Extraction/Abstraction by Edward Burtynsky @ the Saatchi Gallery

This is an epic, awesome exhibition, maybe the best exhibition currently on in London, certainly the most visually stunning one I’ve been to this year. It is not just a ‘photography exhibition’ but a display of masterpieces by a photographer of genius.

Typically awesome aerial photograph of Thjorsá River #1, Iceland (2012) photo © Edward Burtynsky. Courtesy Flowers Gallery, London

Largest ever Burtynsky exhibition

It is the largest exhibition ever mounted of the work of world-renowned photographic artist, Edward Burtynsky. Born in Canada in 1955, Burtynsky has spent over 40 years documenting the generally ruinous impact of human industry around the planet, in series of projects focused on environment-changing human activities such as mining, oil production, agriculture and so on.

Nickel Tailings #34, Sudbury, Ontario, Canada (1996) photo © Edward Burtynsky. Courtesy Flowers Gallery, London

It’s a big exhibition in every sense. They’ve brought together 94 of Burtynsky’s large-format photographs and the thing to grasp is that his photos are not just big, they’re massive, huge, enormous. You can only fit so many of these monsters into one space so the show is spread across 6 big galleries over two floors.

Uralkali Potash Mine #1, Berezniki, Russia (2017) photo © Edward Burtynsky. Courtesy Flowers Gallery, London

In addition to the 80 or so enormous digital prints there are 13 high-resolution murals i.e. photos blown up to cover entire walls, which overawe you with their scale and then draw you in to study the incredibly fine digital detailing.

Example of a wall-size ‘mural’ photo at ‘Burtynsky: Extraction/Abstraction’ giving a sense of the size of the ‘mural’ photos. Photo © Justin Piperger (2024) Image courtesy of the Saatchi Gallery, London

Factual captions

Each photo comes with a fact-packed wall label which explains the human activity we’re looking at. Often curatorial wall labels are barely worth reading or contain tiresome lectures from the curators about the tired old subjects of race or gender. By complete contrast, the wall labels in this exhibition are head and shoulders above the usual ruck because every one tells a fascinating story and gives you the hard facts without moralising. The facts are enough.

So, for example, the piece below is an aerial photo taken just outside the Atlantic port city of Cadiz in south-west Spain. The city is surrounded by salt marshes which once brought prosperity to the region by making it a major producer of sea salt. Snaking through the salt marshes are streams of turquoise sea water. Around these are a complex series of ridges which divide the marshes into ‘fields’ where salt can be harvested, some of which date from 1,200 BC. At the start of the 20th century some 160 artisanal sea salt producers worked these salt pans, now it’s down to just a handful.

Salinas #2, Cádiz, Spain (2013) photo © Edward Burtynsky. Courtesy Flowers Gallery, London

Extraction and the environment

It is a highly environmentalist exhibition (where environmentalist is defined as ‘concerned with or advocating the protection of the environment.’) Almost all the pieces show the catastrophic impact of human activity on the natural world, each image accompanied by fascinating, often profoundly dismaying information. Because every exhibition needs organising principles, the pictures, and so the accompanying information captions, are divided into themes, being:

  • Agriculture
  • Extraction
  • Manufacturing and infrastructure
  • Waste

The facts described in the picture captions are often mind-boggling. For example, there’s a photo of a vast array of plastic greenhouses in Ziway, Ethiopia, which covers an enormous 450 hectares in total. Up to 4 million roses are cut and shipped each day from here, almost all destined for the European market, where unknowing consumers buy bunches of Ethiopian-grown roses for their impressionable partners, both heedless of the enormous environmental cost behind every one of them.

Or take the wall label introducing the gallery devoted to Agriculture. This tells us that there are over 8 billion people on the planet and we all need to eat, preferably several meals a day. Approximately 75% of the global population eats meat, which corresponds to roughly 23 billion animals kept as livestock. Adding up all the people, livestock and, of course, pets, global agriculture must feed over 31 billion hungry creatures every day.

Creating enough agricultural land to cater to this vast, relentless need is the cause of endless environmental catastrophe:

  • mass cutting down of ancient forests
  • devastation of biodiversity
  • depletion of one-off resources such as aquifers
  • leaching of toxic pesticides and fertilisers into the water supplies
  • constant emission of greenhouse gases at every step of production, processing and transport

Abstraction

So far, so environmentalist. But there’s another whole layer to the exhibition and to Burtynsky’s practice, which is indicated in the exhibition title (Extraction/Abstraction) and underpins much of his work. This is that, from the early days of his career he came to realise that large-scale photographs of landscapes, taken from high vantage points like mountains or from helicopters or drones, often look very like the abstract art produced by the various movements of abstract art in the twentieth century, from Paul Klee teaching at the Bauhaus in the 1920s to Jackson Pollock getting drunk in New Jersey in the 1950s.

Installation view of ‘Burtynsky: Extraction/Abstraction’ showing two works which look like mid-20th century abstract paintings but are in fact 21st century aerial photos of the Texas panhandle. Photo by the author

The curators have some characteristically clear and intelligent things to say about this:

Abstract art emerged in the early twentieth century as a radical break with the old ways of making pictures. Rather than depicting recognisable figures, objects or landscapes, abstract painting explores form, texture and colour for their own sakes.

Over the same period industrial agriculture, mass production, surface mining and the internal combustion engine also emerged, changing our way of life forever. Today technology is rapidly propelling us into the future in every sector…

While modern artists invented new expressive and emotional languages, modern engineers, technicians and industrialists were developing a new reality, divorced from the ancient ways of being, alien to the natural world and wholly unsustainable.

Among the appealing elements of Burtynsky’s thrilling photos is his invocation of and toying with the conventions of abstract art. Many of his photos can be appreciated for their abstract beauty first, before we delve further into the ruined landscapes and human toil which lies behind them.

And it’s true. Look at the photos I’ve included so far in this review and you can see how the vivid, colourful landscapes often approach or fully appear as abstract designs. To be honest, this turns out to be more true of the first floor of works, less true of the second floor which depicts more ‘realistic’ scenes, such as vast waste mountains in Nigeria, the world’s biggest dump of used tyres in America, dehumanisingly vast factories in China and Bangladesh, and so on.

So this abstract aspect is not to be found in all of his works, but the abstract qualities which are to the fore in the early rooms continue to haunt the later, more realistic works, appearing round their edges so to speak, hinting at the deeper, unexpressed patterns and subtle regularities which emerge from the chaos of human activity.

Oil Bunkering #9, Niger Delta, Nigeria (2016) Photo © Edward Burtynsky. Courtesy Flowers Gallery, London

‘In the Wake of Progress’

In between the two floors of big stunning photographs, on a mezzanine floor, is a large room which has been blacked out in order to host what the curators call an augmented reality (AR) experience but you and I might think of as an old-fashioned film, the gimmick being that it is divided into three separate screens alongside each other, sometimes depicting the same subject, sometimes showing different angles of the same thing, sometimes changing and moving on before the other two screens can catch up, a dynamic triptych. It is a musical and rhythmic way of presenting moving images.

Installation view of ‘In the Wake of Progress’ showing on three screens at ‘Burtynsky: Extraction/Abstraction’ showing the viewing room for ‘In the Wake of Progress’. Photo © Justin Piperger (2024) Image courtesy of the Saatchi Gallery, London

The film is titled ‘In the Wake of Progress’ and, as the name suggests, shows the vast wake of destruction and dehumanisation left by the unstoppable exploitation of the planet’s natural resources. Unusually for me, I sat and watched the entire half-hour thing through in its entirety. It is an absolutely stunning, commentary-free, wordless series of beautifully shot sequences depicting the same kinds of scenes we’ve seen in the photos, devastation, waste and pollution everywhere.

It starts with four or five minutes of a static shot in an unspoiled northern forest (as captured in the photo above), all moss-covered trees and hovering insects, calming the viewer and lulling us into a false sense of security (it was actually shot in a place called Avatar Grove on Vancouver island, British Columbia, Canada).

But then the destruction commences, with shots of forests much like this being logged and reduced to muddy bare hillsides; vast numbers of logs being floated downriver to huge lumber yards; and on to open cast mining; dynamiting rocks in quarries; oil spills rainbowing rivers; vast dumps of rusting oil cans, plastic phones, used tyres; terrifyingly huge inhuman factories; oil production; vast megacities criss-crossed by urban freeways choked with traffic – a bombardment of images of human destructiveness.

The promotional material makes much of the fact that the film and music were created with the help of ‘legendary’ Canadian music producer Bob Ezrin. I thought this phrasing was a tad counter-productive and made it sound like a self-congratulatory speech at the Oscars (‘And now ladies and gentleman,  the one and only, the legendary music producer, Boooob Ezrin!‘). The wall label also explains that the haunting wordless vocals which thread through the soundtrack are by ‘award-winning Cree Métis artist iskwē’, which is interesting enough, I suppose.

But the single most obvious thing about ‘In the Wake of Progress’ is how very similar it is, in visual themes and in even the repetitive, arpeggio-heavy soundtrack, to the great 1982 film Koyaanisqatsi, by ‘legendary’ director Godfrey Reggio, with music by ‘legendary’ minimalist composer Philip Glass. All it needed was the slow-motion sequence of Las Vegas casino workers and it would have become virtually the same film.

My point is nothing about plagiarism or anything like that, in fact I have two points. 1) What the similarity of both films suggest is that if you set off with the aim of depicting mankind’s destruction of the natural world, you’re going to end up shooting the same kinds of sequences (open cast mining, oil production, hyper-highways in mega-cities) i.e. there will be an inevitable sameyness about films like this because they are covering the same subject.

Secondly 2) the two films were produced and released exactly forty years apart (1982, 2022). Me and my like-minded liberal friends were obsessed with Koyaanisqatsi – I went to see it in the cinema at least five times when it came out. Being young, we thought immensely powerful cultural products like this would change the world and bring its rulers to their senses. Now, being old, I know that’s never going to happen. Films like this are nice to look at, trigger strong emotions, and change absolutely nothing.

Burtynsky the technological innovator

For photography buffs there’s a section of the show devoted to listing and explaining Burtynsky’s technical innovations. It turns out that he has not only adapted to the huge changes which have taken place in the technical side of photography over the past 40 years (the arrival of digital technology revolutionising everything) but has often been at the forefront of that innovation – working with the technical teams who accompany him on his projects to develop engineering and design solutions to the challenges of creating such huge photos, often taken from a great height.

This latter fact (height) explains the presence of not one but several drones in the display case, along with interesting explanations of how his engineers have changed and adapted them to fly stably and horizontally, while carrying ever-more powerful digital cameras.

Installation view of ‘Burtynsky: Extraction/Abstraction’ showing the display case of cameras and drones used by Burtynsky over the years. Photo © Justin Piperger (2024) Image courtesy of the Saatchi Gallery, London

In the photo above, on the wall on the right you can see a timeline of Burtynsky’s projects, starting with the earliest while he was still at Ryerson Polytechnic (1979 to 1981) and then listing each of his major projects and publications, year by year, with a paragraph or so detailing what technical innovations he brought to each of them.

Self overcoming

Years ago I read half a dozen books by the German philosopher Friedrich Nietzsche. I wouldn’t pretend to be any kind of expert but my understanding is that a fundamental principle of Nietzsche’s philosophy is the notion of ‘self overcoming’. It’s the idea that in order to become who you want to be, you first need to overcome who you are. In order to realise your full potential, you must consciously conquer the aspects of your character and mind which limit and hold you back.

So far, so much like a Californian self-help video. Where Nietzsche pushes on is in holding the view that most of us are held back from a full understanding of the world we live in by a whole network of conventional thinking, commonplace morality, sentimental attitudes, wishful thinking, moral cowardice and intellectual weakness. In a thousand ways we hide from the truth of who we are and what we are doing.

Nietzsche said we should face the truth about ourselves and embrace it no matter how negative and destructive it may appear. Only by embracing the totality of our real natures can we live in truth.

Well, OK, then. All the facts indicate that we are destroying the planet, wrecking every ecosystem we’ve ever encountered and exterminating our fellow life forms at an unprecedented rate – and, following Nietzsche, I think we should embrace the fact. We should fully admit to being world killers and planet destroyers. We should own it and admit to being the nature-hating, species-exterminating, habitat-trashing creatures that all the evidence suggests we are.

In my opinion most people, especially in the pampered West, live in complete denial about what monsters the human race are – as my recent reviews of modern African or Middle Eastern history show time and time again, or the situation in Ukraine or Gaza demonstrate beyond dispute – we are planet-destroying locusts but locusts with machine guns and nukes, committed to the devastation of the planet and the mass killing of our own species.

I would rather it isn’t so, but it is so and any attempt to deal with the situation must start by acknowledging this truth. This position explains why, for me, the only weak point in the exhibition was where Burtynsky, disappointingly, joined in with the chorus of trite truisms, the sentimental bromides, and the wilful optimism of the wishy-washy liberal who still has hope:

‘I have spent over 40 years bearing witness to how modern civilization has dramatically transformed our planet. At this time, the awareness of these issues presented by my large format images has never felt more urgent… I hope the exhibition experience will continue to provide inflection points for diverse conversations on these issues and move us all to a place of positive action.’

‘Diverse conversations’ – does he really think ‘diverse conversations’, at dinner parties, down the pub or on social media, even at high-level gatherings like the COP conferences, are going to make a blind bit of difference to anything, because they absolutely aren’t and it’s disappointing that an artist who’s made such original art out of the disaster, still holds such weakly conventional opinions about it.

‘Add your thoughts to the conversation’

In the spirit of sentimental optimism which I’ve just explained why I despise, the exhibition contains two big blackboards with cups of white chalk sticks, and encourages us to write uplifting messages on the boards and ‘add your thoughts to the conversation’. Examples included: ‘Turn your phone off now’, ‘It’s easy to be green,’ ‘Be nice to the environment’ and other such gift card slogans. True to my blunt Nietzschean approach, I wrote ‘Exterminate all the brutes’.

To anybody who doesn’t get the reference, these are the words scrawled at the end of the high-minded missionary pamphlet written by the deranged colonial ivory agent, Kurtz, in Joseph Conrad’s novella ‘Heart of Darkness’. I wrote it in a spirit of Swiftian satire, for in the novel Kurtz has been driven completely mad by the sub-human savagery he encountered in the heart of the Congo, which he has assimilated and then taken to a whole new level of nihilistic destructiveness. He started out with the highest aims of bringing ‘civilisation’ to the heart of Africa and ended up with a mad vision of killing every one of the local people.

Everything I’ve read about the Congo backs up Kurtz’s feelings about the human race. If in any doubt you should make a study the Rwanda genocide and its aftermath in the two Congo wars and the Great War of Africa, which, even after the loss of up to 5 million lives, in eastern Congo lingers on to this day. And what lay behind this series of disasters? Greed to rape Congo of its natural resources.

First it was white Europeans enslaving, mutilating and massacring Africans in order to extract Congo’s vast rubber production; but then it was Africans looting, impoverishing, massacring and murdering each other in order to loot Congo’s other, mineral, resources. The colours of the skin and the names of the rulers (Leopold, Lumumba, Mobutu, Kabila), the ideologies they used to justify themselves (Christianity, communism, pan-Africanism, capitalism), all changed with the passing decades, but one constant remained the same: the murderous, nature-killing intensity of human greed. Vast wars were fought, immense human suffering caused, and large areas of the country ravaged by man’s endless quest for the blood diamonds, copper, gold and the rare metals which the world needs to carry on its course of untrammeled consumption.

Which is why bromides like ‘Save Earth, Save Life!’, ‘Protect Our Planet, Preserve Our Future’ and ‘There is no planet B’ seem to me wholly inadequate to capture the brutal truth of the world we live in, the terrible violence man deals out to man every day (and worse to unprotected women and children), the appalling misery endured by the slaves who produce the components of our luxury goods, the daily murder of tens of millions of dumb animals so we can eat them, and the relentless degradation of every ecosystem on the planet.

Hence the saeva indignatio of my crayoned comment, scrawled across the blackboard in the same way that Kurtz, driven mad by seeing into the complete darkness of the human heart, ended his utopian pamphlet with the most nihilistic comment he could conceive of – ‘Exterminate all the brutes’ – a comment less on the natives of Congo than on the shallow, inadequate Christian ‘civilisation’ he was meant to be representing.

(The phrase saeva indignatio popped into my memory at this point and prompted me to look it up. It is Latin for ‘savage indignation’ and is a phrase used in the Latin epitaph of the great 18th century satirist Jonathan Swift, to denote his ‘intense feeling of contemptuous anger at human folly’.

So that’s what I wrote on the blackboard of this powerful, terrifying exhibition, and why – the last words of a deranged idealist, quoted to express my ‘intense feeling of contemptuous anger at human folly’.)

The merch irony

A last point about those exhibition blackboards: the way children, or those with a childlike understanding of the world, had covered them with infant-school slogans like ‘End consumerism’ and ‘Just stop buying stuff’ meant I couldn’t help laughing out loud when this breath-taking exhibition shunted me out, at the end, into the huge, clean and well-stocked Saatchi Gallery shop, a big room overflowing with classy merchandise and shiny products.

Here, as at all art exhibitions, you can find a range of posters and postcards and bags and books relating to the exhibition, which all lead up to a collectable box set of stylishly produced Burtynksy books and memorabilia. This will set back the well-heeled art fan a tidy £15,000.

As I reeled from the cognitive dissonance between everything I’d just been seeing and reading, between all those high-minded ‘green’ sentiments on the blackboards, and this riot of unashamed consumerism – a posh couple sauntered by and stopped at the pile of exhibition catalogues (a snip at £38). ‘Oh my God,’ gushed the young lady, flicking through the pictures of ruination made beautiful, ‘this would make such a fabulous coffee table book!’

And there, in a nutshell, you have it. Middle-class people queuing up to buy postcards, t-shirts, tote bags, fridge magnets, mobiles, videos and earnest books all advocating the end of the consumerism. Swift would be looking on, nodding and chuckling.

Thoughts

This is an awesome, amazing, must-see exhibition for at least four reasons:

1) Every single photo is a masterpiece. Each one of them is breath-takingly beautiful.

2) Each photo is accompanied by short but hugely informative wall captions which are all fascinating in their own right but also build up into an astonishingly encyclopedic overview of all types of human activity around the planet – hugely interesting and mercifully devoid of the moralistic hectoring you are subjected to at so many other exhibitions.

3) It is about the most important subject on earth, which is the way we humans are destroying it.

4) Unlike most art films, ‘In the Wake of Progress’, is a powerful, thrilling, devastating, hopeless, exhilarating watch.

I emerged reeling. I wanted to shake someone’s hand for organising such an overwhelming experience and bow down before Burtynsky’s awesome genius. ‘Extraction/Abstraction’ is quite brilliant.

Our hero at work on location in Belridge, California, site of hundreds of small oil wells (2003) Photo by Noah Weinzweig, courtesy of the Studio of Edward Burtynsky


Related links

Environment-related reviews

Exhibitions

Books

Africa’s World War: Congo, the Rwandan Genocide and the Making of a Continental Catastrophe by Gérard Prunier (2009)

The most murderous conflict since World War Two.
(Africa’s World War, page 352)

‘The incompetence of most [Congolese] politicians is only rivalled by their determination to keep their privileges.’
(French ambassador Raymond Césaire, describing the chaos of Congo-Brazzaville in 1995, page 169)

This is said to be the definitive book on the subject and it feels like it, a large-format, massive, heavy Oxford University Press edition, printed on beautiful high quality paper. It’s surrounded by impressive scholarly apparatus consisting of:

  • a glossary of African terms (49 entries)
  • 4 maps
  • an impressively long list of acronyms (11 pages, 161 entries)
  • extensive notes (99 pages)
  • a huge bibliography (45 pages including not only books and articles, but reports from numerous official bodies and charities, plus films and works of fiction)
  • a long index

The great war

I’ve summarised the war, with maps, in my review of the relevant section of David Van Reybrouck’s great book, Congo: the epic history of a people. This is the briefest I can get it:

  • Rwandan Tutsis driven by low-level pogroms had fled during the 1980s into neighbouring Uganda
  • some of these served in the insurgent army of Yoweri Museveni during the Ugandan Bush War and helped him overthrow the dictatorial rule of Milton Obote in 1985
  • emboldened by their experience, some of these Tutsi exiles set up the Rwandan Patriotic Front (RPF)
  • in 1990 the RPF began small-scale incursions into northern Rwanda, fighting the army of the Hutu-majority government of Juvénal Habyarimana
  • after 4 years of civil war the parties were brought to a peace accord which Habyarimana signed and was about to implement when a plane carrying him was shot down in mysterious circumstances; most people think it was shot down by elements in the Hutu army and government which a) rejected the peace deal with the RPF b) wanted to implement the genocidal policy of the so-called Hutu Power group, which said that Rwanda would never be at peace until the Tutsis (about 15% of the population) were exterminated
  • they organised the Rwanda genocide, 7 April to 15 July 1994
  • as soon as the genocide started, the RPF recommenced military action, and successfully defeated the Hutu government forces, driving them into the south and west of the country and then over the border into Zaire
  • but it wasn’t just the Hutu leaders who fled; as cover and part of their ideological program, they forced up to 2 million Hutu civilians to flee, too, terrifying them with rumours of Tutsi massacres
  • having completely failed to prevent the genocide or halt it as it was carried out, the international community now over-compensated by flooding the refugee camps with aid
  • however aid agencies, UN officials etc quickly realised these vast camps were completely in the control of the extremist Hutu leaders and génocidaires
  • the génocidaires used some of the western aid to rearm and regroup and, as soon as possible, began raids back across the border into Rwanda, killing Tutsis and Hutu they accused of being collaborators
  • they also attacked, and caused others to attack, the Banyamulenge, ethnic Tutsis living in eastern Congo, particularly the province of South Kivu
  • the new Rwandan government of national unity which had been set up after the RPF victory protested loud and long about this anti-Tutsi violence and asked ‘the international community’ to stop it and properly police the camps but to no avail
  • eventually, the RPF, along with forces from neighbouring Uganda, invaded Zaire and seized the camps; they a) forced the hundreds of thousands of Hutu refugees to return to Rwanda and b) pursued the génocidaires who, reasonably enough, fled deeper into Zaire, often taking large groups of refugees with them as cover
  • before the RPF embarked on their campaign they and their Ugandan allies realised ‘the international community’ would react badly to a straightforward invasion and so came up with the plan of covering their actions by using a native, Congolese rebel group and their leader, as a front man for the invasion, to make ‘a foreign invasion look like a national rebellion’ (p.115)
  • the figure they chose was Laurent-Désiré Kabila, not very effective leader of the People’s Revolutionary Party (PRP), who in reality spent most of his time smuggling gold and running a brothel
  • so the Alliance of Democratic Forces for the Liberation of Congo (AFDL) was invented, with Kabila as its supposed leader; Prunier remarks that Kabila’s subservience to ‘the tall ones’ (as everyone called the Tutsis) earned him the Swahili nickname Ndiyo bwana, meaning ‘yes sir’ (p.124) (cf David van Reybrouck’s account, ‘Congo: The Epic History of a People’, p.418)
  • as the RPF-led alliance forces experienced success which surprised even them, the idea developed to permanently cut off Zaire’s support for Hutu extremists by the simple expedient of overthrowing its long-standing President, Mobutu Sese Seko, who had been friends with Habyarimana and had supported the Hutu génocidaires running the camp
  • and so the border incursion developed into a full-scale march on the capital of Zaire, Kinshasa, which Mobutu and his cronies fled in panic (16 May 1997) and where Kabila, much to his own surprise, was installed as third president of independent Congo (which now changed its name back from Zaire to Democratic Republic of Congo)
  • Prunier says this incursion could be seen as the first postcolonial imperial conquest of one African country (Zaire) by another (Rwanda), ‘the first case of clear-cut African imperialism’ (p.333)
  • the period from the invasion to the new regime became known as the First Congo War (October 1996 to May 1997)
  • trouble was Kabila found himself in a tricky position: he had to please his Rwanda-Uganda masters who had put him in power, but he now had all the political factions and the general population of Congo to please as well
  • to please these new constituencies, in July 1998, Kabila ordered all Rwandan and Ugandan forces to leave Congo, they were widely perceived as an invading and occupying force (p.178)
  • but Kabila’s masters back in Kigali (capital of Rwanda) and Kampala (capital of Uganda) were understandably miffed at their puppet’s ingratitude and so they launched a second invasion, this time to overthrow Kabila
  • Prunier explains that it was support from Angola and Zimbabwe which saved Kabila’s ramshackle regime, along with some support from Sudan, Libya and Chad;
  • it was this second incursion which came to be known as the Second Congo War, which commenced in August 1998 but which then unravelled into a wider conflict, eventually drawing in forces from half a dozen other African countries, and degenerating into the armed chaos which came to be known as the Great War of Africa, which dragged on until (supposedly) ended by peace treaties in July 2003, a five-year war in which some 350,000 people died in fighting and as many as 5 million died from massacres, disease and famine
  • and it is this, the Great War of Africa, whose complex origins and tangled course that this book sets out to explain

Prunier’s critical attitude

I associate serious history with a serious, professional tone so I was surprised from the start by Prunier’s tone of blistering cynicism and withering criticism, above all of the ‘so-called’ international community, in particular of the West and the ‘so-called’ international community, which he sees as behaving with stunning ineptitude at every stage of the crisis:

  • ‘Western incompetence and vacillation’ (p.23)
  • western ‘guilt, ineptitude’
  • ‘the Western world reacted with stunned incompetence’
  • ‘the West…was caught napping at every turn’ (p.24)
  • ‘nobody in the international community had done anything to stop the genocide (p.33)
  • ‘the utter spinelessness of the international community before, during and after the genocide’ (p.35)
  • ‘the cowardice of the international community’ (p.35)
  • ‘stunned impotence of the international community in the face of violence’ (p.38)
  • ‘of course the international community remained totally passive’ (p.57)
  • ‘the international community did not understand the nature of the problem’ (p.225)
  • ‘the United Nations, that supposed repository of the world’s conscience…frantically doing nothing and avoiding any responsibility in the third and last genocide of the twentieth century…’ (p.331)

Humanitarian aid instead of political solutions

Prunier blames the spiral down to war on the international community’s failure to address the political causes of the Rwanda civil war, then the genocide in Rwanda, then the refugee crisis in Zaire, then the armed invasion of Congo. In all instances the West preferred to offer humanitarian solutions i.e. to send in the aid agencies and NGOs, but consistently ignored the political roots of the crisis. Sending loads of tents and emergency food is easier than trying to address the political problems. And so the fundamental political issues were left unresolved, festered and spread.

The international community rushed into humanitarian aid with guilty relief, never-too-late-to-do-good, thus greatly helping the perpetrators of the very crimes it had done nothing to stop. (p.30)

And:

‘The West treated what was essentially a political problem as a humanitarian crisis.’ (p.58)

cf p.347.

Critical of the RPF

Prunier is far more critical of Paul Kagame’s RPF than other accounts I’ve read, accusing the regime of developing into a dictatorship, and of its military wing, the Rwandan Patriotic Army (RPA) of carrying out numerous massacres of Hutus in Congo.

Prunier explains this by going back to the RPF’s origins in Uganda in the 1980s to describe the atmosphere of violence in which it was born and flourished a) fleeing anti-Tutsi pogroms in Rwanda and then b) getting caught up in Uganda’s Bush War. When the Rwandan exiles helped Museveni win this war and come to power, it clinched their experience that disciplined violence works.

Prunier goes on to describe the RPA’s violent ethos more unforgivingly than other accounts. In particular he is at pains to emphasise, right from the start, that as it fought its way across Rwanda during the genocide, the RPA a) carried out its own massacres of Hutus and b) didn’t plan its campaign in order to stop the violence i.e. target the worst areas, but was more focused on eliminated the Rwandan army and securing complete control of the country.

He discusses the report drawn up by Robert Gersony for the UN which conclusively proved the RPA was carrying out massacres of its own and claims this report was suppressed by the UN and western nations (pages 31 and 350) because of its accusations against a force the West was championing as a solution to the genocide. The report was suppressed and Gersony was instructed to never discuss the findings, and has kept silent to this day. We are in the world of conspiracy theory. Mind you, it fits Prunier’s withering view of the United Nations generally:

  • As to the UN human rights operation, it was a sad joke. (p.18)
  • [The United Nations Assistance Mission for Rwanda was] despised by everybody in Rwanda as the embodiment of arrogant powerlessness. (p.33)

A key event was the Kibeho massacre, April 1995, in which up to 4,000 refugees were killed by RPA soldiers. Prunier describes it in detail and how it led to the collapse of the government of national unity which had been running Rwanda since the RPF victory. He draws the same jaded conclusion which he applies to the genocide and then the invasion of Congo as a whole:

Non-treatment of the consequences of genocide, well-meaning but politically blind humanitarianism, RPF resolve to ‘solve the problem’ by force, stunned impotence of the international community in the face of violence, and, finally, a hypocritical denial that anything much had happened.

It was one of what Prunier calls ‘massive human rights violations’ by the RPA (p.126). Much worse were the mass killings in and around the refugee camps in November 1996. Prunier cites the report of Father Laurent Balas (p.124) and of Roberto Garreton, the UN Special Rapporteur on the situation of human rights whose work was blocked by Kigali (p.157). At the end of the chapter dealing with the Alliance’s swift advances through Congo, and accusations of widespread massacre, Prunier calculates that as many as 300,000 of the refugees disappeared, died of starvation, disease, lost in the jungle or were murdered by RPA forces (p.148).

(Cf David van Reybrouck’s account of the RPF carrying out ‘ethnic cleansing’ and ‘massive carnage’, ‘Congo: The Epic History of a People’, pages 423 to 425, where he estimates that between two to three hundred thousand Hutus were murdered.)

Very broadly speaking, the idea is that ‘the West’, specifically America but others too, tried to downplay the massacres out of a) guilt at letting the genocide take place and b) the wish to believe that a clean, democratic new regime existed in Kigali. The massacres were embarrassing. It left the UN and others on a hook, not knowing how to react: so they consistently downplayed them (p.159).

Prunier makes this point, that Western guilt over having stood by and done nothing to stop the genocide, explains why the West gave large amounts of aid to Rwanda even as it was fighting an extensive war, and obstinately overlooked all evidence that RPF forces were carrying out large-scale massacres of their own (e.g. pages 246, 273). Rwanda was able, for years, to ‘surf’ on western guilt (pages 266, 350, 351).

And Prunier details the internal developments in Rwanda, namely the persecution of critics and the inevitable rise to power of Paul Kagame at the head of ‘a dictatorial minority government’ (p.273), his:

ruthless determination, his capacity to fine-tune white guilt as a conductor directs an orchestra’ (p.332)

and his creation of ‘an airtight authoritarian state’ (p.294).

[The enthusiastic support of the West, and especially Western journalists, for an underdog rebel militia with a noble cause fighting a brutal stronger power reminds me of the decade I spent watching BBC and ITV journalists in Afghanistan with the mujahideen singing the praises of these plucky Davids fighting the Soviet Goliath. Only after the Soviets left and the country plunged into civil war from which arose the Taliban were those western journalists forced to change their tune. Moral of the story: don’t take sides in foreign wars; neither side is ever as squeaky clean as we childishly wish them to be. All sides in a war are compromised.]

Encyclopedic complexity

As early as page 40 the text has got so complicated that it becomes difficult to follow. Everything Prunier describes he does so in immense, encyclopedic detail. The events in Rwanda I have a rough handle on, having read half a dozen accounts. I found it more challenging to read his long, detailed explanation of the civil war in neighbouring Burundi, his examination of the political and ethnic roots going back to the colonial period, starting with the fact that there were four different Hutu guerrilla groups, moving through dense complexity to the killing of Burundi president (Hutu) Cyprien Ntaryamira by Tutsis soldiers in an attempted coup in April 1994.

A contemporary journalist summed up the resulting situation in a quote I include not so much to clarify but as an example of the sheer number of entities the reader has to get clear in their heads, along with their changing motivations and policies.

The present situation in Burundi is largely a result of Zairean support for PALI-PEHUTU and CNDD. The final attack on Burundi would be a catastrophe for Rwanda because the plan is to allow Nyangoma to take power in Bujumbura and to bring the Interahamwe back in Rwanda. (quoted page 68)

Even more so his hyper-detailed explanation of the complex ethnic situations in the eastern Congo provinces of North and South Kivu, which also have long, very complicated ethnic histories. You’d have thought it would be difficult for anyone else to ever go into as much detail or display such scary erudition as Prunier. The situation in the Kivus is important because they form Congo’s border with Rwanda and therefore played a key role in the escalating crisis which eventually led to the Rwandan invasion, but the histories of ethnic rivalries, conflict, massacres, numerous parties and militias – for example the key role played by the Banyamulenge – are mind boggling.

And then he has a chapter titled ‘The Congo basin, its interlopers and its onlookers’ (pages 73 to 112). This is where Prunier slowly and painstakingly goes round all the countries which border Congo and explains why many of them were already infiltrating armed forces across its borders or through its territory in order to achieve a kaleidoscope of military and political goals. Featured countries include Congo and Rwanda (obvz), Uganda, Sudan, Tanzania and Angola, each of which themselves hosted complex civil wars, generally going back decades, as far as independence.

A feature of all these conflicts is the extraordinary number of military groups they give rise to, all of which have grand titles and imposing acronyms, hence the 161 acronyms listed at the start of the book. I found myself referring back to it on every page. Just the 5-page backgrounder on Congo includes:

  • Mobutu’s Mouvement Populaire de la Révolution (MPR)
  • Étienne Tshisekedi’s Union for Democracy and Social Progress (UDPS)
  • the Conférence nationale souveraine (CNS) set up in 1990
  • replaced by the Haut Conseil de la République-Parlement de Transition (HCR-PT)
  • the FAZ or Forces Armées Zaïroises

By about page 75 the book was feeling less a history than a degree course in the history, politics, ethnography and sociology of half a continent. I think you’d have to read it at least twice, probably three or four times, stopping to consult histories of all the other countries mentioned, to stand a chance of getting your degree.

I particularly enjoyed the background sections on countries we don’t hear so much about in post-imperial Britain, such as Angola and, even more so, the Francophonie countries which you rarely read about, Central African Republic, Chad and Congo-Brazzaville.

Initially, I was surprised at the jaded bitterness of Prunier’s tone but after a while I began to realise that only the blackest of black humour can do justice to a continent whose rules have spent 60 years doing their damnedest to utterly destroy.

Angola is a much richer country than either the Sudan or Uganda, which allowed its process of national destruction to be carried out with an impressive array of military means quite unknown in other parts of the continent, apart from Ethiopia. (p.88)

The guts of the war are described in a chapter graphically titled ‘Sinking into the quagmire’. It’s challenging keeping track of all the state-backed militias and armed forces, but when these start splintering and fighting amongst themselves, it becomes almost too complex to understand. On page 201 Prunier humorously asks whether his exasperated reader is ready to give up, and he’s got a point:

Does the reader at this point want to throw in the towel and give up on the ethnopolitical complexities of the region? I would not blame him, although I can assure him that I am honestly trying to simplify the picture. (p.201)

The importance of Angola

The single biggest cause of the Great War of Africa is that Eduardo dos Santos’s MPLA government in Angola went to the defence of Laurent-Désiré Kabila’s regime in Kinshasa.

I’ve explained how Kabila was installed as a puppet ruler by the alliance of Rwanda and Uganda to replace Mobutu, who both countries wanted removed from power, but how, after a year, he then turned on his own backers and ordered all Rwandan and Ugandan forces out of the country. And how this triggered those two countries to make a second invasion and remove Kabila.

For a start, Prunier adds much more detail to the story by explaining that Kabila was a terrible leader, stuck in a Marxist timewarp from the 1960s, but also just shambolic, chaotic and unpredictable, managing to insult or irritate all the neighbouring regimes and running his own one in a deeply unpredictable way, arresting his own ministers on a whim etc. So when Rwanda-Uganda began their second incursion to remove him many were keen.

Kabila had sacked his (Rwandan) chief of the army staff, James Kabarebe, who returned to the east of the country and, in Goma, hijacked three commercial freight planes, filled them with RPA troops, and flew them to the government base of Kitona on the Atlantic coast where they quickly turned Kabila troops to their side. Towns around Kitona fell, as did the diamond centre of Kisangani. The rebels seized the Inga hydroelectric station that provided power to Kinshasa as well as the port of Matadi through which most of Kinshasa’s food passed. In other words, Kabila’s regime looked doomed.

