By the Seaside @ the Photographers’ Gallery

The Photographers’ Gallery in Soho has a Print Sales Room downstairs, next to the book shop. Here they stage rotating exhibitions of works by the 40 or so photographers whose work they’re licensed to print and sell. Since their roster of artists includes some big international names, and because they always select the best of the best, it’s always worth paying a visit. Smaller and less pressurised than the main exhibitions in the galleries above, these discreet and petite displays regularly come close to pure visual pleasure.

Currently, they’re hosting photos by seven photographers, all on the theme of the English seaside. After the gruelling horrors of the Ernest Cole exhibition about apartheid South Africa and the strange and mysterious Mexican culture photographed by Graciela Iturbide (also currently on display and reviewed in forthcoming blog posts), it’s a relief to stroll into the ‘Carry On…’ simplicity of possibly the quintessential English subject.

John Hinde (1916 to 1997)

Hinde is in a way the most interesting snapper in the show because he is a historical figure. Born in 1916, he developed an interest in photography at the start of the war, from which he was excluded as a Quaker conscientious objector. He had a big hiatus in his life between the mid-40s and the mid-50s when he worked in a circus (!). In 1956 he set up a company to take photos of Ireland where he’d settled. The company wasn’t about high art but a commercial operation designed to sell postcards wholesale to shops or resort owners who sold them onto tourists and visitors.

At the time most postcards sold to tourists were in black and white, since this was felt to convey the misty romance of the landscape and quaint village ways. Hinde set out to find a way of achieving the same effect in colour. His experiments led him to develop a stylised and distinctive approach. His shoots were carefully posed. Anything ugly was covered or moved. There’s a variety of colour in the shots but they feel, at the same time, somehow bleached or dated. Partly that’s due to the colour technology available at the time which played tricks with colour. I remember the holiday snaps my dad took which were converted into slides having the same effect, which I can’t quite put into words.  They looked colourful but faded at the same time. According to his Wikipedia article Hinde achieved a 1) idealistic and 2) nostalgic style, which can maybe be attributed to 1) the careful posing of the shot, and 2) the discreetly faded colouring.

His most famous set of images was from Butlins in the late 1960s and early 1970s. Billy Butlin hired Hinde to provide postcards for the hundreds of thousands of working class families who took advantage of his fun-for-all-the-family camps and low prices.

By this time, Hinde worked more as an art director than an actual photographer, so he hired two German photographers, Elmar Ludwig and Edmund Nägele, and one British photographer, David Noble. They toured Butlin’s camps and took great pains to compose and light each shot for best effect. The result is a peculiar combination of people in relaxed situations which somehow still feel formal. Apparently, Hinde enhanced the colours in post-production to give the shots a more vivid feel.

Despite the care he took, Hinde set no great store by the artistic value of his postcards and sold the company in 1972. But photography critics have taken them very seriously, and in 1993 Irish Museum of Modern Art held a retrospective of his photos and postcards in Dublin. I love it that the show was titled Hindesight.

‘Butlins Bognor Regis, Lounge Adjoining Heated Indoor Pool’ by John Hinde (photographed by Edmund Nagele) (Courtesy of the artist and The Photographers’ Gallery)

Sirkka-Liisa Konttinen (b. 1948)

Born in Finland, Konttinen moved to London to study film in the late 1960s at the Polytechnic in Regent Street. In 1968, she co-founded the Amber Film and Photography Collective, which moved to Newcastle in 1969. From 1969 Konttinen lived in Byker, an area of Newcastle, and for seven years photographed and interviewed the residents of this area of terraced houses until her own house was demolished. She became a real member of the community, capturing locals in all moods, before the entire area was destroyed to make way for the Byker housing estate, which was to become notorious.

This work resulted in the book, Byker, and, today, this body of work is considered by UNESCO to be of high national value as a profound account of the working class and marginalised communities in the North-East of England. In parallel she created a series depicting people on the chilly beaches of Whitley Bay and Tynemouth, titled Writing in the Sand (1978 to 1998) and it’s a couple of images from that album which are on display here.

‘Whitley Bay’ from ‘Writing in the Sand’ (1980) by Sirkka-Liisa Konttinen – £3,000 + VAT (Courtesy of the artist and The Photographers’ Gallery)

These, to be a bit harsh, are good enough, but don’t have the same power as her urban shots, which are quite stunningly brilliant.

Martin Parr (b. 1952)

Parr has become very famous for capturing the ungainly, graceless aspects of everyday British life in big colour-saturated photography. In fact it was seaside photos that really brought him widespread recognition, namely the images in his breakthrough series ‘The Last Resort’ (1985), which captured the exploits of working class people on holiday in the seaside resort of New Brighton, Merseyside. The show features three prints from that project.

Whereas the human brain picks out only the leading actions in any scene, Parr’s photos show an immense attention to every detail in the frame, which is one source of their power and almost overwhelming impact. The gallery says this makes him a great satirical photojournalist and that’s true. But years ago I read a critic who described his capturing of the fat and ugly, the graceless and ungainly, the clumsy and awkward in British life, as ‘cruel’, and I’ve never been able to forget that word. If Parr’s work feels like this, it’s partly because the size and brilliant clarity of his images have a kind of unrelenting quality which, in me at least, creates a negative impact. They’re visually merciless.

‘Ice cream kids, New Brighton, England, 1983-85’ by Martin Parr – £2,750 + VAT (©️ Martin Parr, courtesy of The Photographers’ Gallery / Rocket Gallery)

Anna Fox (b. 1961)

Fox is, apparently, known for her ‘combative, highly charged by the use of flash and colour’. According to Wikipedia she’s part of the ‘second wave’ of British colour documentary photography. Seeing her use of saturated colour to capture scenes of ‘ordinary people’ (meaning working class people) in a not totally flattering way, it comes as no surprise to learn that one of the tutors on her degree course was Martin Parr. He has, apparently, spawned a tradition.

Similarly secondary was her decision to spend two years photographing Butlins Bognor Regis. Surprising really. Wouldn’t it be a tad more modern to cover somewhere like Center Parcs, let alone acknowledge that anyone who can these days, and for some time past, goes on holiday abroad? Brits made 55 million holidays abroad in 2023, mostly to Spain, with 17.8 million trips. Sun, sand and sangria long ago trumped the sad holiday camp. Not to be too critical, the choice feels a bit retro and, if it was chosen in order to capture proles at play, a bit patronising.

‘Hair and Make-up Shop, 2010’ by Anna Fox – £2,200 + VAT (Courtesy of the artist and The Photographers’ Gallery)

Simon Roberts (b. 1974)

Roberts is known for his interest in identity as the titles of his books – Motherland (2007), We English (2009), Pierdom (2013) and Merrie Albion (2017) – suggest. Pierdom, as the name suggests, is a comprehensive survey of Britain’s pleasure piers, contrasting their historical significance with their modern contexts. For me, the widescreen, long-distance nature of his shots here made them feel flat and empty. I think I can see the effect he’s striving for, but the architectural features of Blackpool Pier just aren’t distinct or striking enough to justify the treatment.

Blackpool South Pier, Lancashire, 2008 by Simon Roberts (Courtesy of the artist and The Photographers’ Gallery)

Rob Ball (b. 1977)

Ball has been photographing the coast for fifteen years, viewing the coastline as an intrinsic part of British identity. He examines the rhythms of seaside resorts and the changes that arise from seasonal and generational shifts. I found his images of just buildings, bereft of the people who give them meaning, sad and depressing. They have a kind of stark power, maybe, and usually I like photos of bleak architecture, but for some reason found these soulless.

‘Slots of fun, Blackpool, 2022’ by Rob Ball – £600 + VAT (Courtesy of the artist and The Photographers’ Gallery)

Luke Stephenson (b. 1983)

Stephenson records the quirks of the British character. He combines demotic i.e. popular subject matter, with the studied formality of not just studio portraiture but a fine art approach. 99 x 99s does what it says on the tin, being a collection of formal portraits of the legendary 99 whipped ice cream, complete with Cadburys flake and a variety of colourful sauces, which he took on an extended road trip round the seaside resorts of England. Part of the culinary heritage which explains why 70% of British men and 60% of British women are overweight, and about a fifth of British children are obese. Taste yummy though, don’t they?

#97 Dawlish Warren, 2013 by Luke Stephenson – £850 + VAT (Courtesy of the artist and The Photographers’ Gallery)

In the studied isolation and formality which converts them from real life objects to icons, they reminded me of Andy Warhol’s Campbell soup tins or Coca Cola cans. You can easily imagine them being arranged as grids of images, maybe given the Warhol silk screen treatment, and sold to adorn board rooms and meeting rooms or, like one TV company I worked for, the canteen. Or, for a joke, placed next to an actual Mr Whippy machine with racks of cones and flakes in some cool advertising or tech company.

Other seasides

To give this fun little display more seriousness than it intends, it made me realise that there are plenty of other kinds of English seaside. A friend is a naturist so I immediately thought of nudist camps, not so much for the bare bodies but the joie de vivre she always glows with. Another friend works for the Royal Society for the Protection of Birds and he spends a lot of his time at the coast counting seabirds. Twitchers, they’re everywhere. There’s a lot of nature-watching goes on at the British coast, and not just birds but pond-dipping and rock-pooling for, crabs and such, and spotting the dolphins and seals and whales which are sometimes visible. At Croyde in Devon my son and I learned to surf and there are surfers and windsurfers all round the coast. We admired the rock climbers we saw ascending the perilous cliffs. And of course, sailing. Lots of sailing. The English coast is littered with docks and quays and marinas and all manner of pleasure boats from humble dinghies to swanky yachts.

So I enjoyed this little display, and I know it’s only meant to be a piece of light-hearted summer fun, but it triggered thoughts of how much more varied, active and interesting our engagement with the coast is than when John Hinde made his postcards of Butlins in the 1960s. Although there are seven photographers in this show they have, I think, been curated to depict a very narrow and rather dated vision of ‘the seaside’. Surely there’s a lot more to it than chilly beaches, shabby piers and amusement arcades.

For sale

All the prints are for sale, at prices starting from £600 + VAT but quickly rising to the thousands. If you could only have one, which one would you choose? For me it would be a toss-up between the Butlins lounge and the old lady on the beach with a dog.

All profits from print sales support The Photographers’ Gallery public programme.


Related link

  • By the Seaside continues at the Photographers’ Gallery until 8 September 2024

The photographers’ PG pages

The photographers’ websites

Related reviews

Ainu Stories: Contemporary Lives by the Saru River @ Japan House

This is a beautifully designed and laid out, quietly civilised exhibition about a tiny and little-known group of people and their culture, the Ainu people of northern Japan. It brings together over 200 objects, many never seen outside Japan before, and is structured around four themes: language, song and dance; woodcarving, textiles and food; environmental issue; and religion and belief.

Installation view of ‘Ainu Stories: Contemporary Lives by the Saru River’ at Japan House. Photo by Jérémie Souteyrat

The Ainu

The Ainu are an indigenous people who have been living in northern Japan, especially Hokkaido, the northernmost prefecture of Japan, and the surrounding islands, since at least the 13th century (hence the map of Hokkaido in the stand in the photo above, and also printed on the floor).

Historically, they have suffered discrimination and marginalisation. According to Wikipedia:

During the era of Samurai in Japan, Ainus had to grovel and smear their face on soil when they met a Japanese soldier, or face immediate decapitation. Ainu were not allowed to hunt for food, speak Ainu, or obtain an education, being forcefully segregated in small villages.

Although most Ainu continue to live in Hokkaido some have migrated to other parts of Japan. Estimates vary but it is thought that the total Ainu population of Japan numbers in just the tens of thousands. At one point it seemed as if the Ainu language (which is distinct from Japanese) and culture would disappear entirely.

In recent years, however, Ainu culture has undergone a conscious revival. During the 1960s and 1970s Kayano Shigeru, who was born in 1926 in the small village of Nibutani in Hokkaido’s Biratori area, and was the first Ainu to sit in Japan’s parliament, inspired a movement to celebrate, sustain and develop this distinct and lesser known of the Japanese cultures. This movement continues to gather momentum today, in particular among younger members of the Ainu community in Nibutani.

