squatting in the valleys and behind all the hills.

Great porpoises rolled and leaped, running in front of the ship in the clear water, diving, travelling in perfect motion, straight, with the tip of the ship touching the tip of their tails, then rolling over, corkscrewing, and showing their bellies as they went. Marvellous! The marvellous beauty and fascination of natural wild things! The horror of man’s unnatural life, his heaped-up civilisation! (p.135)

Hatred of modern men or men in general.

‘At the bottom of all men is the same,’ she said to herself: ‘an empty, male conceit of themselves.’

‘Isn’t it extraordinary,’ Laura continued, ‘that you never get a really perfectly satisfactory animal! There’s always something wrong. And in men too. Isn’t it curious? there’s always something – something wrong – or something missing.’ (p.131)

‘I can’t take those men seriously. I can’t fool round with them, or fool myself about them. I can’t and I won’t fool myself any more, mother, especially about men. They don’t count.’ (p.163)

‘I don’t hate men because they’re men, as nuns do. I dislike them because they’re not men enough: babies, and playboys, and poor things showing off all the time, even to themselves. I don’t say I’m any better. I only wish, with all my soul, that some men were bigger and stronger and deeper than I am…’ (p.164)

Hatred of the continent.

Soon, the ship steering for Santander, there was the coast of France, the rocks twinkling like some magic world. The magic world! And back of it, that post-war Paris, which Lou knew only too well, and which depressed her so thoroughly. Or that post-war Monte Carlo, the Riviera still more depressing even than Paris. No, no one must land, even on magic coasts. Else you found yourself in a railway station and a centre of civilisation in five minutes. (p.133)

Lawrence on film

Notable how Lawrence invokes analogies to film and cinema when describing the Texas ranch where our gang arrive and Lou’s sense of how empty and rootless it is.

It was all so queer: so crude, so rough, so easy, so artificially civilised, and so meaningless. Lou could not get over the feeling that it all meant nothing. There were no roots of reality at all. No consciousness below the surface, no meaning in anything save the obvious, the blatantly obvious. It was like life enacted in a mirror. Visually, it was wildly vital. But there was nothing behind it. Or like a cinematograph: flat shapes, exactly like men, but without any substance of reality, rapidly rattling away with talk, emotions, activity, all in the flat, nothing behind it. No deeper consciousness at all. So it seemed to her.
One moved from dream to dream, from phantasm to phantasm.
But at least, this Texan life, if it had no bowels, no vitals, at least it could not prey on one’s own vitals. It was this much better than Europe.
Lewis was silent, and rather piqued. St. Mawr had already made advances to the boss’s long-legged, arched-necked glossy-maned Texan mare. And the boss was pleased.
What a world!
Mrs. Witt eyed it all shrewdly. But she failed to participate. Lou was a bit scared at the emptiness of it all, and the queer, phantasmal self-consciousness. Cowboys just as self-conscious as Rico, far more sentimental, inwardly vague and unreal. Cowboys that went after their cows in black Ford motorcars: and who self-consciously saw Lady Carrington falling to them, as elegant young ladies from the East fall to the noble cowboy of the films, or in Zane Grey. It was all film-psychology.
At the same time, these boys led a hard, hard life, often dangerous and gruesome. Nevertheless, inwardly they were self-conscious film heroes.
(p.137)

Women protagonists

I’m struck by the way that story after story is about women, takes a woman or women for its leading protagonists, takes the women’s point of view. I’m struck by how these authors write at vast length about women, women’s emotions and feelings and perspectives, make women the leading figures, the deepest and most sympathetic characters.

  • The Rainbow – Anna, Ursula
  • The Ladybird – Lady Daphne
  • The Fox – Ellen March
  • St Mawr – Rachel and Louise Witt
  • The Plumed Serpent – Kate Leslie

All these female protagonists and yet you don’t have to read far to come across Lawrence’s fundamentally sexist, male point of view.


Credit

‘St Mawr’ by D.H. Lawrence was first published in 1925. Page references are to the 1984 Penguin paperback edition, where it is packaged with ‘The Virgin and The Gipsy’.

Related links

Related reviews

Executions @ the Museum of London Docklands

For over 700 years London was the scene of public executions, a practice which wove itself into the city’s history and popular culture. This excellent and imaginatively designed exhibition at the Museum of London Docklands explores all aspects of public executions in London, using a combination of artifacts, letters, informative videos, songs and voices, paintings, engravings and caricatures, and some really gruesome exhibits.

Above all, it is amazingly comprehensive – it touches on all the aspects of the subject I’d expected beforehand but goes on to explore all kinds of nooks and crannies I’d never have thought of. I’d never thought about the effort some condemned prisoners put into being well dressed for their trip to the gallows. Well, the exhibition tells the stories of condemned men and women who went to great lengths to look their best on their death day, and even has the fine dress and fancy suit worn by a female and male executionee:

  • on the left, the ‘white muslin gown, a handsome worked cap and laced boots’ worn by Eliza Fenning who was hanged for attempting to poison her employers
  • to the right, the ‘superb suit of white and silver, being the clothes in which he was married’ worn by Laurence Shirley, Earl Ferrers, was hanged on 5 May 1760 for the murder of his steward John Johnson, whom he shot in a rage

Final clothing section in the ‘Executions’ exhibition at the Museum of London Docklands © Museum of London

(The door on the right of this photo is one of the three doors you had to pass through to enter Newgate Prison. The architect George Dance thoughtfully positioned swags of chains and shackles over the main entrance door at Newgate to terrify and intimidate new prisoners.)

I’d never thought about what happened to the bodies of the hanged after their execution. Turns out that from the mid-16th century the bodies of executed criminals were given to the Company of Barber-Surgeons and the Royal College of Surgeons for dissection and medical research. The thought of being dissected filled the condemned with horror. Fights could break out at executions as friends and family of the deceased would attempt to stop the surgeons claiming bodies. In the same spirit I had no idea that life sized casts of the heads of the executed were often made – there’s a selection of them on display here, which, as the nineteenth century progressed, were used to study ‘criminal’ physiognomy. Alternatively, the casts of notorious criminals were kept in a special display at Newgate where they could be viewed by visitors, who included Charles Dickens.

Death masks at the ‘Execution’ exhibition at the Museum of London Docklands © Museum of London

I knew that broadsheets and leaflets were often sold at executions which claimed to give the last speech of the condemned man, along with a ballad poem describing his fate – but I’d never had the opportunity to read some of these before. Ditto the last letters condemned men wrote to their loved ones. There’s not only letters but rings and coins sent by those condemned to transportation instead of execution in the mid-nineteenth century.

I knew that prisoners in gaol were often shackled but I don’t think I’ve seen a collection of the different types of handcuffs, shackles and ‘waist belts’ used for this purpose on display before. Apparently the weight of shackles prisoners were manacled with sometimes meant they could barely move. As well as direct punishment of the prisoner, the sound of all this metalwork clanking through the echoing vaults of the grim prisoner had a demoralising and terrifying psychological effect on other inmates. The practice of routinely keeping prisoners shackled in irons ceased in the 1820s.

Shackles and handcuffs used in Newgate Prison at the ‘Executions’ exhibition at the Museum of London Docklands © Museum of London

I’ve certainly never seen a real actual gibbet before and I didn’t know that they didn’t come in a standard size, but that a gibbet ‘tailor’ took the corpse’s measurements and built the gibbet to perfectly fit. In line with the state of the art interactivity of the exhibition, the display of this real-life gibbet had a gruesome audio soundtrack with the noise of flies buzzing round the rotting corpse.