Then Angola intervened to save it. Why? The answer has to do with conditions inside Angola. The Movimento Popular de Libertação de Angola (MPLA) government based the capital Luanda had been fighting a civil war against Jonas Savimbi’s UNITA (União Nacional para a Independência Total de Angola) since independence in 1975. In 1994 the Lusaka protocol tried to broker a ceasefire and in 1995 UN peacekeepers arrived. But Prunier explains in detail why, by 1998, the truce had broken down and fighting began again.

The point is that the MPLA had, originally, in the 1970s, been a Marxist movement and Savimbi had presented himself as a business-friendly ally of the West, meaning America. In the simple binary of the Cold War, the MPLA were supported by the Soviet Union and the Cubans, UNITA by America and South Africa. And because Mobutu, ruler of Zaire/Congo, was also a creature of the CIA, supported by America, Mobutu had, for 15 years or more, offered UNITA bases and sanctuary in south Congo/Zaire.

Therefore, as Rwandan forces and Congolese forces backed by Rwanda closed in on Kabila’s regime, the MPLA, after some delay, finally gambled that supporting Kabila and having the gratitude of his weak regime, would guarantee that he would not support the MPLA’s enemy, UNITA. Angola threw itself behind Kabila as part of its ongoing civil war. And the key fact? Angola had one of the largest economies in Africa, based on its huge oil wealth. It had lots of planes, helicopters and a well-trained battle-hardened army, which it now sent to start supporting Kabila. The MPLA’s support for Kabila ensured he would stay in power and that the war would continue for three long, bloody, increasingly chaotic years.

Five layers of conflict

Prunier suggests the war had five layers (pages 201 to 203):

Layer 1: Core conflict: the RPF regime in Rwanda trying, with partner Uganda, to overthrow the puppet ruler, Kabila, who they’d installed.

Layer 2: Powerful players: Angola, Zimbabwe, with Namibia along for the ride, who had no interest in the Hutu-Tutsi conflict but wanted Kabila to remain in power (for Angola, to prevent UNITA taking refuge in Congo; for Zimbabwe, to continue mineral contracts made with Kabila; Namibia just went along with its big powerful neighbour, Angola).

Layer 3: Secondary actors: Libya, Chad, the Sudan, no interest in Congo but it was a zone to sort out relations between themselves and core players, mostly Uganda, which was more or less at war with Sudan.

Layer 4: bordering countries: Burundi which sent a small number of soldiers into the conflict; Central African Republic which tried to stay out.

Layer 5: South Africa: had no military or political interest and never sent troops to the war, but had a strong economic motive in infiltrating the economy of collapsing Zimbabwe and consolidating its hold on Congo’s huge mineral reserves so, on the whole, supported the rebels as being more desperate to turn the assets (mines etc) into cash i.e. let South Africa get bargains. This changed when Joseph Kabila came to power and, unlike his father, let it be known that he was open to business. South African banks and mining corporations suddenly packed his diary (p.262).

From all this you can see why Prunier calls it:

a war fought among foreigners on Congolese territory for reasons of their own. (p.274)

The shift to economic motivation

Why did so many of the countries neighbouring Congo get involved in the conflict? Prunier explains the motivation in the chapter titled ‘The Congo basin, its interlopers and its onlookers’ (pages 73 to 112). This has the added benefit of giving fascinating brief profiles of the countries involved, from Congo itself, through Angola, Zimbabwe, Namibia, Congo-Brazzaville and so on.

Then there are the two increasingly mind-boggling chapters describing the chaotic conflict itself, ‘A continental war’ (181 to 226) and ‘Sinking into the quagmire’ (227 to 255).

He makes a vital point: the war might have started out from geopolitical considerations but as it went on it became increasingly economic i.e. about seizing Congo’s mineral resources:

What mattered more and more as the war went on were the economic interests. (p.234)

And this had a big military-strategic consequence. The first war had been fought to overthrow Mobutu and gain control of the country, so the key battlezone, the target, had been the capital, Kinshasa. But in the Great War the motivation increasingly became to seize Congo’s assets and so the target areas were provinces like Kasai and Katanga, in which the warring parties disintegrated into ever-smaller entities, sometimes fighting over just one mine. These had nominal ties with other groups in other areas, or with various outside parties, then again often went independent. Hence the unravelling complexity of the conflict which eventually nobody understood or could contain.

A useful recap

In the chapter describing the beginning of the end, ‘Not with a bang but with a whimper’, he gives a useful recap of why they got involved in 1998 and what had changed by 2001 to make many want to withdraw. In other words, why did the war ramify out so disastrously in 1998, and what allowed it to be dragged to an end in 2001/2? Here’s a list of key intervening countries, giving their initial motivation and what changed:

Kabila supporters

Angola supported Kabila to ensure Congo wouldn’t give safe havens for UNITA. In 1998 Savimbi was still a threat. But by 2001 he was a spent force, militarily and financially, struggling to survive. The MPLA had achieved its aims.

Zimbabwe had allied with Kabila in order to protect the investments and commercial deals it had made with him on his rise to power, and also to block South Africa’s slow rise to economic dominance of the whole of southern Africa. By 2001 Zimbabwe’s economic plight had significantly worsened while South Africa’s commercial ascent continued unhindered, and Mugabe was coming under increasing internal pressure. While peasants starved Mugabe was blowing tens of millions of dollars on an unpopular war. Time to pull out.

Namibia had supported Kabila at the bidding of South Africa and Zimbabwe, but the latter was pulling out and the former never committed men or resources.

Anti-Kabila

Burundi a minor player, had always been most concerned with securing its Congo border and never taken part in the wider invasions.

Uganda was under strong donor pressure to reduce its military budget if it wanted to continue receiving Western aid. Senior members of the army and the regime had done very well out of the war, not least from illegal smuggling of diamonds, gold etc. But Uganda never had the urgent internal political pressure to sort out the Hutu / génocidaire issue that Rwanda did.

In addition, one aspect of the general chaos was the slow falling-out of Uganda and Rwanda. Museveni came to really dislike Kagami’s ‘arrogance’ (p.241). Their forces ended up coming to blows, specifically in several different episodes of street fighting in Congo’s main north-eastern city, Kisangani (p.242). This queered the relationship between Uganda and Rwanda.

Rwanda By 2001 the international situation had changed. The Clinton administration, crippled with guilt, had passively supported Rwanda and been accused of fine rhetoric about a New Africa but no practical follow-through (p.338). However, George W. Bush’s new US administration commenced on 1 January 2001 and took a much tougher line on Rwanda, condemning its ‘grave human rights violations’ (p.266).

By the start of 2002 all the main parties had reached the same conclusion: withdrawal was a certainty, it was just a matter of agreeing schedules (p.267).

Laurent Kabila’s assassination

Arguably, the single most important event – certainly the easiest to grasp because one very specific event – was the assassination of the man at the centre of the conflict, Laurent Kabila, on 16 January 2001. He was shot at point blank range in his office by one of his bodyguards.

Now, since he was the man at the centre of a huge and ruinous war, conspiracy theories have abounded. It’s a kind of African version of Who Killed JFK? The (fairly) straightforward answer is that, while running his guerrilla group out east Kabila recruited lots of boys, young boys, thousands of them, called kodogo (‘little ones’). Kabila trained them to become fighters, and they in turn looked up to him as their Father or Mzee, Swahili for ‘elder’. But once in power he betrayed them. In lots of ways, which Prunier details. He let some be massacred, some ended up on opposing sides and fighting each other. The bodyguard was one of these former boy soldiers.

Then again, Prunier thoroughly describes all the other conspiracy theories, which wander off into huge conspiracies, involving enemy countries, the CIA, the Rwandans, or the dark and shadowy forces which lots of people like to think are behind any disaster or assassination. The likeliest is that Kabila had done a deal with the MPLA’s enemy, UNITA, to smuggle diamonds through northern Angola.

135 people were arrested, tried and convicted, some given the death penalty although no-one, in the end, was executed (pages 249 to 255).

(cf van Reybrouck’s account, ‘Congo: The Epic History of a People’, pages 465 to 466.)

The key point is that, after a few days of confusion, the senior figures in the administration decided a compromise candidate who everyone could agree on temporarily was Kabila’s son, Joseph, a shy taciturn man who had, however, been moved by his father through the ranks until he was number two in the Congo army, and had helped with various diplomatic and administrative tasks.

In the event Joseph Kabila was to prove a very shrewd operator, the complete opposite of his chaotic unpredictable father. He outwitted all his superiors and peers, serving as president of Congo from January 2001 to January 2019.

From the point of view of the Great War, he was open to savvy negotiations and deals, and it was this new spirit of compromise and negotiation, combined with the war weariness of the key allies, namely Angola, which allowed the war to stumble to an end, sort of. Well, certainly for a peace treaty to be signed in 2002.

Peace, or conflict control

Prunier gives a fascinating summary of the year-long negotiations which eventually, reluctantly, ended with the signing of an inclusive peace treaty on 17 December 2002. Prunier humorously quotes a commentator who wrote that the deal offered the Congolese people the show of a government which was really made up of:

‘a coalition of people who looted their own country, predatory rebels and corrupt civil servants.’ (quoted page 277)

By the time of the treaty maybe 3.5 million people had died, 90% from the collateral effects of war. Agriculture had collapsed. 64% of the population was underfed. Maybe 33% were malnourished (p.278).

Massacre

Three days after Kabila’s murder Ngiti and Lenu warriors attacked Bunia, killing about one hundred Hema. The next day the Hema militia took revenge on Lendu civilians, killing about 25. (p.281)

Hardest to keep track of is the number of Africans killed by Africans. Every one of the 364 pages records Africans murdering other Africans, generally armed men killing defenceless civilians. A continent-wide abattoir. Thus in Prunier’s fascinating background to Angola‘s involvement in the war (pages 88 to 99), he describes the failed democratic elections of 1992 which led to panic on the streets of Luanda where MPLA soldiers killed about 1,500 UNITA soldiers and cadres (p.96). When UNITA took the strategic oil town of Soyo, the fall of the city was blamed on the Bakongo tribe and so about 1,000 unarmed Bakongo civilians were massacred in the streets of Luanda, Bloody Friday (p.97).

There’s killing on every page. The suffering of the population of Congo is beyond words. For the most part Prunier lets the facts of massacre after massacre convey the enormity of the horror to the reader.

In the period October 1992 and December 1993 the UN estimated civilian deaths at 450,000 to 500,000. In mid-1993, the UN counted about 1,000 war-related deaths per day. (Tufts University mass atrocities website)

Towards the end of the book he cites research by the US International Rescue Committee which suggested that between August 1998 and April 2000 there were some 1.7 million excess deaths in Congo (p.242). Of these only around 200,000 were directly due to fighting, the rest being due to:

  • frequent forced population displacement
  • overexposure to the elements
  • near collapse of the health system
  • disease
  • impossibility to carrying out agriculture, obviously leading to starvation
  • plain despair

(p.242, cf p.338).

Your life in their hands. 2015 photo of Democratic Forces for the Liberation of Rwanda (FDLR) fighters. The FDLR is the latest iteration of Rwandan Hutu army and Iterahamwe militia génocidaires who fled Rwanda in 1994, plus other Hutus who’ve signed up since. Gang rape and mass murder a speciality.

The colonial borders

Prunier calls his final chapter ‘Groping for meaning’. You can draw all kinds of conclusions. The one that impressed itself on me was the old chestnut about Africa’s colonial borders. More than any other book about Africa this one shows how the borders the colonial powers drew had little or nothing to do with tribes on the ground and how most Africans’ sense of identity, especially in rural areas i.e. most of the continent, remained based on tribe, clan, religion and family, complex multi-levelled identities, with ‘nationality’ an evanescent Western invention (p.360).

This really reinforces Prunier’s criticism that western models don’t work on ‘nations’ which are nothing like the western concept of a ‘nation’. If the traditional definition of a ‘state’ is an entity which has a monopoly of legitimate violence over a defined territory, then Congo isn’t a state at all, as there were and still are areas where numerous other groups carry out systematic violence (p.305). As you read this:

‘There are more than 120 different armed groups active in the eastern Democratic Republic of Congo’ (Kivu conflict Wikipedia article)

Just because an African leader wears a suit and tie and has a ‘cabinet’ made of ‘ministers’, Western leaders and bankers shake his hand and think he’s like them, has the same mindset, comes from the same background, is managing the same kinds of problems. But they’re really not. African leaders are trying to run ‘states’ which often barely exist or only exist in patches, across territories which aren’t states in the way we in the West are used to them, lacking infrastructure, modern economies, integrated populations, a high level of education and so on.

Hence the repeated point Prunier makes about the ‘reality gap’ between the fine words of the international community – the lovingly worked-out details of various peace accords, with their withdrawal of forces and integration of troops and civil society and so on – and the generally chaotic, anarchic, often incomprehensible situations on the ground (p.225).

One aspect of this is the point I made at length in my reviews of books about the West’s attempts to impose ‘democracy’ in Iraq and Afghanistan, which is that the attempts revealed the complete lack of understanding, in the West, of what democracy actually is, where it came from, and what sustains it, in the advanced, economically developed nations.

Democracy as a form of government presupposes a certain degree of social integration, the existence of a political class with some concept of the national interest, and a minimum of economic development (p.xxxii)

All of which are as absent in a country like Congo as they are in Iraq and Afghanistan, probably most of the Middle East and Africa. Lacking the social and economic prerequisites for full democracy, undeveloped countries tend to adopt democratic window dressing, which conceals simple power grabs by ethnic or religious or tribal groups. Thus Prunier commenting that, ahead of the first free elections in Congo in 2006, dozens of new political parties sprang up across the country, but that:

These were parties in name only, since they were mostly tribal or regional gatherings around the name of one or two well-known local politicians. (p.309)

With the recurring result that as and when governments are formed, they are more often than not little more than:

a coagulation of groups operating out of completely mercenary interests (p.315)

(Prunier explains the arbitrary nature of the borders right at the start, pages xxix to xxx, and then gives a concentrated summary along with the characteristics of weak states and strong tribal identities which will plague Africa for the foreseeable future, on pages 360 to 362.)

The Kivus

Throughout the narrative it becomes ever clearer that the hotspot, the trouble spot, the recurring source of conflict, is the two small territories known as the Kivus, North and South Kivu, both of which have complex ethnic, political and military conflicts. This troubled little area turned out to be the hardest to fully pacify after the 2002 peace agreement, then trouble flared up all over again in the mid-2000s which had to be fought to a standstill by UN and government forces.

At the time of writing the Kivu conflict constitutes the largest UN peacekeeping mission anywhere in the world, deploying some 21,000 soldiers.

Will the war happen again?

No. The conditions were unique, being:

  • the flight of the génocidaires and the refugees into eastern Congo provided a one-off motivation for the RPF government to invade, repatriate the refugees and wipe out the remaining génocidaires
  • – that whole crisis situation has disappeared
  • instead it turned into a mission to overturn the decrepit dictator Mobutu and then, in the sequel, to overthrow the unpopular puppet ruler Kabila – but Congo has had much more stable and effective leaders for 20 years
  • guilt over their role in the Rwanda genocide meant the West and the UN turned a blind eye to the RPF’s abuses and massacres – that wouldn’t happen again, indeed already with the arrival of the George W. Bush administration in 2001 the RPF had to start moderating its behaviour
  • but the key thing that turned it into a continental war was the decision by Angola to intervene and support Laurent Kabila in order to prevent their enemy, Jonas Savimbi’s UNITA, from using southern Congo as a base: but Savimbi died 20 years ago and the civil war ended with him, all parties are concerned with maintaining their grip on power and corrupt money, and any kind of war would only jeopardise that

So Congo will, like most African nations, continue to be a weak state for the foreseeable future; and violence may flare up in some its territory, especially the ever-troublesome Kivus. But a war on the same scale is extremely unlikely to be repeated. it was the result of one-off geopolitical forces which won’t recur.

Further issues

France’s shame

France sees all foreign affairs as a conspiracy of the Anglophone countries (mostly America and Britain) to undermine French glory and the superiority of French culture. Therefore, the French government stood by the genocidal Hutu regime in Rwanda even as the genocide was underway because they spoke French and the incoming Tutu forces, the Rwandan Patriotic Front, having been raised in former British colony Uganda, spoke English. Simple as that. The French supported the third great genocide of the twentieth century because its perpetrators spoke French (pages 341 to 343).

Viewing the war through European paradigms i.e. the Holocaust

The West could understand the genocide because they viewed it through the prism of European history and the Holocaust. This led to the tendency to blindly support the RPF, to regard the Tutsi regime as black Israelis, as a people who had suffered an appalling crime and so could be forgiven any behaviour in retaliation. The West tended not to understand the Congo conflict in its own right, for what it was, an imperialist attack by one African country (Rwanda) on another (Congo) which drew in a range of neighbouring countries who used the Congo as a battleground to fight their own conflicts (predominantly Angola).

Genocide narrative easy; Congo war narrative hard, complicated, sometimes impenetrable. Hence a) prolonged support for Rwanda and Kagame, whatever they did, b) long, long delay getting to grips with the political issues underlying the war.

Good guys

As remarked in my reviews about Iraq and Afghanistan, American foreign policy is plagued by a Hollywood simple-mindedness or regarding all foreign situations in terms of the good guys and the bad guys, consistently failing to understand complexities and shades of grey (p.340). Prunier sees this tendency to simplify situations and players into good guys/bad guys as distinctively American (p.357).


Credit

Africa’s World War: Congo, the Rwandan Genocide and the Making of a Continental Catastrophe by Gérard Prunier was published by Oxford University Press in 2009. All references are to the 2010 OUP paperback edition.

More Africa reviews

The Looting Machine by Tom Burgis (2015)

The looting machine: the alliance between shadow governments and the resource industry that tramples over the people who live where oil and minerals are found.
(The Looting Machine, page 158)

Burgis is a reporter for the Financial Times. In his acknowledgements, he thanks numerous other writers and editors from the FT and, indeed, The Looting Machine, despite its lurid title, has the feel of an extended Financial Times special report, one about corruption all across Africa. There are attempts at ‘colour’ i.e. descriptions of places (luxury hotels in Luanda, open cast mining in Congo) but for the most part it’s facts and figures, names and details of contracts and, volumes of oil or iron and, everywhere, amounts of money money money. Which makes sense as it’s a book-length investigation of how so many African ‘leaders’ have stolen money, scores of billions of dollars, belonging to their countries and peoples.

Many of the ideas – about the nature of Africa’s resource-based, rentier states – are familiar but what distinguishes Burgis’s book is the detailed research he has done to unearth and record the names of (some of the) companies and individuals who are responsible for looting Africa’s wealth. Other books talk about the leader of an African nation ‘and his circle’ or ‘the elite’ in general terms, whereas Burgis names names, identifying the right-hand men of dictators in Congo, Nigeria, Angola, and delves into the shady companies and crooked deals they do. By ‘crooked’ I mean deals whereby corrupt governments sell their mineral resources in such a way as to cream off huge amounts for themselves, at the expense of official government coffers, let alone the needs of their populations, while also conniving in the anti-transparency, profiteering practices of the multinational corporations they’re in bed with.

21st century Africa

What really comes over is that my thinking about Africa is out of date. It’s all very well rehashing the standard old complaints about imperialism and the scramble for Africa and the wicked colonial regimes and the arbitrary borders they imposed which split up tribes and forced completely dissimilar peoples together. Or telling off ‘the West’ and ‘western governments’ for not holding African governments to account or not supporting democracy enough or giving enough aid to help women and girls etc etc, in the style of Michela Wrong or Tim Butcher: the West must do this, that and the other, do more to blah blah…

What comes over is that all those old issues, true as they are, have been superseded by the new world, the 21st century. In the new Africa:

  1. A lot of this is a lost cause; the power structures of crony capitalism, patronage politics and kleptocracy have been in place for over 60 years. It’s going to take more than a UN resolution or ‘the West’ stamping its feet to change the culture of places like Nigeria or Angola at this late stage. They are what they are. So-called elections just replace one faction of the elite with a different faction. The kleptocracy is firmly in place.
  2. China and Russia. The complaints of writers like Butcher and Wrong and hundreds like them, that the West needs to be doing ‘more’, tend to ignore the reality on the ground that Russia, via the notorious Wagner group, have an ever-increasing military presence, especially in the Sahel region of Africa; and much the bigger reality that China is emerging as a decisive economic player all across the continent.

Concepts and categories

Over the past 60 years social scientists, political theorists and economists have gone over the reasons for Africa’s failure again and again. The same basic ideas recur and reappear under different headings or from different perspectives. They build up like a collage of overlapping ideas or terms. Here are some key ones which overlap and mesh together to form the conceptual foundations of Burgis’s critique:

Resource state

A state most of whose revenue comes from one or a handful of raw resources which it sells abroad, generally via multinational corporations. The completely undemocratic closed nature of these kinds of deals makes them a perfect site for kickbacks, bribes, finders’ fees, various ‘taxes’ and numerous other ways for the small elite controlling the state to cream off huge amounts into their personal bank accounts.

Resource economy

An economy heavily slanted towards the production of raw resources (oil, gas, copper, gold) which fails to diversity or invest in other sectors, for example agriculture or manufacturing. Burgis’s chapter about Nigeria is, a little surprisingly, less about the obvious corruption and wealth generated by Nigeria’s huge oil industry/resources, than a sad review of the collapse of its once-thriving textiles industry.

By half way through the book Burgis lets his anger and disgust shine through. He doesn’t refer to the president of Nigeria as the president of Nigeria but as ‘captain of Nigeria’s looting machine’ (p.201).

Shadow economy

A shadow economy includes all economic activities which are hidden from official state or international authorities for monetary, regulatory and institutional reasons. Monetary reasons include avoiding paying taxes. Institutional reasons include hiding from the general population, opposition politicians, the media, regulators, and donor governments, the extent to which you’re running a huge illegal economy.

Shadow state

A state in which the over, official forms of government are not where the real power lies. In a shadow state real power inheres in small personal networks among the elite. Shadow states are characterised by the corrupt distribution of state contracts among this elite, who may also have alliances with powerbrokers in the army or security services.

The personal state

State in which there is no distinction between the president or ruler, and state structures, especially when it comes to budget and bank accounts (p.27). Thus Mobutu of Zaire had revenue from all kinds of ‘state’ contracts, deals, taxes and so on, paid directly into his personal bank accounts and spent it as if it was his money, and so did his cronies. Money which should have been running the state, for example paying the police or maintaining the infrastructure, was instead spent building his palace in the jungle, buying swanky cars and top-end real estate in Paris and the South of France.

Kleptocracy

Where the ruler, his family and cronies, simply steal state money, usually on an epic scale.

In 2002 UN investigators appointed to study the illegal exploitation of Congo’s resources [identified] an ‘elite network’ of Congolese and Zimbabwean officials who were orchestrating the plunder of Congolese minerals under cover of war. ‘This network has transferred ownership of at least $5 billion of assets from the state mining sector to private companies under its control in the last three years with no compensation or benefit for the state or treasury of the Democratic Republic of Congo.’ (p.37)

Result: the disappearing roads, the vanished railway network, hospitals without medicines, abandoned schools and general collapse of Congo, as reported by Tim Butcher in Blood River. Burgis gives the details of a particular series of deals between the Congo state and private companies which, he claims, lost the state $1.36 billion in the 2 years between 2010 and 2012, more money than it received from humanitarian aid over the same period (p.52).

As Burgis gets more angry, he becomes more entertainingly abusive. These countries are not run by a ruling class but by a ‘looting class’ (p.203). Thus Nigerian analyst Clement Nwankwo describes the country’s largest political party, the People’s Democratic Party (PDP) as ‘not a political party. It’s a platform to seize power and then share the resultant booty’ (p.203).

Cryptocracy

A form of government where the real leaders are hidden, or simply unknown. Overlaps with the universe of conspiracy theories where people believe there are hidden global or national conspiracies. In our context all it means is that sometimes the real movers and shakers, powerbrokers and big money men, work behind the scenes, anonymously.

Petrostate

A petrostate or oil state is a country whose economy is heavily dependent on the extraction and export of oil or natural gas. Merely producing oil and gas does not make a country a petrostate; Norway, Canada, and America are major oil producers but also have diversified economies. Petrostates do not have diversified economies, they rely on oil & gas exports for a large part of state revenue, which results in political and economic power becoming concentrated in the hands of an elite, and the spread of unaccountable corruption.

Take Angola where the elite are referred to as the Futungo, a few hundred closely connected families, named after Futungo da Belas, the old presidential palace (p.10). Oil accounts for 98% of Angola’s exports and about 75% of government income, and yet it provides just 1% of employment (p.13).

Or Nigeria where oil was discovered in the Niger delta in 1956 and the enormous wealth it generates for a small elite has ruined the country for 60 years. Oil accounts for 80% of Nigerian government revenue (p.63).

As a political economy took hold that was based on embezzlement and manipulating public office for private gain, government contracts for the upkeep of public goods that support industrialisation – a functioning electricity system among them – were diverted to the cronies of the rulers of the day. The patter was the same [in Nigeria] as in Angola or Congo: the more the non-oil economy withered, the greater the impulse to embezzle, perpetuating the cycle of looting. (p.76)

A petrostate is run by petropolitics which simply equate high office with theft (p.77).

A country where the ruler entrenches power in himself and his clique, using authoritarian security forces against any form of protest, is called a petro-dictatorship. The extreme brutality of the Equatorial Guinea regime is a good example. At one point Burgis coins the phrase petro-nightmare to describe Nigeria’s descent into corruptions and coups.

(Venezuela is another example of a petrostate, along with Ecuador, Indonesia, Iran, Kazakhstan, Mexico, Oman, Qatar, Russia, Saudi Arabia and the United Arab Emirates – but I can only cope with one continent at a time.)

Rentier state

A term coined by political scientists Hazem Beblawi and Giacomo Luciani, denoting countries which have undue reliance on one or several sources of rents such as mineral resources, notably oil and gas.

Rentier states derive most of their income from the extraction, processing and shipping of these resources. Government in a rentier state relies overwhelmingly on income from these industries and not on other sources of income such as general taxation. Therefore rentier states aren’t beholden to their populations but are characterised by autocratic paternalism. The media is commonly highly censored meaning that government and corporate corruption and institutional inefficiencies are easily concealed. From an economist’s point of view, this secrecy encourages inefficiencies and lack of competition, which tend to undermine the welfare, creativity, freedoms, and human development of their peoples. Reliance on one or a handful of commodities for national income means rentier states are vulnerable if commodity prices fall, if global demands falls, or when their resources are depleted.

Dutch disease

In the 1970s Holland discovered oil offshore and began drilling, extracting and refining it with great profits. Everyone was puzzled, then, when the Dutch economy as a whole fell into recession. Analysis showed that when a country comes to rely heavily on one or a handful of raw resources, it has a distorting and damaging effect on the rest of the economy, especially manufacturing and agriculture. Strong oil & gas exports drive up the value of the currency, making imports cheaper and exports more expensive (pages 69 to 70).

Thus Nigeria’s textile industry has been devastated because, when the currency rose on the back of the oil boom, it became cheaper to import cheap Chinese knock-offs of Nigerian fabrics than to make them themselves. In the mid-1980s it had 175 textile mills, now it has 25.

It is safe to say that the destruction of the Nigerian textile industry has blighted millions of lives. (p.65).

Over-investment in these industries at the expense of other sectors, such as manufacturing and agriculture, can hurt economic growth and competitiveness. Unless you make a conscious effort to support and encourage other aspects of the economy, a raw resource boom will tend to damage it. According to a 2003 World Bank report:

Between 1960 and 2000 poor countries that were rich in natural resources grew two to three times more slowly than those that were not. Over that period , of forty-five countries that failed to sustain economic growth, all but six were heavily dependent on oil or mining. (p.157)

Another bad effect is that undiversified reliance on oil and gas industries can cause political and economic crises when the price of oil drops. The entire system comes to a halt.

Resource curse

Research from the 70s, 80s and 90s all confirm the theory that countries with an abundance of natural resources (such as fossil fuels and certain minerals) tend to have less economic growth, less democracy, and worse development outcomes, than countries with fewer natural resources.

Research shows that oil wealth lowers levels of democracy and strengthens autocratic rule because political leaders in oil-rich countries refuse democratic development because they will have more to give up from losing power. Similarly, political leaders of oil-rich countries refuse democratic development because the political elite collects the revenues from the oil export and use the money for cementing its political, economic, and social power by controlling government and its bureaucracy.

No taxation, no democracy

In Western democracies governments regularly have to consult electors because we’re the ones who fund them. In a resource state or petrostate, most of the government’s income comes from licensing deals and rake-offs from refiners. The regime doesn’t get its money from the people so doesn’t care what happens to them or what they think. The rallying cry of the American revolutionaries in 1776 was ‘No taxation without representation’, well the population of a resource state doesn’t pay much tax and it gets no representation. Not relying on the people for its revenue, the government doesn’t care what they think (p.73).

Elections are the last thing the elite wants because it will disrupt the deals and contracts done with Western extractors and multinationals. The Nigerian government gets just 4% of its income from general taxation but about 70% from oil and gas revenues (p.73).

In a resource economy politics degrades down to different factions of the elite fighting for the loot, behaviour which encourages everyone at all levels of society to think and behave the same. High office becomes universally accepted as the opportunity not to serve but to steal (p.74).

Patronage politics

Patronage politics is the use of state resources to reward individuals for their electoral support. It is a type of corruption or favouritism in which a party in power rewards groups, families or ethnicities for their electoral support using illegal gifts or fraudulently awarded appointments or government contracts. There is a further consequence: patronage politics attracts crooks.

Crony capitalism

an economic system in which individuals and businesses with political connections and influence are favoured (as through tax breaks, grants, and other forms of government assistance) in ways seen as suppressing open competition in a free market. an economic system in which family members and friends of government officials and business leaders are given unfair advantages in the form of jobs, loans, etc.

A good example is the Futungo cabal of linked cronies who run Angola under the presidency of José Eduardo dos Santos, president from 1979 to 2017, whose daughter, Isabel dos Santos (born 1973), was Africa’s first woman billionaire and at one time the richest woman in Africa (p.10). The triumph of feminism? Not really. It’s deeply funny that this epitome of crony capitalism and kleptocracy was one of the BBC’s 100 women of 2015, so desperate are organisations like the BBC to fall over themselves to promote women, and especially black women (score double) even if it turns out that they’re world class crooks.

Or take Equatorial Guinea, continuing to enjoy relentless exploitation at the hands of its ruling family, relatives and cronies, led by President Teodoro Obiang Nguema, the longest serving leader in the world, in power ever since 1979 when he overthrew his evil uncle, Francisco Macías Nguema. In Equatorial Guinea, oil accounts for 75% of GDP, 98% of exports and 90% of government revenue. It is a classic petrostate. Burgis enjoys telling us that the dictator’s son, Teodorin Obiang, officially receives only a modest salary for the various ministerial posts he’s held, so it must be from some other source that he has been able to buy a $30 million mansion in Malibu, properties in Cape Town and the Avenue Foch in Paris (the avenue of kleptocrats), a fleet of Ferraris and Rolls Royces, a Gulf jetstream, paintings by Renoir and Matisse, and one of Michael Jackson’s jewel-encrusted gloves – while the majority of the population live in poverty or extreme poverty, with a life expectancy of 51 (p.212).

Terrible leadership

Chinua Achebe  fingered the terrible quality of African leadership as the continent’s key problem, as long ago as 1983, 40 years ago:

The trouble with Nigeria is simply and squarely a failure of leadership. There is nothing basically wrong with the Nigerian character. There is nothing wrong with the Nigerian land or water or air or anything else. The Nigerian problem is the unwillingness or inability of its leaders to rise to the responsibility, to the challenge of personal example which are the hallmarks of true leadership.’ (p.207)

Contractocracy

Government of contractors, by contractors, for contractors.

Law of the roadblock

Burgis appears to have invented this after being stopped and shaken down at countless roadblocks in numerous African countries. When the economy fails, and in particular when the police don’t get paid, they (or armed citizens) set up roadblocks and fleece drivers. Roadblocks demanding baksheesh are a telltale sign of a political system which has abandoned the wellbeing of the broader population (p.59).

China

The last 20 years have witnessed China’s ever-increasing involvement in Africa because African countries have a high concentration of vital raw resources, and China’s economy has grown at an extraordinary rate. Between the early 1990s and 2010 China’s share of world consumption of refined metals went from 5% to 45% and its oil consumption increased fivefold. In 2012 China’s economy was eight times bigger than it had been in 2002 (p.81).

In 2002 China’s trade with Africa was worth $13 billion a year; in 2012 it was worth $180 billion. Two-thirds of China’s imports from Africa were oil, the rest was other raw materials. As Burgis puts it: ‘The fates of the world’s most populous nation and the planet’s poorest continent have become wedded’ (p.86).

China spends two-thirds of its global outlay on foreign corporate acquisitions in the resources sector. Between 2009 and 2012 Chinese state-owned groups spent $23 billion buying Western companies with African resource assets that stretched from Sierra Leone to South Africa (p.143).

Many of China’s earliest deals were done with the petrostate Angola, where it developed the so-called ‘Angola model’. This is where China makes the country a big loan, generally billions of dollars, at low interest rates ostensibly for the country to develop its infrastructure (water, rods, dams, electricity, roads). These projects are then carried out by Chinese corporations employing Chinese engineers, managers and workers. And the country pays back the ‘loan’ in the form of raw materials, oil etc. Obviously, at every step of the process there is scope for the African country’s elite to cream off tens, sometimes hundreds of millions of dollars for themselves. If Western countries, the UN, NGOs etc cry foul, then China and Angola (still nominally run by a Marxist-Leninist party) can dismiss their criticisms with the ad hominem catchcries of imperialism, and colonialism, and racism, and white supremacy etc while the elites of both countries get rich and the people of Angola starve in the streets. (As of 2022, about half of the population of Angola lives in ‘extreme poverty’, while the families who make up the Futungo are among the richest in the world vide Isabel dos Santos.)

Those who defend China’s involvement in Africa say China has built more infrastructure (roads, dams, airports) than the colonial powers did during the entire colonial period. Critics criticise China for doing business with dictators and opaque regimes but, you could argue, ‘the West’ a) did that for years, in fact b) put many of those dictators in place, and c) has been trying to make Africa’s nations more democratic for decades with pitiful success.

So maybe the best policy is just to crack on and build the infrastructure no matter who you deal with. Maybe building the infrastructure which will encourage African nations to develop and industrialise will also, in time, lead to the kind of empowerment and political openness which the western way has so signally failed to create.

The looting machine

As you read through the book you come to realise that Burgis’s account is very much focused on the damage mineral resources, notably gold and uranium, but above everything else, oil, have done to Africa – specifically, how scores of billions of raw materials have been extracted from Africa in a process which has somehow, almost magically, left most of its people worse off than when they gained independence in the 1960s. It’s this that he means when he refers to a looting machine. The machine consists of a number of interlocking past, including:

1. Corrupt rulers

Fairly obvious, and covered in the sections above.

2. How the World Bank and IMF screw Africa

The World Bank and the International Monetary Fund (IMF) were set up at the end of the Second World War. The World Bank’s ostensible aim is to promote long-term economic development and poverty reduction – its official name was the International Bank for Reconstruction and Development – while the IMF was set up to ensure the stability of the global economic system.

In reality both institutions have a long and shameful history of forcing neo-liberal, ultra-capitalist solutions on developing countries, policies which have often plunged them into deeper crisis than they were already in, and actively impoverished their populations.

This is because they enforce what has long been called ‘The Washington Consensus’, the belief that, in order to thrive, all economies must follow the same strict, narrow economic and fiscal model, namely: cut taxes, cut government spending, privatise state-owned industries, scrap protectionism, open your markets to international investment and you’ll be rich. These are the strict and always unpopular terms which come attached to any World Bank loan.

Except all too often they don’t work. Put it another way: if they worked as well as the Bank and IMF claim, surely Africa would be rich by now, when it’s clearly not. In practice, Burgis claims that even if you followed Washington Consensus policies to the letter, all they do is balance the books and solve temporary budget crises: they don’t provide any guidance for the long-term development of whole economies. Compare and contrast the policies of the so-called Asian Tigers (the high-growth economies of Hong Kong, Singapore, South Korea, and Taiwan) which thrived in the 1950s and 60s. In complete contradiction to World Bank advice, these countries implemented protectionism to protect their fledgling industrial sectors, and had a high degree of state involvement, funding and planning in all aspects of their economies.

Instead, the two institutions tended to force African nations that needed their help to open their economies to the vulture forces of ‘the global market’ at exactly the time as 50 or so other struggling Third World countries were doing the same thing, all wrecking their welfare states, cutting spending to the bone and offering cut-price resource extraction deals to the world’s multinational corporations, circling like vultures.