Display of bark fabric clothes in ‘Ainu Stories: Contemporary Lives by the Saru River’ at Japan House. Photo by Jérémie Souteyrat

Biratori and Nibutani

Biratori is an area located in the Saru River basin in the south of Hokkaido. Nibutani is a rural community of just over 300 people within Biratori Town, a municipal area with a population of around 4,600. Of the 300 inhabitants of Nibutani some 70 to 80% are of Ainu descent. This makes it the place in Japan with the highest percentage of Ainu residents. So compared with Japan’s population of 126 million we are talking tiny, tiny numbers.

And this is why this exhibition focuses on this town, its Ainu people and rural surroundings. An important aspect of the exhibition is that it has been curated in collaboration with the people of Biratori. Simon Wright, Director of Programming for Japan House London, points out that: ‘Many, if not all, exhibitions of Ainu culture in museums have focused on the past. Displays are often made up of old ethnographic collections. This exhibition, with a range of materials made especially for this project, aims to be different. For this venture, at Japan House London we want to show how Ainu culture in the rural district of Biratori is expressed today.’

The emphasis is on the ongoing life and viability of the culture, as practiced by people alive now, who have made objects and been interviewed expressly for this exhibition.

Kaizawa Yukiko weaving bark-cloth for attus as featured in ‘Ainu Stories: Contemporary Lives by the Saru River’ at Japan House. Photo by Ogawa Masaki

Twelve videos

The one-room gallery is lines by twelve large video screens, on which appear interviews with living practitioners of Ainu arts and crafts, language and religion. The interviews are interspersed with shot of the idyllic scenery of the Saru River region which makes it look stunningly beautiful. The rugged river and northern landscape and especially the many woodcarvings of wild bears catching salmon made me think of Canada (well, images of Canada I’ve seen on TV).

Wood carvings of wild bears catching salmon as featured in ‘Ainu Stories: Contemporary Lives by the Saru River’ at Japan House. Photo by Jérémie Souteyrat

The topics of the videos are:

  1. Nibutani Ainu food culture (interviewee: Oikawa Naomi)
  2. Tourism and a new identity (Kaizawa Tōru)
  3. Ainu woodcarving (Hiramura Daiki)
  4. Teaching the next generation building techniques (Ozaki Tsuyoshi)
  5. Attus weaving (Kaizawa Yukiko)
  6. The importance of local knowledge (Nagano Tamaki)
  7. Singing as a part of everyday life (Harada Rino)
  8. Ainu spirituality (Monbetsu Atsushi)
  9. Ainu language (Sekine Kenji)
  10. A sustainable forest for the future (Kimura Misaki)
  11. Ainu culture matters (Kayano Kimihiro)
  12. Living off the land (Kaizawa Taichi)

In addition there are six smaller video screens dotted around the show with films concentrating on specific themes and topics.

Ainu language

Ainu language is distinct from Japanese. It has mostly been passed down orally with the result that versions of it vary by region. For most of its history it was never written down and only recently have adapted versions of the Japanese and Latin alphabets been used to record it.

The Ainu language is listed as critically endangered by the United Nations Educational, Scientific and Cultural Organization (UNESCO). This means that while it is not extinct, the last native speakers are dying out and only conscious efforts by the community and the authorities are going to keep it alive. The primary school in the featured town of Nibutani devotes more time to teaching its pupils Ainu than any other school in Japan.

The exhibition allows visitors to hear Ainu people speaking their own language and see some of the learning materials used to teach the language. In January there will be live in-person lessons from native Ainu speakers.

Pack of picture cards use to teach the Ainu language to children as featured in ‘Ainu Stories: Contemporary Lives by the Saru River’ at Japan House. Photo by Jérémie Souteyrat

The environment

This section touches on topics of environmental conservation, contemporary agricultural practices, the largely unknown world of Ainu cuisine and the consultation with members of the Ainu community on major land construction projects such as the recently completed Biratori Dam.

Iwor is the Ainu term for the natural environment which sustains the Ainu way of life. Since 2008 the Iwor Restoration Project has been preserving or restoring habitats required for Ainu culture, such as the bullrushes used in traditional home building (cise), the creation of attus bark cloth, areas for the wild plants necessary for traditional medicine, and the cultivation of traditional crops such as millet and beans.

The cooking implements carved from wood are beautiful. There’s wall labels explaining the staples of Ainu cuisine, samples of spices and dried foods, and a video showing Ainu dishes being cooked. These include soups (ohaw) starting with wild onion and then including meat from salmon, deer or wild bear; Rataskep which are simmered and reduced dishes containing beans or potatoes; sito which are dumplings made from glutinous millet. It all looked rich and strange and mouth-watering.

Cooking implements and ingredients of Ainu cuisine, with one of the 12 videos in the background, as featured in ‘Ainu Stories: Contemporary Lives by the Saru River’ at Japan House. Photo by Jérémie Souteyrat

I was touched to learn that one of the fundamental etiquettes of Ainu food culture is to only take what you need, thus, when harvesting mountain vegetables, to leave the roots intact.

Ainu textiles, song and dance

Videos show traditional Ainu dance with interviewees explaining their religious and community significance. The show features richly embroidered robes worn for certain ceremonies. I was staggered to learn that they make clothes not out of wool or cotton but out of peeled bark or attus which is painstakingly separated into individual fibres by hand to create ‘bark cloth’ before being woven into bright attractive costumes.

Woodcarving and tourism

Japanese domestic tourism in the 1960s and 1970s inspired the growth of the Ainu woodcarving industry in Nibutani, an area which was already famed for its delicately carved wooden trays, household utensils and hunting weapons. The exhibition includes Nibutani attus (woven bark textiles) along with Nibutani ita (carved trays). These latter are carved from walnut wood decorated with Ainu patters such as spirals (morew), thorns (ayus), eye shapes (sik) and fish scales (ram-ram).

Hand carved bowls and platters along with traditional carving tools as featured in ‘Ainu Stories: Contemporary Lives by the Saru River’ at Japan House. Photo by Jérémie Souteyrat

Ainu religion

Ainu religious ceremonies evolved as ways of preserving order in the world. There are no priests in the Ainu belief system, instead rituals are carried out by representatives chosen from community leaders. Participants were Ainu robes and make offerings of inaw (hand-carved sticks with wood shavings) to various kamuy (Ainu spirit deities) who are called on for protection, food and good health. There are good, troublesome or indifferent kamuy but all demand respect.

Monbetsu Atsushi in traditional ceremonial dress as featured in ‘Ainu Stories: Contemporary Lives by the Saru River’ at Japan House

The Ainu belief system is rooted in the notion that alongside the world of humans (aynu) there is another world where the kamuy live in human form. In the human world kamuy can exists as plants or animals. Certain ceremonies enable messages to be sent by humans to the kamuy.

When an animal that embodies a particular kamuy, such as a bear, salmon or owl, was caught, its spirit (or ramat) was sent home to the world of kamuy with a prescribed ceremony, leaving its physical form behind as a gift to the humans.

These kamuy sent back with ceremonial gifts to the world of the kamuy would then come back again to the world of humans. When living things die, ramat leaves them and can be found everywhere and indicates the ongoing interconnection between Ainu and the natural world.

Links with Britain

I associate British imperial activity with Africa, India and south-east Asia so I was surprised to discover that some of the key figures in the preservation and promotion of Ainu culture were British.

John Batchelor (1855 to 1944)

Missionary John Batchelor from East Sussex lived and worked with the Ainu community for many years during the late 19th and early 20th centuries. He became a fierce advocate for their culture and way of life. Batchelor published the first texts about Ainu language in English, including the first Ainu-English dictionary in 1905.

Isabella Bird (1831 to 1904)

Bird was an English explorer, writer, photographer and naturalist. She was the first woman to be elected a fellow of the Royal Geographical Society. The exhibition describes her travelogues whose northernmost point of travel within Japan was Biratori, where she stayed with the local community leader’s family and described their culture and practices.

Dr Neil Gordon Munro (1863 to 1942)

Dr Neil Gordon Munro was a Scottish physician and anthropologist. He lived in Japan for almost fifty years, from 1930 until his death living among the Ainu in Nibutani village in Hokkaido. He collected Ainu artifacts and authored many books including ‘Ainu Creed and Cult’ (with H Watanabe & B Z Seligman, 1962). But it was his faithful services as a physician to the Ainu people which earned him the love and respect of the Ainu population. According to the preface to his Ainu book:

‘He kept open house for all who came there to gossip, sing songs, tell legends and talk of past times. He was thus acquainted with a number of elders (ekashi) who became his regular informants, and to whom he referred as his elders and teachers.’

Film footage he took of the local people survives as well as the artifacts he sent back to the British Museum, National Museum of Scotland and Pitt Rivers Museum.

Events

The exhibition is complemented by an extensive programme of events covering Ainu dance, language, cuisine, policy and craft, ranging in format from talks and demonstrations to workshops and storytelling, which continue in the new year.

Charming carved figurines as featured in ‘Ainu Stories: Contemporary Lives by the Saru River’ at Japan House. Photo by Jérémie Souteyrat

The film

There are also free public screenings of an 80-minute long documentary film ‘Ainu – Indigenous People from Japan’ (2019) by director Mizoguchi Naomi. Filmed in Biratori, the film follows the everyday life of four elder members of the resident Ainu community: Kawanano Kazunobu, Kayano Reiko, Nabesawa Tamotsu and Kibata Sachiko.

All four were born in the 1930s and grew up as Ainu but were not taught the language by their parents and grandparents due to the suppression of Ainu identity at that time. After shifts in sensibility starting in the 1960s, they have been able to reconnect with their heritage and became active local leaders to help revitalise their language and culture.

After the first screening there was a panel discussion with contributions from the film director and members of the Ainu community of Biratori, which is available to watch online, link below.

Thoughts

Beautiful. Fascinating. Inspiring.


Related links

Reviews of other Japan House exhibitions

I Didn’t Do It For You: How The World Used and Abused A Small African Nation by Michela Wrong (2005)

Michela Wrong has had a long career as a journalist, working for Reuters, the BBC and the Financial Times, specialising in Africa. She came to the attention of the book-buying public with the publication in 2001 of ‘In the Footsteps of Mr. Kurtz: Living on the Brink of Disaster in Mobutu’s Congo’, which I read and reviewed.

This is the follow-up, a long and thorough (432 pages, including chronology, glossary, notes and index) account of the modern history of Eritrea, the country to the north of Ethiopia which, at independence, was bundled in with Ethiopia and which fought a 30 year war to be free.

The milky haze of amnesia

I’m afraid Wrong alienated me right at the start, in her introduction, by claiming that the ex-colonial and imperial powers (Britain, Italy, America) have made a conscious effort to erase their involvement in such places in order to conceal all the wrongs we did around the world

History is written – or, more accurately, written out – by the conquerors. If Eritrea has been lost in the milky haze of amnesia, it surely cannot be unconnected to the fact that so many former masters and intervening powers – from Italy to Britain, the US to the Soviet Union, Israel and the United Nations, not forgetting, of course, Ethiopia, the most formidable occupier of them all – behaved so very badly there. Better to forget than to dwell on episodes which reveal the victors at their most racist and small-minded, cold-bloodedly manipulative or simply brutal beyond belief. To act so ruthlessly, yet emerge with so little to show for all the grim opportunism; well, which nation really wants to remember that? (Foreword, page xi)

This is an example of conspiracy theory – that everything that happens in the world is the result of dark and threatening conspiracies by shady forces in high places. It may sound trivial to highlight it so early in my review, but it is the conceptual basis of the entire book, and an accusation she returns to again and again and again: that there are so few available histories of Eritrea purely because the imperial powers want to suppress the record of their behaviour there, to display ‘the conquerors’ lazy capacity for forgetfulness’ (p.xxii). I’m afraid I take issue with this for quite a few reasons.

