Africa’s World War: Congo, the Rwandan Genocide and the Making of a Continental Catastrophe by Gérard Prunier (2009)

The most murderous conflict since World War Two.
(Africa’s World War, page 352)

‘The incompetence of most [Congolese] politicians is only rivalled by their determination to keep their privileges.’
(French ambassador Raymond Césaire, describing the chaos of Congo-Brazzaville in 1995, page 169)

This is said to be the definitive book on the subject and it feels like it, a large-format, massive, heavy Oxford University Press edition, printed on beautiful high quality paper. It’s surrounded by impressive scholarly apparatus consisting of:

  • a glossary of African terms (49 entries)
  • 4 maps
  • an impressively long list of acronyms (11 pages, 161 entries)
  • extensive notes (99 pages)
  • a huge bibliography (45 pages including not only books and articles, but reports from numerous official bodies and charities, plus films and works of fiction)
  • a long index

The great war

I’ve summarised the war, with maps, in my review of the relevant section of David Van Reybrouck’s great book, Congo: the epic history of a people. This is the briefest I can get it:

  • Rwandan Tutsis driven by low-level pogroms had fled during the 1980s into neighbouring Uganda
  • some of these served in the insurgent army of Yoweri Museveni during the Ugandan Bush War and helped him overthrow the dictatorial rule of Milton Obote in 1985
  • emboldened by their experience, some of these Tutsi exiles set up the Rwandan Patriotic Front (RPF)
  • in 1990 the RPF began small-scale incursions into northern Rwanda, fighting the army of the Hutu-majority government of Juvénal Habyarimana
  • after 4 years of civil war the parties were brought to a peace accord which Habyarimana signed and was about to implement when a plane carrying him was shot down in mysterious circumstances; most people think it was shot down by elements in the Hutu army and government which a) rejected the peace deal with the RPF b) wanted to implement the genocidal policy of the so-called Hutu Power group, which said that Rwanda would never be at peace until the Tutsis (about 15% of the population) were exterminated
  • they organised the Rwanda genocide, 7 April to 15 July 1994
  • as soon as the genocide started, the RPF recommenced military action, and successfully defeated the Hutu government forces, driving them into the south and west of the country and then over the border into Zaire
  • but it wasn’t just the Hutu leaders who fled; as cover and part of their ideological program, they forced up to 2 million Hutu civilians to flee, too, terrifying them with rumours of Tutsi massacres
  • having completely failed to prevent the genocide or halt it as it was carried out, the international community now over-compensated by flooding the refugee camps with aid
  • however aid agencies, UN officials etc quickly realised these vast camps were completely in the control of the extremist Hutu leaders and génocidaires
  • the génocidaires used some of the western aid to rearm and regroup and, as soon as possible, began raids back across the border into Rwanda, killing Tutsis and Hutu they accused of being collaborators
  • they also attacked, and caused others to attack, the Banyamulenge, ethnic Tutsis living in eastern Congo, particularly the province of South Kivu
  • the new Rwandan government of national unity which had been set up after the RPF victory protested loud and long about this anti-Tutsi violence and asked ‘the international community’ to stop it and properly police the camps but to no avail
  • eventually, the RPF, along with forces from neighbouring Uganda, invaded Zaire and seized the camps; they a) forced the hundreds of thousands of Hutu refugees to return to Rwanda and b) pursued the génocidaires who, reasonably enough, fled deeper into Zaire, often taking large groups of refugees with them as cover
  • before the RPF embarked on their campaign they and their Ugandan allies realised ‘the international community’ would react badly to a straightforward invasion and so came up with the plan of covering their actions by using a native, Congolese rebel group and their leader, as a front man for the invasion, to make ‘a foreign invasion look like a national rebellion’ (p.115)
  • the figure they chose was Laurent-Désiré Kabila, not very effective leader of the People’s Revolutionary Party (PRP), who in reality spent most of his time smuggling gold and running a brothel
  • so the Alliance of Democratic Forces for the Liberation of Congo (AFDL) was invented, with Kabila as its supposed leader; Prunier remarks that Kabila’s subservience to ‘the tall ones’ (as everyone called the Tutsis) earned him the Swahili nickname Ndiyo bwana, meaning ‘yes sir’ (p.124) (cf David van Reybrouck’s account, ‘Congo: The Epic History of a People’, p.418)
  • as the RPF-led alliance forces experienced success which surprised even them, the idea developed to permanently cut off Zaire’s support for Hutu extremists by the simple expedient of overthrowing its long-standing President, Mobutu Sese Seko, who had been friends with Habyarimana and had supported the Hutu génocidaires running the camp
  • and so the border incursion developed into a full-scale march on the capital of Zaire, Kinshasa, which Mobutu and his cronies fled in panic (16 May 1997) and where Kabila, much to his own surprise, was installed as third president of independent Congo (which now changed its name back from Zaire to Democratic Republic of Congo)
  • Prunier says this incursion could be seen as the first postcolonial imperial conquest of one African country (Zaire) by another (Rwanda), ‘the first case of clear-cut African imperialism’ (p.333)
  • the period from the invasion to the new regime became known as the First Congo War (October 1996 to May 1997)
  • trouble was Kabila found himself in a tricky position: he had to please his Rwanda-Uganda masters who had put him in power, but he now had all the political factions and the general population of Congo to please as well
  • to please these new constituencies, in July 1998, Kabila ordered all Rwandan and Ugandan forces to leave Congo, they were widely perceived as an invading and occupying force (p.178)
  • but Kabila’s masters back in Kigali (capital of Rwanda) and Kampala (capital of Uganda) were understandably miffed at their puppet’s ingratitude and so they launched a second invasion, this time to overthrow Kabila
  • Prunier explains that it was support from Angola and Zimbabwe which saved Kabila’s ramshackle regime, along with some support from Sudan, Libya and Chad;
  • it was this second incursion which came to be known as the Second Congo War, which commenced in August 1998 but which then unravelled into a wider conflict, eventually drawing in forces from half a dozen other African countries, and degenerating into the armed chaos which came to be known as the Great War of Africa, which dragged on until (supposedly) ended by peace treaties in July 2003, a five-year war in which some 350,000 people died in fighting and as many as 5 million died from massacres, disease and famine
  • and it is this, the Great War of Africa, whose complex origins and tangled course that this book sets out to explain

Prunier’s critical attitude

I associate serious history with a serious, professional tone so I was surprised from the start by Prunier’s tone of blistering cynicism and withering criticism, above all of the ‘so-called’ international community, in particular of the West and the ‘so-called’ international community, which he sees as behaving with stunning ineptitude at every stage of the crisis:

  • ‘Western incompetence and vacillation’ (p.23)
  • western ‘guilt, ineptitude’
  • ‘the Western world reacted with stunned incompetence’
  • ‘the West…was caught napping at every turn’ (p.24)
  • ‘nobody in the international community had done anything to stop the genocide (p.33)
  • ‘the utter spinelessness of the international community before, during and after the genocide’ (p.35)
  • ‘the cowardice of the international community’ (p.35)
  • ‘stunned impotence of the international community in the face of violence’ (p.38)
  • ‘of course the international community remained totally passive’ (p.57)
  • ‘the international community did not understand the nature of the problem’ (p.225)
  • ‘the United Nations, that supposed repository of the world’s conscience…frantically doing nothing and avoiding any responsibility in the third and last genocide of the twentieth century…’ (p.331)

Humanitarian aid instead of political solutions

Prunier blames the spiral down to war on the international community’s failure to address the political causes of the Rwanda civil war, then the genocide in Rwanda, then the refugee crisis in Zaire, then the armed invasion of Congo. In all instances the West preferred to offer humanitarian solutions i.e. to send in the aid agencies and NGOs, but consistently ignored the political roots of the crisis. Sending loads of tents and emergency food is easier than trying to address the political problems. And so the fundamental political issues were left unresolved, festered and spread.

The international community rushed into humanitarian aid with guilty relief, never-too-late-to-do-good, thus greatly helping the perpetrators of the very crimes it had done nothing to stop. (p.30)

And:

‘The West treated what was essentially a political problem as a humanitarian crisis.’ (p.58)

cf p.347.

Critical of the RPF

Prunier is far more critical of Paul Kagame’s RPF than other accounts I’ve read, accusing the regime of developing into a dictatorship, and of its military wing, the Rwandan Patriotic Army (RPA) of carrying out numerous massacres of Hutus in Congo.

Prunier explains this by going back to the RPF’s origins in Uganda in the 1980s to describe the atmosphere of violence in which it was born and flourished a) fleeing anti-Tutsi pogroms in Rwanda and then b) getting caught up in Uganda’s Bush War. When the Rwandan exiles helped Museveni win this war and come to power, it clinched their experience that disciplined violence works.

Prunier goes on to describe the RPA’s violent ethos more unforgivingly than other accounts. In particular he is at pains to emphasise, right from the start, that as it fought its way across Rwanda during the genocide, the RPA a) carried out its own massacres of Hutus and b) didn’t plan its campaign in order to stop the violence i.e. target the worst areas, but was more focused on eliminated the Rwandan army and securing complete control of the country.

He discusses the report drawn up by Robert Gersony for the UN which conclusively proved the RPA was carrying out massacres of its own and claims this report was suppressed by the UN and western nations (pages 31 and 350) because of its accusations against a force the West was championing as a solution to the genocide. The report was suppressed and Gersony was instructed to never discuss the findings, and has kept silent to this day. We are in the world of conspiracy theory. Mind you, it fits Prunier’s withering view of the United Nations generally:

  • As to the UN human rights operation, it was a sad joke. (p.18)
  • [The United Nations Assistance Mission for Rwanda was] despised by everybody in Rwanda as the embodiment of arrogant powerlessness. (p.33)

A key event was the Kibeho massacre, April 1995, in which up to 4,000 refugees were killed by RPA soldiers. Prunier describes it in detail and how it led to the collapse of the government of national unity which had been running Rwanda since the RPF victory. He draws the same jaded conclusion which he applies to the genocide and then the invasion of Congo as a whole:

Non-treatment of the consequences of genocide, well-meaning but politically blind humanitarianism, RPF resolve to ‘solve the problem’ by force, stunned impotence of the international community in the face of violence, and, finally, a hypocritical denial that anything much had happened.

It was one of what Prunier calls ‘massive human rights violations’ by the RPA (p.126). Much worse were the mass killings in and around the refugee camps in November 1996. Prunier cites the report of Father Laurent Balas (p.124) and of Roberto Garreton, the UN Special Rapporteur on the situation of human rights whose work was blocked by Kigali (p.157). At the end of the chapter dealing with the Alliance’s swift advances through Congo, and accusations of widespread massacre, Prunier calculates that as many as 300,000 of the refugees disappeared, died of starvation, disease, lost in the jungle or were murdered by RPA forces (p.148).

(Cf David van Reybrouck’s account of the RPF carrying out ‘ethnic cleansing’ and ‘massive carnage’, ‘Congo: The Epic History of a People’, pages 423 to 425, where he estimates that between two to three hundred thousand Hutus were murdered.)

Very broadly speaking, the idea is that ‘the West’, specifically America but others too, tried to downplay the massacres out of a) guilt at letting the genocide take place and b) the wish to believe that a clean, democratic new regime existed in Kigali. The massacres were embarrassing. It left the UN and others on a hook, not knowing how to react: so they consistently downplayed them (p.159).

Prunier makes this point, that Western guilt over having stood by and done nothing to stop the genocide, explains why the West gave large amounts of aid to Rwanda even as it was fighting an extensive war, and obstinately overlooked all evidence that RPF forces were carrying out large-scale massacres of their own (e.g. pages 246, 273). Rwanda was able, for years, to ‘surf’ on western guilt (pages 266, 350, 351).

And Prunier details the internal developments in Rwanda, namely the persecution of critics and the inevitable rise to power of Paul Kagame at the head of ‘a dictatorial minority government’ (p.273), his:

ruthless determination, his capacity to fine-tune white guilt as a conductor directs an orchestra’ (p.332)

and his creation of ‘an airtight authoritarian state’ (p.294).

[The enthusiastic support of the West, and especially Western journalists, for an underdog rebel militia with a noble cause fighting a brutal stronger power reminds me of the decade I spent watching BBC and ITV journalists in Afghanistan with the mujahideen singing the praises of these plucky Davids fighting the Soviet Goliath. Only after the Soviets left and the country plunged into civil war from which arose the Taliban were those western journalists forced to change their tune. Moral of the story: don’t take sides in foreign wars; neither side is ever as squeaky clean as we childishly wish them to be. All sides in a war are compromised.]

Encyclopedic complexity

As early as page 40 the text has got so complicated that it becomes difficult to follow. Everything Prunier describes he does so in immense, encyclopedic detail. The events in Rwanda I have a rough handle on, having read half a dozen accounts. I found it more challenging to read his long, detailed explanation of the civil war in neighbouring Burundi, his examination of the political and ethnic roots going back to the colonial period, starting with the fact that there were four different Hutu guerrilla groups, moving through dense complexity to the killing of Burundi president (Hutu) Cyprien Ntaryamira by Tutsis soldiers in an attempted coup in April 1994.

A contemporary journalist summed up the resulting situation in a quote I include not so much to clarify but as an example of the sheer number of entities the reader has to get clear in their heads, along with their changing motivations and policies.

The present situation in Burundi is largely a result of Zairean support for PALI-PEHUTU and CNDD. The final attack on Burundi would be a catastrophe for Rwanda because the plan is to allow Nyangoma to take power in Bujumbura and to bring the Interahamwe back in Rwanda. (quoted page 68)

Even more so his hyper-detailed explanation of the complex ethnic situations in the eastern Congo provinces of North and South Kivu, which also have long, very complicated ethnic histories. You’d have thought it would be difficult for anyone else to ever go into as much detail or display such scary erudition as Prunier. The situation in the Kivus is important because they form Congo’s border with Rwanda and therefore played a key role in the escalating crisis which eventually led to the Rwandan invasion, but the histories of ethnic rivalries, conflict, massacres, numerous parties and militias – for example the key role played by the Banyamulenge – are mind boggling.

And then he has a chapter titled ‘The Congo basin, its interlopers and its onlookers’ (pages 73 to 112). This is where Prunier slowly and painstakingly goes round all the countries which border Congo and explains why many of them were already infiltrating armed forces across its borders or through its territory in order to achieve a kaleidoscope of military and political goals. Featured countries include Congo and Rwanda (obvz), Uganda, Sudan, Tanzania and Angola, each of which themselves hosted complex civil wars, generally going back decades, as far as independence.

A feature of all these conflicts is the extraordinary number of military groups they give rise to, all of which have grand titles and imposing acronyms, hence the 161 acronyms listed at the start of the book. I found myself referring back to it on every page. Just the 5-page backgrounder on Congo includes:

  • Mobutu’s Mouvement Populaire de la Révolution (MPR)
  • Étienne Tshisekedi’s Union for Democracy and Social Progress (UDPS)
  • the Conférence nationale souveraine (CNS) set up in 1990
  • replaced by the Haut Conseil de la République-Parlement de Transition (HCR-PT)
  • the FAZ or Forces Armées Zaïroises

By about page 75 the book was feeling less a history than a degree course in the history, politics, ethnography and sociology of half a continent. I think you’d have to read it at least twice, probably three or four times, stopping to consult histories of all the other countries mentioned, to stand a chance of getting your degree.

I particularly enjoyed the background sections on countries we don’t hear so much about in post-imperial Britain, such as Angola and, even more so, the Francophonie countries which you rarely read about, Central African Republic, Chad and Congo-Brazzaville.

Initially, I was surprised at the jaded bitterness of Prunier’s tone but after a while I began to realise that only the blackest of black humour can do justice to a continent whose rules have spent 60 years doing their damnedest to utterly destroy.

Angola is a much richer country than either the Sudan or Uganda, which allowed its process of national destruction to be carried out with an impressive array of military means quite unknown in other parts of the continent, apart from Ethiopia. (p.88)

The guts of the war are described in a chapter graphically titled ‘Sinking into the quagmire’. It’s challenging keeping track of all the state-backed militias and armed forces, but when these start splintering and fighting amongst themselves, it becomes almost too complex to understand. On page 201 Prunier humorously asks whether his exasperated reader is ready to give up, and he’s got a point:

Does the reader at this point want to throw in the towel and give up on the ethnopolitical complexities of the region? I would not blame him, although I can assure him that I am honestly trying to simplify the picture. (p.201)

The importance of Angola

The single biggest cause of the Great War of Africa is that Eduardo dos Santos’s MPLA government in Angola went to the defence of Laurent-Désiré Kabila’s regime in Kinshasa.

I’ve explained how Kabila was installed as a puppet ruler by the alliance of Rwanda and Uganda to replace Mobutu, who both countries wanted removed from power, but how, after a year, he then turned on his own backers and ordered all Rwandan and Ugandan forces out of the country. And how this triggered those two countries to make a second invasion and remove Kabila.

For a start, Prunier adds much more detail to the story by explaining that Kabila was a terrible leader, stuck in a Marxist timewarp from the 1960s, but also just shambolic, chaotic and unpredictable, managing to insult or irritate all the neighbouring regimes and running his own one in a deeply unpredictable way, arresting his own ministers on a whim etc. So when Rwanda-Uganda began their second incursion to remove him many were keen.

Kabila had sacked his (Rwandan) chief of the army staff, James Kabarebe, who returned to the east of the country and, in Goma, hijacked three commercial freight planes, filled them with RPA troops, and flew them to the government base of Kitona on the Atlantic coast where they quickly turned Kabila troops to their side. Towns around Kitona fell, as did the diamond centre of Kisangani. The rebels seized the Inga hydroelectric station that provided power to Kinshasa as well as the port of Matadi through which most of Kinshasa’s food passed. In other words, Kabila’s regime looked doomed.

Then Angola intervened to save it. Why? The answer has to do with conditions inside Angola. The Movimento Popular de Libertação de Angola (MPLA) government based the capital Luanda had been fighting a civil war against Jonas Savimbi’s UNITA (União Nacional para a Independência Total de Angola) since independence in 1975. In 1994 the Lusaka protocol tried to broker a ceasefire and in 1995 UN peacekeepers arrived. But Prunier explains in detail why, by 1998, the truce had broken down and fighting began again.

The point is that the MPLA had, originally, in the 1970s, been a Marxist movement and Savimbi had presented himself as a business-friendly ally of the West, meaning America. In the simple binary of the Cold War, the MPLA were supported by the Soviet Union and the Cubans, UNITA by America and South Africa. And because Mobutu, ruler of Zaire/Congo, was also a creature of the CIA, supported by America, Mobutu had, for 15 years or more, offered UNITA bases and sanctuary in south Congo/Zaire.

Therefore, as Rwandan forces and Congolese forces backed by Rwanda closed in on Kabila’s regime, the MPLA, after some delay, finally gambled that supporting Kabila and having the gratitude of his weak regime, would guarantee that he would not support the MPLA’s enemy, UNITA. Angola threw itself behind Kabila as part of its ongoing civil war. And the key fact? Angola had one of the largest economies in Africa, based on its huge oil wealth. It had lots of planes, helicopters and a well-trained battle-hardened army, which it now sent to start supporting Kabila. The MPLA’s support for Kabila ensured he would stay in power and that the war would continue for three long, bloody, increasingly chaotic years.

Five layers of conflict

Prunier suggests the war had five layers (pages 201 to 203):

Layer 1: Core conflict: the RPF regime in Rwanda trying, with partner Uganda, to overthrow the puppet ruler, Kabila, who they’d installed.

Layer 2: Powerful players: Angola, Zimbabwe, with Namibia along for the ride, who had no interest in the Hutu-Tutsi conflict but wanted Kabila to remain in power (for Angola, to prevent UNITA taking refuge in Congo; for Zimbabwe, to continue mineral contracts made with Kabila; Namibia just went along with its big powerful neighbour, Angola).

Layer 3: Secondary actors: Libya, Chad, the Sudan, no interest in Congo but it was a zone to sort out relations between themselves and core players, mostly Uganda, which was more or less at war with Sudan.

Layer 4: bordering countries: Burundi which sent a small number of soldiers into the conflict; Central African Republic which tried to stay out.

Layer 5: South Africa: had no military or political interest and never sent troops to the war, but had a strong economic motive in infiltrating the economy of collapsing Zimbabwe and consolidating its hold on Congo’s huge mineral reserves so, on the whole, supported the rebels as being more desperate to turn the assets (mines etc) into cash i.e. let South Africa get bargains. This changed when Joseph Kabila came to power and, unlike his father, let it be known that he was open to business. South African banks and mining corporations suddenly packed his diary (p.262).

From all this you can see why Prunier calls it:

a war fought among foreigners on Congolese territory for reasons of their own. (p.274)

The shift to economic motivation

Why did so many of the countries neighbouring Congo get involved in the conflict? Prunier explains the motivation in the chapter titled ‘The Congo basin, its interlopers and its onlookers’ (pages 73 to 112). This has the added benefit of giving fascinating brief profiles of the countries involved, from Congo itself, through Angola, Zimbabwe, Namibia, Congo-Brazzaville and so on.

Then there are the two increasingly mind-boggling chapters describing the chaotic conflict itself, ‘A continental war’ (181 to 226) and ‘Sinking into the quagmire’ (227 to 255).

He makes a vital point: the war might have started out from geopolitical considerations but as it went on it became increasingly economic i.e. about seizing Congo’s mineral resources:

What mattered more and more as the war went on were the economic interests. (p.234)

And this had a big military-strategic consequence. The first war had been fought to overthrow Mobutu and gain control of the country, so the key battlezone, the target, had been the capital, Kinshasa. But in the Great War the motivation increasingly became to seize Congo’s assets and so the target areas were provinces like Kasai and Katanga, in which the warring parties disintegrated into ever-smaller entities, sometimes fighting over just one mine. These had nominal ties with other groups in other areas, or with various outside parties, then again often went independent. Hence the unravelling complexity of the conflict which eventually nobody understood or could contain.

A useful recap

In the chapter describing the beginning of the end, ‘Not with a bang but with a whimper’, he gives a useful recap of why they got involved in 1998 and what had changed by 2001 to make many want to withdraw. In other words, why did the war ramify out so disastrously in 1998, and what allowed it to be dragged to an end in 2001/2? Here’s a list of key intervening countries, giving their initial motivation and what changed:

Kabila supporters

Angola supported Kabila to ensure Congo wouldn’t give safe havens for UNITA. In 1998 Savimbi was still a threat. But by 2001 he was a spent force, militarily and financially, struggling to survive. The MPLA had achieved its aims.

Zimbabwe had allied with Kabila in order to protect the investments and commercial deals it had made with him on his rise to power, and also to block South Africa’s slow rise to economic dominance of the whole of southern Africa. By 2001 Zimbabwe’s economic plight had significantly worsened while South Africa’s commercial ascent continued unhindered, and Mugabe was coming under increasing internal pressure. While peasants starved Mugabe was blowing tens of millions of dollars on an unpopular war. Time to pull out.

Namibia had supported Kabila at the bidding of South Africa and Zimbabwe, but the latter was pulling out and the former never committed men or resources.

Anti-Kabila

Burundi a minor player, had always been most concerned with securing its Congo border and never taken part in the wider invasions.

Uganda was under strong donor pressure to reduce its military budget if it wanted to continue receiving Western aid. Senior members of the army and the regime had done very well out of the war, not least from illegal smuggling of diamonds, gold etc. But Uganda never had the urgent internal political pressure to sort out the Hutu / génocidaire issue that Rwanda did.

In addition, one aspect of the general chaos was the slow falling-out of Uganda and Rwanda. Museveni came to really dislike Kagami’s ‘arrogance’ (p.241). Their forces ended up coming to blows, specifically in several different episodes of street fighting in Congo’s main north-eastern city, Kisangani (p.242). This queered the relationship between Uganda and Rwanda.

Rwanda By 2001 the international situation had changed. The Clinton administration, crippled with guilt, had passively supported Rwanda and been accused of fine rhetoric about a New Africa but no practical follow-through (p.338). However, George W. Bush’s new US administration commenced on 1 January 2001 and took a much tougher line on Rwanda, condemning its ‘grave human rights violations’ (p.266).

By the start of 2002 all the main parties had reached the same conclusion: withdrawal was a certainty, it was just a matter of agreeing schedules (p.267).

Laurent Kabila’s assassination

Arguably, the single most important event – certainly the easiest to grasp because one very specific event – was the assassination of the man at the centre of the conflict, Laurent Kabila, on 16 January 2001. He was shot at point blank range in his office by one of his bodyguards.

Now, since he was the man at the centre of a huge and ruinous war, conspiracy theories have abounded. It’s a kind of African version of Who Killed JFK? The (fairly) straightforward answer is that, while running his guerrilla group out east Kabila recruited lots of boys, young boys, thousands of them, called kodogo (‘little ones’). Kabila trained them to become fighters, and they in turn looked up to him as their Father or Mzee, Swahili for ‘elder’. But once in power he betrayed them. In lots of ways, which Prunier details. He let some be massacred, some ended up on opposing sides and fighting each other. The bodyguard was one of these former boy soldiers.

Then again, Prunier thoroughly describes all the other conspiracy theories, which wander off into huge conspiracies, involving enemy countries, the CIA, the Rwandans, or the dark and shadowy forces which lots of people like to think are behind any disaster or assassination. The likeliest is that Kabila had done a deal with the MPLA’s enemy, UNITA, to smuggle diamonds through northern Angola.

135 people were arrested, tried and convicted, some given the death penalty although no-one, in the end, was executed (pages 249 to 255).

(cf van Reybrouck’s account, ‘Congo: The Epic History of a People’, pages 465 to 466.)

The key point is that, after a few days of confusion, the senior figures in the administration decided a compromise candidate who everyone could agree on temporarily was Kabila’s son, Joseph, a shy taciturn man who had, however, been moved by his father through the ranks until he was number two in the Congo army, and had helped with various diplomatic and administrative tasks.

In the event Joseph Kabila was to prove a very shrewd operator, the complete opposite of his chaotic unpredictable father. He outwitted all his superiors and peers, serving as president of Congo from January 2001 to January 2019.

From the point of view of the Great War, he was open to savvy negotiations and deals, and it was this new spirit of compromise and negotiation, combined with the war weariness of the key allies, namely Angola, which allowed the war to stumble to an end, sort of. Well, certainly for a peace treaty to be signed in 2002.

Peace, or conflict control

Prunier gives a fascinating summary of the year-long negotiations which eventually, reluctantly, ended with the signing of an inclusive peace treaty on 17 December 2002. Prunier humorously quotes a commentator who wrote that the deal offered the Congolese people the show of a government which was really made up of:

‘a coalition of people who looted their own country, predatory rebels and corrupt civil servants.’ (quoted page 277)

By the time of the treaty maybe 3.5 million people had died, 90% from the collateral effects of war. Agriculture had collapsed. 64% of the population was underfed. Maybe 33% were malnourished (p.278).

Massacre

Three days after Kabila’s murder Ngiti and Lenu warriors attacked Bunia, killing about one hundred Hema. The next day the Hema militia took revenge on Lendu civilians, killing about 25. (p.281)

Hardest to keep track of is the number of Africans killed by Africans. Every one of the 364 pages records Africans murdering other Africans, generally armed men killing defenceless civilians. A continent-wide abattoir. Thus in Prunier’s fascinating background to Angola‘s involvement in the war (pages 88 to 99), he describes the failed democratic elections of 1992 which led to panic on the streets of Luanda where MPLA soldiers killed about 1,500 UNITA soldiers and cadres (p.96). When UNITA took the strategic oil town of Soyo, the fall of the city was blamed on the Bakongo tribe and so about 1,000 unarmed Bakongo civilians were massacred in the streets of Luanda, Bloody Friday (p.97).

There’s killing on every page. The suffering of the population of Congo is beyond words. For the most part Prunier lets the facts of massacre after massacre convey the enormity of the horror to the reader.

In the period October 1992 and December 1993 the UN estimated civilian deaths at 450,000 to 500,000. In mid-1993, the UN counted about 1,000 war-related deaths per day. (Tufts University mass atrocities website)

Towards the end of the book he cites research by the US International Rescue Committee which suggested that between August 1998 and April 2000 there were some 1.7 million excess deaths in Congo (p.242). Of these only around 200,000 were directly due to fighting, the rest being due to:

  • frequent forced population displacement
  • overexposure to the elements
  • near collapse of the health system
  • disease
  • impossibility to carrying out agriculture, obviously leading to starvation
  • plain despair

(p.242, cf p.338).

Your life in their hands. 2015 photo of Democratic Forces for the Liberation of Rwanda (FDLR) fighters. The FDLR is the latest iteration of Rwandan Hutu army and Iterahamwe militia génocidaires who fled Rwanda in 1994, plus other Hutus who’ve signed up since. Gang rape and mass murder a speciality.

The colonial borders

Prunier calls his final chapter ‘Groping for meaning’. You can draw all kinds of conclusions. The one that impressed itself on me was the old chestnut about Africa’s colonial borders. More than any other book about Africa this one shows how the borders the colonial powers drew had little or nothing to do with tribes on the ground and how most Africans’ sense of identity, especially in rural areas i.e. most of the continent, remained based on tribe, clan, religion and family, complex multi-levelled identities, with ‘nationality’ an evanescent Western invention (p.360).

This really reinforces Prunier’s criticism that western models don’t work on ‘nations’ which are nothing like the western concept of a ‘nation’. If the traditional definition of a ‘state’ is an entity which has a monopoly of legitimate violence over a defined territory, then Congo isn’t a state at all, as there were and still are areas where numerous other groups carry out systematic violence (p.305). As you read this:

‘There are more than 120 different armed groups active in the eastern Democratic Republic of Congo’ (Kivu conflict Wikipedia article)

Just because an African leader wears a suit and tie and has a ‘cabinet’ made of ‘ministers’, Western leaders and bankers shake his hand and think he’s like them, has the same mindset, comes from the same background, is managing the same kinds of problems. But they’re really not. African leaders are trying to run ‘states’ which often barely exist or only exist in patches, across territories which aren’t states in the way we in the West are used to them, lacking infrastructure, modern economies, integrated populations, a high level of education and so on.