Burgis devotes several pages to describing the Extractive Industries Review (EIR), an independent enquiry which the World Bank commissioned into its funding of the extractive industries (i.e. mining) in 2001:

The review was headed by [Indonesian economist Emil] Salim. Salim held consultations with a wide range of stakeholders in 2002 and 2003. The EIR recommendations were published in January 2004 in a final report entitled ‘Striking a Better Balance’. The report concluded that fossil fuel and mining projects do not alleviate poverty and recommended that World Bank involvement with these sectors be phased out by 2008 to be replaced by investment in renewable energy and clean energy. (Wikipedia)

In Burgis’s view, the World Bank carefully considered Salim’s recommendations, spent 9 months coming up with a lengthy reply, and then ignored them all.

It was not just the World Bank that found its influence in Africa’s resource states diminished. The IMF, its sister organisation charged with maintaining the stability of the world financial system, already had a bad reputation in Africa, with reformers and kleptocrats alike, for imposing the strictures of the Washington Consensus, under which African states had become test tubes for the unfettered free-market philosophy that would also beget the subprime crisis and subsequent near-collapse of the western banking system. Emil Salim’s review of the World Bank’s record in the oil and mining industries reported that, in the cases it had studied, ‘the IMF’s approach to the extractive sectors was mainly one that promoted aggressive privatisation of significant mining and hydrocarbon assets for short-term financing of the [government’s budget] deficit. This did nothing to ensure the creation of competition, efficiency gains, development of a domestic private sector, or environmentally and socially sound development strategies for the extractive sectors.’ (p.171)

3. How multinational corporations screw Africa

Arguably this is the core of the entire book, Burgis’s detailed investigations of the various ways multinational corporations screw African countries. I found the details sometimes hard to follow, and hard to see the difference between the legal world of business contacts and paying people finders’ fees or introductory fees (legal) and the illegal world of bribes and payoffs. But it’s much more than that:

a) Opaque deals which are never published, are inaccessible to researchers or citizens, deliberately designed to be inaccessible so as to allow bribery and kickbacks to the ruling elite.

b) The whole world of offshore accounting and tax havens whose sole reason for existing is to allow crooked governments, crooked organisations, crooked multinationals and crooked individuals to hide their financial dealings and loot from the scrutiny of tax officials and enforcement agencies.

c) Crooked governments finding themselves coerced by cartels of, for example, oil extraction companies into agreeing low rents, taxes and percentages i.e. the companies demand much lower rates of tax per barrel or tonne of precious metal, than are paid on other continents (South America or Asia). They can do this because so many African countries hover on the permanent brink of bankruptcy and so are desperate for deals and cash now, even if it means they get ripped off.

d) Cost distribution. This covers a range of tax dodges, and refers to the way transnational corporations are able to move their profits around to different countries so as to minimise their tax liabilities, or to offset profits in one country against losses or costs in another. Clever accounting means huge multinational corporations make it look like they made next to no profit and so pay little or no tax. Starbucks and Amazon have made this strategy common knowledge, but it’s one of the reasons African countries were handing over billions of dollars worth of resources to multinational corporations which made huge profits for their executives and shareholders, while the host nations remained poor and undeveloped.

The empires of colonial Europe and the Cold War superpowers have given way to a new form of domination over the continent that serves as the mine of the world – new empires controlled not by nations but by alliances of unaccountable African rulers governing through shadow states, middle-men who connect them to the global resource economy, and multinational companies from the West and the East that cloak their corruption in corporate secrecy. (p.244)

Given the comprehensive screwing so many African countries have received at the hands of Western companies and institutions, you can see why China’s ask-no-questions, get-on-and-build-it approach presents an attractive alternative.

Some numbers

In 2011 the IMF determined that the discrepancy between the amount Angola ought to have made from its huge oil sales and the amount which actually went into government accounts was $32 billion (p.173).

In 2012 Shell’s revenue was $242 billion. Shell’s chief executive, Peter Voser, was paid $16.5 million (p.194).

In 2014 reforming banker Lamido Sanusi estimated that corruption at Nigeria’s national oil company, NNPC, was robbing the national treasury of $1 billion per month (p.205) – and yet western countries give Nigeria aid, despite the fact that the amounts Nigerian politicians steal from the state purse could match western aid hundreds of times over.

Islamist violence

All this corruption keeps African states backward. It prevents the development of industry and infrastructure and trade. It creates the prevention of jobs and thus ensures that the new generations of young men have few if any prospects. It promotes grotesque inequalities between the rich elite, and the rich in towns and cities, and the poor everywhere but especially in the country. So lots of unemployed men with no future and a burning sense of grievance.

What I’ve learned to call the bayaye. (The word and concept bayaye are explored in ‘The Shadow of The Sun: My African Life’ by Ryszard Kapuściński and ‘The World’s Most Dangerous Place: Inside the Outlaw State of Somalia’ by James Fergusson).

Fifty years ago they were ripe to join Marxist revolutionary organisations which fought brutal insurgencies to overthrow dictators, western capitalism and install utopian communist societies. Now they join violent Islamist insurgencies which promise to overthrow dictators, western values and install utopian Islamic societies run by Sharia law. Al-Shabab. Boko Haram. Al Qaeda in the Maghreb. Islamic State. According to Sanusi:

‘There’s a clear, direct link between the uneven distribution of resources and the rise in violence.’ (p.206)

‘The region’s idle young men…were ready recruits.’ The young men problem, again, as described in Somalia.

Thought

These kinds of problems are so widespread – Transparency International report that “155 countries have made no significant progress against corruption or have declined since 2012” – that you can’t help wondering whether it is the natural state of affairs. Maybe this is what human beings, and the societies they construct, are just like.

So often the descriptions of modern African shadow states, run by a small cabal who control vast sums of money and run the country by paying off interest groups, tribes, regional leaders and so on – they sound like Dark Age warlords who emerge from wars to control territories, have first dibs on treasure, loot and women, then parcel out the loot to their lieutenants. It sound so primeval, it sounds like the kind of organisation of human groups which has occurred in one form or another throughout history, across all continents.

So maybe it’s the natural state of human societies? And maybe it’s we in the ‘Western’ democracies – we with our obsession with ‘fair’ and ‘democratic’ politics, our reliable civil services, our independent judiciaries, our complex civil societies diffusing centres of power across thousands of scattered nodes, with our ideas of being rewarded for hard work, our concepts of meritocracy – maybe it’s we who are the oddities, the exceptions, the unusual societies which need explaining?

Why give aid?

I don’t really see why we should give aid to any African country given the facts that many of them have enough natural resources to pay for their own development if only their rulers hadn’t a) stolen it or b) signed it over to rapacious extraction companies; and b) those countries which have few resources have already received tens of billions of dollars of aid which corrupt rulers have either i) stolen, ii) spent on huge amounts of arms (vide Ethiopia’s Marxist leaders building up the largest army in Africa while its population died of starvation) iii) wasted on badly conceived megaprojects which turned out to be white elephants / enormous wastes of money.

As the t-shirt slogan says, the definition of insanity is doing the same thing over and over and expecting different results.

 The argument against violence

Burgis reports from the town of Jos in Nigeria where a terrible massacre of villagers was carried out, men, women and children hacked to pieces or burned alive. The antagonists portrayed it as part of the ongoing ‘war’ between Muslims from the north and Christians from the south. But Burgis talks to a local priest, Ignatius Kaigama, who makes a simple point I don’t remember reading before, which is: God is not such a weakling that he needs you to kill in his name (p.188). You do not need to kill anyone in the name of God or Allah or Brahma. If God wanted people killed, don’t you think he’s able to do that for himself? In other words, anyone who kills ‘in the name of God’ is admitting that their idea of God is  of a weakling who needs human help. Anyone who kills in the name of God, thinks God is weak. In other words, they are the ones who blaspheme and insult God, by implying that he needs human help.

Vagabond In Power by Nneka


Credit

The Looting Machine by Tom Burgis was first published by William Collins in 2015. References are to the 2015 paperback edition.

More Africa reviews

I Didn’t Do It For You: How The World Used and Abused A Small African Nation by Michela Wrong (2005)

Michela Wrong has had a long career as a journalist, working for Reuters, the BBC and the Financial Times, specialising in Africa. She came to the attention of the book-buying public with the publication in 2001 of ‘In the Footsteps of Mr. Kurtz: Living on the Brink of Disaster in Mobutu’s Congo’, which I read and reviewed.

This is the follow-up, a long and thorough (432 pages, including chronology, glossary, notes and index) account of the modern history of Eritrea, the country to the north of Ethiopia which, at independence, was bundled in with Ethiopia and which fought a 30 year war to be free.

The milky haze of amnesia

I’m afraid Wrong alienated me right at the start, in her introduction, by claiming that the ex-colonial and imperial powers (Britain, Italy, America) have made a conscious effort to erase their involvement in such places in order to conceal all the wrongs we did around the world

History is written – or, more accurately, written out – by the conquerors. If Eritrea has been lost in the milky haze of amnesia, it surely cannot be unconnected to the fact that so many former masters and intervening powers – from Italy to Britain, the US to the Soviet Union, Israel and the United Nations, not forgetting, of course, Ethiopia, the most formidable occupier of them all – behaved so very badly there. Better to forget than to dwell on episodes which reveal the victors at their most racist and small-minded, cold-bloodedly manipulative or simply brutal beyond belief. To act so ruthlessly, yet emerge with so little to show for all the grim opportunism; well, which nation really wants to remember that? (Foreword, page xi)

This is an example of conspiracy theory – that everything that happens in the world is the result of dark and threatening conspiracies by shady forces in high places. It may sound trivial to highlight it so early in my review, but it is the conceptual basis of the entire book, and an accusation she returns to again and again and again: that there are so few available histories of Eritrea purely because the imperial powers want to suppress the record of their behaviour there, to display ‘the conquerors’ lazy capacity for forgetfulness’ (p.xxii). I’m afraid I take issue with this for quite a few reasons.

1. First, I tend towards the cock-up theory of history. Obviously there are and have been countless actual conspiracies but, in geopolitics at any rate, events are more often the result of sheer incompetence. Read any of the accounts of the US invasion of Iraq or Britain’s military efforts in Iraq and Afghanistan. The idea that the establishments of three or four countries have placed an embargo on discussion of imperial interventions in Eritrea is, obviously, unlikely.

2. Second, there has been no embargo on accounts of Britain’s involvement in plenty of other and far worse colonial debacles: the concentration camps we set up during the Boer War or during the Mau Mau emergency in Kenya are common knowledge or, at least, there are loads of books and articles about them. Or take India. Nowadays there’s a growing pile of books about how we looted and ruined the subcontinent; Britain’s responsibility for the catastrophic partition featured in an episode of Dr Who for God’s sake, about as mainstream as you can get.

Books about the evils of the British Empire are pouring off the press, so these are hardly ‘forgotten’ or ‘erased’ subjects. Quite the reverse, they’re extremely fashionable subjects – among angry students, at middle class dinner tables, in all the literary magazines here and in the States, among BBC and Channel 4 commissioning editors falling over themselves to show how woke, aware and anti-colonial they are.

Or check out the steady flow of anti-Empire, anti-slavery exhibitions (like the current installation in Tate’s Turbine Hall about empire and slavery, or Kara Walker’s installation in the same location about empire and slavery, or the upcoming exhibition at the Royal Academy about empire and slavery). Anti-racist, anti-imperialist, anti-slavery sentiments are not some kind of revolutionary disruption but the received opinion of our time, one of its central ideological underpinnings.

Eight reasons why nobody’s much interested in Eritrean history

Wrong makes a big deal of the fact that so many Italians, Brits and Americans she spoke to during her research had no awareness of their nations’ involvements in Eritrean history, but this has at least eight possible explanations, all more plausible than it being due to some kind of joint conspiracy by the British, Italian and American governments. Let’s consider just Britain:

1. British imperial history is huge

First, the history of the British Empire is a vast and complicated subject. Hardly anyone, even specialists, even professional historians, knows everything about every period of every colony which the British ruled at one point or another. Understandably, most people tend to only know about the big obvious ones, probably starting with India and the slave trade, not least because these are hammered home via every channel and medium.

2. Second World War history is huge

Second, the British took over the running of Eritrea from the Italians only after we fought and defeated them in North Africa in the spring of 1941, in a campaign which was wedged in between the bigger, more important and better known Desert War in Libya. So the same principle applies as in the point about the empire as a whole, which is: even professional historians would probably struggle to remember every detail of every campaign in every theatre of the Second World War, so why should they care about this relatively small and strategically insignificant one?

Here’s Wikipedia’s list of the main theatres and campaigns of the Second World War. Did you know them all?

It was only reading up the background to Evelyn Waugh’s ‘Sword of Honour’ trilogy that I realised there was a whole theatre of war in West Africa, Gambia and so on, which I’d never even heard about before. Was this due to what Wrong calls the ‘milky haze of amnesia’ deriving from some government-wide conspiracy to forget? Nope. The reality is people only have so much time and attention to spare.

3. The limited attention span of ordinary people

What percentage of the British population do you think gives a monkeys that Britain was, for ten years or so, from 1941, responsible for administering Eritrea? Weren’t we also running about 50 other countries at the time? I suspect my parents’ experience of being bombed during the Blitz and watching Battle of Britain dogfights over their London suburb were quite a bit more relevant to their lives than the details of British administration of the faraway Horn of Africa. People have only so much hard drive.

4. General historical awareness is dire, anyway

Most people don’t care about ‘history’, anyway. If you gave a quick basic history quiz to the entire British population of 67 million, I wonder how many would pass. Auberon Waugh once joked that the fact that Henry VIII had six wives is the only fact from history which all Britons know, but I suspect this is way out of date. I live in Streatham, the most multi-ethnic constituency in Britain. Most of the people I interact with (doctor, dentist, shopkeepers, postman, electrician, council leafblowers) were not born in this country and many of them barely speak English (e.g. my Chinese postman). I struggle to explain that I want to buy a stamp at the shop round the corner because they don’t speak English so don’t know what ‘stamp’ is until I point to a pack. I can’t believe many of the millions of non-English-speaking people who now live here give much of a damn about the minutiae of Britain’s imperial history unless, of course, it’s the bit that affected their country and possibly not even then.

5. Busy

And this is because people are busy. The difference between Wrong and me is that she thinks it’s of burning importance that the British ‘confront’ every aspect of their ‘colonial past’, whereas I take what I regard as the more realistic view, that a) most people don’t know b) most people don’t care because c) most people are stressed just coping with the challenges of life.

By this I mean trying to find the money to pay their rent or mortgage, to buy food, to pay for the extras their kids need at school, or to find money to pay for their parents’ ruinously expensive social care. Most people are too busy and too stressed to care about what happened in a remote country in Africa 80 years ago. Most people are too busy and worried about the day-to-day to care about even the contemporary global issues that newspapers and magazines are always trying to scare us about, whether it’s the alleged impact of AI or the war in Ukraine or the strategic threat from China. Most don’t know or care about ‘history’ and, I’d argue, they’re right to do so, and to live in the present.

I’m a bookish intellectual who’s interested in literature and history but I’ve had to learn the hard way (i.e. via my children and their friends) that there are lots of people who really aren’t. They’re not ‘erasing’ anything, they just live lives which don’t include much interest in history, be it imperialist, early modern, medieval or whatever. They’re too busy going to music festivals or shopping at Camden market, and sharing everything they do on TikTok and Instagram, getting on with their (exciting and interesting) lives, to know or care about the minutiae of the historical record of every single one of the hundred or so nations Britain had some kind of imperial involvement in.

Wrong thinks it’s some kind of conspiracy on the part of the British authorities not to give Eritrea a more prominent part in our history. I think it’s a realistic sense of perspective.

6. Commercial priorities

Books tend to be published, documentaries commissioned and art exhibitions organised, if the editors think there is a commercially viable audience for them. Last time I visited the Imperial War Museum I spent some time in the bookshop chatting to the manager because I was struck by the very, very narrow range of subjects they stock books about. There were entire bookcases about the First and Second World War, a big section about the Holocaust, one about Women in War, and that was about it. I couldn’t even find a single book about Northern Ireland. Northern Ireland, for God’s sake! When I quizzed him, the bookshop manager explained that they’re a commercial operation, they need to maximise their revenue and so only stock books on the subjects which are reliable bestsellers.

So, living in a commercial/consumer capitalist society as we do, maybe the lack of awareness, books and articles about the modern history of Eritrea is not due to a government conspiracy to suppress it but simply because it is a really niche subject which interests hardly anyone, and so – there’s no money in it. No government conspiracy required.

7. News agendas

Even now, the current conflicts between Eritrea, Tigray and Ethiopia barely reach the news because they are, in fact, minor conflicts, they are far away, they have been going on for decades with no particularly dramatic changes to report on and, crucially, no signs of a conclusion – so they just never make the news agenda. Why would they, when Russia is threatening to start world war three?

8. Predictable

And I suppose there’s an eighth reason which is that, for anybody who is interested in modern history, it is utterly predictable that today’s historians or historical commentators will take a feminist, anti-racist, anti-imperial line. Nothing could be more predictable than a modern historian ‘revealing’ the racist truth about British imperial behaviour. This is the stock, standard attitude across the modern humanities. To reveal that European imperial behaviour in Africa was ‘racist and small-minded, cold-bloodedly manipulative or simply brutal beyond belief’ is the opposite of news – it is the utterly predictable compliance with modern ideology, as expressed through all available channels of print, TV, social media, films and documentaries, art galleries, plays and books and articles.

So, those are my eight reasons for not buying into the central premise of Michela Wrong’s book which is that there has been some kind of conspiracy of silence among the ex-imperial powers, that they have deliberately let the history of their involvement in Eritrea sink into ‘the milky haze of amnesia’ in order to conceal from a public which would otherwise be desperate for every scrap of information they could get about Italy, Britain and America’s involvement in one of the world’s smallest countries 80 years ago.

Presumable origin of the book

Wrong first visited Eritrea in 1996 in order to do a country profile for the Financial Times. She was surprised to discover that there was very little published about the place. She saw an opportunity. She approached her publisher, who agreed there was an opportunity to sell to the kind of niche audience which is interested in the history of tiny African countries. Obviously she would be building on the success of her first book to extend her brand.

But, to make the book more marketable it would have to try and make the story more ‘accessible’, more saleable, and so ought to incorporate several features: 1) elements of touristic travelogue, passages dwelling on, for example, Asmara’s surprising Art Deco heritage or the vintage railway that snakes up into the high plateau of the interior, the kind of thing that appears in ‘Train Journeys of The World’-type TV documentaries. Tick.

The second way to sex it up would be to adopt the modern woke, progressive, anti-imperial ideology so much in vogue, and take every possible opportunity to criticise all the western powers for their racism, sexism, massacres and exploitation. Tick.

And so we’ve ended up with the book we have. It is a history of Eritrea in relatively modern times i.e. since the Italians began annexing it in the 1890s, up to the time of writing in about 2004, written in a superior, judgemental, often sarcastic and sneering tone, regularly facetious and dismissive about every action of the colonial powers, and hugely reluctant to point out that the relevant Black African powers (i.e. Ethiopia) behaved ten times worse than anything the imperialists did.

I’m not saying Wrong is wrong to point out that the Italians were racist exploiters who carried out appalling, semi-genocidal massacres and installed apartheid-style laws; or that the British, to their shame, maintained many of Italy’s racist discriminatory laws and practices while dismantling and carting off much of the country’s infrastructure; or that the UN screwed up big time when it assigned Eritrea to be part of Ethiopia against the wishes of its people; or that the Americans should have done more to foster statehood and encourage Eritrean independence when they used the place as a listening post during the Cold War.

I’m sure all her facts are completely correct and they certainly build up into a damning portrait of how successive western powers abused a small African nation. No, what put me off the book was a) Wrong’s assumption that the lack of knowledge about Eritrea was the result of some kind of cover-up among the imperial powers, and b) her tone of sneering, sarcastic superiority over everyone that came before her. Her snarky asides about this or that imperial administrator or British general quickly become very tiresome.

It is possible to write history in a plain factual way and let the facts speak for themselves. Nobody writes a history of the Holocaust full of sneering asides that the Nazis were ‘racist’ and ‘discriminatory’ – ‘Hitler, in another typically racist speech…’. You don’t need to say something so obvious. The facts speak for themselves. Constantly poking the reader in the ribs with sarcastic asides about the awful colonialists gets really boring.

Travel writing

Wrong strikes a note of travel writer-style indulgence right from the start of her book. The opening pages give a lyrical description of what you see as you fly over the desert and come into land at Eritrea’s main airport. From her text you can tell she regards flying from one African capital to another, jetting round the world, as an everyday activity. It isn’t though, is it, not for most people, only for a privileged kind of international reporter.

She then goes on to explain that Eritrea’s capital, Asmara, has one of the finest collections of Art Deco buildings anywhere in the world. In other words, the opening of her book reads just like a Sunday supplement feature or upscale travel magazine article. Although she will go on to get everso cross about Eritrea’s agonies, the opening of the book strikes a note of pampered, first world tourism which lingers on, which sets a tone of leisured touristic privilege. I know it’s unintended but that’s how it reads.

Anti-western bias

Like lots of posh people who have enjoyed the most privileged upbringing Britain has to offer and then become rebels and radicals against their own heritage, Wrong is quick to criticise her own country and very slow to criticise all the other bad players in the story.

In particular, she downplays the elephant in the room which is that most of Eritrea’s woes stem from its 30-year-long war to be independent of Ethiopia, the imperialist nation to its south. She downplays the extent to which this was two African nations, led by black African leaders, who insisted on fighting a ruinous 30-year war in which millions of civilians died… and then started up another war in 1998, conflicts which devastated their economies so that, as usual, they needed extensive food aid to be supplied by…guess who?.. the evil West.

Gaps and absences

Imperial benefits, after all

There’s a particular moment in the text which brought me up short. In the chapter describing the machinations of various UN commissions trying to decide whether to grant Eritrea its independence or bundle it in with Ethiopia (Chapter 7, ‘What do the baboons want?’), Wrong describes the experiences of several commissioners who toured the two countries and immediately saw that Eritrea was light years ahead of Ethiopia: Ethiopia was a backward, almost primitive country ruled by a medieval court whereas Eritrea had industry and education and a viable economy which were established by the Italians. And the British had given Eritrea an independent press, trade unions and freedom of religion (p.171).

Hang on hang on hang on. Back up a moment. Wrong has dedicated entire chapters to excoriating Italian and British administrators for their racism, their exploitation of the natives, Italian massacres and British hypocrisy. Entire chapters. And now, here, in a brief throwaway remark, she concedes that the Italians also gave the country a modern infrastructure, harbours and railway while the British introduced modern political reforms, freedom of the press and religion, and that taken together these meant that Eritrea was head and shoulders more advanced than the decrepit empire to its south.

When I read this I realised that this really is a very biased account. It reminded me of Jeffrey Massons’ extended diatribe against therapy. Nothing Wrong says is wrong, and she has obviously done piles of research, especially about the Italian period, and added to scholarly knowledge. But she is only telling part of the story, the part which suits her unremitting criticism of the West.

And she is glossing over the fact that the Italians, and the British, did quite a lot of good for the people of Eritrea. This doesn’t fit Wrong’s thesis, or her tone of modern enlightened superiority to the old male, misogynist, racist imperial administrators, and so she barely mentions it in her book. At a stroke I realised that this is an unreliable and deeply biased account.

Magazine feature rather than history

Same sort of thing happens with chapter 10, ‘Blow jobs, bugging and beer’. You can see from the title the kind of larky, sarky attitude Wrong takes to her subject matter. Dry, scholarly and authoritative her book is not.

The blowjobs chapter describes, in surprising detail, the lifestyle of the young Americans who staffed the set of radio listening posts America established in the Eritrean plateau in the 1950s and 60s. The plateau is 1.5 miles high in some places and this means big radio receivers could receive with pinprick accuracy radio broadcasts from all across the Soviet Union, Middle East and rest of Africa. The signals received and decoded at what came to be called Kagnew Station played a key role in America’s Cold War intelligence efforts.

As her larky chapter title suggests, Wrong focuses her chapter almost entirely around interviews she carried out with ageing Yanks who were young 20-somethings during the station’s heyday in the late 60s. One old boy described it as like the movie ‘Animal House’ and Wrong proceeds to go into great detail about the Americans’ drinking and sexual exploits, especially with prostitutes at local bars. She sinks to a kind of magazine feature-style level of sweeping, superficial cultural generalisation:

This was the 1960s, after all, the decade of free love, the Rolling Stones and LSD, the time of Jack Kerouac, Jimi Hendrix and Hunter Thompson. (p.223)

This is typical of a lot of the easy, throwaway references Wrong makes, the kind of sweeping and often superficial generalisations which undermine her diatribes against the British and Italian empires.

Anyway, she tells us more than we really need to know about service men being ‘initiated in the delights of fellatio’ by Mama Kathy, the hotel in Massawa nicknamed ‘four floors of whores’, about a woman called Rosie Big Tits (or RBT) who would service any man or group of men who paid her, about the disgusting behaviour of the gang who accurately called themselves The Gross Guys (pages 225 to 226).

This is all good knockabout stuff, and Wrong explains how it came about after she got in touch with the surviving members of The Gross Guys via their website, and then was given more names and contacts, and so it snowballed into what is effectively a diverting magazine article. She includes photos, including a corker of no fewer than seven GIs bending over and exposing their bums at a place they referred to as Moon River Bridge.

I have several comments on this. 1) Interwoven into the chapter are facts and stats about the amount of money the US government gave Haile Selassie in order to lease this land, money the Emperor mostly spent on building up the largest army in Africa instead of investing in infrastructure, agriculture and industry, with the result that he ended up having loads of shiny airplanes which could fly over provinces of starving peasants. So there is ‘serious’ content among the blowjobs.

Nonetheless 2) the blowjob chapter crystallises your feeling that this book is not really a history of Eritrea, but more a series of magazine-style chapters about colourful topics or individuals (such as the chapter about the Italian administrator Martini and the English activist Sylvia Pankhurst), which don’t quite gel into a coherent narrative.

3) Most serious is the feeling that this approach of writing about glossy, magazine, feature-style subjects – interviews with badly behaved Yanks or Sylvia Pankhurst’s son – distracts her, and the narrative, from giving a basic, reliable account of the facts.

It’s only after the chapter about blow jobs and drinking games that we discover, almost in passing, that the very same period, the late 1960s, saw the rise and rise of the Eritrean Liberation Front (ELF) which waged a steadily mounting campaign of attacks against symbols of Ethiopian power e.g. police stations. And that the Ethiopian police and army, in response, embarked on a savage campaign to quell the insurgents / guerrillas / freedom fighters in the time-old fashion of massacring entire villages thought to be supporting them, gathering all the men into the local church and setting it on fire, raping all the women, killing all their livestock, burning all their crops, the usual stuff.

For me, this is the important stuff I’d like to have known more about, not the ‘four floors of whores’ popular with American GIs. Magazine mentality trumps history.

Religious division

And it was round about here that I became aware of another massive gap in Wrong’s account, which is a full explanation of Eritrea’s ethnic and, in particular, religious diversity. Apparently, the low-lying coastal area of Eritrea, and the main port, Massawa, was and is mostly Muslim in make-up, with mosques etc, whereas the plateau, and the capital, Asmara, are mostly Christian, churches etc.

Wrong’s account for some reason underplays and barely mentions either religion or ethnicity whereas, in the countries I’ve been reading about recently (Iraq, Afghanistan, Syria, Sudan, Rwanda, Congo), ethnic and religious divides are absolutely crucial to understanding their histories and, especially, their civil wars.

Instead Wrong only mentions very briefly, in passing, that it was ethnic difference which led to there being two Eritrean independence militias, the ELF and the ELPF. It was only from Wikipedia that I gathered the former was more Arab and Muslim, the latter more Christian or secular, and socialist. Wrong nowhere explains the ideological or tactical differences between them. She nowhere names their leaders, gives histories of the movements or any manifestos or programs they published. All this Wrong herself has consigned to the ‘milky haze of amnesia’. Is she involved in an imperialist conspiracy to suppress the truth, I wonder? Aha. Thought so. It’s all an elaborate front.

Similarly, when the ELPF eventually eclipse the ELF to emerge as the main Eritrean independence militia, Wrong doesn’t explain how or why this took place. Her description of this important moment in rebel politics is described thus:

The EPLF, which emerged as the only viable rebel movement after a final clash with the ELF, built its society on defeat. (p.283)

That’s your lot. A bit more explanation and analysis would have been useful, don’t you think?

Key learnings

Each chapter focuses on a particular period of Eritrea’s modern (post-1890) history and Wrong often does this by looking in detail at key individuals who she investigates (if dead) or interviews (if living) in considerable detail. This is fine, it makes for vivid journalism but biased and partial ‘history’.

Ferdinando Martini

Thus the early period of Italian colonisation is examined through the figure of Ferdinando Martini, governor of Eritrea from 1897 to 1907, who made heroic activities to modernise the country even as he endorsed Italy’s fundamentally racist laws. Wrong draws heavily on his 1920 literary masterpiece about his years as governor, ‘Il Diario Eritre’ which, of course, I’d never heard of before. Maybe Wrong thinks that almost all foreign literature has been sunk in ‘the milky haze of amnesia’ whereas I take the practical view that most publishers find most foreign publications commercially unviable and so not worth translating or publishing.

It was, apparently, Martini who gave the country its name, deriving it from the ancient Greek name for the Red Sea, Erythra Thalassa, based on the adjective ‘erythros’ meaning ‘red’.

It was Martini who commissioned the Massawa to Asmara train line, a heroic feat of engineering from the coast up into the steep central plateau, which Wrong describes in fascinating details and wasn’t completed during his time as governor.

Italian emigration

The Italian government hoped to export its ‘surplus population’ i.e. the rural poor from the South, to its African colonies but Wrong shows how this never panned out. Only about 1% of the Italian population travelled to its colonies compared to a whopping 40% who emigrated to America, creating one of America’s largest ethnic communities.

The Battle of Keren

Wrong’s account of the British defeat of the Italians in Eritrea focuses on a gritty description of the awful Battle of Keren, in March 1941, where British troops had to assault a steep escarpment of bare jagged rocks against well dug-in Italian (and native) troops, in relentless heat, with much loss of life. Once in control the British embarked on a scandalous policy of asset stripping and selling off huge amounts of the infrastructure which the Italians had so expensively and laboriously installed, including factories, schools, hospitals, post facilities and even railways tracks and sleepers.

Sylvia Pankhurst

Surprisingly, one of the most vocal critics of this shameful policy was Sylvia Pankhurst, daughter of the redoubtable Emmeline Pankhurst, the leading suffragette. Sylvia fell in love with Ethiopia and ran a high-profile campaign against Mussolini’s brutal invasion of 1936, demanding the British government intervene. After the war, her relentless pestering of her political contacts and the Foreign Office earned her the gratitude of the emperor Haile Selassie himself. Wrong estimates that the British stole, sold off, or shipped to her full colonies (Kenya, Uganda) getting on for £2 billion of assets (p.136). When she died, in 1960, aged 78, she was given a state funeral and buried in Addis Ababa cathedral. A lot of the material comes via her son, Richard Pankhurst, who was raised in Ethiopia, founder of the Institute of Ethiopian Studies at Addis Ababa University, and who Wrong meets and interviews on several occasions.

John Spencer

Wrong describes several meetings with John Spencer, an American who was international legal adviser to Haile Selassie. In the early 1950s the UN was worried (among many other pressing issues) with the future of Eritrea. There were three options: full independence; full integration into Ethiopia; federal status within Ethiopia. There were strong views on all sides. Independent commentators wondered whether Eritrea could ever be an economically viable state (good question since, 73 years later, it is still one of the poorest countries on earth). Ethiopians wanted complete assimilation in order to give them access to the Red Sea. As a canny, aggressive American lawyer, Spencer lobbied hard for the Ethiopian option with the result that he is remembered with hatred to this day in Eritrea.

Kagnew Listening Station

The Americans discovered the high Eritrean plateau was uniquely located to receive clear radio signals from all over the hemisphere. From the 1950s onwards they paid Selassie a hefty premium, plus military and development aid, for the right to build what ended up being some 19 separate listening stations. Ethiopia became the largest recipient of American aid in Africa. Wrong tells its story via interviews with half a dozen of the thousands of GIs who staffed it in the 1960s. She (repeatedly) blames them for ignoring and erasing the reality of the violent insurgency and brutal repression spreading throughout Eritrea. What does she expect a bunch of 20-something GIs to have done? Launched an independent peace mission?

Wrong works through interviews with Melles Seyoum and Asmerom to tell the story of the widely supported EPLF insurgency against the Ethiopian occupying forces.

Keith Wauchope

Similarly, she tells the story of the brutal Ethiopian crackdown of the 1970s through the eyes of Keith Wauchope, deputy principal officer at Asmara’s US consulate from 1975 to 1977. In particular the ‘Red Terror’ when the Ethiopian revolutionaries, like the French revolutionaries, Russian revolutionaries and Chinese revolutionaries before them, moved to eliminate all political opponents and even fellow revolutionaries who deviated even slightly from the party line. By this stage I’d realised that the book doesn’t proceed through events and analysis but by moving from interviewee to interviewee.

Nafka

Bombed out of their towns and villages by the Soviet-backed Ethiopian regime’s brutal campaign, the EPLF withdrew to the high Eritrean plateau where they holed up for a decade. they developed a cult of total war, total commitment, even down to the details of combat wear (basic, functional), disapproval of romantic relationships between fighters. They built an entire underground town including hospitals and schools, the famous Zero school, around the highland town of Nafka, to evade Ethiopia’s Russian-supplied MIG jets.

Wrong has met and interviewed a number of ex-fighters. It comes over very clearly that she venerates them as, she says, did most of the other western journalists who made their way to the EPLF’s remote bases and were impressed by their discipline and commitment, not least to education, holding seminars and workshops about Marxism, Maoism, the Irish struggle, the Palestinian struggle and so on. Western journalists called them ‘the barefoot guerrilla army’. She calls these western devotees True Believers.

But she is candid enough to admit that the hidden redoubts of Nafka also nursed a fanatical sense of commitment and rectitude. This was the Marxist practice of self criticism and self control, which would translate into the overbearing authoritarianism the Eritrean government displayed once it won independence in 1993.

‘Eritrea is a militarized authoritarian state that has not held a national election since independence from Ethiopia in 1993. The People’s Front for Democracy and Justice (PFDJ), headed by President Isaias Afwerki, is the sole political party. Arbitrary detention is commonplace, and citizens are required to perform national service, often for their entire working lives. The government shut down all independent media in 2001.’ (Freedom House website, 2023)

Ah, not so cool and fashionable once they actually come to power.

John Berakis

In line with the rest of the book, the chapter about the EPLF’s long years in its secret underground bases and highland redoubts, is told / brought to life via the biography of John Berakis, real name Tilahun (p.299) who was, improbably enough, both a committed fighter but also a qualified chef. Wrong interviews him and hears all about improbable banquets and feasts and recipes which he cooked up for the Fighters.

Asmara tank graveyard

The huge graveyard of tanks and other military equipment on the outskirts of Asmara is the peg for describing the astonishing amount of hardware the Soviet Union gave to Ethiopia: at one point in 1978 Soviet aircraft bearing equipment were arriving every 20 minutes in Ethiopia. By the end of the Soviets’ support for the Derg, the Russians had sent nearly $9 billion in military hardware into Ethiopia , about $5,400 for every man, woman and child in the population (p.314).

She makes the point that the USSR’s influence was on the rise. In 1975 Angola and Mozambique both became independent under Marxist governments. Across Africa one-party rule was ripe for Soviet influence. Ethiopia, Yemen and Somalia all had Marxist governments. It felt like the tide of history was flowing Russia’s way. By contrast America, had been weakened and humiliated by its defeat in Vietnam which had promptly turned communist, as did Laos and Cambodia.

Mengistu Haile Mariam

Wrong profiles Mengistu, his personal grievances for being looked down on by Ethiopia’s racial elite, his slavish devotion to the USSR (he declared Brezhnev was like a father to him), busts of Marx on the table, erected the first statue of Lenin anywhere in Africa etc.

But, of course, over the years Mengistu slowly morphed into another African strongman, driving in his open-topped Cadillac through the hovels of Addis Ababa, eliminating all possible opponents, living in a miasma of paranoia, surrounded by courtiers and flunkeys, turning into Haile Selassie. During the catastrophic famine of 1983/84 Ethiopia continued to spend a fortune on its military, which had ballooned to almost 500,000 troops, and spent $50 million on the tenth anniversary of the overthrow of Selassie and their coming to power. Over a million Ethiopians died in the famine.

