Our Bodies, Their Battlefield: What War Does to Women by Christina Lamb (2025)

Warning: This review contains details of really disgusting and evil sexual violence perpetrated against women and girls that goes far beyond rape. If you’re of a sensitive disposition or prone to nightmares, don’t read it.

The more places I went to, the more prevalent I found rape was.

‘It is an everlasting nightmare.’
(Lola Narcisa Claveria, Filipino survivor of Japanese sex slavery, page 351)

This is a deeply upsetting but profoundly important book, often devastatingly depressing but sometimes genuinely inspiring. Christina Lamb is an award-winning journalist who has covered a variety of warzones in her career as well as writing 10 factual books. From early in her career she realised just how prevalent rape was as a weapon of war, not just as random outrages, but used systematically to demoralise enemy forces and terrorise entire populations. What she learned about the vicious sexual abuse of women in conflict after conflict was sickening and disgusting. But she also came to realise that the scale of the violence and abuse against women was often overlooked in journalism and history books overwhelmingly written by men (p.459); and by international bodies and courts more often than not run by men.

Everything has to start with the evidence and this means the first-hand testimony of the survivors. Telling their stories not only offers some form of closure for the victims, and the psychological validation of knowing someone believes them. It is also the start of gathering evidence, for use not only in possible court proceedings but to begin to be used in larger historical narratives, to begin to redress the gaping silence about one of the most overlooked and neglected parts of war and conflict – the unspeakable crimes, violence and abuse directed against women and girls, often on an industrial scale.

‘When I saw them laughing and humiliating us, I decided we needed to break the silence. If we didn’t talk about what we went through, and if they were not punished, what could we expect from their children but the same or greater evil?’ (Bakira Hasecic, founder of Association of Women Victims of War in Bosnia, p.167)

And so this substantial book (474 pages) records Lamb’s odyssey, over a seven year period, to track down, interview and record the testimonies of women who have suffered unbelievable horrors in conflict after conflict around the world.

Destinations

Lamb goes to:

2016 August: Leros, Greece The Greek island of Leros was used to house refugees from war in the Middle East including Yazidis who had been enslaved and trafficked by Islamic State.

2016: Baden-Wurtenberg The German province which took in 1,100 Yazidi women and children who had been treated as sex slaves by ISIS.

2016: Northeastern Nigeria: On 15 April 2014 the brutal Islamic terror group Boko Haram kidnapped 276 mostly Christian schoolgirls from the town of Chibok and carried them off into sexual slavery. #BringBackOurGirls or #BBOG went viral. Hardly any of the girls have been recovered.

2017 December: Bangladesh: Kutupalong To interview survivors of the 2017 massacres and mass rapes of Rohynga women by Burmese soldiers. In three months more than 650,000 were driven out of the west Burmese state of Rakhine, two-thirds of the Rohynga population.

Every single shack had terrible stories and I had never come across such widespread violation of women and girls. (p.75)

Bangladesh: Liberation War Museum, Dhaka and Sirajganj Up to 400,000 were women raped by Pakistani soldiers in Bangladesh’s war of independence as official Pakistan military policy. Lamb learns that the survivors were called birangonas from the Bengali word bir meaning war heroine (p.92).

‘Often when the women were raped the soldiers had grabbed their babies and stomped on them to death or thrown them so hard their brains had come out.’ (Safina; p.110)

Rwanda Aftermath of the 1994 Hutu genocide of Tutsis, itself the sequel to the 1959 Hutu Revolution, and pogroms of 1963 and 1973.

‘Of course they raped me… Wherever you were hiding under a tree a man would find you and rape you and sometimes kill you. There were lots of different men doing this and they used sticks and bottles into the private parts of many women right up to their stomach…’ (Serafina Mukakinani, p.132)

2018, March: Yugoslavia: Sarajevo The appalling atrocities of the Serbs in Bosnia, and the heroic efforts of Bakira Hasecic and her Association of Women Victims of War, founded in 2003, to bring the Serb torturers, murderers and rapists to justice.

Yugoslavia: Srebrenica Dragana Vucetic, senior forensic anthropologist at the International Commission of Missing Persons. On 11 July 1995 Serb militias took away about 8,300 Muslim men and boys, drove them out into fields or football grounds, then massacred them, shooting or bludgeoning them to death. Dr Branca Antic-Stauber who runs a charity for rape survivors and uses horticulture therapy.

2018, October: Berlin Stories of the vast mass rapes of German women and girls during the Red Army’s conquest of eastern Germany and Berlin at the end of the Second World War. In towns and villages every woman from eight to eighty was raped multiple times. ‘It was an army of rapists’ (Natalya Gesse, Soviet war correspondent, p.194) It is estimated that up to 2 million women and girls were rapes and scores of thousands of Germans committed suicide, and killed their children, rather than fall into the hands of the Russians.

2018, November: Buenos Aires In 1976 a military junta seized control of Argentina and rules for 7 years during which up to 30,000 leftists, trade unions and activists were kidnapped off the streets and ‘disappeared’. Estela Barnes de Carlotta, president of the Grandmothers or Las Abuelas (p.214).

2018, March: Mosul Lamb attends the hurried trials of a handful of the 30,000 or so people charged with being members of ISIS. Justice is a farce. The court doesn’t consider rape as a separate offence, all offences are grouped together as terrorism.

2018, April: Iraq: Dohuk The prevalence of suicide among Yazidi survivors of ISIS sex slavery.

2019, February: Democratic Republic of Congo: Bukavu In 2010 Congo was called the rape capital of the world. Lamb interviews Dr Denis Mukwege, founder of the Panzi Foundation, who has treated more rape victims than any other doctor in the world.

In the Second Congo War stories of women who were not only gang raped but then shot in the vagina, or had bayonets shoved in their vagina, or sticks soaked in fuel which was then set alight. Lamb discovers that Dr Mukwege’s clinic is seeing more and more raped babies. Some men believe that raping babies will give them magical powers; they are told this by witchdoctors (p.337).

In a gruelling book this chapter (chapter 13, pages 300 to 334) contains probably the worst atrocities (the 86-year-old who was raped, women’s vaginas set alight or hacked off, the mother who was forced at gunpoint to eat her own baby); but also the most inspiring moments. Lamb meets the inspiring Christine Schuler Deschryver, founder of City of Joy, a safe haven for survivors in Congo.

‘It’s about giving a woman value… I hug them and then they are healed and people say I have magic hands but it’s just love… I’m convinced you can change the world only by love’ (p.330)

It also contains the most telling evidence of the way rape used as a weapon of mass terrorisation is tied into broader economic and political structures. Because Deschryver points out that 1) Congo contains more of the rare metals needed to create mobile phones and batteries (cobalt, coltan) than any other country on earth; 2) if you drew a map of the rapes you’d see they cluster around mining areas, and so 3) rape is used as a strategy of terror by the militias and groups who control the mines and the regions around them. Which leads her onto her fourth point, 4) if the international community really wanted to end conflict in the Congo it could but, in Deschryver’s view, it suits multinational corporations to preserve Congo as an unstable mess the better to plunder the country of its cobalt, coltan and gold (p.331).

Democratic Republic of Congo: Kavumu Village where scores of babies and very small girls have been abducted, raped and their genitals destroyed, allegedly by the ‘Army of Jesus’, a militia controlled by a local warlord whose members have been told by a witchdoctor that the blood from raped and mutilated babies will make them invulnerable in battle (p.339). Although the warlord was eventually taken to court and convicted, the case went to appeal and none of the villagers knows whether he and his henchmen are in prison or not. Meanwhile, having lost all faith in the justice system, they have started to take the law into their own hands with lynchings and beheadings of suspect young men (p.348). Thus, chaos.

Manila Lamb meets surviving ‘comfort women’, enslaved by the occupying Japanese Army during the Second World War. They prefer to the term lolas which means grandmother in the local Tagalog language and which they use as an honorific, hence Lola Narcisa and Lola Estelita.

Concluding chapter 2020

Sexual violence against men

  • in eastern Congo a quarter of men in conflict zones have experienced sexual violence
  • in Afghanistan bacha bazi or the abuse of boys is common
  • in Syrian prisons under Bashar al-Assad, men and boys were submitted to horrifying sexual violence

The challenge of achieving justice Lamb jumps between a number of cases, showing the dedicated work of investigators, researchers, lawyers, prosecutors and judges, but how gruellingly slow it is and how pitifully few convictions are achieved. The Yazidis wait, the Rohingya wait for justice.