Hence the repeated point Prunier makes about the ‘reality gap’ between the fine words of the international community – the lovingly worked-out details of various peace accords, with their withdrawal of forces and integration of troops and civil society and so on – and the generally chaotic, anarchic, often incomprehensible situations on the ground (p.225).

One aspect of this is the point I made at length in my reviews of books about the West’s attempts to impose ‘democracy’ in Iraq and Afghanistan, which is that the attempts revealed the complete lack of understanding, in the West, of what democracy actually is, where it came from, and what sustains it, in the advanced, economically developed nations.

Democracy as a form of government presupposes a certain degree of social integration, the existence of a political class with some concept of the national interest, and a minimum of economic development (p.xxxii)

All of which are as absent in a country like Congo as they are in Iraq and Afghanistan, probably most of the Middle East and Africa. Lacking the social and economic prerequisites for full democracy, undeveloped countries tend to adopt democratic window dressing, which conceals simple power grabs by ethnic or religious or tribal groups. Thus Prunier commenting that, ahead of the first free elections in Congo in 2006, dozens of new political parties sprang up across the country, but that:

These were parties in name only, since they were mostly tribal or regional gatherings around the name of one or two well-known local politicians. (p.309)

With the recurring result that as and when governments are formed, they are more often than not little more than:

a coagulation of groups operating out of completely mercenary interests (p.315)

(Prunier explains the arbitrary nature of the borders right at the start, pages xxix to xxx, and then gives a concentrated summary along with the characteristics of weak states and strong tribal identities which will plague Africa for the foreseeable future, on pages 360 to 362.)

The Kivus

Throughout the narrative it becomes ever clearer that the hotspot, the trouble spot, the recurring source of conflict, is the two small territories known as the Kivus, North and South Kivu, both of which have complex ethnic, political and military conflicts. This troubled little area turned out to be the hardest to fully pacify after the 2002 peace agreement, then trouble flared up all over again in the mid-2000s which had to be fought to a standstill by UN and government forces.

At the time of writing the Kivu conflict constitutes the largest UN peacekeeping mission anywhere in the world, deploying some 21,000 soldiers.

Will the war happen again?

No. The conditions were unique, being:

  • the flight of the génocidaires and the refugees into eastern Congo provided a one-off motivation for the RPF government to invade, repatriate the refugees and wipe out the remaining génocidaires
  • – that whole crisis situation has disappeared
  • instead it turned into a mission to overturn the decrepit dictator Mobutu and then, in the sequel, to overthrow the unpopular puppet ruler Kabila – but Congo has had much more stable and effective leaders for 20 years
  • guilt over their role in the Rwanda genocide meant the West and the UN turned a blind eye to the RPF’s abuses and massacres – that wouldn’t happen again, indeed already with the arrival of the George W. Bush administration in 2001 the RPF had to start moderating its behaviour
  • but the key thing that turned it into a continental war was the decision by Angola to intervene and support Laurent Kabila in order to prevent their enemy, Jonas Savimbi’s UNITA, from using southern Congo as a base: but Savimbi died 20 years ago and the civil war ended with him, all parties are concerned with maintaining their grip on power and corrupt money, and any kind of war would only jeopardise that

So Congo will, like most African nations, continue to be a weak state for the foreseeable future; and violence may flare up in some its territory, especially the ever-troublesome Kivus. But a war on the same scale is extremely unlikely to be repeated. it was the result of one-off geopolitical forces which won’t recur.

Further issues

France’s shame

France sees all foreign affairs as a conspiracy of the Anglophone countries (mostly America and Britain) to undermine French glory and the superiority of French culture. Therefore, the French government stood by the genocidal Hutu regime in Rwanda even as the genocide was underway because they spoke French and the incoming Tutu forces, the Rwandan Patriotic Front, having been raised in former British colony Uganda, spoke English. Simple as that. The French supported the third great genocide of the twentieth century because its perpetrators spoke French (pages 341 to 343).

Viewing the war through European paradigms i.e. the Holocaust

The West could understand the genocide because they viewed it through the prism of European history and the Holocaust. This led to the tendency to blindly support the RPF, to regard the Tutsi regime as black Israelis, as a people who had suffered an appalling crime and so could be forgiven any behaviour in retaliation. The West tended not to understand the Congo conflict in its own right, for what it was, an imperialist attack by one African country (Rwanda) on another (Congo) which drew in a range of neighbouring countries who used the Congo as a battleground to fight their own conflicts (predominantly Angola).

Genocide narrative easy; Congo war narrative hard, complicated, sometimes impenetrable. Hence a) prolonged support for Rwanda and Kagame, whatever they did, b) long, long delay getting to grips with the political issues underlying the war.

Good guys

As remarked in my reviews about Iraq and Afghanistan, American foreign policy is plagued by a Hollywood simple-mindedness or regarding all foreign situations in terms of the good guys and the bad guys, consistently failing to understand complexities and shades of grey (p.340). Prunier sees this tendency to simplify situations and players into good guys/bad guys as distinctively American (p.357).


Credit

Africa’s World War: Congo, the Rwandan Genocide and the Making of a Continental Catastrophe by Gérard Prunier was published by Oxford University Press in 2009. All references are to the 2010 OUP paperback edition.

More Africa reviews

A Short History of Mozambique by Malyn Newitt (2017)

This is a very good book – scholarly, serious, authoritative. Newitt summarises the latest thinking in a whole range of issues which affect Africa’s prehistory, early modern history, colonial periods and contemporary history. It doesn’t aim to please. There are no fascinating anecdotes, colourful vignettes or pen portraits of key figures. Just the most up-to-date facts, dryly presented.

Born in 1943 (and so now 80 years old) Malyn Newitt had a long academic career during which he wrote over 20 books on Portugal and Portuguese colonialism. He was a professor in the Department of Portuguese and Brazilian Studies at King’s College London, and then deputy vice chancellor at Exeter University, before retiring in 2005. So this book is by way of being the summary of a long and distinguished academic interest in the subject.

Mozambique factsheet

The first European to land in Mozambique was the Portuguese explorer Vasco da Gama in 1498.

The coast, territory inland and coastal islands were very slowly settled and colonised by Portugal over the next 200 years. Initially the refuelling ports scattered along the west and east coasts of Africa and onto India, later reinforced with defensive forts, were all part of the same entity, the Estado da India, way stations on the sea journey to India which was where the spices and wealth were.

In the early years the main Portuguese settlement was on the Island of Mozambique, lying off the coast at the northern end of the modern country. The sea between the island and the mainland is still known as the Mozambique Channel. The Portuguese established a port and naval base on the island in 1507 and it remained an important part of their maritime estate for centuries. It became the capital of what came to be known as Portuguese East Africa until 1898, when the administrative centre was moved to Lourenço Marques in the far south of the country, ‘reflecting the shift in economic and political importance’ (p.115).

The name of the island, and so the country, is derived from the name of Ali Musa Mbiki, Muslim sultan of the island when da Gama arrived. So never a western name, then.

For centuries a handful of coastal ports and some territory further inland were part of a huge tract of coast known as Portuguese East Africa. Only at the end of the nineteenth century, as rival European nations like Britain, France and Germany staked out their claims to Africa, was this huge territory pared away and reduced to the borders of the current Mozambique, which were only finally defined in 1891.

Mozambique is bisected by the Zambezi River, the fourth longest river in Africa (after the Nile, Niger and Congo) which rises in Zambia then flows through eastern Angola, along the north-eastern border of Namibia, the northern border of Botswana, then along the border between Zambia and Zimbabwe, until it enters Mozambique.

North of the Zambezi a narrow coastal strip gives way to inland hills and low plateaus, then onto rugged highlands further west. South of the Zambezi the lowlands are broader with the Mashonaland plateau and Lebombo Mountains located in the deep south.

Until the 1960s there was no paved road link between the north and south halves of the country. A railway bridge across the Zambezi linking north and south was only completed in 1932.

In 1964 guerrilla fighting broke out and developed into what became known as the Mozambican War of Independence. It lasted for ten years. The main independence fighters were the Marxist Mozambique Liberation Front (FRELIMO) led by Samora Machal.

After ten years of conflict Mozambique gained its independence from Portugal on 25 June 1975, following the overthrow of Portugal’s authoritarian regime in the so-called Carnation Revolution of April 1974.

Soon after independence a civil war broke out which was to last from 1977 to 1992 between FRELIMO and the anti-communist insurgent forces of the Mozambican National Resistance (RENAMO). Like so many African wars it was exacerbated by the Cold War: the Soviet Union and Cuba backed the Marxist government (cf Angola and Ethiopia) while the USA, South Africa and Rhodesia provisioned, helped and trained RENAMO.

Mozambique’s capital was for centuries known as Lourenço Marques after the 16th century Portuguese explorer who explored the area. (It was only made Mozambique’s administrative centre in 1898). Soon after independence, in 1976, the city was renamed Maputo and remains the country’s capital. The distinctive thing about it is that, instead of being in the centre of the country, maybe on the mouth of the mighty Zambezi, Maputo is way down at the southernmost tip of Mozambique, less than 75 miles from the borders with Eswatini and South Africa.

Mozambique has a land area of 801,590 square kilometres, compared to Portugal’s 92,225 km².

Newitt’s book

A Short History of Mozambique is a brisk, no nonsense, 225-page overview of the subject, written in a very dry, very academic style, a very theoretical style. I’m not sure I’d recommend it to anyone as a history of Mozambique since it’s the kind of history which deals with issues and theories rather than dates and people. For example:

Newitt gives a sophisticated explanation of the concepts of language, ethnicity, empire, kingdom and tribe which Europeans have used ever since the Portuguese first landed on the coast of Mozambique to try and categorise and order and understand its inhabitants. He carefully explains why all of them are flawed and inaccurate. ‘Ethnicity’ is a notoriously slippery category. People’s identities change and even the idea of what an ‘identity’ is has changed over the period we have records for, roughly 1500 to the present.

It was interesting to learn that even right up-to-date contemporary linguists struggle with African languages. It is interesting to learn that modern linguists can’t agree a common definition of what a language is; some linguists consider some African languages as discreet languages, others consider them dialects of parent languages. This explains why even ‘experts’ consider there might be anything from 17 to 42 languages spoken in Mozambique. Just as confusing is the notion that ‘most Africans speak more than one local language or dialect’ (p.19) with the result that language isn’t a reliable indicator of ‘identity’.

You know how progressive critics complain that the Western imperialists imposed nations and categories and tribal names onto much more fluid African identities? Well, Malyn is their dream come true, deconstructing pretty much every type of western category and concept to indicate a fluidity of identity which is, by definition, hard to capture, and equally challenging to read about.

This carries on being the central theme for chapter after chapter. When he’s covering the historical records left by the earliest Portuguese traders and administrators in the 17th and 18th centuries, and even more so in the full-blown imperialist 19th century, Newitt goes to great lengths to explain that the names which westerners assigned to tribes were almost always wrong. Sometimes, to take a blunt mistake, they called tribes after native words which simply meant ‘king’ or ‘leader’. (The country of Angola takes its name from the title ngola, a formal title which was held by the kings of Ndongo and Matamba.)

Westerners assigned social structures familiar to their own history – of empires and emperors, kings and kingdoms – to societies which had completely different, alien structures and identities.

The Africans were organised in groups and social structures but modern scholars have to reach back beyond the distorted and error-ridden Portuguese records to try and piece them together. Some societies were matrilinear, but there appear to have been several types of matrilinearity. Archaeology is not much help, since Africans built so few towns and their villages, made entirely of organic materials, disintegrated back into the earth.

Incidentally, Hewitt’s history obviously focuses on the territory and towns (mostly the notable ports) of what is called Mozambique, but he is not the first to point out the arbitrariness of the borders the Europeans drew up – in Mozambique’s case, finalised in 1891 – and how the deep history of the peoples who lived in this randomly drawn territory obviously had a huge overlap with peoples in the surrounding areas.

His account gives a bewildering sense of a kaleidoscope of peoples, continually migrating, fighting, conquering and holding territory, establishing dynasties that ruled for a few generations before a handful of recurrent issues – drought and famine, flooding, invasion of outsiders – reshuffled the picture.

The result is an immensely detailed and complicated picture, consisting of a blizzard of unfamiliar names – using names the tribes in questions may not even have called themselves – which is very hard to follow. This is why I’m not recommending it as a practical history. Two names which recur are the Ngoni and the Karanga, but there are many more.

Another theme which emerges very strongly indeed is the role of slavery. Slavery was present well before white Europeans arrived. They discovered it to be an intrinsic part of many African societies’ strategies, not only of war and conquest but even of basic survival. Newitt tells us that drought and famine have been recurrent features of the huge territory now known as Mozambique and the region around it, often threatening tribes’ very existence (pages 31, 50). Thus slaves, especially women, could be seized from other groups simply to provide more breeding vessels in order for the group to survive.

What comes over is that all the African groups practised slavery before the Europeans arrived but (as in everything else in this complex account) in a multitude of ways. Some slaves were relatively high caste, and might even serve as warriors or leaders. Some were forced into menial agricultural work. There was a recurring category of sex slaves i.e. women taken from tribes defeated in war.

The capture of slaves, especially women, in warfare had always been a way in which communities that depended on agriculture rather than cattle herding increased their productive (and reproductive) capacity. (p.71)

For hundreds of years the Portuguese were just one more invader-warrior-trading group among many, in a region used to wars and incomers. Alongside the Portuguese were Arabs from the Persian Gulf. These set up trading stations manned by an Arab elite which traded heavily in slaves. For centuries before the Europeans came there had been a trade capturing African slaves and carrying them off to the Arab gulf kingdoms.

For many hundreds of years slaves had been exported from the ports of eastern Africa to markets in Arabia, the Gulf and India where they were in demand as soldiers, domestic servants and sailors. (p.52)

But the numbers were relatively small, maybe 3,000 a year. A sea change occurred when the French established plantation agriculture on the Mascarene and Seychelles islands after about 1710. The numbers jumped again in 1770. Between 1770 and 1810 around 100,000 slaves were exported. Britain abolished the slave trade in 1807, France only in 1848.

Another major shift occurred in 1840 when the Sultan of Oman relocated the centre of his kingdom from the Gulf to the island of Zanzibar. Arabs not only transhipped slaves to the Gulf but set up their own plantations which required African labour, setting in train the ethnic mix of peoples on Zanzibar which was to cause conflict at independence, hundreds of years later. As the years passed Arab slavers penetrated further inland, setting up bases of operation and converting natives to Islam (p.71). This combined with the many slaves working on Zanzibar or other Arab-owned plantations to spread Islam. Today about a third of Mozambique’s population is estimated to be Muslim.

The Royal Navy cracked down on the Atlantic slave trade from West Africa. In response business boomed on the East coast. After the Napoleonic War Brazil boomed as an exporter of coffee and sugar, and importer of slaves. Between 1800 and 1850 Brazil imported around 2,460,000 slaves, mostly from Portuguese East Africa. Under increasing pressure from Britain, Portugal finally outlawed the slave trade in 1842 (pages 62, 67) and Brazil formally ceased to import slaves in 1851.

The peak of slavery from Portuguese East Africa around 1830 coincided with a bad drought. This disrupted local societies and led to invasion from outsider tribes: Ngoni warbands from modern-day Natal and groups of Yao moving from northern to central Mozambique. These a) conquered and enslaved their adversaries b) became involved in trading to the coast.

Although the external slave trade was severely dampened in the 1850s, explorers like David Livingstone arrived to discover it was still flourishing inside Africa, as native and Islamic warlords led militias which conquered and enslaved weak tribes, then sold them on to burgeoning plantations. Maybe 23,000 mainland slaves were exported to Madagascar every year till the end of the nineteenth century.

The hectic nineteenth century

1858 to 1864 – David Livingstone’s Zambezi expedition.

1866 – Livingstone’s ‘Narrative of an Expedition to the Zambezi and its Tributaries’ becomes a bestseller and inspires a generation of British explorers.

1867 – First gold and then diamonds are discovered in South Africa.

1871 – Discovery of the Kimberley diamond mines.

1874 to 1877 – Henry Morton Stanley undertakes his epic journey, crossing Central Africa from east to west, mapping the route of the river Congo.

1875 – The French president confirms Portugal’s right to Delagoa Bay, the best deep sea port in south eastern Africa. This encouraged the Boers in the Transvaal to think of it as an outlet to the sea rather than the Cape, which was owned by Britain.

1877 – Britain annexes the Transvaal.

1879 – Portugal helps Britain in the Zulu War.

1881 – The Transvaal Afrikaners rebel against Britain, which grants them independence.

1884 – Congress of Berlin called to clarify the rights of the colonial nations in the Congo and Niger regions, turns into a general carving up of Africa.

In the late 1880s there was a race between Portuguese authorities – who dispatched explorers and agents to sign deals with natives in a bid to create a band of Portuguese territory right across central Africa – and agents working for the British buccaneer, Cecil Rhodes. Rhodes won, his people planting flags and seizing territory in what came to be called north and south Rhodesia (modern-day Zimbabwe and Zambia) thus ruining Portugal’s plans to own one uninterrupted band of territory across Africa.

Prolonged negotiations about the frontiers of British and Portuguese south Africa began in April 1890 and continued until August 1891 when the borders of modern Mozambique and Angola were almost completely finalised (p.93). Failure to achieve their much-trumpeted goal of creating a ‘rose corridor’ across Africa was perceived in Portugal as a public humiliation and rocked the Portuguese monarchy.

The early colony 1891 to 1919

You tend to think of the imperial nations as large and mighty powers engaged in fierce rivalry to gobble up even more third world countries. It comes as a bracing surprise to learn that after its diplomats had fought hard to win these two huge new territories, Angola and Mozambique, they didn’t know what to do with them. They had developed coastal ports and trade networks up the rivers and licensed companies to develop some areas (fertile highlands). But most of the territory was undeveloped, there were few roads, even fewer railways, much land remained in the hands of native rulers, and some parts had never even been explored or mapped by white men.

Moreover, Portugal was very poorly placed to take on such onerous responsibilities. It had experienced not one but two civil wars earlier in the century and was currently the poorest and arguably the most backward country in Europe. People were leaving in droves. Newitt gives the striking statistic that between 1890 and 1920 some 750,000 Portuguese emigrated to Brazil, while 170,000 went to America.

It’s fascinating to learn that Britain and Germany signed not one but two secret treaties agreeing how they would carve up Portugal’s colonies if, as most expected, the country went bankrupt.

But Portugal’s solution to its challenge was to revert to a variation of the 17th century idea of leasing out land to individual landlords or businesses to develop. On a much bigger scale the government now divided Mozambique into half a dozen territories and leased them out to commercial companies to develop. The result was very mixed.

The big story in this period was the importance of South Africa. The details are complicated but it became ever clearer to the Portuguese authorities that its neighbour to the south was rich and getting richer due to the discovery of diamonds and gold. So three things:

1) South African mines needed miners and so a large number of blacks from southern Mozambique became migrant workers in South Africa, and the government established a steady stream of income by taxing them.

2) The Portuguese built a railway from the Transvaal into Mozambique and to the deep-water port at Delagoa Bay. This became very commercially successful, as the government raked off various taxes and fees.

3) It was these very close economic connections with South Africa which led the Portuguese to move their administrative capital from Mozambique Island in the north right down to the settlement at Delagoa Bay, named Lourenço Marques. The capital’s dependence on South Africa (it even got its power from SA) was to have big implications for the future (p.115).

Mozambique developed into a reserve of migrant labour for British South Africa and South Rhodesia, while also serving as an outlet (via the railway) to the sea.

The mature colony 1919 to 1974

In 1910 Portugal’s tottering monarchy was overthrown in a revolution and replaced by a liberal republic (pages 114 and 116). This promised all Portugal’s colonies greater autonomy though nothing like democracy. Even the whites had no say in how their colonies were run and the native population had no rights at all.

These plans had hardly got going before the First World War. Portugal joined on the Allies’ side in 1916 and emerged heavily in Britain’s debt. South Africa’s General Smuts wanted to annex the entire Delagoa Bay railway and Lourenço Marques into his country.

In 1926 the Liberal republic was overthrown in a coup. After two years of uncertainty the authoritarian Estado Novo (New State) regime of António de Oliveira Salazar emerged. In 1930 this published a Colonial Act declaring Portugal and all its colonies one political entity. The colonies were expected to balance their books without subsidies from the centre.

The Crash of 1929 and the Great Depression confirmed Salazar’s regime in its theory of Autarky i.e. a protectionist policy of trading among themselves, which boiled down to: the colonies supplied raw materials, the metropole converted them to manufactured goods and sold them back. So the colony was divided up into sugar, cotton and rice growing areas, the investment in farms, the wages paid to natives, the prices sold to middle men and onto importers, all controlled and dictated from Lisbon.

The Second World War saw a spike in prices of raw commodities which greatly benefited Portugal, which carefully stayed neutral during the conflict. Using some of its profits, Portugal began to sketch out a network of health and education facilities across Mozambique.

It was only in 1942 that the last of the business concessions dividing the country into separate entities came to an end and the country came under one unified government, tax and business regime (p.147).

After much bureaucracy, a comprehensive 5-year plan was published in 1953, with two more to follow in the 1960s. Schools, hospitals, more railways, a huge dam across the river Limpopo.

All populations grow. At the First World War there were around 10,000 Europeans in Mozambique. In 1945, 31,000. By 1970, 164,000 (out of a population of 8.5 million). Half of these lived in the capital, many as administrators.

Independence movements

Ghana kicked off the rush to African independence in 1957. Between 1958 and 1962 the Salazar regime back in Portugal experienced a crisis of support and vision. A general stood in the presidential election against Salazar’s candidate and attracted a wide range of opposition movements. In January 1961 a revolt broke out in Angola. In March India unilaterally seized Goa, a move which staggered the Portuguese regime.

In June 1962 the various opposition groups in exile reluctantly agreed to come together to form Frelimo, which commenced a low-level guerrilla insurgency. Tensions between secular, left-wing modernisers and conservative, traditional ‘Africanists’. It was only at the second party congress in 1968 that the modernisers under Samora Machal triumphed. Dissidents fled abroad where some were assassinated. By 1970 Frelimo was a disciplined and effective fighting force that was successfully keeping the Portuguese army tied down.

In 1973 Frelimo moved into Tete Province and for the first time launched attacks south of the Zambezi. In the same year a Portuguese general published a book questioning the entire future of Portugal’s colonies. The army was tired of fighting in Angola and Mozambique. In April 1974 a military coup overthrew the regime.

Frelimo never succeeded in mobilising the general population let alone fomenting a mass uprising. They just fought the Portuguese army in the northern two provinces of the country for ten years with very little impact on the rest of the country, none on the capital far away in the deep south. Frelimo came into power because the Portuguese simply gave up and withdrew. But this left Frelimo lacking either military or political legitimacy (p.146).

The civil war 1977 to 1992

First of all, the transition to independence was bungled. Frelimo came into power with a programme of hard-core Marxism-Leninism with the result that 90% of the white educated population and an unknown number of the Asian business community simply left. Frelimo immediately made enemies of the white nationalist governments in South Rhodesia and South Africa. These set about training a combination of Frelimo dissidents and anti-communists into what became Renamo, short for Resistência Nacional Moçambicana i.e. Mozambican National Resistance.

Renamo’s insurgency against the Frelimo government lasted for 15 long years with atrocities committed, of course, by both sides. Peace was eventually made possible when Frelimo softened its doctrinaire communist ways in the later 1980s as the writing on the wall for the Soviet Union became clearer. Newitt doesn’t go into the relationship between Frelimo and the USSR, and how this changed with the advent of Gorbachev, which feels like a glaring omission.

Negotiations began in the late 1980s but the war dragged on because neither side was capable of ending it. Eventually Frelimo caved in to the demands of Renamo and the international community for a multiparty system and free elections.

These have actually been held, in 1994, 1999, 2004, 2009, 2014. They were accompanied by violence, international monitors say they were rigged, but in each of them Renamo won 40% or so of the vote i.e. they weren’t a complete stitch-up. As communism faded away, Frelimo converted itself into your standard African corrupt, nepotistic patrimonial government, committed to staying in power forever.

However, Mozambican politics are notable for two exceptions to African traditions. One is that tribalism hasn’t reared its ugly head. Leaders on both sides refrained from playing the tribal card which so often, in the rest of Africa, led to massacres. Instead the country’s politics continue to be dominated by what have become entrenched regional divisions, with Frelimo being seen as the part of the south and far north, Renamo holding the centre and mid-north.

Second exception is that, whereas in most African countries presidents turned themselves into dictators-for-life (Mobutu, Mugabe, Kagame, Afwerki) in Mozambique, although Frelimo is committed to eternal rule, it has actually changed presidents after each has completed his two terms.

Interesting to learn that some 50% of the government budget is funded by international donors, over $2bn in 2014 (p.210). Frelimo has become dependent on staying in office on foreign aid (pages 187, 192). In fact Newitt drily comments that, seen from one angle, Frelimo’s chief skill has been dancing to the changing whims and fashions of western aid to ensure the money keeps flowing (p.212). The Frelimo elite then channels the aid to itself and its followers, who live a luxury, First World existence in one of the poorest countries in the world.

After twenty-five years the most striking consequence of the government’s policies is the huge disparity in living standards between rich and poor. A relatively small Mozambican elite, which includes many senior members of Frelimo and the foreign business, diplomatic and NGO communities, enjoy an exaggeratedly high standard of living. The modern buildings of Maputo are grand and even ostentatious, the city hotels are clad in marble with fountain courts and air conditioning. Expensive cars are parked outside to whisk businessmen to the ministries or the banks. (p.222)

I was interested to read that Frelimo set out in 1977, under Marxist puritan Machel, to create New Socialist Man, to force peasants off their traditional land into collective farms, to ban pagan religions and old spiritual beliefs, to educate the population into zeal for the revolution. Obviously all that failed, and Newitt quotes peasants (who make up 75% of the population), interviewed by researchers, who expressed relief at being able to return to their ancestral land, worship their ancestral spirits, practice polygamy, and so on. The African way.

Why, Newitt asks, are the bottom 25 countries on the Human Development Index all in sub-Saharan Africa (with the one exception of Afghanistan)? Because of the special style of patrimonial politics which has established itself as distinctively African, meaning rule by a corrupt elite which run national budgets to benefit themselves, their cronies, and keep themselves in power. Screw their actual populations (p.204).

The 1992 Peace Accord, and the aid bonanza that followed, rapidly transformed the Frelimo elite into a patrimonial political class which, in spite of the lip-service being paid to liberal democratic ideals, was determined to hang on to power at all costs. And the costs increasingly involved not only corruption, soon to achieve gargantuan proportions, but crime, fraud and political assassinations. (199)

Newitt is entertainingly satirical about the bureaucratic, organisation-speak of the countless plans and strategies and policies unleashed on poor Mozambique by a never-ending stream of western institutions like the World Bank, the IMF and the UN with its utopian Millennium Development Goals. He quotes some of these documents purely to mock their high-minded rhetoric, which usually bears no relation to what’s happening on the ground.

Apart from killing each other, which they still do in periodic outbursts of renewed fighting between the last Renamo holdouts and government forces, the main thing happening on the ground in Mozambique is that its inhabitants, like humans all round the planet, are destroying the environment and degrading the ecosystems they rely on for their existence.

Forests are being cut down and the native iron wood and ebony has been plundered uncontrollably; illegal hunting is emptying the game parks and illegal fishing is plundering the seas; the Zambesi dams are radically altering the ecology of the river valley and illegal washing for gold is destroying whole landscapes. (p.211)

In 1964 when the war for independence started, the population of Mozambique was 7.3 million. Now it is 32 million. Human beings are like locusts, locusts with machine guns.


Credit

A Short History of Mozambique by Malyn Newitt was published in 2017 Hurst and Company. All references are to the 2017 paperback edition.

Africa-related reviews

The State of Africa: A History of the Continent since Independence by Martin Meredith (2005) – 2

This is a huge, 700-page, compendious history of all the African nations from independence (roughly the mid-1950s) to the time it was written (around 2010), so 55 years or so of modern African history.

Meredith chooses as epigraph to this big book the Latin tag from Pliny the Elder, ‘Ex Africa semper aliquid novi’ meaning ‘Out of Africa always something new’ – but a reading of the actual book confirms how utterly inappropriate this is. For if Meredith’s book demonstrates anything it is that, since independence, out of Africa have come the same five or six stereotypical narratives or events – civil war, one-party rule, dictatorship, economic collapse, famine, vast amounts of foreign aid – and the consistent failure to deliver the utopian dreams everyone hoped for in the heady first years of independence.

Two major contexts

Meredith only mentions them in passing but two broad historical contexts are worth bearing in mind.

  1. The independence movement in Algeria spiralled out of control into an appallingly brutal war which neither side was able to stop, and which threatened to tear the colonial power, France, apart. The war was at its worst in 1957 to 1961. The point is that Algeria stood as a terrible warning to the other colonial powers (Britain, Belgium, Portugal) of what might happen if they mismanaged things or delayed.
  2. The victory of Fidel Castro’s communists in Cuba in 1959 ushered in an era when the threat of the new African states falling to communism seemed very real and of global importance in the war between the two superpowers. Hence the head of the CIA warning President Eisenhower that Congo’s Patrice Lumumba might be ‘the African Castro’ and America’s feverish paranoia that if Congo fell to the communists it might influence the entire continent (p.104). Looking back, this level of anxiety seems exaggerated, even absurd. But the context is crucial in understanding the actions of all the colonial powers, but especially of America, which set about undermining left-wing governments and supporting right-wing, capitalism-loving dictators across the continent.