Mikhail Gorbachev

The arrival of Gorbachev in 1985 worried all the communist regimes and his coterie slowly changed the tone of political commentary, starting to question the huge amount of aid the USSR was giving to supposedly Marxist African regimes. Even so between 1987 and 1991 Moscow still sent Addis $2.9 billion in weaponry (p.327).

Yevgeny Sokurov

Wrong appears to have interviewed quite a few Russian diplomats and military men. Former major Yevgeny Sokurov has some savagely candid words about the USSR’s entire African policy:

‘Helping Mengistu, that arrogant monkey, was pointless… In Moscow there was a pathological desire to support these thieving, savage, African dictatorships. It was a waste of time.’ (quoted p.340)

Anatoly Adamashin

A really profound comment is made by Anatoly Adamashin, deputy foreign minister under Mikhail Gorbachev, who points out that the Cold War led both America and the USSR and the African countries themselves to believe that each African nation was engaged in a historic struggle between reactionary capitalism and revolutionary communism, but this was never really true, it was a huge historical delusion. In actual fact what was taking place in all those countries was wars between ethnically-based factions, or ambitious individuals, simply for power.

As with Mobutu (Zaire) or Mugabe (Zimbabwe) or Jonas Savimbi (Mozambique) or Eduardo dos Passos (Angola) or here in this story, Mengistu in Ethiopia, when the Cold War evaporated it revealed that most of those conflicts had, in fact, been nothing more than the crudest struggles to achieve and maintain power.

It’s such a powerful view because it comes from a former Soviet official i.e. not from what Wrong regards as the racist imperialist West.

Mengistu flees

As the EPLF closed in on the capital, Mengistu took a plane to Zimbabwe, where he was granted asylum by another bogus Marxist dictator, Robert Mugabe, given a farm (probably confiscated from the ghastly white colonists) and lived an allegedly pampered life for decades. During his rule over a million Ethiopians died in the famine, and over 500,000 in the wars and/or the Red Terror, or the forced relocation of millions of peasants which, of course, led to famine and starvation.

The Organisation of African Unity

Wrong delivers an entertainingly withering verdict on the Organisation of African Unity:

One of the most cynicism-inducing of events: the summit of the Organisation of African Unity (OAU), that yearly get-together where insincere handshakes were exchanged, 29-year-old coup leaders got their first chance to play the international statesman, and the patriarchs of African politics politely glossed over the rigged elections, financial scandals and bloody atrocities perpetrated by their peers across the table. (p.357)

Even better, she describes it as ‘a complacent club of sclerotic dictators and psychopathic warlords’ (p.358).

Eritrean independence

In 1993 the population voted for independence and Eritrea became an independent country with its own political system, flag, army and so on. Five years of reconstruction and hundreds of thousands of exiles returned home. When war broke out again, Wrong characteristically doesn’t blame it on the new Ethiopian or Eritrean governments, the parties that actually went to war, but on the wicked imperialists:

The national character traits forged during a century of colonial and superpower exploitation were about to blow up in Eritrea’s face. (p.361)

It’s because of our legacy, apparently, that the Eritreans and Ethiopians went back to war, bombing and napalming and strafing each other’s citizens, killing 80,000 in the 2 years of war, 1998 to 2000. Two of the poorest countries in the world spent tens of millions of dollars trying to bomb each other into submission. Surely the leaders of those two countries have to shoulder at least some of the responsibility themselves?

The result of this second war was impoverishment for Eritrea which was rightly or wrongly seen as the main aggressor. Foreign investment dried up. Ethiopia imposed a trade blockade.

Afwerki Isaias

The man who rose to become secretary general of the ELPF, and then president of independent Eritrea in 1993. The trouble is that, 30 years later, he is still president, in the time-honoured African tradition. To quote Wikipedia:

Isaias has been the chairman of Eritrea’s sole legal political party, the People’s Front for Democracy and Justice. As Eritrea has never had a functioning constitution, no elections, no legislature and no published budget, Isaias has been the sole power in the country, controlling its judiciary and military for over 30 years. Hence, scholars and historians have long considered him to be a dictator, described his regime as totalitarian, by way of forced conscription. The United Nations and Amnesty International cited him for human rights violations. In 2022, Reporters Without Borders ranked Eritrea, under the government of Isaias, second-to-last out of 180 countries in its Press Freedom Index, only scoring higher than North Korea.

Tens of thousands have fled one of the most repressive regimes in the world and the jaundiced reader is inclined to say: you fought for independence; you made huge sacrifices for independence; you won independence; at which point you handed all your rights over to a psychopathic dictator. You had the choice. You had the power. Don’t blame Italy. Don’t blame Britain. Don’t blame America. Blame yourselves.

Paul Collier’s view

Compare and contrast Wrong’s sneering, sarcastic, anti-western tone with Paul Collier’s discussion of Eritrea in his 2008 book The Bottom Billion.

Collier is an eminent American development economist who is concerned to improve the lives of people in Africa here and now. He gives short shrift to third world rebel movements. In very stark contrast to Wrong’s 400 pages of grievance and complaint against the West, Collier’s account of Eritrea’s plight is brisk and no-nonsense:

The best organised diaspora movement of all was the Eritrean People’s Liberation Front. The diaspora financed the war for thirty years and in 1992 they won. Eritrea is now an independent country. But did the war really achieve a liberation of the Eritrean people? In September 2001, after an unnecessary international war with Ethiopia, half the Eritrean cabinet wrote to the president, Isaias Afwerki, asking him to think again about his autocratic style of government. He thought about it and imprisoned them all. He then instituted mass conscription of Eritrean youth. Ethiopia demobilised, but not Eritrea. Eritrean youth may be in the army as much to protect the president from protest as to protect the country from Ethiopia. Many young Eritreans have left the country…Was such a liberation really worth thirty years of civil war?
(The Bottom Billion by Paul Collier, 2008 Oxford University Press paperback edition, page 23)

Or compare Wrong with the chapter describing the horrific punishments, prisons and reign of terror run by Afwerki, in Paul Kenyon’s 2018 book, ‘Dictatorland’. The horror of Afwerki’s rule is glossed over in Wrong’s account because of her relentless concern to blame the West for absolutely everything. These two other accounts provide a necessary balance to Wrong’s biased agenda, or just a simple reminder that sometime African nations’ dire plights are less to do with colonial oppression 80 years ago, and more the result of gross mismanagement and terrible leadership in the much more recent past and even now.

Eritrea timeline

16th century – Ottoman Empire extends its control over the Red Sea/Ethiopian/Eritrean coast.

1800s – The Ottoman Turks establish an imperial garrison at Massawa on the Red Sea coast.

1869 – An Italian priest buys the Red Sea port of Assab for Italy from the local sultan.

1870 – Italy becomes a unified nation.

1885 – The British rulers of Egypt help Italian forces capture the Red Sea port of Massawa. This was to prevent the French getting their hands on it.

1887 to 1911 – Italians construct the Massawa to Asmara railway.

1890 – Italy proclaims the colony of Eritrea.

1894 – revolt of the previously loyal chief, Bahta Hagos, crushed.

1896 – 1 March, Italian army trounced by the Emperor Menelik at the Battle of Adwa; the borders of Eritrea are agreed.

1912 – After defeating Ottoman forces Italy seizes the two provinces of Tripolitania and Cyrenaica, which it joins under the name Libya (a division which reopened after the ousting of Colonel Gaddafi in 2011, and last to this day).

1915 – Italy is persuaded by France and Britain to join their side in the First World War, with the promise of Trieste, southern Tyrol, northern Dalmatia and expansion of her territories in Africa

1922 – Mussolini seizes power, campaigning on many grievances one of which is the Allies never gave Italy the empire they promised

1930 – coronation of Ras Tafari as emperor of Ethiopia; he takes the regnal name Haile Selassie. The coronation is attended by Evelyn Waugh who writes a hilarious satirical account, which is also full of accurate details about the country, Remote People (1931). (As a side note Waugh’s book is extensively quoted in Giles Foden’s humorous account of First World War naval campaigns in Africa, ‘Mimi and Toutou Go Forth’.)

1935 – Mussolini launches a campaign to conquer Ethiopia. The Emperor Haile Selassie addresses the League of Nations to complain about the invasion, the use of poison gas and atrocities, but is ignored.

1936 – Italian troops enter Addis Ababa and Eritrea, Ethiopia and Somalia are all incorporated into ‘Italian East Africa’. Italy institutes apartheid-style race laws stipulating segregation. Evelyn Waugh was sent to cover the war and turned his despatches into a book, which includes a surprising amount of straight history of Ethiopia, Waugh In Abyssinia (1936).

1941 – During the Second World War, British advance from Sudan into Eritrea, fighting the brutal Battle of Keren (February to March 1941), which Wrong describes in detail, featuring a map.

1941 to 1942 – Britain crudely strips Eritrea of all the facilities the Italians had spent their 5-year-imperial rule installing, removing factories, ports, even railways sleepers and tracks, stripping the place clean. Britain also keeps in place many of Italy’s race laws.

1945 to 1952 Britain administers Eritrea, latterly as a United Nations trust territory.

1948 – The UN Four Powers Commission fails to agree the future of Eritrea.

1950s – former suffragette Sylvia Pankhurst devoted her final decade (she died in 1960) to denouncing the asset stripping of both Eritrea and Ethiopia carried out by the British.

1950 – A fractious UN commission settles on the idea of making Eritrea a federal component of Ethiopia, which is ratified by the General Assembly in 1952 in Resolution 390 A (V). The US signals that it favours the integrated model because it needs a quiescent Ethiopia as location for its huge radio listening station.

1950s – Ethiopia slowly but steadily undermines Eritrea’s identity: closing its one independent newspaper; having its sky-blue flag replaced by the Ethiopian one; having its languages of Tigrinya and Arabic replaced by Amharic; downgrading the Eritrean parliament, the Baito, to a rubber stamp for the Emperor’s decisions.

1953 – The US and Ethiopia sign a 25-year lease on the Kagnew radio listening station.

1958 – The Eritrean Liberation Front (ELF) is formed with a largely Muslim membership, looking to brothers in the Arab world.

The Eritrean war of Independence

1961 – First shots fired by ELF guerrillas, against a police station.

1962 – On 14 November 1962 members of the Baito were browbeaten and bribed into accepting full union and abolishing themselves i.e. Ethiopia annexed Eritrea without a shot being fired. A day of shame, a day of mourning, many of the Baito fled abroad. For the next few years the UN refused to acknowledge or reply to petitions, letters, legal requests from independence activists. The UN washed its hands and walked away.

1963 – Organisation of African Unity set up in Addis Ababa, largely at the Emperor’s initiative, and freezes African nations’ borders in place.

1967 – Full-scale guerrilla war. The Ethiopian army carries out numerous atrocities.

1970 – ELF splits and the Eritrean People’s Liberation Front (EPLF) is formed, a secular socialist predominantly Christian highlanders. By the early 70s the liberation movements had secured some 95% of Eritrean territory.

1974 – Ethiopian Emperor Haile Selassie is overthrown in a slow-motion military coup (see ‘The Emperor: Downfall of an Autocrat’ by Polish journalist Ryszard Kapuściński). A military junta calling itself the Dergue or Derg comes to power. After squabbling (and killing) among themselves, a forceful lieutenant, Mengistu Haile Mariam, emerges as its leader and driving force. The Derg declares Ethiopia a socialist state committed to Marxism-Leninism. It rejects Selassie’s alliance with the US and turns instead to the Soviet Union.

1975 – In response to increasing insurgent attacks, the Ethiopian army goes on the rampage in Asmara, slaughtering up to 3,000 civilians, then destroys over 100 villages, killing, burning, raping wherever they go.

1977 to 1978 – Massive Soviet support enable Ethiopian forces to reverse the EPLF’s hard-won gains, thus ensuring the war would double in length, continuing for another 14 years.

1978 – Somalia launches a campaign to seize the Ogaden region of Ethiopia which is now fighting two wars, in the north and east. Soviet ships and artillery mow down EPLF fighters, airplanes carpet bomb Eritrean villages.

1982 – Ethiopia launches a massive military assault named the Red Star Campaign in an effort to crush the rebels, but itself suffers heavy casualties.

1985 – Mikhael Gorbachev comes to power in the Soviet Union.

1988 – March: Battle of Afabet is the turning point of the war, when the Eritrean People’s Liberation Front smashes an armoured convoy and then takes the town with barely a shot fired. Wrong describes the surreal way the Ethiopian commanders destroyed their own armoured column, once it had been trapped in a steep valley, burning hundreds of their own troops to death. Basil Davidson on the BBC described it as the equivalent of the Viet Minh’s historic victory over the French at Dien Bien Phu (p.337). It is described in an article by Peter Worthington.

1989 – May: senior Ethiopian generals try to stage a coup the day after Mengistu flew to East Germany to plea for more arms. The coup was foiled, several key generals, 27 other senior staff and some 3,500 soldiers were executed in the month that followed, further weakening the demoralised Ethiopian army. The Soviets, fed up with supplying Ethiopia (and their other African ‘allies’) huge amounts of munitions, withdraw their ‘special advisers’. The last one leaves in autumn 1989.

1990 – February: The EPLF takes Massawa in a daring land and speedboat operation.

1991 – Spring: the Eritrean People’s Liberation Front captures the entire coast and moves on the Eritrean capital, Asmara. In the last few years disaffected Amharas and Omoros in central and southern Ethiopia had formed the Ethiopian People’s Revolutionary Democratic Front (EPDRF). Running parallel to Eritrea’s history, the equally rebellious province of Tigray had spawned the Tigray People’s Liberation Front (TPLF) in 1975. Now the three groups worked together to topple Mengistu.

Eritrean independence

1993 – In a UN-supervised referendum, 99.8% of Eritreans vote for independence.

1994 – Having won independence, the EPLF reconstituted itself as the People’s Front for Democracy and Justice (PFDJ) and went onto establish one of the most autocratic, dictatorial regimes in the world.

1998 to 2000 – Eritrean-Ethiopian border clashes turn into a full-scale war which leaves some 70,000 people dead.

2001 – September: Eritrea’s president, Isaias Afwerki, closes the national press and arrests a group of opposition leaders who had called on him to implement a democratic constitution and hold elections.

END OF WRONG’S NARRATIVE

That’s as far as Wrong’s narrative covers. What follows is from the internet. There are loads of websites providing timelines.

2007 – Eritrea pulls out of regional body IGAD (Intergovernmental Authority on Development) as IGAD member states back Ethiopian intervention in Somalia.

2008 June – Fighting breaks out between Djiboutian and Eritrean troops in the disputed Ras Doumeira border area. At least nine Djiboutian soldiers killed. The US condemns Eritrea, but Eritrea denies launching an attack.

2009 December – The UN imposes sanctions on Eritrea for its alleged support for Islamist insurgents in Somalia.

2010 June – Eritrea and Djibouti agree to resolve their border dispute peacefully.

2014 June – The UN Human Rights Council says about 6% of the population has fled the country due to repression and poverty.

2016 July – The UN Human Rights Council calls on the African Union to investigate Eritrean leaders for alleged crimes against humanity.

2017 July – UNESCO adds Asmara to its list of World Heritage sites, describing it as a well-preserved example of a colonial planned city.

Peace with Ethiopia

2018 July – Ethiopia and Eritrea end their state of war after Ethiopian diplomatic overtures.

2018 November – The UN Security Council ends nine years of sanctions on Eritrea, which had been imposed over allegations of support for al-Shabab jihadists in Somalia.


Credit

I Didn’t Do It For You: How The World Used and Abused A Small African Nation by Michela Wrong was published in 2005 by Fourth Estate. References are to the 2005 Harper Perennial paperback edition.

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Blood River: A Journey To Africa’s Broken Heart by Tim Butcher (2007)

I walked inside [the former Belgian restaurant in the Congo town of Kalemie] to find a wreck. A wooden bar ran along one wall and a Congolese lady stood behind it.
‘Do you have anything I could drink?’
‘No.’
‘Do you have anything I could eat?’
‘No.’
(Blood River: A Journey To Africa’s Broken Heart, page 103)

In the 1960s it was in Maniema that thirteen Italian airmen of the United Nations were killed and eaten, their body parts smoked and made available at local markets for weeks after the slaughter.
(Blood River: A Journey To Africa’s Broken Heart, p.134)

The Congo river system is potentially one of the most valuable assets in all of Africa, but in recent years it has been choked to a standstill by war and mismanagement.
(Blood River: A Journey To Africa’s Broken Heart, p.295)

As the lurid title suggests, Butcher is a journalist, not a historian or scholar. He was appointed Africa correspondent of the Daily Telegraph in 2000 and this book is a colourful description of his self-appointed task of repeating Henry Morton Stanley’s famous expedition across central Africa, from Kalemie on Lake Tanganyika, across country for 500 kilometres until he hit the River Congo, and then 3,000 or so kilometres down Africa’s second longest river, right down to the sea, beyond Boma – a journey he undertook in August 2004 (just as the Athens Olympics were about to start, p.322).

Limited use as a reference

Early on, Butcher inadvertently indicates the limits of his journalistic style or knowledge or interest or research, when he knocks off a description of the Rwanda genocide and how it unravelled into the two Congo Wars, which themselves degenerated into the Great War of Africa, in a mere two pages (13 to 14).

As it happens I’ve read about six book-length or chapter-length accounts of the Rwandan genocide and the wars which followed, all of which go into vastly more detail about this complicated and terrible sequence of events, and so I flinched a bit at the superficiality and, in my opinion, errors in Butcher’s brief summary. He has an interviewee say that Mobutu ‘invited’ ‘the Hutu gunmen’, the interahamwe, to flee into Zaire. He writes that ‘the Tutsi-dominated Rwandan government’ then sent troops to support Laurent Kabila’s insurgency (p.13).

This is not only very simplified but, in my opinion, actively misleading. It wasn’t just the interahamwe that fled into Zaire but the entire Hutu government and administration which had planned and carried out the appalling genocide of the Tutsi minority. Justifiably terrified of being captured and punished for their crimes, the Hutu administration terrified millions of Hutus into thinking the invading Tutsi-dominated Rwandan Patriotic Front would take revenge on them for the genocide, and so it turned into a mass exodus of a large part (about a quarter) of Rwanda’s population across the border into Congo.

It’s true that Mobutu had a long-standing close relationship with the Hutu leadership of Rwanda, but he didn’t ‘invite’ the fleeing génocidaires nor their million peasant compatriots into his country, they just crossed the border and presented Mobutu with a crisis (and an opportunity).

Butcher skips any explanation of the pre-existing civil war in Rwanda which was the context for the genocide and helps to explain it. Nowhere in the book does he mention the Rwandan Patriotic Front (RPF), or its leader and still the current president of Rwanda, Paul Kagame, or the key role the RPF played in ending the genocide when the entire international community (the UN, Britain, America, France) was standing by and letting it happen (to our eternal shame).

He nowhere explains that the Hutu génocidaires established an iron control of the vast refugee camps just inside the Zaire border and used them as bases to launch attacks against Tutsi villages inside Rwanda, continuing the genocide on a small scale while marshalling their resources to launch a re-invasion with the aim of completing the job of exterminating all the Tutsis.

He nowhere explains that the new Rwandan government of national unity repeatedly complained about the Hutu exiles to the Congo government of Mobutu, and begged the UN and international partners to step in and stop the raids and to rein in the Hutu génocidaires but that, once again, the international community did nothing.

He doesn’t explain that this was why, after a year of putting up with this destabilising presence on its western border, the RPF-backed Rwanda government decided to do something about it: to send its army into the Congo, dismantle the refugee camps, force the Hutu population to return to their country with promise of safe passage and that they would be unpunished if they just returned to their villages, while at the same time chasing the genocidal Hutu leaders and their mass-murdering militia, the interahamwe, deeper into Congo with the aim of killing them and putting an end to their genocidal plans once and for all.

He doesn’t explain how Kigali found a willing partner in the government of Uganda, which contributed its own forces, and suggested they use as a fig leaf and front man for their invasion, the drunken, womanising guerrilla leader Laurent-Désiré Kabila, who had been ‘fighting’ a small-scale insurgency against the Mobutu regime for 30 years and who they now put at the head of a new rebel force concocted for the purpose (the Alliance of Democratic Forces for the Liberation of Congo). Nor that the initial operation was so successful that Rwanda and Uganda decided to send their forces on right across Congo to the capital, Kinshasa, forcing the ageing ailing dictator Mobutu to flee the country (May 1996) and  installing their puppet, Kabila, as new president of Congo.

Butcher’s narrative gives the rough shape of these events but is, on my reading of the sources, wrong in most of its details, for example claiming that Rwanda and Uganda ‘backed’ a pre-existing military campaign by Kabila rather than Kabila being a convenient front man for an armed group invented for the purpose to cover an invasion entirely planned and led by Uganda-Rwanda.

It was when Kabila, safely established in power as the new president of Congo in 1997, began attacking his own Rwandan and Ugandan backers, ordering their troops to leave the capital, refusing to obey their orders any more, that Uganda and Rwanda, infuriated that their puppet had turned against them, mounted a second invasion, in 1998, to overthrow him.

This is why people refer to two Congo wars. The First Congo War, from 1996 to 1997 was the Rwanda-Uganda invasion to a) empty the Hutu refugee camps and b) overthrow Mobutu. The Second Congo War started in 1998 and was Rwanda-Uganda’s attempt to overthrow Kabila and impose a regime more friendly to them. It was this second invasion which got seriously bogged down because many of Congo’s neighbouring countries sent forces to support either the Kabila government or to ally with Uganda-Rwanda. Generally the alliances were influenced by deals to get their hands on Congo’s mineral resources. Thus Zimbabwe’s Robert Mugabe supported Kabila in exchange for access to minerals in Congo’s south-east, and so units of the Zimbabwean army found themselves fighting units from other nations in the tropical jungles of Congo, an expensive and bewildering waste of men and resources which distanced the Zimbabwe army from the regime (as described in Douglas Rogers’s account of the coup which eventually overthrew Mugabe).

This second conflict unravelled as not only forces from ten or so neighbouring countries got involved, but as regional warlords arose and seized control of different parts of the huge country. This is the complicated, multi-party conflict which is sometimes referred to as the Great War of Africa. Theoretically it ended with a peace treaty in 2003 but, on the ground, much violence continued in the form of roving bands of ‘soldiers’ or warlord-led militias, who emerged from the jungle, massacred villages, terrorised towns, looted all the food, raped all the women, murdered the men, then disappeared back into the jungle.

This, then, was the deeply insecure and scary environment in which Butcher planned to stage his recreation of Henry Morton Stanley’s epic journey down the Congo river. In the event, although he hears many rumours of roving warbands, although he hears from inhabitants of towns and villages of past attacks, and although he and his travelling companions race past small guard posts, he never in fact meets or has any encounters with any of the terrifying army, militia or tribal warriors.

I’ve summarised the events of the Congo wars in such detail because they are the vital backdrop to Butcher’s adventure, and because he refers to them again and again throughout the book, but mostly in what I regard as a misleadingly simplistic way. In particular I went from being puzzled to feeling a bit disturbed by his complete omission of the context of the genocide (i.e. the Rwandan civil war) and its cause (a deliberate policy of mass extermination in the name of Hutu Power), by his systematic downplaying of the genocide itself, by his complete omission of the name of the key organisation in both the civil war, the ending of the genocide, and the Congo wars i.e. the Rwandan Patriotic Front, and his preference for using the phrase ‘the Tutsi-dominated’ Rwandan government. The repeated use of this phrase cumulatively gives the impression that the source of all the disruption and violence in the region was the RPF-backed government in Kigali.

Now it is definitely true that the two Rwanda-Uganda invasions of Congo, first to overthrow Mobutu, and then to overthrow Kabila, massively destabilised the whole centre of Africa. But you have to understand that the RPF’s aim was to dismantle the Hutu regime which had just carried out the worst genocide of modern times, and then to overthrow the génocidaires’ main supporter, Mobutu, and install a government which would ensure that such a genocide never took place again. Unless you grasp that underlying motive for their actions you make it seem as if the Tutsi government was the unmotivated source of the disorder in the region. It certainly evolved into that situation, especially once all Congo’s neighbours piled in, but that wasn’t their initial motive.

The general thrust of Butcher’s account is correct and he repeats the outline of events several more times throughout the book, but almost all the fine details and the deeper background, which would help you make more sense of these tumultuous events, are either wrong or just missing.

In particular I found Butcher’s underplaying of the genocide (he mentions it but never dwells on what a truly horrific and regionally seismic event it was), his casting of the Hutus as helpless victims, and his continual nudging references to the violence across the region being caused by the ‘Tutsis-dominated’ government in Kigali, build up into a misleadingly incomplete and worryingly biased account of events. A casual reading of the book would lead you to believe that the Tutsis are the bad guys in the story and behind all the violence.

What I’ve just written is based on the following sources:

And, of course, Wikipedia:

But the same goes for Butcher’s versions of earlier events. On pages 58 to 59 he gives a brisk summary of the murder of Congo’s first president, Patrice Lumumba, which is heavy on gruesome detail (the acid used to dissolve the corpse) but very light indeed on the complex international and domestic crises Lumumba found himself facing and made considerably worse by his own troubled character and his chaotic and rash decisions, alienating the Americans who found him impossible to work with, then inviting the Soviet Union to send armed forces to help him put down secessionist movements, which alarmed all the Western powers, the Americans and the UN.

Again, Butcher’s account isn’t wrong, as far as it goes, but by focusing narrowly on Lumumba’s murder and heavily blaming the colonial power, the Belgians (Belgian army officers helped kidnap Lumumba then fly him to a remote part of the country, were present when he was badly beaten, then shot dead and buried in a shallow grave) Butcher’s account omits the six months of hectic crises which preceded it, and Lumumba’s role in exacerbating it.

He gives no sense of how Lumumba’s difficult character worsened the crises and, eventually, led everyone concerned (including many of his own ministers and his army) to believe that Congo would be better off with him out of the way and replaced by someone more stable and predictable.

I’m not defending these events. I’m just pointing out that Butcher’s zippy two-page account, focusing (like a thriller) on the gruesome events of the murder itself, omits the complexity of the context and so militates against a proper understanding.

For all these reasons I would actively advise against reading this book as any kind of authoritative source for the geopolitics of the region and the period. For that, the best place to start would be the outstanding ‘Congo: The Epic History of a People’ by David Van Reybrouck (2010).

Chaps in Africa

So, having established Butcher as a poor source of historical description or analysis, I was, in a sense, freed up to read the book for what it really is: a boy’s own adventure story, a ripping yarn, a white man’s tale of derring-do in the heart of Africa etc.

The ripping yarn tone of the story explains the praise on the cover from an impressive list of white, public school-educated, male Africa hands who recognise one of their own. These include: Alexander McCall Smith, Giles Foden, John le Carré and William Boyd. Boyd is quoted as saying: ‘The day of the intrepid traveller is not over’, which can be translated as: ‘White chaps can still have ripping adventures in the jungle’, a slice of cheery public school optimism which, once you’ve actually read the book with its bleak descriptions of super violence, social collapse and cannibalism, you might come to regard as pretty inappropriate.

Look at me, I’m woke

Butcher is at pains to stay on the right side of the reviewers and modern woke opinion by lambasting the wicked colonialists who exploited Africa during the wicked colonial period (the evils of wicked colonialism are described or referred to scores and scores of time) with a vehemence typical of a certain sort of middle-aged, middle-class, literary white man.

But I found the same is true of his dogged insistence on the evils of colonialism as of his references to the origins of the Congo wars, namely he’s not wrong, but, after a while, you start to realise he’s not describing the issue in its full complexity. He is, after all, a journalist, and so he’s writing in catchy headlines and peppy phrases.

For example, in several places he elides the truly evil, wicked, genocidal regime of the disgusting King Leopold in the 1880s and 1890s with the much more benign rule of the Belgian colonialists after the Second World War. OK, maybe they still had the same racist, white supremacist beliefs, but, as his actual narrative makes abundantly clear, they no longer massacred entire villages and cut people’s hands off; instead the post-war colonial regime built airports and railways and roads, and ports and docks, and ran mines and plantations and businesses and, above all, maintained the peace, creating the basis of a potentially prosperous country. Eliding the two eras and their policies into one thing struck me as morally dubious but also historically and politically misleading.

At one point, in a typically jeering throwaway remark, Butcher says it was one of Belgium’s most notable blunders that they didn’t train up a cohort of educated native politicians and administrators to take over the running of the country when they left. This sounds fine but it’s really a cheap shot because the Belgian colonial authorities, just like the French and British ones, thought they would be running Africa for decades to come and so had plenty of time to create an infrastructure and slowly train up the indigenes.

None of them anticipated the sudden rush for independence which was triggered by the independence of Ghana (in 1957). In particular none of them anticipated a key factor, which I’ve highlighted in my reviews of, for example, Martin Meredith’s bleakly hilarious book, ‘The State of Africa: A History of the Continent Since Independence’, which was that, once negotiations started, the African nationalist parties tried to outdo each other in demanding independence, soon, sooner, NOW!

With the result that the fiery nationalists at the conference called to discuss the future of the Belgian Congo demanded they be given independence within three months of the conference ending. Many commentators at the time thought this was wildly rash but they were, of course, all denounced as racist imperialists.

Ronan Bennett’s novel The Catastrophist is set against the backdrop of the crisis of 1960 and gives a lot of  factual detail about the lead-up to Lumumba’s murder. Some of the secondary characters who the impeccably liberal protagonist meets at cocktail parties etc point out that the Africans are nowhere near being able to run a country, that handing over rule to them will lead to massacres, white flight and the collapse of the country into civil war and…they are treated as racist bigots, disliked by the woke hero, ignored by the politicians. Trouble is, those racist bigots turned out to be 100% correct and then some. Rushed independence turned out to be an unmitigated disaster for the people of the Congo.

White privilege

Butcher takes every possible opportunity to slag off the wicked Belgian colonialists, but he is considerably less attuned to the way that he, a middle-class, well-connected white westerner, with thousands of dollars stashed in his kit, along with zippy technology (laptop and satellite phone) and possessor of tiptop connections to government authorities, numerous non-governmental organisations (NGOs) and the press (his employer, The Telegraph newspaper) is only able to undertake the journey because of his (relative) wealth, his white privilege and his western privilege.

Quite a few times he walks into the offices of bureaucrats or confronts African officials who are notably more respectful of him than of their fellow Africans who they’ve just been bullying, simply because he is a white man. The entire journey is only possible because he is, by Congo standards, rich, because he has thousands of dollars stashed in his clothes and so is able to pay Africans hard cash to drive him through the jungle, canoe him down the river, and generally bribe his way out of trouble.

That William Boyd quote could more accurately be rewritten as: ‘The day of the intrepid [western white male] traveller [with lots of cash and connections] is not over’.

In the footsteps of Stanley

Butcher’s entire expedition is an attempt to recreate Henry Morton Stanley’s great expedition across country to, and then down, the mighty Congo River, in which he was accompanied by three white companions and over 300 African porters, and which took three long gruelling years, from 1874 to 1877.

As you might expect, this inevitably entails several summaries of Stanley’s biography and character, of the great expedition (pages 44 to 49), and Stanley’s narrative (and illustrations) are referenced throughout the book, in particular whenever Butcher arrives at a place which Stanley first visited, or a town he in fact founded (for example, the settlement of Stanleyville which he founded at the end of the series of treacherous rapids which he modestly named, the Stanley Falls). Inevitably, Butcher also references Stanley’s central role in opening up central Africa for the murderous genocidal regime of the truly evil King Leopold of Belgium.

But again, I found Butcher’s account good as far as it went, but it never goes much beyond the stereotype of the wicked, brutal racist Victorian explorer. Butcher takes the standard journalistic view that Stanley was a wicked, violent, racist who treated his hundreds of native porters with appalling brutality and didn’t hesitate to open fire on tribespeople who got in his way. All the subtlety and complexity about the man and his achievements to be found in the (obviously much longer) biographies like that of Tim Jeal (2007) are simply absent. Jeal doesn’t gloss over Stanley’s brutality, but places him in the context of his time, compares him with other explorers, and explains the challenges he faced, from the treacherous Arab slave traders who dominated the region, to the often violent and sometimes cannibal tribes Stanley had to deal with.

I’m not in the slightest exonerating Stanley: the work he went on to do for King Leopold, systematically swindling scores of tribal leaders out of their ancestral lands by making them sign contract with Leopold which they obviously didn’t understand and had no legal validity, was obviously wicked and inexcusable. I’m just saying that, as with the Congo wars and Lumumba’s murder, Butcher’s journalistic summaries of Stanley gloss over the far more complex, more fascinating and therefore more useful facts.

Butcher’s mum

The blurb, the preface and much of the text all emphasise that Butcher is setting out to recreate Stanley’s epic voyage of explanation down the Congo – but on pages 8 to 11 we learn of a much more homely, domestic motive for his trip. His mother did it.

Butcher’s mum was a jolly hockey sticks daughter of the empire who, aged 21 in 1958, was packed off to southern Africa, with a friend, as a sort of finishing school. She travelled from Cape Town to Salisbury (modern Harare in Zimbabwe). It was the very end of the colonial era and so all the countries she travelled through – South Africa, Rhodesia – were still run by white colonial administrations, and so there was law and order and a good travel infrastructure: planes and trains and ferries ran on time and regularly.

This applied just as much to the 1958 Belgian Congo which the two young gells crossed as the final part of their journey. Leopoldville was the hub of one of Africa’s largest airline and the Congo’s chief port, Matadi, was served by a fleet of ocean liners. Everything – trains, planes, ferries – worked like clockwork , staffed by polite porters and obliging stewards – and so Butcher’s mother, when he used to question her, had little or no memory of it.

Now, 45 or so years later (2004), the countries she travelled through have collapsed into dictatorship (Zimbabwe) or chaos (Congo), most of the infrastructure of the latter having collapsed and disappeared back into the jungle (railway lines and railway sleepers long ago dismantled and sold for scrap or burned as firewood; stations derelict; docks abandoned, as in a dystopian sci fi movie).

Butcher’s mum kept brochures and posters and timetables from her trip which Butcher describes poring over lovingly as a boy and young man. And so Butcher’s adventure has this second level, not only retracing the steps of the man who ‘discovered’, mapped, named and revealed central Africa to western readers in the 1870s and 80s – but at the same time moving through the surreal ruins of what had once been the thriving and efficient colonial infrastructure remembered by his mum and recorded in the various brochures and timetables she kept, circa 1958 (plus other 1950s documents and guides he acquired in preparation for his trip).

So: two sets of ghosts, and that’s just the white ghosts. Obviously Butcher discovers, once he enters the country, that he is also moving among spirits of all the African tribes who lived and died, fought and were enslaved, and, more recently, burned and looted, their way through the same terrain. (See Ryszard Kapuściński’s excellent book, The Shadow of The Sun, for extended descriptions of how belief in the spirits of the dead continue to saturate African culture.)

So Butcher’s trip is alive with resonances and echoes.

Kalemie

Butcher starts his journey in the port of Kalemie on the west bank of Lake Tanganyika, which is where Stanley arrived with his huge expedition of over 300 porters, after having crossed country from Zanzibar and then crossed the lake from east to west. Instead Butcher kicks off his journey by flying there, direct from South Africa. I thought this was a slightly odd decision. To fully recreate the Stanley expedition he ought to have travelled overland from the Tanzanian coast to Lake Tanganyika, as Stanley did. It would have been interesting to have his description of modern-day Zanzibar and Tanzania, and would have maybe provided a useful contrast between one African country and another.

So anyway, Butcher flies direct to Kalemie on the western, Congo, side of Lake Tanganyika and it’s here that, after quite a few digressions about Stanley, his mum, the contacts he has drummed up in preparation for the trip, and the briefings he’s had, that he finally gets the journey started.