Wrought iron gibbet cage from ‘Executions’ at the Museum of London Docklands © Museum of London

I was at first puzzled why the gibbet was so elaborate but realised that a lifeless body would flop in all directions unless its limbs were very strictly compassed and controlled. The effect can be seen in this illustration of the body of the notorious pirate Captain Kidd.

Captain Kidd, gibbeted near Tilbury in Essex, following his execution in 1701

More criminals were gibbeted in the greater London area than elsewhere in the country. The bodies of murders and highwaymen were gibbeted on heaths located on the outskirts of London and main highways into the capital, especially on the wide open Hounslow Heath which became famous for the number of gibbets.

Capital punishments

Between the first recorded execution at Tyburn in 1196 and the last public execution in 1868, there were tens of thousands of executions in London. Nobody knows the precise number because records weren’t kept before the 18th century.

Right at the start there’s a wall-sized video which shows a scrolling list of all the offences which carried the penalty of capital punishment. By the end of the 18th century some 200 crimes were punishable by death in a list which became known as the ‘Bloody Code’. London’s courts condemned more people to die than those in the rest of the country combined.

Scrolling list of capital offences at the ‘Executions’ exhibition at the Museum of London Docklands © Museum of London

Types of execution

Most ordinary criminals were hanged. More florid ways of being despatched were reserved for VIPs.

1. Drawing, hanging and quartering

An ancient punishment for treason, the prisoner was ‘drawn’ or dragged from prison to the execution site, hanged until they were nearly dead, then castrated, disembowelled, beheaded and cut into quarters. Thee practice continued into the 19th but by then prisoners were hanged first and then beheaded.

there’s a vivid engraving of the fate of the Gunpowder Plotters who, after being found guilty in 1606, were publicly executed over two days in St Paul’s Churchyard and Old Palace Yard, Westminster, where they were dragged by horses through the streets, hanged, castrated, disembowelled and cut into pieces.

2. Burning

In 1401 an Act of Parliament made burning the punishment for heresy. It aimed to ‘strike fear into the minds’ of people who questioned the teachings of the church. Women convicted of murdering their husbands or counterfeiting could also be burned to death. By the 18th century they were strangled first.

The exhibition features illustrations of the Protestant martyrs burned at the stake at Smithfield. Over 280 religious dissenters were burned at the stake during the five-year reign of Mary I, known as ‘Bloody Mary’. Besides Smithfield others were burned to death at Stratford-le-Bow, Barnet, Islington, Southwark, Uxbridge, Westminster and throughout England.

Woodcut depicting John Rogers, the first of the ‘Marian martyrs’, being burned at the stake in Smithfield (1555)

3. Boiling

Death by boiling was a rare punishment. In 1531 a cook named Richard Roose poisoned the porridge of the household of Bishop John Fisher, causing two deaths. Henry VIII was so disgusted he declared this crime treason and Parliament passed the ‘Acte for Poysoning’ ordering those who murdered by poison to be boiled to death. Roose was boiled at Smithfield. Eleven years later Margaret Davies suffered the same fate for poisoning four people. Edward VI abolished this execution method in 1547.

4. Beheading

Members of the nobility condemned for treason were often beheaded out of respect for their high status, rather than suffering the agony and humiliation of drawing, hanging and quartering. Most beheadings took place in public on Tower Hill before a large crowd.

5. Hanging

Most ordinary criminals were executed by hanging. There appear to have been two methods. Initially the condemned were placed under a gallows (in the very early period just a tree) standing on a cart. A rope was noosed round their neck and the cart slowly pulled away by horses or oxen till the condemned fell off the back of it and was left dangling. This could be a fairly slow, excruciating death. Laster the ‘short drop’ method was introduced, where the condemned stood on a raised platform and, with the flick of a handle, a trapdoor opened underneath them, dropping them through and making it more likely their neck would snap with the sudden ratchet of the noose. But both methods were far from foolproof and family members or the executioner often pulled the legs of the hanged person to speed up their death.

Places of execution

In the City of London you are never more than 500 metres from a former place of execution. London was packed with them. Early on in the exhibition there’s a useful wall-sized video, with a bench to sit and watch it, which shows maps of London from early medieval times onwards, showing not only ow its street plan grew and developed (interesting in itself) but where the ever-growing number of places of execution were sited (indicated on the maps by entertaining ochre blotches of blood).

1. Smithfield

In the medieval and Tudor periods Smithfield was used for various public purposes, including a livestock market, fairs and executions, as in the burning of the Protestant martyrs mentioned above.

2. Tyburn

Tyburn stood slightly to one side of the current position of Marble Arch at the north-east tip of Hyde Park. It served as London’s principal site of execution for around 600 years. The earliest account records the execution of William FitzOsbert in 1196. Until the late 18th century it was a semi-rural location, easy to get to and easy for crowds to assemble and watch the spectacle.

A huge amount of popular tradition and iconography grew up around the public hanging of criminals at Tyburn. The exhibition contains umpteen engravings and pictures, stores and facts, not least about the carnivalesque atmosphere which reigned along the route of carts transporting convicted criminals from Newgate Prison, via St Giles’s-in-the-Fields church and then along what is now Oxford Street. Many of the condemned went to their execution drunk, in fact it became customary for the cart to stop off at a pub at St Giles where the executioner and victim shared a last pint of beer. This became known as ‘the St Giles Bowl’.

Bernard Mandeville wrote that ‘all the way from Newgate to Tyburn, is one continued Fair, for whores and rogues of the meaner sort.’

In 1961 construction began on new pedestrian subways by Marble Arch and the excavators found large quantities of human bones around the site of the Tyburn gallows which archaeologists presume are the remains of the executed who were buried where they died.

Execution at Tyburn by Thomas Rowlandson (1803)

A lot of slang and catchphrases grew up about the place. The scaffold was known as ‘the Tyburn tree’. To ‘take a ride to Tyburn’ (or simply ‘go west’) was to go to one’s hanging. The ‘Lord of the Manor of Tyburn’ was the public hangman while ‘dancing the Tyburn jig’ was the act of being hanged because of the wriggling, dancing movement of the hanged in their last moments.

The last execution at Tyburn was of John Austin, a highwayman, on 3 November 1783.

3. Newgate

With the closure of Tyburn London’s public executions moved to the open space in front of the rebuilt Newgate Prison. This was to be London’s principal site of public execution for the next 85 years until public executions were discontinued in 1868.

The move meant the end of the great public procession from Newgate to Tyburn. It was an assertion by the authorities of their control over the timing and atmosphere of the executions. The Newgate scaffold featured two beams with capacity for up to 12 hangings.

Newgate Prison itself closed in 1902. The demolition of one of London’s most iconic buildings aroused considerable public interest and relics of the prison were sold at auction. A keystone from the main doorway is on display here, as is one of the heavy wood-and-metal doors (see first photo).

4. Horsemonger Lane

Public executions at Horsemonger Lane in Southwark took place on the roof of the gatehouse, making them highly visible to spectators.