Guatemala During the 36-year-long civil war over 100,000 women were raped, mostly Mayans in an attempt to exterminate their ethnicity (p.387). In 2016 11 Mayan women secured the conviction of a retired army officer for sexually enslaving them.

Peru Over 5,000 women raped during the 11-year-long civil war with Shining Path guerrillas.

Colombia Sexual crimes have been included in crimes heard by the tribunal set up at the end of the 52-year-long civil war with the Revolutionary Armed Forces of Colombia (FARC).

Chad Successful conviction of Chad’s despicable sadist president, Hissène Habré, who ruled through a reign of terror till his overthrow in 1990. In 2000 he was arrested and put on trial in neighbouring Senegal. In 2016 he was convicted of crimes against humanity, torture and rape and sentenced to life imprisonment.

Women in charge Lamb makes the telling point that most of these convictions were only secured when women were judges or prosecutors in the case.

2025 update

2022, May, Ukraine: Berestianka The Russians are back and they’re raping again. And looting everything they can to take back to their pitiful slum of a country. Gang rapes, torture, rape in front of the rest of the family etc (p,409). Rewarded by Putin on their return home. According to Lamb domestic violence is not criminalised in Russia and widely accepted. Figures. Whenever I read about Tolstoy or Dostoyevsky despising the decadent West, this is what I think of. Russia, home of domestic violence, epidemic alcoholism and rapists.

For the first time Ukraine established a court and started prosecuting Russian war criminals while the war was still ongoing (as it is today).

2023, autumn, Tel Aviv On 7 October 2023 Hamas fighters broke through the wall dividing Gaza from Israel and went on a rampage at multiple sites, massacring 1,200 civilians and taking 251 others back to Gaza as hostages. Lamb meets survivors, and speaks to the many first responders, therapists and women’s activists regarding the widespread evidence of sexual violence against the women victims: gang rapes and sexual mutilation i.e. shooting women in the vagina. In her interviewees’ opinion the intention was the most primitive one imaginable of attacking your enemies’ procreative ability, plus the more modern one of spreading not just terror but horror. The barbaric cruelty was exemplary in the sense that it was intended to traumatise an entire nation (which, arguably, it did).

Hebron in the West Bank. Lamb meets Palestinians who live under extraordinarily tight Israeli supervision, and then survivors of sexual violence inflicted by the Israeli Defence Force, and lawyers and NGOs who have reported on it. Interestingly, the main targets have been men and boys, designed to cause maximum humiliation in revenge for 7 October. The accusations of sexual humiliation in captivity sound identical to the Americans at Abu Ghraib.

‘It was me and two other prisoners and three border police. They filmed us naked then began to touch our bodies and make jokes and insulted us. One of them had a metal detector which he tried to put in our anuses.’ (Palestinian Thaer Fakhoury, p.448)

Avignon, December 2024 Lamb is introduced to Gisèle Pelicot, the woman drugged by her  husband who then invited men from a website group to come to their home and rape her. The police found thousands of videos on her husband’s laptop clearly identifying the men which allowed a trial to go forward with 50 accused. The key thing is she waived her right to anonymity in order to speak out and so became a heroine to anti-rape activists, feminists and ordinary people around the world.

Summary When she completed the first edition in 2020 Lamb couldn’t imagine that sexual violence in conflict would return to Europe, in the form of Russian soldiers raping Ukrainian women, or the horrors of the Hamas attack on Israel, or the eruption of brutal civil war in Sudan. Every year the UN presents a report on conflict-related sexual violence. The 2024 report concluded that conflict-related sexual violence is increasing.

Historical retrospective

Spain The really systematic mass rape of large populations of women probably first occurred in the Spanish Civil War 1936 to 1939. It was carried out by General Franco’s Falangist forces. ‘Not just rape but appalling evisceration of peasant women of Andalucia and Estremadura’, including the branding of their breasts with fascist symbols (historian Antony Beevor, quoted p.203).

Nanking The rape of Nanking, December 1937 to January 1938, where the Japanese accompanied mass murder of Chinese civilians with mass rape of women and girls.

Comfort women Euphemism for the hundreds of thousands of women and girls, predominantly from Japanese-occupied Asian countries, who were forced into sexual slavery by the Imperial Japanese Armed Forces before and during World War II.

Vietnam War 1961 to 1973: My Lai massacre and Tet Offensive.

Khmer Rouge 1975 to 1979. Cambodians murdered 2 million other Cambodians accompanied by mass rape.

Turkish invasion of Cyprus 1974, triggered widespread Turkish soldier rape of Greek women.

Timeline

1863 Abraham Lincoln issues general order 100 making rape carried out by soldiers of the Union Army punishable by death.

1919 Commission of Responsibilities established with rape near the top of the list of 32 war crimes.

1946 but at the war crimes tribunals at Nuremberg and Tokyo not a single prosecution for sexual violence.

1949 Geneva Convention, Article 27:

Women shall be especially protected against any attack on their honour, in particular against rape, enforced prostitution, or any form of indecent assault.

1973 Bangladesh declares rape a crime against humanity.

1993 International Criminal Tribunal for the former Yugoslavia (ICTY):

Men and women came forward to recount evils beyond imagining – women and girls locked up in schools and suffering repeated anal, oral and vaginal rape, people having their tongues cut off, or being burned alive as human torches as they ‘screamed like cats’ (p.160)

1994 International Criminal Tribunal for Rwanda (ICTR) established in Arusha in Tanzania: Lamb interviews raped Tutsi women who testified in the first rape-as-war-crime trial. It was the first time rape was recognised as an instrument of genocide and prosecuted as a war crime.

‘I was raped countless times. The last group that raped me were so many people and one man shouted, “I can’t use my penis in that dirty place so I’ll use a stick.” I know many women who died like that. They sharpened the sticks and forced them right through their vaginas.’
(Cecile Mukurugwiza, p.141)

1998 first conviction for rape as a war crime.

1998 Rome Statute which established the International Criminal Court defined rape as a war crime.

2000 UN Security Council Resolution 1325 was the first formal and legal document from the Security Council that required parties in a conflict to prevent violations of women’s rights, to support women’s participation in peace negotiations and in post-conflict reconstruction, and to protect women and girls from wartime sexual violence; for ‘the greater inclusion of women in peace and security’.

2008 UN Security Council passed Resolution 1820 stating that ‘rape and other forms of sexual violence can constitute war crimes, crimes against humanity or a constitutive act with respect to genocide’.

2009 established the office of the Special Representative of the UN Secretary General on Sexual Violence in Conflict.

2010 Bangladesh sets up an International Crimes Tribunal. As of 2019 88 collaborators and party leaders had been tried for torture, murder and rape.

2011 In a video sent to a Nobel Women’s Initiative conference about sexual violence, Nobel Peace Prize laureate, Aung San Suu Kyi said:

‘Rape is used in my country as a weapon against those who only want to live in peace, who only want to assert their basic human rights. Especially in the areas of ethnic nationalities, rape is rife. It is used as a weapon by armed forces to intimidate the ethnic nationalities and to divide our country.’

2014 then UK Foreign Secretary William Hague organised a four-day conference calling for the end of sexual violence in conflict.

2016 International Criminal Court convicts Pierre Bemba of murder, rape and pillage carried out by his men during the 2002-3 war in the Central Africa Republic.

2018 Nobel Peace Prize awarded jointly to Denis Mukwege and Nadia Murad “for their efforts to end the use of sexual violence as a weapon of war and armed conflict”

2019 first conviction by the International Criminal Court for rape in wartime.

2019 report of the UN Special Representative listed 19 countries where women are being raped in war, by 12 armies and police forces and 41 non-state actors.

2019 Gambia took Myanmar to court over the Rohingya genocide, the first time one state had taken another to court over war crimes it had committed. Tried at the International Court of Justice in the Hague, resulting in orders against Myanmar carrying out any further genocide.

2020 first criminal trial of a member of Islamic State for crimes against the Yazidi, held in Germany, resulting in conviction and life imprisonment.