Both of these examples or precedents (Algeria, Cuba) lay behind the decisions of Britain and Belgian, in particular, not to linger or suppress independence movements. In other words, they added to the sense of urgency and haste which characterised the rush to make Africa independent, with such questionable results.

Part 1

1. The Gold Coast experiment (Ghana)

The tragic life of Kwame Nkrumah who went from political prisoner in the early 1950s, to lead his own political party, the Convention People’s Party, won the general election held under British auspices in 1954, before leading Ghana to independence in March 1957. Meredith vividly describes the week-long celebrations, attended by worthies from around the world including Zhou Enlai and Richard Nixon.

With a sickening inevitability Nkrumah found the new country difficult to rule, repressed political opposition and rigged elections. In 1964 he amended the constitution to make Ghana a one-party state, with himself as president for life. In 1966 Nkrumah was deposed in a coup led by the National Liberation Council.

2. Revolt on the Nile (Egypt)

Colonel Gamal Abdel Nasser led the 1952 revolution which overthrew the 32-year-old playboy King Farouk I. Much rhetoric about freedom and Arab socialism as Nasser tightened his grip on power, imprisoning rivals and getting elected president in 1956. The catastrophe of the Suez Crisis which put the nail in the coffin of the British Empire. From that moment Britain’s rush to decolonise picked up speed.

3. Land of the Setting Sun (Morocco, Tunisia, Algeria)

Apparently, the Arab word for north-west Africa, maghreb, means ‘land of the setting sun’ (as opposed to our word ‘Levant’ which means ‘rising’, to describe the old Ottoman Empire).

This chapter describes the descent of Algeria into a terrible insurgency which kicked off in the spring of 1954 with a wave of bomb attacks by the National Liberation Front (French: Front de libération nationale or FLN) with both sides slowly breaching their early declarations to target only combatants, so that by August 1954 the FLN was bombing civilian cafés and restaurants while the French security forces cracked down hard on the civilian Arab population, with large-scale arrests and torture.

An often overlooked aspect of the terrible war in Algeria (1956 to 1962) was that it made the French more amenable to granting its neighbours, Tunisia and Morocco, independence. Meredith describes the independence campaigning of Habib Bourguiba in Tunisia and Sultan Mohammed V in Morocco. The French arrested, imprisoned and exiled both these leaders, but eventually gave into widespread protests and both Morocco and Tunisia gained their independence in March 1956.

In 1957, amid an upsurge in terrorist bombings, the French governor of Algeria handed power over to the military, led by General Jacques Massu. The army locked down the capital city Algiers, ringing it with barbed wire, dividing it into sections which could be searched, cleared and then surveilled. Thousands of Algerians were arrested and tortured using electric shocks or waterboarding. It became known as The Battle of Algiers. In the country, peasants were rounded up into camps while native collaborator/spies (harkis) were deployed by the French.

By 1958 the FLN had been defeated, its leaders seeking refuge in Tunisia, whose new leader Bourguiba gave them sanctuary. However, the political system in France itself was in crisis. Violent disagreements about policy in Algeria led to the collapse of a series of short-lived governments. Worried that pacifist-defeatist politicians would gain power, in May 1958 the military took control of Algeria, allying with leading colons (white French colonists) to form a Committee of Public Safety. The French government declared a blockade, at which the Committee called for the return of the wartime hero, General de Gaulle.

4. L’Afrique Noire (Senegal, Ivory Coast)

L’Afrique Noire was the French term for the sub-Saharan part of its colonial empire, including Senegal and the Ivory Coast. Meredith describes the careers of Léopold Senghor of Senegal and Félix Houphouët-Boigny of Côte d’Ivoire.

5. Winds of Change (British colonies)

This chapter covers the independence movements in British colonies such as Nigeria.

Nigeria

Nigeria had only been created by the forcible union of north and south Nigeria in 1914, the north and south having themselves been slowly cobbled together from former, smaller protectorates since 1900. Nigeria could be divided into three great blocs: the north was Muslim and Hausa-speaking, with a conservative, feudal social system. It had few schools or colleges. The West, including the capital Lagos, was mostly Yoruba. Being on the coast, dotted with cities, it was more economically advanced and urban. In the East lived the Igpo who tended to be very well educated but had no social system of their own and so were scattered around Nigeria’s other territories. In addition there some 250 other ethnic groups, some of which protested and rebelled, including the Edo-speaking people of Benin province who longed to restore the kingdom of Benin. The British struggled with successive constitutions to try and create a balance between all these different constituencies. Nigeria was granted independence in 1960.

As a rule of thumb British colonies in West Africa were much more advanced than British colonies in East Africa (Kenya, Tanganyika) and Central Africa (north and south Rhodesia, Nyasaland). Politics in these latter countries was dominated by the fierce lobbying of the small white minorities, who dominated the local governors. Thus the settlers persuaded the Colonial Office to create a federation of Central Africa, consisting of Rhodesia and Nyasaland.

Kenya

Plans for a similar federation in East Africa were wrecked by the Mau Mau rebellion, which was an organised protest against the grotesque monopoly of the best agricultural land in Kenya by whites, and the land deprivation and lack of rights enforced on the million-strong Kikuyu population. Meredith gives a thorough account: the phrase mau mau actually meant nothing in Kikuyu, it was just a rallying call, and then the name given to the secret meetings where oaths of allegiance were sworn to the movement. Despite white paranoia, very few whites were actually killed during the so-called ’emergency’ (1952 to 1960), Meredith gives the number as 32, fewer than lost their lives in traffic accidents in Nairobi over the same period. He details British accusations that the Kikuyu leader Jomo Kenyatta, leader of the Kenya African Union (KAU) was involved, which led to a kangaroo court convicting and imprisoning him; and the brutal measures the British took against the insurgency, including setting up concentration camps.

The first Blacks were elected to Kenya’s legislative council in 1957. In October the Highlands area was formally opened to all races. The British thought they would continue to rule Kenya for at least another decade. In the event, independence was granted on December 12, 1963.

Nyasaland

Meredith gives the story of Nyasaland, to which the elderly Dr Hastings Banda returned as leader of the independence movement in 1959, determined to scupper Britain’s plans to make it part of a federation with Rhodesia. The colonial governor imported troops who tried to quell protests which turned into riots, troops shot, protesters killed, it becomes a nationwide movement etc.

Meanwhile, in neighbouring north Rhodesia, in the run-up to contested 1959 elections the authorities banned a leading nationalist party and imprisoned its leader, Kenneth Kaunda. Britain was losing its reputation for progressive colonialism in a welter of protests and arrests across all its African colonies.

Abruptly, Harold Macmillan’s conservative government gave in. Late in 1959 the Foreign Secretary Iain Macleod said further repression would lead to bloodshed. In February 1960 Macmillan gave his famous Winds of Change speech. Behind it was fear that further suppressing calls for independence would drive African nations into the hands of the communists. The British knew most of their colonies weren’t ready for independence – Meredith lists the pitiful number of native lawyers or administrators in the central and east African countries – but hurrying was a less bad option than delay, with the increasing repression, bloodshed and reputational damage that would inevitably entail.

6. Heart of Darkness (Congo)

The gruesome history of the Belgian Congo. It beggars belief that there are still statues of King Leopold II, one of the most blood-thirsty rulers in history, in Belgium. Congo was notable for four or five reasons:

  1. It was and is the largest country in Africa.
  2. The grotesque rule of Leopold II was probably the most evil, mass murdering of all the colonial regimes. As many as 10 million Congolese died during his rule, 1885 to 1908.
  3. Once the colony had been handed over to the Belgian government to run, it developed through the 20th century as one of the richest sources of minerals (particularly copper and diamonds) in the world.
  4. The rush to independence was hastiest and most foolhardy here than almost anywhere else. At independence Congo had 3 Black civil servants, 30 university graduates, no doctors, secondary school teachers or army officers. The firebrand new Prime Minister, Patrice Lumumba, had just four years of secondary school education plus one year in a technical college for postal clerks (p.95).
  5. With the result that within days of winning independence on 1 June 1960, Congo collapsed into chaos.

The army mutinied, the entire province of Katanga tried to secede, riots in the main cities included attacks on whites so that the entire Belgian community i.e. everyone who knew how to run the infrastructure of the country, fled in panic. Profile of the hectic unpredictable character of Lumumba, and the long dismal series of events which led, first to his arrest and, eventually, to his murder by Belgian and Congolese soldiers on the orders of his one-time lieutenant, Joseph-Désiré Mobutu, with the collusion of the UN and US, on 17 January 1961.

The stream of crises continued until Mobutu took power in a definitive military coup in 1965, and was to rule a one-party state for 32 years, until 1997.

7. The White South

South Africa

Meredith points out that the southern nations of Africa – north and south Rhodesia, south-west Africa and South Africa – looked at the other African countries gaining independence and were horrified by what they saw, especially the complete chaos punctuated by bloodbaths and military coups in Congo.

The fiercest response was in South Africa which in 1948 had established the system of apartheid and spent the next decades hardening the division between whites and blacks. Meredith chronicles the early history of the African National Congress (ANC), revolving round the figure of Nelson Mandela and the failure of peaceful efforts to counter apartheid. Peaceful protests such as general strikes became harder to justify after the SA authorities carried out the Sharpeville massacre on 21 March 1960, killing 69 protesters and injuring 180.

The more violent atmosphere heralded by the massacre led the ANC to establish the armed wing of the struggle, uMkhonto we Sizwe, in 1961. These guys carried out a not very effective sabotage campaign against a variety of infrastructure targets. In 1962 Mandela was arrested and imprisoned, despite a lack of evidence against him. But then in 1964 the authorities discovered the ANC and uMkhonto we Sizwe hideout at Rivonia, which was stuffed with incriminating documents. On the basis of these, Mandela was retried and, along with the key leadership of the ANC and uMkhonto, sentenced to life imprisonment on 12 June 1964.

Rhodesia

Meredith gives the history of Rhodesia, taking in the creation of the two independence parties, ZANU and ZAPU, up until November 1965 when Ian Smith‘s Rhodesian Front government, rebelling against pressure to grant Black independence, issued a Unilateral Declaration of Independence (UDI) from the mother government in the UK.

Angola

Angola was a backwater of the mouldering Portuguese empire, which was ruled by the dictator António de Oliveira Salazar. In 1956 the People’s Movement for the Liberation of Angola (Movimento Popular de Libertação de Angola or MPLA) was founded but police swoops in 1959 and 1960 arrested most of its leaders. In 1961 the colony was horrified by an outbreak of extreme violence in the north, where machete-wielding gangs massacred white bosses and the Blacks who worked for them. This was partly the work of a different group, the União dos Povos de Angola (UPA), run by Holden Roberto.

Mozambique

On the other side of the continent, in the other Portuguese colony, Mozambique, 1962 saw the creation of the Frente de Libertação de Moçambique (FRELIMO) which commenced a campaign of small-scale guerrilla attacks against border posts etc.

Dates of independence

1956 – Sudan, Morocco, Tunisia

1957 – Ghana

1958 – Guinea

1960 – Cameroon, Senegal, Togo, Mali, Madagascar, Democratic Republic of Congo (Belgian), Somalia, Benin, Niger, Burkina Faso, Ivory Coast, Chad, Central African Republic, Republic of Congo (France), Gabon, Nigeria, Mauritania,

1961 – Sierra Leone, Tanganyika

1962 – Burundi, Rwanda, Algeria, Uganda

1963 – Kenya, Zanzibar

1964 – Nyasaland (Malawi), North Rhodesia (Zambia)

1965 – Gambia

1966 – Botswana, Lesotho

1975 – Angola, Mozambique

1980 – Zimbabwe

1990 – Namibia

1993 – Eritrea

2011 – South Sudan

Part 2

8. The Birth of Nations

A chapter summarising the dire state of the geography and economies of most African nations at independence, and the consequent economic challenges they faced. It’s here that Meredith gives the shocking figures about the lack of African graduates or professionals right across the continent.

9. The First Dance of Freedom

Abandoning democracy

Meredith laments that almost all the new national leaders consciously disavowed democracy and instituted one-party rule. It’s interesting to read their justifications. It was claimed that democracy derived from advanced societies with well-defined classes and class interests which could be represented by political parties. By contrast, leaders like Nkomo and Kenyatta argued that while parties may have been necessary to organise and motivate different groupings in the fight against colonialism, now the colonialists had left and the nations were free, democracy represented a threat to African countries because the likelihood was that parties would come to be based on tribal or regional allegiances and so work to split and divide the nation. There’s actually a lot to this argument, as that’s what many African parties came to be, fronts for specific tribes or regional interests.

One-party rule

Regardless of the justifications, almost all the first leaders of the newly independent African nations went on to abolish democracy, establish one-party rule, declare themselves presidents for life, lock up any opposition figures (p.176), create cults of their greatness (p.180), set up a secret police which was told it could go to any lengths to save the state from communist or capitalist or imperialist subversion etc etc. These cults often took the name of the Great Leader – Nasserism, Nkrumahism and so on (p.163).

Corruption

And misuse money, in two specific ways: 1) instituting state-sponsored corruption at every level of society, while 2) spending fortunes on grandiose building projects, palaces, mansions, waterfront hotels. Presidents, ministers and powerful figures swiftly awarded themselves ‘the platinum lifestyle’ (p.171).While Nkrumah was crapping on about ‘African socialism’ his ministers made fortunes. Ghanaian minister Krobo Edusei caused a scandal when his wife ordered a £3,000 gold-plated bed from a London store. In later life he admitted to owning 14 homes, a luxury beach house, a London flat, expensive cars and six different bank accounts. African socialism.

Army coups

In 1958 in Sudan the army took control in Sudan from squabbling politicians. In 1963 Togo’s president was shot dead in a coup. In 1964 African mobs overthrew rule by the Arab elite and the sultan was forced to flee, the French army had to put down military coups in Gabon and Cameroon, while the British army suppressed army mutinies in Tanganyika, Uganda and Kenya. From 1965 coups became more frequent: in 1965 Algeria’s first leader was deposed; Mobutu overthrew president Joseph Kasa-Vubu in Congo; there was a military coup in Benin; Colonel Jean-Bedel Bokassa seized power in the Central African Republic, and so on.

10. Feet of Clay (Ghana)

An extended description of Kwame Nkrumah’s slow descent into authoritarian rule, isolation, paranoia, arbitrary arrest of opponents, accompanied by rising corruption. Meredith makes the pretty well-known point that patronage and corruption weren’t parasites on the system which could be eliminated; they were the system.

A detailed account of how Nkrumah destroyed the Ghana economy through mismanagement, ignorance, terrible accounting, disastrous decisions and so on. Incompetence on a national scale, plus classic withdrawal into dictator paranoia. And, also classically, when the army intervened it wasn’t for the good of the country – they’d happily watched it go to wrack and ruin – it was because Nkrumah started tampering with it, wishing to bring it directly under his control as he had done every other aspect of Ghanaian life. So it was that while Nkrumah was visiting China in 1966, the army deposed him. Joyous crowds celebrated in the streets, his statues was pulled down and portraits defaced. The kind of thing we were to see scores and scores of times in developing countries around the world over the past 60 years.

11. A House Divided (Nigeria)

Nigeria. Meredith explains the entirely tribal basis and vicious infighting of Nigerian politics which led up to the January 1966 military coup, in which the Supreme Council of the Revolution not just sacked but executed civilian politicians. And the complicated rivalries between North, West and East Nigeria which led leaders in the East to declare independence as Biafra, and the 3-year-long war which followed, in which up to 2 million Nigerians died.

12. Death of an Emperor (Ethiopia)

An entertaining account of the elaborate ritual which surrounded the Emperor Haile Selassie and the surprisingly aggressive imperial campaigns which had doubled his country’s size, starting back in the time of his ancestor Menelek (ruled 1889 to 1913), including the annexation of Eritrea and contested parts of Somaliland.

In the early 1970s mismanagement, especially of a famine in Wollo, protests by various sectors, and Selassie’s hastening senility, emboldened a group of army officers, who called themselves the Derg, to stage a coup in stages throughout 1974, which ended with the complete overthrow of Selassie on 12 September. In November the junta executed 60 former officials of the imperial government plus dissident elements within the Derg itself, by firing squad, and Ethiopia was declared a republic to be governed on Marxist-Leninist lines.

  • The Emperor: Downfall of an Autocrat by Ryszard Kapuściński (1978)

13. The Coming of Tyrants

After the first few heroic years of optimism, the military coups began. But worse was the advent of the monsters: Abaid Karume in Zanzibar (1964 to 1972); Jean-Bedel Bokassa in the Central African Republic (1966 to 1979); Idi Amin in Uganda (1971 to 1979); Francisco Nguema in Equatorial Guinea (1968 to 1979); Mengistu Haile Mariam in Ethiopia (1977 to 1991).

14. In Search of Ujamaa (Tanzania)

Julius Nyerere in Tanzania. He was a committed socialist though without a socialist party or advisers. In the mid-1960s he nationalised everything in Tanzania and proclaimed this native form of socialism ujaama, which is KiSwahili for ‘familyhood’ (p.253). In 1974 this was turned into the forced movement of some 11 million peasant farmers into collective farms, which had the same kind of catastrophic effect as in the Stalin-era Ukraine or Mao’s China i.e. the collapse of agricultural productivity and widespread hunger. Nyerere had to go begging to the World Bank and IMF and food agencies for emergency food supplies. As its economy went steadily downhill, Nyerere’s one-party state did improve literacy, schools, drinking water etc, but almost entirely funded by aid from the West.

15. The Passing of the Old Guard

Ghana

Nkrumah’s sad exile in a slowly deteriorating villa in Guinea planning a triumphant return to Ghana which never took place.

Egypt

Nasser’s great dreams of leading an Arab renaissance came to nothing, attempts to unify with Syria were a fiasco, his intervention in Yemen backfired, leading up to the humiliation of the 1967 Arab-Israeli War in which the Israelis seized the Sinai with its oil wells from Egypt. Yet he remained popular and Egypt was plunged into mourning when he died in 1970 of a heart attack, aged just 52.

Kenya

Jomo Kenyatta was the opposite of Nyerere, a keen advocate of capitalism, and provided the stable political and legal framework within which private enterprise could flourish. Much of the land belonging to the white settlers, the issue behind the Mau Mau movement, was sold to Black Kenyans. During the 1970s he faced political challenges and hardened his one-party rule. His fiercest critic was found murdered etc. Late in life Kenyatta slowly lost interest in ruling, preferring to concoct complex riddles. He died peacefully in 1978.

Senegal

President Léopold Senghor remained strongly Francophile, committed to maintaining links with France, accepting French capital in business and retaining French troops to safeguard his regime. In France he was a noted poet. In 1976 he bucked the one-party trend of his neighbours by allowing the establishment of two new political parties. In 1980 he handed over power to his protégé, becoming the first African ruler to relinquish power voluntarily.

Guinea

The first president of Guinea, Ahmed Sékou Touré, created a paranoid atmosphere of permanent plots which he claimed to uncover and used to arrest, torture and publicly execute opponents, real or imagined. A fifth of the population fled abroad. Touré nationalised industries, persecuted independent businesses, created parastatal agencies, so that the economy tanked and was, eventually, only surviving on western aid. After 20 years of enforced socialism, he began to relent and allow some elements of private enterprise.

16. The Slippery Slope

An overview of the calamitous economic issues which hit Africa in the 1970s and 80s, being:

  • famine and drought
  • the two oil shocks of the 1970s
  • the collapse of commodity prices on which most African states depended for foreign revenue
  • the disastrous loss of agricultural land, soil degradation and desertification

On top of all this, an explosive growth in population.

17. The Great Plunderer (Zaire)

This refers to Joseph-Désiré Mobutu, who ruled Congo from the date of his second military coup in 1965 to his overthrow by the forces invading from Rwanda in 1997. During those 32 long years he changed the country’s name to Zaire, Africanised all placenames (Leopoldville > Kinshasa, Elizabethville > Lubumbashi) and even his own name, changing it to Mobutu Sese Seko Kuku Ngbendu Wa Za Banga.

Mobutu nationalised agriculture, seized all businesses from foreign owners, causing a collapse in the country’s economy, and looted it on a grand scale, siphoning vast amounts into private bank accounts. Probably the greatest African kleptocrat, he was said to have stolen up to $15 billion. The Americans supported him on the simple Cold War basis that he was fiercely anti-communist and so maintained the centre of Africa against any Soviet influence. Mobutu was an honoured guest of US presidents from John F Kennedy to George Bush. Meredith doesn’t need to comment.

18. White Dominoes (Mozambique, Angola)

Portugal was the last European country to decolonise. Independence movements in its two main African colonies, Angola and Mozambique, commenced military activities in 1961, leading to what became known as the Portuguese Colonial War (1961 to 1974).

In 1968 Portugal’s long-serving dictator, António de Oliveira Salazar, was replaced by another authoritarian ruler, Marcello Caetano. He inherited military operations in Portugal’s main two African colonies, Angola and Mozambique. However, junior army officers had become unhappy with the way the army seemed like it was committed forever to these ruinous, unwinnable wars and so, on 25 April 1974, carried out the Carnation Revolution, overthrowing Caetano. Portugal’s new military rulers set out to divest themselves of her colonies immediately. Small Guinea-Bissau was easily granted independence in 1973.

Mozambique

In Mozambique the main liberation force had been the Front for the Liberation of Mozambique (FRELIMO) led by the zealous Marxist, Samora Machel. Terrified by the fire-breathing rhetoric of Marxist Machal, in the year between the declaration of independence in 1974 and its legal implementation on 25 June 1975, most of the 250,000 Portuguese in Mozambique fled the country, including all the civil servants, administrators, managers of the infrastructure and all businesses.

Frelimo passed a law ordering the remaining Portuguese to leave the country in 24 hours with only 20 kilograms (44 pounds) of luggage. Unable to salvage any of their assets, most of them returned to Portugal penniless, leaving a country empty of experienced administrators, engineers and so on.

Frelimo commenced an aggressive implementation of Marxism-Leninism which proved a disaster: central planning was as badly managed here as in most other African countries, leading to economic collapse, inflation, shortages of everything but especially food. Industrial output and agriculture collapsed leading to widespread famine. Frelimo eventually generated so much opposition that the anti-communist forces united to form the Mozambican National Resistance (RENAMO) rebel militias.

Renamo found backing from South Africa and the US. Civil war between Frelimo and Renamo was to consume 15 ruinous years from 1977 to 1992. An estimated one million Mozambicans perished during the civil war, with somewhere between 300,000 and 600,000 dying of famine. 1.7 million Mozambicans took refuge in neighbouring states, and several million more were internally displaced.

Angola

Something similar happened in Angola. As the deadline for independence approached, three rebel or independence groups/parties/armies vied for power, being the FNLA, MPLA and UNITA. As violence broke out most of the white Portuguese fled and the country collapsed into a civil war between what emerged as the two main forces, the communist People’s Movement for the Liberation of Angola (MPLA) and the anti-communist National Union for the Total Independence of Angola (UNITA). The civil war lasted from 1975, with interludes, until 2002. See:

Part 3

19. Red Tears (Ethiopia)

How in 1974 the Provisional Military Administrative Committee (PMAC) of army officers, also known as the Derg, overthrew the regime of emperor Haile Selassie. In 1977 Colonel Mengistu Haile Mariam seized full control and initiated a wave of repression which became known as the Red Terror. During this two-year campaign as many as 50,000 Ethiopians were arrested, tortured and executed. The Derg dumped the corpses in the street and gained notoriety by demanding that families of the executed pay for the bullets. Marxist-Leninist housekeeping.

Meredith explains how Mengistu’s Marxist-Leninist policies, along with his brutal campaigns against Eritrean and Tigrayan separatists in the north, helped bring about the great Ethiopia famine of 1984 which led to Live Aid. At the time more than half of Ethiopia’s annual budget was devoted to maintaining an army of 300,000 (armed and supplied by Soviet Russia) in order to carry out operations against the Tigrayan People’s Liberation Front (p.334).

Mengistu was a doctrinaire Marxist who believed in collectivising agriculture and enforcing super low prices in order to provide subsidised food for his key constituencies in the cities. The detailed chronicle of his deliberate ignoring of the famine, attempts to deny it, to prevent journalists or aid agencies entering the famine-stricken areas, and then the politically motivated strategy of moving hundreds of thousands of starving people against their will from the north (close to where Eritrean separatists operated) to the more secure south where they had no homes or livelihoods, makes for terrible reading. What a complete bastard.

The title of this chapter comes from a memoir of his time in Mengistu’s government written by a defector from the Derg, Dawit Wolde Giorgis, ‘Red Tears: War, Famine and Revolution in Ethiopia’. In the words of reviewer Mohammed Hassen, this exposes ‘the callous brutality of the Ethiopian government towards its own people’, and the leaders of the Derg as ‘uninformed, anti-people, anti-democratic criminal thugs’ (Online review).

20. Fault Lines (Chad, Sudan)

Chad

Across the north of Africa is a line between the Arab Muslim north and the start of the Black African and often Christian south. Meredith gives a long, detailed and deeply depressing account of the north-south conflict in Chad, in which both sides massacred each other and Colonel Gaddafi, in power in Libya from 1969 onwards, took advantage by trying to seize northern Chad and, at his most ambitious, declared the unification of Chad with Libya – under his supreme control, of course.

Sudan

To the East, the equally long-running and demoralising war between Muslim north and Christian south Sudan. A key aspect of the backstory to both conflicts is that the northern Muslims had, for centuries, captured southern blacks as slaves as part of the widespread Arab slave trade. In fact Meredith records Arab militias capturing and enslaving Black southerners in the 1980s, all accompanied by vitriolic racism about the Blacks being sub-humans etc. About the Atlantic slave trade I hear on a daily basis and in virtually every art exhibition I go to; about the Arab slave trade, never.

21. The Scourge of AIDS

The interesting point is the number of African governments which refused to acknowledge AIDS or dismissed it as a racist Western conspiracy, with the result that many African countries didn’t commence AIDS-awareness campaigns till the 1990s by which time the disease had taken hold in their populations. Two notable exceptions were Senegal under Abdou Diouf, and Uganda under the leadership of Yoweri Museveni. Respect.

22. The Lost Decade

A detailed look at the economic collapse of almost all African countries by the 1980s so that they became increasingly dependent on foreign aid, on loans which needed to be continually rescheduled, and the accompanying demands from the IMF and World Bank for ‘structural reforms’. Through mismanagement, drought, civil war, collapse of commodity prices, most African countries became dependent on aid from the West.

What comes over, and is expressed in terms by African commentators themselves, is what condemned Africa to becoming the most backward and poverty-stricken of the world’s continents was the appalling quality of African leaders – tyrants, dictators but, above all, thieves, on an epic, mind-boggling scale.

23. The Struggle for Democracy

The long hold on power of Africa’s strong men, the generation who took power at independence and often clung on to it for 25 years or more, for example:

  • Gnassingbé Eyadéma of Togo (president for 38 years)
  • Omar Bongo in Gabon (41 years)
  • Félix Houphouët-Boigny of Côte d’Ivoire (president for 33 years)
  • Mobutu in Zaire (32 years)
  • Hastings Banda in Malawi (30 years)
  • Kenneth Kaunda in Zambia (27 years)
  • Moussa Traore in Mali (22 years)

Of the 50 African states in 1990, almost all were one-party states or military dictatorships.

The fall of the Berlin wall and collapse of the Soviet Union in 1991 ushered in a new era. One party regimes and Marxist regimes appeared old-fashioned overnight. But the strong men clung on in the new landscape, for example Mobutu who struggled on for another 7 years.

24. A Time of Triumph (South Africa)

A long and harrowing description of ‘grand’ apartheid in all its totalitarian, racist horror. Meredith gives an interesting explanation of the changes in international affairs and geopolitics during the late 1980s which led the apartheid leadership to consider sweeping reform. He ends with a moving account of negotiations with Nelson Mandela, climaxing with his release and then the first free, multi-racial elections in South Africa’s history.

Apart from the long, complex history of violence, guerrilla warfare, civil war between the ANC and Inkatha, South Africa’s interference in all the nations bordering it and so on – on a human level I learned that a) Mandela and the last apartheid leader, F.W. de Klerk, really didn’t get on, and that b) when his marriage to wife Winnie Mandela ended, she very publicly took a much younger lover and embarrassed him in public (‘Mandela’s late years of freedom were constantly blighted by her wayward example’), leaving him an often lonely figure (p.438).

Part 4

25. In The Name of the Prophet (Egypt, Algeria, Sudan)

Sayyid Qutb

The imperialists had oppressed them. Secular nationalism was a failure. The first generation of post-independence rulers turned out to be corrupt tyrants. Socialism and Marxism turned out to be dead ends. Following the Iranian revolution of 1979 there began a revival of political Islam which seemed to many ordinary people a last resort, given that all western political systems and theories had failed. Political Islam encouraged the idea that western concepts like democracy or capitalism were infidel and inappropriate to Muslim lands, and that only return to the purity of the Prophet’s laws and rules would restore society.

The principal architect of jihad ideology [was] Sayyid Qutb…whose writings influenced generations of radical Islamists. (p.444)

Qutb, an Egyptian who supported the Muslim Brotherhood, was imprisoned by Colonel Nasser, then executed in 1965 – but not before he’d developed, written and distributed a starkly simplistic view of Islam. According to Qutb the entire Muslim world can be divided into the Party of God and the Party of Satan with no middle ground. Repressive regimes cannot be changed from within and so must be overthrown by jihad i.e. armed struggle.