5. Tower Hill

A small number of noble men and women, soldiers and spies were privately executed within the walls of the Tower of London. Many more – at least 120 between 1388 and 1780 – were executed in public on Tower Hill. Beheadings and hangings, were common enough for the ‘posts of the scaffold’ to become a landmark. It was here that Thomas, Earl of Strafford, a key ally of Charles I, was executed on 12 May 1641, as part of the political divisions which opened up before the outbreak of civil war the following year.

6. Execution Dock

On the Thames near Wapping, Execution Dock was used for more than 400 years to execute pirates, smugglers and mutineers who had been sentenced to death by Admiralty courts. The ‘dock’ consisted of a scaffold for hanging. The last executions there took place in 1830. Just up the river at Blackwall Reach where it bends bodies of convicts were gibbeted so as to be more visible to boats entering the city.

7. Charing Cross

Public executions took place at Charing Cross in the 16th and 17th centuries. A pillory that locked the head and hands of a criminal into a wooden frame for public humiliation was later erected at the site.

8. New Palace Yard and Westminster Hall

The area around the Palace of Westminster was used for public executions, the display of body parts and pillorying criminals.

9. Kennington Common

From at least 1678 until 1800 Kennington Common was the principal execution site for the county of Surrey.

The execution and embowelling of Jacobite rebels on Kennington Common mid to late 18th century)

10. Cheapside

Temporary gallows were erected on several occasions at Cheapside between the 14th and 17th centuries. They were in place for over 100 days in 1554 following the execution of two rebels involved in a Protestant uprising against Mary I.

Ordinary criminals and reprieves

The exhibition contains the story of what feels like 50 or so ordinary criminals, whose names are preserved for some or other aspect of their crime or their trial or their plea for pardon or the way they died. One by one their pitiful stories build up into an upsetting profile of the generally poor and wretched who committed often petty crimes and went to their deaths miserably.

As the number convicted of capital offences rose in the later 18th century the number of reprieves increased, if only to manage down the number of executions which threatened to swamp the system. The exhibition features letters written by the condemned, their friends and relatives and influential contacts. I like the story of the Dane Jørgen Jørgenson, who was convicted in 1820 of robbery but managed to get a letter to the Duke of Wellington for whom he had worked as a during the Napoleonic wars. The exhibition includes a letter from the Duke pardoning Jørgenson on condition he ‘transports’ himself out of the country.

The most famous victim: Charles I

Probably the most famous execution ever to take place in London was not of a common criminal or aristocratic traitor but of the king himself, namely Charles I, brought to trial by the Puritan junta and found guilty of treason against his own people. The exhibition devotes a large case to his execution, on 31 January 1649, with several contemporary illustrations and a number of artefacts said to be linked to it, namely a pair of royal gloves he was said to have taken with him, and even the silk undershirt he insisted on wearing to prevent him shivering with cold (it was January in London) which, he told his attendant, Sir Thomas Herbert, might be misinterpreted as fear.

Later on in the exhibition there are several objects pertaining to the punishment of his killers. 59 leading Puritan generals and MPs signed the king’s death warrant and so came to be known by their enemies as the ‘regicides’. On his Restoration in 1660, Charles II had special agents arrest any of the regicides living in England and track down those who had fled abroad and assassinate them.

Three of the leading regicides, Oliver Cromwell, John Bradshaw and Henry Ireton, had already died of natural causes and been buried at Westminster Abbey, but in 1661 Charles’s Cavalier Parliament ordered their bodies to be exhumed, executed and decapitated. Their heads were displayed on poles outside Westminster Hall. Cromwell’s head remained there until 1685.

The most famous criminal: Jack Sheppard

John ‘Jack’ Sheppard was convicted of robbery in 1724, aged 22. Sheppard was one of London’s greatest criminal heroes. Notorious for escaping multiple times from Newgate, he became a symbol of freedom for London’s working classes. An apprentice carpenter, Jack fell into a life of thieving, reputably led astray by ‘bad company and lewd women’. Although eventually executed at Tyburn at the age of 22, his effrontery and skill in challenging authority ensured his story was recounted in popular books and plays for generations. The artist James Thornhill paid one shilling and sixpence to visit him in his cell to draw this portrait.

Portrait of Jack Sheppard by Sir James Thornhill (1724)

In the 1850s the campaigning journalist Henry Mayhew discovered that ‘chapbooks’ recounting Sheppard’s exploits were hugely popular in low lodging houses, where they were read aloud to illiterate youths. He interviewed 13 boys who confessed to thieving in order to pay for a theatre ticket for the  current play about Jack’s life.

The most famous executioner: Jack Ketch

In 1685, the Duke of Monmouth, illegitimate son of Charles II, led a rebellion to seize the throne from his uncle, James II. The rebellion was defeated, Monmouth was captured, condemned for high treason and beheaded on Tower Hill. Despite asking to be killed with one clean blow, Monmouth’s executioner, Jack Ketch, made a right monkeys of the procedure, failing to despatch the Duke after two strikes with an axe and being forced to resort to a knife to cut through the neck while the Duke made a grim effort to rise from the block to the horror of onlookers. As a result of this heroic failure Ketch’s name became infamous and, eventually, became a byword for public executioners, who, by and large preferred to keep their identities secret.

Transportation

A final section of the exhibition explains how crimes which had previously resulted in execution were amended to ‘transportation’ to the colonies, generally meaning Australia. In fact the first convicts transported out of England had been despatched as long ago as 1718, when they were sent to America to supply plantations there with labour. Thus Moll Flanders, heroine of Daniel Defoe’s 1722 novel, is convicted of a capital offence but gets it commuted to transportation to British America.

Transport to America ended when that country became independent in 1776 but, as luck would have it, just a few years earlier (in 1770) Australia had been discovered and provisionally mapped by Captain James Cook. Between 1788 and 1868 over 160,000 convicts were sent to Australia from England and other parts of the Empire.

The exhibition includes a few paintings of the first settlement, which are fairly predictable – but I had never heard about ‘convict tokens’ before. Apparently, convicts awaiting transportation presented loved ones with smoothed coins engraved with messages of affection. Often created by prisoners skilled in metalwork, for a fee, the tokens could be highly decorative and became known as ‘leaden hearts’. Half a dozen examples are on display here.

A convict’s love token from the ‘Executions’ exhibition at the Museum of London Docklands © Museum of London

The campaign to abolish public executions

The advent of Queen Victoria to the throne in 1837 marked a sea change in social attitudes. The young queen consciously rebelled against the louche morals of her rakish predecessor, William IV. She wanted a chaste, sober court and her high moral tone and sincere Anglicanism set the style for the new reign among the aristocracy and aspiring upper middle classes. There was a general wish to make all aspects of public life more respectable and, in time, the new mood extended to the utterly disreputable practice of public executions, with all their opportunities for immorality of every description which this exhibition has chronicled.

In 1840 William Makepeace Thackeray attended the execution of the Swiss valet François Courvoisier, executed for murdering his master, Lord William Russell. He wrote that ‘I feel myself ashamed and degraded at the brutal curiosity which took me to that brutal sight…I came away…that morning with a disgust for murder, but it was for the murder I saw done.’

In 1849 Charles Dickens had attended the execution of Maria and Frederick Manning and wrote a furious letter to The Times criticising the ‘inconceivably awful behaviour’ of the crowd. Describing public execution as a ‘moral evil’, he doubted communities could prosper where such scenes of ‘horror and demoralisation’ could take place.