Learnings

Systematic mass rape, sexual violence, sexual torture and sexual mutilation are far more widespread than the bleakest pessimist could ever have expected.

Rape in conflict is rarely ad hoc, random and incidental. More often it is the result of encouragement or orders from the highest levels of military and political leadership, as in: mass rapes in Germany; mass rapes in Rwanda; mass rapes in Bosnia; mass rapes in Syria, and so on.

These kinds of mass rapes are now recognised, not as accidental by-products of the chaos of war, but as conscious war strategies, and as such, defined as war crimes. They are also associated with genocide, the conscious attempt to wipe out a people or group.

The genocidal intent is demonstrated in cases like the mass rape of Bangladeshi women and girls by the army of Pakistan, or the mass rapes of Bosnian Muslims by Bosnian Serbs, or the mass rape of Rohingya women by Burmese soldiers. In each instance the intent wasn’t sexual per se, the intent was to wipe out the victims’ ethnic group by breeding a new generation with the blood of the conquerors in them. In Bangladesh:

‘They had orders of a kind from Tikka Khan [Pakistan’s military governor in the East]… What they had to do was impregnate as many Bengali women as they could… so there would be a whole generation of children in East Pakistan that would be born with blood from the West.’ (p.97)

In Bosnia:

The victims ranged from between six to seventy years old and were raped repeatedly and often kept captive for several years. Many women were forcibly impregnated and held until termination of the pregnancy was impossible. The women were treated as property and rape was used with the intent to intimidate, humiliate and degrade. (p.156)

This same motive – ethnic triumphalism – explains why foetuses were cut out of pregnant women, babies were bludgeoned to death, and children were shot or had their throats cut.

Speaking about it helps. Sharing their stories in safe, supportive environments helps the survivors.

‘It’s all about giving them respect and them owning their stories. After a month, when they begin to tell their stories, sometimes OMG… and the transformation after six is huge. We turn pain into power and give victims strength to be leaders in their communities.’ (Christine Schuler Deschryver, founder of City of Joy, Congo, p.327)

But it never goes away. These women are profoundly damaged forever, as are their families, all their relationships, and their wider communities. And that was the intention.

‘That’s why rape really was a calculated weapon. The fellows who raped them and planned to rape them: they knew you either die now or die later but you’ll never be human again after this ordeal.’ (Rwanda Justice Minister Johnston Busingye, p.153)

As much or more healing comes from having the state formally recognise their plight, a formal recognition that it happened and that it was a crime.

‘It’s not possible to heal from this forever but it helps to speak about it as soon as possible and to share the story with someone compassionate. What I have seen definitely helps their healing is when perpetrators get punished because that gives the victim confirmation by authority she was not the one at fault for what happened to her and that she’s innocent.’ (Dr Branca Antic-Stauber, p.190)

‘Talking to the judges was the beginning of my rehabilitation. For so many years society did not want to listen… But now we could tell our side of the story… Seeing the life sentences at long last, after all they did to us, truly, it gives you your life back.’ (Graciela Garcia Romero, p.238)

In conservative societies state recognition can support recognition at local, village and family level. A striking example is the way the first president of Bangladesh, Sheikh Mujibur Rahman, who recognised the horrific scale of the mass rapes carried out by the Pakistan army and coined a term of praise for the victims, calling them Birangona, or ‘war heroines’.

Better still, though, is the healing effect of watching their perpetrators brought to justice, tried and convicted of their crimes. This validates the victims’ experiences and assures them that the world around them understands and values their suffering.

‘Their actions changed the law and criminal justice for every woman. The women showed you can take the worst trauma and turn it into a story of strength and victory.’ (Erica Barks-Ruggles, US ambassador to Kigali, on the rape survivors who travelled to the Rwanda genocide tribunal to testify against the perpetrators, p.149)

The only problem is it happens pitifully rarely.

Meanwhile, many of the women interviewed wanted their perpetrators to be killed (p.119).

‘I want the worst things to happen to the men that did this to me. I want them to die not in a quick or humane way but slowly, slowly, so they know what it’s like to do bad things to people.’ (Naima, a Yazidi enslaved by ISIS, p.264)

‘I feel so angry at what those Japanese did to me and my family, that if I saw them today I would kill them.’ (Lola Narcisa Claveria, Filipino woman enslaved by the Japanese p.357)

‘I hate them so much and wish death to all of them and Putin.’ (Vika, Ukrainian woman raped by Russian soldiers, p.403)

Charities have discovered that a good way to draw survivors out of their often disastrous mental suffering is to give them tasks, jobs, skills training and agency. Like the farm bought by Christine Schuler Deschryver, to be run by rape survivors in Congo (p.329) or Dr Branca Antic-Stauber’s idea of setting up a rose-growing business to employ survivors in Bosnia (p.185)

No index

There’s no index. Why?

Similarly no list of the organisations mentioned in each country, or organisations addressing sexual violence generally. I supply my own list below.

Human history

Well, I’ve explained my view of human history in a separate blog post:

History is an abattoir. What was written down is a tiny fraction of what happened, and it was written by the educated and privileged, mostly sucking up to kings and khans. The reality of human existence for most humans for most of human history has been unspeakably brutal.

Last thought

In his brilliant series of books about conflict and international order in the 1990s, Michael Ignatieff divides the world into zones of conflict and zones of safety. Every day I thank my lucky stars that I was born and lived all my life in what he calls a ‘zone of safety’. Way before you get to my white privilege or my male privilege, I give thanks for my safety privilege.


Credit

‘Our Bodies, Their Battlefield: What War Does to Women’ by Christina Lamb was first published by William Collins in 2020. I read the updated 2025 paperback edition.

Organisations mentioned in the text

Support organisations

At the end of the Unsilenced exhibition at the Imperial War Museum, the curators give a list of support organisations, which I repeat here:

Related reviews

Freight Dogs by Giles Foden (2021)

It takes much mental energy just to shackle himself to the present moment.
(Manu, central protagonist of Freight Dogs, page 322)

This is Giles Foden’s sixth and most recent novel. It’s a substantial work, weighing in at 400 pages. Like his first four novels it’s set in Africa and is based around fraught, politically and historically significant events. The first four were set during, respectively:

  • the evil rule of Idi Amin (The Last King of Scotland)
  • one of the main sieges of the Boer War (Ladysmith)
  • the 1998 embassy bombing in Dar es Salaam (Zanzibar)
  • the Anglo-German naval conflict on Lake Tanganyika during World War One (Mimi and Toutou Go Forth)

This one is set in Rwanda in 1996 i.e. two years after the Rwandan genocide (April 1994 to July 1994), just as the invasion of Congo by Rwanda and Uganda, the so-called First Congo War, is about to take place, and then follows the protagonist over the following six fraught, violent years in Congo’s history.

The plot centres on Manu (diminutive of Immanuel) Kwizera, son of a peasant family living on the Zaire side of the border with Rwanda (near the village of Pendele in North Kivu). Manu is a Munyamulenge i.e. a member with his family of the Banyamulenge, ethnic Tutsis who came into the South Kivu province of Congo from Rwanda between one and two centuries ago and considered themselves settled Congolese until North and South Kivu became ethnically polarised as a result of the genocide and also of Congo’s president, Mobutu, stirring up trouble, portraying them as alien immigrants and a threat to the majority Hutu population.

Manu has been lucky enough to be sent to a Catholic boarding school in the provincial capital Bukavu, which is where the story opens. The story follows him as he is caught up in the snowballing violence in the aftermath of the genocide then invasion.

‘Freight dogs’ is the rather flattering slang phrase which freelance pilots of freight planes jokily apply to themselves (p.59):

‘That’s the kind of risk-taking people we crazy freight dogs are!’ (p.75).

The bulk of the story describes how Manu wangles his way from endangered peasant into the world of these cargo pilots, running guns and whatever else is required between militias, armies and guerrillas, for the fee of gold or diamonds or whatever other loot they can bargain for.

The book is divided into six parts. [I’ve added the text in square brackets.]