Any land that hampered the practice of Islam or failed to apply sharia law was ipso facto part of Dar el-Harb – the Abode of War. ‘It should be combated even if one’s own kith and kin, national group, capital and commerce are to be found there.’ (p.444)

This is really, really important. Qutb’s writings are crucial to understanding the modern age. His simplistic binary worldview, and his insistence that democracy, nationalism, human rights and all those other ideas, are infidel western abominations – all this explains the wars which have steadily engulfed the Arab/Muslim world in the last 30 years.

Qutb’s writings explain why generations of jihadis have been convinced that the only honourable and devout course of action is to fight your enemies to extermination. His writings have hugely contributed to instability right across the Arab world and are the ideological background to jihadis fighting in Afghanistan, Iraq, Syria, Yemen, Libya and Sudan. Meredith mentions a couple of other Muslim thinkers:

  • cleric Omar Abdel Rahman who taught that jihad was the only way to vanquish the enemies of Islam (p.445)
  • Muhammed al-Farag, who taught that jihad is the sixth pillar of Islam and that armed struggle is imperative for all true Muslims in order to cure a decadent society: ‘the first battlefield for jihad is the extermination of these infidel leaders and to replace them with a complete Islamic Order’ (p.446)

Only jihad can bring about the perfect Islamic society. Jihad must be waged until the perfect Islamic society is achieved. But there are many forces resisting this, the obvious outside forces of America and the West, but also the populations of many of these countries. So the kind of perfect Islamic state the jihadis dream of will probably never be achieved. Therefore the Muslim world, certainly in the Middle East and North Africa, is condemned to permanent war or insurgency for the foreseeable future.

Algeria

The Front de libération nationale (FLN) had been the main force behind the long bloody war for the independence of Algeria from France. After independence was finally granted in 1962, the FLN became the party of government, instituting socialist policies and a one-party regime. Meredith lists the reasons why the FLN slowly became unpopular. Two stick out. One was that they downplayed agriculture in a bid to industrialise, keeping food prices artificially low in order to placate their constituencies in the towns and cities. The result was that life as a farmer got harder and harder, with many rural youths deciding to quit the poverty of the countryside and try their luck in the city. This is interesting because it’s an abiding theme of so many of these countries. If I could travel back in time to the early 60s and was an adviser to newly independent African nations, I’d say: ‘Cherish your farmers’. In Algeria, as everywhere else, neglecting and even undermining agriculture led to the country becoming ever more reliant on food imports.

The second is the explosion in population. I am a Darwinian materialist, a believer in the blunt facts of the environment and biology a long way before culture and politics. Thus the simple relevant fact is that the population of Algeria exploded from 10 million in 1962 to 26 million in 1992. No rate of economic growth, anywhere, could keep up with this explosion in mouths to feed and, more to the point, young men to employ.

Groups of young men hanging round on street corners become a prey to warlords and the siren call of violent revolution. This is true all round the developing world. The West supplied the medicines to developing countries which hugely improved infant mortality and recovery from illness, but without doing anything to transform a) cultural attitudes to women and childbirth or b) expand the economies. Result: lots of aimless young men looking for a cause.

Enter radical Islam which promises a better world, which gives young men a purpose, a goal, a sense of identity, and money and respect. What’s not to like, what’s not to sign up and commit your life to?

As radical Islamic parties began to appear in Algeria the military command which called the shots in the FLN tried to cancel them. After complicated manoeuvres the FLN agreed to hold free elections and Islamic parties stood in them. But when the Islamists looked like winning, the FLN abruptly cancelled the results and took back military control. The rest of the story could have been written by an AI bot. The Islamists hit back with a terror campaign, the army cracked down, arbitrarily arresting thousands, imprisonment without trial, torture etc, the Islamists ramped up their campaign, and so on.

Again, with utter inevitability, the insurgency spawned an extremist wing, the Groupe Islamique Armé (GIA). With utter predictability they started off saying they’d stick to military targets but soon found these too well protected and their attacks having less and less affect so they widened their targets. Journalists were singled out, but more and more members of the general public were also murdered. Abdelkader Hattab wrote a pamphlet titled: ‘Throat-slitting and murder until the power is God’s’ (p.457).

As in Iraq, in order to build the perfect Islamic state, it turned out to be necessary to kill lots of Muslims, first hundreds, then thousands, then tens of thousands, and eventually hundreds of thousands.

What became known as the Algerian Civil War lasted from 1991 to 2002 and led to around 150,000 deaths. Of course the economy was wrecked. Of course a lot of the best and brightest middle classes simply fled abroad.

Egypt

I visited Egypt in 1981 and then in 1995, just before Islamist terror groups began attacking tourists. Groups like Jamaat al-Jihad and Gamma Islamiyya increasingly targeted government officials, intellectuals, journalists and foreign tourists. They attacked and murdered Coptic Christians, burned Christian shops and churches, and bookshops and theatres and video stores. Farag Foda, one of Egypt’s best known writers, was shot dead. The Nobel laureate Naguib Mahfouz was knifed. ‘Throat-slitting and murder until the power is God’s’, in practice.

Then they started attacking tourists: in 1996 17 Greek pilgrims were murdered outside their hotel. In 1997 58 foreign tourists were murdered in the Valley of the Kings. Meredith tells us that a Japanese man was eviscerated and inside his stomach cavity was stuffed a note reading: ‘No to tourists in Egypt’ (p.461). Fine by me. I’m never going back to a Muslim country.

Egypt’s president, Hosni Mubarak, had come to power after the assassination of his predecessor Anwar Sadat by army Islamists in 1981. Now Mubarak set about crushing the Islamic groups ruthlessly, telling his own people and the international community that he wouldn’t let Egypt become the next Algeria. This chapter takes the story up to 2000, when Mubarak was arresting members of the Muslim Brotherhood and other Islamic organisations to prevent them standing in that year’s elections.

26. Black Hawk Down (Somalia)

The first fact about Somalia is that, at independence, about 40% of the people who thought of themselves as Somalis lived outside the borders of the country, in Ethiopia or Kenya. So from the day of independence the government neglected agriculture and the economy and focused on military action to try and extend its borders to include the full population.

Second fact is the Somalis have a strong and complex clan system, clans within clans, which extends in a hierarchy from the five main super-clans down through ever-diminishing sub-clans. So:

  1. Never-ending warfare helped impoverish the country, especially after the Soviet Union dropped its support for Somalia in favour of Mengistu’s Marxist revolution in neighbouring Ethiopia.
  2. As central government collapsed under the pressure of military defeats, poverty, famine and so on, the country disintegrated into a warzone of permanently fighting, feuding clans, at multiple levels, with warlords ruling their territories through terror.

27. The Graves Are Not Yet Full (Rwanda)

The Rwandan genocide. I’ve summarised the dreadful events elsewhere. I’ll just pick up on two related themes, mentioned re. Algeria. 1) the population of Rwanda ballooned from 2 million in 1940 to 7 million in 1990, which led to 2) lots of unemployed youths hanging around, waiting for a cause and meaning (and cash):

Youths with no prospect of work were easily recruited [into the interahamwe) with promises of land, jobs and other rewards… (p.496)

The French government of François Mitterrand comes over as the genocide-supporting scumbags indicated by all the other accounts. For example, it was the French government which refused the Belgian request to increase the number of the latter’s peacekeepers, so that Belgians ended up being forced to watch Tutsis being hacked to death in front of them but were unable to intervene. Because of France (p.510).

Mitterrand was determined to prevent a Rwandan Patriotic Front (RPF) victory in Rwanda even if it meant continuing to collaborate with genocidal killers. (p.519)

France made five arms shipments to the Hutu government while it was carrying out the genocide. Bastard Mitterrand sent a French force into Rwanda to protect the Hutu Power génocidaires (the equivalent of protecting the SS). Meredith tells of French soldiers slowly realising that the Hutus they had been sent to protect were in fact genocidal killers and realising that their government (Mitterrand) had lied to them. The piles and piles of Tutsi corpses were a clue. But the French government refused to allow their troops on the ground to track down and bring to justice the génocidaires hiding among the mass Hutu refugees who fled into Congo, once the Tutsi-led RPF reactivated the civil war and invaded in order to end the killing.

To the end, the French protected the organisers of the genocide. (p.522)

We’re never meant to forget the Holocaust. Well, in the same spirit, surely we should never forgive the arms and aid and support and protection the French government extended to the perpetrators of the second most horrific genocide of the twentieth century.

Mind you, Meredith goes on to paint the UN as far worse, biased towards Hutu president, Juvénal Habyarimana, ignoring reports from the Canadian commander of the UN force on the ground, UNAMIR, General Roméo Dallaire. And then the Belgian government, which withdrew their contingent altogether, abandoning thousands of Tutsis who had taken shelter in their compounds and who were hacked to pieces within hours of their abandonment (p.512). And the Americans behaved disgracefully, Bill Clinton doing everything he could to avoid using the G word (genocide) and refusing to commit troops. Everyone in a position of power in the West let the genocide happen.

More Tutsis were killed in churches than any other type of building, although a lot were killed in maternity wards where a lot had their bellies ripped open and their babies hacked to pieces before they themselves were hacked to death.

Some people still believe in the essential goodness of the human race. Such innocence is touching, charming, but dangerous.

28. Where Vultures Fly (the two Congo wars)

Who supported Mobutu after he had reduced Zaire to starving ruins? France. Why? Because he spoke French. Because he represented la francophonie. Because he represented a bulwark against the rise of the beastly English-speaking leaders such as Museveni of Uganda. France supported mass murderers and world-beating kleptocrats because their crimes were less important than the preservation of ‘French culture’ (p.525). Look at their wise and good achievements in the realm of international affairs: Vietnam. Algeria. Models of wisdom and statecraft. And Vichy, when millions of French people wholeheartedly co-operated with German Nazis whose values they enthusiastically endorsed.

This is not an exaggeration. When considering international affairs, it’s important to bear in mind what despicable depths the French establishment’s paranoid fear of the English-speaking world drives them. James Barr describes the despicable behaviour of the French in Lebanon and Syria during the Second World War:

This chapter describes how the million and a half Hutu refugees from Rwanda were crammed into refugee camps, mostly in Congo, where the Hutu Power génocidaires rebuilt their power, controlled the distribution of aid, murdered dissenting voices, kept the refugees in line with terror, while they sold some of the aid the West gave them in order to buy arms to re-invade Rwanda and resume attacking Tutsi communities.

Meredith explains how the leader of the RPF, Paul Kagame, conspired with President of Uganda Mouseveni to invade eastern Zaire, to crush the Hutu Power leaders, to force the Hutu refugees to return to their country. How they found a useful idiot from within Zaire to front the army they were creating, namely fat, stupid guerrilla turned nightclub-owner Laurent-Désiré Kabila.

The combined RPF and Ugandan army force which Kabila fronted not only liberated the Hutu refugee camps, but marched on Congo’s capital, Kinshasa, triggering the panic-stricken flight of the sick old dictator, Mobutu in 1997. In short order and to his own surprise, Kabila found himself in power and set about surrounding himself with cronies in the traditional style. Unwisely, he tried to bolster his support among the Congolese by turning on his Ugandan and Rwandan-Tutsi backers, whose forces were much resented in Kinshasa and beyond.

This policy badly backfired because when Kagame and Museveni found their puppet acting up against them, in 1998 they instituted a second invasion from the east, this time not marching but flying their forces direct to Kinshasa to overthrow Kabile. At this point, however, various outside countries began to get involved, several big ones supporting Kabile who had signed lucrative deals with them allowing them to plunder Congo’s natural resources.

This was the complex situation which led to what became known as the Great War of Africa. Slowly the country splintered into regions held by rival warlords or outside armies. A peace treaty was signed in 2002 which required armies from Rwanda, Burundi, Uganda, Angola and Zimbabwe to withdraw. In four years of chaotic conflict (1998 to 2002) some 3 million Africans had died, mostly unarmed Congolese civilians. But even after the peace treaty, fighting continued in east Congo, and continues at a low level to this day.

29. Blood Diamonds (Liberia, Sierra Leone)

Liberia

Meredith recaps the extraordinary early history of Liberia, a colony on the west coast of Africa funded in 1822 by guilt-stricken liberal Americans who wanted to return some of their slaves to the motherland. Instead, the few thousand returned Blacks ended up creating their own version of slavery, subjugating the poor locals, exploiting their labour, building homes and dressing in the elaborate nineteenth century style of their former American oppressors. Now the immigrant Blacks oppressed the locals. The Americo-Liberians amounted to no more than 1% of the population but lorded it over the indigenes.

In a neat historical irony, in 1931 an international commission found members of the entirely Black Liberian government guilty of involvement in organised slavery (p.546).

But it the story stops being in any way funny when in April 1980 Master Sergeant Samuel Doe led a coup which overturned a century of Americo-Liberian rule. Semi-literate, Doe came from a minority tribe, the Krahn, from the deep jungle. He and colleagues broke into the mansion of President William Tolbert to complain about unpaid wages. Finding him asleep in bed they shot him multiple times before disembowelling him and dumping his body in the garden. This was the coup where Tolbert’s cabinet ministers were taken down to the beach, tied to posts and shot by a squad of drunken soldiers. I remember seeing the video on the news. This set the tone of ten years of savage, primitive, ignorant, incompetent rule.

Like all stupid people, Doe thought the world revolved around him and thus saw conspiracies everywhere. His comms people publicised the idea that he had survived 38 or more assassination attempts because of his magical powers, because bullets stopped in mid-air, knives refused to cut him, and so on – fairy tales designed to appeal to the largely illiterate population.

In August 1984 Doe arrested a popular university lecturer and 15 colleagues claiming they were planning a coup. When students protested, Doe sent a troop of soldiers who opened fire indiscriminately, stripped students naked, demanded money and/or raped them (p.551). This all made me think of all Kwame Nkrumah’s speeches from the 1950s and 60s about ‘Africa for Africans’, ‘African values’, how a liberated Africa would become a beacon of progress and civilisation…

Throughout all the mayhem the US government stood by Doe, declaring his obviously rigged elections valid, overlooking his brutal massacres, upping annual aid to $80 million, and inviting him to the White House for red carpet treatment. Why? Because he was staunchly anti-Soviet. That’s all that mattered (p.555).

In November 1985 General Thomas Quiwonkpa, who had led the 1980 coup along with Doe, tried to seize power and there was premature rejoicing – until Doe managed to regain control, hunt down Quiwonkpa and have him kicked and hacked to death, followed by even harsher crackdowns on the population, which including victimisation of the entire Gio tribe which Quiwonkpa came from.

In 1989 another former colleague, Charles Taylor, led a militia into Liberia from neighbouring Ivory Coast, thus commencing a guerrilla war against Doe. Doe sent out death squads to devastate villages in the regions Taylor had seized. Taylor armed children (‘Small Boy Units’) and told them to kill everyone. The country descended into barbarity.

Bolstered by cane spirit, marijuana and cheap amphetamines, youths and boy soldiers evolved into psychopathic killers, adorning themselves with women’s wigs, dresses, fright masks and enemy bones and smearing their faces with white clay and make-up in the belief that this gave them supernatural perception…’It’s a children’s war,’ said a senior United Nations observer. ‘Kids get promoted in rank for committing an atrocity. They can cut off someone’s head without thinking. The troops move into a village. They take everything and kill and rape. They stay a couple of weeks and then move on.’ (p.558)

It’s interesting to read that many of the stoned fighters thought that wearing wigs or dresses i.e. adopting two identities, would confuse enemy bullets. Traditional African values. Reminds me of the website I found last time I was reading about this subject, a collection of photos of the surreal garb of drug-addled psychopathic militia men.

In 1989 a colleague of Taylor’s named Prince Johnson split off from Taylor’s army to set up the Independent National Patriotic Front of Liberia, with the result that Liberia became caught in a three-way civil war. Or just – war. Marauding soldiers from each side burned, looted, raped and massacred at will. Half the population fled the country. Nigeria sent a peacekeeping force which didn’t establish any kind of peace but secured a few buildings in the capital Monrovia. When Doe drove down to the port to greet them, he was captured by Prince Johnson’s men.

Johnson ordered a video to be made of his men torturing a badly battered Doe, including the moments when they sliced his ears off. The video became a bestseller across West Africa. You can watch it on YouTube and reflect on the speeches of Kwame Nkrumah explaining how African values would civilise the world.

Inevitably, the African peacekeeping force turned out to be every bit as corrupt and lawless as the militias they were sent to police, giving warlords weapons in exchange for looted goods, leading to the joke that ECOMOG stood for ‘Every Car Or Moving Object Gone’.

Taylor established control everywhere outside the capital, and came to commercial arrangements with western companies to allow trade to continue. In two years he’s estimated to have raked off £200 million from these gangster deals.

Sierra Leone

The chaos from Liberia then spilled over into neighbouring Sierra Leone. This country was already a basket case due to the 17-year, one-party rule of President Siaka Steven whose regime made a fortune trading diamonds via Lebanese dealers, while the economy languished, government employees went unpaid, and gangs of youths filled the streets looking for a cause. The usual.

The force Taylor sent into Sierra Leone in March 1991 called itself the Revolutionary United Front (RUF) and was led by the psychopath, Foday Sankoh. This was the group Anthony Loyd writes about terrifyingly in Another Bloody Love Letter. Child soldiers became a key feature of Sierra Leone’s civil war. They were given drugs, indoctrinated and taught to kill. Some had to kill their own parents as an initiation test. Some hated it, wanted to leave but were afraid of themselves being killed. But others loved it. As researchers Krijn Peters and Paul Richards concluded:

‘The pay may be derisory but weapon training pays quicker dividends than school ever did; soon the AK47 brings food, money, a warm bath and instant adult respect. The combat groups substitutes for lost family and friends.’ (quoted page 563)

Like the white overseers in King Leopold’s Congo, the RUF took to hacking off the hands and limbs of civilians, at random, purely for the terror it created. Hundreds of thousands of civilians fled their homes. A coup in the capital brought Valentine Strasser to power. He paid a firm of mercenaries, Executive Outcomes, to clear the capital Freetown in exchange for rights to the country’s diamond mines. Executive Outcomes fighters cleared Freetown in one week, testament to the shoddy, amateurish character of the African fighters on all sides.

More splinter groups, more coups, more fighting, 14 attempts at a ceasefire, tens of thousands more hand choppings and mutilations. A final ceasefire brought UN intervention. But when the UN went to seize the diamond mines, in 2000, the RUF captured 500 of its peacekeepers. It was now that Britain sent in a full battle force to release the UN troops, seize government buildings and train the SL army. Sankoh was arrested and the RUF splintered into ineffectual groups. In the wake of the British intervention, the UN deployed 18,000 troops to bring about a comprehensive peace.

Eleven years of war had left 50,000 dead, 20,000 mutilated, three quarters of the population displaced, and Sierra Leone at the bottom of the league of human development. Back in Liberia, Charles Taylor amassed a huge fortune from illegal diamond trading. His overthrow in 2003 was as violent and brutal as his coming to power, with two more factions, groups or militias murdering and raping their way to the capital. Eventually Taylor was forced out but flew peacefully to Nigeria to take up life in a comfortable retirement villa. There is no justice on earth, nothing like justice.

30. No Condition Is Permanent (Nigeria)

Meredith describes the brutal rule of General Sani Abacha, military ruler from 1993 to 1998. His crackdown on all opposition. The rise of organisations representing the Ogoni people of the oil-rich Niger Delta who had seen none of the tens of billions of oil money generated around them, only the pollution and destruction of their environment. The work of the popular writer Ken Saro-Wiwa, who was eventually arrested, accused of organising an anti-government conspiracy etc and, despite international protests, executed in November 1995.

Abachi’s death in 1998 is the opportunity for a review of how far the country had fallen. Despite annual oil revenue of $280 billion, income per head was less than a third of what it had been in 1980, at $310; half the population lived on less than 30 cents a day and had no access to clean drinking water. Half of under fives were stunted due to malnutrition. Nigeria was regularly judged to be the most corrupt country in the world.

What this litany of disasters begins to impress on even the most sympathetic reader is that Africans do not seem able of running their own countries. Catastrophic wars, epic corruption, barbaric violence resulting in crushing poverty, if the generation of independence campaigners had seen the future would they have been in such a tearing hurry to gain independence from their colonial masters?

Abachi’s death didn’t bring peace and light: the end of the military regime led to an explosion of political parties across the country, which themselves exacerbated ethnic rivalries, and also the rise of Islamic militancy, which led to clashes between Muslims and Christians. Despite free elections in 1999 and again in 2003, observers wondered whether Nigeria, a country of 120 million made up of 250 ethnic groups, was ungovernable. [That was in 2000. Nigeria’s population in 2023 has almost doubled, to 215 million.]

31. The Honour of Living (Sudan)

General Omar al-Bashir seized power in Sudan in 1989 and declared his commitment to creating an Islamic state. This was followed by the arrest of all opposition figures, torture including burning, beating and rape, the usual behaviour of leaders promising to build a better society – first you have to lock up a lot of people. 1991 saw the introduction of a new Islamic penal code: women were hounded out of public life, segregation of men and women was enforced in all public places, there was a ban on music, cinema and the compulsory Arabisation of all culture.

The ideologue of all this was Hassan al-Turabi, founder of the National Islamic Front and founder of the Muslim Brotherhood. After the first Gulf War, in 1991. Turabi set up the Popular Arab and Islamic Conference to bring together thinkers and leaders to fight back against America’s ‘colonisation’ of the Arab World. Sudan became a refuge for anti-western terrorist groups. This is very important. It marks the start of a new type of aggressive new anti-western ideology, of the war on America.

Meredith gives a good short description of the career of Osama bin Laden. In 1996 the blind cleric sheikh Omar Abdel Rahman organised the bombing of the World Trade Centre. Extremists trained in Sudan undertook assassinations and attacks across the Arab world. In 1998 activists trained by al Qaeda attacked hotels in Kenya and Tanzania, killing 263 people. Now we enter ‘the modern world’, the era we still live in in 2023, the era of unceasing conflict and Islamic insurgency across the entire Arab world.

Their Islamic ideology justified the Bashir regime in intensifying the war against southern, Black, Christian rebels. Villages were bombed, populations massacred and sold into slavery, with the blessing of Islamic scholars. The southern forces split into two parties who had a civil war between themselves in which tens of thousands of civilians died, which triggered a famine in which hundreds of thousands perished (p.594). Humans, eh? Impressive species.

Alongside massacres in the south went the discovery and exploitation of oil. The Khartoum government reaped a huge bonanza and spent it on…arms. By 2002 the civil war had left an estimated 2 million dead. But after 9/11 the Americans became active. Sudan was identified as a training base for Islamic terrorists and Bashir had to back down and promise to comply.

32. Black Gold (Angola)

The crushingly depressing history of Angola in the 1980s and 1980s, a country destroyed by an endless civil war between the supposedly ‘Marxist’ MPLA government based in Luanda, and the madly self-centred, narcissistic, overweening arrogance of Jonas Savimbi, leader of UNITA.

Land mines, aerial bombing, indiscriminate massacre, burning, looting, rape of women and children. Maybe 5 million died, many more had legs blown off by the millions of landmines, the country was laid waste – all while Eduardo dos Santos and the elite of the MPLA lived like kings by salting away the revenue derived from the huge oil deposits found just offshore. Getting on for half the annual oil revenue, billions of dollars, was stolen by dos Santos and his clique, while the children starved to death in the streets. As with Congo, or Nigeria, why give aid to oil- and resource-rich countries which have enough natural income to invest in infrastructure, roads, markets, clean water, schools, but which they either steal or spend on arms and weapons?

33. A Degree In Violence (Zimbabwe)

The slow descent into paranoid dictatorship of Robert Mugabe. I hadn’t realised that he was initially conciliatory towards the white minority, and even his arch enemy Ian Smith, for the first two or three years of his rule because his first priority was eliminating all his black rivals, starting with Joshua Nkomo and his Zimbabwe African People’s Union (ZAPU). It was called the Gukurahundi campaign (Shona for ‘the early rain which washes away the chaff before the spring rains’). During this campaign Mugabe’s notorious Fifth Brigade, trained by North Koreans, rampaged through ZAPU’s heartland, Matabeleland, and massacred thousands of civilians accused of being ‘dissidents’. Some estimates say as many as 80,000 were killed during the 5-year campaign.

Slowly Zimbabwe became like all the other African one-party states, a machine for redirecting wealth into the pockets of a small elite around the figurehead leader. As the economy collapsed and inflation and unemployment rose, so did Mugabe’s deployment of racist, anti-white rhetoric, focused on the policy of farm reclamation, seizing back land from the white farmers who owned a disproportionate amount of it. As Meredith explains, it’s all Mugabe had left, rabble-rousing racism to distract attention from the complete failure of his leadership.

Mugabe’s successive rounds of farm seizures spelled the end of commercial farming as a major industry in Zimbabwe. Many of the confiscated farms didn’t go to the deserving poor but to friends and family and tribal supporters of Mugabe, who then stripped and sold off their assets or left them to rot. Hundreds of thousands of Blacks who worked on the confiscated farms were thrown out of work. Land lay fallow. Food production collapsed. Zimbabwe, once the bread basket of southern Africa, became dependent on food aid.

By 2003 the economy had collapsed and an estimated quarter of the population had fled the country. Three-quarters of the remainder lived on less than a dollar a day. Meredith covers the coming together of opposition movements in the Movement for Democratic Change and the rise of its leader, Morgan Tsvangirai, the elections he contested in 2002 and 2008, elections Mugabe comprehensively managed with intimidation, violence and hectoring messages through state media.

Opposition activists were hunted down, beaten, tortured and in some cases murdered. (p.646)

Meredith’s narrative takes the reader up to 2008 when Mugabe, despite spending 28 years utterly devastating his country, was still in power. It was very depressing to switch to Wikipedia and see that Mugabe continued to rule the country he had ruined for another nine years, till he was overthrown in 2017.

34. Somewhere Over The Rainbow (South Africa)

The books and movies all focus on Nelson Mandela‘s long march to freedom. Not so many examine the calamitous challenges he faced on taking power in 1994: trying to reverse the best part of a century of totalitarian racism which had entrenched grotesque inequality between the affluent whites and the crushingly poor Black population; trying to integrate millions of badly educated young Africans into the economy, trying to introduce Blacks into every level of a 100% white political and civil administration and into SA’s commercial life. The army, the police, the education system, everything needed reforming.

Plus the expectations of activists at all levels who had spent a lifetime working for the ‘revolution’ which would create a land of plenty. There was an epidemic of strikes and protests or just straightforward crime. To all this Mandela had to react much like Mrs Thatcher, explaining that the state just didn’t have the resources to make everyone rich. There would have to be belt-tightening. It would take time.

Meredith has an extended passage describing the work of the Truth and Reconciliation Commission, how it struggled to find its way, was a compromise in nature and intent, but ended up unearthing far more than anyone expected. Its impartiality was emphasised by the way it was reviled by both sides, both stalwarts of the apartheid regime and the ANC itself, found guilty of murdering white civilians, Black opponents, of prosecuting a civil war with Inkatha, and the 400-plus victims of ‘necklacing’.

Meredith’s account of Mandela’s sustained efforts to achieve reconciliation between the races at every level bring a tear to the eye. What a hero.

His successor, Thabo Mbeki, elected unopposed to lead the ANC in 1997, was not a hero. Despite having been raised a communist, Mbeki promptly announced a set of neoliberal capitalist policies designed to boost the economy, namely strict fiscal discipline, lower government deficits, privatisation and liberalisation of state industries.

But Mbeki will go down in history as the man who adopted a minority view that HIV did not cause AIDS, promoted this view at every opportunity, refused to support AIDS awareness campaigns, refused to license anti-HIV drugs, for year after year, in the face of mounting criticism both within SA and internationally.

Mbeki insisted on playing the race card i.e. insisting that the global scientific consensus about HIV/AIDS was a racist attack on Black Africans on a par with apartheid. His obstinate refusal to allow anti-retroviral drugs to AIDS patients and pregnant women was calculated, by 2008, to have led to the premature deaths of 365,000 South Africans.

The greatest political challenge facing every nation is not to end up being led by idiots.

Mbeki undertook a more aggressive strategy of getting white businesses to include Black partners but, far from lifting the entire Black population out of poverty, this tended to enrich just the small number of educated, well-connected Blacks. The strategy developed into crony capitalism. Perceiving that they were being discriminated against, some 750,000 skilled whites just left the country, replaced by less qualified or experienced Blacks (p.679). Services decayed. Poverty grew alongside rising violent crime.

South Africa now has exceptionally high rates of murder, gender-based violence, robbery and violent conflict. It has consistently had one of the highest murder rates in the world.

Mbeki turned into a typical African leader. He created a climate of fear in the ANC. He emasculated parliament. He appointed officials for their loyalty to him, not their abilities. He shamefully supported Robert Mugabe even as Mugabe turned into a dictator and reduced his country to beggary.

And, falling into line with traditional African leaders, Mbeki and his cronies became involved in corruption, in particular creaming off hundreds of millions of dollars from state defence procurements. The ANC became split between the Mbeki faction and one led by Jacob Zuma, who himself was charged with money laundering, fraud and rape.

In 2007 Zuma stood against Mbeki and won the post of ANC leader, then stood for the presidency in 2009. The party split, but corruption became more embedded. The gap between rich and poor grew. Crime became the only way to survive for millions. After this book was completed Jacob Zuma went on to be elected president and serve from 2009 to 2018.

Incidentally, Meredith has written a series of books about South Africa, including a biography of Mandela, which explains the authoritativeness of his SA chapters:

  • In the Name of Apartheid: South Africa In The Post War Period (1988)
  • South Africa’s New Era: The 1994 Election (1994)
  • Nelson Mandela: A Biography (1999)
  • Coming to Terms: South Africa’s Search for Truth (2001)

35. Out of Africa

Decline

In 2001 the Organisation of African Unity was replaced by a new African Union. Same old dictators, though. Same corruption, same tribalism, same civil wars. Same population explosion which means half the population live below the poverty line, same huge unemployment, with millions permanently on the brink of starvation. 250 million Africans are undernourished; school enrolment is falling; life expectancy is falling. [This appears to be wrong, now; life expectancy in Africa is, apparently, 63.]