Prison reform had been an issue since the start of the nineteenth century and combined with the campaign to abolish public executions. The exhibition cites the MP Thomas Hobhouse in 1866 arguing that the spectacle, instead of instilling fear of crime and respect for the law, resulted in the crowds who became ‘hardened and literally acquired a taste for blood.’

The exhibition features a powerful satirical cartoon published in Punch magazine mocking the commercialisation of state executions. The scaffold is a theatrical stage with a sign for ‘opera glasses’ and a booth selling tickets while the mixed crowd is worked by hawkers and costermongers. ‘Ere’s lots o’ the rope which ‘ung the late lamented Mr Greenacre, only a penny an inch!’

The Trial for Murder Mania, illustration for Punch, 1850

After several attempts to move a bill in Parliament, the Capital Punishment Amendment Act was finally passed in 1868 public executions in Britain were officially banned. The last person to be publicly executed in London was the Irish republican Michael Barrett, on 26 May 1868. Three days later the practice was outlawed.

But it wasn’t the abolition of the death penalty, though. Another century was to pass before that occurred. Only in 1965 was the death penalty for murder in Britain suspended for five years and in 1969 was this made permanent. And it wasn’t until 1998 that the death penalty in Britain was finally abolished for all crimes. The last people executed in the UK were Peter Allen and Gwynne Evans on 13 August 1964.

Amnesty International

Things take a very earnest turn at the end of the exhibition with a large video screen showing an interview with Paul Bridges from Amnesty International. He reminds us that 55 countries still retain the death penalty (although, admittedly, many have not used it for some time). Nonetheless, Amnesty International recorded 579 executions in 18 countries in 2021.

Summary

This is an outstandingly interesting, comprehensive, thought-provoking, sometimes funny, but mostly grisly and gruesome exhibition, beautifully staged, with absorbing interactive elements. You have two more weeks to catch it.


Related links

Related reviews

More seventeenth century reviews

More eighteenth century reviews

The Plantagenets (2) by Dan Jones (2012)

Part two of my summary of Dan Jones’s rip-roaring, boys-own-adventure, 600-page-long account of the history of the Plantagenet kings and queens (1154 to 1400).

Episodes

It becomes clearer in the second half of the book that each of the book’s short chapters (average length 9 pages) begins with a dramatic moment or colourful scene which grabs our attention. And then Jones goes back a bit to explain how it came about, what led up to it and what it meant.

This helps explain why the book feels so popular and gripping, because, on one level, it supplies a steady sequence of 85 (there are 85 chapters) dramatic, exciting or colourful moments. This became particularly obvious in a sequence of chapters about the early reign of Edward III:

When Parliament met in March 1337, a hum of excitement and agitation settled over Westminster…
(New Earls, New Enemies)

On 26 January 1340, Edward III entered the Flemish city of Ghent, with his entire household accompanying him, including his heavily pregnant queen, who was carrying the couple’s sixth child in ten years…
(The Hundred Years War Begins)

As dusk approached on the evening of 24 June 1340, six months after he had declared himself king of the best part of western Europe, Edward stood aboard his flagship, the cog Thomas… and watched the sea offshore from Sluys, in Flanders, churn with the blood of tens of thousands of Frenchmen…
(Edward at Sea)

Violent seas threw the king’s boat about for three days as it stuttered from the coast of Flanders to the mouth of the Thames. It was the very end of November 1340, and with winter approaching it was more dangerous than usual to venture a Channel crossing…
(The Crisis of 1341)

In the heat of July 1346 the English army marched through a broken, hell-bright landscape of coastal Normandy. All around them fields were lit up in ghastly orange by marauding bands of arsonists…
(Dominance)

The English summer of 1348 was wet, but in defiance of the weather the country fairly blazed with glory. The king had returned to England in October the previous month in triumph…
(The Death of a Princess)

You get the idea. The way the chapters don’t have numbers but snappy or sensational titles also helps give you the impression that what you’re reading is less like a traditional history and more like a poolside thriller.

Henry III and Prince Edward

We left our heroes in the last days of the weak and malleable king, Henry III – years which saw the rise of his tough, warrior son, Prince Edward (b.1239).

Prince Edward led the Royalist army at the Battle of Lewes on 14 May 1264, the first set piece battle on English soil in a century. The rebels won, capturing the King, Lord Edward, and Richard of Cornwall, Henry’s brother and the titular King of Germany. This led to the Great Parliament of 1265 (also known as Montfort’s Parliament). For the first time representatives were invited from all the counties and selected boroughs of England. Voting rights were discussed. All this was the seeds of modern democracy, more accurately part of the ongoing detailed process whereby successive Plantagenet kings found themselves forced to consult, first with the barons and nobles and then, by the reign of Richard II (1377 to 1399) with the ‘commons’, the knights and justices of the shires.

But Prince Edward managed to escape from captivity and rallied royalist nobles as well as Welsh rebels and this led to a pitched battle with de Montfort’s forces at Evesham, which was a decisive royalist victory. Jones describes how a 12-man hit squad was commissioned to roam the battlefield, ignoring everything, with the sole task of finding and killing de Montfort. They succeeded. His body was mutilated, his testicles, hands and feet cut off. To later generations he became a sort of patron saint of representative government. Today De Montfort University in Leicester is named after him.

Henry III was once again titular king but he was a broken, dithering old man. The real power in the land was his forceful and energetic son, Edward (named after Henry’s icon, Edward the Confessor) who turned out to be a very different character from the saintly Saxon.

Edward I (1272 to 1307) ‘a great and terrible king’

Edward’s career divides into roughly four parts:

1. Young manhood

Growth to maturity under his father Henry (1239 to 1272). This involved him in the complex problems caused by his father’s weakness and the malign influence of his mother’s foreign relations, the de Lusignan family, all of which climaxed in the Barons Wars, in which rebels against royal authority were led by Simon de Montfort. These forces won the battle of Lewes in 1264 and de Montfort was for a few years effectively ruler of England, but were then comprehensively crushed and de Montfort killed at the Battle of Evesham in 1265. The civil war dragged on for a few more years, with individual rebels being picked off or offered concessions and peace.

2. Crusade (1270 to 1274)

Edward mulcted the country to raise the money to go on the Ninth Crusade and, unlike his immediate forebears, actually managed to leave, but the crusade proved to be a fiasco in several ways. For a start the leader, French King Louis IX of France allowed himself to be persuaded by his brother, Charles of Anjou, who had made himself King of Sicily, to sail not to Palestine but to attack his enemies in the coast of Tunisia, who were harrying Sicily. By the time Edward arrived Louis had signed a peace with the emir leaving Edward and his army with nothing to do. Undeterred they sailed for the Holy Land.

Here the situation was poor. Jerusalem had fallen 50 years earlier leaving Acre the centre of the diminished Crusader state and this was menaced by the overwhelming force of Baibars, leader of the Mamluks. After a few feeble sorties Edward had to stand by while Hugh III king of Jerusalem made a treaty with the Mamluks, who were themselves menaced by the encroaching Mongols in the north. The only notable event of Edward’s crusade is when an assassin was allowed into his private chambers and stabbed him. Edward managed to kill the attacker but was seriously wounded and took months to recover.

With the signing of the peace treaty there was little more to do, so he reluctantly packed up and headed back to England. En route he learned that his father had died but instead of rushing back took nearly a year to return, attending to business in his province of Gascony, then having an audience with the French king at which he renewed his vows of fealty i.e. that he held Gascony as a servant of the French King.