  1. The Aftermath: June to November 1996 [of the Rwanda genocide]
  2. Seven to Heaven: November 1996 to May 1997 [the First Congo War]
  3. The Interbellum: June 1997 to August 1998 [between the two Congo wars]
  4. Fighting Fire, Treading Water: August 1998 to February 2002 [the Second Congo War]
  5. The Lights of Europe: March 2004 to December 2006 [Amsterdam and Belgium]
  6. The Deconfliction Zone: January 2007 [back in Uganda]

I didn’t like this book, for the following reasons:

1. History and footnotes

The novel is hag-ridden by the history. I’ve just read two very detailed histories of Rwanda (by Gerard Prunier and Michela Wrong) and Foden’s novel, at least to begin with, feels like a clumsy rehash of all the key facts, it feels like a Wikipedia article listing all the events from 1994 to 1996, with a very light skin of fiction laid over it.

Foden has so much factual research to cram into the text, especially at the start as he rushes to give the complicated backdrop to the genocide then to the first Congo War, that I was surprised he didn’t add it as footnotes. In fact very often it feels like footnotes:

This figure looked like a large bag of milk (milk is often served in bags in this part of Africa). (p.41)

The Lendu are the other ethnic group around Bunia, historically in violent conflict with the Hema over land usage. (p.136)

Take the scores of times Foden gives encyclopedia-style backgrounders on the major towns and cities of Congo, on ethnic groups, on colonial history, on the ongoing relations between Uganda, Rwanda and Zaire, on the origin of various guerrilla groups and so on.

Or when Foden just includes newspaper cuttings to convey the world of politics and fast moving events (p.110) or cites an old colonial-era work on Bantu mythology (p.179) or characters overhear radio news bulletins which handily update us on the developing political background.

Or the factual backgrounders on non-war-related subjects, such as the extended passage about East Congo volcanoes, or the migration of crested cranes, national bird of Uganda (p.253).

Or the very staged scene where Manu walks around the Belgian Royal Museum of Africa, staggered by its artificiality and lies, itself a flimsy pretext for shoehorning in some of the facts about the atrocious rule of Leopold II (p.305).

Or the extended sequence describing what it’s like to work in an abattoir. Or the different breeds of African cow. Or how to run a potato farm. Not to mention the technical details about flying a plane which recur throughout the story. The book is just overflowing with often only partially-digested background research.

You know the expression, ‘show don’t tell’. Well, fairly regularly Foden tells, he tells you what’s happening and what to think about it:

As Cogan [the pilot] fiddles with a lever…Manu is already reinventing, becoming someone else, despite constantly thinking back to the someone he was before. (p.58)

At moments it’s like reading the SparkNotes of a novel alongside the novel itself and, after a while, realising you prefer the Notes. They’re better written and get to the point faster.

The narrator or the characters are often fully aware of the exact nature of events and their significance, as they occur, in a way nobody in real life is. The characters anachronistically show the benefits of much later knowledge, but at the time of the original events.

For example, for the last fifteen years or so there’s been a growing awareness among western commentators that the RPF regime of President Paul Kagame is a repressive security state, which carried out atrocities against unarmed Hutu and Congolese civilians right from the start (i.e. 1996). See Michela Wrong’s devastating indictment, Do Not Disturb. But even a liberal sceptic like Wrong admits that for years and years after the genocide she believed the RPF line that they were knights in shining armour who ended the genocide and sought only to kill those responsible for it, during their invasion of Congo. Only slowly did the modern view of events and the very negative view of Kagame’s RPF emerge.

But Foden gives Manu this clear-eyed and authoritative opinion early on in the book. You could argue that that’s because he’s seen RPF troops carrying out terrible massacres but it’s more than that. Manu is a teenage peasant with only a superficial education caught up in terrible and confusing events – but he is given thoughts appropriate to a mature academic commentator, many years his senior, and with the benefit of the subsequent 25 years of history, research and revision.

Manu says nothing, knowing well enough by now about the grinding machine that’s not just Rusyo, but the whole security apparatus of the Rwandan state. (p.93)

How can some peasant brought up on a rural farm possibly know about ‘the whole security apparatus of the Rwandan state’? That’s not the voice of a confused character caught up in bewildering events but of Foden the history buff, benefiting from decades of hindsight and calm detached analysis, projecting  his perspective back onto his character for the benefit of the reader.

It feels like Foden is keen to show the reader that he holds the latest (very negative) opinion of Kagame and the RPF, he is itching to convey this information, and so he has his cipher, Manu, think it – completely inappropriately for someone caught up in the middle of events, with no knowledge of how they’re going to pan out.

This is what I mean by saying that the novel is hag-ridden by the history. The history comes first, drives the events, provides the scaffold of the book – and the characters are made to twist and bend to illustrate the history, to come out, on every page, with dialogue and speeches whose sole purpose is to explain the latest developments, always with the benefit of 20/20 hindsight, rather than express their psychologies or opinions.

The characters feel like puppets manipulated to dramatise a series of historical events which are far larger than them. This historical hindsight sometimes comes right out into the open. For example, the occasion when Manu hears a reporter on the radio saying the AFDL has taken Kinshasa and Kabila is now president:

He doesn’t say the First Congo War is over because he doesn’t know it’s the first yet but that’s what it is (p.153)

This is the tone of Foden the intrusive narrator emerging as puppet-master or, more precisely, omniscient knower of the historical record, beneficiary of 20 years of hindsight, ensuring that the historical record comes first, is the pre-eminent aspect of the narrative, and the so-called ‘characters’, with their necessarily limited knowledge, come a poor second,

All these history lessons and the frequent authorial nudges telling you what to think and how to interpret things feel claustrophobic, like being cornered by a drunk at a party who’s going to set you straight about the state of the world.

Examples of raw historical background shoehorned into the text or delivered as dialogue

Factual explanations of the complicated background and course of the two Congo wars are continually described in the narration or, more often, in stagey dialogue where characters talk to each other as if they’re quoting from one of Gérard Pruner’s books on the subject.

‘Mai-Mai,’ Cogan says casually, referring to the guerrilla units that have formed to protect local villages from the RPA and Ugandans and FAZ alike. (p.138)

I started keeping a record of pages which contain this kind of factual or explanatory content around page 135 and quickly realised that there’s some on almost every page:

  • 130: Foden explains how Nelson Mandela tried to broker a deal between Kabila and Mobutu
  • 135: Foden explains the behaviour of the Mai-Mai, for example massacring an entire village on the Massif d’Tombwe
  • 136: Foden explains the conflict between the Hema and the Lendu about land ownership around Bunia
  • 138: Foden explains the Mai-Mai, ultra-patriotic Congolese militias committed to defending local populations against all incomers
  • 139: Foden describes how city after city falls to the AFDL, until Kinshasa is taken and Kabila named president
  • 142: Foden describes Mobutu’s palace at Gbadolite, the Division Spéciale Présidentielle, Mobutu exiting in a Russian plane, the abandoned DSP angrily fire on the plane then loot and trash the palace (16 May 1997)
  • 149: Foden gives a history of Karonga as a slave trading centre, history of British Nyasaland, Cecil Rhodes, African Lakes Company
  • 150: Foden gives anecdotes about Hastings Banda
  • 153: Foden describes the flavour of the new Kabila regime e.g. corrupt mineral deals and banyamulenge horse-whipping the locals
  • 164: Foden describes Kabila’s unreliable performance of his presidential duties
  • 168: Foden explains how diamonds, gold and coltan are becoming the new minerals to smuggle
  • 173 to 176, and 181 to 183: Foden gives extended explanations of East Congo volcanoes, their behaviour, definitions of ‘active’, ‘dormant’ etc
  • 199: Foden describes the proliferation of rebels groups in the east, Kabila’s erratic behaviour, alienation of his Rwandan and Ugandan backers
  • 222 to 226: Foden describes the shooting down of the plane carrying Hutu president of Rwanda Juvénal Habyarimana which triggered the Rwandan genocide, the role of the SAM anti-aircraft missile, the growing rift between the Rwandan and Ugandan armies
  • 229: Foden explains how Kabila called for all Rwandan and Ugandan forces to leave Congo ( 27 July 1998)
  • 231: Foden explains how the Rwandans and Ugandans reinvaded Congo to overthrow Kabila, thus triggering the Second Congo War
  • 235 to 248: Foden gives an extended description of Manu among the pilots hijacked into flying RPA forces to Kitona airport, west of Kinshasa, then his extended forced service during first part of Second Congo War
  • 255: Foden explains the proliferation of militias in eastern Congo
  • 258: Foden describes the assassination of Laurent-Désiré Kabila, 16 January 2001, and summarises the conspiracy theories about who shot him and why
  • 266: Foden explains the failure of various peace treaties to end the second Congo war
  • 280: Foden describes the street battles between Rwandan and Uganda forces in Kisangani

On almost every page the reader is bombarded with undigested chunks of historical background information.