MDGs

By some estimates the West has spend £1.2 trillion in aid to Africa. There has often been little to show. In the 2000s there was a flurry of activity with the creation of the Millennium Development Goals. In 2005 Bob Geldof created a huge media event around the Live 8 campaign and gigs. But the West has donor fatigue. Pledges made under MDGs and Live 8 weren’t carried through. African countries have promised to reform and then utterly failed to do so too many times.

China

Into the breach has stepped China, which has been signing trade deals across Africa. The Forum on China-Africa Cooperation (FOCAC). By 2010 China-Africa trade had leapt to $115 billion. A million Chinese had moved to Africa.

The Arab Spring

And then, just as Meredith was completing this book, along came the Arab Spring leading to the overthrow of ageing dictators in Tunisia, Libya, Egypt and on into the Middle East i.e. Yemen, Bahrein, Syria. And yet within a few years, Egypt was back in the hands of the military, Libya had collapsed as a state, Syria fell into a ruinous civil war; only Tunisia survived and flourished as a democracy.

Kenya

Meredith ends with the calamitous recent history of Kenya, which threw out Daniel arap Moi and his cronies (known as the Karbanet syndicate) after 23 years of looting the country. However, his successor, Mwai Kibaki, merely instituted a new kleptocracy for his tribe and supporters (who came to be known as the Mount Kenya mafia). Corruption reached scandalous new heights with some $4 billion a year, or one third of the national budget, being raked off by the corrupt elite.

When Kibaki refused to accept the results of the 2007 election i.e that he had lost to opposition leader Raila Odinga, he plunged Kenya into tribal bloodshed which left thousands dead, the economy damaged and Kenya’s reputation for stability in tatters. It had become just one more African country, ruined by its corrupt rulers’ inability to cede power.

Africa’s wounds are self-inflicted. Africans have proved ruinously incapable of running their own countries. Meredith ends his book by describing the majority of Africa’s rulers as ‘vampires’ who have converted all the instruments of the state into money-making scams, who use rabble-rousing ethnic rhetoric or state terror to remain in power, while their populations slip ever backwards into poverty, sickness and starvation.

Thoughts

Some pretty obvious themes emerge from this 700-page odyssey but in the last 5 or 6 chapters something bigger than the themes struck me, which is that this is a very negative view of Africa. Often it is very harrowing and dark indeed, as when the subject matter is bleak, as in Algeria, Congo, Rwanda, Sudan, Angola.

But it took me a while to grasp how much this is a journalist’s not a historian’s or academic’s point of view of the subject. And, like all journalists, Meredith accentuates the negative. Man buys a puppy for his kids, who love it, is not news. New puppy attacks children, that is news.

I know it’s an obvious and well-known journalistic principle, but in the last 100 pages it really struck home that Meredith focuses relentlessly on the bad news, on countries with long-running wars and political crises, the ones we read about in the newspapers: Nigeria, Sudan, Angola, Zimbabwe, settings for horrible wars, massacres, genocides even. On the basis of this book it would be tempting to write all of Africa off as an irredeemable disaster zone. But there are 50 or so countries in Africa, and not all of them are having civil wars all the time. Some of them might even be doing rather well. Many people might be living ordinary lives, doing jobs, getting married, having parties. Despite the impression Meredith gives, life expectancy across Africa is actually rising.

Anyway, that was my one Big Thought: that if you only read this book you would be left with the impression that Africa is a vast abattoir of eternal massacre and mutilation, vampire leaders and epic corruption. I don’t think Meredith intends to be biased and I’m sure everything he writes is absolutely true. But by the end of his book I began to think that it’s not necessarily the complete truth, about the entire continent, and all its countries, and all the people who live in them.


Credit

The State of Africa: A History of the Continent since Independence by Martin Meredith was published in England by the Free Press in 2005. A revised edition was published by Simon and Schuster in 2011. All references are to the 2013 paperback edition.

Related links

RE/SISTERS: A Lens on Gender and Ecology @ the Barbican

This is a huge, stunning, world-bestriding exhibition of some 250 photographs (and some films and video installations) on the subject of women and the environment, a wide-ranging survey of the multiple ways the planet is being exploited and degraded, how women too often bearing the brunt of environmental destruction, and the scores of ways women artists and activists are fighting back. At least that’s the exhibition’s aim.

A review in six parts

My review is in six parts. In part one I summarise the hyper-feminist premises or assumptions which underlie this very text-heavy and theory-driven exhibition.

In part two I give a selection of some of the feminist theory and critical theory keywords which abound in the wall captions and which were new to me.

In part three I go through the exhibition itself, quoting in full the wall labels for the introduction and the six themes or categories into which the exhibition is divided, to give you a good flavour of the text-heavy, theory-rich discourse surrounding it. Under each theme I show one or two works from that section, mostly photographs, accompanied by the complete wall caption for the relevant artist and work.

My aim is to show not only how text-heavy the show is but also how parti pris, propagandist and chauvinist the curators’ commentary is. ‘Parti pris’ means ‘preconceived, prejudiced or biased’. ‘Chauvinist’ means ‘displaying excessive or prejudiced support for one’s own cause or group’. This may sound unfair or itself biased as you read it here, which is why I’m going to quote the curators at such length, to back up this opinion and so you can judge for yourself.

Part four lists all the participating artists a) for your information and b) to show that, despite the curators’ fine words about empowering artists from the developing world or Indigenous communities, a full 40% of the artists on display are, of course, from America, home of rapacious capitalism, international finance, the biggest industrial-capitalist complex in the world, and proud birthplace of Donald Trump. So the show has a kind of inbuilt irony between its radical aspirations for diversity, and its all-too-familiar reliance on American voices and perspectives.

Part five briefly mentions some of the other recent big art exhibitions on the subject of the environment, global warming etc, as a comparison.

Part six gives my own responses, to the subject of eco-activism, to the art works and to the feminist discourse which dominates the exhibition. I wouldn’t blame you if you skip this bit. I’m not sure how much of it I myself fully believe. I spoke to two strangers at the exhibition and both of them were finding it as challenging to process the sheer amount of information, the range of issues, and the fiercely feminist perspective of the exhibition, as I was.

Why the extensive quotes

The sweeping generalisations in part one are as much as possible based on the curators’ own words. They may seem extreme or satirical to begin with but: a) I base the summary on quotes from the exhibition press release or wall labels or catalogue and have indicated quotations by single speech marks; and b) as you read on into the section quoting all the wall labels, I hope you’ll see that wild though they at first seem, they simply reflect the spirit and rhetoric of the show.

This is one of the most text-heavy exhibitions I’ve ever been to. There are six themes or categories and about 50 artists, each of whom gets a long explanatory wall caption and then additional ones for many of the works. There are maybe 80 wordy captions in total.

Not only that, but the captions come straight out of contemporary feminist and critical theory and are dense with jargon, using terms I’d never come across before (which is why I select some of these terms for consideration in part 2).

The sheer number and length of the captions means that if you read all them (as I did) Re/Sisters is like being trapped inside a book, a degree-level textbook on feminist theory, ecofeminism and post-colonial theory. I had to take a ten-minute break after doing the ground floor before going up to the first floor rooms because my brain was reeling.

I’m going to quote the introductions to each of the six sections in full to give you a sense of a) how long they are and b) how densely laden with the assumptions and jargon of feminist and critical theory.

And I’m question lots of it. Just because it’s written on a gallery wall doesn’t mean it can’t be pondered, questioned and, sometimes, rejected.

Part 1. The feminist premises of the exhibition

In the feminist discourse of this exhibition all women are fabulous. All women are creative. All women have an instinctive feel for nature and mother earth. All women are nurturing and caring and so, obviously, all women are environmentalists. No women drive cars, fly in planes, buy wasteful consumer goods or run companies and corporations which contribute to pollution and ecocide. No woman is responsible for in any way harming any part of the environment. Only men do any of these wicked things, only men run ‘the mechanical, patriarchal order that is organised around the exploitation of natural resources’ and deploy the ‘masculine cultural imperialism’ that underpins it.

‘Terms such as Capitalocene, Plantationocene and Anthropocene act as cultural-geological markers that make clear that the violent abuses inflicted upon our ecological processes are inherently gendered, and shine a light on the toxic combination of globalised corporate hegemony and destructive masculinities that characterise the age of capitalism.’ (Catalogue page 16)

‘The violent abuses inflicted upon our ecological processes are inherently gendered’ and that gender is male.

Men are not only destroying the planet but, in the process, oppressing all women everywhere and all Indigenous peoples everywhere, via ‘the oppression of “othered” bodies’. There is a direct link between men’s degradation of the planet and men’s oppression of women and men’s oppression of Indigenous societies.

Battling against oppressive men and their destruction of the planet are brave women activists and artists all around the world. They practice ‘a radical and intersectional brand of eco-feminism that is diverse, inclusive, and decolonial’. They celebrate the fact that merely by being born a woman means you are morally, spiritually and environmentally superior.

This exhibition, ‘RE/SISTERS: A Lens on Gender and Ecology’, celebrates the women (or gender non-conforming) artists and the women activists who are fighting against male oppression and male capitalism, against the cis-heteronormative patriarchy, against masculinist capitalism, against phallogocentrism to save the planet.

RE/SISTERS brings together 50 international female (and gender non-conforming) artists to ‘show how women are regularly at the forefront of advocating and caring for the planet’.

The curators claim that environmental and gender justice are indivisible parts of a global struggle for equality and justice. Art exhibitions can ‘address existing power structures that threaten our increasingly precarious ecosystem’.

Shanay Jhaveri, Head of Visual Arts at the Barbican, is quoted as saying:

‘In this era of deepening ecological crisis, we are proud to present RE/SISTERS which interrogates the disproportionate detrimental effects of extractive capitalism on women and in particular Global Majority groups.’

In other words, the planet is being destroyed – women and minorities suffer most.

So the exhibition includes not just women but artists from ‘the Global Majority and Indigenous peoples’ because these peoples are even more intrinsically sympathetic to the environment than women are, and even more the victims of heteropatriarchal global capitalism. Including Indigenous peoples in this way offers ‘a vision of an equitable society wherein people and planet alike are venerated and treated fairly’.

It’s usually about this point in the press release that you learn that the exhibition was sponsored by BP or the Sackler family and burst out laughing. Not this time. Big art galleries have finally cleaned up their acts. This exhibition was sponsored by environmentally-friendly companies such as the Vestiaire Collective:

‘Our mission is to transform the fashion industry for a more sustainable future. As the world’s first B Corp fashion resale platform, we champion the circular fashion movement as an alternative to overproduction, overconsumption and the wasteful practices of the fashion industry. Our philosophy is simple: Long Live Fashion.’

And the Helen Frankenthaler Foundation, which sponsors the Frankenthaler Climate Initiative (FCI). In the gallery bookshop there’s a space where you can donate your ‘pre-loved’ clothing to the Vestiaire Collective.

Part 2. New words

Here’s some quotes from the exhibition catalogue to get you in the zone, and also so you can check how up-to-speed you are with the latest terminology from feminist, eco-feminist, post-colonial and critical theory.

The infrastructural gaze, as in:

‘[Sim Chi Yin’s] works juxataposes the aestheticisation of the “infrastructural gaze” with the human gaze’.

Heteropatriarchal, as in:

‘Operating at the nexus of race, gender, urban ecological infrastructure, systemic injustice, environmental racism and heteropatriarchal capitalism, LaToya Ruby Frazier’s striking series “Flint is Family” exposes the segregation and racism that persists in the contemporary American landscape.’

Or:

‘In stark contrast to the received dualistic, heteropatriarchal value system of the Global North that views nature and culture as fundamentally opposed ways of being, Caycedo’s work advocates an interspecies politics that recognises nature as having agency.’

The heteropatriarchal gaze, as in:

‘Directly refuting the freighted position that men are producers of culture and that women are synonymous with nature and are therefore objects, subjects and products to be dominated by the heteropatriarchal gaze, Kruger’s searing, defiant and radical work opens our eyes and minds to the possibility of a third way, a new mode of being in our womanist bodies, freed from the shackles of masculine cultural imperialism while embracing non-separability from our ecological community.’

Cis-heteropatriarchal, as in:

‘Today, with climate catastrophe breathing ever more oppressively down our necks (egged on, of course, by the murderous white-supremacist, colonial and cis-heteropatriarchal systems that are its enablers), dealing with these questions seems all the more pressing.’

Other-than-human as an adjectival phrase as in ‘other-than-human entities’, ‘other-than-human organisms’, ‘other-than-human habitats’, ‘other-than-human communities’ and so on.

Raced, as in:

‘Understanding the body as situated, raced, gendered and sexed is not a novel idea, but the muscular geographies of petropolitics, and the populist narratives of masculinity and extraction, are rarely attended to as subjective geosocial practices that need to be undone before new earth geographies can take hold.’

Or:

‘As Esperanza makes clear, exploitation within these geophysics of extraction is intersectional, that is, it is raced and gendered. In the mine, race and gender intersect as a stratigraphic relation that becomes a mode of governance.’

Extractivism, as in:

‘These interventions gesture towards a broader understanding of how extraction – rather than extractivism, which becomes a specifically geologically-inflected formation – functions as an ideological undercurrent to colonial dispossession, racial subjection and gendered violence.’

Or:

‘I am, first, reminded not to draw easy – and, as [curator Lindsay] Nixon emphasises, colonising – equivalences between Indigenous women’s and nonbinary people’s struggles for land and life, and the movements that have expressed, in various ways, my own situated feminist and queer opposition to capitalism, colonialism, militarism and extractivism, which began in the 1980s and continues, albeit in much-changed form, into the present.’

Masculinism, as in:

‘Ecofeminist scholars have long critiqued feminised constructions of “nature” while challenging patriarchy, the masculinism of capitalism, and colonial abuses against nature, women and marginalised communities.’

Phallogocentric as in:

‘Caycedo’s photographs of rivers and waterfalls are remixed into pulsating, fractal, perception-shifting images that invite the viewer to reflect on the fluidity of bodies of water, which consistently resist the phallogocentric logic of extraction.’

Speciesism, as in:

‘As Greta Gaard notes: “Most provocative is her [Carolyn Merchant]’s intersectional linkage of racism, speciesism, sexism, colonialism, capitalism, and the mechanistic model of science–nature via the historical co-occurrence of the racist and colonialist “voyages of discovery” that resulted in appropriating indigenous peoples, animals, and land.’

Survivance, as in:

‘[Zina Saro-Wiwa] asks complex questions about Ogoni survivance that are unique to the people and place and that resist incorporation into Eurowestern narratives of environmental and climate politics.’

Eurowestern, as in:

‘Extraction as abstraction works as a representational genre precisely because within a Eurowestern context we are visually trained in the colonial (then modernist) optics that present a disembodied, planimetric view from above.

Or:

‘In this same light, then, I must also make a clear distinction between the works in RE/SISTERS that echo and amplify the Chipko women’s embodied protests as part of a contemporary network of Indigenous feminist and nonbinary activisms, and a framework emerging from more current Eurowestern discursive formations that might fold these embodied actions into queer, trans or even multispecies feminist ecological projects.’

Positionality, as in:

‘This view demands of Eurowestern environmentalists, including ecofeminists, a deep reckoning with our own positionalities, philosophies and politics.’

Part 3. The exhibition

  • features about 250 works by 50 artists
  • includes work from emerging and established artists in the specific fields of photography, film and installation
  • after an initial introduction, is organised into six categories or themes

Introduction

‘RE/SISTERS surveys the relationship between gender and ecology to highlight the systemic links between the oppression of women and Black, trans and Indigenous communities, and the degradation of the planet. It comes at a time when gendered and racialised bodies are bending and mutating under the stresses and strains of planetary toxicity, rampant deforestation, species extinction, the privatisation of our common wealth, and the colonisation of the deep seas. RE/SISTERS shines a light on these harmful activities and underscores how, since the late 1960s, women and gender-nonconforming artists have resisted and protested the destruction of life on earth by recognising their planetary interconnectedness.

‘Emerging in the 1970s and 1980s, ecofeminism joined the dots between the intertwined oppressions of sexism, racism, colonialism, capitalism, and a relationship with nature shaped by science. Ecofeminist scholars have long critiqued feminised constructions of ‘nature’ while challenging patriarchal and colonial abuses against our planet, women and marginalised communities. Increasingly, feminist theorists recognise that there can be no gender justice without environmental justice, and ecofeminism is being reclaimed as a unifying platform that all women can rally behind.

‘Uniting film and photography by over 50 women and gender-nonconforming artists from across different decades, geographies, and aesthetic strategies, the exhibition reveals how a woman-centred vision of nature has been replaced by a mechanistic, patriarchal order organised around the exploitation of natural resources, alongside work of an activist nature that underscores how women are often at the forefront of advocating for and maintaining our shared earth.

‘Exploring the connections between gender and environmental justice as indivisible parts of a global struggle to address the power structures that threaten our ecosphere, the exhibition addresses the violent politics of extraction, creative acts of protest and resistance, the labour of ecological care, the entangled relationship between bodies and land, environmental racism and exclusion, and queerness and fluidity in the face of rigid social structures and hierarchies. Ultimately, RE/SISTERS acknowledges that women and other oppressed communities are at the core of these battlegrounds, not only as victims of dispossession, but also as comrades, as protagonists of the resistance.’

This is the first work in the exhibition:

Untitled (We won’t play nature to your culture) by Barbara Kruger

‘In Barbara Kruger’s seminal work “Untitled (We won’t play nature to your culture)” a close-cropped image, likely culled from a 1950s fashion magazine, shows a glamorous white woman lying against a grassy background with her eyes gently covered by leaves, entangling woman and nature in a symbiotic whole. With the woman’s face sandwiched between the title’s liberatory feminist message, which serves as a jarring reminder of women’s historical role in society, the work signals how women have been straitjacketed in the West by reductive Cartesian dualisms and dichotomies – culture/nature, male/female, mind/body – and a hierarchically ordered worldview. Directly refuting the freighted position that men are producers of culture and women are synonymous with nature and are therefore objects, subjects and products to be dominated by the heteropatriarchal gaze, Kruger’s searing, defiant and radical work opens our eyes and minds to the possibility of a third way, a new mode of being in our womanist bodies, freed from the shackles of masculine cultural imperialism while embracing non-separability from our ecological community.’

Untitled (We won’t play nature to your culture) by Barbara Kruger (1983) Courtesy of Glenstone Museum, Potomac, Maryland

Theme 1. Extractive Economies / Exploding Ecologies

‘Extractivism is the exploitation, removal or exhaustion of natural resources on a massive scale. Rural, coastal, riverine, and Indigenous communities are disproportionately impacted by mining and other extractive industries, resulting in severe negative consequences on local livelihoods, community cohesion and the environment. Women often face the worst impacts of a violent politics of such practices, and yet they are leading the resistance against extractivism and stepping outside of traditional gender roles to champion movements fighting these destructive tendencies.

 ‘Over the past century rivers, forests, deserts and other natural environments have been subject to multiple forms of extraction, domestication, enclosure, erasure and pollution on an unprecedented global scale. This has entailed the profound transformation of the flow of rivers and the disappearance of once lush, fertile land, raising questions about ecological justice for the communities that rely on these environments.

‘Through their work Carolina Caycedo, Sim Chi Yin, Mabe Bethonico, and Talo Havini survey the material impact of extractive activities on rivers and dams, from Colombia to Vietnam, that support both human and more-than-human life in their nourishing embrace.

‘Meanwhile Simryn Gill, Otobong Nkanga, Chloe Dewy Matthews, and Mary Mattingly investigate the effects of industrial scale mining on landscapes and communities, from Australia to Namibia. Ultimately the works gathered here consider how extractivism operates as a material process underpinned by a pervasive colonial-capitalist mindset towards the exploitation of disempowered bodies and land.’

From the series Caspian: The Elements by Chloe Dewe Matthews (2010)

‘From images of bodies coated in the prized, thick brown crude oil found in the semi-desert region of Azerbaijan, to worshippers on pilgrimage to Shakpak-Ata, believed to have been home to a goddess of fertility and womanhood, Chloe Dewe Matthews’s photographs of the countries that border the Caspian Sea bear witness to the sticky entanglement of their geologic material realities, industrial scale extraction, and the myths, folklore and traditions that have shaped the contours of their individual cultures.

‘Over the course of six years, Dewe Matthews travelled across Azerbaijan, Iran, Kazakhstsan, Russia and Turkmenistan, photographing the diversity of the region’s cultures, their unique connection to the land, and these countries’ ever-increasing economic reliance on global petropolitics, something that threatens to destroy and already fragile ecological landscape.

‘From dramatic images of the eternally burning gas crater known as the Door to Hell in the Karakum Desert in Turkmenistan to elaborate mausoleums built to service a generation newly rich on oil, Dewe Matthews’s striking series reminds the viewer of the ecological, corporeal and cultural cost of energy politics.’

Of this specific image:

‘A young woman bathes in crude oil at the sanatorium town of Naftalan. This ‘miracle oi’ is found exclusively in the semi-desert region of central Azerbaijan, and it is claimed that bathing in it for ten minutes a day has medicinal benefits.’

From the series Caspian: The Elements by Chloe Dewe Matthews (2010) Courtesy of the artist

Multiple clitoris by Carolina Caycedo (2016)

‘Part of her multidisciplinary project Be Dammed, which critiques the “mechanics of flow and control of dams and rivers” to address “the privatisation of waterways and the social and environmental impact of extractive, large-scale infrastructural projects”, Carolina Caycedo’s Water Portraits (2015 –) float across gallery spaces, suspended from ceilings and cascading along walls.

‘Printed on silk, cotton or canvas, Caycedo’s photographs of rivers and waterfalls are remixed into pulsating, fractal, perception-shifting images that invite the viewer to reflect on the fluidity of bodies of water, which resist the phallogocentric logic of extraction.

‘Ultimately, Caycedo’s work encourages us to view these bodies of water as life-sustaining, life-embracing, other-than-human living organisms and not just as resources for human extraction. A portrait of the water that powerfully carves through the long, narrow chasm known as Garganta del Diablo (Devil’s Throat) – a canyon in the Iguazú Falls, on the border between Argentina and Brazil – Caycedo’s vibrantly coloured Multiple Clitoris evokes the feminist, orgasmic energy of our “corporeally connected aqueous community”.’

Installation view of ‘Multiple clitoris’ by Carolina Caycedo (2016) (Photo by the author)

Theme 2. Mutation: Protest and Survive

‘Women have a long history of protesting ecological destruction – from creative acts of civil disobedience and non-violent protest to armed resistance and climate legislation. Pamela Singh’s photographs of the Chipko movement document women resisting the felling of trees in northern India, while Format Photographers and JEB (Joan E. Biren) captured the women-led anti-nuclear peace movements of the 1980s in the UK and US, respectively.

‘Susan Schuppli’s film reflects on the right of ice to remain cold, as advocated by the Inuk activist Sheila Watt-Cloutier. Offering insights into the connections between patriarchal domination and the violence perpetrated against women and nature, the works in this section highlight the intertwined relationship between the survival of women and the struggle to preserve nature and life on earth.

‘Critical of the term “revolution”, in 1974 the French ecofeminist Françoise D’Eaubonne proposed the term “mutation”, which, she argued, would enact a “great reversal” of man-centred power. This grand reversal of power does not imply a simple transfer of power from men to women, instead it suggests the radical “destruction of power” by women – the only group capable of executing a successful systemic change, one that could liberate women as well as the planet.

‘Artists such as LaToya Ruby Frazier, Format Photographers, JEB, Pamela Singh and Poulomi Basu explore how communities of women – from web weavers to tree huggers and water defenders – have joined forces to combat violence against their bodies and land.’

Greenham Common Women’s Peace Camp: Embrace the Base action 12/12/1982 by Maggie Murray

Greenham Common Women’s Peace Camp: Embrace the Base action 12/12/1982 by Maggie Murray (1982) © Maggie Murray / Format Photographers Archive at Bishopsgate Institute Courtesy of Bishopsgate Institute

Chipko Tree Huggers of the Himalayas #74 by Pamela Singh

‘Pamela Singh’s powerful black-and-white documentary photographs of the Chipko movement depict women from the villages of the Garhwal Hills in Himalayas in Uttarakhand, northern India, calmly and peacefully clinging onto and embracing trees to save them from state- and industry-sanctioned loggers. Positioning themselves as human shields, with their arms interlocked around tree trunks, the women of this successful nonviolent protest became emblematic of an international ecofeminist movement eager to showcase the subordination of women and nature by global multinationals while underscoring women’s environmental consciousness.

‘The women were directly impacted by the rampant deforestation, which led to a lack of firewood as well as water for drinking and irrigation; by successfully opposing the planned fate of the trees, the women gained control of the means of production and the resources necessary for their daily lives, demonstrating the entangled relationship between the material needs of the women and the necessity to protect nature from domination and oppression.’

Chipko Tree Huggers of the Himalayas #74 by Pamela Singh (1994) © Pamela Singh Courtesy of sepiaEYE

Cold Rights by Susan Schuppli (2020)

Theme 3. Earth Maintenance

‘The practice of earth maintenance and the labour of ecological care stand in direct opposition to the masculinist value system of the capitalist economy. In the late 1970s and early 80s, feminist artists such as Mierle Laderman Ukeles and Helène Aylon practiced earth care as a form of resistance, linking classed, racialised and gendered struggles to ecological justice.

‘Further, the works assembled here make clear the link between maintenance work in the domestic sphere, which was traditionally defined as “women’s work”, and the undervalued labour required to care for the planet.

‘From 1979 to 1980, Mierle Laderman Ukeles set out to make visible the overlooked yet fundamental work of New York’s sanitation workers, the caretakers of the city who repeatedly cleaned up the refuse and waste polluting its environment. Around the same time, Helène Aylon politicised earth care by gathering toxic soil from nuclear military sites, placing it inside pillowcases and carrying the soil to institutions of power in her “Earth Ambulance”.

‘Seeking new modes of earth maintenance and protest against the continuous exploitation of nature, through the mid-1990s Fern Shaffer performed private rituals at locations in need of healing. melanie bonajo’s film Nocturnal Gardening (2016), part of their series Night Soil Trilogy (2014 to 2016), positions women as agents of political and social change by studying how communities come together to forge alternative ways of living in harmony with the land. The audio installation The Grindmill Songs Project, from the People’s Archive of Rural India, brings into the gallery the collective singing of women from central India who are typically silenced while their daily existence is absorbed into a local and global system of value creation from which they do not benefit.’

A Draught of the Blue by Minerva Cuevas (2013)

Nine Year Ritual of Healing: April 9 1998 by Fern Shaffer

‘Over the course of nine years at locations across North America, Fern Shaffer performed private healing rituals at sites affected by the industrial-agricultural complex and impending extinction. Shaffer performed these self-designed spiritual performances at places including Big Sur, on California’s Pacific Coast; a cornfield outside Mineral Point in Wisconsin; on the summit of the Blue Ridge Mountain in Virginia; and at the Cache River basin in Illinois, among others. Photographed by her collaborator Othello Anderson in sequential images, Shaffer is pictured twisting and twirling in a handmade garment that conceals her bodily form and face, rejecting a human-centred and individualistic relationship to nature.’

Nine Year Ritual of Healing: April 9 1998 by Fern Shaffer (1998) Photo by Othello Anderson Courtesy of the artist

Theme 4. Performing Ground

‘For women artists in the 1970s and 80s, to locate the body as part of the natural world was to perform a highly politically charged act. At a time when even the countercultural “return” to nature was bound up in the discourse of patriarchy, picturing and performing the body as ecologically entangled carried with it radical feminist potential. Entwined, cocooned, or concealed, artists such as Laura Aguilar, Tee A. Corinne, Ana Mendieta, Fina Miralles, and Francesca Woodman blurred the boundaries between body and ground, undoing the distinction between human and more-than-human in their merging of animal, vegetal, and mineral. By deploying camouflage strategies, the artists gathered here resist demands for gendered and racialised bodies to be contained by settler–colonial politics or extractive logics, and rather forge mutual relationships with their environments.

‘To “perform ground” is to deliberately and strategically locate the self not merely in the world, but of it. It asks us to rethink established hierarchies of relations between the human and the more-than-human. In contrast with much Land art, which has staged large-scale and controlled interventions into the natural environment predominantly by men, the ecologically oriented works presented here by women artists place the body in communion with the land.

‘Judy Chicago, The Neo Naturists, and Xaviera Simmons heighten the visibility of their bodies in relation to the more-than-human world by painting themselves in vivid colours and patterns or using paint to critique racial stereotypes. In doing so, these artists explore how the representation of women and nature has always been an act entangled in history, power, and agency.’

Immolation from Women and Smoke, performed by Faith Wilding, photographed by Judy Chicago (1972)

‘In Immolation Chicago captures the performance artist Faith Wilding sitting cross-legged in the desert, enveloped in orange smoke. This work referenced the ongoing Vietnam War, the self-immolation of Buddhist monks, and similar acts by people in the United States, who were setting themselves alight to protest the war and advocate for peace, while the orange smoke alludes to Agent Orange, the herbicide that was sprayed to devastating effect in Vietnam.’