3. Wales

Edward is famous for his wars of conquest in Wales and Scotland. Wales came first. It was ruled by Llywelyn ap Gruffudd who had benefited from the Barons Wars and slowly intimidated his way to rule over more and more of the other Welsh princes from his base in the northern province of Gwynned. Eventually, Llywelyn’s aggressive policies triggered a response from Edward who invaded with an overwhelming force in a carefully calculated campaign. In less than a year he had forced Llywelyn ap Gruffudd to retreat. Edward built enormous castles to act as permanent English powerbases as he and his army progressed through north Wales. After Llywelyn sued for peace he was made to perform fealty to Edward, hand over hostages, pay fines, and then travel to Westminster to perform submission, again.

In 1284 Edward issued the Statute of Rhuddlan that annexed Wales and made it a province of England. The title Prince of Wales was handed to Edward’s eldest son, Prince Edward (later Edward II) – a tradition that continues to this day.

4. Scotland

Edward was so relentless in his attacks against the Scots that after his death he became known as ‘Scottorum malleus’ – the Hammer of the Scots. In 1287 Alexander III, King of Scots, died suddenly after falling from his horse. The succession crisis that followed presented Edward with a golden opportunity to expand on his conquest of Wales. In the absence of an obvious heir, the Scottish crown looked set to pass to Alexander’s infant grand-daughter, Margaret, the daughter of the King of Norway, hence the folk name she acquired, the ‘Maid of Norway’. But all elaborate plans centring on her collapsed when she died en route to Scotland.

With rival claimants vying for the crown Edward was invited by the senior nobles of Scotland to judge the claims and make the choice. This was a golden opportunity and Edward exploited it insisting that he be recognised as feudal overlord of the Scots before a new Scots king be appointed. The two strongest claimants were Robert Bruce and John Balliol. After much machination Balliol was appointed king, but on the understanding that he did so as vassal to Edward.

Edward rode Scotland hard, demanding high taxes and soldiers for his wars in Wales and Gascony. In 1295 the Scots signed a mutual aid treaty with France, an alliance which was to last centuries and come to be known as ‘the Auld Alliance’.

Edward launched a brutal attack, taking Berwick, which the Scots had occupied, slaughtering the inhabitants before pushing on into Scotland and decisively defeating the Scots at the Battle of Dunbar 1296. Balliol was captured, stripped of his ceremonial trappings, and sent to prison in England, while Edward’s army returned south laden with loot including the legendary stone of Scone, also known as the Stone of Destiny, which was placed under the throne in Westminster Abbey.

However the Scots, like the Welsh, refused to accept defeat, and rebellions broke out in the highlands and lowlands, the latter led by William Wallace who managed to defeat the army Edward sent against him at the Battle of Stirling Bridge 11 September 1297. At which point Edward marched north with another army and defeated Wallace at the Battle of Falkirk. Wallace was later captured and sent south to London where he was brutally tortured and executed.

However Robert Bruce, who lost the contest for the crown in 1295, won support among the Scots nobles and had himself crowned King of Scotland in 1306. As he hadn’t asked permission of Edward, the English king once again marched north, defeated the Scots in a series of battles and forced Robert to flee. However, the Bruce refused to admit defeat, gathered his forces, and made renewed attacks on isolated English garrisons in 1307. Not even the capture and execution of key Bruce supporters (including members of Bruce’s own family) could reverse the tide.

Yet again Edward marched north but on 7 July 1307, within sight of Scotland in sight, the 68-year-old king died at Burgh-on-Sands. The campaign for the conquest of Scotland passed on to his son, Edward II who was, to the Scots’ relief, and shadow of his brutal and implacable father. In 1314 Bruce was to rout a larger English force at Bannockburn. Recognition of Scotland’s sovereignty came at the start of the reign of Edward’s grandson, Edward III, in 1328.

The Jews

Usury i.e. lending money out at interest, was banned to Christians, but kings and merchants needed funds so money-lending tended to be a specialist activity of England’s small Jewish community of maybe 2,000. This activity and their status as outsiders to the laws of the land made them vulnerable to victimisation. In 1275 Edward issued the Statute of Jewry that imposed severe taxation on the Jewish population of England. The Statute proved both lucrative and popular, so Edward extended the policy and in 1290 expelled the entire Jewish community from England – minus their money and property. The money raised went directly into his expensive campaigns in Scotland and Wales.

Edward II (1307 to 1327)

The revelation for me was how unpopular Edward II was even before he became king. Edward I fathered no fewer than 14 children but with the deaths of most of the older ones, young prince Edward of Carnarfon emerged as the heir and favourite. But even by the time he was a teenager he was already proving a disappointment. There are records of numerous violent arguments between father and son, not least as Edward fell under the hypnotic spell of the charismatic Piers Gaveston.

It is difficult to establish at a distance of eight hundred years just what their relationship really amounted to but Jones points out that the accusations of homosexuality which later gathered round the relationship only really appear in the chronicles after Edward’s death in 1327. From Edward’s recorded words and writings during his reign, it seems that he regarded Gaveston more as a beloved adopted brother, who he blindly hero worshipped. Gaveston joined Edward’s household in 1300 and was tried and executed in 1312 and during this time caused havoc. He was dilettantish and rapacious, greedy for titles.

Gaveston stage-managed Edward II’s coronation, shocking the assembled nobility of England by rudely sidelining Edward’s queen, Isabella, daughter of the powerful King Philip IV of France. His behaviour alienated numerous groups and noble families who first protested and forced the king to send him into exile, then, when Gaveston returned, and then rose against the king. Edward II’s reign comes to its first climax with the seizure and execution of Gaveston by a kangaroo court led by the Earl of Lancaster, in 1312. The polarisation of the aristocracy led to several years of confrontation between the armed camps and it was during this period that the Scots won their great victory at the Battle of Bannockburn in June 1314.

The sense of ill omen about Edward’s reign was compounded by the Great Famine of 1315 to 1317. For three years in a row there was unusual amounts of rainfall in the spring and summer which ruined crops. There was widespread famine and reports of cannibalism. It is thought that population had been rising since the time of the Norman Conquest but now it came to a dead halt and declined. The famine undermined belief in the church and the efficacy of prayer, and also in the secular authorities who proved hopeless at alleviating starvation.

But having eliminated Gaveston did not change Edward II’s dependence and he switched his allegiance to the Despenser family, in particular Hugh Despenser the Younger with whom he became close friends. The same problems arose again, which is that the king gave disproportionate amounts of land and favours and honours to the Despensers and their extended family, perpetuating the party opposed to Edward.

In 1321, once again led by the Earl of Lancaster, the rebellious barons seized the Despensers’ lands and forced the king to exile them. Edward led a short military campaign, capturing and executing Lancaster and restoring Despensers grip on power. The cabal set about executing their enemies and confiscating their estates, particularly of the Mortimer family who had become one of the leading opponents and now fled to France.

The French king took advantage of the turmoil in England to make attacks on Plantagenet territory in France, particularly Aquitaine. Lacking the money or support from his nobles to launch any kind of military campaign, in 1325 Edward sent his queen, Isabella, to negotiate a peace treaty but by now she had had quite enough of a king who did nothing but snub her and load his favourites with wealth and honour. Isabella not only refused to return but quickly fell into league with the exiled noble Roger Mortimer and scandalised opinion by taking him as her lover.