1. First, I tend towards the cock-up theory of history. Obviously there are and have been countless actual conspiracies but, in geopolitics at any rate, events are more often the result of sheer incompetence. Read any of the accounts of the US invasion of Iraq or Britain’s military efforts in Iraq and Afghanistan. The idea that the establishments of three or four countries have placed an embargo on discussion of imperial interventions in Eritrea is, obviously, unlikely.

2. Second, there has been no embargo on accounts of Britain’s involvement in plenty of other and far worse colonial debacles: the concentration camps we set up during the Boer War or during the Mau Mau emergency in Kenya are common knowledge or, at least, there are loads of books and articles about them. Or take India. Nowadays there’s a growing pile of books about how we looted and ruined the subcontinent; Britain’s responsibility for the catastrophic partition featured in an episode of Dr Who for God’s sake, about as mainstream as you can get.

Books about the evils of the British Empire are pouring off the press, so these are hardly ‘forgotten’ or ‘erased’ subjects. Quite the reverse, they’re extremely fashionable subjects – among angry students, at middle class dinner tables, in all the literary magazines here and in the States, among BBC and Channel 4 commissioning editors falling over themselves to show how woke, aware and anti-colonial they are.

Or check out the steady flow of anti-Empire, anti-slavery exhibitions (like the current installation in Tate’s Turbine Hall about empire and slavery, or Kara Walker’s installation in the same location about empire and slavery, or the upcoming exhibition at the Royal Academy about empire and slavery). Anti-racist, anti-imperialist, anti-slavery sentiments are not some kind of revolutionary disruption but the received opinion of our time, one of its central ideological underpinnings.

Eight reasons why nobody’s much interested in Eritrean history

Wrong makes a big deal of the fact that so many Italians, Brits and Americans she spoke to during her research had no awareness of their nations’ involvements in Eritrean history, but this has at least eight possible explanations, all more plausible than it being due to some kind of joint conspiracy by the British, Italian and American governments. Let’s consider just Britain:

1. British imperial history is huge

First, the history of the British Empire is a vast and complicated subject. Hardly anyone, even specialists, even professional historians, knows everything about every period of every colony which the British ruled at one point or another. Understandably, most people tend to only know about the big obvious ones, probably starting with India and the slave trade, not least because these are hammered home via every channel and medium.

2. Second World War history is huge

Second, the British took over the running of Eritrea from the Italians only after we fought and defeated them in North Africa in the spring of 1941, in a campaign which was wedged in between the bigger, more important and better known Desert War in Libya. So the same principle applies as in the point about the empire as a whole, which is: even professional historians would probably struggle to remember every detail of every campaign in every theatre of the Second World War, so why should they care about this relatively small and strategically insignificant one?

Here’s Wikipedia’s list of the main theatres and campaigns of the Second World War. Did you know them all?

It was only reading up the background to Evelyn Waugh’s ‘Sword of Honour’ trilogy that I realised there was a whole theatre of war in West Africa, Gambia and so on, which I’d never even heard about before. Was this due to what Wrong calls the ‘milky haze of amnesia’ deriving from some government-wide conspiracy to forget? Nope. The reality is people only have so much time and attention to spare.

3. The limited attention span of ordinary people

What percentage of the British population do you think gives a monkeys that Britain was, for ten years or so, from 1941, responsible for administering Eritrea? Weren’t we also running about 50 other countries at the time? I suspect my parents’ experience of being bombed during the Blitz and watching Battle of Britain dogfights over their London suburb were quite a bit more relevant to their lives than the details of British administration of the faraway Horn of Africa. People have only so much hard drive.

4. General historical awareness is dire, anyway

Most people don’t care about ‘history’, anyway. If you gave a quick basic history quiz to the entire British population of 67 million, I wonder how many would pass. Auberon Waugh once joked that the fact that Henry VIII had six wives is the only fact from history which all Britons know, but I suspect this is way out of date. I live in Streatham, the most multi-ethnic constituency in Britain. Most of the people I interact with (doctor, dentist, shopkeepers, postman, electrician, council leafblowers) were not born in this country and many of them barely speak English (e.g. my Chinese postman). I struggle to explain that I want to buy a stamp at the shop round the corner because they don’t speak English so don’t know what ‘stamp’ is until I point to a pack. I can’t believe many of the millions of non-English-speaking people who now live here give much of a damn about the minutiae of Britain’s imperial history unless, of course, it’s the bit that affected their country and possibly not even then.

5. Busy

And this is because people are busy. The difference between Wrong and me is that she thinks it’s of burning importance that the British ‘confront’ every aspect of their ‘colonial past’, whereas I take what I regard as the more realistic view, that a) most people don’t know b) most people don’t care because c) most people are stressed just coping with the challenges of life.

By this I mean trying to find the money to pay their rent or mortgage, to buy food, to pay for the extras their kids need at school, or to find money to pay for their parents’ ruinously expensive social care. Most people are too busy and too stressed to care about what happened in a remote country in Africa 80 years ago. Most people are too busy and worried about the day-to-day to care about even the contemporary global issues that newspapers and magazines are always trying to scare us about, whether it’s the alleged impact of AI or the war in Ukraine or the strategic threat from China. Most don’t know or care about ‘history’ and, I’d argue, they’re right to do so, and to live in the present.

I’m a bookish intellectual who’s interested in literature and history but I’ve had to learn the hard way (i.e. via my children and their friends) that there are lots of people who really aren’t. They’re not ‘erasing’ anything, they just live lives which don’t include much interest in history, be it imperialist, early modern, medieval or whatever. They’re too busy going to music festivals or shopping at Camden market, and sharing everything they do on TikTok and Instagram, getting on with their (exciting and interesting) lives, to know or care about the minutiae of the historical record of every single one of the hundred or so nations Britain had some kind of imperial involvement in.

Wrong thinks it’s some kind of conspiracy on the part of the British authorities not to give Eritrea a more prominent part in our history. I think it’s a realistic sense of perspective.

6. Commercial priorities

Books tend to be published, documentaries commissioned and art exhibitions organised, if the editors think there is a commercially viable audience for them. Last time I visited the Imperial War Museum I spent some time in the bookshop chatting to the manager because I was struck by the very, very narrow range of subjects they stock books about. There were entire bookcases about the First and Second World War, a big section about the Holocaust, one about Women in War, and that was about it. I couldn’t even find a single book about Northern Ireland. Northern Ireland, for God’s sake! When I quizzed him, the bookshop manager explained that they’re a commercial operation, they need to maximise their revenue and so only stock books on the subjects which are reliable bestsellers.

So, living in a commercial/consumer capitalist society as we do, maybe the lack of awareness, books and articles about the modern history of Eritrea is not due to a government conspiracy to suppress it but simply because it is a really niche subject which interests hardly anyone, and so – there’s no money in it. No government conspiracy required.

7. News agendas

Even now, the current conflicts between Eritrea, Tigray and Ethiopia barely reach the news because they are, in fact, minor conflicts, they are far away, they have been going on for decades with no particularly dramatic changes to report on and, crucially, no signs of a conclusion – so they just never make the news agenda. Why would they, when Russia is threatening to start world war three?

8. Predictable

And I suppose there’s an eighth reason which is that, for anybody who is interested in modern history, it is utterly predictable that today’s historians or historical commentators will take a feminist, anti-racist, anti-imperial line. Nothing could be more predictable than a modern historian ‘revealing’ the racist truth about British imperial behaviour. This is the stock, standard attitude across the modern humanities. To reveal that European imperial behaviour in Africa was ‘racist and small-minded, cold-bloodedly manipulative or simply brutal beyond belief’ is the opposite of news – it is the utterly predictable compliance with modern ideology, as expressed through all available channels of print, TV, social media, films and documentaries, art galleries, plays and books and articles.

So, those are my eight reasons for not buying into the central premise of Michela Wrong’s book which is that there has been some kind of conspiracy of silence among the ex-imperial powers, that they have deliberately let the history of their involvement in Eritrea sink into ‘the milky haze of amnesia’ in order to conceal from a public which would otherwise be desperate for every scrap of information they could get about Italy, Britain and America’s involvement in one of the world’s smallest countries 80 years ago.

Presumable origin of the book

Wrong first visited Eritrea in 1996 in order to do a country profile for the Financial Times. She was surprised to discover that there was very little published about the place. She saw an opportunity. She approached her publisher, who agreed there was an opportunity to sell to the kind of niche audience which is interested in the history of tiny African countries. Obviously she would be building on the success of her first book to extend her brand.

But, to make the book more marketable it would have to try and make the story more ‘accessible’, more saleable, and so ought to incorporate several features: 1) elements of touristic travelogue, passages dwelling on, for example, Asmara’s surprising Art Deco heritage or the vintage railway that snakes up into the high plateau of the interior, the kind of thing that appears in ‘Train Journeys of The World’-type TV documentaries. Tick.

The second way to sex it up would be to adopt the modern woke, progressive, anti-imperial ideology so much in vogue, and take every possible opportunity to criticise all the western powers for their racism, sexism, massacres and exploitation. Tick.

And so we’ve ended up with the book we have. It is a history of Eritrea in relatively modern times i.e. since the Italians began annexing it in the 1890s, up to the time of writing in about 2004, written in a superior, judgemental, often sarcastic and sneering tone, regularly facetious and dismissive about every action of the colonial powers, and hugely reluctant to point out that the relevant Black African powers (i.e. Ethiopia) behaved ten times worse than anything the imperialists did.

I’m not saying Wrong is wrong to point out that the Italians were racist exploiters who carried out appalling, semi-genocidal massacres and installed apartheid-style laws; or that the British, to their shame, maintained many of Italy’s racist discriminatory laws and practices while dismantling and carting off much of the country’s infrastructure; or that the UN screwed up big time when it assigned Eritrea to be part of Ethiopia against the wishes of its people; or that the Americans should have done more to foster statehood and encourage Eritrean independence when they used the place as a listening post during the Cold War.

I’m sure all her facts are completely correct and they certainly build up into a damning portrait of how successive western powers abused a small African nation. No, what put me off the book was a) Wrong’s assumption that the lack of knowledge about Eritrea was the result of some kind of cover-up among the imperial powers, and b) her tone of sneering, sarcastic superiority over everyone that came before her. Her snarky asides about this or that imperial administrator or British general quickly become very tiresome.

It is possible to write history in a plain factual way and let the facts speak for themselves. Nobody writes a history of the Holocaust full of sneering asides that the Nazis were ‘racist’ and ‘discriminatory’ – ‘Hitler, in another typically racist speech…’. You don’t need to say something so obvious. The facts speak for themselves. Constantly poking the reader in the ribs with sarcastic asides about the awful colonialists gets really boring.

Travel writing

Wrong strikes a note of travel writer-style indulgence right from the start of her book. The opening pages give a lyrical description of what you see as you fly over the desert and come into land at Eritrea’s main airport. From her text you can tell she regards flying from one African capital to another, jetting round the world, as an everyday activity. It isn’t though, is it, not for most people, only for a privileged kind of international reporter.

She then goes on to explain that Eritrea’s capital, Asmara, has one of the finest collections of Art Deco buildings anywhere in the world. In other words, the opening of her book reads just like a Sunday supplement feature or upscale travel magazine article. Although she will go on to get everso cross about Eritrea’s agonies, the opening of the book strikes a note of pampered, first world tourism which lingers on, which sets a tone of leisured touristic privilege. I know it’s unintended but that’s how it reads.

Anti-western bias

Like lots of posh people who have enjoyed the most privileged upbringing Britain has to offer and then become rebels and radicals against their own heritage, Wrong is quick to criticise her own country and very slow to criticise all the other bad players in the story.

In particular, she downplays the elephant in the room which is that most of Eritrea’s woes stem from its 30-year-long war to be independent of Ethiopia, the imperialist nation to its south. She downplays the extent to which this was two African nations, led by black African leaders, who insisted on fighting a ruinous 30-year war in which millions of civilians died… and then started up another war in 1998, conflicts which devastated their economies so that, as usual, they needed extensive food aid to be supplied by…guess who?.. the evil West.