Immolation from Women and Smoke. Fireworks performance Performed by Faith Wilding in the California Desert by Judy Chicago (1972) © Judy Chicago/Artists Rights Society (ARS), New York Photo courtesy of Through the Flower Archives Courtesy of the artist; Salon 94, New York; and Jessica Silverman Gallery, San Francisco

The Body Covered with Straw by Fina Miralles (1975)

‘Fina Miralles’s conceptual photo-performance works from the 1970s embody a return to a profound relationship with nature. As she wrote in 1983 following a transformative five-month journey travelling through Argentina, Bolivia and Peru: “I am abandoning bourgeois culture and embracing Indigenous culture. The World Soul, Mother Earth and the protective and creative Pachamama.”

‘Read through this lens, Miralles’s series Relating the Body and Natural Elements, in which the artist cocoons herself in straw, as seen here, or surrenders her body to sand or grass until she disappears, her body merging with the land, illustrates Donna Haraway’s concept of “becoming with” and offers a metaphysics grounded in connection, challenging the illusion of separation – the erroneous belief that it is somehow possible to exempt ourselves from earth’s ecological community.’

Relationship: The Body’s Relationship with Natural Elements. The Body Covered with Straw by Fina Miralles (1975) Courtesy of MACBA

Nature Self-Portrait #5 by Laura Aguilar (1996)

‘For Laura Aguilar, photography was instrumental in visualising her identity, and in the mid-1990s she began creating powerful black-and-white nude self-portraits in nature. In contrast to the heteropatriarchal settler-colonial tradition of landscape photography, Aguila’s portraiture homes in on her identity as a large-bodied, working class, queer Chicana woman. Mirroring the natural forms of the rocky desert landscape of the American Southwest, in her Nature Self-portrait series, Aguilar inserts herself into a “racially stratified landscape” to become a boulder or perform as a tree.

‘As Macarena Gomez-Barris notes, Aguilar seems to want us to “trespass into the territory that feminists have long considered taboo by considering a profound relationship between the body and territory, one that provides a possibility for ecology of being in relation to the natural world. In that sense, her self-portraits provide a way to foreground modes of seeing that move away from capitalism, property and labour altogether, into a more unifying relationality that allows for haptic and sensuous relations with the natural world.”

‘Ultimately, by affiliating her body with the natural beauty of the landscape, Aguilar’s work both empowers and transcends the various categories of her identification.’

Of this specific photo:

‘In these works, Aguilar photographs herself resting beside large boulders that seem to echo her curvaceous bodily form. Facing away from the camera, and folding inward, her body emulates the cracks and dents of the boulders while the shadows cast from her body intensify the affinity with the stones before her. In a sense she has “grounded” herself in a landscape that oscillates with “the largeness of her own body”.’

Nature Self-Portrait #5 by Laura Aguilar (1996) © Laura Aguilar Trust of 2016

Isis in the Woods by Tee A. Corinne (1986)

The Isis series photoshop large close-ups of a human vulva into traditional landscape compositions creating surreal and disturbing juxtapositions.

Isis in the Woods by Tee Corinne (1986)

Theme 5. Reclaiming the Commons

‘Reclaiming the Commons considers the power dynamics of capitalist land ownership, environmental racism, and environmental memory, while reflecting on who has access to our common land, who owns the land and how earth-beings – both human and more-than-human – move through our increasingly enclosed natural world. Notions of ‘the commons’ are grounded in forms of egalitarian land stewardship in which members of a community have access to common land for pasturing animals, growing crops, and foraging, with feminists arguing that the commons are also social and economic sites that are crucial for female empowerment.

‘Questions of access to land are considered in Fay Godwin’s photographic series Our Forbidden Land (1990), which tracks how the long history of enclosures in Britain has shaped a sinister landscape in which fields and pathways are emptied of people through physical barriers, legal measures, and acts of dispossession. Diana Thater’s work RARE (2008) investigates the effects of enclosures from an interspecies perspective, focusing on the disappearing habitats of endangered species in the iSimangaliso Wetland Park in KwaZulu-Natal, South Africa. In Al río/To the River (2016 to 2022), Zoe Leonard uses photography to testify to the weaponisation of landscapes through the transformation of waterways such as the Río Bravo/Rio Grande from a source of life and means of migration to a militarised border.

‘Environmental racism and memory are explored in the work of Ingrid Pollard, Dionne Lee, Mónica de Miranda, and Xaviera Simmons, who variously interrogate the racialised histories of settler–colonial and plantation landscapes. Their photographs – which are often manipulated with embroidery, collage, hand-tinting, and more – call into question the heteropatriarchal tradition of landscape photography and draw attention to the entwined struggles of decolonisation and the healing of our planet.’

Karikpo Pipeline by Zina Saro-Wiwa

Theme 6. Liquid Bodies

‘Liquid Bodies explores the relationships between the human cultures of gender and sexuality and the world of water. The works assembled here imagine a relationship between human animals and the non-human world that rejects the dualisms of ‘natural and unnatural’, ‘alive and not alive’, or ‘human and non-human’ – colonial ways of seeing that divide the world into humans and everything else. Rather, the artists in this section start from a simple point of departure: we, too, are water. They look to the potential of this natural resource to destabilise a binary sense of gender and the categorisation of the world into neat taxonomies that shape conventional Western ideas of the human experience.

‘Ideas of watery immersion, submersion, and transformation unite the work of Nadia Huggins, Anne Duk Hee Jordan, Josèfa Ntjam, Ada M. Patterson, and Uýra. Cross-species becoming is explored in the Indigenous queer artist Uýra’s arresting photo-performances, in which the artist fuses with Amazonian plants, creating what she describes as hybrids of human, animal, and plant. Nadia Huggins’ striking self-portraits depict her becoming one with the corals that hug the coast of her Caribbean home. Playing out in the vast continuum of oceanic space, Anne Duk Hee Jordan’s film Ziggy and the Starfish (2018) depicts marine life as powerfully sensual. Bobbing along to a soundtrack culled from vintage erotic films and underwater sounds, it considers the porous boundaries of multispecies kinship that is presented as endlessly subversive. Colonial, mythic, and queer histories of water are further addressed in Josèfa Ntjam’s installation that considers Black being in the afterlives of Atlantic slaver.’

Ziggy and the Starfish by Anne Duk Hee Jordan (2018)

‘Taking its name from Ziggy Stardust, the androgynous, extraterrestrial rock star persona that musician David Bowie personified in the early 1970s , Anne Duk Hee Jordan’s sculptural video environment that houses the film Ziggy and the Starfish (2018) celebrates the fluidity of marine sexuality. The film pictures the sexual exploits of various ocean creatures with an exuberance and playful excitement, recalling the earlier work of the French photographer and filmmaker of marine life, Jean Painlevé. The effects of human-made climate change on the hydrosphere have become a key factor impacting the reproductive lives of marine animals, and by focusing on this aspect of the ecosphere Jordan underscores our deep entwinement with our fellow earthly inhabitants. In response to the present ecological crisis, the work offers a portal into the vivid world of our nonhuman cohabitors and looks to their colourful erotic lives as an example of how not only to think against binary dualisms, but to desire the seductively plural.’

Looking for ‘Looking for Langston’ by Ada M. Patterson (2021)

‘Looking for “Looking for Langston” by Ada M. Patterson is both inspired by and directly references Isaac Julien’s eponymous 1989 film, which offers a meditation on the life of the queer poet Langston Hughes and the wider cultural scene of the Harlem Renaissance in 1920s New York. As the title of the work suggests, Patterson, whose quest to learn more about the film ended in failure, constructs her own response that borrows from Hughes’s poetic imaginary as well as fragments she’s gleaned about Julien’s film. The result is a surreal and phantasmagoric exploration of Blackness and desire, using symbols such as the sailor and the sea to explore the fluidity of queerness. Patterson’s film also incorporates allusions to the histories of colonialism extant not only in Barbados (the artist’s birthplace and where this film was mostly shot) but also in Hughes’s United States and Julien’s United Kingdom. The film pays homage to these forebears, connected through oceanic bodies, legacies of Blackness and queerness, and the forever speculative pursuit of desire.’

Looking for ‘Looking for Langston’ by Ada M. Patterson (2021) Courtesy of Maria Korolevskaya and Copperfield

Mud by Uýra (2018)

‘Uýra is an indigenous artist, biologist and educator from Brazil who works in and around the riverine communities of the Amazon region. In these photo-performances, Uýra transforms into multi-species characters, fluidly merging the human and non-human by adorning herself with organic matter. Borrowing from the aesthetic language of drag, and its ability to disrupt the stasis of gender-normativity, Uýra exuberantly shows how other binaries, such as the one between human and nature, can also be understood to be fluid states that are performatively constructed. As an educator, Uýra also uses her works as pedagogical tools to uncover different forms of knowledge about the land that have been suppressed by the logic of Western extractive capitalism. In doing so, the works call for a material and spiritual restoration of the ravaged ecologies to which we belong.’

Lama (Mud) by Uýra (2018) Courtesy of the artist

Part 4. Participating artists

The curators claim that ‘at its core, the exhibition seeks to platform the work of artists from the Global South and Indigenous communities’, but does it? Here’s a full list of the contributors in alphabetical order:

  • Laura Aguilar (US)
  • Hélène Aylon (US)
  • Poulomi Basu (India)
  • Mabe Bethônico (Brazil)
  • JEB (Joan E Biren) (US)
  • melanie bonajo (The Netherlands)
  • Carolina Caycedo (Columbia)
  • Judy Chicago (US)
  • Tee Corinne (US)
  • Minerva Cuevas (Mexico)
  • Agnes Denes (US)
  • FLAR (Feminist Land Art Retreat) (US)
  • Format Photography (UK)
  • LaToya Ruby Frazier (US)
  • Gauri Gill (India)
  • Simryn Gill (Malaysia)
  • Fay Godwin (UK)
  • Laura Grisi (Italy)
  • Barbara Hammer (US)
  • Taloi Havini (Bougainville / Australia)
  • Nadia Huggins (St Vincent & the Grenadines)
  • Anne Duk Hee Jordan (Korea/Germany)
  • Barbara Kruger (US)
  • Dionne Lee (US)
  • Zoe Leonard (US)
  • Chloe Dewe Mathews (UK)
  • Mary Mattingly (US)
  • Ana Mendieta (Cuba)
  • Fina Miralles (Spain)
  • Mónica de Miranda (Angola/Portugal)
  • Neo Naturists (Christine Binnie / Jennifer Binnie / Wilma Johnson) (UK)
  • Otobong Nkanga (Nigeria)
  • Josèfa Ntjam (France)
  • Ada M. Patterson (Jamaica)
  • PARI (People’s Archive of Rural India) (India)
  • Ingrid Pollard (UK)
  • Zina Saro-Wiwa (Nigeria)
  • Susan Schuppli (Canada)
  • Seneca Women’s Encampment for the Future of Peace and Justice (US)
  • Fern Shaffer (US)
  • Xaviera Simmons (US)
  • Pamela Singh (India)
  • Gurminder Sikand (India)
  • Uýra (Brazil)
  • Diana Thater (US)
  • Mierle Laderman Ukeles (US)
  • Andrea Kim Valdez (UK)
  • Francesca Woodman (US)
  • Sim Chi Yin (Singapore)

As you can see, in this list of 49 artists, 19 (39%) are from the USA, heartland of rapacious global capitalism. 5% of the global population; 40% of global art. And it’s always a pleasure to have Americans lecturing the rest of us about the environment. Compare with the American activists lecturing the visitor at the Hayward Gallery’s recent ‘Dear Earth’ exhibition. The full score is:

  • US – 19
  • UK – 6
  • India – 5
  • Brazil – 2
  • Nigeria – 2
  • Angola/Portugal – 1
  • Bougainville / Australia – 1
  • Canada – 1
  • Columbia – 1
  • Cuba – 1
  • France – 1
  • Italy – 1
  • Korea/Germany – 1
  • Malaysia – 1
  • Mexico – 1
  • The Netherlands – 1
  • Singapore – 1
  • Spain – 1
  • St Vincent & the Grenadines – 1

US and UK participants number 25 or just over half the total. If you add in another 5 or 6 from Canada, Australia and Europe that makes roughly 30 out of 49. Whether having 60% of the contributors come from Europe and America equals platforming ‘the work of artists from the Global South and Indigenous communities’ is open to question.

Part 5. Other environmental art reviews

Artists have been worrying about the environment for decades but it’s only recently that exhibitions on the subject have broken through into the mainstream i.e. the big London galleries. RE/SISTERS is just the latest of a clutch of high profile eco-art exhibitions in London:

There is, as you might expect, some overlap: the work of Agnes Denes appears in both Dear Earth and RE/SISTERS, specifically her Agnes Denes’s ‘iconic’ 1982 work ‘Wheatfield: A Confrontation’, where she planted 8,000 square meters of wheat at Battery Park Landfill within sight of the Twin Towers in New York. I reviewed Mónica de Miranda’s recent exhibition at Autograph ABP. Here she’s represented by a piece I liked, Salt Island, five photographs into which have been sewn fine green threads hanging from the surface like the lianas of a tropical forest. They feel genuinely ‘chill’ as my son would say.

Installation view of ‘Salt Island’ by Mónica de Miranda. What you can’t see is the gossamer-fine green silk threads dangling from the foliage

What makes this exhibition sharply and distinctively different from the Hayward and Royal Academy shows is the fierce and unforgiving feminism which colours every aspect of it and every word of every caption.

Part 6. My responses

It’s a huge exhibition. The more you study it, the bigger and wider, the more confrontational or thought-provoking the issues become.

As to the actual subjects and images, a lot of these are very familiar: the ravages of open-cast mining, the oil spills which destroy rivers and lakes, the destruction of the rainforests, I feel like I’ve been reading about these all my life. How me and my friends thrilled to the film ‘Koyaanisqatsi’ with its vision of a world being heedlessly destroyed, and that was back in 1982!

In fact there are two ways of processing a huge, text-heavy like this. Or maybe three. 1) One is to read the captions and focus on the environmental and pollution aspect. On this perspective, although I felt I knew about a lot of the topics already – knew about the destructive effects of oil and mining, that we’re killing the oceans, I knew young women who actually took part in the Greenham Common protests, and so on. On the other hand, I’d never heard about the very bad effects of sand extraction documented by Sim Chi Yin, and about many of the other resistance movements in the developing world, such as the People’s Liberation Guerrilla Army in India.

2) Second way is to react to the hyper-feminism of the captions, nod approvingly, rise to the bait, or be immediately struck by the illogic or contradictions of various parts of it. Rather than comment, I’ve quoted the wall captions at such great length so you can make up your own mind.

3) Third way is like my friend Andrew the gay designer. He prides himself on rarely if ever reading the wall captions at any exhibition, and instead reacting purely to the works themselves, liking them, disliking them (or making a note to pinch good ideas). Andrew avoids the captions because they almost always create a barrier between visitors and works. More and more often these days, as in this exhibition, they dispense a polemical discourse designed to coerce you into responding to all the works in an officially approved and constraining way. He hates that.

In contrast, I read every single caption, was appalled by a whole series of terrible environmental degradations they described, was irritated by the sanctimonious and misandric tone of most of them, and generally let my head be filled up with caption clutter which stopped me seeing what was actually in front of me. I need to be more like Andrew: stop reading the captions – just respond to the work.

Feminist discourse

Feel free to skip this bit. I’m not even 100% sure I completely believe what I’m writing. I’m just trying to work through my responses to the very strong feminist point of view shouting from every caption on every wall of this show:

In my review of Women, Art and Society by Whitney Chadwick (2012) I develop a sustained critique of this feminist theory way of thinking and writing. In brief, it feels like feminism has personally empowered hundreds and hundreds of millions and girls and women to feel more empowered and confident in their lives, which is an unqualified good thing. But that at the same time, on a purely political level, a weird dialectic is playing out in which feminist discourse – which has overrun and saturates all academic study of the humanities, art studies, media studies, film studies, feminist, gender and queer studies, history, literature etc etc, as it becomes more powerful, dense with theory and new terminology – has, at the same time and quite obviously, withdrawn from the real world. It has become the discourse of an academic elite, or of an intensely committed but very restricted membership.

Inside this group of university-educated middle-class women, of professors and lecturers of feminist studies, gender studies, queer studies and of generations of their students who have gone out into the world to make films, make art, make documentaries, write novels, become journalists and commentators – the zeal of the committed to their cause is matched only by the dazzling virtuosity of their jargon and the fierce extremity of their beliefs (which is why I’ve quoted the wall captions at such length, so you can see what I’m talking about).

Inside the cause, once you’ve accepted its basic premises (‘women’ are wonderful and have nothing to do with capitalism or environmental destruction; all men are toxic, are entirely responsible for the industrial revolution, for capitalism and raping the planet, are perpetrators of everyday sexism, sexual harassment, sexual abuse, mansplaining, manspreading, the manosphere etc etc) then everything makes sense and every event in the news, every word said by any man anywhere, every news story about some powerful man abusing his position, confirms this self-reinforcing worldview.

And the sustained bombardment of this exhibition’s captions work hard to cajole or coerce you into this looking glass world where all men are toxic capitalists and all women are heroic artists and activists.

It’s only when you step outside the bubble and shake your head, pinch yourself and awake from the dream, that you return to the real world, a world in which women in positions of supreme power are nothing like the portrait of ‘women’ created by the exhibition. Not long ago Liz Truss was Prime Minister of the UK and Priti Patel was Home Secretary. Today Suella Braverman is Home Secretary and the UK Environment Secretary is Thérèse Coffey. Both have acquiesced in Rishi Sunak’s rolling back of climate commitments. At least 5 million women voted for Boris Johnson’s Conservative Party, around 7 million women voted for Brexit. All this without going into women who voted for Donald Trump in the US. It’s a lovely statistic, though contested, that some 53% of white women voted for Trump in the 2016 Presidential election.

The precise figures don’t particularly matter. I’m just making the obvious point about the drastic disconnect between the rhetoric of this exhibition, and of so much feminist rhetoric, which:

  • claims to speak for all women, which uses the word ‘women’ as if all women agree with radical feminism, when they quite obviously do not
  • and claims that radical feminists are making ‘radical’ changes to the world, reshaping the world, overthrowing the cis-heteropatriarchy and so on when, in the real actual world that we live in, the exact opposite is happening; the forces of anti-feminism seem to be triumphing everywhere

Denying responsibility

Deep down, I think feminist exhibitions like this and the rhetoric which accompanies them (not the actual artists and certainly not the often brave and resourceful activists whose efforts shine through the miasma of jargon) are really about trying to escape blame, trying to place yourself on the side of the saints and martyrs, identifying with the nobility and righteousness of the cause.

After all, if you can blame everything terrible in the world on masculinist capitalism, on toxic masculinity, on extractivism and phallogocentrism, on the patriarchy, and on the heteropatriarchy and on the cis-heteropatriarchy, then you can escape blaming yourself.

(As a digression, note the inflation in terminology. The term ‘patriarchy’ no longer gives members of the tribe the same psychological kick that it used to, so it’s been escalated to become the ‘heteropatriarchy’ (i.e. rule of straight men); but maybe that is no longer enough to get the same kick and buzz so the dose has been increased to cis-heteropatriarchy. I understand that the people who coined these terms would say they are needed to the capture new insights into non-binary and gender-fluid identities of the younger generation. Nonetheless, at the same time, my view is that the the clear rhetorical escalation epitomised by the expansion of the original boo word ‘patriarchy’, also function as a form of magic: this increasingly hyperbolic jargon comes more and more to resemble chants and incantations designed to bind together the faithful and ward off the outside world. In this context, of global ecocide, to resist acceptance of your own responsibility; they are spells to help you deny that you too are completely embedded within the extractive capitalist economy.)

The exhibition’s section about extractivism tells us that the US military is the largest user of precious metals such as cobalt which are mined by virtual slave labour with disastrous ecological consequences in places like the Congo. Fine. But nowhere does it mention the well-known fact that the same kinds of rare metals, also ravaged out of the earth by forced labour in the poorest places, are also used in domestic smart phones, laptops, Alexa boxes and all the other digital accoutrements of modern life.

If you have a smart phone in your hand – and everyone I saw going round this exhibition did have a smart phone in their hand – then you’re guilty, you’re part of the extractive economy. No amount of railing against the patriarchy, or the heteropatriarchy, or the cis-heteropatriarchy, gets you off the hook.

My personal view is that all of us in ‘the West’, men and women, are guilty and that we should start from this frank acknowledgement of our mutual responsibility. The streams of complex jargon-laden discourse reeling at the visitor from every direction are, in my opinion, designed to hide this one fundamental truth because they continually exonerate ‘women’ i.e. half the population, as in some way magically not responsible. If all women are artists and activists resisting the destruction, then it follows that no women can be to blame.

My position is that all of us, men as well as women, are in the same boat, facing the same peril, and must work together to try and find solutions. Privileging all women and denigrating all men i.e. sowing division and recrimination, feels like the last thing we need to be doing right now. We should be building bridges and finding allies and forming coalitions to try and force major change.

In my view, everyone in the western world needs to drastically alter their lives in order to reduce their carbon footprint and to keep their involvement in environmental destruction to an absolute minimum. That means not having a car, never flying again, having few if any digital gizmos, as well as going vegetarian, if possible dairy free and vegan, and try to reorganise your finances to support environmentally friendly banks, insurance and pension companies. The same prospectus outlined by Christiana Figueres 5 or 6 years ago. On a political front, lobby your council or MP to take green and environmentally friendly policies wherever possible. Vote for the parties most likely to carry out green policies, which in the UK, at the next election, means Labour, since any Green vote risks splitting the anti-Conservative vote, as at the recent Uxbridge by-election.

The mindset of an exhibition like this which tells all its female visitors that all the bad stuff can be blamed on men, and that simply being a woman automatically qualifies you for membership of the sisterhood of artists and activists, allows you to deny your guilt and your complicity in the extractivist systems this exhibition so vividly depicts.

Revolutionary rhetoric without the revolution

To take another angle, so much of this kind of rhetoric, the ‘radical’ rhetoric shouting from every picture caption, is just right-on revolutionary posing without the slightest intention of doing anything ‘revolutionary’.

In this respect hardly anything has changed since Tom Wolfe’s 1970 essay ‘Radical chic’ satirised the haute bourgeoisie gathered for an evening at Leonard Bernstein’s New York apartment to lionise members of the revolutionary Black Panther Party, who were simply too too adorable for words! So radical, darling.

Something similar can be felt here in texts which flirt with the rhetoric of revolution without the slightest intention of upsetting the cosy worlds of the Barbican Friends and Corporate Sponsors who have gathered to cheer this marvellous exhibition and applaud the curators for their wonderful work.

This thought occurred at the moments when the texts occasionally reverted to pure, old school Marxist rhetoric, revealing the ancient communist assumptions which underpin them. Thus the catalogue, when describing the achievement of the tree huggers of Chipko, praises them for regaining ‘control of the means of production’.

This is of course a straight quote from The Communist Manifesto and the millions of communist books, pamphlets, lectures which repeated it all around the world for the subsequent 140 years (1848 to 1988) with, in the end, zero effect. How many countries in the world currently implement the Marxist-Leninist social and economic policies of which this used to be a central plank? None.

The exhibit which most repeatedly invokes the word ‘revolutionary’ is the series of Poulomi Basu’s photographs which capture (very vividly) members of the People’s Liberation Guerrilla Army who are actually fighting, with actual guns, against the activities of mining companies in south central India and the Indian security forces. They describe themselves as a revolutionary force. A panel in the catalogue is devoted to ‘Comrade Matta Rattakka’ who died a ‘martyr’ to the cause. This is the rhetoric of the old Soviet Union and its satellites and Cold War guerrilla movements. These are phrases I haven’t read, delivered straight, with no irony, for decades.

Untitled from the series Centralia (2010 to 2020) by Poulomi Basu

On one level Basu’s work is gripping photojournalism of a real conflict. But its inclusion in this exhibition incorporates it into what is, in practice, revolutionary chic without the slightest possibility of a revolution. Because revolutions are difficult, violent and, even if they initially triumph, we now know, over the long term, degrade and collapse.

What the godly revolution in Britain in the 1640s and the French revolution in the 1790s and the Russian revolution in the 1910s and the Iranian revolution in the 1970s all demonstrated is that it’s relatively easy to overthrow a tyrannical regime and seize power. But it is then fiendishly difficult, if not impossible, to impose your revolutionary values on the vast majority of the population who don’t share them and never will share them. On the whole, revolutions can only it can only be carried forward with large scale repression of and execution of the classes which oppose you, more often than not, the bien-pensant liberal bourgeoisie. The liberals tend to be first up against the wall in any revolution. I.e. exactly the kind of people who attend exhibitions about revolutions.

The beautiful thing, for its exponents and their followers, about this kind of feminist rhetoric about ‘revolutions’ and overthrowing masculinism and abolishing the patriarchy and rebelling against the military-industrial complex, the summaries of Françoise D’Eaubonne’s theory of a ‘great reversal’ of man-centred power, and countless thousands of variations on the theme – the great thing about it is that they will never happen.

Feminists get to thrill in the writing or reading of extensive urgent texts bravely declaring radical change and revolutionary overthrow and interrogating gender stereotypes and all the rest of it, all the time confident in the knowledge that any actual revolution, any genuinely transformative overthrow of the existing structures of power, won’t actually ever happen.

It’s bourgeois play acting. It’s bourgeois posing with the rhetoric of ‘revolution’ with absolutely no intention of ever carrying it out. Because if anything like it ever was carried out, the revolutionary feminists would make the same discovery as the Puritans in the 1640s, the Jacobins in the 1790s, the Bolsheviks in the 1920s and the Party of God in the 1980s, that the majority of the population they would find themselves governing don’t share your values and don’t want your revolution.

That’s what I mean by saying that this kind of bourgeois feminism exists in an academic dreamland, will never be tested against reality, and so its followers will be able to live their entire lives without ever having to experience the disillusions of real power, instead enjoying a pleasing sense of righteousness to the end of their days.

Non humans

The exhibition does have interesting things to say about non-humans. All of these struck me as being more interesting and more true than just blaming men for everything. Quite obviously humans of all sexes are the problem. The world would be better off without us and, at moments in the show, this basic truth peeped through, struggling against the curators’ aim of redeeming and absolving women. But no humans are free of guilt. Eurowestern liberals like the curators like to fetishise the lifestyles of Indigenous peoples, whether in the Amazon or Australia, but they kill animals, they burn the bush, they poo in the rivers, there are just a lot, lot fewer of them. Given modern medicine to help them survive, they also breed quickly, overfill their ecosystems, start degrading everything. By trying to exculpate and valorise women the exhibition seeks to hide the bleaker truth: If you want to overthrow something, you shouldn’t be bothering with the cis-heteropatriarchy, you should be trying to overthrow the tyranny of Homo sapiens over all the organisms of the world.

Saving the environment?

Lastly, do exhibitions like this do anything at all for ‘the environment’? No. Like all art exhibitions, they preach to the converted, to the white liberal bourgeois bien-pensant converted who I saw strolling round snapping everything with their latest model camera-phones, white, middle-aged, university-educated women who are already signed up to ‘the revolution’, chat confidently about the complete transformation of masculinist society, discuss how ghastly cis-heteropatriarchal capitalism is, before rushing off to their next viewing, clutching their phones and their designer bags, before catching the plane back to New York.

At the press launch I heard the American accents of some of the American artists and journalists who’d flown over to cover it. Maybe when they drive their big American cars or take their plane trips to Australia or Amazonia, planet earth realises that they’re feminist flyers and drivers and so their carbon dioxide, magically, doesn’t count. In my opinion we have to stop, we all have to stop, men, women and every other gender. The era of cheap foreign holidays and long road trips, of commuting by car and taking weekend city breaks to the continent, the era of new gizmos every Christmas, buying new clothes to be in the fashion, of steaks and burgers and unlimited meat, of vast hecatombs of slaughtered pigs and cattle and chickens taking up huge resources, pumped full of antibiotics, their chemical waste poisoning drinking water, the era of boundless mindless consumption is drawing to a close, even if most people haven’t realised it yet.

Well, I’ve given you enough visual and textual evidence. What do you think?


Related links

Related reviews

Women’s art book reviews

Another Day of Life by Ryszard Kapuściński (1976)

The image of war is not communicable – not by the pen, or the voice, or the camera. War is a reality only to those stuck in its bloody filthy insides. To others it is pages in a book, pictures on a screen, nothing more.
(Another Day of Life, page 108)

Ryszard Kapuściński

Ryszard Kapuściński (1932 to 2007) was a Polish journalist, photographer, poet and author. He received many awards and was at one point considered for the Nobel Prize for Literature. Kapuściński started working as a journalist soon after leaving Warsaw University in 1955. He was sent abroad and ended up developing an award-winning career as Poland’s leading foreign correspondent, working for the communist government-approved Polish Press Agency. By the end of his career, Kapuściński calculated that he had lived through twenty-seven revolutions and coups, been jailed 40 times and survived four death sentences.

In the 1960s developed a reputation for reporting from Africa, where he witnessed first-hand the end of the European colonial empires. But he was quite the globetrotter, reporting from central Asia in 1967, then from South America before moving to Mexico for a spell (1969 to 1972) and then returning to Poland.

In 1975 Kapuściński flew out to Angola to cover the chaos surrounding the country’s independence from Portugal after a long and bitter war for independence (1961 to 1974). He witnessed the wholesale flight of the country’s 300,000 Portuguese and the outbreak of civil war between the three largest independence movements: the MPLA based in the capital Luanda, the FNLA based in the north, and UNITA based in the rural east and south.

It was this trip and reporting which formed the basis for his first book, Another Day of Life, the first in a series of six or so book-length accounts of key coups and overthrows, which established his reputation in the English-speaking world (others in the series described the overthrow of Haile Selasse in Ethiopia and the Shah of Iran).

Another Day of Life

First things first, this is a very short book, weighing in at just 136 pages. It’s divided into five ‘parts’, topped and tailed by empty pages so it’s more like 120-something pages. So it feels both literally and content-wise a very light book. 123 pages of text.