In 1326 they landed with a small army in East Anglia and, as they marched across the country, more and more local nobles rallied to the cause. As his regime collapsed around him, Edward was forced to flee to Wales where he was captured in November. The king was forced to relinquish his crown in January 1327 in favour of his 14-year-old son, Edward III, and he died in Berkeley Castle on 21 September, probably murdered on the orders of the new regime.

Edward III (1327 to 1377)

In Jones’s account Edward’s reign falls into roughly three periods. For the first three years, as a boy, he was under the guardianship of his mother Isabella and her lover Roger Mortimer, who proved every bit as rapacious as the former king had been. As soon as he was old enough, in 1330 Edward launched a coup against them. Isabella was exiled to a provincial castle but Mortimer was formally tried for arrogating royal power, found guilty and hanged at Tyburn.

Part two of his life is the central period from 1330 to 1360, during which Edward emerged as possibly the greatest of all the Plantaganet kings. He:

  1. conducted successful campaigns to restore or establish English control of Wales, Scotland and key territories in mainland France, namely Aquitaine
  2. fathered a huge brood of children (ten), with three or four of the sons growing up to become powerful and successful soldiers, political figures and leaders in their own right, namely Edward the Black Prince b.1330
  3. realising the English aristocracy had been depleted by deaths in battle and also what had been in effect the civil war of Edward II’s reign, Edward cannily set about creating new earls and awarding them land around the kingdom, along with a new order of ‘dukes’, this creating a special bond between himself and the nobles of England
  4. Edward was fascinated by the legend of King Arthur and spent a fortune commissioning a room to hold a Round Table at Windsor, as well as instituting the noble Order of the Garter, as another way of binding together the English aristocracy

Edward was determined to seize back the territories in continental France which had been held by Henry II at the peak of the Plantagenet Empire. Over the next thirty years he launched a series of campaigns which led to the two ‘famous’ victories over French armies, at Crecy on 26 August 1346 and Poitiers on 19 September 1356. The latter battle was so decisive the English captured the French King John II and took him, and numerous other nobles, back to England to be ransomed.

Jones explains how Edward set about carefully allotting each of his adult sons a territory within his ’empire’ to manage, with the Black Prince being awarded Aquitaine, the duchy belonging to his great grandfather Richard the Lionheart. However, the Prince’s rule was troubled by three factors. He chose to get dragged into the affairs of Spain, taking the side of Don Pedro of Castile against his half-brother Henry of Trastámara. The Prince defeated Henry only to discover that Pedro was completely broke and couldn’t pay anything towards the huge loans the Prince had taken out to pay his mercenaries. This led directly to the second bad decision which was that the Prince was forced to impose onerous taxes on the nobles and people of Aquitaine, managing to alienate all of them. When the king of France came probing around the border of Aquitaine, towns opened their gates to him without a fight.

The third piece of bad luck was that during the campaign against Henry of Trastámara, the Prince picked up a recurrent fever, maybe malaria, which undermined the physical energy which had made him such a legend at Crecy and Poitiers. Increasingly enfeebled – having to be carried around in a sedan chair – he reacted savagely to his mounting problems. After the town of Limoges capitulated to the French king without a struggle, but was then retaken by English forces, the Prince ordered an indiscriminate slaughter of the civilian population in 1370. The Black Prince returned to England in 1371 and the next year resigned the principality of Aquitaine and Gascony. He lingered on, increasingly infirm, for five more years and died in 1376, the year before his father.

As the 1360s progressed, King Edward himself grew more infirm. Many of the close knit circle of contemporaries passed away. In 1364 King John II of France passed away and was succeeded by the vigorous and aggressive Charles V. Edward sent his son John of Gaunt with an army against Charles but the campaign was a failure. With the Treaty of Bruges in 1375, the once-great English possessions in France were reduced to the coastal towns of Calais, Bordeaux, and Bayonne.

Edward’s beloved wife Philippa of Hainault died in 1369. Grief-stricken, Edward took comfort in a long-running affair with a mistress, Alice Perrers. Discontent at home led to the convocation of the so-called Good Parliament in 1376, which was the longest parliament up to that time. As so often it was called to raise taxes for the crown, but was an opportunity for critics to vent their grievances and in particular gave voice to the so-called commons more than any previous meeting.

But the real power in the land at the end of Edward’s reign was his son John of Gaunt.

The Black Death

Plague came to England in 1348, arriving at Weymouth in Dorset, from Gascony in June 1348. By autumn, the plague had reached London, and by summer 1349 it covered the entire country, before dying down by December. The best current estimate is that, depending on region, between 40 and 60 percent of the population perished. Not so well known is that the plague returned in 1361 to 1362 this time causing the death of around 20 percent of the population.

Leaving aside the horror and the despair the surprising thing, in Jones’s account at any rate, is how little impact this astonishing holocaust had on the economic, political, military or social structures of the day. The best known is that is resulted in a shortage of labour which lasted generations and, in effect, led to the end of feudal servitude.

Because he is interested in political history and, more precisely, in the stories of the kings conceived as Hollywood blockbusters, the plague makes remarkably little difference to Jones’s narrative. In 1356 England and France are back at war as if nothing had happened.

Richard II (1377 to 1399)

Richard was the second ill-fated king of the 14th century, destined, like Edward II, to be overthrown and, oddly, after nearly the same length of reign, 20 years for Edward II, 22 years for Richard II.

Richard was the son of Edward III’s oldest surviving son, Edward the Black Prince and so heir to the throne even though his father died before his grandfather. Having been born in 1367 he was only ten when he came to the throne and Jones gives a vivid description of his coronation and the surrounding festivities which – he speculates – deeply marked the boy, convincing him of his divine right to rule.

The common people, and the nobles, all hoped the arrival of a new young king would mark a turnaround from the sombre final years of Edward III’s reign. They also crowned him in a hurry because many feared that the mature and forceful John of Gaunt was himself scheming to seize the throne.

Early on he was controlled by a series of Regency Councils dominated by his uncles, John of Gaunt and Thomas of Woodstock, though their influence was contested. The ruling classes imposed a series of three poll taxes to raise money for continuing the war with France, and this was one of the spurs which led to a sudden outbreak of violence among serfs in Essex and Kent which quickly escalated into the Peasants’ Revolt. The revolt was a really serious violent revolution. The rebels took London, burning and looting, seized the Tower of London and murdered many leading notables including the Archbishop of Canterbury, who was also Lord Chancellor, and the king’s Lord High Treasurer, Robert Hales.

Richard played an astonishingly central role in quelling the revolt, personally intervening to meet the rebel leaders and organise an ambush whereby the main leader Wat Tyler was pulled from his horse and stabbed. When the mob surged forward Richard rode among them and shouted ‘I am your leader, follow me’, and they did follow him away from the scene of the murder and Richard’s militia was then able to disperse them.

Richard married Anne of Bohemia, daughter of Charles IV, the Holy Roman Emperor, on 20 January 1382, the empire being seen as potential allies against France in the ongoing Hundred Years’ War, but the marriage was unpopular, the alliance didn’t lead to a single military victory, and the marriage was childless. Anne died from plague in 1394, greatly mourned by her husband.

Richard’s reign was marked by two political crises, in 1386 to 1388 and the final one in 1397 to 1399.