Gaps and absences

Imperial benefits, after all

There’s a particular moment in the text which brought me up short. In the chapter describing the machinations of various UN commissions trying to decide whether to grant Eritrea its independence or bundle it in with Ethiopia (Chapter 7, ‘What do the baboons want?’), Wrong describes the experiences of several commissioners who toured the two countries and immediately saw that Eritrea was light years ahead of Ethiopia: Ethiopia was a backward, almost primitive country ruled by a medieval court whereas Eritrea had industry and education and a viable economy which were established by the Italians. And the British had given Eritrea an independent press, trade unions and freedom of religion (p.171).

Hang on hang on hang on. Back up a moment. Wrong has dedicated entire chapters to excoriating Italian and British administrators for their racism, their exploitation of the natives, Italian massacres and British hypocrisy. Entire chapters. And now, here, in a brief throwaway remark, she concedes that the Italians also gave the country a modern infrastructure, harbours and railway while the British introduced modern political reforms, freedom of the press and religion, and that taken together these meant that Eritrea was head and shoulders more advanced than the decrepit empire to its south.

When I read this I realised that this really is a very biased account. It reminded me of Jeffrey Massons’ extended diatribe against therapy. Nothing Wrong says is wrong, and she has obviously done piles of research, especially about the Italian period, and added to scholarly knowledge. But she is only telling part of the story, the part which suits her unremitting criticism of the West.

And she is glossing over the fact that the Italians, and the British, did quite a lot of good for the people of Eritrea. This doesn’t fit Wrong’s thesis, or her tone of modern enlightened superiority to the old male, misogynist, racist imperial administrators, and so she barely mentions it in her book. At a stroke I realised that this is an unreliable and deeply biased account.

Magazine feature rather than history

Same sort of thing happens with chapter 10, ‘Blow jobs, bugging and beer’. You can see from the title the kind of larky, sarky attitude Wrong takes to her subject matter. Dry, scholarly and authoritative her book is not.

The blowjobs chapter describes, in surprising detail, the lifestyle of the young Americans who staffed the set of radio listening posts America established in the Eritrean plateau in the 1950s and 60s. The plateau is 1.5 miles high in some places and this means big radio receivers could receive with pinprick accuracy radio broadcasts from all across the Soviet Union, Middle East and rest of Africa. The signals received and decoded at what came to be called Kagnew Station played a key role in America’s Cold War intelligence efforts.

As her larky chapter title suggests, Wrong focuses her chapter almost entirely around interviews she carried out with ageing Yanks who were young 20-somethings during the station’s heyday in the late 60s. One old boy described it as like the movie ‘Animal House’ and Wrong proceeds to go into great detail about the Americans’ drinking and sexual exploits, especially with prostitutes at local bars. She sinks to a kind of magazine feature-style level of sweeping, superficial cultural generalisation:

This was the 1960s, after all, the decade of free love, the Rolling Stones and LSD, the time of Jack Kerouac, Jimi Hendrix and Hunter Thompson. (p.223)

This is typical of a lot of the easy, throwaway references Wrong makes, the kind of sweeping and often superficial generalisations which undermine her diatribes against the British and Italian empires.

Anyway, she tells us more than we really need to know about service men being ‘initiated in the delights of fellatio’ by Mama Kathy, the hotel in Massawa nicknamed ‘four floors of whores’, about a woman called Rosie Big Tits (or RBT) who would service any man or group of men who paid her, about the disgusting behaviour of the gang who accurately called themselves The Gross Guys (pages 225 to 226).

This is all good knockabout stuff, and Wrong explains how it came about after she got in touch with the surviving members of The Gross Guys via their website, and then was given more names and contacts, and so it snowballed into what is effectively a diverting magazine article. She includes photos, including a corker of no fewer than seven GIs bending over and exposing their bums at a place they referred to as Moon River Bridge.

I have several comments on this. 1) Interwoven into the chapter are facts and stats about the amount of money the US government gave Haile Selassie in order to lease this land, money the Emperor mostly spent on building up the largest army in Africa instead of investing in infrastructure, agriculture and industry, with the result that he ended up having loads of shiny airplanes which could fly over provinces of starving peasants. So there is ‘serious’ content among the blowjobs.

Nonetheless 2) the blowjob chapter crystallises your feeling that this book is not really a history of Eritrea, but more a series of magazine-style chapters about colourful topics or individuals (such as the chapter about the Italian administrator Martini and the English activist Sylvia Pankhurst), which don’t quite gel into a coherent narrative.

3) Most serious is the feeling that this approach of writing about glossy, magazine, feature-style subjects – interviews with badly behaved Yanks or Sylvia Pankhurst’s son – distracts her, and the narrative, from giving a basic, reliable account of the facts.

It’s only after the chapter about blow jobs and drinking games that we discover, almost in passing, that the very same period, the late 1960s, saw the rise and rise of the Eritrean Liberation Front (ELF) which waged a steadily mounting campaign of attacks against symbols of Ethiopian power e.g. police stations. And that the Ethiopian police and army, in response, embarked on a savage campaign to quell the insurgents / guerrillas / freedom fighters in the time-old fashion of massacring entire villages thought to be supporting them, gathering all the men into the local church and setting it on fire, raping all the women, killing all their livestock, burning all their crops, the usual stuff.

For me, this is the important stuff I’d like to have known more about, not the ‘four floors of whores’ popular with American GIs. Magazine mentality trumps history.

Religious division

And it was round about here that I became aware of another massive gap in Wrong’s account, which is a full explanation of Eritrea’s ethnic and, in particular, religious diversity. Apparently, the low-lying coastal area of Eritrea, and the main port, Massawa, was and is mostly Muslim in make-up, with mosques etc, whereas the plateau, and the capital, Asmara, are mostly Christian, churches etc.

Wrong’s account for some reason underplays and barely mentions either religion or ethnicity whereas, in the countries I’ve been reading about recently (Iraq, Afghanistan, Syria, Sudan, Rwanda, Congo), ethnic and religious divides are absolutely crucial to understanding their histories and, especially, their civil wars.

Instead Wrong only mentions very briefly, in passing, that it was ethnic difference which led to there being two Eritrean independence militias, the ELF and the ELPF. It was only from Wikipedia that I gathered the former was more Arab and Muslim, the latter more Christian or secular, and socialist. Wrong nowhere explains the ideological or tactical differences between them. She nowhere names their leaders, gives histories of the movements or any manifestos or programs they published. All this Wrong herself has consigned to the ‘milky haze of amnesia’. Is she involved in an imperialist conspiracy to suppress the truth, I wonder? Aha. Thought so. It’s all an elaborate front.

Similarly, when the ELPF eventually eclipse the ELF to emerge as the main Eritrean independence militia, Wrong doesn’t explain how or why this took place. Her description of this important moment in rebel politics is described thus:

The EPLF, which emerged as the only viable rebel movement after a final clash with the ELF, built its society on defeat. (p.283)

That’s your lot. A bit more explanation and analysis would have been useful, don’t you think?

Key learnings

Each chapter focuses on a particular period of Eritrea’s modern (post-1890) history and Wrong often does this by looking in detail at key individuals who she investigates (if dead) or interviews (if living) in considerable detail. This is fine, it makes for vivid journalism but biased and partial ‘history’.

Ferdinando Martini

Thus the early period of Italian colonisation is examined through the figure of Ferdinando Martini, governor of Eritrea from 1897 to 1907, who made heroic activities to modernise the country even as he endorsed Italy’s fundamentally racist laws. Wrong draws heavily on his 1920 literary masterpiece about his years as governor, ‘Il Diario Eritre’ which, of course, I’d never heard of before. Maybe Wrong thinks that almost all foreign literature has been sunk in ‘the milky haze of amnesia’ whereas I take the practical view that most publishers find most foreign publications commercially unviable and so not worth translating or publishing.

It was, apparently, Martini who gave the country its name, deriving it from the ancient Greek name for the Red Sea, Erythra Thalassa, based on the adjective ‘erythros’ meaning ‘red’.

It was Martini who commissioned the Massawa to Asmara train line, a heroic feat of engineering from the coast up into the steep central plateau, which Wrong describes in fascinating details and wasn’t completed during his time as governor.

Italian emigration

The Italian government hoped to export its ‘surplus population’ i.e. the rural poor from the South, to its African colonies but Wrong shows how this never panned out. Only about 1% of the Italian population travelled to its colonies compared to a whopping 40% who emigrated to America, creating one of America’s largest ethnic communities.

The Battle of Keren

Wrong’s account of the British defeat of the Italians in Eritrea focuses on a gritty description of the awful Battle of Keren, in March 1941, where British troops had to assault a steep escarpment of bare jagged rocks against well dug-in Italian (and native) troops, in relentless heat, with much loss of life. Once in control the British embarked on a scandalous policy of asset stripping and selling off huge amounts of the infrastructure which the Italians had so expensively and laboriously installed, including factories, schools, hospitals, post facilities and even railways tracks and sleepers.

Sylvia Pankhurst

Surprisingly, one of the most vocal critics of this shameful policy was Sylvia Pankhurst, daughter of the redoubtable Emmeline Pankhurst, the leading suffragette. Sylvia fell in love with Ethiopia and ran a high-profile campaign against Mussolini’s brutal invasion of 1936, demanding the British government intervene. After the war, her relentless pestering of her political contacts and the Foreign Office earned her the gratitude of the emperor Haile Selassie himself. Wrong estimates that the British stole, sold off, or shipped to her full colonies (Kenya, Uganda) getting on for £2 billion of assets (p.136). When she died, in 1960, aged 78, she was given a state funeral and buried in Addis Ababa cathedral. A lot of the material comes via her son, Richard Pankhurst, who was raised in Ethiopia, founder of the Institute of Ethiopian Studies at Addis Ababa University, and who Wrong meets and interviews on several occasions.

John Spencer

Wrong describes several meetings with John Spencer, an American who was international legal adviser to Haile Selassie. In the early 1950s the UN was worried (among many other pressing issues) with the future of Eritrea. There were three options: full independence; full integration into Ethiopia; federal status within Ethiopia. There were strong views on all sides. Independent commentators wondered whether Eritrea could ever be an economically viable state (good question since, 73 years later, it is still one of the poorest countries on earth). Ethiopians wanted complete assimilation in order to give them access to the Red Sea. As a canny, aggressive American lawyer, Spencer lobbied hard for the Ethiopian option with the result that he is remembered with hatred to this day in Eritrea.

Kagnew Listening Station

The Americans discovered the high Eritrean plateau was uniquely located to receive clear radio signals from all over the hemisphere. From the 1950s onwards they paid Selassie a hefty premium, plus military and development aid, for the right to build what ended up being some 19 separate listening stations. Ethiopia became the largest recipient of American aid in Africa. Wrong tells its story via interviews with half a dozen of the thousands of GIs who staffed it in the 1960s. She (repeatedly) blames them for ignoring and erasing the reality of the violent insurgency and brutal repression spreading throughout Eritrea. What does she expect a bunch of 20-something GIs to have done? Launched an independent peace mission?

Wrong works through interviews with Melles Seyoum and Asmerom to tell the story of the widely supported EPLF insurgency against the Ethiopian occupying forces.

Keith Wauchope

Similarly, she tells the story of the brutal Ethiopian crackdown of the 1970s through the eyes of Keith Wauchope, deputy principal officer at Asmara’s US consulate from 1975 to 1977. In particular the ‘Red Terror’ when the Ethiopian revolutionaries, like the French revolutionaries, Russian revolutionaries and Chinese revolutionaries before them, moved to eliminate all political opponents and even fellow revolutionaries who deviated even slightly from the party line. By this stage I’d realised that the book doesn’t proceed through events and analysis but by moving from interviewee to interviewee.

Nafka

Bombed out of their towns and villages by the Soviet-backed Ethiopian regime’s brutal campaign, the EPLF withdrew to the high Eritrean plateau where they holed up for a decade. they developed a cult of total war, total commitment, even down to the details of combat wear (basic, functional), disapproval of romantic relationships between fighters. They built an entire underground town including hospitals and schools, the famous Zero school, around the highland town of Nafka, to evade Ethiopia’s Russian-supplied MIG jets.