2. Convenient coincidences

Related to this forced feeling, is the Zelig aspect of the narrative whereby the protagonist, Manu, just happens to be present at pretty much all the key events in Congo from the start of the narrative in 1996, onwards. The book shares this quality with The Last King of Scotland whose protagonist kept on being at the right place at the right time, meeting all the key players in a series of lucky coincidences which started off by being exciting, then began to be a bit too convenient, and then toppled over into feeling ludicrous and/or horrifically hallucinatory, according to taste.

Same here. When Manu is saved from murderous FAZ soldiers by a squad of AFDL fighters, it isn’t any old troop but the one led by Laurent-Désiré Kabila, the man handpicked by Rwanda and Uganda to lead the assault into Congo and who was, eventually, to replace Mobutu as president of Congo (p.29).

Later Manu will witness or hear about all the key turning points in the two Congo wars. In a striking scene he and two fellow fright dogs will be present when President Mobutu takes off from the private runway at his vast jungle palace, heading into exile, and confront his enraged troops as they loot the palace. In this respect – the hero being there at key moments, eye witness to historical turning points – it’s very like Last King but without the slowly mounting horror which makes Last King such an intense and, eventually, hallucinatory read.

The main thing about life in the real world is how random most of it is. Foden’s fictions are contrived so that they introduce us to all the key players in a certain set of historical events and stretch the concept of coincidence to snapping point.

I know that Foden’s novels are intended to be serious thrillers and they are certainly ‘serious’ in two senses, 1) that they lack any humour or warmth, and 2) they deal with horrifyingly violent events. And yet when it is revealed that one of the crates of contraband gold which Cogan and Manu pinched from a consignment and buried in secret contains, in fact, not gold but the rocket launcher which shot down Juvénal Habyarimana’s plane and so triggered the Rwanda genocide I burst out laughing, tickled by Foden’s chutzpah in making his hero or colleagues witnesses to every single one of the key events in the historical period.

The coincidences pile up when Foden has Manu among the commercial pilots whose planes are hijacked to fly RPA forces to Kitona airport in the bold but ultimately unsuccessful attempt to unseat Kabila, I was beyond laughing and just marvelled at the way the novel is entirely based on the history, a reskinning of the events in a light covering of ‘fiction’, and Manu, the central character, for all the effort Foden puts in to try and make his feelings believable, little more than a cipher.

In the final scenes, where Manu is absolutely down on his luck, impoverished and immiserated in racist Belgium, the sudden appearance of the old freight dog, Papa, to save and rescue him is presumably meant to be a sensible event but, in my mind prompted the image of the Monty Python cartoon of the clouds opening and angels blowing trumpets. Beyond ludicrous. A fairy tale.

3. The central figure is a cipher

The central character, Manu, isn’t very interesting. He doesn’t have interesting thoughts, he doesn’t have much to say for himself, he’s more of a cipher or front man pasted on top of what often feels like a factual summary of Rwanda’s recent history. ‘Sometimes he hates his own passivity’ (p.227). Exactly. A cork bobbing on the ocean has more character. It doesn’t help that he uses white western and old fashioned diction like ‘assuaged’ and ‘deems’ and ‘presages’. I don’t know exactly what a survivor of the Congo wars would sound like but almost certainly not like a middle-aged, English, public school author.

4. Awkward prose style

Foden’s prose style is really weird. It’s always been unstable: in King of Scotland there were some odd passages and chapters; Ladysmith and Mimi and Toutou use old-fashioned mannerisms and word order but I thought maybe these were tailored to the century-old settings, but they recur here, plus new oddities of phraseology, which I found disrupted my reading on every page.

Foden’s accounts and interpretations of post-genocide Rwandan history didn’t interest me very much because I’ve just read two much better, more thorough and professional accounts – and I wasn’t that interested in the main characters as characters – so the thing that ended up interesting me most in the book was Foden’s weird style.

1. The awkward preposition

There’s his dogged insistence on avoiding a ‘dangling preposition’ (ending a sentence with a preposition) which makes him put propositions in the middle of sentences, thus creating all sorts of unnatural contortions – maybe my obsession with this is irrational but it really bugs me:

  • He looks exactly the sort of business-inclined person of whom her evidently prosperous parents would approve. (p.71)
  • The demons which have been flitting in his head since the incident with the archbishop and Don Javier, for which he does not know whether he was to blame or not. (p.50)
  • Manu reads the grease-stained page of newspaper in which his Rolex came. (p.109)

See how the obsession with not ending a sentence with a proposition leads him into all kinds of unnatural contortions. He prefers to use ‘of which’ as a connector:

  • The bigger picture of which their actions that day had played a part… (p.37)
  • Birds flitted between mossy branches as they ascended what seemed like a vast flight of basalt-black stairs, finally reaching the flat top of a mountain range, the expanse of which seemed to fill the cavern of the sky. (p.29)
  • In the back of this first car, the metal of which was punctured with bullet holes…

I don’t know why this bugged me so much, but I’d have thought it would be more natural and fluent to just write ‘whose’ – ‘whose expanse seemed to fill…’, ‘whose bodywork was punctured with bullet holes’ etc.

  • Are they faux amis, like those of which Don Javier used to speak in another context of translation… (p.147)

I looked this whole issue of dangling or hanging prepositions up online and came across the joke sentence allegedly written by Winston Churchill to highlight how stupid this ‘rule’ is and what ridiculous distortions it leads you into once you set off down this road:

“That is the type of arrant pedantry up with which I shall not put.”

The aversion to ending a sentence with a proposition is very old fashioned and formal and so sits oddly with other elements in the text, which are trying to be cool, woke and up to date.

  • They descend through the dense green, amid which the dirt road winds like a slalom course (p.187)
  • The sky is filled with just such a gas-laden plume of which she once warned him. (p.265)
  • With visibility reduced, he has to rely on his instruments, with which electrical discharges in the gas cloud are in any case interfering. (p.265)
  • He gathers up his few clothes and belongings, making a pile on the bed, before going back out to the kitchen and finding a bag in which to put them. (p.208)
  • It’s a different prison from that in which Aisha is being held (p.216)

Why not the simpler easier to read ‘a bag to put them in’ or ‘the one Aisha is being held in’ or ‘which she warned him about’? It sounds trivial, but these sentences, rearranged into unnatural contortions in order to avoid ending with a preposition, occur on every page and help set the tone of Foden’s stilted, awkward prose.

  • What Manu notices are the black plastic parts of the recording device that he stole from the journalist outside the court, about which he’d totally forgotten. (p.375)
  • Afterwards, Manu’s hand is still gripping the banister, static hissing in the ear to which his other hand continues to hold the phone. (p.376)

2. Odd phrasing

Anyway, this specific issue aside, there’s plenty of just plain odd phraseology:

Recognition [the name of a character] turned the radio off at this point, falling into slumbers. (p.38)

Recognition looked on as the second beating Manu then suffered was conducted. (p.42)

Manu got up, supposing to make his way to the docks as instructed. (p.43)

He was at a moment of limits, tripping over kerbs and broken parts of buildings destroyed by munitions (p.43)

All this apparent cogitation was in truth too unwilled to be a called a decision. (p.44)

While he’s enumerating the options, the pilot door of the plane opens. (p.51)

He’s embarrassed, almost ashamed that he’s been making too much of things that some of them, with no better a history than his own…are facing down with equanimity. (p.108)

He drinks so much, in fact, that he loses track of the liquid courage for his future (p.159)

Not long later, reckoning that they are safe now… (p.195)

All that stuff he [Cogan] liked to sing, by turns bright and breezy, mournful and melancholy, whatever the weather outside the cockpit, reports on which the Texan told him not to trust. (p.219)

Seeing even worse atrocities than those committed against the women of Boma, Manu realises that there’s always something worse than what he thought was the worst before. (p.242)

One Monday morning further on in this period of steadfast resolution (p.256)

What I have learned is not to judge so quickly, as the moment oneself is to be judged is always about to arrive. (p.275)

But this animal at the Expo is much older a beast than even Joséphine would be now. (p.353)

‘I’m so sorry,’ says Manu, pulling himself jerkily back into joint and wondering if this bizarre episode is a conclusive rupture with the past that has been plaguing him. (p.355)

Now the breath in the old man’s chest is slowing stint by stint, as his illness comes to a terminus. (p.372)

As for Anke, he has (against his own past conjecture) almost forgotten her… (p.382)

A faint smell of piss wafted over from the latrine and Manu saw the financier’s nostrils mushroom – ever so widely, as if the pleasant occasion of a meal had been robbed away in some still greater larceny than this basic reminder of other facts of the body besides ingestion. (p.395)

The sun was pouring out its almost last tot of light, making the air tremble, like Cogan’s hands sometimes did… (p.397)

The prose consistently feels as if it’s written by someone whose first language is not English, someone who is struggling against mighty odds to express themselves in an unfamiliar language. It’s not the occasional oddity – the contorted sentence structure, the weird phrasing, they’re in every paragraph on every page.