First crisis 1386 to 1388

Favourites

Very like Edward II, Richard appointed a handful of devoted favourites who he lavished with honours and lands and positions. The fact that they came from merchant families without true aristocratic forebears, created great resentment among the rest of the nobility. There were Michael de la Pole, created chancellor in 1383 and Earl of Suffolk two years later. Worse was Robert de Vere, Earl of Oxford, who Richard raised to the new title of Duke of Ireland in 1386. Their relationship was so close that later chroniclers speculated it was homosexual.

Failure in France and Scotland

An expedition to France to protect English possessions was a failure. Richard decided to lead an expedition against Scotland but this also was a miserable failure as the Scots evaded a set-piece battle. Rumblings against the king was led by the Duke of Gloucester and Richard Fitzalan, Earl of Arundel.

The Wonderful Parliament (November 1386)

Parliament was called in November 1386 and the unpopular chancellor, Michael de la Pole, asked for an unprecedented level for taxation to cover these military expeditions. The parliament blamed Richard for the military failures and said it couldn’t consider the issue till de la Pole was removed. The king dismissed their threat but was in the end forced to sack de la Pole. Parliament appointed a ‘continual council’ to supervise the king’s rule, a direct and humiliating attack on Richard’s royal prerogative.

As soon as the parliament had closed, Richard denounced all its actions and in the new year went on a prolonged tour of the country to drum up support and appointed de Vere Justice of Chester to build up a powerbase in Cheshire. Here he put great pressure on seven senior judges to annul the decisions of Parliament and denounce its leaders as traitors.

Radcot bridge 19 December 1387

On his return to London, the king was confronted by the Duke of Gloucester, Arundel and Thomas de Beauchamp, 12th Earl of Warwick, who brought an appeal of treason against de la Pole, de Vere, Tresilian, and two other loyalists, the mayor of London, Nicholas Brembre, and Alexander Neville, the Archbishop of York. Richard played for time and ordered de la Pole to bring loyalist forces from Chester.

Jones opens the relevant chapter with a wonderfully atmospheric account of the loyalist forces advancing under cover of fog towards the Thames but being confronted at Radcot Bridge by overwhelming rebel forces and being forced to swim his horse out into the Thames and escape downstream, ultimately fleeing to France.

The Merciless Parliament (February to June 1388)

Parallel to his efforts to raise loyalist forces and seize back London, Richard had been involved in lengthy negotiations with the king of France whereby he would relinquish all England’s territory in France except for Aquitaine, for which he would proclaim himself the French king’s vassal. Rumours of these negotiations leaked out and led to fears that Richard might be prepared to countenance a French invasion of England, so long as he was returned to the throne.

Richard’s original opponents were now joined by John of Gaunt’s son Henry Bolingbroke, Earl of Derby, and Thomas de Mowbray, Earl of Nottingham and the group became known as the Lords Appellant because, with de Vere out of the way, they now made legal demands (or appeals) designed to dismantle the apparatus of Richard’s rule. Having dispersed the loyalist army at Radcot, the rebels now marched back to London where they found the king barricaded in the Tower of London which, however, they entered and confronted the king in person with accusations of treason. Apparently the Lords debated executing the king there and then – it came that close, executing their liege king to whom they were all related and who they were negotiating with – but decided against it and called another parliament.

The parliament convened in February 1388 and became known as the Merciless Parliament because the Lords revealed Richard’s treacherous plans with France, won over the Houses of Lords and the Commons and pushed ahead with legal actions to have almost all of Richard’s advisers convicted of treason. Two key figures in the administration, Brembre and Tresilian, were condemned and executed, while de Vere and de la Pole – who had both fled the country – were tried for treason and sentenced to death, then the Appellants went on to arraign, try and execute most of the rest of Richard’s inner circle.

It reads like something from the Terror of the French Revolution. Not only the leading nobles but retainers, clerks, chaplains, and secretaries to Richard were summarily condemned and executed. The seven judges who had been terrorised into denouncing the Lords Appellent, the year before in Chester, were all arrested, tried and executed. Richard’s chamber knights were tried and executed. Richard’s intermediaries who had been negotiating with France, were discovered and executed. No wonder it ended up being called the Merciless Parliament.

Restoration

Amazingly, given that their power had been so absolute and the terror so thorough and Richard’s humiliation so complete, Richard returned to personal rule in 1389 and ruled more or less successfully for the next eight years. He was helped by the fact that, once the Lords Appellant had liquidated so many of their enemies, as a group they fell apart, reverting to their individual interests. One of the things which united them had been opposition to Richard’s peace policy with France but when they requested another round of taxation to further their war policy, Parliament baulked and the tide of opinion turned against them.

France and Ireland

Richard therefore spent the next few years trying to finalise a peace treaty with France. Meanwhile the Anglo-Irish lords were begging for help against the insurgent Irish and in the autumn of 1394, Richard left for Ireland, where he remained until May 1395. His army of more than 8,000 men was the largest force brought to the island during the late Middle Age, the invasion was a success, and a number of Irish chieftains submitted to English overlordship.

Second crisis 1397 to 1399

The last few years of Richard’s rule are referred to as the ‘tyranny’. The king had Gloucester, Arundel and Warwick arrested in July 1397. After years or reasonably peaceful rule, and bolstered by success in Ireland, Richard felt strong enough to safely retaliate against these three men for their role in events of 1386–88 and eliminate them as threats to his power. Arundel’s brother Thomas Arundel, the Archbishop of Canterbury, was exiled for life. Richard then set about persecuting his enemies around the regions of England. All the allies of the former Lords Apellant were arrested, tried and released only on payment of enormous fines.

The policy was made possible by the support of old John of Gaunt, Duke of Lancaster, and a suite of powerful magnates who Richard awarded with new titles and lands including the former Appellants Henry Bolingbroke, Earl of Derby, who was made Duke of Hereford, and Thomas de Mowbray, Earl of Nottingham, who was created Duke of Norfolk, John and Thomas Holland, the king’s half-brother and nephew, who were promoted from earls of Huntingdon and Kent to dukes of Exeter and Surrey respectively, the King’s cousin Edward, Earl of Rutland, who received Gloucester’s French title of Duke of Aumale, Gaunt’s son John Beaufort, Earl of Somerset, who was made Marquess of Somerset and Marquess of Dorset and so on.

The Shrewsbury parliament

In 1398 Richard summoned a packed Parliament to Shrewsbury – known as the Parliament of Shrewsbury – which declared all the acts of the Merciless Parliament to be null and void, and announced that no restraint could legally be put on the king. It delegated all parliamentary power to a committee of twelve lords and six commoners chosen from the king’s friends, making Richard an absolute ruler unbound by the necessity of gathering a Parliament again.

The house of Lancaster

John of Gaunt, son of Edward III, brother of Richard’s father the Black Prince, and so Richard’s uncle, had cast a long shadow over Richard’s reign. In the 1390s he had gone to Spain to pursue claims, through his wife, Constance of Castile, to the titles of King of Castile and León, but had returned in 1397. Next to the king he was the largest, richest landowner in the country and had a virile, aggressive son, Henry Bolingbroke, Duke of Hereford.

Bolingbroke versus Mowbray

In December 1397 a bitter quarrel broke out at the core of the courtly circle when Bolingbroke accused Thomas Mowbray of saying that, as former Lords Appellant, they were next in line for royal retribution. Mowbray denied the claim and it was decided the quarrel should be settled the old fashioned way through a joust. Jones vividly paints the scene as the setting for a mounted joust was assembled and the two warriors arrived on horseback in full knightly array.