Wrong has met and interviewed a number of ex-fighters. It comes over very clearly that she venerates them as, she says, did most of the other western journalists who made their way to the EPLF’s remote bases and were impressed by their discipline and commitment, not least to education, holding seminars and workshops about Marxism, Maoism, the Irish struggle, the Palestinian struggle and so on. Western journalists called them ‘the barefoot guerrilla army’. She calls these western devotees True Believers.

But she is candid enough to admit that the hidden redoubts of Nafka also nursed a fanatical sense of commitment and rectitude. This was the Marxist practice of self criticism and self control, which would translate into the overbearing authoritarianism the Eritrean government displayed once it won independence in 1993.

‘Eritrea is a militarized authoritarian state that has not held a national election since independence from Ethiopia in 1993. The People’s Front for Democracy and Justice (PFDJ), headed by President Isaias Afwerki, is the sole political party. Arbitrary detention is commonplace, and citizens are required to perform national service, often for their entire working lives. The government shut down all independent media in 2001.’ (Freedom House website, 2023)

Ah, not so cool and fashionable once they actually come to power.

John Berakis

In line with the rest of the book, the chapter about the EPLF’s long years in its secret underground bases and highland redoubts, is told / brought to life via the biography of John Berakis, real name Tilahun (p.299) who was, improbably enough, both a committed fighter but also a qualified chef. Wrong interviews him and hears all about improbable banquets and feasts and recipes which he cooked up for the Fighters.

Asmara tank graveyard

The huge graveyard of tanks and other military equipment on the outskirts of Asmara is the peg for describing the astonishing amount of hardware the Soviet Union gave to Ethiopia: at one point in 1978 Soviet aircraft bearing equipment were arriving every 20 minutes in Ethiopia. By the end of the Soviets’ support for the Derg, the Russians had sent nearly $9 billion in military hardware into Ethiopia , about $5,400 for every man, woman and child in the population (p.314).

She makes the point that the USSR’s influence was on the rise. In 1975 Angola and Mozambique both became independent under Marxist governments. Across Africa one-party rule was ripe for Soviet influence. Ethiopia, Yemen and Somalia all had Marxist governments. It felt like the tide of history was flowing Russia’s way. By contrast America, had been weakened and humiliated by its defeat in Vietnam which had promptly turned communist, as did Laos and Cambodia.

Mengistu Haile Mariam

Wrong profiles Mengistu, his personal grievances for being looked down on by Ethiopia’s racial elite, his slavish devotion to the USSR (he declared Brezhnev was like a father to him), busts of Marx on the table, erected the first statue of Lenin anywhere in Africa etc.

But, of course, over the years Mengistu slowly morphed into another African strongman, driving in his open-topped Cadillac through the hovels of Addis Ababa, eliminating all possible opponents, living in a miasma of paranoia, surrounded by courtiers and flunkeys, turning into Haile Selassie. During the catastrophic famine of 1983/84 Ethiopia continued to spend a fortune on its military, which had ballooned to almost 500,000 troops, and spent $50 million on the tenth anniversary of the overthrow of Selassie and their coming to power. Over a million Ethiopians died in the famine.

Mikhail Gorbachev

The arrival of Gorbachev in 1985 worried all the communist regimes and his coterie slowly changed the tone of political commentary, starting to question the huge amount of aid the USSR was giving to supposedly Marxist African regimes. Even so between 1987 and 1991 Moscow still sent Addis $2.9 billion in weaponry (p.327).

Yevgeny Sokurov

Wrong appears to have interviewed quite a few Russian diplomats and military men. Former major Yevgeny Sokurov has some savagely candid words about the USSR’s entire African policy:

‘Helping Mengistu, that arrogant monkey, was pointless… In Moscow there was a pathological desire to support these thieving, savage, African dictatorships. It was a waste of time.’ (quoted p.340)

Anatoly Adamashin

A really profound comment is made by Anatoly Adamashin, deputy foreign minister under Mikhail Gorbachev, who points out that the Cold War led both America and the USSR and the African countries themselves to believe that each African nation was engaged in a historic struggle between reactionary capitalism and revolutionary communism, but this was never really true, it was a huge historical delusion. In actual fact what was taking place in all those countries was wars between ethnically-based factions, or ambitious individuals, simply for power.

As with Mobutu (Zaire) or Mugabe (Zimbabwe) or Jonas Savimbi (Mozambique) or Eduardo dos Passos (Angola) or here in this story, Mengistu in Ethiopia, when the Cold War evaporated it revealed that most of those conflicts had, in fact, been nothing more than the crudest struggles to achieve and maintain power.

It’s such a powerful view because it comes from a former Soviet official i.e. not from what Wrong regards as the racist imperialist West.

Mengistu flees

As the EPLF closed in on the capital, Mengistu took a plane to Zimbabwe, where he was granted asylum by another bogus Marxist dictator, Robert Mugabe, given a farm (probably confiscated from the ghastly white colonists) and lived an allegedly pampered life for decades. During his rule over a million Ethiopians died in the famine, and over 500,000 in the wars and/or the Red Terror, or the forced relocation of millions of peasants which, of course, led to famine and starvation.

The Organisation of African Unity

Wrong delivers an entertainingly withering verdict on the Organisation of African Unity:

One of the most cynicism-inducing of events: the summit of the Organisation of African Unity (OAU), that yearly get-together where insincere handshakes were exchanged, 29-year-old coup leaders got their first chance to play the international statesman, and the patriarchs of African politics politely glossed over the rigged elections, financial scandals and bloody atrocities perpetrated by their peers across the table. (p.357)

Even better, she describes it as ‘a complacent club of sclerotic dictators and psychopathic warlords’ (p.358).

Eritrean independence

In 1993 the population voted for independence and Eritrea became an independent country with its own political system, flag, army and so on. Five years of reconstruction and hundreds of thousands of exiles returned home. When war broke out again, Wrong characteristically doesn’t blame it on the new Ethiopian or Eritrean governments, the parties that actually went to war, but on the wicked imperialists:

The national character traits forged during a century of colonial and superpower exploitation were about to blow up in Eritrea’s face. (p.361)

It’s because of our legacy, apparently, that the Eritreans and Ethiopians went back to war, bombing and napalming and strafing each other’s citizens, killing 80,000 in the 2 years of war, 1998 to 2000. Two of the poorest countries in the world spent tens of millions of dollars trying to bomb each other into submission. Surely the leaders of those two countries have to shoulder at least some of the responsibility themselves?

The result of this second war was impoverishment for Eritrea which was rightly or wrongly seen as the main aggressor. Foreign investment dried up. Ethiopia imposed a trade blockade.

Afwerki Isaias

The man who rose to become secretary general of the ELPF, and then president of independent Eritrea in 1993. The trouble is that, 30 years later, he is still president, in the time-honoured African tradition. To quote Wikipedia:

Isaias has been the chairman of Eritrea’s sole legal political party, the People’s Front for Democracy and Justice. As Eritrea has never had a functioning constitution, no elections, no legislature and no published budget, Isaias has been the sole power in the country, controlling its judiciary and military for over 30 years. Hence, scholars and historians have long considered him to be a dictator, described his regime as totalitarian, by way of forced conscription. The United Nations and Amnesty International cited him for human rights violations. In 2022, Reporters Without Borders ranked Eritrea, under the government of Isaias, second-to-last out of 180 countries in its Press Freedom Index, only scoring higher than North Korea.

Tens of thousands have fled one of the most repressive regimes in the world and the jaundiced reader is inclined to say: you fought for independence; you made huge sacrifices for independence; you won independence; at which point you handed all your rights over to a psychopathic dictator. You had the choice. You had the power. Don’t blame Italy. Don’t blame Britain. Don’t blame America. Blame yourselves.

Paul Collier’s view

Compare and contrast Wrong’s sneering, sarcastic, anti-western tone with Paul Collier’s discussion of Eritrea in his 2008 book The Bottom Billion.

Collier is an eminent American development economist who is concerned to improve the lives of people in Africa here and now. He gives short shrift to third world rebel movements. In very stark contrast to Wrong’s 400 pages of grievance and complaint against the West, Collier’s account of Eritrea’s plight is brisk and no-nonsense:

The best organised diaspora movement of all was the Eritrean People’s Liberation Front. The diaspora financed the war for thirty years and in 1992 they won. Eritrea is now an independent country. But did the war really achieve a liberation of the Eritrean people? In September 2001, after an unnecessary international war with Ethiopia, half the Eritrean cabinet wrote to the president, Isaias Afwerki, asking him to think again about his autocratic style of government. He thought about it and imprisoned them all. He then instituted mass conscription of Eritrean youth. Ethiopia demobilised, but not Eritrea. Eritrean youth may be in the army as much to protect the president from protest as to protect the country from Ethiopia. Many young Eritreans have left the country…Was such a liberation really worth thirty years of civil war?
(The Bottom Billion by Paul Collier, 2008 Oxford University Press paperback edition, page 23)

Or compare Wrong with the chapter describing the horrific punishments, prisons and reign of terror run by Afwerki, in Paul Kenyon’s 2018 book, ‘Dictatorland’. The horror of Afwerki’s rule is glossed over in Wrong’s account because of her relentless concern to blame the West for absolutely everything. These two other accounts provide a necessary balance to Wrong’s biased agenda, or just a simple reminder that sometime African nations’ dire plights are less to do with colonial oppression 80 years ago, and more the result of gross mismanagement and terrible leadership in the much more recent past and even now.

Eritrea timeline

16th century – Ottoman Empire extends its control over the Red Sea/Ethiopian/Eritrean coast.

1800s – The Ottoman Turks establish an imperial garrison at Massawa on the Red Sea coast.

1869 – An Italian priest buys the Red Sea port of Assab for Italy from the local sultan.

1870 – Italy becomes a unified nation.

1885 – The British rulers of Egypt help Italian forces capture the Red Sea port of Massawa. This was to prevent the French getting their hands on it.

1887 to 1911 – Italians construct the Massawa to Asmara railway.

1890 – Italy proclaims the colony of Eritrea.

1894 – revolt of the previously loyal chief, Bahta Hagos, crushed.

1896 – 1 March, Italian army trounced by the Emperor Menelik at the Battle of Adwa; the borders of Eritrea are agreed.

1912 – After defeating Ottoman forces Italy seizes the two provinces of Tripolitania and Cyrenaica, which it joins under the name Libya (a division which reopened after the ousting of Colonel Gaddafi in 2011, and last to this day).

1915 – Italy is persuaded by France and Britain to join their side in the First World War, with the promise of Trieste, southern Tyrol, northern Dalmatia and expansion of her territories in Africa

1922 – Mussolini seizes power, campaigning on many grievances one of which is the Allies never gave Italy the empire they promised

1930 – coronation of Ras Tafari as emperor of Ethiopia; he takes the regnal name Haile Selassie. The coronation is attended by Evelyn Waugh who writes a hilarious satirical account, which is also full of accurate details about the country, Remote People (1931). (As a side note Waugh’s book is extensively quoted in Giles Foden’s humorous account of First World War naval campaigns in Africa, ‘Mimi and Toutou Go Forth’.)

1935 – Mussolini launches a campaign to conquer Ethiopia. The Emperor Haile Selassie addresses the League of Nations to complain about the invasion, the use of poison gas and atrocities, but is ignored.

1936 – Italian troops enter Addis Ababa and Eritrea, Ethiopia and Somalia are all incorporated into ‘Italian East Africa’. Italy institutes apartheid-style race laws stipulating segregation. Evelyn Waugh was sent to cover the war and turned his despatches into a book, which includes a surprising amount of straight history of Ethiopia, Waugh In Abyssinia (1936).

1941 – During the Second World War, British advance from Sudan into Eritrea, fighting the brutal Battle of Keren (February to March 1941), which Wrong describes in detail, featuring a map.

1941 to 1942 – Britain crudely strips Eritrea of all the facilities the Italians had spent their 5-year-imperial rule installing, removing factories, ports, even railways sleepers and tracks, stripping the place clean. Britain also keeps in place many of Italy’s race laws.