3. Intrusive narrator

Sometimes the narrator intrudes into his own sentences to comment on the action, like an eighteenth century narrator, like Henry Fielding, or a moralising Victorian author:

In this moment, he wonders if he has become abhorrent to her and that this chance of love, perhaps his only chance (as he then presumes; fatal error of all disappointed in love!) has been blown entirely (p.312)

The clash between this very old tactic, the strange Victorian phraseology (‘fatal error of all disappointed in love!’) and then the slangy modern American phrase (‘has been blown’) create a really weird disjunctive effect.

4. The continuous present

Now I’ve started, there’s another aspect of Foden’s prose which is really distinctive and equally unsettling, which is his fondness for sentences with multiple clauses, at least one of which refers to ongoing events by using the present participle. These examples demonstrate what I mean:

  • Manu also supposes, continuing to walk along, that he ought to inform Cogan’s ex-wife and son. (p.220)
  • A black Mercedes pulls up alongside him. For a second, his reflection sliding along its wing, it’s like he’s back in Lubumbashi. (p.220)
  • He decides, it being Christmas Day, that he will go to Mass again (p.253)

This is odd and unnatural word order. It would be more natural to write ‘As he walked, Manu realised that he probably ought to…’ or ‘For a second his reflection slid along the wing of the car, reminding him of…’ But Foden is really addicted to this unnatural, cluttered way of writing; an example occurs in more or less every paragraph, the text is saturated with them.

5. Having

There’s a kind of logical extension of the previous habit, which is to use the present participle ‘having’ to indicate an event which has taken place before the one being described in the sentence. So instead of describing the events in simple chronological order thus: ‘Manu opened the door and walked into the room’, Foden always prefers to complicate things by starting in the present, cutting back to an action which has just been completed in a subordinate clause, before returning to the present action for the second half of the sentence – ‘Manu walked, having opened the door, into the room’.

  • They get out of the vehicle, Faithful having grabbed the drawer from Manu’s lap as they stopped. (p.222)
  • Stinking, having not been able to wash properly for weeks, he just wants to go home. (p.242)
  • Maquela’s over the border in Angola – nominally enemy territory, since the Angolan government, having been on the Rwandan side in the first war, are now aligned with Kabila and Zimbabwe. (p.245)

I suppose some readers might like this embroilment of the prose, this mixing up. But to me it felt like listening to a story told by someone with a stutter. The awkward phrasing, the stilted structuring continually distracted my attention.

It’s not grammatically incorrect, not incomprehensible, just strangely off and, along with the preposition-phobic sentences and the consistently strange phrasing, these oddities all build up into a sustained sense of awkwardness everywhere in Foden’s prose.

I suppose these odd phrases, these unwieldy sentences, could be a conscious effort to convey the difference of Manu’s African culture and the fact that he doesn’t speak or think in English. Maybe. Maybe that’s the aim, but I wasn’t convinced and, whatever the motivation, it’s just not very enjoyable to read this spavined prose. It was so distracting I wanted to stop reading the book after 50 pages but forced myself to go on to the end, less and less interested in the plot, more and more entranced by the strangeness of Foden’s prose.

6. Poor proofreading

It’s not helped by quite a few typos and proofreading mistakes, which made me think the proofreaders were sometimes as puzzled by Foden’s prose peculiarities as I was. Can you spot the mistake in this sentence?

Later he’ll hear how Phiri landed the Boeing, every second expecting it (as now Manu also expects) the Cargomaster to be brought down by a MANPAD. (p.238)

Which I think should be:

Later he’ll hear how Phiri landed the Boeing, every second expecting it (as now Manu also expects the Cargomaster) to be brought down by a MANPAD. (p.238)

The plot

Manu has barely returned from boarding school to the family farm before a squad of Zaire Armed Forces (AZF) soldiers drive up and murder his family, raping his mother and sister first, garrotting his father in an attempt to find out where the family treasure is buried.

Manu has a rope tied round his neck and is being led away when the AZF force is itself ambushed by Alliance of Democratic Forces for the Liberation of Congo (AFDL) troops led by none other than Laurent-Désiré Kabila (this is the first of many improbable coincidences for Kabila is to go on to become the newt president of Congo).

Kabila gives Manu a gun and invites him to shoot dead the man who just killed his father but Manu, being the hero of a western fiction instead of a real person, can’t and doesn’t. Kabila is impressed and lets the AZF soldier in question run off into the jungle

Manu is then pressed into the AFDL and taken with other soldiers down to the Hutu refugee camps right on the border with Rwanda. Here Foden follows the modern view that the AFDL and the Rwandan Patriotic Force (RPF) carried out a mini version of the Rwanda genocide only this time it was Tutsis massacring Hutu men, women and children. Manu watches horrible killings.

In the marketplace of the town of Nyamwera he takes part in the torture and shooting of a) archbishop Christophe Munzihirwa, who had occasionally visited his Catholic boarding school, and b) his favourite teacher, Don Javia Mendia. It happens because the sadistic AFDL officer, Major Rusyo, made him shoot at a car approaching their convoy, it was only after they’d done so that the wounded archbishop staggered out and they discovered Don Javia dead inside. The AFDL troops then stabbed the archbishops with bayonets and ordered at gunpoint Manu to join in, which he misinterpreted to mean fire his rifle, which may or may not have actually hit the archbishop, who the other soldiers proceeded to finish off anyway.

Because Manu is such a cipher there’s no sense of how these opening 40 or so pages packed with horrific incidents affects him. You’d have thought he’d be catatonic with shock but there’s no attempt to convey shock, PTSD or psychosis, instead he remains the blank cipher used to shuffle the narrative along.

Supervising his induction into the AFDL is a brutal boy his own age, named Recognition. After receiving a number of brutal beatings from him, Manu manages to slip away from the AFDL camp and embarks on a long trek back to his farm. Here he buries the body of his mother and then sets off stumbling through the jungle in the direction of Uganda, which he hopes will be safe.

After some days in the jungle Manu stumbles across an airfield at Rutshuru on the border between Congo and Uganda, and witnesses black soldiers doing some kind of deal with the fat scruffy white pilot of a small cargo plane.

When the soldiers drive off, Manu stumbles into the light of the arc lamps (it’s night) and, after initially scaring the pilot, they get chatting. The pilot’s name is Norm Cogan and he’s a scruffy, disreputable, jobbing ‘freight dog’. His last assistant did a runner, so he asks Manu if he’d like the job of being his fixer (p.55). Next thing Manu’s washing and scrubbing stuff then getting into the plane and they fly from the edge of Congo to the airport at Entebbe, Uganda.

Norm then drives Manu to the bar he owns, The Passenger, run by his bad-tempered wife, Aisha, where he introduces Manu to his fellow ‘freight dogs’:

  • Aisha, the bad-tempered African owner of the bar
  • Gerry Magero from Kenya
  • Max Chénal from Belgium, former priest, a ‘tight-faced old man in oversized specs’, known as ‘Papa’
  • Evgeny Blok from Russia, muscular, moustachioed (p.81)

These guys are national stereotypes on the same kind of level as the foreign characters in cheesy movie adaptations of ‘Death on the Nile’ or ‘Murder on the Orient Express’. Cogan is the worst. In the same way that the chunks of history are shoehorned into the narrative, Cogan’s America-ness is rammed home every time he opens his mouth.