This is reinforced by the almost complete absence of hard facts. Once you start reading, what becomes quickly obvious is that this isn’t traditional reporting. It doesn’t have the close description of actual events found in Fergal Keane’s book about Rwanda or the fact-heavy account by Daniel Metcalfe of his journeys through Angola. Both contained a lot of facts, dates, places, names. By contrast Kapuściński’s text has almost no dates, very few references to specific identifiable historical events.

And as for the names, there are named people in the text but they are suspiciously emblematic, idealised representations of the kinds of people you ought to find in the kinds of scenes he describes. They are often suspiciously like characters in a play, undergoing archetypal experiences such as you’d expect in a novel or play or movie rather than the ragged realities of life.

In fact by about page 30 I realised this is more like a fairy tale than either journalism or history. His stories are very pat, they fall just so, are very rounded and neat. They have the rounded perfection and the symbolic weight of allegory.

All this explains why you can read clean through the entire 136-page text and not be slowed down by a single fact. There are only two or three actual facts in the entire book. All the effects are literary and derive from his conceptualising of scenes as scenes, staged and arranged for literary effect.

Part one (25 pages)

In the first sentence he tells us he stayed in Angola for three months, in a room in the Hotel Tivoli. It is notable that he doesn’t say which months or the year, although after a few pages he mentions spending September there and we know he’s there I suppose we’re for the runup to independence ie September, October, November 1975.

Books of this sort always require eccentric neighbours so he supplies some, Don Silva a diamond merchant who has diamonds sewn into the lining of his suit but can’t leave town because his wife is in the final stages of terminal cancer and therefore deep in her deathbed.

Instead of facts, what Kapuściński conveys is mood and atmosphere. The stricken Silva’s are heavily symbolic of the entire white European culture which is coming to an end in Angola, rich but stricken and trapped.

Kapuściński describes the rumours circulating among the panicking Portuguese that the Holden Roberto’s guerrilla movement, the FNLA, has thousands of members hiding in the capital just waiting for the signal to attack the terrified whites and murder them in their beds. He describes everything as a novelist would:

Rumour exhausted everyone, plucked at nerves, took away the capacity to think. The city lived in an atmosphere of hysteria and trembled with dread. People didn’t know how to cope with the reality that surrounded them, how to interpret it, get used to it. Men gathered in the hotel corridors to hold councils of war. (p.6)

Because it is about panic-stricken people trapped in a city it reminds me a bit of The Plague by Albert Camus, but also because Kapuściński plays up the generic and allegorical aspects of the situation, as does Camus.

People escaped as if from an infectious disease, as if from pestilential air that can’t be seen but still inflicts death. Afterwards the wind blows and the sand drifts over the traces of the last survivor. (p.13)

Because it’s specifically about the slightly hysterical inhabitants of one building it reminds me of J.G. Ballard’s shocker High Rise (published the same year Angola’s independence cause the Great Flight).

You can tell almost immediately that Kapuściński’s prose is translated from another language. English is full of phrases and idioms. Very often all these get omitted by translators keen to translate the sense of the foreign text into smooth, untroubled English. Hence the rather rounded, smooth finish of the prose, which always plumps for the euphonious word and the mellifluous phrase. This is one of the reasons why reading Kapuściński is like eating ice cream in a nice restaurant. Smooth and pleasurable and flavoursome without any sharp angles or surprises.

Everybody was in a hurry, everybody was clearing out. Everyone was trying to catch the next plane to Europe, to America, to anywhere. Portuguese from all over Angola converged on Luanda. Caravans of automobiles loaded down with people and baggage arrived from the most distant parts of the country. The men were unshaven, the women tousled and rumpled, the children dirty and sleepy. (p.10)

He conveys the sense of bad-tempered bickering among the queues of hot impatient white refugees, with whites saying the country will go to the dogs once the blacks take over (as, indeed, it did), how they’ve worked here for forty years, given the best years of their lives etc etc. They argue about who should have priority onto the flights, pregnant women, women with babies, women with young children, women with children, women with no children, well, why not men, then? And so on.

He has an extended riff about crates, about how Luanda was transformed into a city of crates for people to pack their stuff into, big create, small crates, wide crates, narrow crates, crates for the wealthy, crates for the poor. In high allegorical style Kapuściński describes how the ‘city of stone’ (ie bricks and mortar, buildings, homes) was transformed into a city of wood (crates piled high in every direction. Then they were loaded onto ships and sent off into the blue.

Nowhere else in the world had I seen such a city, and I may never see anything like it again. It existed for months, and then it began suddenly disappearing. Or rather, quarter by quarter, it was taken on tricks to the port. Now it was spread out at the very edge of the sea, illuminated at night by harbour lanterns and the glare of lights on anchored ships. (p.17)

See what I mean by fairytale simplicity. Although it’s about a war and fighting and refugees somehow it  is told with the clarity and simplicity of a children’s story, or a certain kind of simplified science fiction story.

The nomad city without roofs and walls, the city of refugees around the airport, gradually vanished from the earth. At the same time the wooden city deserted Luanda and waited in the port for its long journey. Of all the cities on the bay, only the stone Luanda, ever more depopulated and superfluous, waited. (p.22)

See what I mean by ice cream? Kapuściński’s simplified, smoothed-out prose slips down a treat. Then he begins a new riff, based around the categories of basic worker who are leaving. First all the policemen leave, with a paragraph pondering what that means for a city. Then all the firemen leave, ditto. And then all the garbagemen. How do we know? Because very quickly the rubbish starts piling up in heaps. For some reason all the cats start dying. Luanda turns into an abandoned city from a science fiction story.

In a way what’s most interesting in this long enjoyable semi-fictional description is the absence of Africans. Kapuściński reports on a worldview in which, when the Europeans leave, Luanda is deserted. But of course, it wasn’t. Far more blacks lived in Luanda than whites. But they were confined to the black slums at the edge of the city, unknown slums renowned for their lawlessness and extreme poverty.

Two points. One: it is fascinating to enter, through this text, into a worldview of Africa where Africans are banished, invisible and don’t count even in their own country. Two: as a kind of spooky proof of this enormous conceptual divide, even after the whites have mostly left, the Africans don’t come pouring into the abandoned capital. They continue living in their slums even while properties throughout the city fall empty, while the nice, European part of the city become a ghost town.

Having just soaked myself in Dan Metcalfe’s travelogue of modern Angola which is, of course, populated almost entirely by black Angolans, it is striking, strange and mysterious to be taken back to the weeks of independence, not because of their political importance, but because they represented an enormous imaginative shift; from a capital city run by and for Europeans, to one which was inhabited, run by and for Africans.

Part two (11 pages)

Having watched the capital empty of its European owners, Kapuściński goes to be with the soldiers at the front, to the town of Caxito 60 km north of Luanda where MPLA forces have held off an attack by the FNLA.

Part two rotates around Commandante Ndozi of the MPLA, who explains the capital city is being threatened by the FNLA from the north and UNITA from the south. He has been fighting for a long time and Kapuściński portrays his experience through a sort of extended monologue in which Ndozi shares his experiences.

But the highlight of the little chapter, and one of the memorable moments of the book, is the insight into the way inexperienced soldiers fire so much and so loudly so as to drown out their own terror.

A green soldier fears everything. When he is transported to the front, he thinks death is watching him on every side. Every shot is aimed at him. He doesn’t know how to judge the range or direction of fire, so he shoots anywhere, as long as he can shoot a lot without stopping. He is not hurting the enemy, he is killing his own terror. (p.32)

This segues into a description of the MPLA commissar attached to the unit, Commandante Ju-Ju. Despite his name Ju-Ju is a white Angolan. Kapuściński explains that the way to be white and part of The Struggle is to have a beard, the bigger the better. Then the soldiers will call you camarada and assume you are someone important.

Kapuściński watches Ju-Ju politely question FNLA soldiers the MPLA captured. What comes over is how young, uneducated, illiterate and simple they are. A man of the Bakongo people explains that he, like many of his tribe, was pressganged in Kinshasa by Joseph Mobutu’s soldiers, then packed off to join the FNLA. He liked in the FNLA because they gave you something to eat, goat and rice during the week and beer on Saturdays. Better than starving. Another prisoner looks about 12, claims he’s sixteen, and explains that he was told that if he went to the front as a fighter, they’d let him go to school, which is what he really wants to do, so he can become an artist.

Walking round the little town Kapuściński comes to the compound where the 120 or so prisoners are being watched over by a dozen armed guards. They’re all very young men and they’re engaged in a good natured argument about football, as young men everywhere ought to be. Only these men are going to continue fighting and dying. (We modern readers know they would continue fighting and dying for another 27 years. It’s just as well we can’t see the future, isn’t it?)

Part three (18 pages)

Having visited the north, he wants to head south. A digression on the management of roadblocks, which are everywhere. There are 3 phases to the roadblock:

  1. the explanatory section
  2. bargaining
  3. friendly conversation

From a distance you can’t be sure which side is manning the roadblock. Since none of the 3 forces have regular uniforms but ragged combinations of whatever they’ve been able to purloin, it’s difficult to tell. If you hail the soldiers as camarada! and they belong to Agostinho Neto’s MPLA they will hail back. But if they belong to the FNLA or UNITA who prefer to call each other irmão or brother, then they’ll kill you. You need the right papers but it also helps if you take time to chat. Kapuściński gives an example of how he likes to distract the soldiers by telling them about Poland, basic facts which the mostly illiterate soldiery refuse to believe.

He travels all the way south to Benguela, through countless checkpoints, perfecting his essay on the metaphysics of the checkpoint.

There’s a passage which told me more about the physical terrain of Angola than anything in the Metcalfe book, which really brings out how hot and barren and dusty the landscape is.

The road from Luanda to Benguela passes through six hundred kilometers of desert terrain, flat and nondescript. A haphazard medley of stones, frumpy dry bushes, dirty sand, and broken road signs creates a grey and incoherent landscape. In the rain season the clouds churn right above the ground here, showers drag on for hours and there is so little light in the air that day might as well not exist, only dusk and night. Even during heat waves, despite the excess of sun, the countryside resembles dry, burnt-out ruins: It is ashy, dead, and unsettling. People who must travel through here make haste in order to get the frightening vacancy behind them and arrive with relief at their destination, the oasis, as quickly as possible. Luanda is an oasis and Benguela is an oasis in this desert that stretches all along the coast of Angola. (p.53)

Paints a vivid picture, doesn’t he? He finds Benguela even more deserted than Luanda and reflects on the strangeness of the way the blacks haven’t moved into the empty houses and flats abandoned by the whites.

Because it didn’t actually happen while he was there this enormous shift in imaginative possibilities is nowhere directly addressed, but it peeps out from cracks in the narrative.

Kapuściński meets Commandante Monti a white man who is MPLA commander here in Benguela. While he’s waiting to talk to the commandante, a four-man TV crew from Portugal arrives (p.55). They start squabbling about whether to proceed to the front or not. It’s dangerous. But then Monti assigns them an escort, the 20-year-old woman fighter, Carlotta.

Kapuściński is funny and shrewd about the way the Portuguese immediately start vying for her affections but, more than that, the way all five of them conspire to create a kind of collective myth about her, all conspiring to find her attractive and romantic and glamorous. Later on, Kapuściński develops the photos he took of her and realises she isn’t at all attractive. But at that time and that place they needed her to be.

In this slightly delirious mood, they agree when Commandante Monti rustles up a couple of civilian cars for them to be driven the 160 kilometers to the frontline town of Balombo. Through the landscape of war: a damaged bridge, a burned-out village, an empty town, abandoned tobacco plantations.

They arrive at Balombo, a village in the jungle which was taken by 100 MPLA only that morning. Almost all the ‘troops’ are 16 to 18, high school kids. The boys are driving an abandoned tractor up and down the high street. The camera crew film, Kapuściński takes photographs. The sun falls and they get impatient to get away. The jungle comes right up to the houses. The enemy could counter-attack at any moment.

As they climb into the waiting cars to drive them the 160km back to Benguela, all five foreigners remember it was exactly the moment when the driver put the car in gear that Carlotta decided she must stay with the fighters and gets out. Sad goodbye and they roar off into the deepening twilight.

Later they learn that UNITA counter-attacked, took the town and Carlotta was killed. Tough guy sentimentalism not a million miles from Hemingway. They insist they hadn’t been fleeing fighting, there wasn’t any fighting when they left. But if they’d heard gunshots would they have been brave enough to turn round etc?

So there probably is a village called Balombo and it probably was taken by the MPLA then retaken by UNITA and maybe there was someone called Carlotta, but the factual basis of the story has been rounded out, perfected in order to become allegorical, a symbol of the collective male delusions involved in war, and a sentimental tear for its sadness and waste.

Part four (23 pages)

Next day Kapuściński watches the plane carrying the camera crew fly out heading for Portugal. There happens to another small plane at the airport, but this one is heading south to collect a last bunch of white refugees from Lubango, which also happens to be base to the southern command of the MPLA. On an impulse Kapuściński blags his way onto the flight. Having landed, he moves through the desperate white refugees and finds someone who can take him to MPLA HQ. The man in charge is an Angolan white, Nelson, who scribbles Kapuściński a pass for the front and pushes him out the front door where a big, knackered old Mercedes lorry piled with ammunition and six soldiers is about to set off on the long drive south. Kapuściński crams into the cab and off they rumble.

The leader of the little troop, improbably named Diogenes, explains to Kapuściński that they are driving 410km south to the town of Pereira d’Eça, the MPLA’s most remote outpost. They hold the towns but the entire countryside is in the hands of UNITA who may attack at any moment. They have ambushed all previous convoys and killed the troops. Kapuściński conveys the enormous sterility of the Angolan desert very vividly, in fact I remember his invocation of the country more than the people.

Time is passing, but we seem to be stuck in place. Constantly the same glimmering seam of asphalt laid on laid on the loose red earth. Constantly the same faded, cracked wall of bush. The same blinding white sky. The same emptiness of a deserted world, an emptiness that betrays life neither by movement nor by voice. Our truck wobbles and rolls through this unmoving, dead landscape like a small tin car in the depths of a carnival shooting gallery. The owner turns the crank and the toy, stamped out of tin, bucks from side to side, and whoever wants to take a shot is welcome. (p.71)

You can see why the literary reviewers of the time compared him to Graham Greene or V.S. Naipaul the two British writers of the 1970s most associated with exotic settings and colonial conflicts. The text is packed with evocative literary descriptions like this.

After a long day’s drive of nail-biting stress, expecting bullets to fly at every bend in the road, they arrive at the dusty abandoned settlement of Pereira d’Eça which is run by Commandante Farrusco (another white Angolan). They are welcomed. The sun sets. They meet the commandante. Food, cigarettes, conversation. Backstory on Farrusco who during the independence war fought in a Portuguese commando unit, but on the outbreak of hostilities between the three independence armies, volunteered for the MPLA and showed them how to take Lubango and Pereira d’Eça.

Then there is one of Kapuściński’s highly finished, semi-symbolic incidents. A dishevelled man is brought in by the troops to face the Commandante. He is a Portuguese named Humberto Dos Angos de Freitas Quental. He fled with his wife and four children to Windhoek, capital of Namibia to the south. But his 81-year-old mother refused to leave. She is deaf and has run the town bakery time out of mind. All she told him was to come back with some flour, which is running low. So having settled his family in Windhoek, against his better judgement, the man returned with a carful of bags of flower and was picked up by the MPLA troops.

But he has something very important to say. In Windhoek and a couple of settlements on the road in Namibia, everyone is saying the South Africans are about to launch an attack into southern Angola in support of UNITA. Kapuściński realises this is Big News and asks Farrusco for help getting back to Luanda so he can file his story. But nothing moves along the road at night. He has to stay.

Next morning he is up and in a different vehicle, a Toyota being driven by 16-year-old Antonio, along with the Commandante, heading back along the 400km road to Lubango. En route the commandante explains a basic fact about the war which is that the territory is so vast and the number of troops in it so pitifully small that it is like no conventional war. There is nothing like a ‘front’.

On any road, at any place, there can be a ‘front’. You can travel the whole country and come back alive, or you can die a meter from where you’re standing. There are no principles, no methods. Everything comes down to luck and happenstance. (p.83)

Again, you have the feeling of an allegorical, metaphysical force behind these words, spoken by a character in a kind of modern version of Pilgrim’s Progress, with Kapuściński as Pilgrim, stumbling through panic-stricken cities, empty towns and the wide stony desert.

In a new section Kapuściński and the reader are rudely awakened by banging. He made it to Lubango safe and sound and slept in the building commandeered by Commandante Nelson. Now he’s being woken in the early hours because Nelson is going to be driven by his aide Manuel and whiskey-swilling colleague Commandante Bota, all the way back to Benguela. Only catch is there’s some kind of battle going on somewhere on the road.

Sure enough, a few hours later they start to hear bangs as of mortars, then some kind of grenade goes off raining shrapnel on the car roof. As the slow to avoid a parked lorry a soldier leaps out in front of them. He is MPLA and terrified. He tells them UNITA have them surrounded and he needs gasoline to fuel the vehicles to make an assault. Nelson tells him they have none to spare, to get some from the nearest town and then – heartlessly – Manuel the aide steps on the gas and they accelerate through the firefight, such as it is, seeing tracer bullets flying through the night sky. Then the road dips between walls of earth where there’s no firing and they encounter two young black soldiers who are running away from the fighting. They stop and Commandante Nelson tells them sternly to return. But he and Manuel and Kapuściński drive on.

As dawn rises they reach the town of Quilengues which is eerily, surreally empty, not only of humans but any form of life. They tiptoe through the town to make sure there’s no enemy soldiers, no sudden ambush. And then, suddenly confident, Commandante Nelson announces, “Another day of life” and starts to do a round of vigorous callisthenics!

Part five (46 pages)

The fifth part is by far the longest. After his adventures our hero is back in Luanda, in familiar room 47 in the Hotel Tivoli. After a night of feverish dreams he wakes determined to phone or telex his Big News Story about an impending South African invasion of southern Angola through to his employers in the Polish Press Agency. After days of intense travel he feels delirious and has a metaphysical moment:

I looked at the calendar, because I no longer had a feeling for time, which means that time had lost all sense of division for me, all measurability, it had fallen apart, it had oozed out like a dense tropical exhalation. Concrete time had ceased to signify anything and for a long while now the fact that it was Wednesday or Friday, the tenth of the twentieth, eight in the morning or two in the afternoon, had meant nothing to me. Life had propelled me from event to event in an undefined process directed towards an unseen goal. I knew only that I wanted to be here until the end, regardless of when it came, or how. (p.94)

Then he shakes himself and gives us one of those rarities in a Kapuściński narrative, namely a specific concrete fact. It is, he tells us, Saturday 18 October 1975. Four weeks before the date set for independence.

One of the hotel staff gives him a number to call. Secretive voices answer and switch to Spanish. They come round to his room, a big black guy and a stocky white guy, and reveal they are military ‘advisers’ from Cuba, sent to train the army, only they can’t find an army, only small units scattered over a wide area. Kapuściński tells them what he’s heard about the South Africans being about to launch an invasion, and they mull over the scenarios, then leave.

He tells us about Operation Orange which was South Africa’s plan to mount a three-pronged attack on the MPLA designed to seize Luanda by 6pm on 10 November i.e. the day before independence, in order to announce a western-friendly joint government by UNITA-FNLA. He describes how Commandante Farrusco drove south towards the border, until he suddenly encounters the South African column which opens fire, badly wounding him, his driver reverses and drives like a madman back to Pereira d’Eça.

Meanwhile, back in Luanda Kapuściński describes the weird atmosphere in the big empty city, abandoned by its European owners, as the stayers-on hear the sound of artillery fire from the north and  FNLA leaflets are dropped from a plane announcing Holden Roberto will be in the city centre in 24 hours.

He walks to the offices of a local newspaper where the journos tell him that all the FNLA forces, five battalions from Zaire plus mercenaries are attacking from the north. One of the reasons this last part is longest is because Kapuściński includes the texts of telex conversations he has with his managers back in Poland, as they offer to fly him out, he insists on staying but warns communications may be cut at any minute, no-one knows what is happening, anything might happen.

Kapuściński sardonically counterpoints the ‘grand plans, global strategies’ (p.108) he hears on radio discussions – call in the UN, convene a conference, get the Arabs to pay, get behind Vorster the leader of South Africa etc etc – and the cruder reality on the ground. For example the way, in the absence of working radio, one of the few people with any idea what’s going on is Ruiz who flies a beaten up old two-engine DC3 to various MPLA-held points of the country, dropping supplies picking up news and gossip.

He is woken in the middle of the night and has a fearful presentiment that it is the FNLA come to arrest him as a spy. In the event it is Commandante Nelson, along with Bota and Manuel, filthy and hungry and exhausted after a long drive from their southern outpost. They tell him the South Africans have rolled up all the MPLA’s southern positions and are at Benguela, 540km to the south.

Then the format of the text changes to diary entries for the last key week leading up to independence, a day-by-day account of life in Luanda starting on Monday 3 November 1975.

Monday 3 November 1975

The Cubans pick him up and drive him to the front line just beyond the city limits. Earlier in the book Kapuściński had a whole passage about the etiquette of roadblocks and checkpoints, the sussing out, the demand for papers, the drawn-out negotiations, the attempts to extort money of cigarettes. But all the Cubans have to do is say “Cubano” and they are waved through as though they have magic powers.

Kapuściński surveys the landscape all the way to the enemy lines. A message is brought to the Cuban that Benguela has fallen, all the Cubans there were killed. He sees lorries full of Portuguese troops. They have lost all discipline, have no belts, beards, they sell their rations on the black market and loot houses, packing everything into crates. They are scheduled to leave the day before independence and have nothing to lose.

Ruiz the pilot of the only plane the MPLA possesses flies south carrying sappers and explosives to blow the bridge over the Cuvo River which will cut the road between Benguela and Luanda. That night Kapuściński telexes Polish Radio the news.

Tuesday 4 November

Kapuściński is woken along with all the other guests and the hotel manager, Oscar, by armed men, who claim they are infiltrators, fifth columnists. They are sweating and tense and might shoot at any moment. While they wait for transport to take their prisoners away the MPLA press attaché arrives and sends them packing. Kapuściński clearly enjoys privileged status.

It is nowhere stated but I wonder how much this was because he was with the official press agency of an Eastern Bloc country, Poland i.e. a country controlled by the Soviet Union which the Marxist-Leninist MPLA needed as a backer for its attempts to become the new government.

A week earlier he had gone with four other journalists to the town of Lucala 400km east of Luanda which had recently been recaptured from the FNLA. The road to the town was strewn with corpses. The FNLA killed everyone and then decapitated or eviscerated them. Women’s heads littered along the road. Bodies with liver and heart cut out. Cannibals. Drunken cannibals. Hence the panic-fear in Luanda a week later that these are the people threatening to take the city by storm.

Wednesday 5 November 1975

A friend of a friend drives him to Luanda airport. It is almost abandoned and covered in litter and detritus, the wreck left by the hundreds of thousands of Portuguese who have fled. The friend, Gilberto, takes him up the control tower. And as they watch a pinprick of light appears in the dark sky and grows larger. then three more. Minutes later four planes land, taxi to a halt in front of the control tower and disgorge their passengers – scores of Cuban soldiers, battle-ready in their combat fatigues. Next day they are despatched to the front. Lucky Kapuściński happened to be there right at that moment. Or is it another one of his embellished, polished, symbolic fictions?

Right here at the end of the book he makes what is maybe a subtle self defence. He describes the challenges facing any journalist sent by their editor to Luanda and told to report on the fighting: the government will tell him nothing; the MPLA press office stays silent; he can’t get to any front because Luanda is a closed city and he is turned back at the first checkpoint; rumour is rife but there is no radio or any other communication with any part of the country. Brick wall. Hence the temptation to write the story his editors want to hear.

At this point he gives a page and a half long definition of the concept of confusão being a specially Portuguese notion of impenetrable, causeless, fruitless chaos, a handy explanation for all life’s screw-ups. Daniel Metcalfe liked this concept and explanation so much he quotes it in its entirety in his book about Angola written forty years later. Maybe every nation, or culture, has its own distinctive form of confusão.

Monday 10 November 1975

On Monday the last of the Portuguese garrison sailed away, ending nearly 500 years of Portuguese occupation. There is no love lost with the locals who look forward to freedom, but Kapuściński became friendly with some of the officers who he thought behaved with professionalism and courtesy. He notes that they at no point threatened the Cuban military advisers who, after all, were flying in to what was still Portuguese territory.

That night a lorry goes round Luanda removing all statues of Portuguese from their plinths, goodbye to the sailors and geographers and soldiers and administrators and kings, goodbye.

Tuesday 11 November 1975

At midnight it becomes Tuesday, independence day after 500 years of oppression. Kapuściński is with the big crowd assembled in Luanda’s central square. A handful of international dignitaries had flown in for the ceremony, not many because there were rumours one or other of the attacking forces would bomb the airport therefore making departure impossible. MPLA leader and Angola’s new president, Agostinho Neto, makes a short speech then the lights are put out for fear of air raids.

Kapuściński sends a dispatch back to Poland explaining that the FNLA and UNITA have come to a deal and declared their own independent government of Angola to be based at the inland city of Huambo.

He hops a lift with Ruiz and flies down to the southern front at Porto Amboim on the Cuvo River where the bridge has been blown up, leaving South Africa armoured units on the south side and MPLA bolstered by an ever-increasing number of Cubans on the north side. He investigates the front in a downpour of rain. Troops are leading women and children who’ve crossed the river from the south in search of food. That night he flies back in a plane carrying soldiers wounded in a firefight further up the river.

In one of his last dispatches to Warsaw he says the nature of the war has significantly changed in his time there. To begin with it was a conflict of pinpricks without a formal front, as explained by Commandante Farrusco. But the incursion of the South Africans changed that. They have armoured vehicles, artillery and good military discipline. They expect to fight battles. On the other side the MPLA army has been feverishly recruiting and is being whipped into shape by significant numbers of battle-hardened Cuban officers and trainers. In three short months it’s gone from being a desultory guerrilla  conflict to something much more like a conventional war.

He asks to come home. He’s shattered. His managers agree. He says his goodbyes, most notably to the new president, Agostinho Neto who, we learn at this late stage in the day, Kapuściński knows well enough to pop in on. Neto is, among many other things, a poet, and Kapuściński can quote some of his poetry by heart. They sit in the president’s book-lined room chatting. Friends in high places.

Next day he flies back to Europe, itself awash with troops and frozen in a Cold War which was to divide the continent from 1945 to 1990.

Coda

There’s a two-page coda dated 27 March 1976 i.e. four months later. He reports that the last South African units have left Angola, crossing a bridge over the Cunene River where they were reviewed by the South African Defence Minister Piet Botha. Kapuściński writes as if the war is over.

We, now, 45 years later, know that it was only just beginning. There were to be 26 more years of civil war in Angola, leaving 800,000 killed, 4 million displaced, and nearly 70,000 Angolans amputees as a result of the millions and millions of land mines planted throughout the land. Well done, everyone. Bem feito, camaradas.

Thoughts

No doubt most of this did happen. The big picture stuff certainly. Probably most of Kapuściński’s excursions also, yes. But the way he shapes the material, turning the ordinary ramshackle events of life into symbolic moments, turning ugly, stupid or drunk people into Emblems of War – this is all done with the artistry of the imaginative writer, the novelist or playwright. He paces his scenes so as to create maximum impact, giving his characters wonderfully lucid and meaningful dialogue to speak, and punctuating the narrative with profound asides about the nature not only of war, but of time, the imagination, fear and compassion.

At first sight only a skimpy 126 or so pages long, this book nevertheless packs a range of profound punches to the imagination and intellect.

Map of Kapuściński’s Angola

Locations mentioned in Another Day of Life in the order they appear in the text.

  1. Luanda – capital of Angola
  2. Caxito – 60km north of Luanda where MPLA forces have held off an attack by the FNLA
  3. Benguela – 540km south of Luanda, to the MPLA garrison run by Commandante Monti, where he hooks up with the Portuguese TV crew and Carlotta before driving on to…
  4. Balombo – the recently taken town where Carlotta is killed
  5. Lubango – where Kapuściński cadges a flight to, base of the southern command of the MPLA run by Commandante Nelson; and then further south to…
  6. Pereira d’Eça – (subsequently renamed Ondjiva, which is how it appears on this map) the MPLA’s most remote outpost, run by Commandante Farrusco
  7. Quilengues – the deserted town they arrive at having run the gauntlet from Lubango, where Commandante Nelson utters the sentence which gives the book its title and then does his callisthenics
  8. Lucala – town 400km east of Luanda where he sees evidence of FNLA cannibalism
  9. Huambo – city 600km south east of Luanda where the FNLA and UNITA set up their rival government to the MPLA
  10. Porto Amboim – where he hitches a ride to in Ruiz’s plane, 260km south of Luanda to the new southern front, to see the South Africans hunkered down on the other side of the Cuvo River
  11. Chitado – the crossing over the Cunene River where South African troops exit Angola at the end of the narrative

Map of Angola showing locations referred to in the text. Source map © Nations Online Project


Credit

Jeszcze dzień życia by Ryszard Kapuściński was published in Polish in 1976. It was translated into English as Another Day of Life in 1987. All references are to the 1987 Pan paperback edition.

Africa-related reviews

History

Fictions and memoirs set wholly or partly in Africa

Exhibitions about Africa

Blue Dahlia, Black Gold: A Journey Into Angola by Daniel Metcalfe (2014)

Having read quite a lot about Rwanda and Congo, I felt I needed to read up on their neighbours, finding out about other African nations radiating out from the central core of the Congo. Trouble is that books about them are hard to find, for example, there don’t seem to be any books about Burundi’s civil war, 1993 to 2005. Either that, or the existing books are heavy academic works, often collections of essays, which weigh in at £30 or £40 and can’t be found second hand. Reading between the lines, no-one in Britain cares enough about these countries to write, publish or read books about them.