1945 to 1952 Britain administers Eritrea, latterly as a United Nations trust territory.

1948 – The UN Four Powers Commission fails to agree the future of Eritrea.

1950s – former suffragette Sylvia Pankhurst devoted her final decade (she died in 1960) to denouncing the asset stripping of both Eritrea and Ethiopia carried out by the British.

1950 – A fractious UN commission settles on the idea of making Eritrea a federal component of Ethiopia, which is ratified by the General Assembly in 1952 in Resolution 390 A (V). The US signals that it favours the integrated model because it needs a quiescent Ethiopia as location for its huge radio listening station.

1950s – Ethiopia slowly but steadily undermines Eritrea’s identity: closing its one independent newspaper; having its sky-blue flag replaced by the Ethiopian one; having its languages of Tigrinya and Arabic replaced by Amharic; downgrading the Eritrean parliament, the Baito, to a rubber stamp for the Emperor’s decisions.

1953 – The US and Ethiopia sign a 25-year lease on the Kagnew radio listening station.

1958 – The Eritrean Liberation Front (ELF) is formed with a largely Muslim membership, looking to brothers in the Arab world.

The Eritrean war of Independence

1961 – First shots fired by ELF guerrillas, against a police station.

1962 – On 14 November 1962 members of the Baito were browbeaten and bribed into accepting full union and abolishing themselves i.e. Ethiopia annexed Eritrea without a shot being fired. A day of shame, a day of mourning, many of the Baito fled abroad. For the next few years the UN refused to acknowledge or reply to petitions, letters, legal requests from independence activists. The UN washed its hands and walked away.

1963 – Organisation of African Unity set up in Addis Ababa, largely at the Emperor’s initiative, and freezes African nations’ borders in place.

1967 – Full-scale guerrilla war. The Ethiopian army carries out numerous atrocities.

1970 – ELF splits and the Eritrean People’s Liberation Front (EPLF) is formed, a secular socialist predominantly Christian highlanders. By the early 70s the liberation movements had secured some 95% of Eritrean territory.

1974 – Ethiopian Emperor Haile Selassie is overthrown in a slow-motion military coup (see ‘The Emperor: Downfall of an Autocrat’ by Polish journalist Ryszard Kapuściński). A military junta calling itself the Dergue or Derg comes to power. After squabbling (and killing) among themselves, a forceful lieutenant, Mengistu Haile Mariam, emerges as its leader and driving force. The Derg declares Ethiopia a socialist state committed to Marxism-Leninism. It rejects Selassie’s alliance with the US and turns instead to the Soviet Union.

1975 – In response to increasing insurgent attacks, the Ethiopian army goes on the rampage in Asmara, slaughtering up to 3,000 civilians, then destroys over 100 villages, killing, burning, raping wherever they go.

1977 to 1978 – Massive Soviet support enable Ethiopian forces to reverse the EPLF’s hard-won gains, thus ensuring the war would double in length, continuing for another 14 years.

1978 – Somalia launches a campaign to seize the Ogaden region of Ethiopia which is now fighting two wars, in the north and east. Soviet ships and artillery mow down EPLF fighters, airplanes carpet bomb Eritrean villages.

1982 – Ethiopia launches a massive military assault named the Red Star Campaign in an effort to crush the rebels, but itself suffers heavy casualties.

1985 – Mikhael Gorbachev comes to power in the Soviet Union.

1988 – March: Battle of Afabet is the turning point of the war, when the Eritrean People’s Liberation Front smashes an armoured convoy and then takes the town with barely a shot fired. Wrong describes the surreal way the Ethiopian commanders destroyed their own armoured column, once it had been trapped in a steep valley, burning hundreds of their own troops to death. Basil Davidson on the BBC described it as the equivalent of the Viet Minh’s historic victory over the French at Dien Bien Phu (p.337). It is described in an article by Peter Worthington.

1989 – May: senior Ethiopian generals try to stage a coup the day after Mengistu flew to East Germany to plea for more arms. The coup was foiled, several key generals, 27 other senior staff and some 3,500 soldiers were executed in the month that followed, further weakening the demoralised Ethiopian army. The Soviets, fed up with supplying Ethiopia (and their other African ‘allies’) huge amounts of munitions, withdraw their ‘special advisers’. The last one leaves in autumn 1989.

1990 – February: The EPLF takes Massawa in a daring land and speedboat operation.

1991 – Spring: the Eritrean People’s Liberation Front captures the entire coast and moves on the Eritrean capital, Asmara. In the last few years disaffected Amharas and Omoros in central and southern Ethiopia had formed the Ethiopian People’s Revolutionary Democratic Front (EPDRF). Running parallel to Eritrea’s history, the equally rebellious province of Tigray had spawned the Tigray People’s Liberation Front (TPLF) in 1975. Now the three groups worked together to topple Mengistu.

Eritrean independence

1993 – In a UN-supervised referendum, 99.8% of Eritreans vote for independence.

1994 – Having won independence, the EPLF reconstituted itself as the People’s Front for Democracy and Justice (PFDJ) and went onto establish one of the most autocratic, dictatorial regimes in the world.

1998 to 2000 – Eritrean-Ethiopian border clashes turn into a full-scale war which leaves some 70,000 people dead.

2001 – September: Eritrea’s president, Isaias Afwerki, closes the national press and arrests a group of opposition leaders who had called on him to implement a democratic constitution and hold elections.

END OF WRONG’S NARRATIVE

That’s as far as Wrong’s narrative covers. What follows is from the internet. There are loads of websites providing timelines.

2007 – Eritrea pulls out of regional body IGAD (Intergovernmental Authority on Development) as IGAD member states back Ethiopian intervention in Somalia.

2008 June – Fighting breaks out between Djiboutian and Eritrean troops in the disputed Ras Doumeira border area. At least nine Djiboutian soldiers killed. The US condemns Eritrea, but Eritrea denies launching an attack.

2009 December – The UN imposes sanctions on Eritrea for its alleged support for Islamist insurgents in Somalia.

2010 June – Eritrea and Djibouti agree to resolve their border dispute peacefully.

2014 June – The UN Human Rights Council says about 6% of the population has fled the country due to repression and poverty.

2016 July – The UN Human Rights Council calls on the African Union to investigate Eritrean leaders for alleged crimes against humanity.

2017 July – UNESCO adds Asmara to its list of World Heritage sites, describing it as a well-preserved example of a colonial planned city.

Peace with Ethiopia

2018 July – Ethiopia and Eritrea end their state of war after Ethiopian diplomatic overtures.

2018 November – The UN Security Council ends nine years of sanctions on Eritrea, which had been imposed over allegations of support for al-Shabab jihadists in Somalia.


Credit

I Didn’t Do It For You: How The World Used and Abused A Small African Nation by Michela Wrong was published in 2005 by Fourth Estate. References are to the 2005 Harper Perennial paperback edition.

Related reviews

More Africa reviews

Samuel Beckett timeline

A timeline of Samuel Beckett’s life and works with page references, where relevant, to James Knowlson’s 1996 biography of Beckett, Damned To Fame.

1906
13 April – Samuel Barclay Beckett born in ‘Cooldrinagh’, a house in Foxrock, a village south of Dublin (page 3), on Good Friday, the second child of William Beckett and May Beckett, née Roe. He has an older brother, Frank Edward, born 26 July 1902.

1911
Beckett enters kindergarten at Ida and Pauline Elsner’s private academy in Leopardstown. The spinster sisters had a cook named Hannah and an Airedale terrier named Zulu, details which crop up in later novels (p.24).

1915
Attends Earlsfort House School in Dublin (pages 30 to 35). Begins to excel at sports, for example, long distance running.

1920
Follows his brother Frank to Portora Royal, an eminent Protestant boarding school in Enniskillen, County Fermanagh, set in a strikingly beautiful location (pages 36 to 46). During his time there, Ireland was partitioned (1921) and Portora found itself in the new Northern Ireland. Beckett excelled at sports, in particular boxing, cross country running and swimming.

1923
October – Enrols at Trinity College, Dublin (TCD) to study for an Arts degree (p.47). Here he is taken under the wing of the individualistic Professor of Romance Languages, Thomas Brown Rudmose-Brown who teaches him classical French and English literature, but also more recent authors. He also engages a private tutor, Bianca Esposito, who teaches him Italian, in particular they embark on detailed study of Dante (p.51). During his time as a student Beckett’s father bought him not one but two motorbikes, one of which, the AJS, he rode in competitive time trials (p.62). His father then bought him a sports car (p.49) a Swift (p.79) in which he managed to run over and kill his beloved Kerry Blue terrier dog (p.67).

1926
August – First visit to France for a month-long cycling tour of the Loire Valley.

1927
April to August – Travels through Florence and Venice, visiting museums, galleries and churches (pages 71 to 75).
December – Receives BA in Modern Languages (French and Italian) from TCD and graduates in the First Class.

1928
January to June – Teaches French and English at Campbell College (a secondary school) in Belfast and really dislikes it. He finds Belfast cold and dreary after lively Dublin (pages 77 to 79).
September – First trip to Germany to visit seventeen-year-old Peggy Sinclair, a cousin on his father’s side, and her family in Kassel (p.82).
1 November – Arrives in Paris as an exchange lecteur at the École Normale Supérieure. Quickly becomes friends with his predecessor, Thomas McGreevy who introduces Beckett to James Joyce (pages 97 to 98 ) and other influential writers and publishers (pages 87 to 105).
December – Spends Christmas with the Sinclairs in Kassel (as also in 1929, 1930 and 1931). His relationship with Peggy develops into a fully sexual one, causing him anguish about the conflict (in his mind) between the idealised belovèd and the sexualised lover.

1929
June – Publishes his first critical essay (Dante…Bruno…Vico…Joyce) and his first story (Assumption) in transition magazine. Makes several visits to Kassel to see Peggy.

1930
July – Writes a 100-line poem Whoroscope in response to a poetry competition run by Nancy Cunard (pages 111 to 112).
October – Returns to TCD to begin a two-year appointment as lecturer in French. He hated it, discovering he was useless as a teacher and not cut out for academic life (pages 120 to 126)
November – MacGreevy introduces Beckett to the painter and writer Jack B.Yeats who becomes a lifelong friend (p.164).

1931
March – Chatto and Windus publish Proust, a literary study they’d commissioned (pages 113 to 119).
September – First Irish publication, the poem Alba in Dublin Magazine. At Christmas goes to stay with the Sinclairs in Kassel.

1932
January – Resigns his lectureship at TCD via telegram from Kassel, stunning his parents and sponsors (p.145). He moves to Paris.
February to June – First serious attempt at a novel, The Dream of Fair to Middling Women which, after hawking round publishers for a couple of years, he eventually drops and then, embarrassed at its thinly veiled depiction of close friends and lovers, actively suppresses. It doesn’t end up being published till after his death (in 1992). (Detailed synopsis and analysis pages 146 to 156.)
December – Short story Dante and the Lobster appears in This Quarter (Paris), later collected in More Pricks Than Kicks.

1933
3 May – Upset by the death of Peggy Sinclair from tuberculosis (p.169). They had drifted apart and she was engaged to another man.
26 June – Devastated by the sudden death of his father, William Beckett, from a heart attack (p.170). Panic attacks, night sweats and other psychosomatic symptoms. His schoolfriend, Geoffrey Thompson, now a doctor, recommends psychotherapy.

1934
January – Moves to London and begins psychoanalysis with Wilfred Bion at the Tavistock Clinic (the London years as a whole are described on page 171 to 197).
February – Negro Anthology edited by Nancy Cunard includes numerous translations by Beckett from the French.
May – Publication of More Pricks than Kicks (a loosely linked series of short stories about his comic anti-hero Belacqua Shuah (pages 182 to 184).
August to September – Contributes stories and reviews to literary magazines in London and Dublin.

1935
November – Echo’s Bones and Other Precipitates, a cycle of thirteen poems.

1936
Returns to Dublin, to stay in the family home in uneasy proximity to his demanding mother.
29 September – Leaves Ireland for a seven-month tour around the cities and art galleries of Germany (pages 230 to 261).