He says things like: ‘Kabila’s cockamamy outfit’, ‘that went down the swanee’, ‘my momma used to say’, ‘nothing sticks forever kid’, ‘go the whole nine yards’, ‘we done fell in love’, ‘fuckedy freak show, here we go’, ‘hold on to your hat, kid’, ‘we’re all yappedy doo-dah now’, ‘what’s the matter kid?’ ‘hot diggety, she looked good!’, ‘the one’s a biggee’, ‘shit’s about to hit the fan’. He is, in other words, a dictionary of Yankee clichés. He sounds like a character out of Indiana Jones.

For no particular reason these tough old guys decide to adopt Manu and teach him how to fly, start giving him lessons, buy him a flyer’s licence, a pilot’s uniform, training manuals, flight bag etc. He’s still only 19.

So Manu goes on seven or eight trips with Cogan and Evgeny, studies the manuals, and eventually gets his pilot’s licence. On one of these trips we see Cogan landing at a remote base in the middle of carrying a cargo of gold, and getting Manu to help bury one of the crates, allegedly with the help of the trip’s sponsor, Major Faithful.

Part 3. The Interbellum: June 1997 to August 1998

A chapter where Manu does a purely civilian job, unconnected with the war, namely ferrying a Belgian expert in volcanoes, an attractive young blonde (is there any other kind of expert in volcanoes?), Anke Desseaux, around the volcanoes of the Great Lakes.

Until their jeep (driven by a hired driver) is ambushed by a small crew led by none other than Manu’s old comrade, Recognition. Recognition explains he’s gone AWOL from the ADFL and is trying to set up a Tutsi militia to protect their own kind, here in East Congo.

Manu wrestles his machine gun off him, shoots dead the two other guerrillas in the ambush, shoots Recognition in the leg and would have finished him off if only Anke had started to come round from being knocked out.

So Manu knocks Recognition out with the rifle butt, hauls Anke into the jeep, recovers her belongings, and drives down the mountain to a town, sees doctor, checks into hotel, she cleans up, sleeps, next day demands to be taken to the nearest airport to catch the next flight to Europe.

(Given that the last section of the book is titled ‘The lights of Europe’ I’d be surprised if Manu doesn’t end up fleeing to Europe and looking Anke up. She will either be pleased and they resume their affair, or engaged or married to someone else, leaving Manu bereft. Either option will feel equally as clichéd.)

Talking of women, Manu spends time on the beaches of Lake Victoria and several times spies a beautiful woman sashaying across the sand, dipping into the lake etc and eventually plucks up the guts to talk to her. Her name is Edith.

Much later, on one of his trips with Cogan, into the jungle to ferry around crates of gold or ammunition, Manu is astonished to discover, amid the sprawling army base full of drunk or stoned soldiers, this very same Edith! Turns out she is the daughter of the Major Faithful they’re doing this trip for. (Manu may be surprised but any reader of Foden is used to his routine deployment of far-fetched coincidences.)

Even more far-fetched than Manu meeting Edith in the middle of nowhere, is the way she comes on strong to him, takes him to a hut, and makes him have modern sex with her (by modern I mean not just penetration but, after he’s climaxed, insisting on him stroking and masturbating her till she comes, too.)

Next morning he’s woken by Cogan and hustled off to finalise the cargo and fly off, his emotions understandably still reeling from this intense and unexpected rumble in the jungle.

Time marches on. Of the cadre of freight dog pilots, Papa quits and goes back to Belgium (after making a half-hearted attempt to chat up Manu, who only then realises he’s gay); Evgeny moves to Dubai, safer business and good schools for his kids).

And Cogan is shot dead, Manu (in another of those far-fetched coincidences) happening to drive by Cogan’s car crashed in a ditch to find the fat American still alive though bleeding profusely. Manu takes him to the local hospital which is closed and barred to new admissions (because they gunshot wounds generally deriving from gangland shootings which sometimes follow their victims into the hospital). Thus Cogan bleeds to death in his car before a doctor belatedly comes out from the hospital to see him.

A little before this Manu had arrived back at The Passenger (the freight dogs’ bar) where he’s still kipping in the spare room Cogan gave him, finding it locked climbs in through the back window and thus overhears Aisha complaining about Cogan being a) bad in bed b) serially unfaithful c) frittering away all the earnings of his freight company. Gerry reassures her that he won’t have to put up with Cogan much longer, then the pair have sex right there in the bar while Manu watches through a crack in the door.

Anyway, this explains why, upon Cogan’s death, Gerry and Aisha are arrested by the police, who turn up recordings of them plotting to kill Cogan (because the cops had been making recordings of an illegal drug baron who Gerry, it turns out, had been doing flights for).

As he lay dying one of the last things Cogan told Manu is that he’s made a new will, leaving everything to Manu i.e. 1) the bar, 2) his freight business, Normanair.

So by about half way through the story, Manu’s mentor, Cogan, has disappeared, and so have the other flight dogs Papa, Evgeny and Gerry, leaving him qualified enough to carry on the freight business, but lonely.

As a resident of Entebbe/Kampala, we’ve accompanied Manu on trips to see the nightlife, to various bars and entertainments, and learned that he got friendly with some guys (David and Matthias) who’d set up a dance troupe but were worried about the financial insecurity of the dance world, so Manu has the bright idea of hiring them as manager and barmen at The Passenger.

Part 4. Fighting Fire, Treading Water: August 1998 to February 2002

Things are just settling down when the Second Congo War kicks off and Manu finds himself just one of half a dozen commercial pilots who are held at gunpoint at the airport by his nemesis, Major Rusyo, who forces them to fly RPA troops to Kitongo, the airport on the far west of Congo, which the RPA plan to use as a base to overthrow the now out-of-favour Kabila.

But this dashing plan is foiled when the Angolan army come in to support Kabila and prevent a quick surgical coup. It was the Angolan government’s decision which triggers the long, drawn-out struggle of the Second Congo War which mutates into the Great War of Africa, which becomes bogged down in fighting between multiplying militias, guerrilla groups, warlords and so on, in a kaleidoscope of conflict.

Manu tries to duck out of all this but is conscripted at gunpoint by Rusyo, and spends months in an increasingly feverish blur of stress, lack of sleep and amphetamines, running guns and ammo into Congo and taking out all manner of goods – gold, coltan, diamonds, coffee, even train rolling stock. The RPA’s excuse of overthrowing Kabila to install a democratic government wears thin: Manu realises it is just looting, pure and simple.

After these months the Angolan troops close in on the airport the RPA have been using, at N’djili. The Angolans fire anti-aircraft missile at him which he only just dodges using a shake and roll technique  which Cogan taught him.

Manu lands at a jungle airstrip, Maquela do Zombo, in UNITA-held north Angola, where he is trapped with the RPA for four months. Only on 23 December 1998 does he finally get to fly out, carrying as many RPA men and munitions as possible as Angolan government forces once again close in.

Time passes. The war unravels into chaos. Manu keeps completely out of it, spending two years doing clean commercial flights, ferrying tourists to see gorillas or sunbathe in Zanzibar. David and Matthias prove honest employees, turning The Passenger into a popular profitable bar.

Suddenly it’s early 2002 and Anke Desseux rings him up saying she wants to hire him to take her back to the volcano which her instruments tell her, may be about to blow. The flight is a disaster. Plumes of smoke and rivers of lava rolling down the side, burning towns, into Lake Kivu. Worse the acid fumes strip the paint off the outside of the plane and damage the windscreen. They barely make it back to Entebbe in one piece and Manu is furious at the damage to his one and only airplane.

He drives her to hotel, they both freshen up, sit sulking in the bar, eventually she gets him to spill the story of his life, all its many traumas, she takes him back to her hotel room and they have championship sex, twice. (As young healthy men and women protagonists of airport thrillers generally do, compare tall, handsome skindiver Nick Karolides and young attractive diplomat Miranda Powers in Zanzibar. When he tells us that Anke’s bare breasts are ‘lightly freckled’ you think, of course they are. That’s the kind of book this is: the history is true and horrifying but almost the entire fictional content is riddled with clichés.)