Daniel Metcalfe’s travelogue was one of the few paperbacks I could find about Angola and seemed like an affordable way of finding out about the recent history and current shape of Angola, Congo’s large nation to the south, and one of the participants in the Great War of Africa. I didn’t really take to the personality created in the text and found it a grim read whose occasional attempts at humour didn’t come off. Nonetheless, I’d recommend it as giving a very good overview of Angolan history, along with first hand accounts of the tremendous disparity between the oil super-rich and the majority of the population which remains dirt poor, and for the vivid descriptions of his excursions into the (generally very unattractive) interior. The net effect of the book is to make Angola sound like an awful place.

Angola historical overview

Angola is the seventh largest country in Africa (Wikipedia). It was first reached by Portuguese sailors in 1484 and the current capital city, São Paulo de Loanda (Luanda), was founded in 1575. (It was conquered by the Dutch in 1640 and briefly ruled by them till 1648, when the Portuguese resumed control.)

The Portuguese didn’t penetrate far inland, instead creating a series of coastal ports and trading entrepots. The main commodity was Africans as Angola became one of the main locations of the transatlantic slave trade, which was well established by 1600, with around 10,000 slaves a year transported. Most of them went to Portugal’s other vast colony, Brazil, a thousand miles across the stormy Atlantic.

Throughout the 18th century Portugal slowly conquered various tribes and kingdoms in the territory they claimed, and pulled natives into the global economy, forcing them to produce raw materials such foodstuffs and rubber. Brazil won its independence in 1822 and Portugal abolished the slave trade in 1836, illicit trading being policed by the anti-slavery Royal Navy. But generally Portugal still only had a very thin, coastal presence.

It was only at the time of the Berlin Congress of 1885 and the late nineteenth century Scramble for Africa that the Portuguese made sustained attempts to penetrate further inland, to explore, conquer and claim the territory of what was to become the modern territory of Angola.

Part and parcel of this late 19th century conquest was the widespread imposition of forced labour on the hapless natives, hard forced labour under the compulsion of the whip, to turn out agricultural goods to be shipped back to the motherland. (It was a Brit, Henry Woodd Nevinson, who exposed the extent of the exploitation in his book A Modern Slavery, published in 1908, the year King Leopold was forced to hand over his barbaric rule in the Congo over to the Belgium state.)

Soon afterwards Portugal entered a period of political turmoil triggered by a coup in 1910 which overthrew the Portuguese monarchy (the same year, as it happens, as the Mexican Revolution) to establish what became known as the First Republic. One of the republic’s many liberal reforms was ending forced labour in the colonies.

However, the First Republic suffered from chronic instability and was overthrown in 1926 with the advent of António de Oliveira Salazar, who established the so-called Estado Novo in the 1930s. This new regime came to be known as the Second Republic as Salazar established an authoritarian corporatist state in Portugal. As part of the ‘return to order’ the New Order reimposed brutal forced labour in its colonies.

Portugal stayed neutral throughout the Spanish Civil War and the Second World War while millions of Angolan natives slaved to produce agricultural products for Portuguese consumers and profits for Portuguese companies. Appalling conditions led to a high death rate among workers and a scandalously high infant mortality rate of 60%. Critics wrote reports calling for change in the 1940s and 50s but were ignored or imprisoned.

A workers’ protest starting in a cotton company in 1961 led to widespread rebellion across Angola which was suppressed with much bloodshed (p.114). This and the uprising of Bakongo in northern Angola are now seen as marking the start of the Portuguese Colonial War, which lasted from 1961 to 1974 and involved not just Angola but Portugal’s other colonies in Africa, Mozambique and Guinea-Bissau.

The wars were as ruinous and futile as the Vietnam War and ended in the full independence of the three African countries involved, after elements in Portugal’s own army overthrew the authoritarian civilian government on 25 April 1974 in what came to be known as the Carnation Revolution (pages 71 and 135).

There was a year delay while the new regime established itself and while peace talks to end the colonial wars dragged on. The Alvor Agreement of January 1975 called for general elections and set the country’s independence date for 11 November 1975. Hooray!

Except that the country was almost immediately plunged into a civil war between the three main anti-colonial guerrilla movements: the communist People’s Movement for the Liberation of Angola (MPLA), the National Front for the Liberation of Angola (FNLA), and the anti-communist National Union for the Total Independence of Angola (UNITA).

The FNLA were eliminated in the first year but the conflict between the other two refused to be settled and dragged on for decades, becoming one of the leading proxy wars between the Cold War adversaries, the USA and the Soviet Union, with the Soviets and Cuba backing the communist MPLA government and the Americans funding and supplying the anti-communist UNITA.

UNITA developed some bases inside Zaire, to Angola’s north, with the support of Joseph Mobutu, Zaire’s western-backed dictator, but were mostly based in the south, enjoying support from the apartheid South African regime which was funneled through the state immediately south of Angola, Namibia, itself a colony of South Africa which was experiencing its own war of independence. (Namibia won independence from South Africa in March 1990.)

This being Africa there was also a strong tribal element in the civil war. The MPLA was primarily an urban-based movement in Luanda and its surrounding area and was largely composed of Mbundu people. UNITA was a predominantly rural movement mainly composed of Ovimbundu people from the Central highlands who make up about a third of the population (pages 123 and 133). Obviously there was overlap and complexities. There are many more tribal groupings in the country and allegiances and membership shifted and complexified over time.

The Angolan civil war raged from 1975 to 2002, 27 years of massacre and destruction which not only left an estimated 800,000 dead, but displaced over 4 million people and devastated the country’s infrastructure, leaving it one of the poorest in the world. In 2003 the UN estimated that 80% of Angolans lacked access to basic medical care, 60% lacked access to water, and 30% of Angolan children would die before the age of five, with an overall national life expectancy of less than 40 years of age. 70% of the population lives below the poverty line (p.70).

Whole families sat and begged on the rubbish-strewn streets [of Luanda] that stank of animal and human excrement. (p.49)

Metcalfe writes that the population of Luanda is 4 million, but a recent Guardian profile (see below) gives it as 7.8 million and that this number is set to double by 2030.

So from the start of the independence struggle in 1961 to the end of the civil war in 2002, Angola suffered 41 years of hurt and wasted lives.

Daniel Metcalfe

Daniel Metcalfe studied classics at Oxford then went to work in Iran and travelled around central Asia, material which he used for his first book, Out of Steppe: The Lost Peoples of Central Asia (2009). This is his second book, and is actually not so much one journey as an account of three journeys across Angola undertaken in (I think) 2010, with follow-up visits.

Right from the start Metcalfe describes himself as a financial journalist and his bio says he’s written for the Economist, Guardian, Financial Times, Foreign Policy and the Literary Review. In other words, he initially appears just the kind of pukka chap that has formed the backbone of English travel writing for the last hundred years, all of whom went to top private schools (Evelyn Waugh [Sherborne], Wilfred Thesiger [Eton], Eric Newby [St Paul’s], Colin Thubron [Eton], Bruce Chatwin [Marlborough], Jan Morris [Lancing]). So I was expecting references to tiffin and cricket, or a trip to the little known Luanda polo club or some such. Posh boy eccentricity.

I was wrong. Metcalfe doesn’t have the de haut en bas tone of the classic English chap abroad; quite the opposite, he’s keen to rub in what a man of the people he is, travelling with only a grubby backpack in the cheap and chaotic minivans ordinary Angolans use, cadging a night’s kip on the sofas or packed beds of all sorts of random acquaintances, and having at least two severe bouts of food poisoning.

But with the thought of the Great Tradition of English Travel Writing in mind I couldn’t help being struck by a sense of the text’s belatedness. What I mean is that earlier travel writers described to their readers distant and exotic lands a) which none of the readers had travelled to or knew much if anything about and b) which were largely ‘unspoilt’.

Metcalfe’s book arrives in the internet age when:

a) there is no ‘distance’ or ‘remoteness’ any more – any of us can Google articles about Angola and its history, geography, tourist features, festivals, national costume and so on and find out more or less everything contained in this book; and

b) Angola is definitely ‘spoilt’, ruined in fact, but in two senses of the word: i) the cities, towns and landscape are still recovering from 40 years of destruction, for example tourists are advised not to wander anywhere off the beaten track because the country is still covered in millions of unexploded mines; and ii) every conceivable tourist attraction has been photographed, thoroughly documented, posted on Instagram, Facebook, Twitter and all the rest.

Metcalfe is therefore labouring in a genre which is almost obsolete. These days a travel writer has to work very hard to find anywhere that millions of Western tourists haven’t already trampled and photographed to death, and then has to work up in their prose a sense of enthusiasm for sights or experiences which bored locals experience every day and post on Facebook, Instagram, Twitter and so on.

The book’s structure

São Tomé and Príncipe then mainland Angola

In a bid to be quirky and original Metcalfe starts his journey by flying in to the Democratic Republic of São Tomé and Príncipe, two archipelagos based round the islands of São Tomé and Príncipe, which are themselves about 87 miles apart and about 150 miles off the northwestern coast of Gabon. This far from the mainland, they were uninhabited till the Portuguese discovered them and populated them with Africans. The islands became an important entrepot for the slave trade as well as slave plantations producing coffee and cocoa. The islands became independent alongside Portugal’s other colonies in 1975 and form the second-smallest African state after the Seychelles.

Metcalfe visits the capital cities of each island and is shown round a rotting old plantation house. He learns about the semi-fictional slave king who led a Spartacus-style slave rebellion, ‘Rei Amador. He tells us it has the smallest economy in Africa, 80% of which is contributed by foreign donors ie it’s not really a viable state at all.

But the main story is that oil has been located near the islands, which are therefore teetering on the brink of becoming very wealthy, but there is general anxiety that, as with every other ‘petrostate’ (like in nearby Nigeria), the money will end up funneled into the hands of a tiny super-rich elite while the rest of the islanders continue living in poverty.

Then he flies to mainland Angola where he makes three journeys, carefully indicated on the book’s one and only map. A throwaway remark reveals he seems to have made at least two trips to the country: he tells us he first visited Angola in 2010, then two years later, in 2012 (p.83).

Anyway, it’s not really a journey into Angola but maybe five distinct journeys:

  • down the coast from Luanda to Benguela
  • from Benguela inland to Huambo and then to the remote town of Cuito Cuanavale
  • then, after returning to Luanda, from Luanda directly inland to Malange and then Saurimo
  • then north up the coast into Zaire province, to the heartland of the old Kongo kingdom, M’banza-Kongo, to the oil town of Soto
  • then flying into the enclave of Cabinda which is part of Angola but separated by the mouth of the river Congo which is inside the Democratic Republic of Congo

A well-ruined country

The bottom line about Angola seems to be that it has been ruined at least three times over. First by the brutality of Portuguese rule which enforced harsh forced labour on most of the population well into the 1960s, doing little to create a decent infrastructure such as roads and schools, or to foster an educated middle class. Second, by the 40 years of warfare, first for independence, then the terrible, futile and ruinous civil war.

But what really strikes Metcalfe is the ruin brought since the civil war ended by the arrival of OIL. The Angola he flies into is now a ‘petrostate’ with a huge gulf between the overclass of politicians and businessmen who have made themselves fabulously rich on the proceeds of oil, drive huge four by fours, live in gated mansions, stay in gleaming hotels – and the great majority of the population (of 33 million) who scrape a living off the land (periodically stepping on one of the millions of abandoned landmines) or make a living by working the utterly corrupt life of the cities. Thus despite the billions of dollars pouring into the treasury from oil revenue, Angolan life expectancy is among the lowest in the world, while infant mortality is among the highest. A third of the population can’t read or write.

José Eduardo dos Santos, the leader of the MPLA, once, back in the olden days, a ‘Marxist’ party, was Angola’s president for almost four decades. During the oil boom his daughter, Isabel dos Santos, was ‘awarded’ numerous lucrative contracts, thus becoming Africa’s richest woman. She is nicknamed ‘the Princess’ and at the time this book was written, was said to be a billionaire. So much for Marxism. Interestingly, she attended the elite fee-paying St Paul’s School for Girls in London before going on to become a billionaire.

London, where you can launder your drug or organised crime money through any number of willing banks, invest in shiny new riverfront developments, pick up some multi-million dollar artworks for your portfolio, and drop in to see your son or daughter being educated at one of its elite private schools. Convenient for oligarchs and kleptocrats from all nations.

Angola is a country divided between a small, super-rich, oil-rich elite, and the rest which helps to explain why everything is diabolically expensive, even the most basic food and drink. Luanda is routinely voted the most expensive capital city in the world (p.45). This is apparently because the agricultural sector is in such a state that almost everything has to be expensively imported. Even the most basic hotels and restaurants are beyond his budget. This isn’t a tropical paradise where you lounge in cheap cafes enjoying the streetlife. Luanda is a city where he trudges along busy with his backpack while shiny four by fours roar past on their way to hotels, cocktail bars and restaurants which are wildly beyond his reach.

Author’s persona

I felt vulnerable, exposed and ill equipped. (p.44)

Right from the start Metcalfe presents himself as a down-at-heel traveller with a backpack, ‘an unaffiliated writer’ (p.68), himself slightly confused about his motives for going, blessed with some contacts but relying on wit to busk a lot of the journey.

This pose would have been cool in the 1960s or 70s but in the age of the internet and modern, luxury, all-expenses-paid travel journalism, it comes over as a bit forced and contrived. I did the backpacking thing back in the day. In the 1970s I hitch-hiked round Europe and then round America because I was 18 and genuinely didn’t have any money or ‘contacts.

But it seems to me that worldview, that cultural possibility, has gone. A few short years later friends with their first jobs in the City were flying Club Class to New York or Sydney. In the 1990s the barely employed could afford to fly to Ibiza or Phuket. Hitching with a backpack was no longer at the cutting edge of anything. As airplane tickets and travel costs, generally, plummeted in the 1980s and 90s, ‘roughing it’ became a quaint throwback to a simpler age.

And as the internet has given access to every hotel and every restaurant and almost every person anywhere in the world, there’s no excuse not to have rung ahead, booked and organised everything.

I arrived at Saurimo at midnight, with not a clue where to stay. (p.225)

For a journalist who’s written for the Financial Times and the Economist, who mentions elsewhere that he looked up contacts and had names and addresses of businesspeople, NGOs, charities and various other contacts before he left London, to reduce himself to this impoverished state seemed a bit contrived.

It’s a running gag that Metcalfe’s backpack gets put on the wrong plane and flown to the other side of the world by mistake and it takes a week or so for it to be returned to Luanda airport for him to collect. In another age, and in another writer’s hands, this might be funny, but here it comes over as pathetic.

On not one but two occasions he manages to get food poisoning – once from eating the in-flight sandwich on the plane from Sao Tome to Luanda, once from eating prawns at an all-day party in Luanda – and we are treated to descriptions of him lying on a sofa moaning for days on end punctuated by sudden dashes to the shared toilet. Possibly this is meant to be comic but it comes over as squalid.

Because he can’t afford to stay in the ruinously expensive hotels, he cadges beds for the night on the sofas of strangers. As I say, in another age and in the hands of a more stylish writer, this might come over as cool or funny, but in this account it comes over as shabby, and wilful, a choice to do things the most difficult, dirty and sordid way. The impatient reader thinks, ‘Enough with the backpacker chic, already. You should have just negotiated a better advance from your publishers or with the FT Travel section or with any number of upmarket travel mags. Then you could have stayed in all those gleaming hotels and we wouldn’t have had to read about you roughing it on the sofas of hospitable Luandans who barely know you.’

When Metcalfe sticks to the fact he is very interesting indeed. He gives solidly researched, thorough and authoritative accounts of a wide range of historical issues from the first founding of the country, the slave trade, the ups and downs of 20th century Portugal. He is especially good on the history of the long bloody civil war, which he cuts up into passages which are deployed throughout the book at appropriate moments or in the relevant towns where key battles occurred.

A good example is his trip to the remote town of Cuito Canavale in the south-east of the country, where a 6 month long ‘battle‘ brought together all the combatants in the war for a confrontation whose ending can now, in retrospect, be seen as a turning point not only in the Angolan war but for the wider region (leading Cuba to withdraw its forces and South Africa to grant Namibia its independence).

His encounters with numerous people like businessmen and entrepreneurs, staff at NGOs like the HALO mine-clearing charity or Save The Children, passengers on numerous coaches, cafe owners and academics, geologists and ‘oilies’, street rappers and hawkers, manic minibus drivers and drunk taxi drivers, miserable bar owners and fierce museum keepers, Congo kings and holy men, each shed factual information on Angola’s past and present and are uniformly interesting.

But when he tells anecdotes about the travelling itself, they come over as strangely limp and dead. This is a really good factual primer for Angola (albeit ten years out of date) but when he writes about himself and his ‘adventures’, Metcalfe is a peculiarly charmless writer. Maybe part of this is because so many of the people he meets are depressed, defeated and downbeat and their negative mood affects the author and, thus, the reader, too. Angola does sound like a grim place.

  • We sat down, exhausted and somehow a bit sad. (p.211)
  • Living in Luanda seemed to drive him to despair. (p.215)
  • The king was playing his part but I couldn’t help feeling it was all a bit sad. (p.238)
  • I sat, by now stained and a bit depressed, pondering my destination, unaware of how bad the next eighteen hours would be. (p.286)

I wasn’t surprised when the tough son of the household where Metcalfe dosses in Luanda, Roque, reveals that he tried to commit suicide a few years previously (p.258). Somehow it’s that kind of book. There are flickering attempts at humour, but for the most part it’s pretty downbeat.

One of the saddest things about Angola is the decimation of the wildlife. Most of the wild mammals have been exterminated. He has a passage about the last few remnants of the once flourishing giant sable or palanca negra gigante and meets a worn-down conservationist who is trying to save it from extinction (pages 214 to 219). Despair and sadness. Metcalfe even travels through a region where there are no birds. The skies are empty. Everything is dead.

Anti-tourism

The book amply demonstrates why Angola is on no-one’s tourist trail.

There is really no tourism here. There is nothing to visit in Luanda, except for one or two clapped-out museums that are invariably closed. Walking is pretty much out, due to the threat of muggings, not to mention the polluted and pungent streets. There are no taxis… Excursions into the country are generally a no-go. The few eccentric tour leaders who do venture into the empty national parks explain that most of the game has been shot and eaten and numbers haven’t recovered yet. Hiking or bush-walking is definitely not an option, due to the millions of landmines and unexploded ordnance, most of them unmapped. And there are diseases, lots of them: yellow fever, dengue fever, sleeping sickness, typhoid, rabies and rampant falciparum malaria (that’s the worst kind)…

In short, Angola is an anti-tourist destination, and certainly no place for a backpacker. The only sane kind of visit is brief and on business, with someone to meet you, lodge you and cover your laughable expenses, before you are gratefully shuttled out on a non-Angolan liner. (p.46)

Then there are the police, ‘feared for their erratic behaviour and drunken extortion of passersby’ (p.47). And the absurd expense of everything. And the street crime. And the dedicated stonewalling obstructive Soviet-style bureaucracy you face every step of every process designed to wear down and crush any applicant for anything, as he finds out when he tries to get his visa extended or goes the labyrinthine process required to apply for an audience with king Muatchissengue Watembo of the Chokwe people (pages 232 to 239).

Eastern bloc-style obstructionism which is reflected in the hyper-suspicions of the police who stop him and demand to see his papers countless times, with or without then bullying him into giving them a bribe to let him go on his way (the Angolan police being ‘renowned for’ their demands for gasosa, p.230). Far from being relaxed and casual like Congo, Angola has overtones of being a police state. ‘Basic education, sanitation and health care are all awful’ (p.45).

Basically, Don’t go.

Highlights

Marxist capitalism

Metcalfe is good at explaining the hypocrisy of the so-called ‘Marxist’ MPLA government. Even as it bought communist textbooks printed in Moscow and Havana to indoctrinate generations of schoolchildren against the capitalist enemy, it set up a massive corporation, Sonangol, which functioned on purely capitalist lines. When the first oil was found in the 1970s the franchise and money was handled by Sonangol who, over the following decades, developed into a huge corporation with interests in every aspect of the economy, almost a parallel economy in its own right.

At its heart was MPLA leader and president José Eduardo dos Santos, known as ‘the magician’ for his skill at keeping all political factions onside by the skilful doling out of contracts and backhanders. The elite surrounding him were known as ‘the Futunguistas’ after one of the many presidential palaces. When the Soviet Union collapsed in 1991 the MPLA made a smooth transition to capitalism because they had, in fact, for years, already been practising it (pages 72 to 75). These former Marxists now have their noses ‘deep in the trough’ of the purest capitalism. Mobutu only with oil. Transparency International ranks the country as almost bottom of the league table of corruption.

The ruling class of Angola has misplaced, disappeared, embezzled and creamed off tens of billions of dollars for themselves, leaving most of their compatriots in abject poverty. Why on earth should Western governments give them loans and Western aid agencies step in to treat the poor and ill when more than enough money exists in the government system but Angola’s leadership refuses to use it for good, preferring to loot their own country?

Slavery and degredados

He gives a good brief history of the slave trade, pages 100 to 106. The academic he interviews, Fernando Gamboa, makes the familiar point that slavery was already a well-established practice among African tribes before the Europeans arrived, but they massively increased its scale and ‘efficiency’ as a business (p.198).

I was more intrigued to learn that a) Angola’s second city, Benguela, was founded in 1615 in totally unsuitable location near a swamp which resulted in the earliest settlers dying like flies (very like the early English settlements in Virginia at the same period); and b) that, like Australia, it was forcibly settled by transported convicts or degredados. Unlike the convicts Britain sent to Australia, who were often guilty of relatively minor offences such as stealing a loaf of bread, these degredados were hard core villains, mostly murderers. Being hard core urban villains they were unsuited to agriculture but took to the slave trade like ducks to water, and also ensured the city had a ‘hellish reputation well into the nineteenth century’ (p.100).

The Salazar regime (1932 to 1968)

What comes over about Salazar’s Estado Novo regime is its dusty, down-at-heel backwardness, its narrow-minded closedness, its petty bureaucracy and inefficiency. Visiting diplomats, especially Americans, thought he lived in a parallel universe. This helps to explain his response to the rebellions of 1961 which was total refusal to accept reality, negotiate or relinquish the colonies, and instead his insistence on fighting on to the bitter end which meant that, long after Europe’s other imperial nations had bitten the bullet and given their colonies independence, Portugal continued fighting its bitter wars to retain them (pages 114 to 118).

White flight

As the scale of the civil war became clear, between 1975 and 1976 pretty much the entire white population of about 300,000 left, flying back to Portugal in what Metcalfe refers to as ‘the great airlift’ (p.124). That included all the administrators, civil servants, the police, engineers, designers, builders, architects, managers of the education and health systems, doctors and teachers, everyone who ran everything left the relatively unskilled, untrained Angolans to figure out how to run a modern country in the middle of a brutal civil war. The result: services ceased to function, education and health ceased, ministries shut down, the rubbish piled up in the streets, no-one knew what to do (pages 72 and 136).

The irony is that once the civil war had ended and the oil boom began in the Noughties, lots of Portuguese flocked back to the country for its boomtown opportunities and, by a spooky coincidence, there are, once again, about 300,000 expatriate Portuguese in Angola.

Sex trade

Oxfam’s regional director Gabriel de Barros explains how girls as young as 12 are traded by families to rich men in return for financial support, the resulting rise in teen pregnancies, STDs and AIDS (pages 108 to 111).

Huambo

Originally named Nova Lisboa, Huambo is the capital of the fertile highlands and was beautifully laid out by Portuguese planners to become the new centre of their empire in the 1920s and 30s. Unfortunately, it then became an epicentre of the civil war, the landscape around ravaged by war, littered with mines, and the town fought over again and again, climaxing in a 55-day-long siege in 1993 which eviscerated it. The government enforced a press blackout and in 1993 international journalists were busy in Somalia and Yugoslavia so the world never got to hear about it.

Landmines

The countryside is littered with millions of mines, anywhere between 6 and 20 million, no-one knows. Never stray off the path, don’t climb rocks or walk round a bridge. Any prominent or beautiful natural feature was targeted. For the foreseeable future they must all remain off limits (p.124).

Queen Njinga

An extended passage giving the life of the remarkable Nzingha Mbande (1583 to 1663) who rose to be Queen of the Ambundu Kingdoms of Ndongo and Matamba in present-day northern Angola. She fought for 30 years to maintain the independence of her kingdoms against the encroaching Portuguese and to later generations became a symbol of resistance. The most notable things to emerge from the account are that she supported the slave trade, but insisted it be carried out according to the old customs; and the stories that she dressed as a man, insisted on being called a man, dressed her guard of women as men, and made her many male lovers dress as women if, that is, these later stories are true (pages 198 to 206).

Chockwe art

Metcalfe visits Chockwe country and even manages a (bizarre) audience with the old but still revered Chockwe king. The Chokwe people once ran an empire which covered parts of modern-day Angola, southwestern Congo and northwestern parts of Zambia. There are about 1.3 million people living across that territory. The Chockwe are famous for their sculpture art, which fetches high prices in the West.

Wooden statuette of a Chockwe princess

The role of Cuba in the civil war 1975 to 2000

Castro’s communist Cuba saved the Marxist MPLA government. In 1975 as Jonas Savimbi’s UNITA took more and more territory and advanced on the capital, Cuba flew in thousands of soldiers who stabilised the situation then reversed UNITA’s advance. Cuba’s involvement in Angola was deep and long. Between 1975 and 1988 over 300,000 Cubans served in Angola (p.212). Rejected in most of South America, snubbed by the North Vietnamese, unable to get a purchase in Mobutu’s Congo, Angola provided an opportunity for Castro to dream of spreading his revolution around the developing world. Now all that sacrifice seems utterly pointless. You could say that the 300,000 Cubans who fought to keep the MPLA in power ended up helping Isabel dos Santos to become the richest woman in Africa. Thus, as Shakespeare put it, does the whirligig of Time bring in his revenges.

The last phase

The last phase of the civil war from 1999 to 2002 was the most brutal. Metcalfe dwells on the character of the larger-than-life, brutal, charming, paranoid UNITA leader, Jonas Savimbi. Like president Habyarimana of Rwanda, like Mobutu and Kabila of Zaire and the Congo, Savimbi genuinely believed in black magic, spirits and witches.

By the 1990s there were frequent burnings of dissidents and accusations of witchcraft in UNITA areas. In one case, Savimbi himself ‘discovered’ a woman spying on him by flying over his house at night. Suspected women and children would be dragged to a stadium and set alight. Anyone who dared to speak against o mais velho risked execution, including any woman who refused his advances. (p.246)

Lovely to see the old traditions being kept alive. Jeane Kirkpatrick, America’s representative to the United Nations, called Savimbi ‘one of the authentic heroes of our time.’ Hundreds of thousands of rural inhabitants were terrorised by UNITA, press-ganged into working as porters, cooks or prostitutes. The MPLA government rounded up entire regions and confined them in camps. In the final months of the war as many as 4 million people were displaced, a third of the entire population.

M’banza Kongo

On his third journey, Metcalfe cadges a lift north in a battered Land Rover with the staff from a Save The Children refuge in the town of M’banza Kongo in the north-west of Angola. Back in the 1480s when the Portuguese discovered the river, the Kongo empire stretched for hundreds of miles north and south of the river mouth and far inland. Metcalfe retells the sorry saga of how initial optimism on both sides of the cultural contact quickly deteriorated as the Portuguese realised the potential of the Kongo people as slaves. In Metcalfe’s account it was the discovery of Brazil in 1500 and the quick realisation that it had great potential for sugar plantations but lacked manpower, which transformed the situation.

500 years later Metcalfe visits the homes and refuges in M’banza Kongo which house the large number of children who are thrown out of their families every year for being evil spirits. Belief in witchcraft, spirits, kindoki (a kind of witchcraft or possession by evil spirits) and the power of fetishes is universal and when any ill luck befalls a family its most vulnerable members – children and to a lesser extent the elderly – are blamed.

Update

Metcalf’s book was published in 2013. Apparently, since then, some of the gloss has gone off the oil boom so that the planes and top hotels are no longer as busy as they were. But the structural divide between super-rich elite and everyone else remains, as evidenced in this photo essay published in the Guardian.

MCK

Protest song by anti-government rapper MCK who Metcalfe interviews (pages 83 to 88).

Portuguese terms

Recurring words and ideas include:

  • assimiliado = African who, according to the Portuguese colonial system, had reached an approved level of civilisation; comparable to the évolués in francophone colonies
  • bom dia = good morning
  • candongueiro = mini bus
  • confusão = a metaphysical state of chaos and confusion before which mere humans are helpless
  • contratado = Portuguese form of forced labour
  • empregada = home help /servant
  • feitiço = fetish or the spell is controls
  • garimpeiro = unofficial diamond miner
  • mestiço = mixed race
  • musseques = shanty town
  • pula = slang for white person
  • roça = plantation-type farm run on forced labour
  • soba = official

Fluffs

The book is generally well proof-read and typeset, but I did spot a couple of errors which humorously point towards a new use of language:

  • As she flocked cigarette ash out of the window… (p.27)
  • I felt huge a sense of excitement. (p.54)
  • There are railroads totally some ten thousand miles. (p.124)
  • They grew rich on commerce between the Zanzibar and the Atlantic… (p.229)
  • A strange period ensued when neither war nor peace reined… (p.243)

The title of the book is explained on page 144.


Credit

Blue Dahlia, Black Gold: A Journey Into Angola by Daniel Metcalfe was published by Hutchinson books in 2013. All references are to the 2014 Arrow Books paperback edition.

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