Kalemie straightaway provides a good example of the decline and decay all of Congo has fallen into, after 32 years of Mobutu’s systematic looting of his own country, zero investment and appalling corrupt local administration, followed by seven years (1997 to the time of his visit, 2004) of increasingly chaotic and widespread conflict. From a distance it looks like a modern town but once he’s landed and looks more closely:

What I had taken to be an estate of factories, damaged in the recent war in the Congo, turned out to be a ruin dating from a much earlier age. Faded advertisements could just be made out on the walls…Grass grew long and untroubled through the railway sleepers on the approaches to the disused station…An old railway carriage…stood rusting in the tropical heat. In one of the compartments someone had made a small cooking fire on the floor, now surrounded by various dirty pots…Instead of a functioning high street what I found was a dusty space filled by gaggles of meandering locals…Of the buildings themselves there was little beyond the fronts. Rust had not just coloured the roofs but eaten out huge holes through which tropical rain had flooded for countless rainy seasons…Pipes that once brought mains water to each building lay broken and there was not one working lightbulb…Without cobalt or diamonds or gold to draw outsiders’ interest here, Kelamie had been hollowed out by the years. Where there had once been a substantial settlement, nothing but the husk remained. (pages 85 to 85)

And this in ‘one of the biggest towns in the Congo’, a town with no state radio or TV, no newspaper, no landline phones and no internet, no petrol stations or cars, where the 1950s airport the Belgians built has become a bullet-riddled ruin (p.88).

This is what decades of neglect, lack of investment, lack of law and lack of local government produce, in a place ‘run by’ officials and administrators who do nothing but loot and steal and demand bribes for every transaction, a place where the state fails to provide either teachers or doctors or police (p.105). A key word or theme or image which threads through the text is ‘ruin’, along with its cousins, ‘derelict’, ‘wreck’, ‘decline’, ‘decay’ and ‘abandoned’.

Going backwards

Butcher hires some guys to take him by motorbike (two bikes and their owners for security’s sake, and because they know the route) inland from Kalemie. The key fact to grasp is that there are no roads any more, let alone railways. In the 1950s guides and the memory of his mother (and other accounts from the 1950s, which he cites) the major cities and many of the towns were connected by good asphalt roads which the Belgians built. Every single one of these has disappeared and been swallowed back into the jungle. Several times he comes across vehicles buried under decades of tropical foliage and realises that the narrow track through the jungle where he’s standing was, 50 years previously, an open, asphalt highway busy with cars and lorries. Now all gone, disappeared.

Similarly, Congo’s main cities were joined by railway lines and all of these have disappeared. In some cases the metal rails have been removed along with the sleepers and all that’s left is a track worn flat by the trudging of African feet. In town after town he comes across derelict, abandoned railway stations. In one particularly vivid moment he’s struggling through thick tropical forest, the sky blocked out by interlocking trees swaying high above him, dense foliage pressing right up against the narrow path he’s pushing his motorbike through when his boot clunks against something metallic. When he squats down and scrapes away at the thick soil and undergrowth at his feet he is stunned to reveal a metal rail. Beneath his feet and completely swallowed up by raw jungle is a railway which was part of thriving, developing country just 40 years previously. He is staggered by how quickly, and how totally all these infrastructures have been utterly lost, by how swiftly the country has unravelled and gone backwards.

Butcher’s journey

So Butcher rides pillion on the back of a motorbike from Kalemie heading directly west, roughly following the old abandoned overgrown railway line which once ran alongside the River Lukuga and linked Kalemie on Lake Tanganyika to join the River Lualaba between Kabalo and Kongolo. But after a 110k or so they take an abrupt right turn, heading north towards Mukumbo, then onto Kabambarre, and then to Kasongo, a now-ruined port on the River Congo.

This journey doesn’t look much on the (very good) map in the book, but it was in fact a mind-boggling 500 kilometres. (The book contains one master map of the entire route, done in a professional cartographic style, and then each chapter of the actual narrative starts with a charming hand-drawn map of that particular leg of the journey, complete with hand-drawn dotted lines, place names, and distances. Sweet. And handy.)

Anyway, Butcher covered this awesome 500k on the back of a motorbike! Along rutted, narrow, earth tracks bounded by tropical rainforest and continually littered with tree roots, bumps and ravines, streams, gulley and occasional rivers. No wonder he got a sore bum!

He takes a (very basic) ferry across the river and, on the other side, contracts more motorcyclists to drive him through 200km more narrow winding jungle paths, via the (ruined) town of Kibombo and on to another riverside port, Kindu. It’s on this leg that he comes across the wreckage of an armoured car which was shelled and destroyed during a firefight on a major road paralleling the river. Now the road has completely disappeared and all that’s left is a rusting metal hulk, almost completely overgrown by jungle.

In Kindu he contacts the local UN station (‘Hi, I’m a white jounralist’) which agrees to convey him in one of their river patrol boats 150k north, to the riverside settlement (not a town, just a few huts on the muddy bank) of Lowa. Here the friendly, civilised UN sailors set him ashore, with much shaking of heads over his folly, and Butcher, very scared, approaches some local Congolese lounging near huge wooden canoes. He is greatly relieved when one of them agrees to take him by canoe, or pirogue, the 200k by river further north to the town of Ubundu. This man, Malike Bade, quickly recruits three other oarsmen and off they set.

Ubundu, the ruined town which had once been the thriving Belgian port of Ponthierville, marks the start of the 150k or so of rapids and waterfalls collectively (still) named the Stanley Falls. Butcher has to transfer from the river to dry land and hitches a ride with some motorcyclists who work for a western charity (‘Hi, I’m a white journalist’), who have just delivered supplies to Ubundu and are now returning to their base at Kisangani, the big settlement which marks the end of the Stanley Falls.

It’s on this leg that he has the haunting experience of stumbling across a rail from the railway the Belgians built running north-south parallel to the river, now not only abandoned but completely buried by the tropical jungle (pages 248 to 249).

It was one of the defining moments of my journey through the Congo. I was travelling through a country with more past than future, a place where the hands of the clock spin not forwards, but backwards. (p.249)

Kisangani is the first town in nearly 1,000 kilometres which has proper roads, car, electric power, hotels worth the name, and running water, and bed with clean sheets, so he has an orgy of showers and sleeping and eating proper food, and then more showers and more eating and sleeping.

He discovers Kisangani may look like a big functioning town but most of the infrastructure here, as everywhere else in Congo, is in ruins – the ruined railway station and the ruined harbour, the riverside cranes which look so impressive from a distance but haven’t worked for decades, broken beyond repair:

a shell, prone to spasms of political anarchy and chaotically administered by inept, corrupt local politicians…It owed what little stability it had to the artificial props of a large UN force and foreign aid workers. (p.255)

And the local politicians do everything they can to undermine even these fragile elements of stability. A few months before he arrived in Congo there had been conflict in the profoundly unstable Bukavu region far to the east on the Rwandan border, with reports of Rwandan forces massacring Congolese. Instead of calming opinion, Kisangani’s officials inflamed it and blamed the deaths on the UN for failing to protect the Bukavese, with the result that angry mobs went on the rampage, looting then setting fire to UN buildings, ransacking aid organisations’ offices and warehouses, while the so-called police stood by or even joined in.

When you read of events like this you wonder, why are we bothering to give money to help people who are so absolutely determined to ruin themselves?

I heard heartbreaking stories about corrupt Congolese officials pocketing aid money intended for local public-health workers, and local soldiers not just looting aid equipment, but brazenly asking for cash to hand it back to its rightful owners. Many in the aid community spent their time counting the days until their contracts were up and they could go back to the real world. (p.285)

A Catholic missionary, Father Leon, tells him about the notorious massacre of monks and gang rape of nuns which took place here in 1964 (24 November 1964, to be precise), was widely reported, and helped crystallise world opinion that Congo was slipping back into Stone Age barbarism (pages 270 to 274).

After five days Butcher moves out of his hotel and into the last large mission being run in the city, by the Missionaries of the Sacred Heart of Jesus. After two weeks of sounding out local ship crews and NGOs, trying to find a boat which will take him down the river, after numerous disappointments, Butcher eventually secures a ride on a UN patrol boat (‘Hi, I’m a white journalist’) which will take him the 1,000 kilometres down the river to the port of Mbandaka.

On the way he becomes ill and weak with fever so that by the time he arrives at Mbandaka, he just can’t face another week or two or three hustling for his next ride down the river. Mbandaka is much smaller and more ruinous than Kisanagani was, so there isn’t even a hotel. God knows where he’d stay. Whereas the UN riverboat captain had told him that a UN helicopter service left the following morning for Kinshasa.

Reluctantly, but with great relief, Butcher travels the 600k from Mbandaka to the country’s capital, Kinshasa by helicopter. Here he is put up in the amazingly luxurious gated compound owned by a major international mining company, which won lucrative contracts by helping with the smooth transition of power after wily old Laurent Kabila was unexpectedly assassinated (16 January 2001) and succeeded by his completely inexperienced son, Joseph Kabila, aged just 30 at the time.

Only after days of showers, lots of sleep, taking a variety of medicines, eating proper food and drinking clean water in this rich, privileged western enclave, does Butcher feel human again, and in a position to decide what to do next. He consults with the senior guy minding the mining company compound who explains that there are no buses or taxis in Kinshasa. The only possible option is to pay to have one of the mining company’s cars and driver drive him along the only remaining road in the entire country (recently refurbished with foreign aid money) the 350k to the Atlantic port at Boma. So that is what he does.

In total the journey took him ‘six harrowing weeks’, 44 days, and was a dazzling, deeply depressing insight into the state of contemporary Africa.

Butcher’s bleak view of Africa

As the Telegraph‘s Africa correspondent, Butcher is amusingly blunt: Africa is fucked, that’s his basic position. African nations were screwed by the colonial powers from the Congress of Berlin to independence (the 1880s to the 1960s); then suffered epic civil wars and/or the extended rule of vicious kleptocrats; and have now mostly fallen into states of disrepair, degradation, police states, autocracies, characterised by epic corruption, horrible everyday violence, and the regular occurrence of coups or civil wars.

The one constant through all these episodes was the heavy undertow of human suffering. It gnawed away at every African epoch I read about, no matter whether it was caused by nineteenth-century colonial brutes or twenty-first century despots. Generations of Africans have suffered the triumph of disappointment over potential, creating the only continent on the planet where the normal rules of human development and advancement simply don’t apply.

It was this sense of stagnation that troubled me most as I worked my way through my reading list. Sub-Saharan Africa has forty-one separate countries of stunning variety – from parched desert to sweaty rainforest, from wide savannah to snow-tipped volcano – and yet as I did my background research, the history of these varied countries merged into a single, pro forma analysis…as crude as the underlying assumption: that African nations are doomed to victim status.

By the time I started working in Africa as a journalist in 2000, its patina of despair had thickened to impenetrability… (p.4)

Certainly, when it comes to Congo, Butcher regards it as a country which has comprehensively gone to ruin, a place which has not only ceased developing but is actively undeveloping, moving at speed back into pre-20th century, pre-industrial times.

The failure of the Congo is so complete that its silent majority – tens of millions of people with no connections to the gangster government or the corrupt state machinery – are trapped in a fight to stay where they are and not become worse off. Thoughts of development, advancement or improvement are irrelevant when the fabric of your country is slipping backwards around you. (p.289)

Butcher has a map from 1961 which shows all the railways, roads, airports, mines and towns built by the Belgians. Now almost all of them are abandoned and have faded back into the jungle. The Great War has left the huge territory divided between regional powers, armies and militias or just local bandits, any of whom might stop and shoot you for no reason.

Butcher is continually, vehemently rude about the white man, about colonialists, about outsiders who came into Congo, and is much consumed by the white supremacist, racist, arrogance which thought it knew what was best for the Congolese. Again and again he makes the same point.

And yet very often, in the very next paragraph, he goes on to describe at great length, and very upsettingly, just how completely Congo was devastated by its kleptocratic rulers, by Mobutu and his clique in faraway Kinshasa, who developed the cult of the leader of the nation while all the while stealing every last dollar from their people, building grotesquely luxurious palaces and villas, buying scores of properties around the world, while the infrastructure of entire provinces such as Katanga collapsed and disappeared back into the jungle.

And then he goes on to describe the work of the United Nations which strives hard to bring the warring sides in Congo’s endless conflicts to the negotiating table, which expends a small fortune trying to police the ceasefire at locations all across this country as large as a continent. For example, the story of Kisangani which saw horrific levels of violence in various civil conflicts, whose infrastructure and economy collapsed, and is nowadays only just about propped up by the UN and western NGOs, when the local population aren’t ransacking them.

The point being that, no matter how woke, anti-colonial and politically correct Butcher tries to be in his editorialising, the blindingly clear conclusion from his long, gripping narrative is that the Congolese simply cannot rule themselves. (p.319).

As soon as they tried to (June 1960) the place collapsed into a series of civil wars along with tribal massacres on a hair-raising scale, and now, as he writes (2004), 43 years after independence, Butcher’s journey amounts to an odyssey through a country which has not only failed to develop but is, to use his powerful neologism, undeveloping, with communities all across the country deprived of the clean water, electricity, communications, industry, travel infrastructure, even minimal education, even the most basic medical facilities, all things they took for granted under the Belgians.

Now it’s all gone, decayed, corroded, overgrown, crumbled to dust, and the country has reverted to its African origins: impenetrably difficult to travel across, riddled with disease (cholera from the water, malaria from the ubiquitous mosquitos) and infested with blood-thirsty, savage warrior bands, who arrive out of nowhere, kill all the men, rape all the women, burn the village to the ground, then disappear back into the jungle.

It’s a tropical hell. It’s Hieronymus Bosch in the jungle.

Summary

As I’ve probably stated at too great a length, I was unhappy with Butcher’s journalistic and rather superficial descriptions of many key aspects of Congo’s modern history. And I am gently mocking of the contradiction that, despite his insistent criticism of colonialism and white racism and imperial exploitation etc, it is only because he is a white westerner and (relatively) rich that he can pay the locals to ferry him wherever he wants, waltz into UN offices anywhere in the country and not only get their attention but persuade them to help him out (by boat, by bike, by helicopter). He’s a white man. Of course they’ll help.

But what I haven’t emphasised enough is that Butcher is also a cracking writer, with a great eye for detail. His descriptions of the jungle, the ruined settlements, primitive villages or scary cities (like Kisangani) are vivid and compelling. It’s a gripping, exciting read.

And also, Butcher has a knack for interviewing people or getting them to tell him about themselves and stories about their trade, village, town, or local history. Obviously these stories are tidied up and made fit for western consumption, he’s a journalist, that’s what he does. But he talks to a wide range of people who begin to build up a sense of opinions and experiences from right across this vast country.

(There are obvious omissions: he never speaks to anyone from any of the armed militias which, according to his interviewees, roam so much of the jungle, emerging to carry out unspeakable atrocities, but then journalists rarely do. They’re not the kind of people who make for compliant and articulate interviewees and so their voices are consistently absent from most western accounts.)

So although there are better books to go to in order to to understand the recent political and military history of the Congo, Butcher’s sweaty, fearful, sleepless, buttock-bruising account gives you a really vivid feel for what the country and its actual population – thousands of miles from the slick government spokesmen and official narratives of downtown Kinshasa – are really like. And a vivid and almost overwhelming sense of the dreadful fate, almost complete social collapse back into the Stone Age, which so much of it has undergone.

On the long slow journey down the river aboard a UN patrol boat (more accurately, a primitive tug or ‘pusher’) Butcher finds himself audience to an impassioned diatribe by the Malaysian captain, Mohammed Yusoff Sazali, who explains that Malaysia, like Congo, was colonised for centuries; Malaysia like Congo was subject to a cruel racist colonial masters (the British); Malaysia gained independence about the same time as Congo (1957 and 1960); Malaysia like Congo was dragged into Cold War conflicts. And yet, 50 years later, Malaysia is part of the world, has achieved great things in education and health, has a booming economy, they even host a Grand Prix every year. While Congo is collapsing year by year into pre-industrial, Stone Age poverty. Why? Why has Malaysia stormed ahead and Congo fallen so far behind? The skipper:

had distilled the quintessential problem of Africa that generations of academics, intellectuals and observers have danced around since the colonial powers withdrew. Why are Africans so bad at running Africa? (p.310)


Credit

Blood River: A Journey To Africa’s Broken Heart by Tim Butcher was first published by Chatto and Windus in 2007. References are to the 2008 Vintage paperback edition.

More Africa reviews

Two Weeks in November by Douglas Rogers (2019)

This book is great fun. Whereas Martin Meredith regards the history of Zimbabwe as a tragedy and loads every page with doleful hand-wringing, Rogers thinks it’s a hilarious farce.

Rather than thinking of every speech and law as a further nail in the coffin of 1960s dreams of African independence, Rogers is a child of the 1980s, carefree, at home in the modern world, all dark glasses and retro cars, smart phones, snapchat and WhatsApp.

This being the 21st century, you don’t kick a man when he’s down – you tweet insults at him. (p.155)

For Rogers, Harare isn’t the site of crushed dreams of a socialist dream, huge shanty towns and an impoverished populace, no, he’s interested in the upmarket suburb of Borrowdale where the Zanu-PF elite have their lavish mansions, complete with swimming pools, golf courses, fleets of sports cars, yeah baby.

Rogers’s characters aren’t boring old human rights lawyers and grim-faced opposition activists, but flashy international businessmen, like Ameerh Naran, a young Indian-Zimbabwean entrepreneur who owns a private charter jet firm, is a racing driver in his spare time, and holds the licence to import sex toys into Zimbabwe, a man at home in the jet set of Monaco or Miami or Aspen.

Again and again Rogers has his characters refer to ‘the game’ of high politics, intrigues and espionage which may, in the end, actually be the most realistic way of thinking about it.

  • The game they were playing had reached the highest levels and it made the heart race. (p.165)
  • It was a turning point in the great game. (p.176)
  • Such is life in the death game of Zimbabwean politics. (p.210)
  • And so the final stages of the great game began. (p.217)
  • Jacob Zuma was the most powerful and influential figure in the game at this point. (p.221)
  • Such was the surreal nature of the game. (p.235)
  • What it meant was that the game had to play itself out. (p.255)

History as thriller

The whole book is written as a tongue-in-cheek homage to airport thrillers:

On a bright afternoon in the spring of 2015, driving past the mall near his suburban Johannesburg home, Tom Ellis spotted his assassins. (p.37)

Right down to the classic American thriller’s obsession with precisely detailing and enumerating every piece of branded clothing which every character is wearing:

Ellis, wearing slim-fit jeans, short-sleeved checked cotton shirt and the trademark Veldskoens common to white Zimbabweans of his generation, led the way. (p.39)

His favourite adjective is the American ‘upscale’ meaning ‘expensive and designed to appeal to affluent consumers.’ It’s contemporary history in the style of ‘Miami Vice’.

Origin of the book

In November 2017, Robert Mugabe, decrepit ruler of Zimbabwe for 37 long, brutal, corrupt years, aged 93, was finally toppled from his position in an army coup. Rogers was a travel writer and had drafted half a book about the his latest African journey when he heard the news. A native Zimbabwean he had, like so many well-off whites: a) fled the country (to settle in Virginia, USA, in his case) and b) given up any hopes for reform or change to his country.

So he promptly returned to Harare and sniffed about a bit i.e. spoke to various contacts and, as he did so, an amazing story began to unfold. He was put in touch with people who put him in touch with more people who unfurled the nature of the complicated, multi-party coup which had overthrown the old dictator. At which point he rang up his publishers and told them he had something much hotter than another middle-aged road trip to write about and they graciously agreed to wait while he embarked on entirely new book, this book, a detailed exposé of the complex plot to overthrow Robert Mugabe.

And, because he clearly has a terrific sense of humour, and an ironic, detached approach to politics, Rogers has cast the story in the style of an airport thriller. It’s full of facts and figures and explanations of Zimbabwe’s history, Mugabe’s career, Zimbabwe’s steady decline under his management, the failed attempts to oust him by democratic means etc etc. But all told in a bright and cheerful, lollzy manner.

Above all, he zeroes in on the key players in the drama, giving us descriptions of them, their houses, spouses, children, roles in Mugabe’s administration or the Zimbabwe or South African spy agencies and so on, then describes secret meetings at restaurants, late-night flights, smuggling people across the border, clandestine meetings and all the rest of it, exactly as in a poolside spy thriller.

The plot

By the later 2010s the political party Zimbabwe African National Union–Patriotic Front (Zanu-PF), which had ruled Zimbabwe for 37 years, led by the wizened old dictator Mugabe, had split into two warring factions. Very simple reason – the issue of who was going to replace the old brute.

On one side his vice-president and long-time colleague at the top of Zanu, Emmerson Dambudzo Mnangagwa – also known as ‘The Crocodile’, supposedly because he moved slowly but was deadly, but in fact due to his involvement with the so-called Crocodile Gang during the war of independence (p.131). Also known as ED. His supporters were nicknamed ‘the Lacoste faction’ after the stylish brand of polo shirts they sported (p.21). Note that, although Mugabe was a senile 93, ED was no spring chicken himself, at 75.

On the other side was Mugabe’s second wife, Grace Mugabe, forty-one years younger than him, a typist who he began an affair with while his first wife was still alive (though dying of cancer), who he’d married in 1996 and had three children with (p.66). For ten years or more she’d been widely mocked as interested only in bling and shopping and had acquired a series of nicknames including the First Shopper, Gucci Grace and Lady Gaga.

But at the turn of the 2010s, Grace began to show a more active interest in politics and by 2016/17 she was using public appearances to attack the opposing faction in the party, thus positioning herself to inherit Mugabe’s mantle. Her supporters became known as Generation 40 (G40) because they were the new, younger generation. Prominent in her clique were Jonathan Moyo (former Information Minister), and Saviour Kasukewere (ZANU-PF political commissar).

The two weeks in November 2017 began when Mugabe announced, obviously under pressure from his wife, that he was dismissing his long-time deputy, ED, with the threat that he would immediately be arrested, and the narrative proper gets started with the panic-stricken meeting of ED and his sons who spend a feverish evening figuring out escape routes to smuggle their dad out of the country.

It was one of these plans which ropes in Ameerh Naran who I mentioned above. Naran helps them get a doctor’s certificate vouching that ED is ill, which would allow him to be flown to South Africa on a medical flight (seeing as the airports are, by now, all being watched by Zimbabwe’s security service to ensure that ED doesn’t catch a normal flight leaving the country).

In the event, the panic-stricken conspirators ditch that plan half way through and instead drive in a convoy bearing ED, his wife Auxillia, sons (Junior, Sean and Collins), cousin Tarirai, a friend Hosea Manzunzu (aka Limping Jack), Jenfan Muswere andWise Jasi, along the highway east to cross the border into Mozambique.

At which point the narrative cuts back in time and to South Africa, where builder and fixed Tom Ellis (55) has for years helped out a network of anti-Mugabe people. He confronts two agents from Zimbabwe’s secret police who are tailing him, Kasper and Magic (p.57).

Backstory describing Zimbabwe’s decline. Between 2000 and 2010 4 million Zimbabweans left the country, most to go and live in South Africa. Ellis was an emigre but he wanted to heal his home country. At first he worked with the Movement for Democratic Change (MDC), founded in 1999 and which provided a viable opposition in the later 2000s, and actually won the 2013 election, but had itself splintered into factions and lost his drive.

It was then that the rivalry in Zanu-PF began to emerge and Ellis began to make approaches to the people around ED. No doubt his phone was bugged and this explains why he found himself being tailed by Zim secret service agents.

Thumbnail sketch of Kasper, real name Charles Wezhira, who had risen from a dirt poor background with the help of his policeman father, to become a secret service operative. He had fought in the Zimbabwean forces sent to intervene in the Great War of Africa in 1997, which is when he thinks the rot set in with Mugabe’s regime, triggering inflation for ordinary people while Mugabe and the elite made fortunes on military contracts and/or corrupt mineral concessions from Zaire’s short-lived president, Laurent-Désiré Kabila. Then in the early 2000s came the campaigns to dispossess white farmers and give their land to veterans of the liberation war, 1964 to 1979.

In response to increased opposition, which crystallised in the MDC, Mugabe expanded the operations of the Central Intelligence Organisation (CIO) to create a ‘Securocrat State’, until an estimated one fifth of the population were spying on the rest (cf the Stasi in East Germany) (p.54).

The role of Christopher Mutsvangwa, chair of the Zimbabwe National Liberation Veterans Association. After a long and distinguished career serving Zanu-PF (as cabinet minister, ambassador to China), by 2016 Mutsvangwa had had enough. In July he meets with Ellis the fixer, who introduces him to leading MDC members and exiles in South Africa. He made a big speech denouncing the cult of personality around Mugabe, announcing that the war veterans no longer supported him, and was promptly sacked.

The spy element comes in when Ellis’s CIO contact, Kasper, points out that one of the Zimbabwe exiles they’ve just met with in an SA pub is in fact a CIO spy, indeed took a pally, matey photo of the group with Mutsvangwa which he immediately sent back to the CIO for use in Zanu propaganda against him.

Cut to the scene where human rights activist and Zimbabwean exile in South Africa, Gabriel Shumba, is approached by Kasper and Magic who he initially assumes are going to assassinate him. Having been arrested, beaten up, tortured, arrested again and forced into exile, Gabriel isn’t surprised by anything. In fact, Kasper introduces himself as a CIO operative who is, however, working against Grace and G40, and for the replacement of the Old Man by the Crocodile.

Kasper has names for the phases of his operations: 1) The Move 2) Shock Tactics 3) The Final Push 4) Full Scale.

It’s only when, in February 2017, Kasper takes him to the hospital room of the dying MDC leader, Morgan Tsvangirai, who tells him to trust Kasper, that Gabriel signs up for the project. And learns that Ellis had already been signed up for 6 months.

Kasper turns his own assistant, Magic, and introduces a third CIO operative, Horse. He takes to guarding Mutsvangwa in SA, while making regular trips back to Harare to sound out colleagues and contacts. With Gabriel and Ellis working the Zim exiles in SA, they slowly build up a network of important contacts committed to blocking G40 and working for an ED succession. On a particular night after yet another meeting in a bar, Kasper and Tom make a formal agreement which they jokingly title the Northgate Declaration, because that’s the name they can see on a sign from the car park.

On 12 August someone tried to poison ED at a party rally in Gwanda. He was flown to hospital in South Africa and survived. When Kasper heard he knew the conspiracy had entered a new phase. Time to take it to the next level.

And so the narrative returns to where it broke off, with the exciting all night three-car convoy carrying ED and family towards the Mutari crossing into Mozambique. Twenty of more pages are devoted to the Hollywood thriller events which followed: the cars are stopped at the border, there’s a delay, it becomes clear their cover is rumbled and the border guards have called for reinforcements; at which point ED’s sons and cousins cause distractions, get into a brawl with the guards, just long enough for ED to jump into one of the cars and be driven away at high speed. They drive up to the hills and hide out in a village which remembers him from liberation war days. Via cell phones the three groups establish they all escaped.

They then enact an extremely complicated plan: they rustle up some dissident army men who drive them up to an illegal border crossing into Mozambique,,m some way north, but which involves crossing a minefield, which they’re able to do with the help of a local guide. Or so they hope. Then a long arduous trek through sweaty jungle top the nearest two-bit town, where they hole up in a flea-bitten hotel, while waiting for Mozambique contacts to meet them. Then they’re driven to an airfield where there is an immense delay which, in their paranoia, they think must be because the cops are being called but turns out to be because it’s late, there were no more scheduled flights, and all the computers had been turned off!

A private charter plane flies in from South Africa, loads up ED and Junior, and flies them into SA. Even here there are security guards who they think must be setting a trap, but no, they’re waiting for someone else. And, finally, after a 72-hour harem-scarem chase, ED and Collins are driven in black SUVs to a safe house belonging to Zimbabwe millionaire Justice Maphosa, where they join hands (and with the security guards) to pray, before tucking into a meal of chicken and salad.

Joice Mujuru

Zanu-PF’s attempts to ridicule, threaten, sack and hound ED and the long vitriolic ad hominem attacks made by Lady Gucci, were in fact identical tactics used to ruin and disgrace the previous vice-president, Joice Mujuru 2014 when she, too, looked like she was shaping up to be Mugabe’s successor. In other words, it was a repeat of a well worked-out playbook. Mujuru was disgraced and retired from politics. The differences this time were a) ED refused to take it lying down and b) Agent Kasper had for two years been working to create a support network for him, among friendly factions within Zimbabwe, and among the emigre community in SA, which was able to swing into action to support him.

What that means in practice is the Zim exiles call a press conference at a Sandton hotel, in which Mutsvangwa, former leading light of the Mugabe regime, sits next to Gabriel, high profile torture victim of the Mugabe regime, and they jointly declare the Mugabe regime must be overthrown, to a small audience of the world’s press (Times, BBC, CNN etc). More than that, though, it represented a very high official within Zanu-PF (ED), Christopher (head of the war veterans) joining forces with the MDC exile diaspora (represented by Gabriel and Ellis). In other words, a message to ordinary Zimbabweans that a broad front was now united in overthrowing the president.

Rogers then lets slip a lot of information he had been witholding about the scale of the military contacts Kasper had made; about a series of meetings Gabriel, as a lawyer, was invited to with an Zimbabwe army general and brigadier, who probed him about legal means of overthrowing Mugabe.

The team now adopt the Holiday Inn Johannesburg airport at their base. A lot of spooks had been hanging round the press conference; someone tried to assassinate Gabriel earlier in 2017; the rhetoric coming out of Harare about traitors and running dogs etc is hair-raising. The Holiday Inn has only one entrance and exit, through gated doors. Perfect.

Kasper commissions two emigre Zimbabwe commentators (Acie Lumumba and Tino Mambeu) to appear all over SA media saying Mugabe’s time was up. The team is given tasks, with some reaching out to contacts in America to gauge the US response if Mugabe were overthrown. The head of the army had only recently been sent to China; this overlapped with Muntsvabwa’s time as ambassador to China; he made calls to sound out the country which had become the biggest foreign investor in Zimbabwe.

But it’s the army that does it, confirming the reader’s suspicion that, although he has met and interviewed and noted exactly the interactions between Kasper, Ellis and Shumba, there’s a big hole at the centre of Rogers’ narrative, which is the actual planning and carrying out of the military coup.

What he pieces together is that General Chiwenga flew back into Harare airport where his forces, with perfect timing, disarmed the civilian police and the Police Support Unit, their paramilitary wing. Within minutes he is greeted off the plane, greeted by senior officers and whisked off to the main barracks in Harare.

Next day at 3pm, the General gives an unprecedented press conference saying the army will protect itself from insults and abuse, and ‘the revolution’ from counter-revolutionary elements. There is no coverage of all this on that evening’s national news. Next day, Tuesday 14, there is a response of sorts from the young head of Zanu’s Youth League, hardly adequate. Army units begin to leave their barracks.

That evening army units surround and disarm their most serious potential opponents, the PSU, then move to seize Parliament, State House, the Supreme Court, ZANU-PF headquarters and police headquarters. Meanwhile, back in Jo’burg, Gabriel is summoned by his military contacts and spends the next 8 hours giving legal advice, via the general and brigadier, to the forces on the ground in Harare. He has one massage: don’t shoot anyone.

Soldiers seize the headquarters of the state broadcaster. Gabriel is insistent in Jo’berg that the journalists must be treated well, and allowed to leave at the end of their shifts. Miraculously, this comes to pass and the soldiers let the broadcast staff simply walk away and go home. The army units then turn to trundle up the hill to the president’s mansion, known as the Blue Roof. Gabriel’s guys are radioing commanders on the ground to tell them to surround the presidential mansion but to let Mugabe et al come and go as they please. They are trying to avoid the appearance of a coup.

Troops do mount an armed assault on the luxury homes of Finance Minister Ignatius Chombo and of G40 leaders Moyo and Saviour. they phone Grace who sends a car which arrives just after the armed assault is, inexplicably, called off, and which takes the wives and children to the Blue Roof. Saviour and Moyo follow in the footsteps of ED eight short days earlier, and drive to the Mozambique border, crossing into exile.

At 4am on Wednesday 15 November Major General SB Moyo (who hadn’t hitherto appeared in the narrative) makes a broadcast assuring the country the president is safe and free to come and go and assuring viewers abroad that this is not a coup.

Rogers explains why this was so important. During the 1990s the Southern Africa Development Community set up a task force to prevent coups taking place and even overturning them (in Equatorial Guinea, Sao Tome and Principe, in Gabon).

Therefore, it’s interesting to read that former ambassador Muntsvangwa’s role was to talk to South African president Jacob Zuma – well, Zuma’s people, anyway – and establish a clear narrative; that a coup had already taken place, Grace and G40’s seizure of power from Mugabe. What he and the military were doing was reversing that coup. Aha! He plays on their common background as military men who fought in liberation struggles, and points up the difference with Grace and the G40 faction who are unrepentant consumer capitalists.

Another ZDF had just been dispatched to the African Union in Ethiopia where he tells AU officials – also pledged to prevent or undo coups – that this is not a coup it is the reversal of a coup.

But a key element of a change of government is the approval of the people. Rogers gives a fascinating account of how the disparate members of the Core Group reached out to all their contacts and organisations in order to organise a million person march in support of the new regime in just 36 hours.

Rogers devotes a chapter to describing how he and his mates drive back into Zimbabwe and into Harare and took part in the massive march themselves, eyewitnesses to history. He shares some trite tripe about how people are emotional beings:

We like to believe that we are rational, sober-minded people, but we are all driven by emotion, and great political moments appeal to the irrational in us – the heart. (p.246)

So felt the crowds during the French revolution, the Russian revolution, the Iranian revolution, the Arab Springs, all of which led to even worse state terror and repression. Rogers’s lack of policy and reliance on emotion is identical to Mugabe’s reliance on revolutionary fervour and militant rhetoric instead of practical, workable policies. Heart and feeling aren’t enough, nowhere near enough. Then again, I can appreciate it must feel delirious to be in at the end of such a long repressive regime and full of hope for the future.

The real work is being done within ZANU-PF itself, with activists liaising with all its regional offices to send in requests for Mugabe to step down as president and Grace and the G40 to be expelled. A big live TV speech was set up, with cameras showing Mugabe surrounded by the military, looking old and frail. But to everyone’s absolute astonishment he refused to reign, just told the country they were going through a sticky patch, to all pull together, then he got up, shook a few generals’ hands and tottered off.

Mugabe rang political leaders, such as South Africa’s Jacob Zuma and Zambian president Edgar Lungi, but nobody would intervene to prop him up, a fact Mugabe would later bitterly criticise.

Having been let down, the authorities then commenced impeachment hearings against Mugabe on Tuesday 21 November. The proceedings are packed and complicated by last minute negotiations between ZANU-PF and the MDC and also about reluctance to be the individual to launch the impeachment as, if it failed, that person would be guilty of treason.

But proceedings had hardly got under way when a message was brought in that Mugabe had, at long last, officially resigned. Wild partying in all the cities till dawn the next day.

However, a dark note is cast over everything when Kasper and Magic, Horse and Gabriel are driving out to the latter’s farm and stop for refreshments when two carloads of intelligence people pull over and abduct Kasper and Magic, submitting them to a week of beatings and kickings before Gabriel, who escapes back across the border to South Africa, uses all his MDC and NGO and human rights contacts to have them tracked down and released.

Then it’s Friday 24 November and ED is sworn in as new president. And then Rogers tells us, as if it’s a big surprise, that when you overthrow a dictator, you unleash all kinds of forces, rivalries, political bitternesses which had been kept under wraps. Well spotted. I think the people of former Yugoslavia could explain this a bit more. Or Iraq. Or Libya.

Anyway, as he writes his text in February 2019, there have been ruptures within both the MDC (under new leadership since Morgan Tsvangirai died of cancer in February 2018) and ZANU-PF and the army and security forces, not all of whom were happy with the coup that wasn’t a coup.

Then when there were protests which turned to riots, the army shot at protesters, killing a number, and any international businesses or western donors will have thought that Zimbabwe was back to its old ways.

Timeline: November 2017

Sunday 5 – at a Presidential Youth Interfaith rally Grace Mugabwe makes a speech attacking the vice-president, talking about ‘crushing the head’ of the snake of opposition within the Zanu-PF party i.e. Emmerson Dambudzo Mnangagwa (ED).

Monday 6 – ED receives a letter announcing the termination of his position as vice president, a fact announced on the national broadcaster, ZBC

Tuesday 7 – in the early hours ED, his sons and close friends escape down highway, but are stopped in a confusing fracas at the border

Wednesday 8 – having hidden out in the hills, they make another crossing on foot guided through minefields through local dissident soldiers into Mozambique

Thursday 9 – arrive at Beira airport and take charter flight to SA

Sunday 12 – General Chiwenga flies back to Harare from China

Monday 13 – General Chiwenga gives a press conference threatening counter-revolutionary elements in the party i.e. G40

Tuesday 14 – army units leave their barracks and seize key locations around Harare

Thursday 16 – decision taken to organise a people’s march; fake news flashes over social media that Mugabe has resigned

Friday 17 – Muntsvangwa decides they will relocate the SA team to a hotel in Harare, where his veterans have been assembling

Saturday 18 – vast peaceful protest march through the middle of Harare

Friday 24 – ED is sworn in as second president of Zimbabwe

Thoughts

Vivid

I assume the details of Rogers’s narrative are correct, although you can tell that he’s taking liberties inventing characters’ conversations and thoughts. But, despite any misgivings about the semi-fictional format he’s cast his story in, it felt much better at giving you a feel for life in contemporary Zimbabwe than the documentary books by Martin Meredith I’ve read. It gives you a real feel for the depth of corruption, the details of the high life lived by the elite, and the scariness of the secret security state which Mugabe created.