1937
April to August – First serious attempt at a play, Human Wishes, about Samuel Johnson and his household (pages 269 to 271).
October – After a decisive row with his mother, Beckett moves permanently to Paris which will be his home and base for the next 52 years (p.274)

1938
6 January – Stabbed by a street pimp in Montparnasse, Paris. Among his visitors at the Hôpital Broussais is Suzanne Deschevaux-Dumesnil, an acquaintance who is to become Beckett’s companion for life (pages 281 to 284).
March – Murphy, his first novel to be published.
April – Begins experimentally writing poetry directly in French.

1939
3 September – Great Britain and France declare war on Germany. Beckett, visiting family in Ireland, ends his trip in order to return to Paris.

1940
June – Following the German invasion of France, Beckett flees south with Suzanne.
September – Returns to Paris.

1941
13 January – Death of James Joyce in Zurich.
1 September – Joins the Resistance cell Gloria SMH (pages 303 to 317).

1942
16 August – As soon as Beckett and Suzanne hear that the Nazis have arrested close friend and fellow member of his resistance cell, Alfred Péron, they pack a few bags and flee to a safe house, then make their way out of Paris and flee south, a dangerous trip which involves being smuggled over the border into unoccupied France.
6 October – They arrive at Roussillon, a small village in unoccupied southern France, where they spend the next two and a half years, during which Beckett worked as a labourer on a local farm owned by the Aude family, working away at his novel, Watt, by night (pages 319 to 339)

1944
24 August – Liberation of Paris.

1945
30 March – Awarded the Croix de Guerre for his Resistance work.
August to December – Volunteers as a lorry driver and interpreter with the Irish Red Cross in Saint-Lô, Normandy. Appalled by the devastation of war and works closely with people from different backgrounds (pages 345 to 350).

1946
July – Publishes first fiction in French, a truncated version of the short story Suite (later to become La Fin) as well as a critical essay on Dutch painters Geer and Bram van Velde (who he’d met and become friendly with in Germany).
Writes Mercier et Camier, his first novel in French which he leaves unpublished till the 1970s (p.360).
On a visit to his mother’s house in Ireland has the Great Revelation of his career (pages 351 to 353). He realises he’s been barking up the wrong tree trying to copy Joyce’s linguistic and thematic exuberance, and from now on must take the opposite path and investigate the previously unexplored territory of failure, imaginative impoverishment and mental collapse:

‘I realised that Joyce had gone as far as one could in the direction of knowing more, [being] in control of one’s material. He was always adding to it; you only have to look at his proofs to see that. I realised that my own way was in impoverishment, in lack of knowledge and in taking away, in subtracting rather than in adding.’

This unlocks his imagination and from 1946 to 1949 he experiences a frenzy of productivity, writing the Beckett Trilogy of novels and Waiting For Godot, all in French, arguably his most enduring works.

1947
January to February – Writes first play, in French, Eleutheria, unproduced in his lifetime and published posthumously (pages 362 to 366).
April – French translation of Murphy.

1948
Undertakes a number of translations commissioned by UNESCO and by Georges Duthuit (pages 369 to 371).

1950
25 August – Death of his mother, May Beckett.

1951
March – Publication of first novel of The Beckett Trilogy, Molloy, in French.
November – Publication of the second novel of the Trilogy, Malone meurt, in French.

1952
Buys land at Ussy-sur-Marne and builds a modest bungalow on it, subsequently Beckett’s preferred location for writing.
September – Publication of En attendant Godot (in French).

1953
5 January – Premiere of Waiting for Godot at the Théâtre de Babylone in Montparnasse, directed by Roger Blin.
May – Publication of L’Innommable, third novel in the Trilogy.
August – Publication of the pre-war novel Watt, in English.

1954
8 September – Publication of Waiting for Godot in English.
13 September – Death of his brother, Frank Beckett, from lung cancer (pages 400 to 402)

1955
March – Molloy, translated into English with Patrick Bowles.
3 August – First English production of Waiting for Godot in England, at the Arts Theatre, London (pages 411 to 417)
November – Publication of Nouvelles et Textes pour rien.

1956
3 January – American premiere of Waiting for Godot in Miami, which turns out to be a fiasco; the audience had been promised a riotous comedy (p.420).
February – First British publication of Waiting for Godot.
October – Publication of Malone Dies in English.

1957
13 January – First radio play, All That Fall, broadcast on the BBC Third Programme.
Publication of Fin de partie, suivi de Acte sans paroles.
28 March – Death of Beckett’s friend, the artist Jack B.Yeats.
3 April 1957 – Premiere of Endgame at the Royal Court Theatre in London, in French.
August – Publication of his first radio play, All That Fall, in English.
October – Tous ceux qui tombent, French translation of All That Fall with Robert Pinget.

1958
April – Publication of Endgame, translation of Fin de partie.
Publication of From an Abandoned Work.
July – Publication of Krapp’s Last Tape.
September – Publication of The Unnamable which has taken him almost ten years to translate from the French original.
28 October – Premiere of Krapp’s Last Tape.
December – Anthology of Mexican Poetry, translated by Beckett.

1959
March – Publication of La Dernière bande, French translation of Krapp’s Last Tape with Pierre Leyris.
24 June – Broadcast of radio play Embers on BBC Radio 3.
2 July – Receives honorary D.Litt. degree from Trinity College Dublin. Dreads the ceremony but has a surprisingly nice time (pages 469 to 470)
November – Publication of Embers in Evergreen Review.
December Publication of Cendres, French translation of Embers done with Robert Pinget.
Publication of Three Novels: Molloy, Malone Dies,The Unnamable soon to become known as The Beckett Trilogy (a portmanteau title Beckett actively dislikes).

1960
23 August – Radio play The Old Tune broadcast on BBC Radio.

1961
January – Publication of Comment c’est.
24 March – Marries Suzanne at Folkestone, Kent.
May – Shares Prix International des Editeurs with Jorge Luis Borges.
August – Publication of Poems in English.
September – Publication of Happy Days.

1962
1 November – Premiere of Happy Days at the Royal Court Theatre, London.
13 November – Broadcast of radio play Words and Music on the BBC Third Programme.

1963
February – Publication of Oh les beaux jours, French translation of Happy Days.
May – Assists with the German production of Play (Spiel, translated by Elmar and Erika Tophoven) in Ulm.
22 May – Outline of Film sent to Grove Press.

1964
March – Publication of Play and Two Short Pieces for Radio.
April – Publication of How It Is, English translation of Comment c’est.
April – First performance in English of Play at the Old Vic in London.
June – Publication of Comédie, French translation of Play.
July to August – First and only trip to the United States, to assist with the production of Film in New York (pages 520 to 525)
6 October – Broadcast of radio play Cascando on BBC Radio 3.

1965
October – Publication of Imagination morte imaginez (in French) (p.531)
November – Publication of Imagination Dead Imagine (English translation of the above).

1966
January – Publication of Comédie et Actes divers, including Dis Joe and Va et vient (p.532)
February – Publication of Assez.
4 July – Broadcast of Eh Joe on BBC2.
October Publication of Bing.

1967
February – Publication of D’un ouvrage abandonné.
Publication of Têtes-mortes.
16 March – Death of Beckett’s old friend, Thomas MacGreevy, the colleague who played the crucial role in introducing Beckett to Joyce and other anglophone writers in Paris way back in 1930 (p.548).
June – Publication of Eh Joe and Other Writings, including Act Without Words II and Film.
July – Publication of Come and Go, the English translation of Va et vient.
26 September – Directs first solo production, Endspiel (German translation of Endgame) in Berlin (pages 550-554).
November – Publication of No’s Knife: Collected Shorter Prose, 1945 to 1966.
December – Publication of Stories and Texts for Nothing, illustrated with six ink line drawings by Beckett’s friend, the artist Avigdor Arikha.

1968
March – Publication of Poèmes (in French).
December – Publication of Watt, translated into French with Ludovic and Agnès Janvier.
9 December – British premiere of Come and Go at the Royal Festival Hall in London.

1969
16 June – his 1-minute skit, Breath, first performed as part of Kenneth Tynan’s revue Oh! Calcutta!, at the Eden Theatre, New York City. To Beckett’s outrage Tynan adds totally extraneous male nudity to the piece.
23 October – Awarded the Nobel Prize for Literature. Gets news while on holiday in Tunisia. Appalled at the loss of his anonymity (pages 570 to 573).
Publication of Sans (p.569)

1970
April – Publication of Mercier et Camier, written as long ago as 1946.
Publication of Premier amour, also written in 1946.
July – Publication of Lessness, English translation of Sans.
September – Publication of Le Dépeupleur (pages 535 to 536)

1972
January – Publication of The Lost Ones, English translation of Le Dépeupleur.

1973
January – Publication of Not I.
16 January – London premier of Not I at the Royal Court theatre featuring Billie Whitelaw.
July – Publication of First Love.

1974
Publication of Mercier and Camier in English.

1975
Spring – Directs Waiting for Godot in Berlin and Pas moi (French translation of Not I) in Paris.

1976
February – Publication of Pour finir encore et autres foirades.
13 April – Broadcast of radio play Rough for Radio on BBC Radio 3.
20 May – Directs Billie Whitelaw in Footfalls, which is performed with That Time at London’s Royal Court Theatre in honour of Beckett’s seventieth birthday.
Autumn – Publication of All Strange Away, illustrated with etchings by Edward Gorey.
Luxury edition of Foirades/Fizzles, in French and English, illustrated with etchings by Jasper Johns.
December – Publication of Footfalls.

1977
March – Collected Poems in English and French.
17 April – Broadcast of …but the clouds… and Ghost Trio on BBC 2.
Collaboration with avant-garde composer Morton Feldman on an ‘opera’ titled Neither.

1978
May – Publication of Pas, French translation of Footfalls.
August – Publication of Poèmes, suivi de mirlitonnades.

1979
14 December – Premiere of A Piece of Monologue at La MaMa Experimental Theatre Club, New York.

1980
January – Publication of Compagnie (French) and Company (English).
May – Directs Endgame in London with Rick Cluchey and the San Quentin Drama Workshop.

1981
March – Publication of Mal vu mal dit (pages 668 to 671).
April 8 – Premiere of Rockaby at the State University of New York at Buffalo starring Billie Whitelaw.
April – Publication of Rockaby and Other Short Pieces.
9 May – Premiere of Ohio Impromptu at a conference of Beckett studies in Columbus, Ohio (pages 664 to 666).
October – Publication of Ill Seen Ill Said, English translation of Mal vu mal dit.
8 October – TV broadcast of Quad (pages 672 to 674).

1982
21 July – Premiere of Catastrophe at the Avignon Festival (pages 677 to 681).
16 December – Broadcast of Quad on BBC 2.

1983
April – Publication of Worstward Ho  (pages 674 to 677).
June – Broadcast in Germany of TV play Nacht und Träume (pages 681 to 683).
15 June – Premiere of What Where in America (pages 684 to 688).
September – Publication of Disjecta: Miscellaneous Writings and a Dramatic Fragment, containing critical essays on art and literature as well as the unfinished play Human Wishes.

1984
February  -Oversees San Quentin Drama Workshop production of Waiting for Godot in London, which features the best performance of Lucky he ever saw, by young actor J. Pat Miller (pages 690 to 691).
Publication of Collected Shorter Plays.
May – Publication of Collected Poems, 1930 to 1978.
July – Publication of Collected Shorter Prose, 1945 to 1980.

1989
April – Publication of Stirrings Still with illustrations by Louis le Brocquy (pages 697 to 699).
June – Publication of Nohow On: Company, Ill Seen Ill Said, Worstward Ho illustrated with etchings by Robert Ryman.
17 July – Death of Beckett’s lifelong companion, Suzanne Deschevaux-Dumesnil (p.703).
22 December – Death of Samuel Beckett. Buried in Cimetière de Montparnasse (p.704).


Credit

Damned To Fame: The Life of Samuel Beckett by James Knowlson was published by Bloomsbury Publishing in 1996. All references are to the 1997 paperback edition.