Bolingbroke exiled

However, just as they were gearing themselves to ride at each other Richard intervened and cancelled the joust, deciding that Mowbray should be exiled for life, Bolingbroke for ten years. Aristocratic and public opinion was dismayed, John of Gaunt complained but was by now very ill. When Gaunt died in February 1399 Bolingbroke should have succeeded to his father’s vast lands and wealth. However, Richard extended his exile to life and proceeded to sequester the Lancaster estate, parcelling it out to loyal followers.

Bolingbroke’s return

Amazingly, Richard chose this moment to lead an army back to Ireland in May 1399. Bolingbroke saw his opportunity and landed with a small force at Ravenspur in Yorkshire at the end of June 1399. What follows reads almost as a fairy story as men of all ranks rallied to Bolingbroke’s flag, because they thought he had been treated badly, because they were sick of the king’s erratic and tyrannical behaviour, because they thought it was time for a change.

Also Richard had taken most of his household knights and the loyal members of his nobility with him to Ireland so there was no-one to organise opposition. Bolingbroke met with the powerful Henry Percy, 1st Earl of Northumberland, and persuaded him that he didn’t seek the crown, merely the rightful return of his patrimony and Percy decided to support him.

By the time Richard returned from Ireland, landing in Wales on 24 July, it was all over. Bolingbroke had conquered England without a battle. He was astounded to realise that all the leading men of the realm had gone over to Bolingbroke without a struggle. On 19 August Richard II surrendered to Henry at Flint Castle, promising to abdicate if his life were spared. Richard was taken back to London and imprisoned in the Tower of London on 1 September.

Deposing Richard

Henry had by now realised he could become the next king, but exactly how to manage it presented problems. Henry wasn’t even the next in line to the throne: the most direct heir was Edmund Mortimer, 5th Earl of March, great-grandson of Edward III’s second surviving son, Lionel. Bolingbroke’s father, John of Gaunt, had been Edward’s third son to survive to adulthood. The problem was solved by emphasising Henry’s descent in a direct male line, whereas March’s descent was through his grandmother, Philippa.

Psychodrama

These final chapters of Jones’s history overshadow all the preceding adventures because what happened to Richard is so weird that the modern reader can’t help envisioning it as a play or movie. Henry and Richard were related. They had a common history having, for example, both survived the Peasants revolt back in 1381, and the rights and wrongs of the king’s policies vis-a-vis the House of Lancaster were both intimately personal and of national political importance. And then, how did Henry square the age’s religious-ideological belief in the divinity of the king, with the reality of leading a broken, tearful young man (Richard was just 32) to the Tower and locking him up while powerful barons decided just how to get rid of him and whether or not to execute him.

Parliament decides

In the end, tellingly, Henry worked through parliament. The Archbishop of Canterbury read out to an assembly of lords and commons at Westminster Hall on Tuesday 30 September that Richard willingly renounced his crown. A few days later parliament met to discuss Richard’s fate and the Bishop of St Asaph read thirty-three articles of deposition that were unanimously accepted by lords and commons. On 1 October 1399, Richard II was formally deposed and on 13 October, the feast day of Edward the Confessor, Henry Bolingbroke was crowned king.

Starved to death

Richard was imprisoned but, as you would expect, his continued existence proved the focal point of various plots to release and restore him to the throne. Bolingbroke realise he had to be liquidated and – although no definitive account survives – it is thought he was starved to death in Pontefract castle and was dead by Valentine’s day 1400. In order to dispel rumours that he was still alive, Henry had Richard’s emaciated body carried on open display from Pontefract and put on show in the old St Paul’s Cathedral on 17 February before burial in King’s Langley Priory on 6 March.

The Plantagenet Legacy

Jones has a ten-page epilogue where he trots through the legacies of the Plantagenet kings who reigned from 1154 to 1400, in the arts, economy, culture, in military terms especially vis-a-vis the endless wars with France, and in terms of the steady growth of parliamentary democracy. These are fine but a bit throwaway, analysis not being his thing, dramatic scenes, conflict, battles and the endless scheming of medieval politics being his strong point.

What came over to me from this 600-page book was the extraordinary violence of it all. Almost none of the 250 or so years in the book are not marked by conflict at home or abroad or both. England, like just about every ‘nation’ in Europe, seems to be involved in more or less non-stop conflict. War was a way of life for kings and princes, wars of conquest to expand their empires, or to maintain them, or to retrieve lost land, make up the dominant theme of this book.

And the extreme fragility of the political realm. This is a vast subject, covered by thousands of historians but it all tends to remind me of Karl Popper’s great insight into the nature of ‘democracy’. Popper said democracy is not about voting for this or that politician or political party on the basis of their manifesto (well, it is, a bit) – far more importantly, democracy exists so we can throw out politicians we are fed up with. It is mechanism to prevent tyranny by regularly getting rid of rulers.

That seems to me the nub of so many of the issues described in this big gripping book. The nobles couldn’t get rid of the king and the king couldn’t get rid of the nobles – at least not without commencing the machinations, the arraignments for treason and beheadings etc which tended to kick off cycles of violence which soon escalated out of control.

Now we have mechanisms to vote for our equivalent of local ‘nobles’ – MPs – and for our ruler – the Prime Minister – on a fairly regular basis, and all parties concerned can appeal to this validation or mandate for their behaviour which, if it is queried seriously enough, will prompt another election.

God knows modern ‘democratic’ societies still experience extremes of social tension and conflict – having lived through Mrs Thatcher’s premiership and its polarising Miners Strike and then the Poll Tax riots – but there are mechanisms for just about managing them by changing rulers and ruling parties: it was the widespread unpopularity of the poll tax which led to the overthrow of Mrs Thatcher and the election of her anodyne successor John Major.

So all this just makes me imagine what it must have been like living in a world where this kind of peaceful changeover of ruler, and of ruling class (which, in a sense, modern MPs are) is impossible. Both the king and his barons find themselves trapped for all eternity with each other. Their conflicts have nowhere to go. The king cannot resign after a military failure. The barons cannot quit public life in disgust, as modern politicians can.

Both were trapped in their positions, forced by notions of nobility and duty to act out roles which time and again led to armed conflict, to the collapse of dialogue and civil wars. One of the surprising aspects of Jones’s book is the number of occasions on which the nobility took up arms against their kings, not just overthrowing Edward II and Richard II, but taking up arms against King John and, repeatedly against Henry III, and even against tough King Edward I.

Jones’s book is a gripping, hugely readable account of this big chunk of English history, but it also prompts all kinds of thoughts about the nature of power and politics, about the nature of what is possible in politics has changed and evolved, which shed light on the political struggles which are going on right now.

The Wilton Diptych

The Wilton Diptych is thought to have been a portable altarpiece made for the private devotion of King Richard II by an artist now unknown. On the left Richard is kneeling in the foreground and being presented by three saints to the Virgin and Child and a company of eleven angels on the right. Nearest to Richard is his patron saint John the Baptist, to the left are Saint Edward the Confessor and Saint Edmund, earlier English kings who had come, by Richard’s time, to be venerated as saints.

The Wilton Diptych, artist unknown, so-called because it was discovered in Wilton House

This wonderful work can be seen FOR FREE in the Sainsbury Wing of the National Gallery in London.


Other medieval reviews