Meredith is on the outside, disapproving, while Rogers is on the inside, marvelling.

No policies

In chapter 12 there’s a lot of soppy maudlin stuff about long-time campaigners for a better Zimbabwe imagining that the way their motley coalition (the military, secret service, army veterans who had displaced white farmers, white farmers in the exile union etc etc) had all gotten together and created a rainbow alliance was somehow a model for a new reborn Zimbabwe.

What this sentimental horseshit shows is a) a complete lack of understanding of what a state is, the depths of corruption which authoritarian rule creates and how it takes generations to overcome and reform; and b) that nobody in the entire book at any stage mentions a single actual policy. The entire narrative and, apparently, all the players in it, see things solely as a political powerplay. Nobody has a clue what to do about reviving the agricultural sector, running state companies effectively, making the country attractive to western investors, restoring an independent legislature and freedom of the press.

The reverse: all the army’s statements continue with the hackneyed dusty old clichés about saving ‘the revolution’ from ‘counter-revolutionary elements’, of saving the Party etc. In other words, the key players in the coup are all operating within the fake-revolutionary ideology and rhetoric which Mugabe used to conceal his corruption and authoritarianism, can’t get out of that controlling mindset.

What happened next?

Even though Mugabe’s gone, his successors will inherit his security apparatus, the webs of surveillance, arrest and torture, and will be tempted to use it. I see from recent news stories that a) Emmerson Mnangagwa is still president of Zimbabwe and that b) he is deploying standard Mugabe-type laws to stifle free speech and opposition.

Plus ça change, plus c’est l’Afrique. Or, as Rogers’ mother tells him when news of the coup first breaks out, whoever takes over, it’ll be ‘same bus, different driver’.


Credit

Two Weeks in November by Douglas Rogers was published by Short Books in 2019.

Related links

A World In Common: Contemporary African Photography @ Tate Modern

This is an outstanding, wonderful exhibition bringing together some 150 photographs (and a few installations and videos) by no fewer than 36 photographers and artists from across Africa. It is full of breath-taking and beautiful works, suggesting a continent alive with wonderfully creative, innovative artists.

It’s divided into three ‘chapters’, each of which are sub-divided into themes. To quote the curators:

The first chapter is rooted in ancient African cultures and traditions which have survived periods of struggle and resistance. Inspired by Pan-African liberation movements, the second chapter looks at photography’s ability to produce counter histories – archival practices and the agency of photographer and subject are brought into focus. The third chapter explores the impact of globalisation and the climate emergency.

Chapter 1: Identity and tradition

Queens, Kings and Gods

For centuries Africa was conquered and colonised by European countries. The artists in room one pay tribute to the monarchs and matriarchs who resisted colonial conquest and occupation. The photographers here invoke the heritage of kingdoms such as the Asante of Ghana and the Yoruba of Nigeria, who are descended from the goddesses and gods of the ancient spiritual capital, Ilé-Ifẹ̀. Thus a series of big, beautifully clear portraits of traditional monarchs of the present day by George Osodi (born Nigeria 1974).

Installation view of ‘Nigerian Monarchs’ series by George Osodi (2012 to 2022) in ‘World in Common’ at Tate Modern (photo by the author)

There is a set from the ‘We Live in Silence; sequence by Kudzanai Chiurai (born 1981, Zimbabwe) which elaborately recreates biblical narratives, history painting and Christian iconography which themselves turn out to be scenes from the 1967 film, ‘Soleil Ô’, by Mauritanian-born French filmmaker Med Hondo. So, worlds within worlds…

We Live in Silence IV by Kudzanai Chiurai (2017) courtesy of the artist and the Goodman Gallery © Kudzanai Chiurai

Spiritual worlds

The next room gestures towards the complex and diverse history of religion across this vast continent. There’s a set of photographic self portraits by Khadija Saye (1992 to 2017, born and worked in the UK, of Gambian heritage). You might recall that it was one of these photos that British artist Chris Ofili used as the centrepiece for his huge new site-specific Requiem for Grenfell Tower at Tate Britain. In this sequence Saye photographed herself performs a series of rituals using sacred objects that combine her African, Christian and Islamic heritage.

Installation view of the ‘Dwelling: in the space we breathe’ series by Khadija Saye (2017) (photo by the author)

At the end of the room is a stunning work, a set of five huge digital photos arranged to create a striking tableau by Maïmouna Guerresi (born 1951, born in Italy, works in Senegal). Titled ‘M-eating – Students and Teacher’ it shows four girls and an older man sitting around a long table draped in a yellow cloth. The wall behind the table is inscribed with the Basmala, a Muslim prayer recited to elicit God’s blessings. It’s a huge and really powerful image of absorption and contemplation but, more than that, it’s just a beautifully clear and vividly coloured composition.

‘M-eating – students and teacher’ by Maïmouna Guerresi (2012) Courtesy of the artist and Mariane Ibrahim

Masks

The next room is devoted to the role of masks in African religion, ritual, folklore and culture. There’s a stunning series by Edson Chagas (born 1977 in Angola), the Tipo Passe series of sitters wearing contemporary clothes but traditional Bantu masks. ‘Tipo passe’ is Portuguese for passport and the frontal composition references passport photography.

Installation view of the ‘Tipo Passe’ series by Edson Chagas (2014) (Photo by the author)

Opposite these is a series of really wonderful photos by Leonce Raphael Agbodjélou (born 1965, works in Benin), instances from the Egungun series.

Installation view of ‘Egungun’ series by Leonce Raphael Agbodjélou (photo by the author)

As the curators explain:

Egungun is a Yoruba masquerade practice which calls upon the spirits of departed ancestors. Through ceremonial drumming and dance, ancestral spirits inhabit the bodies of Egungun practitioners to pass on blessings and guide the passage of the dead to the spirit world. Clothing plays an important role in Egungun masquerade – elaborate masks and fabrics must completely seal the performer’s body. Agbodjélou’s performers wear costumes which layer expensive foreign materials and traditional Yoruba cloth. This combination of the traditional and the contemporary parallels the Egungun’s complex role as mediators between the world of the living and the dead.

They’re absolutely stunning, vivid photos.

Untitled from the ‘Egungun’ series by Leonce Raphael Agbodjélou

There’s a massive video piece by Wura-Natasha Ogunji titled ‘Will I still carry water when I am a dead woman?’ and showing women dressed in colourful (traditional?) clothes, dragging kegs of water roped to their ankles through the backstreets of Lagos. Here’s a clip:

You may not be altogether surprised to learn that it’s a feminist piece. Their costumes evoke images of Egungun masquerade, a Yoruba practice that manifests ancestors’ spirits and is traditionally reserved for men, and Ogunji explains the piece is designed to question the heavy labour still done by many women in traditional societies.

Chapter 2: Counter Histories

The next room is big with a lot going on. Along one wall is a series of relatively small ‘family portraits’. These loving portraits of family members gesture towards the long history of studio portraiture that gave agency to African photographers and their sitters, letting them create domestic alternatives to the imperial rhetoric of colonial postcards, posters and magazines. These included pioneering photographers such as James Barnor in Ghana and Lazhar Mansouri in Algeria, photographing families and individuals who would gather proudly to have their portraits taken, often for the first time. All fair enough, but they’re relatively small and struggle to compete with the other, enormous offerings in the same space.

Most striking is the large assembly of old box files arranged on a pebbly red base. This is ‘A History of a City in a Box’ by Ndidi Dike (born UK, works in Nigeria). These old file boxes are filled with archival documents, including colonial-era postcards and photographs, and then carefully choreographed on sand and soil. It is a general metaphor for the way information was power for the old colonial authorities and was hidden away in files and folders but then, during the period of independence, colonial archives were abandoned, hidden and destroyed. And yet…that information decayed, became irrelevant, barely concealing the true earth of the country, its geological bedrock, symbolising the country’s real roots.

Installation view of ‘A History of a City in a Box’ by Ndidi Dike in room 4 of ‘World in Common’ at Tate Modern © Tate (Lucy Green)

In the centre, at the back of n this photo, you can see a set of four figures, blown-up and pasted onto cardboard bases, these are the work of Samson Kambalu (born 1975 in Malawi, works in the UK). They’re actually cardboard cut-outs of African soldiers use photographs sourced from the Weston Library in Oxford, UK. They represent the unnamed infantry who fought for the British Empire during the First and Second World Wars and were known as the King’s African Rifles. The cardboard indicates the soldiers’ expendable status to colonial powers. Behind them is a patchwork of quilts inspired by Kambalu’s childhood memories of collecting bubblegum cards of world flags.

Next to them, on the right, you can see a sequence of three big pieces. These are from the sequence ‘Figures’ by Malala Andrialavidrazana (born 1971 in Madagascar, works in France). These are collages of maps, fragments of bank notes, record sleeves and other archival documents which build up into complex, evocative collages. The maps are, as you might expect, old-style colonial-era maps, the idea being that maps were used by the imperial countries to define and control; while the images are of strong African figures, including striking portraits of ancient Egyptian queen Nefertiti and Zairean dictator Mobutu Sese Seko. These are strong, highly impactful images.

‘Figures 1861’ by Malala Andrialavidrazana (2016) at ‘World in Common’ at Tate Modern © Malala Andrialavidrazana

Away on the opposite side of the room is a large alcove with a distinctive black-and-white tiled floor, containing three big vivid sets of photographs by three different photographers.

They are, from left to right, four photos by Ruth Ginika Ossai (Nigeria), three by Hassan Hajjaj (Morocco) and four by Atong Atem (born 1994 in South Sudan, works in Australia).

Ruth Ginika Ossai’s portraits are carefully staged on floormats made of Astroturf and parquet-style laminate flooring. The backdrops are inspired by the special effects featured in Igbo gospel music videos and Nollywood films and give them a super-real feel.

The central three are by Hassan Hajjaj in a series called ‘Kesh Angels’ (named after the Hells Angels and the city’s motorbike culture). These are brilliant. The women are not only wearing vivid djellabas and veils but are posed in deliberately in-yer-face, take-no-**** attitudes. To cap it all, the frames are inset with tins of popular products, one appears to be lamb meat, another of tomato juice. So they’re stylish, stroppy, modern and funny.

Installation view of ‘Kesh Angels’ by Hassan Hajjaj (photo by the author)

To the right of the Kesh Angels are four portraits by Atong Atem. Atem portrays friends who are fellow members of Australia’s African diaspora. She says: This body of work honours the South Sudanese Dinka tradition of record-keeping and archiving as an intimate cultural practice.’ Aren’t they beautiful, brightly colourful, densely patterned, vibrantly alive?

‘Adut and Bigoa’ by Atong Atem (2015) courtesy of the artist and MARS Gallery © Atong Atem

Chapter 3: Imagined Futures

The final room contains yet more series of really strong photographs. The theme is the environmental challenges facing Africa, specifically its overpopulated cities and its degraded environment plus, of course, the heating up and drying out caused by global warming.

Kiripi Katembo (1979 to 2015, born and worked the Democratic Republic of the Congo) discovered that people in his home town of Kinshasa, capital of the Democratic Republic of the Congo, didn’t like being photographed. But he could get away with photographing their reflections in the city’s countless large puddles and pools of water. Often these contained rocks or building rubble, but Katembo discovered that the intrusion of these objects into the crystal clear reflections created an interesting disturbance. As the curators describe it: usually depicted as a chaotic and busy capital, ‘here Kinshasa appears as a dream-like landscape populated by shadows and unidentified objects.’

Installation view of ‘Un regard’ by Kiripi Katembo (photo by the author)

There’s a striking series of large black and white photos by Mário Macilau (born 1984, born and works in Mozambique). These, as the images instantly convey, document the workers of the Hulene landfill site in Maputo, Mozambique. Obviously it shows human beings reduced to picking through rubbish to glean a living, and, of course, affected by the toxic substances released into the air and soil by the widespread practice of burning.

‘Breaking News’ from ‘The Profit Corner’ series by Mário Macilau (2015) © Mário Macilau, Courtesy Ed Cross Fine Art

Related to the same topic of environmental destruction, but in a completely different register, is a series of 3 wonderful photos by Fabrice Monteiro (born 1972 in Belgium, works in Senegal). They’re from his ‘Prophecies’ series and they are absolutely brilliant.

Untitled #1 (2013) from ‘The Prophecy’ series 2013 to 2015 by Fabrice Monteiro in ‘World in Common’ at Tate Modern

‘The Prophecy’ series captures environmental issues facing communities in Dakar, Senegal, from forest fires to coastal erosion. Spookily tall spiritual figures, inspired by West African masquerade and animism, rise up out of the rubbish dumps, themselves made of rubbish and detritus. They’re stunning.

And next to them is arguably the best set in the show, the ones the curators have (wisely) chosen as the posters, a set of four quite stunning, beautifully, staged, semi-abstract photos by Aïda Muluneh (born and works in Ethiopia, 1974).

Installation view of ‘Water Life’ series by Aïda Muluneh, being (top row): The Shackles of Limitation, Steps (bottom row): Star Shine Moon Glow and The Sorrows We Bear

These were commissioned by the charity Water Aid and depict – in an obviously highly stylised way – ‘rural water access and its impact on women’s rights, well-being and education.’ The impact of global warming will obviously further degrade access to drinking water for hundreds of millions of people in the poorest countries. But clearly the thing here is Muluneh’s stunning use of a limited palette of bright blue and red, and her incorporation of traditional African body painting and dress.

Epilogue

The final (small-ish, corridor-like) room in the exhibition hosts videos by two artists. On the whole I don’t like videos. I don’t have the patience – the photos I’ve highlighted earlier in the show all make their impacts with dramatic immediacy whereas art videos are, by and large, extremely slow.

The most striking is ‘In Praise of Still Boys’ by Julianknxx (born 1988 in Sierra Leone, works in the UK).

The 3 or 4 minutes of this I sat and watched featured lots of footage of a very young Queen Elizabeth II visiting somewhere in Africa (Freetown?), white British sailors steering a motor launch through canoes rowed by local Africans, then British troops from the (I’m guessing) 2000 intervention in Sierra Leone (almost none of this is shown in the trailer, above). And this harking on about the British colonial legacy prompted the train of thought which follows in my political commentary on the exhibition.

Political commentary

I hugely enjoyed this impressive, wide-ranging exhibition about African photography as an aesthetic i.e. visual and psychological experience. But aesthetics and politics are far apart, at least in this exhibition and Tateworld more generally. As political analysis or commentary, this exhibition was rubbish. Dire. Seriously misleading. On and on and on and on and on the curators go about ‘colonialism’ which, for most of these countries, ended in the 1960s, 60 years ago, and on and on and on the curators and the artists go about the Atlantic Slave Trade, which Britain banned in 1807, 216 years ago.

In chapter 3 the curators optimistically claim that the featured artists ‘imagine multiple futures’ and cite Senegalese academic, musician and writer Felwine Sarr (born 1972) who calls for ‘Africans to think and formulate their own future’. In his 2016 book Afrotopia, Sarr writes:

‘Africa has always been the object of discourse by others. Now is the time to dream this utopia in Africa itself, to design Africa ourselves, to think, and to act for ourselves.’

Which immediately prompts two objections. 1) Dreaming isn’t going to get you anywhere, buddy. Practical policies might. See Paul Collier’s list of practical steps in his hard-headed book ‘The Bottom Billion’.

But more relevantly to this exhibition, 2) there’s almost nothing about the future, instead there is a sustained, deep immersion in the legacy of colonialism. Loads of the 36 photographers’ work is directly about colonialism, the colonial legacy, colonial control, colonial archives, ‘the colonial gaze’, colonial images, colonial photography, colonial identity cards, colonial posters, colonial postcards. The word ‘colonial’ occurs 26 times on the wall labels. Even if the artist isn’t themselves addressing it, you can bet the curators will drag in a reference to slavery or colonialism or both in their wall labels.

In other words, the overall effect of the exhibition is immensely backward-looking. It’s like a traumatised adult condemned to act out the abuse of their childhood again and again, with no hope of escape. Maps of colonial Africa, footage of colonial Africa, old box files from colonial Africa, old derelict buildings from colonial Africa, trying to escape from the Christian religion imposed by colonial Africa. Backwards backwards, everything relates backwards to a lost era of 60 years ago.

Here’s a timeline of the year and date African nations gained independence, just to make clear how long ago this all was.

24 December 1951: Libya
1 January 1956: Sudan
2 March 1956: Morocco
20 March 1956: Tunisia
6 March 1957: Ghana
2 October 1958: Guinea

1 January 1960: Cameroon
27 April 1960: Togo
26 June 1960: Madagascar
30 June 1960: DR Congo
1 July 1960: Somalia
1 August 1960: Benin
3 August 1960: Niger
5 August 1960: Burkina Faso
7 August 1960: Côte d’Ivoire
11 August 1960: Chad
13 August 1960: Central African Republic
15 August 1960: Congo
17 August 1960: Gabon
20 August 1960: Senegal
22 September 1960: Mali
1 October 1960: Nigeria
28 November 1960: Mauritania

27 April 1961: Sierra Leone
31 May 1961: South Africa

1 July 1962: Rwanda
1 July 1962: Burundi
3 July 1962: Algeria
9 October 1962: Uganda

12 December 1963: Kenya

24 April 1964: Tanzani (Tanganyika 9 December 1961 – Zanzibar 10 December 1963)
6 July 1964: Malawi
24 October 1964: Zambia

18 February 1965: Gambia

30 September 1966: Botswana
4 October 1966: Lesotho

We’re talking about the era of Sputnik. The era when the Berlin Wall was going upBefore the Beatles’ first LP. That is the era, of the 1940s and 50s, which so many of these artists, at least in their Tate interpretation, are harking back to, again and again and again.

This obviously indicates a glaring great gap, two gaps if you like, which are: 1) what happened in Africa during the 60 years since independence and 2) what is happening in Africa today?

Sixty years of mismanagement, civil war, famine and genocide

One wall label sports a quote from Kwame Nkrumah, first Prime Minister of Ghana, the first British African colony to become independent in 1957.

‘We believe in the rights of all peoples to govern themselves. We affirm the right of all colonial peoples to control their own destiny. All colonies must be free from foreign imperialist control.’

Nkrumah overflowed with utopian quotes about how socialism would bring peace and plenty to Africa, he was full of them (see the references to Nkrumah in my review of ‘The State of Africa: A History of the Continent Since Independence‘ by Martin Meredith).

What the Tate wall label does not mention is that Nkrumah went on to become a steadily more repressive figure, passing emergency laws, outlawing the opposition, creating a cult of personality, having himself referred to as the ‘the Man of Destiny’, ‘the Star of Africa’, ‘His High Dedication of Redeemer’ and so on. He was an outspoken supporter of the Soviet Union and Mao’s China, receiving a Lenin Prize, tried to abolish tribalism and wasted money on vast white elephant building schemes. He made himself very unpopular with the rulers of neighbouring African countries when it was discovered that he was supporting various communist and guerrilla movements to overthrow their capitalist governments. In 1966 Nkrumah was himself overthrown in a coup by the army which set about de-Sovietising the economy and reversing most of his calamitous economic policies. At independence Ghana had a GDP on a par with South Korea, but decades of political instability, military coups and economic mismanagement brought the country to the brink of ruin. Ghana is now 83rd in the world rankings of GDP compared to South Korea at 13.

NONE of this is in the Tate exhibition, none of it, no politics, no economics, no contemporary history at all. Africa’s desperate history of secessions, civil wars, genocides, famines, economic mismanagement, rule by brutal Marxist murderers, by kleptocrats and homicidal dictators, NONE of that is here, none. It is all erased, made invisible, ignored, brushed under the carpet.

Instead what the wall labels repeat again and again and again are the only two tunes they know, the evils of colonialism (ended in the 1960s) and of the slave trade (ended 200 years ago). Simplistic binaries.

Why artists and curators simplify history and politics to make them more acceptable

In my review of Paul Danahar’s irritating book about the aftermath of the Arab Spring, I sketched out four reasons why even high-end (BBC, Channel 4) coverage of foreign affairs tends to be simplified and sanitised. These are:

1. Logistically easy It’s easier to get stories out of countries where journalists and film crews can operate freely, so countries with good infrastructure, like Israel or America, tend to be over-represented.

2. Familiar narratives Editors prefer sticking to super-familiar, easy narratives, my examples being the Arab-Israeli conflict and the (now defunct) struggle against the apartheid regime in South Africa. Absolutely everyone was familiar with the outline of those stories which had taken on the simplicity of fairy tales. Pantomime narratives with pantomime goodies and baddies. Easy to understand, easy to write about, easy to feel moral indignation about, easy to go on marches about, all your emotions pre-packaged and ready to take away.

To give an example, bad stuff is happening in various parts of China (Xinjiang, Tibet) but my points 1 and 2 apply in that: 1) it’s difficult to get access to those places, and 2) the issues are complicated. But, for the sake of argument, say that a protest march in Hong Kong is broken up by riot police and – because it’s easy to access and easy to cover – it’s all over the front pages for days. Easy access. Easy issues. Somewhere we know about. Easy to relate to.

3. Britain-related Some places matter more to Brits than others because they used to be colonies or places where Brits lived and feel a residual attachment to, thus India, Hong Kong, Egypt, Kenya – or which we feel some kind of special responsibility for (the Middle East, all those lines on the map, the Balfour Declaration yadda yadda yadda). The result is that these countries are over-represented in British foreign news at the expense of everywhere else.

4. Student causes Lastly, there’s what you could call student politics. Some of these places are associated with big, simple-minded political causes. All good progressive people marched against apartheid in the 1980s. All good progressive people are outraged by Israel’s bombing of Gaza today. All good progressive people agree that China is not keeping to its bargain of letting Hong Kong remain a democracy. Etc.

In the same kind of way all good progressive people are shocked and disgusted by anything to do with the European empires. And all good progressive people are shocked etc by the slave trade.

These are hot button topics, guaranteed to win over the audience, please the crowd, which can’t fail to unite artists, curators and visitors in a cosy feeling of moral righteousness, moral superiority, grievance from the artists and grovelling apology by white gallery goers.

Slavery and the evils of empire are the new consensus topics – everyone agrees that they were utterly evil and that they explain everything about modern Africa.

All the artists chosen for this exhibition stick to the narrow line adopted by the curators that African history ceased some time in the 1960s, at the moment of independence, that nothing whatsoever has happened since then, that all Africans are still trying to cope with the trauma of imperialism or the trauma of the slave trade – and that absolutely nothing significant has happened since.

No military coups, civil wars, mad rulers, stupid socialist economics, thieving stealing looting leaders like Mobutu, psychopaths like Idi Amin, mass murderers like the Hutu regime in Rwanda, cannibals like the Emperor Bokassa, ruinous rebel leaders in Angola or Mozambique, warlord chaos in the Congo.

No African history beyond the 1960s is present in this exhibition because it doesn’t fit the simple-minded, pantomime-level narrative which many of the artists address and the curators almost obsessively promote – white slave traders / colonialists = evil, all black people = saintly victims.

I’m not saying the slave trade wasn’t bad or that colonialism wasn’t wretched, humiliating and shamelessly exploitative. Of course they were. And forms of neo-colonialism are obviously still alive and constraining African nations in all kinds of ways today. But that’s just the starting position: that’s the obvious stuff you need to process before moving on to a more sophisticated understanding of the situation.

You’re not going to begin to understand the plight of modern African countries unless you move on from the 1960s and engage with the 60 years of history since then. And then, once you’ve processed the 60 years since independence, it requires a further effort to engage with the host of military, economic and security issues which plague Africa today, in 2023.

Africa today

And what about the political and economic and social issues which face Africa today? Are these addressed in this exhibition? Is there any mention of the rise of Islamic fundamentalism across North Africa, of the havoc being wrought by al Qaeda, or Boko Haram, or al Shabaab? No. Nothing.

Is there any mention of China’s involvement in Africa over the last 20 years, buying up raw materials and rare metals and food in exchange for infrastructure projects? Mention of China’s ‘Belt and Road’ initiatives all across Africa? Nothing.

Any mention of Russia’s growing involvement in North Africa, specifically through the Russian mercenary outfit, the Wagner Group? Nothing.

Mention of the US’s surprisingly extensive investment in army, navy and air force bases across the region in efforts to combat Islamic terrorists? Nothing.

Lots of complicated geopolitical, military, strategic and economic manoeuvring is going on all across Africa, right now, as we speak, and none of it is discussed, described or even mentioned in this immensely backward-looking exhibition.

Conclusion

So I really liked lots of the art on display, a lot of these photos are stunning and breath-taking, world class, outstanding, and it is such a relief to get away from America and the usual suspects of the art world. Congratulations to Tate for staging this exhibition so beautifully and bringing so many great photographers to our attention.

But as politics this show is a washout, a whitewash, a travesty, a systematic erasure of African history for the last 60 years in favour of a fairy-tale story about colonialism. It not only takes absolutely no account of Africa’s 60 years of troubled tragic post-colonial history but presents a complete blank when it comes to the complex, difficult, multi-sided political issues faced by Africa today. An artistic triumph  but when it comes to any serious discussion of the political, economic and social challenges of contemporary Africa, this exhibition is a travesty, seriously misleading in its omissions, elisions and simplifications of a long inconveniently complex history.


Related links

Tate Modern reviews

Virtual War: Kosovo and beyond by Michael Ignatieff (2000)

Michael Ignatieff (born 1947) is a public intellectual, academic, journalist and, at one point, back in his native Canada, a high profile politician. Back when I was a student in the 1980s he was all over the British media, fronting thoughtful documentaries and high-end discussion programmes on Channel 4.

Ignatieff’s written a lot – novels, memoirs, histories, countless articles. One consistent strand of his output has been a series of books meditating on the nature and meaning of contemporary warfare. This began in 1993 with Blood and Belonging: Journeys into the New Nationalism and was followed by The Warrior’s Honour: Ethnic War and the Modern Conscience in 1998.

In the introduction to this volume, written in December 1999, Ignatieff says Virtual War is, in effect, the third in a trilogy about the nature of modern war – but this statement has been rendered redundant by the fact that he’s gone on to publish several more. As far as I can make out the sequence now runs:

  1. 1993: Blood and Belonging: Journeys into the New Nationalism
  2. 1998: The Warrior’s Honour: Ethnic War and the Modern Conscience
  3. 2000: Virtual War: Kosovo and Beyond
  4. 2003: Empire Lite: Nation-Building in Bosnia, Kosovo and Afghanistan
  5. 2004: The Lesser Evil: Political Ethics in an Age of Terror
  6. 2017: The Ordinary Virtues: Moral Order in a Divided World

His books contain extensive descriptions of contemporary conflict zones, fighting, wars and aftermaths. The first book in the series (‘Blood and Belonging’) contains riveting eye-witness reporting from the conflicts in former Yugoslavia; the second one has a chapter where he accompanies the head of the United Nations to Rwanda, Zaire and Angola; and the fourth one adds scenes from the conflict in Afghanistan. This one contains reportage from a Kosovar refugee camp and a description of a Kosovar village, Celine, where a disgusting massacre was carried out by Serb paramilitaries.

But Ignatieff is not a war reporter; there are plenty of those, filing daily reports from the front line of conflicts around the world. And similarly, he is not a military analyst; there are thousands of those, publishing papers in specialist journals analysing this or that aspect of the hardware or strategy involved in the world’s many conflicts.

Ignatieff stands aside from both those genres because his stance can perhaps best be summarised as ‘a moral philosopher considers modern conflict’. He goes into military and technical detail where necessary – for example, in this book he gives a detailed description of the command and control centres running the NATO bombing of Serbia in 1999, an extended explanation of how targets were established, confirmed and then the complex bureaucracy planners had to go through in order to get permission to bomb them. Very detailed, very informative.

But that isn’t where Ignatieff’s interest lies. He is interested in what this kind of conflict tells us about the nature of modern warfare and, above all, about the moral and political attitudes of the West – what it tells us about ourselves and the modern societies we live in. He is interested in trying to unpick the complex moral issues which the conflicts he covers raise or have created or are evolving or distorting. His aim is:

exploring the new technology of war and the emerging morality governing its use. (p.7)

Maybe it’ll help if I summarise the short introduction in which Ignatieff unpacks the different senses of the word ‘virtual’ which underpin this book and give it its title.

(If you want to know the historic and geopolitical background to the war in Kosovo read the relevant section of my review of Anthony Loyd’s book, Another Bloody Love Letter. Ignatieff devotes a fascinating chapter, ‘Balkan Physics’, to a detailed account of the recent history and complex power politics which led up to the conflict, paying special attention to the failure of American diplomacy in the region and then to the change of tone brought by new Secretary of State, Madeline Allbright, pages 39 to 67.)

Virtual warfare

Ignatieff thinks the Big New Thing about the war in Kosovo was that it was a virtual war. What does he mean? Well, he uses the word ‘virtual’ in quite a few senses or contexts.

1. The public

It was a war which most people in the West watched on their screens, in which they had little or no investment or commitment. For Ignatieff this is a worrying new development. For example, will ‘war’ slowly morph into a particularly gruesome spectator sport? Does this mean that the populations of the West no longer believe in their causes enough to slug it out face to face? Will this, over the long run, weaken our resolve to mount wars when we need to?

2. Air force screens

It was a ‘virtual war’ in at least two further senses. The ‘war’ consisted mostly of NATO’s 78-day-long bombing campaign carried out against Serbian forces inside Kosovo and against crucial infrastructure in Serbia itself, especially in the capital Belgrade. No ground forces were sent into Kosovo and this, apparently, confused NATO’s air force, whose doctrine and training leads all of them, from air commodores down to pilots, to be expect to co-ordinate air attacks with ground forces, to be called in by radio to support ground attacks. They were unused to an army-less war.

Instead, the pilots, and their controllers back in control and command centres in locations in the West (Italy, Germany, Belgium, the US, the UK) worked via computer readouts of target information and then by sharing the view of the in-plane cameras which the pilots were using.

Thus the people choosing the targets and guiding the pilots towards them had pretty much the same view as the viewers at home (who got to see selected plane or missile-based footage which NATO released to the press). Obviously they were deeply involved in actually making it happen, identifying, assessing, instructing and so on. But nonetheless, it was, for these technicians, also a ‘virtual’ war, fought or, more accurately, experienced, via screens.

3. No army

Let’s go back to that point about no army. There was no NATO presence at all in Kosovo during the 78-day bombing campaign. There had been Western observers and peacekeepers in Kosovo but overnight they became enemies of Serbia, liable to be arrested and used as hostages, and so they were all withdrawn. So there were no NATO soldiers on the ground at all. Which is why Ignatieff very reasonably asks, What kind of war is it which involves no army at all on our side?

And furthermore, no casualties. None of the pilots of the thousand or so NATO planes which flew nearly 100,000 sorties were lost. A couple were downed by ejected. So Ignatieff further asks, What does it mean that the West can now go to war without fielding an army and without risking the life of a single combatant? Surely this is the kind of war fought by people who don’t want any casualties, a kind of war without the physical risk.

Previously, wars have involved loss of life on both sides. Western leaders have been slow to commit to war (British Prime Minister Neville Chamberlain being maybe the most famous example) because they knew the bloody horror it entailed. But now there is no bloody horror. There is no risk. What, Ignatieff asks, does that do to the very definition and concept of war?

How does that change everyone’s perception of what a war is? How does it effect:

1. Policy makers Does it make them more liable to intervene if they think they’re risking less – financially, but above all in terms of casualties, with consequent minimal damage to their domestic reputation and ratings?

2. The public in Western nations Will it teach the public to become so risk-averse that as and when a serious commitment of soldiers on the ground is required, it will be unacceptably unpopular? Will old-style fighting become less and less acceptable to a public acculturated to watching everything happen on a video screen? Will we refuse to countenance any conflict in which we lose soldiers?

3. The enemy On the face of it, the use of laser-guided precision weapons ought to scare adversaries so much that they are put off ever triggering the intervention of the West and its high-tech weapons. In fact, as he reports in detail, the reality in Kosovo turned out to be the exact opposite: President of Serbia, Slobodan Milošević, cannily triggered the West and then, in defiance of all our best efforts, carried out his nation-scale ethnic cleansing.

Because Milošević knew that as soon as the bombing started NATO would withdraw its ground forces and so he would be free to do what he wanted to the Kosovar population. He intended to drive them right out of their own country using exemplary terror i.e. using his army and paramilitaries to massacre entire villages and burn them to the ground, thus terrorising populations nearby to flee across the border into Macedonia or Albania – and that is exactly what happened. Hundreds of thousands of Kosovar refugees were harried out of their own country, even as the NATO bombing campaign proceeded. According to Human Rights Watch, by early June 1999, more than 80 percent of the entire population of Kosovo and 90 percent of Kosovar Albanians had been displaced from their homes. Amnesty International estimated that nearly one million people were forced to flee Kosovo by the Serb terror campaign.

On the face of it, then, this new kind of hi-tech gee-whiz ‘virtual’ war let the bad guys get away with it, with genocide and ethnic cleansing. In other words, the first ‘virtual’ war undermined its own rationale: it seemed very much as if what was needed to force the Serbs to end their ethnic cleansing was precisely what had been so carefully avoided i.e. face-to-face clashes between NATO forces and Serb forces. In other words, traditional warfare.

4. No mandate

Lastly, Ignatieff claims it was also a virtual war in the sense that the forces involved weren’t technically at war. The NATO forces who bombed the Serbs for 78 days never actually declared war on Serbia, no UN resolution was passed to justify this attack on a sovereign state, and none of the legislatures of the European countries who went to war were called on to vote for it.

NATO lawyers cobbled together a justification in law but, like everything to do with the law, it is subject to endless interpretation and debate. Even the outcome was unorthodox, a so-called ‘military technical agreement’ which didn’t settle any of the issues but merely allowed the entrance of NATO ground forces into Kosovo to protect the population while the diplomats went back to the negotiating table. But the fundamental issue is simple: Was NATO’s bombing campaign against Serbia legal or illegal under international law?

I’m no lawyer but what I took from Ignatieff’s account was that the campaign was technically illegal but was morally and politically justified. NATO used force as a last resort, after all attempts at mediation and conflict resolution – mainly at the talks held between NATO, the Kosovo Liberation Army and Milošević at Rambouillet in France – failed to find a solution.

NATO’s aim was to save lives, to put an end to Serbia’s low-level policy of massacre and ethnic cleansing. But does a worthy aim – saving the lives of a defenceless population – justify breaking one of the fundamental principles of the UN and the post-war international consensus, namely that the integrity of the nation state is sacrosanct; that nobody has a right to intervene militarily in the affairs of another state. This is one of the central moral-political-legal questions which Ignatieff returns to again and again.

To intervene or not intervene?

Like its two predecessors and its successor, Virtual War is a) short and b) not so much one consistent through-written book, but a collection of articles, published at different times in different magazines, but with enough thematic unity to work as a book. And each article or chapter focuses on particular aspects of the Kosovo war which I’ve itemised above.

Thus the issue I just described – whether the West was justified in attacking Serbia – is dealt with in chapter three, which consists entirely of an exchange of letters between Ignatieff and the British lawyer and politician, Robert Skidelsky, three from each of them.

The chapter may be short (16 pages) but it gets straight to the point and is packed with argumentation on both sides. Skidelsky argues that respecting the integrity of states has (more or less) kept the peace since the Second World War. If we alter that fundamental premise, if – like UK Prime Minister Tony Blair – we argue that we are so convinced of our moral rectitude and our case that we are justified in intervening in other countries wherever minorities are threatened by oppressive governments – then the world will descend into chaos.

Ignatieff politely but firmly disagrees. He describes himself as an ‘internationalist’, meaning that he agrees that the basis of the international system is the integrity of the nation state, but he also believes in the human rights of individuals and of communities, and that this second principle can clash with the first and, in Kosovo, trumps it.