Samuel Beckett’s works

An asterisk indicates that a work was included in the Beckett on Film project, which set out to make films of all 19 of Beckett’s stage plays using leading actors and directors. The set of 19 films was released in 2002 and most of them can be watched on YouTube.

The Second World War 1939 to 1945

*Waiting For Godot 1953 Play

Awarded the Nobel Prize for Literature 1969

Buddhism @ the British Library

Buddhism is a major exhibition at the British Library, bringing together objects and artefacts, folding books and scrolls and manuscripts, paintings and pictures, wall hangings early printed works, along with not one but two displays of the tools which have been used to make precious Buddhist scriptures for centuries, interspersed with half a dozen films (interviews with practicing Buddhists, demonstrations of chanting and praying, how the ancient texts are preserved nowadays), plus an enchanting video installation of a contemporary Buddhist artist painting holy texts on pavements and walls.

It’s a lot of information to take in at once. My review is in four parts:

  1. The life of the Buddha and Buddhism
  2. Myths and legends, preachings and practices
  3. The importance of numbers in Buddhism
  4. The exhibition itself

The life of Buddha and Buddhism

A copy of the Lotus Sūtra in a lavishly decorated scroll from Japan, written in gold and silver ink on indigo-dyed paper in 1636, one of the most popular and most influential Buddhist texts of Mahayana Buddhism © British Library Board

A brief outline of the Buddha and his teachings is relatively simple. Born into a royal family in what is now Nepal 2,500 years ago, young Prince Siddhārtha Gautama lived a coddled protected wife, which included undergoing an arranged marriage, and living entirely within the palace walls. However, he grew restless and managed to make several journeys into the big wide world where he was shocked for the first time to encounter poverty, hunger, decrepit old age and squalor.

He finally broke free from his gilded life and spent years wandering India, pondering the human condition and one day, seated under a bodhi tree, he achieved enlightenment.

‘Buddha’ is a title, which means ‘one who is awake’ in the sense of ‘having woken up to reality’.

He realised that the world is a bubble of transient appearances. Nothing lasts. All of us die and are reincarnated (here he was basing himself on far more ancient Hindu beliefs) back into this world of woe.

What causes all the pain and suffering? It is attachment to things of this world, it is desire, want, letting our physiological urges drive us to try and own or achieve things which are themselves only passing and delusory, which most of the time we fail to attain anyway.

Therefore, the secret of enlightenment, is to strive for a condition of complete detachment from the things of this world. One should begin by observing The Middle Way, not going to extremes of self-deprivation or sensual indulgence. But the techniques of the Middle Way will lead, ultimately, to complete detachment from the things of the world.

Only then will the enlightened one break free of the endless cycle of Samsara – of rebirth, suffering, death, and more rebirth – and their soul achieve nirvana.

Myths and legends surrounding the Buddha

The most comprehensive woodblock-printed work depicting and describing scenes from the life of the Buddha, including 208 beautiful hand-coloured illustrations from China, created in 1808 © British Library Board

If this is all there were to it, Buddhism really would be a simple belief system. But one of the most fascinating things about it is not its teachings per se, it is that so many teachings can be generated from such a simple premise.

An enormous number of legends grew up about Prince Gautama:

  • stretching back in time (for it turns out that he had been reincarnated many times before, hundreds of times before and each of those previous incarnations had had numerous adventures which are described in the Birth Stories or Jatakas
  • that he would be reincarnated in the future, in the figure called the Maitreya, to bring us all back to the True Way
  • and, moving away from the Prince himself, it turns out that the world has contained other holy ones, boddhisatvas, people are able to reach nirvana but delay doing so through compassion for suffering beings

Many texts were written about the Buddha’s sayings and teachings. These included a steadily growing number of his wonderful deeds and miracles. Monuments were built, stupas, where the relics of the Buddha himself or the lesser enlightened ones – effectively Buddhist saints – are buried, chief among the holy sites being the very Bodhi tree under which Siddhartha achieved enlightenment (where a vast temple complex was built in the third century BC, which is now a UNESCO World Heritage site).

There are four first-order holy sites related to the life of the Buddha (as there are a defined number of sites holy to the life of Mohamed and the life of Jesus) but countless others where various legendary events took place, as well as important events for the boddhisatvas, take the annual Procession of Buddha’s Tooth Relic in Sri Lanka.

The Hyakumantō darani or ‘One Million Pagoda Dharani,’ the oldest extant examples of printing in Japan and some of the earliest in the world, dating 764 to 770 CE © British Library Board

Monasteries were established, communal buildings for Buddhist monks. Elaborate ceremonies grew up to celebrate key dates in the Buddha’s life, and the monasteries required texts to guide and define the rituals as well as texts of teachings and doctrine for students to be taught and masters to meditate on (for example a long list of the Buddha’s many names which could be used for meditation). The monasteries also preserved and expanded on earlier written accounts of the Buddha’s life.

The exhibition includes a wall-sized animated map which shows the spread of Buddhism up into Afghanistan, east into China and then into south-east Asia. At the same time it developed into three major traditions which took flavour from the local cultures, and used the languages of the regions of Asia which they spread into:

  1. Theravada
  2. Mahayana
  3. Vajrayan

And by about this stage of the exhibition I had come a long way from the simple insight at the core of Buddhism and was beginning to feel overwhelmed by numbers.

The importance of numbers in Buddhism

A 7.6 metre-long 19th century Burmese illustrated manuscript detailing the early life of the Buddha, on display at the Library for the first time © British Library Board

The Buddha is one of the Three Jewels of Buddhism, the others being his teachings (Dharma) and the monastic order (Sangha).

The Buddha taught the Four Noble Truths:

  • life is unsatisfactory and there is suffering
  • the cause of suffering is desire
  • suffering can be overcome
  • this liberation is effected by following the Noble Eightfold Path

The Noble Eightfold Path consists of eight practices:

  • right view
  • right resolve
  • right speech
  • right conduct
  • right livelihood
  • right effort
  • right mindfulness
  • and right samadhi (meditative absorption)

The Noble Eightfold path is represented by the dharma wheel (dharmachakra) whose eight spokes represent the eight elements of the path (although a dharmachakra can also have 12, 24 or 31 spokes, representing other sets of holy values).

The Buddha’s first discourse was given in a deer park to five disciples who become the basis of the huge monastic orders which followed.

The Buddha had 547 previous lives all described in the Jataka tales.

The last ten Jatakas or Birth Stories about Buddha are popular in South-East Asia because they illustrate the ten perfections of a Buddha.

The Buddha’s footprint features 108 auspicious symbols such as royal insignia, mythical creatures, rivers, mountains and even continents.

Bodhisattva or Buddha-to-be is characterised by a set of paramita or perfections. The Pāli Canon, the Buddhavaṃsa of the Khuddaka Nikāya, lists ten perfections. Two of these virtues, mettā and upekkhā, also are brahmavihāras.

In Mahāyāna Buddhism, the Prajñapāramitā sūtras, the Lotus Sutra and a large number of other texts list a different list of six perfections.

The ‘pure illusory body’ is said to be endowed with six perfections (Sanskrit: ṣatpāramitā). The first four of these perfections are ‘skillful means’ practice while the last two are ‘wisdom’ practice.

In the Theravada tradition 28 Buddhas are believed to have appeared in the past and attained Nirvana. The Buddha we know about is the fourth Buddha of the present aeon.

Twenty four of these previous Buddhas gave advice to the Buddha we know about, and they are listed, quoted and depicted in countless manuscripts, illustrations and books.

Rebirths occur in the six realms of existence, three good realms (heavenly, demi-god, human) and three evil realms (animal, ghosts, hellish).

The six realms of rebirth are part of the 31 realms of existence. After death the soul passes through ten stages as described in the Sutra of the Ten Kings before entering the six realms of rebirth.

The mantra ‘Om Mani Padme Hum’ has six syllables, symbolising the six realms of rebirth.

There is a heavenly realm named Trayastrimsa with palaces, gardens and parks for the 33 gods who live there. Trayastrimsa is only one of the six heavens or celestial realms.

On Buddhist monasteries, of the Theravada tradition, a bhikkhu (male monk) is expected to follow all 227 rules of monastic disciple, while a bikkhuni (female monk) has to follow 311 rules.

The four dignities are ancient symbols that represent qualities of the windhorse, and are: Garuda, Dragon, Snow Lion, Tiger. Many prayer flags show the four dignities with a windhorse in the center.

The Pancharaksa identifies five female deities and includes spells and rituals to appease them. they are sometimes paired with the Five Wisdom Buddhas.

A monastic is allowed eight personal requisites: three robes in saffron or yellow, an alms bowl, a razor, a needle, a water strainer and a girdle.

Tibetan Buddhists make use of a particular set of eight auspicious symbols, ashtamangala, in household and public art, including the conch shell, the endless knot, a pair of fish, the lotus, the parasol, the vase, the Dharmachakra and the banner of victory.

Maybe you can appreciate why, by this point, I had begun to feel very confused. The basic idea of Buddhism, which I outlined at the top, had long gotten buried in a litter of legends and a bewildering variety of important numbers.

The exhibition itself

You have to like red. The high-ceilinged basement rooms of the Library’s gallery space have all been painted a deep blood red. It is like going down into a torture chamber or maybe a brothel in some red light district.

Installation view of Buddhism at the British Library. Very red

Except that the space is packed with display cases showing a very wide range of types of object – concertina books made of mulberry leaves and manuscripts and paintings and sculptures, bells and drinking bowls, manuscript writing tools and materials, a full calligraphy set, amulet boxes, offering bowls, manuscript cabinets, sacred scriptures written on tree bark, palm leaves, gold plates, illuminated texts and silk scrolls of the major sutras, a Buddhist protective jacket, a rare copy of the Tibetan Book of the Dead – it’s a feast of Buddhist texts and textures.

A rare Buddhist manuscript in the shape of a bar of gold from Thailand dated 1917, known as Sankhara bhajani kyam, going on display for the first time © British Library Board

TV monitors dot the exhibition showing interviews with current practicing Buddhists, techniques of manuscript conservation and a contemporary artist painting Buddhist texts in what I took to be Japanese letters.

At one point hidden loudspeakers are playing a loop which includes traditional Buddhist monk chanting interspersed with the sound of streams and birdsong.

I didn’t realise that the lotus is the symbol of the Buddha because lotus flowers often grow in pretty muddy, dirty ponds. So they symbolise a state of complete purity and calm which can be achieved despite the mind’s origins in the messy realities of the physical body.

The section on the physical technique of creating, writing, preserving and storing monastic texts was fascinating and set above or apart from the rather oppressive barrage of sacred numbers, a specialist sub-set of the overall subject which gave you interest and respect for the ancient craftspeople who dedicated their lives to preserving and beautifying the holy scriptures.

The display of materials and tools used to make the earliest Buddhist texts, at Buddhism at the British Library

Conclusion

I went intending to like this exhibition but, if I’m honest, I found it a bit difficult.

a) There’s so much factual content in it, from the outline of the core story, to the incredible profusion of legendary events which have accrued to it; the actual history of its spread and development throughout Asia, to over 20 countries.

b) A long and complicated history which is reflected in the sheer variety of items on display, from paintings, manuscripts and scrolls, through to the displays showing the tools used to make manuscript chests and so on.

But c) I think the thing which overwhelmed me was the sheer profusion of Holy Numbers and Perfections and Jatakas and the Three Jewels and the Eightfold Path, and so on. I quickly got lost and confused in the mathematical maze of Buddhist doctrine.

I felt overwhelmed by stuff when, ironically, I thought the whole point of Buddhism is to clear your head of clutter, and focus on your own existence, cleared of all distractions.

Still, if you’re at all interested in the subject, it is beautifully laid out, with its biography and legends and explanation of the teachings, its maps of Buddhism’s spread, its history, the techniques used to make its manuscripts, as well as beautiful objects like the metal statues of bodhisattvas, a monastery bell, and some exquisite carved chests.

As long as you like red!

Installation view of Buddhism at the British Library

The promo video


Related links

  • Buddhism continues at the British Library until 23 February 2020

Other British Library exhibitions