He’s our author, so the weight of evidence from the other chapters tends to bolster Ignatieff’s argument. But Ignatieff tries to present a fair fight, giving Skidelsky’s objections as much air time as his own views. I very much took Skidelsky’s point that the notion Tony Blair was promoting in various public speeches (particularly, apparently, one given in Chicago on 22 April 1999, pages 72 and 74), that the West not only has the power to intervene in rogue regimes, but is obligated to intervene, is a terrible precedent. The road to hell is paved with good intentions (p.73).

And indeed, we know what happened next, which is that, after the 9/11 attacks, the US, under President George W. Bush, bolstered by Tony Blair and his interventionist stance, decided to intervene in both Afghanistan and Iraq. Overthrowing the absolutely awful dictator, Saddam Hussein, sounded like a great idea. Liberating Iraq and rebuilding it as a modern democracy sounded like a great idea. And how did those interventions turn out? Catastrophic wastes of time, money and lives, which left the region more unstable than before.

In this respect, Virtual War is a snapshot in time, capturing a moment when the interventionist mindset was new and still being explored and worked through. This is a fancy way of saying that quite a lot of it feels out of date. Ignatieff’s subtle premonitions about a new type of warfare have been completely superseded by subsequent events in Afghanistan and Iraq.

Content

As mentioned, the book consists of chapters which bear a strong resemblance to standalone magazine articles. In his previous books these had each been based around particular issues or countries. Here each chapter revolves around a central figure. These are:

  • Richard Holbrooke, impresario of the 1995 Dayton Agreement which ended the Bosnian War, architect of US policy in the Balkans, who Ignatieff follows and interviews as he mounts frantic shuttle diplomacy in the runup to the outbreak of hostilities (December 1998).
  • Robert Skidelsky, British economic historian, crossbench peer in the House of Lords, and vocal opponent of the bombing campaign against Serbia who Ignatieff debates the legality of the NATO bombing offensive with (May 1999).
  • General Wesley Clark, Supreme Allied Commander Europe (SACEUR) from 1997 to 2000, who commanded Operation Allied Force during the Kosovo War, and is profiled as part of an extended description of how the bombing campaign was managed, not only technically in terms of selecting targets etc but at a diplomatic level (June 1999).
  • Louise Arbour, a Canadian, who was Chief Prosecutor of the International Criminal Tribunal for Rwanda in Arusha, and of the International Criminal Tribunal for the former Yugoslavia (ICTY) in The Hague. In this role she indicted then-Serbian President Slobodan Milošević for war crimes on 27 May 1999, the first time a serving head of state was called to account before an international court. Ignatieff interviews her at length on the tribulations of setting up the Tribunal and especially of getting enough evidence to prosecute Milošević (July 1999).
  • Aleksa Djilas, Yugoslav writer and dissident, friend of Ignatieff’s, opponent of the bombing campaign not only on general humane grounds but because he is a Serb and so imprisoned by the propaganda of the regime. He flatly denies that the massacres of civilians, whose bodies Ignatieff saw with his own eyes, were carried out by Serbs. claiming they must have been caught in the crossfire of battles with the KLA. He couldn’t accept the fact that his nation was carrying out a genocide using Nazi tactics. Refusal. Denial.

As in The Warrior’s Code, Ignatieff has fantastic access to the top dogs: he accompanies leading figures such as Holbrook and his cohort of other US negotiators (ambassador Richard Miles; liaison officer with the KLA fighters, Shaun Byrnes) in the fraught weeks leading up to the bombing campaign; he has lunch with US ambassador to Macedonia, Chris Hill; he is part of the press pack covering a visit of Arbour’s to the Kosovar village of Celine, scene of a typical Serb massacre of unarmed civilians (lined up and machine gunned in cold blood). He interviews Arbour at her headquarters in the Hague, a conversation he reports at length.

Ignatieff vividly conveys what life is like for these jet-setting international politicians and lawyers: 1) the hectic lives, the endless mobile phone calls, dashing for planes or helicopters, setting up meetings, taking more calls. He 2) acutely dissects the issues they have to grapple with. But where Ignatieff comes into his own is with his 3) insightful analysis of the themes or issues or moral problems arising from the challenges they face; the general issues which arise from trying to resolve ethnic conflict, from intervening in a sovereign state, from trying to achieve some kind of justice for the victims.

Critique

1. The idea of a screen war not so novel

For me the weakest part of the book was Ignatieff’s claim that watching a war via a TV screen was somehow a) new, b) morally degrading, c) fraught with perilous consequences. It shares the same tone of moral panic as the chapter in The Warrior’s Code about the ever-increasing power of television. Looking back from 2023 both concerns seem out of date and overblown. Since Ignatieff was writing (in 1999) screens have come to dominate our lives to an unimaginable extent, and this has had many social consequences which impact Ignatieff’s ideas and interpretations.

But I disagree that watching a war on the telly was something radically new in 1999. People in the UK had been watching war footage on telly at teatime ever since the TV news was established in the 1960s. I remember listening to punk songs taking the mickey out of it in the 1970s (5.45 by Gang of Four, 1979).

And, of course, in the UK we had a war of our own, in Northern Ireland, which was on the TV news almost every night for decades before Ignatieff started worrying about it. So I question Ignatieff’s claim that watching the Kosovo conflict on the telly was a radically new departure with worrying social implications.

2. Kosovo’s ‘virtual’ war in no way replaced conventional conflict

At a more serious level, the ‘virtuality’ Ignatieff wants to make such an innovation of Kosovo hasn’t changed the face of war as much as he claims. In his long final chapter Ignatieff claims the West is living through a revolution in warfare, and that the new technology of cruise missiles, laser-guided bombs, and remote control will change warfare for good, and he sets off worrying about the implications for all of us.

But it wasn’t true. The American invasion of Iraq in 2003 wasn’t carried out entirely by remote control, it required a conventional army with tanks and armoured cars and all the rest of it, and then degenerated into a counterinsurgency which was even less remote, very much requiring boots on the ground (as described in excruciating detail in Thomas E. Ricks’s two books about the Iraq War, Fiasco and The Gamble).

OK, so was Iraq just a blip, have other wars continued the radical new ‘virtual’ path worries about? No. Take the war in the Ukraine. A conventional army (accompanied by its disgusting mercenaries) has invaded a neighbouring country and is being repelled by an entirely conventional army and air force. No doubt lots of screens are being used by everyone involved, maybe drones are being deployed and maybe some of the missiles are cleverly targeted, but most are not, and the whole thing feels like a traditional boots-on-the-ground conflict.

So not only have a lot of his concerns about war and society been superseded by the events of the last 23 years, but his central concern about the perilous consequences of ‘virtual war’ can now be seen to be exaggerated and unwarranted. He worries that war via screens will end up being no more than a spectator sport, emptied of meaning, and lacking engagement or understanding by the wider population. That is not at all what happened with the wars in Afghanistan and Iraq.

Anticipations of ‘Empire Lite’

In scattered remarks through the book, and then more pithily in the introduction, Ignatieff draws the central conclusion which will go on to underpin the next book in the sequence, 2003’s ‘Empire Lite’.

It is based on the run of events during the 1990s in which the UN and the so-called ‘international community’ performed so abysmally. They let down the Marsh Arabs who revolted against Saddam Hussein in 1991 and were very slow to support the Kurds who Saddam drove up into the mountains to die of exposure. They abandoned the mission to Somalia after the Black Hawk Down incident in 1994; in the same year the member states of the UN failed to cough up enough troops to enable the peacekeeping force in Rwanda to prevent the fastest genocide in history. Then in July 1995 UN peacekeepers once again stood by helplessly while Serb militia rounded up some 7,000 boys and men in the Bosnian town of Srebrenica and murdered them all.

In his earlier books Ignatieff visited the sites of mass murder in Rwanda and of massacres in Bosnia. This book gives a stomach-turning description of the massacre of unarmed Kosovar women and children carried out by Serb paramilitaries at a village called Celine. Did those Serb soldiers think it was serving their country to shoot unarmed women and children point blank in the head? Did they think this is what soldiers do? That this is what makes you a man – murdering little children?

These experiences drive Ignatieff to his Big Conclusion, which is that the West needs to intervene more, more deeply, more extensively, with more troops and resources, and for longer, than it has hitherto done.

Sitting above the Stankovec 2 refugee camp, packed with Albanian Kosovars who have been hounded from their homes by the Serbian army, and reviewing the West’s dismal record of failing to prevent ethnic cleansing in Yugoslavia, Ignatieff’s conclusion is surprisingly blunt:

This must be stopped. Now. By persistent and precise military force. (p.45)

His humanitarian principles, his concern to protect the vulnerable, lead him to believe that the intervention of the West is vitally required, as here in Kosovo, to prevent yet another crime against humanity, and this is the nexus of his argument with Robert Skidelsky.

But he goes further. Ignatieff thinks that the only way to prevent these crimes happening in the first place is to help developing countries build stronger states. And the only way this can be done is by major intervention, supervisions and investment in failing states by the West. And that means, in practice, America. He shares the view he attributes to the roving American diplomat Richard Holbrook, that:

the Americans are the only people capable of replacing the Ottomans and the Austro-Hungarians – the only people with the character required for an imperial vocation. (p.35)

America needs to be more imperial, more prepared to intervene to stop states failing, to prevent genocides, to create more stable polities. And it’s this idea which was to be the central theme of the book which followed this one, Empire Lite, arguing for greater American commitment to places like Afghanistan and written on the eve of the US invasion of Iraq in March 2003.

In other words, Ignatieff’s fine and subtle humanitarian principles led him to support George Bush’s illegal invasion of Iraq, support he later came to bitterly regret. Seen from this perspective, Ignatieff’s books on foreign affairs are almost like a tragic novel, about a highly intelligent and deeply philosophical man who argues himself into supporting Bush and Blair’s idiotic invasion of Iraq.

The scale of the waste

Alongside Ignatieff’s brilliant descriptions and fascinating insights, one aspect which comes over really strongly is how extremely expensive it is to wage this, or any kind, of conflict in the modern world. The cost of one jet. The cost of maintaining it. The cost of training one pilot. The cost of training the small army of technicians and engineers required to maintenance the jets. The cost of housing and feeding them all somewhere far from home. And then the cost of the munitions, up to a million dollars per missile.

One of the problems which the bombing campaign encountered was that the Serbs turned out to be very good indeed at hiding from the planes. They were expert at camouflage, deception and the use of decoys. They learned to turn off the radar on their anti-aircraft guns so as not to be detected. They hid all their real armour and created fake tanks and trucks made of wood and canvas. Hence the accusation that NATO was dropping million-dollar missiles to blow up ten-thousand-dollar decoys (p.105).

But stepping back, for a moment, from the geopolitical, historical, military and diplomatic contexts which Ignatieff explains so well…My God, what a colossal, colossal waste of money! If a fragment of what the war cost had been invested in the economy of Kosovo and its million-strong population it could have been rich as Luxemberg by now. I know the waste of war is a cliché but given the extortionate cost of modern equipment, arms and infrastructure, modern war amounts to the expense of hyperwaste in a sea of need.

Pleasure

Hopefully, by now you can see where Ignatieff is coming from. As I said above, he is not a war reporter or a military analyst or a commentator on international affairs. He is fascinated by the moral issues thrown up by conflict in the modern age and by the way our understanding of those issues and their implications were changing and evolving during the 1990s and into the Noughties.

He is also a really beautiful writer. Ignatieff writes a clear, deceptively simple prose which fluently embodies his continual stream of sharp observations and acute analysis. The combination of lucid prose with measured analysis and thoughtful reflection makes him a tremendous pleasure to read.


Credit

Virtual War: Kosovo and Beyond by Michael Ignatieff was published by Chatto and Windus in 2000. References are to the 2001 paperback edition.

New world disorder reviews

Scoop by Evelyn Waugh (1938)

‘I think it is a very promising little war.’
(Lord Copper in Scoop, page 13)

When I read Evelyn Waugh as a student I didn’t have time to read the travel books, in fact I barely had time to read the key novels. This is a shame because, rereading Waugh second time around, I’m realising just how intimately related the novels and travel books are. Not to mention the newspaper articles he wrote, and his letters and diaries (all subsequently published). In other words, the novels, which it’s easy to see as standalone achievements, in reality sit amid an ocean of discourse which Waugh produced, awash with cross-currents, tides and undertows.

So in 1930 he goes to Ethiopia as a journalist, sending back reports on the coronation of Haile Selassie. At the same time he writes letters to friends and keeps a diary. Then he uses all this material for the travel book Remote People (1931). And then he recycles images, impressions and ideas into the novel Black Mischief (1932).

Then he goes on his 90-day trip to British Guyana (January to April 1933), keeps a diary, fills notebooks, writes letters to friends. Writes all this up into the travel book Ninety-Two Days (1934), which is an achievement in itself – but then reuses sights, sounds and characters to create the bleak final third of A Handful of Dust (1934) in which the protagonist goes off to… British Guyana.

The pattern repeated when Waugh was hurriedly hired by a British newspaper in 1935 and packed off to Ethiopia, purely on the basis of his earlier book, in order to be a war correspondent covering the looming conflict between Italy and Ethiopia (October 1935 to February 1937).

Once again Waugh travelled widely, kept extensive notes, diary entries, sent letters and, of course, filed reports back to his paper in London. The result is the fascinating travelogue Waugh in Abyssinia (1936) but, from the present point of view, the point is that for the third time he recycled experiences abroad and the extensive discursive texts they triggered (articles, diary entries, letters, notes and travel book) into yet another fictional text, Scoop (1936).

Scoop combines the three subjects which inspired Waugh’s best work: the trade of journalism, the colourfulness of foreign travel, with the usual mockery of English society providing a frame. It is a broad and very funny satire on the fatuity of the newspaper industry, showing how the role of writer and journalist and the press itself are silkily sewn into the fabric of English life. It is, almost in passing, a fierce satire on the politics and culture of an African country, and on the posh uselessness of British officials abroad. But a wholesale mockery of the newspaper business is its cores subject.

Plot

In a nutshell, high society mover and shaker Mrs Algernon Stitch agrees to do her friend, the novelist and travel writer John Courtenay Boot, a big favour and persuade her other friend, Lord Copper, CEO of the Megalopolitan Newspaper Corporation which owns the popular newspaper Daily Beast, that Boot is the perfect man to send out to the (fictional) African country of Ishmaelia to cover the looming war. For his part, John Courtenay Boot is looking for a good excuse to leave the country because he wants to dump a tiresome American girl he’s going out with. Win-win.

Mistaken identity

There then follows the book’s central joke and premise which is that Lord Copper goes back to the office and tells his senior editorial team to get hold of this Boot fellow, not mentioning his first name, and they in their panic stumble across the fact that there is a William Boot who already writes for the paper – he is their unassuming, quiet and modest nature correspondent, author of a regular column titled ‘Lush Places’ – and in one of the most famous examples of mistaken identity in 20th century English literature, they hire the wrong Boot!

Boot’s style

The Foreign Editor and News Editor quote a sentence from Boot’s latest article in awe of his over-ripe prose style, a fictional quotation which has become a widely quoted sentence wherever literary types are mocking over-writing.

‘Feather-footed through the plashy fen passes the questing vole…’

Panic packing

In an atmosphere of panic and hurry, they call William Boot in, inform the astonished man that he is being packed off Ishmaelia, put him up overnight at an absurdly expensive hotel, send him to buy a vast pantechnicon of equipment at the most imposing emporium in London (Harrods?) and then rush him helter-skelter to the airport.

In fact Boot doesn’t get away that easy because Waugh has a lot more satire to create at the expense while still in London. When Boot arrives at the airport there’s a long comic list of all the things he’s brought with him, and the elaborate bureaucratic hurdles he has to jump through, right up till the comic punchline when an official asks for his passport. Oh. He doesn’t have one. Oh. So all the helter-skelter plans to fly him off to the warzone have to be put on hold and Boot is taxied back to the big hotel for another night of all-expenses-paid luxury.

Lord Copper’s office

The office of Lord Copper is very humorously described. It sounds like the vast offices you see in 1930s American movies, sleekly Art Deco, with chrome finishings. Boot has to penetrate past layers of security and secretaries, the atmosphere becoming steadily more hushed and reverent before he meets the great man.

The Megalopolitan Newspaper Corporation building (‘700 to 853 Fleet Street’) is grandiosely named ‘Copper House’ and sounds just like a satire on those kinds of American office blocks you see in swish 1930s American movies about New York, with no fewer than eight lifts permanently opening and shutting their doors with a loud pinging sound and the announcements of lift girls saying ‘going up’ or ‘going down’.

The great crested grebe

Boot’s trip up to London and all these encounters are coloured by the other Big Joke of the first half. This is that William had written a particularly thorough and well-researched article about the life and habits of the badger for his weekly column. However, he lives in a large ramshackle old house (Boot Magna, quite grand, the drive is a mile long, p.200) shared with numerous members of his large, extended, eccentric, aristocratic family and his sister, Priscilla, got hold of the article before he sent it off and playfully changed ‘badger’ for ‘great crested grebe’ throughout.

When Boot took delivery of the next edition of the Daily Beast and saw what she had done he was furious at her but horrified with fear of punishment. Thus when, a few days later, he received the telegram from Salter demanding his presence in London, William inevitably thought he was heading for the roasting of his life. This explains why he is on tenterhooks of anxiety throughout his initial interview with Mr Salter, who takes him to the pub round the corner from the office and can’t understand why Boot is so anxious and touchy.

This joke lasts a good ten pages and, like the larger conceit of Lord Copper and Mr Salter hiring the wrong Boot, they both display what you might call a deep structural grasp of comedy. I suppose it was always present in Waugh’s writing, for example the way the utterly innocent Paul Pennyfeather is sent down from Oxford when he was the real victim in his first novel, and other extended and clever plot conceits in the others.

But the previous novels have structural or thematic weaknesses: Vile Bodies is deliberately rambling and fragmented and what is probably it most central recurring theme, the on-again, off-again engagement of Adam and Nina, is meant to be shallow and is.

A Handful of Dust has plenty of comic detail but is flavoured by the bitterness of the infidelity and betrayal which is its central plot, is then tainted by the terrible tragedy at its heart, and then utterly overshadowed by the devastating conclusion.

It’s for these reasons that Scoop is many people’s favourite Waugh novel: because it combines plenty of surface comedy, pratfalls and gags, and satirises subjects Waugh knew inside out (journalism and foreign travel) but mostly because it is based on a central premise (Boot’s mistaken identity) which is itself deeply, richly comic, without any of the bitterness or darker tones found in the other novels. It is his most purely comic novel. (And – spoiler alert – it has a happy ending.)

The farce of African wars

Sure there’s a war on, but the satire about it is relatively gentle and genuinely funny. It starts with Lord Copper’s attitude that the war exists solely for his convenience, to help him sell newspapers. It’s in this context he makes his remark that it’s ‘a very promising little war’, by which he means commercially promising, in terms of circulation figures and profits. This satirical attitude extends to the apparently serious way he tells Boot what he expects from it, as if Boot can personally deliver these:

Remember that the Patriots are in the right and are going to win. The Beast stands by them four square. But they must win quickly. The British public has no interest in a war which drags on indecisively. A few sharp victories, some conspicuous acts of personal bravery on the Patriot side and a colourful entry into the capital. That is the Beast Policy for the war.

The humour extends to Mr Salter’s deliberately nonsensical explanation of the war. The satire is at the expense of even the best educated metropolitan Englishmen who generally know little about most other countries in the world and, in general, couldn’t care less. Thus when Boot asks for a pre-trip briefing this is what he gets. Boot asks:

‘Can you tell me who is fighting who in Ishmaelia?’
‘I think it’s the Patriots and the Traitors.’
‘Yes, but which is which?’
‘Oh, I don’t know that. That’s Policy, you see. It’s nothing to do with me. You should have asked Lord Copper.’
‘I gather it’s between the Reds and the Blacks.’
‘Yes, but it’s not quite as easy as that. You see they are all negroes. And the fascists won’t be called black because of their racial pride, so they are called White after the White Russians. And the Bolshevists want to be called black because of their racial pride. So when you say black you mean red, and when you mean red you say white and when the party who call themselves blacks say traitors they mean what we call blacks, but what we mean when we say traitors I really couldn’t tell you. But from your point of view it will be quite simple. Lord Copper only wants Patriot victories and both sides call themselves patriots and of course both sides will claim all the victories. But of course it’s really a war between Russia and Germany and Italy and Japan who are all against one another on the patriotic side. I hope I make myself plain?’

Even scholarly historians and commentators remark on the sometimes farcical aspects of African dictators and African wars. Gerard Prunier, author of the definitive history of the Great War of Africa, frequently comments on the absurdity of all parties, not least the bizarre, corrupt and often farcical rule of the Leopard himself, President Mobutu Sese Seko Kuku Ngbendu Wa Za Banga of Zaire.

The two Ishmaeli consuls in London

This element of African farce is sounded before Boot has even left London. When he was halted by the lack of a passport at Croydon airport, he was forced to return with his huge train of luggage to London, spend the night in the astonishingly expensive hotel, and next morning visit the Ishmaeli legation for a passport and visa. However, since the country is torn by civil war, there are two legations.

Just as Waugh mocks the grandiosity of Copper Towers and the indifferent cynicism of Lord Copper himself, the anxiety of Mr Salter, and countless other aspects of English journalism, so he satirises the pathetic aspirations of the diplomatic representatives of Ishmaelia. The Consulate for the Patriotic part of Ishmaelia resides in the downstairs flat of a house in Maida Vale where the ‘consul’ turns out to be a man Boot saw earlier in the day haranguing a crowd in Hyde Park Corner. His theme is that everything good in the modern world came out of Africa and all the great personages of history were African.

‘Who built the Pyramids?’ cried the Ishmaelite orator. ‘A Negro. Who invented the circulation of the blood? A Negro. Ladies and gentlemen, I ask you as impartial members of the great British public, who discovered America?’

According to him Karl Marx was a Negro and it was blacks who won the Great War. This is funny as an example of the comic type of the Over-Claimer. But is also given contemporary relevance that in our day, over 80 years later, there are more books, articles, speeches and documentaries than ever before making the same claim, that Western civilisation derives from Africa: the story goes it was the Africans who inspired the Egyptians, the Egyptians who inspired the Greeks, Western civilisation is based on Greek discoveries in almost all fields, so…all Western civilisation is based on African achievements.

What interests me is not the minutiae of the arguments, but the simple fact that a subject which a lot of young, fresh-faced students take to be a brave blow against white supremacy, Eurocentrism etc, was already an argument familiar enough to be satirised in a popular novel ninety years ago.

Anyway, the comic punchline is that this highly vocal propounder of the cause of the Ishmaeli Patriots turns out not to come from Ishmaelia at all. He is ‘a graduate of the Baptist College of Antigua.’

The mockery of the Over-claimer is trumped by the description of the rival Ishmaeli legation, which (comically, absurdly) gives its loyalty to Nazi Germany (!). Despite being an obvious black African the ‘consul’ insists he and his confreres are white, in fact they were the first white colonisers of Africa. Admittedly, prolonged exposure to the hot sun has given he and his colleagues a bit of a tan, but it is the Jewish-backed international Bolshevik conspiracy which promotes the lie that they are Negroes.

I suppose it would be extremely easy to describe this all as howlingly racist, maybe, by modern standards, it is. But it’s also obvious that Waugh is looking for the weak spot, the most absurd aspects, of everything he train his malicious gaze upon. Lord Copper is a fool. Boot’s extended family are decrepit and gaga. Mrs Stitch, the high society hostess who knows everyone is absurdly caricatured. The dimness of the Foreign Editor in hiring Boot is fundamental to the plot. The French colonial administrator he meets on the train across France is classically haughty and supercilious. Everyone is stereotyped and ridiculed.

Waugh’s occasional lyricism

Eventually Boot secures his two passports with visas for the wartorn country, arrives for a second time at Croydon airport and this time manages to get into the plane, which then takes off and Waugh deploys a burst of lyricism of the kind he can turn on like a tap in these early novels:

The door was shut; the ground staff fell back. The machine moved forward, gathered speed, hurtled and bumped across the rough turf, ceased to bump, floated clear of the earth, mounted and wheeled above the smoke and traffic and very soon hung, it seemed motionless, above the Channel, where the track of a steamer, far below them, lay in the bright water like a line of smoke on a still morning. William’s heart rose with it and gloried, lark-like, in the high places.

Satire on journalism

The war and Africans and London high society are mocked, but fundamentally this is a book ripping the piss out of journalism as a trade and journalists as individuals.

Boot lands at Le Bourget airport north of Paris, train into the capital, taxi across to the south-facing Gare de Lyon railway station, then onto the Train Bleu, the regular service to the South. At Marseilles he disembarks and a knackered old steamship, the Francmaçon, which is going to take him and a random assortment of other passengers the length of the Med, through the Suez Canal, down the Red Sea and to the fictional land of Ishmaelia – the same journey Waugh described in his first travel book, Labels, then in Remote People, then in Waugh in Abyssinia. Anyone reading all these texts in sequence becomes pretty familiar with the route, the scenery, and the mixture of boredom and oddity aboard ship, which always piques Waugh’s interest.

On the ship he meets a character who is going to rescue throughout the book, Corker, a rough and cynical freelance journalist or stringer. He also is going out to report the war for his agency, Universal News, which sells his reports on to various papers. Corker explains a few home truths about journalism:

News is what a chap who doesn’t care much about anything wants to read. And it’s only news until he’s read it. After that it’s dead. (p.66)

Corker regales him with stories of heroic scoops, fakes and hoaxes. He tells him a story about the legendary American newsman, Wenlock Jakes, hero to the journalistic community. I’ll give it in full because it perfectly conveys the tone of Waugh’s absurdist satire.

‘Why, once Jakes went out to cover a revolution in one of the Balkan capitals. He overslept in his carriage, woke up at the wrong station, didn’t know any different, got out, went straight to a hotel, and cabled off a thousand word story about barricades in the streets, flaming churches, machine guns answering the rattle of his typewriter as he wrote, a dead child, like a broken doll, spreadeagled in the deserted roadway below his window–you know.

‘Well they were pretty surprised at his office, getting a story like that from the wrong country, but they trusted Jakes and splashed it in six national newspapers. That day every special in Europe got orders to rush to the new revolution. They arrived in shoals. Everything seemed quiet enough but it was as much as their jobs were worth to say so, with Jakes filing a thousand words of blood and thunder a day. So they chimed in too. Government stocks dropped, financial panic, state of emergency declared, army mobilized, famine, mutiny and in less than a week there was an honest to God revolution under way, just as Jakes had said. There’s the power of the Press for you.

So you can single out Waugh’s mockery of some aspects of African culture and blacks in Britain if you are ideologically compelled to, but it seems to me the entire purpose of the book is to mock, satirise and caricature everything he can get his hands on.

One

So the easiest way to satirise the press is to point out that they routinely make stories up, to justify their jobs, to fill pages at the endless, clamorous request of desperate editors.

‘The Beast have been worrying the F.O. Apparently they think you’ve been murdered. Why don’t you send them some news.’
‘I don’t know any.’
‘Well for heavens sake invent some.’ (p.138)

Two

There’s a running joke about the extreme brevity of the telegrams Boot’s office sends him, which appear complete gibberish until Corker patiently explains the way they’re abbreviated in order to save money: you only pay per word in a telegram, hence London’s outlandish code. For example, when they put into the Red Sea port of Aden for a few days, Corker suggests he write a story about the scandal of British unpreparedness:

‘Your story had better be British unpreparedness. If it suits them, they’ll be able to work that up into something at the office. You know – -“Aden the focal point of British security in the threatened area still sunk in bureaucratic lethargy” — that kind of thing.’
‘Good heavens, how can I say that?’
‘That’s easy, old boy. Just cable ADEN UNWARWISE.’

This turns into quite a funny running gag because Boot obstinately fails to understand the code is a money-saving strategy and so persists in sending rambling chatty telegrams which are extremely expensive, to his boss’s chagrin, leading up to the one which drives his colleagues back in London spare with anger, as it is not only wordy, but reveals a breezy ignorance of their desperate need for news, hard news, exciting news, vivid reporting from a warzone but also displays complete ignorance of the staggering cost of each word included in these telegrams.

With one finger, he typed a message. PLEASE DONT WORRY QUITE SAFE AND WELL IN FACT RATHER ENJOYING THINGS WEATHER IMPROVING WILL CABLE AGAIN IF THERE IS ANY NEWS YOURS BOOT.

Three

There’s another running gag about the way journalists automatically turn all human situations into sensationalist headlines. Or to put it another way, journalists have a set of ‘stories’ i.e. narrative paradigms, in their heads, and the rich, varied and chaotic behaviour of people in the real world can all be reduced to one of about 20 stock, stereotypical, clichéd ‘stories’.

A humorous example is when M. Giraud, an official with the railway, accompanies his wife on the train to the coast to see her off on the boat back to Europe. In Corker’s hands this becomes ‘the “panic-stricken refugees” story.’ Even the most trivial event is a) inflated b) given a lurid headline. That’s what journalism is – sensationalism and exaggeration.

Each new train brings 20 or 30 more journalists to the capital of Ishmaelia, Jacksonburg, and Waugh soon builds up quite a community of comic stereotypes: the legendary Wendell Jakes, the English equivalent Sir Jocelyn Hitchcock (now working for Lord Copper and Boot’s rival paper, the Daily Brute), a roomful of surly hacks Shumble and Whelper and Pigge, a comic Swedish character, Olafsen, who’s lived in the capital for years. In a running gag, most of the town’s taxi drivers, who speak no English, if they don’t understand where their customers want them to go, end up taking them to the Swede’s house, so he can hear the desired destination and translate it for the drivers.

More and more journalists arrive

There is an obvious echo of real events as reported in Waugh in Abyssinia when the main hotel in town (The Liberty) becomes full and then starts overflowing with a never-ending stream of gentlemen from the world’s press. Boot moves out to an eccentric boarding house, the Pension Dressler, complete with pig, poultry and milk goat, a gander and a three-legged dog. This is what Waugh had done in real life.

In Waugh in Abyssinia the press corps decides it needs to go to the Front and sets out in a convoy of ragged vehicles heading north, only to encounter various mishaps – getting lost, breaking down, getting arrested by the local police for not having this, that or the other pass to travel and so on. Waugh was among these earnest unfortunates.

More or less the same happens here, except Waugh keeps his protagonist in the capital which suddenly becomes empty of journalists as they all set off to the Front.

Comedy love interest – Kätchen

This brings us to what amounts to the biggest narrative difference between Waugh’s account of actual events in Waugh in Abyssinia and this comic fictional version, which is the introduction of a girlfriend for the protagonist. In the real sequence of events, things petered out. The actual Italo-Abyssinian War took a long time to actually kick off (the Italians delaying until a time and place which suited them) during which various journalists packed up and left, and even when it did break out not many made it to any kind of ‘front’ or saw any actual fighting.

It feels like the invention of a girlfriend for Boot is designed to avoid the shapeless fizzling out which occurred in real life, to give the narrative more of the roundedness of fiction and also, of course, complies with the very old template of boy meets girl: the idea that fiction is predominantly about romance.

But this is Waugh and so it’s a comic satire on the notion of romance. For what the reader quickly realises is that Kätchen is a user, who exploits our hero’s naivety. Kätchen had been living at the German Pension, the subject of endless grumbles from the owner, Frau Dressler. She inveigles her way into Boot’s affections by spinning a sad story of how her prospector husband has gone off into the hills leaving her all alone and without any money. They get to know each other when Frau Dressler kicks her out of the best room in the pension, meaning to give it to Boot. Kätchen asks Boot if she can leave a box of her husband’s rock samples in the room. Then she asks Boot to help pay her rent. Then she asks Boot to buy the samples because she’s sure they’re valuable (for $20). Then she tells him she has lots of contacts in the town and can work as his fixer or source. For this she suggests $100 a week.

To all this Boot agrees because he thinks he has fallen in love. In this respect he is very like Paul Pennyfeather in Decline and Fall, a simple, naive, virgin who is bedazzled by his first encounter with things of the heart. They play ping pong at Popotakis’s Ping Pong Parlour or she gets him to take her for picnics in the country surrounding the capital. He is hopelessly smitten.

‘Kätchen, I love you. Darling darling Kätchen, I love you…’
He meant it. He was in love. It was the first time in twenty-three years; he was suffused and inflated and tipsy with love…For twenty-three years he had remained celibate and heart-whole; landbound. Now for the first time he was far from shore, submerged among deep waters, below wind and tide, where huge trees raised their spongy flowers and monstrous things without fur or feather, wing or foot, passed silently, in submarine twilight. A lush place.

The telegram of a career

Next morning Boot goes to see off the Swede who, in his capacity as part-time medic, has been alerted to an outbreak of plague and is off by train to help. He returns to the pension in time to greet Kätchen, back from shopping and as they chat, she lets fall snippets of gossip from the friends she’s met, casually mentioning that the president has been locked up in his room by Dr Benito and a Russian. With the complete absence of journalistic sense which makes him the comic butt of the book, Boot timidly suggests he should tell his bosses about this, Kätchen agrees but tells him to hurry up because she wants him to take her for a drive, and so he quickly dashes off what will turn out to be a historic telegram.

NOTHING MUCH HAS HAPPENED EXCEPT TO THE PRESIDENT WHO HAS BEEN IMPRISONED IN HIS OWN PALACE BY REVOLUTIONARY JUNTA HEADED BY SUPERIOR BLACK CALLED BENITO AND RUSSIAN JEW WHO BANNISTER SAYS IS UP TO NO GOOD THEY SAY HE IS DRUNK WHEN HIS CHILDREN TRY TO SEE HIM BUT GOVERNESS SAYS MOST UNUSUAL LOVELY SPRING WEATHER BUBONIC PLAGUE RAGING.

When the editors of the Beast receive this they go into overdrive, cancelling the front page, going with a massive splash, digging up a photo of Boot to puff him as their premier foreign correspondent, claiming this is a world scoop. Which it is.

The communist coup

The scenes set in Africa take less than half the book, pages 74 to 178 of a 222-page long text. The end when it comes is quite abrupt and also quite convoluted and all takes place on one action-packed farcical day.

There’s a comic garden party at the British Legation, an opportunity for mocking the British envoy who is frightfully posh and completely out of touch. But it’s an opportunity for Boot’s old chum, Jack Bannister, an official at the legation, to explain what’s going on. This is that large gold reserves have been found in the country and various European countries are manoeuvring to get concessions to mine it and/or run the country’s government. Bannister tells him the Russians are supporting Ishmaelia’s smooth public relations minister Dr Benito and his ‘Young Ishmaelia’ party.

Then Boot is cornered by the very same Dr Benito, the smooth-talking minister of information. He very strongly suggests to Boot that he accept the offer of being taken on an all-expenses tour of the country. Boot strongly resists.

He drives back to the pension where he finds an emissary of Dr Benito’s. He reveals that Kätchen has been taken into custody, for her own safety of course then has another go at persuading Boot to leave town. Boot says no, kicks him out of his room, and the pension goat which has, for months been straining at its leash at every passing human, finally bursts its rope and gives the emissary a colossal but sending him flying.

Fired up with frustration and resentment, Boot sits out at his typewriter and knocks out 2,000 words summarising everything he’s learned from Bannister about the coup and the threat of a Bolshevik takeover of Ishmaelia, threatening ‘vital British interests’, not to mention the imprisonment of a beautiful blonde and the outbreak of the Black Death. It has, literally, comically, everything. Boot takes it to the telegram office, bribes the reluctant official to send it, then goes for dinner alone at Popotakis’s, while the editors of the Daily Beast read his astonishing story and go into a frenzy.

Comedy crushing of love interest

Kätchen’s husband turns up, back from his treks through the outback. He is waiting in Boot’s room which was, of course, previously his and Kätchen’s. He is starving and Boot offers him the Christmas dinner which was included in his absurdly elaborate pack from Harrods. The German eats it all and falls asleep.

It is now night-time and the night watchman comes to tell him a car has arrived for him. Out of the dark stumbles the lovely blonde Kätchen and they embrace and she tells her how relieved she is to see him etc. But as soon as they go into his room and she sees her sleeping husband she completely forgets about Boot. She wakes hubby and they kiss and hug and make up while Boot watches. Then the three of them discuss how they can get out the country, as the German’s papers aren’t in order and the train is not taking foreigners. Kätchen remembers one of the more absurd pieces of Boot’s equipment, an inflatable boat, so they carry it down to the river, construct it, Kätchen and husband get in, along with the case of precious rocks (nearly swamping it), Boot gives it a shove and it is carried off by the swirling river. Well, so much for young love.

Up the revolution

Boot wakes next morning to find the Bolsheviks have taken over Jacksonburg. They are handing out leaflets reading WORKERS OF ISHMAELIA UNITE, they’ve stencilled a hammer and sickle on the front of the post office, hung red flags everywhere, the manifesto is glued to walls. The new government has renamed the capital Marxville, the Café Wilberforce changes its name to the Café Lenin.

Everything has gotten too much. Boot stands on the verandah of the pension and finds himself wishing that a deus ex machina would appear and solve his problems. At which precise point there is a joke for all educated people, in that he hears an airplane flying overhead and then sees a figure jump out, open his parachute and swing gently down to land on the flat room of the Pension Dressler. A god from the machine, literally.

It turns out to be the mysterious figure Boot had let board his plane from Croydon airport all those weeks ago and given a handy little lift across the Channel to Le Bourget. He is a supremely confident suave posh Englishman who is currently going under the name Baldwin and who never goes anywhere without his man Cuthbert.

This fellow knows everything and can do anything. He is entirely candid and friendly. His man has set up a radio in a secret location and lets Boot file his despatches back to the Daily Beast. He sheds more light on the Russian backing from the coup. It was between the Germans who backed a man named Smiles, and the Russians who backed Benito and the Young Ishmaelians. Both are, ultimately, after the gold.

They are drinking in the bar room at Popotakis’s when there is a mighty road and a huge motorbike comes crashing through the door and smashes into the bar. It is being ridden by the Swede who is drunk and angry at being sent off on a wild goose chase, having discovered there is no plague in the country. Mr Baldwin asks Boot if the Swede becomes more pugnacious when drunk. Yes, he does. Good, and Mr Baldwin proceeds to ply the Swede with drink and tell him the damn Russians have arrested nice President Jackson and carried out a commie coup.

They then take him to the palace where Dr Benito is in the middle of making a speech to the assembled crowd. In short, the Swede pushes through the crowd, bursts into the palace, swings a chair round his head demolishing the furniture on the ground floor then climbing the stairs to the balcony where he terrifies Dr Benito and the Young Ishmaelites into jumping off the balcony and felling through the crowd. Then he frees President Jackson from his bedroom. The coup is over.

Back at the pension Boot begins typing out a rather weedy summary of events, when Mr Baldwin politely suggests he can do better, sits down and types:

MYSTERY FINANCIER RECALLED EXPLOITS RHODES LAWRENCE TODAY SECURING VAST EAST AFRICAN CONCESSION BRITISH INTERESTS IN TEETH ARMED OPPOSITION BOLSHEVIST SPIES…

Which brings the Africa section to an end.

Back in Blighty

The Beast’s editors have gone mad with Boot’s story, splashing it across the front pages for days. Lord Copper wants to hold a welcome home Boot grand dinner and insists he gets a knighthood. We then cut to the scene at the Prime Minister’s offices where he receives the message from Lord Copper to make Boot a knight of the realm. When his assistants discuss this later, one has heard of John Courtenay Boot the author, and so the same case of mistaken identity which occurred at the start of the narrative is now repeated at the end, in the other direction. A symmetry which a Restoration playwright would be proud of. So the PM’s assistants think he must have intended the knighthood for Boot the novelist. And so, without having done anything to deserve it, without understanding why, novelist John Courtenay Boot receives a letter informing him he is going to be included in the Order of Knights Commanders of the Bath.

Lord Copper is keen to put on a massive gala dinner. The front page of the Beast announces it and that Boot will make a great speech. Meanwhile William Boot arrives at Dover, checks through customs and loads his vast equipage onto the train. At Victoria he puts it all in one taxi and tells it to go to Copper House, while he jumps in a different taxi and goes straight to Paddington i.e. for trains heading west, home, to Boot Magna.

Once safe and sound and welcomed back into the bosom of his family, Boot sends a telegram to Mr Salter resigning. Meanwhile through social circles, it has leaked out to the editors that the Knighthood is being given to the wrong Boot. Not only that but someone has got to feature at the grand gala dinner Lord Boot has arranged.

Mr Salter at Boot Magna

The senior editors depute Mr Salter to take the long train journey down to the West Country. This whole section is longer than really necessary. it is padded out with a dollop of satire at the expense of an idiot West Country yokel who is sent to collect Mr Salter (he telegrammed ahead that he was coming) in a coal lorry. It’s fairly funny in itself but also proves the general point that Waugh was determined to satirise everything and everyone he could get his hands on

This final section is slow and long, a prolonged satire on the quirks of the extended Boot family, their servants notably the butler Troutbeck, which reminded me of the Ealing comedy Kind Hearts and Coronet. There is a mass of comic detail but, to cut a long story short, William completely refuses to return to London to attend the gala dinner and be recipient of the glorious speech Lord Copper has prepared. But his uncle Theodore doesn’t refuse. He regales a weary Mr Salter with tall tales about his wicked days in gay Paree while Salter passes out in the bedroom chair.

But next day, back in London, just as Mr Salter is telling the managing editor he couldn’t persuade Boot to return to London with him and both are facing the fact they’re going to be sacked, when… Uncle Theodore appears. He is an amiable old cove, he has plenty of foreign stories. Hm. Maybe he can be persuaded to impersonate his nephew, for the duration of the gala dinner.

The gala dinner

Which is, therefore, the comic climax of the novel. The joke is that Lord Copper’s fulsome speech takes as its theme the Promise of Youth which clashes rather badly with Uncle Theodore’s bald, raffish, decrepit appearance. Theodore had only 6 hours earlier been taken on contract with the Beast. Lord Copper knows something is wrong but he can’t quite put his finger on it. Didn’t he meet this fellow Boot before he was sent to Africa? Could’ve sworn he was a young chap.

Lord Copper toasts the future and Waugh takes that as a pretext, in the last two pages, to sketch out what all the characters’ futures will be: ever-larger banquets followed by phenomenal death duties for Lord Copper; days spent at his tailors or club evenings prowling the streets, for Uncle Theodore; Mr Salter promoted sideways to become art editor of Home Knitting; the mistakenly knighted John Courtenay Boot on a long expedition to the Antarctic; Mrs Stitch continuing to be a thoroughly modern hostess. He includes a letter from the ever-optimistic Kätchen, written from a ship bound for Madagascar, and asking William to send her the money he raised by selling her husband’s rocks.

And for innocent William? Back to where he started, as the quiet, innocent, unassuming author of his snug little nature column, Lush Places, and the book ends as he puts down his pen for the evening, half way through a column about owls, and climbs the ancient stairs of Boot Magna to his calm and moonlit room.


Credit

Scoop by Evelyn Waugh was published by Chapman and Hall in 1938. All references are to the 1983 Penguin paperback edition.

Related link

Evelyn Waugh reviews

Blue Dahlia, Black Gold: A Journey Into Angola by Daniel Metcalfe (2014)

Having read quite a lot about Rwanda and Congo, I felt I needed to read up on their neighbours, finding out about other African nations radiating out from the central core of the Congo. Trouble is that books about them are hard to find, for example, there don’t seem to be any books about Burundi’s civil war, 1993 to 2005. Either that, or the existing books are heavy academic works, often collections of essays, which weigh in at £30 or £40 and can’t be found second hand. Reading between the lines, no-one in Britain cares enough about these countries to write, publish or read books about them.

Daniel Metcalfe’s travelogue was one of the few paperbacks I could find about Angola and seemed like an affordable way of finding out about the recent history and current shape of Angola, Congo’s large nation to the south, and one of the participants in the Great War of Africa. I didn’t really take to the personality created in the text and found it a grim read whose occasional attempts at humour didn’t come off. Nonetheless, I’d recommend it as giving a very good overview of Angolan history, along with first hand accounts of the tremendous disparity between the oil super-rich and the majority of the population which remains dirt poor, and for the vivid descriptions of his excursions into the (generally very unattractive) interior. The net effect of the book is to make Angola sound like an awful place.

Angola historical overview

Angola is the seventh largest country in Africa (Wikipedia). It was first reached by Portuguese sailors in 1484 and the current capital city, São Paulo de Loanda (Luanda), was founded in 1575. (It was conquered by the Dutch in 1640 and briefly ruled by them till 1648, when the Portuguese resumed control.)

The Portuguese didn’t penetrate far inland, instead creating a series of coastal ports and trading entrepots. The main commodity was Africans as Angola became one of the main locations of the transatlantic slave trade, which was well established by 1600, with around 10,000 slaves a year transported. Most of them went to Portugal’s other vast colony, Brazil, a thousand miles across the stormy Atlantic.

Throughout the 18th century Portugal slowly conquered various tribes and kingdoms in the territory they claimed, and pulled natives into the global economy, forcing them to produce raw materials such foodstuffs and rubber. Brazil won its independence in 1822 and Portugal abolished the slave trade in 1836, illicit trading being policed by the anti-slavery Royal Navy. But generally Portugal still only had a very thin, coastal presence.

It was only at the time of the Berlin Congress of 1885 and the late nineteenth century Scramble for Africa that the Portuguese made sustained attempts to penetrate further inland, to explore, conquer and claim the territory of what was to become the modern territory of Angola.

Part and parcel of this late 19th century conquest was the widespread imposition of forced labour on the hapless natives, hard forced labour under the compulsion of the whip, to turn out agricultural goods to be shipped back to the motherland. (It was a Brit, Henry Woodd Nevinson, who exposed the extent of the exploitation in his book A Modern Slavery, published in 1908, the year King Leopold was forced to hand over his barbaric rule in the Congo over to the Belgium state.)

Soon afterwards Portugal entered a period of political turmoil triggered by a coup in 1910 which overthrew the Portuguese monarchy (the same year, as it happens, as the Mexican Revolution) to establish what became known as the First Republic. One of the republic’s many liberal reforms was ending forced labour in the colonies.

However, the First Republic suffered from chronic instability and was overthrown in 1926 with the advent of António de Oliveira Salazar, who established the so-called Estado Novo in the 1930s. This new regime came to be known as the Second Republic as Salazar established an authoritarian corporatist state in Portugal. As part of the ‘return to order’ the New Order reimposed brutal forced labour in its colonies.

Portugal stayed neutral throughout the Spanish Civil War and the Second World War while millions of Angolan natives slaved to produce agricultural products for Portuguese consumers and profits for Portuguese companies. Appalling conditions led to a high death rate among workers and a scandalously high infant mortality rate of 60%. Critics wrote reports calling for change in the 1940s and 50s but were ignored or imprisoned.

A workers’ protest starting in a cotton company in 1961 led to widespread rebellion across Angola which was suppressed with much bloodshed (p.114). This and the uprising of Bakongo in northern Angola are now seen as marking the start of the Portuguese Colonial War, which lasted from 1961 to 1974 and involved not just Angola but Portugal’s other colonies in Africa, Mozambique and Guinea-Bissau.

The wars were as ruinous and futile as the Vietnam War and ended in the full independence of the three African countries involved, after elements in Portugal’s own army overthrew the authoritarian civilian government on 25 April 1974 in what came to be known as the Carnation Revolution (pages 71 and 135).

There was a year delay while the new regime established itself and while peace talks to end the colonial wars dragged on. The Alvor Agreement of January 1975 called for general elections and set the country’s independence date for 11 November 1975. Hooray!

Except that the country was almost immediately plunged into a civil war between the three main anti-colonial guerrilla movements: the communist People’s Movement for the Liberation of Angola (MPLA), the National Front for the Liberation of Angola (FNLA), and the anti-communist National Union for the Total Independence of Angola (UNITA).

The FNLA were eliminated in the first year but the conflict between the other two refused to be settled and dragged on for decades, becoming one of the leading proxy wars between the Cold War adversaries, the USA and the Soviet Union, with the Soviets and Cuba backing the communist MPLA government and the Americans funding and supplying the anti-communist UNITA.

UNITA developed some bases inside Zaire, to Angola’s north, with the support of Joseph Mobutu, Zaire’s western-backed dictator, but were mostly based in the south, enjoying support from the apartheid South African regime which was funneled through the state immediately south of Angola, Namibia, itself a colony of South Africa which was experiencing its own war of independence. (Namibia won independence from South Africa in March 1990.)

This being Africa there was also a strong tribal element in the civil war. The MPLA was primarily an urban-based movement in Luanda and its surrounding area and was largely composed of Mbundu people. UNITA was a predominantly rural movement mainly composed of Ovimbundu people from the Central highlands who make up about a third of the population (pages 123 and 133). Obviously there was overlap and complexities. There are many more tribal groupings in the country and allegiances and membership shifted and complexified over time.

The Angolan civil war raged from 1975 to 2002, 27 years of massacre and destruction which not only left an estimated 800,000 dead, but displaced over 4 million people and devastated the country’s infrastructure, leaving it one of the poorest in the world. In 2003 the UN estimated that 80% of Angolans lacked access to basic medical care, 60% lacked access to water, and 30% of Angolan children would die before the age of five, with an overall national life expectancy of less than 40 years of age. 70% of the population lives below the poverty line (p.70).

Whole families sat and begged on the rubbish-strewn streets [of Luanda] that stank of animal and human excrement. (p.49)

Metcalfe writes that the population of Luanda is 4 million, but a recent Guardian profile (see below) gives it as 7.8 million and that this number is set to double by 2030.

So from the start of the independence struggle in 1961 to the end of the civil war in 2002, Angola suffered 41 years of hurt and wasted lives.

Daniel Metcalfe

Daniel Metcalfe studied classics at Oxford then went to work in Iran and travelled around central Asia, material which he used for his first book, Out of Steppe: The Lost Peoples of Central Asia (2009). This is his second book, and is actually not so much one journey as an account of three journeys across Angola undertaken in (I think) 2010, with follow-up visits.

Right from the start Metcalfe describes himself as a financial journalist and his bio says he’s written for the Economist, Guardian, Financial Times, Foreign Policy and the Literary Review. In other words, he initially appears just the kind of pukka chap that has formed the backbone of English travel writing for the last hundred years, all of whom went to top private schools (Evelyn Waugh [Sherborne], Wilfred Thesiger [Eton], Eric Newby [St Paul’s], Colin Thubron [Eton], Bruce Chatwin [Marlborough], Jan Morris [Lancing]). So I was expecting references to tiffin and cricket, or a trip to the little known Luanda polo club or some such. Posh boy eccentricity.

I was wrong. Metcalfe doesn’t have the de haut en bas tone of the classic English chap abroad; quite the opposite, he’s keen to rub in what a man of the people he is, travelling with only a grubby backpack in the cheap and chaotic minivans ordinary Angolans use, cadging a night’s kip on the sofas or packed beds of all sorts of random acquaintances, and having at least two severe bouts of food poisoning.

But with the thought of the Great Tradition of English Travel Writing in mind I couldn’t help being struck by a sense of the text’s belatedness. What I mean is that earlier travel writers described to their readers distant and exotic lands a) which none of the readers had travelled to or knew much if anything about and b) which were largely ‘unspoilt’.

Metcalfe’s book arrives in the internet age when:

a) there is no ‘distance’ or ‘remoteness’ any more – any of us can Google articles about Angola and its history, geography, tourist features, festivals, national costume and so on and find out more or less everything contained in this book; and

b) Angola is definitely ‘spoilt’, ruined in fact, but in two senses of the word: i) the cities, towns and landscape are still recovering from 40 years of destruction, for example tourists are advised not to wander anywhere off the beaten track because the country is still covered in millions of unexploded mines; and ii) every conceivable tourist attraction has been photographed, thoroughly documented, posted on Instagram, Facebook, Twitter and all the rest.

Metcalfe is therefore labouring in a genre which is almost obsolete. These days a travel writer has to work very hard to find anywhere that millions of Western tourists haven’t already trampled and photographed to death, and then has to work up in their prose a sense of enthusiasm for sights or experiences which bored locals experience every day and post on Facebook, Instagram, Twitter and so on.

The book’s structure

São Tomé and Príncipe then mainland Angola

In a bid to be quirky and original Metcalfe starts his journey by flying in to the Democratic Republic of São Tomé and Príncipe, two archipelagos based round the islands of São Tomé and Príncipe, which are themselves about 87 miles apart and about 150 miles off the northwestern coast of Gabon. This far from the mainland, they were uninhabited till the Portuguese discovered them and populated them with Africans. The islands became an important entrepot for the slave trade as well as slave plantations producing coffee and cocoa. The islands became independent alongside Portugal’s other colonies in 1975 and form the second-smallest African state after the Seychelles.

Metcalfe visits the capital cities of each island and is shown round a rotting old plantation house. He learns about the semi-fictional slave king who led a Spartacus-style slave rebellion, ‘Rei Amador. He tells us it has the smallest economy in Africa, 80% of which is contributed by foreign donors ie it’s not really a viable state at all.

But the main story is that oil has been located near the islands, which are therefore teetering on the brink of becoming very wealthy, but there is general anxiety that, as with every other ‘petrostate’ (like in nearby Nigeria), the money will end up funneled into the hands of a tiny super-rich elite while the rest of the islanders continue living in poverty.

Then he flies to mainland Angola where he makes three journeys, carefully indicated on the book’s one and only map. A throwaway remark reveals he seems to have made at least two trips to the country: he tells us he first visited Angola in 2010, then two years later, in 2012 (p.83).

Anyway, it’s not really a journey into Angola but maybe five distinct journeys:

  • down the coast from Luanda to Benguela
  • from Benguela inland to Huambo and then to the remote town of Cuito Cuanavale
  • then, after returning to Luanda, from Luanda directly inland to Malange and then Saurimo
  • then north up the coast into Zaire province, to the heartland of the old Kongo kingdom, M’banza-Kongo, to the oil town of Soto
  • then flying into the enclave of Cabinda which is part of Angola but separated by the mouth of the river Congo which is inside the Democratic Republic of Congo

A well-ruined country

The bottom line about Angola seems to be that it has been ruined at least three times over. First by the brutality of Portuguese rule which enforced harsh forced labour on most of the population well into the 1960s, doing little to create a decent infrastructure such as roads and schools, or to foster an educated middle class. Second, by the 40 years of warfare, first for independence, then the terrible, futile and ruinous civil war.

But what really strikes Metcalfe is the ruin brought since the civil war ended by the arrival of OIL. The Angola he flies into is now a ‘petrostate’ with a huge gulf between the overclass of politicians and businessmen who have made themselves fabulously rich on the proceeds of oil, drive huge four by fours, live in gated mansions, stay in gleaming hotels – and the great majority of the population (of 33 million) who scrape a living off the land (periodically stepping on one of the millions of abandoned landmines) or make a living by working the utterly corrupt life of the cities. Thus despite the billions of dollars pouring into the treasury from oil revenue, Angolan life expectancy is among the lowest in the world, while infant mortality is among the highest. A third of the population can’t read or write.

José Eduardo dos Santos, the leader of the MPLA, once, back in the olden days, a ‘Marxist’ party, was Angola’s president for almost four decades. During the oil boom his daughter, Isabel dos Santos, was ‘awarded’ numerous lucrative contracts, thus becoming Africa’s richest woman. She is nicknamed ‘the Princess’ and at the time this book was written, was said to be a billionaire. So much for Marxism. Interestingly, she attended the elite fee-paying St Paul’s School for Girls in London before going on to become a billionaire.

London, where you can launder your drug or organised crime money through any number of willing banks, invest in shiny new riverfront developments, pick up some multi-million dollar artworks for your portfolio, and drop in to see your son or daughter being educated at one of its elite private schools. Convenient for oligarchs and kleptocrats from all nations.

Angola is a country divided between a small, super-rich, oil-rich elite, and the rest which helps to explain why everything is diabolically expensive, even the most basic food and drink. Luanda is routinely voted the most expensive capital city in the world (p.45). This is apparently because the agricultural sector is in such a state that almost everything has to be expensively imported. Even the most basic hotels and restaurants are beyond his budget. This isn’t a tropical paradise where you lounge in cheap cafes enjoying the streetlife. Luanda is a city where he trudges along busy with his backpack while shiny four by fours roar past on their way to hotels, cocktail bars and restaurants which are wildly beyond his reach.

Author’s persona

I felt vulnerable, exposed and ill equipped. (p.44)

Right from the start Metcalfe presents himself as a down-at-heel traveller with a backpack, ‘an unaffiliated writer’ (p.68), himself slightly confused about his motives for going, blessed with some contacts but relying on wit to busk a lot of the journey.

This pose would have been cool in the 1960s or 70s but in the age of the internet and modern, luxury, all-expenses-paid travel journalism, it comes over as a bit forced and contrived. I did the backpacking thing back in the day. In the 1970s I hitch-hiked round Europe and then round America because I was 18 and genuinely didn’t have any money or ‘contacts.

But it seems to me that worldview, that cultural possibility, has gone. A few short years later friends with their first jobs in the City were flying Club Class to New York or Sydney. In the 1990s the barely employed could afford to fly to Ibiza or Phuket. Hitching with a backpack was no longer at the cutting edge of anything. As airplane tickets and travel costs, generally, plummeted in the 1980s and 90s, ‘roughing it’ became a quaint throwback to a simpler age.

And as the internet has given access to every hotel and every restaurant and almost every person anywhere in the world, there’s no excuse not to have rung ahead, booked and organised everything.

I arrived at Saurimo at midnight, with not a clue where to stay. (p.225)

For a journalist who’s written for the Financial Times and the Economist, who mentions elsewhere that he looked up contacts and had names and addresses of businesspeople, NGOs, charities and various other contacts before he left London, to reduce himself to this impoverished state seemed a bit contrived.

It’s a running gag that Metcalfe’s backpack gets put on the wrong plane and flown to the other side of the world by mistake and it takes a week or so for it to be returned to Luanda airport for him to collect. In another age, and in another writer’s hands, this might be funny, but here it comes over as pathetic.

On not one but two occasions he manages to get food poisoning – once from eating the in-flight sandwich on the plane from Sao Tome to Luanda, once from eating prawns at an all-day party in Luanda – and we are treated to descriptions of him lying on a sofa moaning for days on end punctuated by sudden dashes to the shared toilet. Possibly this is meant to be comic but it comes over as squalid.

Because he can’t afford to stay in the ruinously expensive hotels, he cadges beds for the night on the sofas of strangers. As I say, in another age and in the hands of a more stylish writer, this might come over as cool or funny, but in this account it comes over as shabby, and wilful, a choice to do things the most difficult, dirty and sordid way. The impatient reader thinks, ‘Enough with the backpacker chic, already. You should have just negotiated a better advance from your publishers or with the FT Travel section or with any number of upmarket travel mags. Then you could have stayed in all those gleaming hotels and we wouldn’t have had to read about you roughing it on the sofas of hospitable Luandans who barely know you.’

When Metcalfe sticks to the fact he is very interesting indeed. He gives solidly researched, thorough and authoritative accounts of a wide range of historical issues from the first founding of the country, the slave trade, the ups and downs of 20th century Portugal. He is especially good on the history of the long bloody civil war, which he cuts up into passages which are deployed throughout the book at appropriate moments or in the relevant towns where key battles occurred.

A good example is his trip to the remote town of Cuito Canavale in the south-east of the country, where a 6 month long ‘battle‘ brought together all the combatants in the war for a confrontation whose ending can now, in retrospect, be seen as a turning point not only in the Angolan war but for the wider region (leading Cuba to withdraw its forces and South Africa to grant Namibia its independence).

His encounters with numerous people like businessmen and entrepreneurs, staff at NGOs like the HALO mine-clearing charity or Save The Children, passengers on numerous coaches, cafe owners and academics, geologists and ‘oilies’, street rappers and hawkers, manic minibus drivers and drunk taxi drivers, miserable bar owners and fierce museum keepers, Congo kings and holy men, each shed factual information on Angola’s past and present and are uniformly interesting.

But when he tells anecdotes about the travelling itself, they come over as strangely limp and dead. This is a really good factual primer for Angola (albeit ten years out of date) but when he writes about himself and his ‘adventures’, Metcalfe is a peculiarly charmless writer. Maybe part of this is because so many of the people he meets are depressed, defeated and downbeat and their negative mood affects the author and, thus, the reader, too. Angola does sound like a grim place.

  • We sat down, exhausted and somehow a bit sad. (p.211)
  • Living in Luanda seemed to drive him to despair. (p.215)
  • The king was playing his part but I couldn’t help feeling it was all a bit sad. (p.238)
  • I sat, by now stained and a bit depressed, pondering my destination, unaware of how bad the next eighteen hours would be. (p.286)

I wasn’t surprised when the tough son of the household where Metcalfe dosses in Luanda, Roque, reveals that he tried to commit suicide a few years previously (p.258). Somehow it’s that kind of book. There are flickering attempts at humour, but for the most part it’s pretty downbeat.

One of the saddest things about Angola is the decimation of the wildlife. Most of the wild mammals have been exterminated. He has a passage about the last few remnants of the once flourishing giant sable or palanca negra gigante and meets a worn-down conservationist who is trying to save it from extinction (pages 214 to 219). Despair and sadness. Metcalfe even travels through a region where there are no birds. The skies are empty. Everything is dead.

Anti-tourism

The book amply demonstrates why Angola is on no-one’s tourist trail.

There is really no tourism here. There is nothing to visit in Luanda, except for one or two clapped-out museums that are invariably closed. Walking is pretty much out, due to the threat of muggings, not to mention the polluted and pungent streets. There are no taxis… Excursions into the country are generally a no-go. The few eccentric tour leaders who do venture into the empty national parks explain that most of the game has been shot and eaten and numbers haven’t recovered yet. Hiking or bush-walking is definitely not an option, due to the millions of landmines and unexploded ordnance, most of them unmapped. And there are diseases, lots of them: yellow fever, dengue fever, sleeping sickness, typhoid, rabies and rampant falciparum malaria (that’s the worst kind)…

In short, Angola is an anti-tourist destination, and certainly no place for a backpacker. The only sane kind of visit is brief and on business, with someone to meet you, lodge you and cover your laughable expenses, before you are gratefully shuttled out on a non-Angolan liner. (p.46)

Then there are the police, ‘feared for their erratic behaviour and drunken extortion of passersby’ (p.47). And the absurd expense of everything. And the street crime. And the dedicated stonewalling obstructive Soviet-style bureaucracy you face every step of every process designed to wear down and crush any applicant for anything, as he finds out when he tries to get his visa extended or goes the labyrinthine process required to apply for an audience with king Muatchissengue Watembo of the Chokwe people (pages 232 to 239).

Eastern bloc-style obstructionism which is reflected in the hyper-suspicions of the police who stop him and demand to see his papers countless times, with or without then bullying him into giving them a bribe to let him go on his way (the Angolan police being ‘renowned for’ their demands for gasosa, p.230). Far from being relaxed and casual like Congo, Angola has overtones of being a police state. ‘Basic education, sanitation and health care are all awful’ (p.45).

Basically, Don’t go.

Highlights

Marxist capitalism

Metcalfe is good at explaining the hypocrisy of the so-called ‘Marxist’ MPLA government. Even as it bought communist textbooks printed in Moscow and Havana to indoctrinate generations of schoolchildren against the capitalist enemy, it set up a massive corporation, Sonangol, which functioned on purely capitalist lines. When the first oil was found in the 1970s the franchise and money was handled by Sonangol who, over the following decades, developed into a huge corporation with interests in every aspect of the economy, almost a parallel economy in its own right.

At its heart was MPLA leader and president José Eduardo dos Santos, known as ‘the magician’ for his skill at keeping all political factions onside by the skilful doling out of contracts and backhanders. The elite surrounding him were known as ‘the Futunguistas’ after one of the many presidential palaces. When the Soviet Union collapsed in 1991 the MPLA made a smooth transition to capitalism because they had, in fact, for years, already been practising it (pages 72 to 75). These former Marxists now have their noses ‘deep in the trough’ of the purest capitalism. Mobutu only with oil. Transparency International ranks the country as almost bottom of the league table of corruption.

The ruling class of Angola has misplaced, disappeared, embezzled and creamed off tens of billions of dollars for themselves, leaving most of their compatriots in abject poverty. Why on earth should Western governments give them loans and Western aid agencies step in to treat the poor and ill when more than enough money exists in the government system but Angola’s leadership refuses to use it for good, preferring to loot their own country?

Slavery and degredados

He gives a good brief history of the slave trade, pages 100 to 106. The academic he interviews, Fernando Gamboa, makes the familiar point that slavery was already a well-established practice among African tribes before the Europeans arrived, but they massively increased its scale and ‘efficiency’ as a business (p.198).

I was more intrigued to learn that a) Angola’s second city, Benguela, was founded in 1615 in totally unsuitable location near a swamp which resulted in the earliest settlers dying like flies (very like the early English settlements in Virginia at the same period); and b) that, like Australia, it was forcibly settled by transported convicts or degredados. Unlike the convicts Britain sent to Australia, who were often guilty of relatively minor offences such as stealing a loaf of bread, these degredados were hard core villains, mostly murderers. Being hard core urban villains they were unsuited to agriculture but took to the slave trade like ducks to water, and also ensured the city had a ‘hellish reputation well into the nineteenth century’ (p.100).

The Salazar regime (1932 to 1968)

What comes over about Salazar’s Estado Novo regime is its dusty, down-at-heel backwardness, its narrow-minded closedness, its petty bureaucracy and inefficiency. Visiting diplomats, especially Americans, thought he lived in a parallel universe. This helps to explain his response to the rebellions of 1961 which was total refusal to accept reality, negotiate or relinquish the colonies, and instead his insistence on fighting on to the bitter end which meant that, long after Europe’s other imperial nations had bitten the bullet and given their colonies independence, Portugal continued fighting its bitter wars to retain them (pages 114 to 118).

White flight

As the scale of the civil war became clear, between 1975 and 1976 pretty much the entire white population of about 300,000 left, flying back to Portugal in what Metcalfe refers to as ‘the great airlift’ (p.124). That included all the administrators, civil servants, the police, engineers, designers, builders, architects, managers of the education and health systems, doctors and teachers, everyone who ran everything left the relatively unskilled, untrained Angolans to figure out how to run a modern country in the middle of a brutal civil war. The result: services ceased to function, education and health ceased, ministries shut down, the rubbish piled up in the streets, no-one knew what to do (pages 72 and 136).

The irony is that once the civil war had ended and the oil boom began in the Noughties, lots of Portuguese flocked back to the country for its boomtown opportunities and, by a spooky coincidence, there are, once again, about 300,000 expatriate Portuguese in Angola.

Sex trade

Oxfam’s regional director Gabriel de Barros explains how girls as young as 12 are traded by families to rich men in return for financial support, the resulting rise in teen pregnancies, STDs and AIDS (pages 108 to 111).

Huambo

Originally named Nova Lisboa, Huambo is the capital of the fertile highlands and was beautifully laid out by Portuguese planners to become the new centre of their empire in the 1920s and 30s. Unfortunately, it then became an epicentre of the civil war, the landscape around ravaged by war, littered with mines, and the town fought over again and again, climaxing in a 55-day-long siege in 1993 which eviscerated it. The government enforced a press blackout and in 1993 international journalists were busy in Somalia and Yugoslavia so the world never got to hear about it.

Landmines

The countryside is littered with millions of mines, anywhere between 6 and 20 million, no-one knows. Never stray off the path, don’t climb rocks or walk round a bridge. Any prominent or beautiful natural feature was targeted. For the foreseeable future they must all remain off limits (p.124).

Queen Njinga

An extended passage giving the life of the remarkable Nzingha Mbande (1583 to 1663) who rose to be Queen of the Ambundu Kingdoms of Ndongo and Matamba in present-day northern Angola. She fought for 30 years to maintain the independence of her kingdoms against the encroaching Portuguese and to later generations became a symbol of resistance. The most notable things to emerge from the account are that she supported the slave trade, but insisted it be carried out according to the old customs; and the stories that she dressed as a man, insisted on being called a man, dressed her guard of women as men, and made her many male lovers dress as women if, that is, these later stories are true (pages 198 to 206).

Chockwe art

Metcalfe visits Chockwe country and even manages a (bizarre) audience with the old but still revered Chockwe king. The Chokwe people once ran an empire which covered parts of modern-day Angola, southwestern Congo and northwestern parts of Zambia. There are about 1.3 million people living across that territory. The Chockwe are famous for their sculpture art, which fetches high prices in the West.

Wooden statuette of a Chockwe princess

The role of Cuba in the civil war 1975 to 2000

Castro’s communist Cuba saved the Marxist MPLA government. In 1975 as Jonas Savimbi’s UNITA took more and more territory and advanced on the capital, Cuba flew in thousands of soldiers who stabilised the situation then reversed UNITA’s advance. Cuba’s involvement in Angola was deep and long. Between 1975 and 1988 over 300,000 Cubans served in Angola (p.212). Rejected in most of South America, snubbed by the North Vietnamese, unable to get a purchase in Mobutu’s Congo, Angola provided an opportunity for Castro to dream of spreading his revolution around the developing world. Now all that sacrifice seems utterly pointless. You could say that the 300,000 Cubans who fought to keep the MPLA in power ended up helping Isabel dos Santos to become the richest woman in Africa. Thus, as Shakespeare put it, does the whirligig of Time bring in his revenges.

The last phase

The last phase of the civil war from 1999 to 2002 was the most brutal. Metcalfe dwells on the character of the larger-than-life, brutal, charming, paranoid UNITA leader, Jonas Savimbi. Like president Habyarimana of Rwanda, like Mobutu and Kabila of Zaire and the Congo, Savimbi genuinely believed in black magic, spirits and witches.

By the 1990s there were frequent burnings of dissidents and accusations of witchcraft in UNITA areas. In one case, Savimbi himself ‘discovered’ a woman spying on him by flying over his house at night. Suspected women and children would be dragged to a stadium and set alight. Anyone who dared to speak against o mais velho risked execution, including any woman who refused his advances. (p.246)

Lovely to see the old traditions being kept alive. Jeane Kirkpatrick, America’s representative to the United Nations, called Savimbi ‘one of the authentic heroes of our time.’ Hundreds of thousands of rural inhabitants were terrorised by UNITA, press-ganged into working as porters, cooks or prostitutes. The MPLA government rounded up entire regions and confined them in camps. In the final months of the war as many as 4 million people were displaced, a third of the entire population.

M’banza Kongo

On his third journey, Metcalfe cadges a lift north in a battered Land Rover with the staff from a Save The Children refuge in the town of M’banza Kongo in the north-west of Angola. Back in the 1480s when the Portuguese discovered the river, the Kongo empire stretched for hundreds of miles north and south of the river mouth and far inland. Metcalfe retells the sorry saga of how initial optimism on both sides of the cultural contact quickly deteriorated as the Portuguese realised the potential of the Kongo people as slaves. In Metcalfe’s account it was the discovery of Brazil in 1500 and the quick realisation that it had great potential for sugar plantations but lacked manpower, which transformed the situation.

500 years later Metcalfe visits the homes and refuges in M’banza Kongo which house the large number of children who are thrown out of their families every year for being evil spirits. Belief in witchcraft, spirits, kindoki (a kind of witchcraft or possession by evil spirits) and the power of fetishes is universal and when any ill luck befalls a family its most vulnerable members – children and to a lesser extent the elderly – are blamed.

Update

Metcalf’s book was published in 2013. Apparently, since then, some of the gloss has gone off the oil boom so that the planes and top hotels are no longer as busy as they were. But the structural divide between super-rich elite and everyone else remains, as evidenced in this photo essay published in the Guardian.

MCK

Protest song by anti-government rapper MCK who Metcalfe interviews (pages 83 to 88).

Portuguese terms

Recurring words and ideas include:

  • assimiliado = African who, according to the Portuguese colonial system, had reached an approved level of civilisation; comparable to the évolués in francophone colonies
  • bom dia = good morning
  • candongueiro = mini bus
  • confusão = a metaphysical state of chaos and confusion before which mere humans are helpless
  • contratado = Portuguese form of forced labour
  • empregada = home help /servant
  • feitiço = fetish or the spell is controls
  • garimpeiro = unofficial diamond miner
  • mestiço = mixed race
  • musseques = shanty town
  • pula = slang for white person
  • roça = plantation-type farm run on forced labour
  • soba = official

Fluffs

The book is generally well proof-read and typeset, but I did spot a couple of errors which humorously point towards a new use of language:

  • As she flocked cigarette ash out of the window… (p.27)
  • I felt huge a sense of excitement. (p.54)
  • There are railroads totally some ten thousand miles. (p.124)
  • They grew rich on commerce between the Zanzibar and the Atlantic… (p.229)
  • A strange period ensued when neither war nor peace reined… (p.243)

The title of the book is explained on page 144.


Credit

Blue Dahlia, Black Gold: A Journey Into Angola by Daniel Metcalfe was published by Hutchinson books in 2013. All references are to the 2014 Arrow Books paperback edition.

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