Next day Anke has to fly back to Belgium, of course and, of course, they have an emotional parting at the airport and, of course, Manu drives back to his apartment feeling abandoned, alone, again.

Part 5. The Lights of Europe: March 2004 to December 2006

Very abruptly it’s two years later, years of calm business flights as Manu slowly expands the company. Then Brigadier Faithful calls him to his office and asks him to go and fetch the buried crate containing the incriminating anti-aircraft firer. He will pay him $80,000 plus costs to dig it up, load it on board and fly it to Amsterdam where it will be handed over to a government enquiry. Why? Because the Ugandans, whose army Faithful is in, want to get back at the Rwandans who are systematically undermining them, backing anti-Uganda militias etc, by revealing that it was the RPA which shot down Habyarimana’s plane.

So Manu flies to the place in the jungle where he and Cogan buried it, digs it up and flies to Amsterdam and hands it over to the academic (who is probably a spy).

But then Manu is flabbergasted to be arrested! Turns out he’s wanted on an Interpol warrant for the murder of Don Javier and the Archbishop all those years ago in Nyamwera. Turns out an NGO has been pursuing murders of Spanish citizens and, having done the Franco regime and various South American governments, is now turning its attention to the murder of Spanish citizens in Africa.

The accusations are desperately unfair but then it turns out that the main witness against him is none other than Recognition, the comrade who forced him to perform these very deeds, and has now, bizarrely, become a Catholic friar in the monastery base of the NGO which is bringing all these accusations. Triggering in Manu a recurrence of the existential crises of doubt and personality which have dogged him throughout the narrative.

Standing there in the dock in his prison shows, he begins to think of himself as barely alive. (p.289)

Manu’s lawyer takes him outside the court for a cigarette (guarded by a security guard). A court journalist comes over and, in a mad moment, Manu grabs the journalist, puts the sim car of his phone to his jugular, forces the cop and lawyer to lie on the ground, gets the keys to the handcuffs he’s wearing, then runs off.

In the busy city streets he comes across a protest march, something about Palestine and Israel, blends in and marches along for bit, skips into a subway, gets away. A few hours later he’s on a train to Brussels courtesy the cash in the journalist’s wallet.

After a few days on the road he looks like any other hobo African immigrant. There’s a very staged and contrived scene where he wanders round the Royal Museum of Africa in Brussels, comparing the staged dioramas to the Congo he grew up in. Colonial fiction versus lived reality, imperialist lies etc.

Obviously he’s schlepped all this way to see Anke. (I knew from the moment they first met, had their violent visit to the volcano, then she scarpered back to Europe, that she would play a central role in the book’s final section.) When he finally gets to Anke’s office he is horrified to discover that she doesn’t retain the high idealised feelings for him that he has for her. It was only one night, years ago.

When she hesitantly tells Manu that she’s engaged to be married (p.313) I burst out laughing. That’s what I predicted 100 pages earlier. It felt as old and clichéd as a Thomas Hardy novel.

If she will not love him of her own accord, there is nothing, absolutely nothing, he can do that will convince her to do so. (p.315)

God, I wish this novel had just stopped on page 300 at the end of the second Congo War. Though it undermined the fiction, I quite enjoyed being harassed by the history. Now the reader is going to be hectored by Hardy for the last 100 pages.

Manu had put all his hopes on Anke helping him but she had screamed and threatened to call the police. So he goes to the African quarter of Brussels. Fellow Congolese recommend a hostel. It’s filthy and kept by a slimy predatory gay man who shows Manu to a disgustingly dirty room. He’s advised to get a job in an abattoir and there follows an extended, stomach-churning description of jobs in an abattoir which reads like the transcription of a research visit Foden made to one.

Woke ideology

Earlier, in the court scenes, Manu had raised the spectre of racism. On the run he encountered racist glances. In the Museum of Africa he was forced to think about colonialism. In the abattoir the supervisor showing him round makes the ‘racist’ comment that many of the African workers he has to supervise are lazy.

Part 5 is the woke part of the book, the part where Foden shows his white readers what white Europe looks like to a black outsider, a man unjustly accused and on the run, a victim of western imperialism and racism. Hmm. So maybe the reader isn’t going to be hectored by Hardy so much as worn down by woke.

Foden is the kind of liberal white man who went to an English public school, then Cambridge, and writes books attacking his own class and country. One of the characters in the immigrants’ hostel is a Somali whose village was bombarded by the Royal Navy, killing the rest of his family. This character says the Royal Navy is worse than the Russians.

‘Everyone should know that British people are thugs underneath, even as they pretend to be gentlemen on top. Only the Russians are worse. No! In some ways they are better, because at least they don’t pretend.’ (p.328)

Later Manu is made to equate the behaviour of the British Army with that of the RPA which, as we’ve seen, rapes, kills, tortures, massacres and loots wherever it goes:

…the horrors that happen when soldiers, English or Rwandan or whatever, invade a place, wrapping their their violence in necessity or duty or honour. (p.343)

This made me despise Foden and turn dislike of this badly written, cliché-ridden farrago into contempt. It’s his kind of superior, upper-class, woke anti-patriotism which has contributed to the decline of the Labour Party, the loss of its working class voters, the defection of the Red Wall to the Tories, the election of Boris Johnson and Brexit. It’s the kind of liberal literary superiority which has led to the rise of the right across Europe, to populist authoritarians who appeal to working class or lower-middle-class voters who feel they and their values, their patriotism, their support for their armed services and, very often their actual military service, are being attacked, dismissed, and ridiculed by a metropolitan elite of smug, superior, arrogant, public school tossers. Well, look no further. Voici le trahison des clercs.

Part 5 of the book turns into a festival of wokeness, a sequence of opportunities for Foden to highlight how racist Europeans are, how stupid and patronising (pages 377 and 378), especially farmers, they’re all racists, apparently (p.383).

As Carol Midgley has written, ‘The white working class seems to be the one group in society that it is still acceptable to sneer at, ridicule, even incite hatred against’ which is precisely what Foden does, by depicting the rough Belgian hostel keepers and the Belgian farmers visiting the Expo as unreconstructed ‘racists’, Papa’s farmer neighbours and the German tourists who pay to go on his tours of Great War battlegrounds, as racists, all racists, racists to a man.

Because what’s really harming Africa isn’t multinational corporations conspiring with corrupt leaders to loot their countries and keep their populations in crushing poverty, or the personal rivalries of military leaders vying for complete control (see the civil war in Sudan, the coup in Niger) – it’s definitely the owners of crappy refugee hostels and European farmers having ‘racist’ attitudes.

What makes me cross is not the race issue, it’s the classism. All the characters Foden creates in order to describe them as ‘racist’ are working class. Foden, as noted, went to one of the nobbiest private schools in Britain. So, for me, it’s not about racism; it’s an upper class white private schoolboy flaunting his woke credentials by denigrating working class oiks.

If you believe the British Army can be casually compared to the Rwandan Patriotic Front which spent years massacring up to 400,000 mostly unarmed civilians, systematically looting an entire country and triggering a war in which up to 5 million people died, mostly of starvation and disease, then this is the book for you.

Final stupid coincidence

Why am I going on about racist farmers? Manu is selected by the abattoir to represent the company at an industrial expo devoted to the meat industry. In the event no one’s interested in watching him preparing sausages so he packs up early and wanders around the other exhibits. He is overcome by pages of maudlin sentimental longing for his simple innocent life as a farmer’s son.

Anyway, being a cow farmer at heart explains why, when Manu sees a stand devoted to Ugandan cattle, he breaks down and cries. At which the raggedy horned cow which is the chief exhibit, in a piece of typically heavy-handed Foden symbolism, drops down dead. Almost as if the cow symbolises Manu’s boyhood hopes and dreams! (Remember what I said about the book being more like the SparksNotes outline of a novel than an actual novel, coming ready equipped with its own interpretative framework.)

In the final Ridiculously Unlikely Coincidence of the book, who should come round the corner as Manu is experiencing the latest and deepest of his psychological breakdowns, than Papa, the elderly gay pilot from the good old days back in Uganda!

Papa is appalled that Manu has fallen on such hard times and promptly takes Manu away from the Expo, helps him quit his job at the abattoir, check out of the slummy hostel, and takes him to stay in his lovely farm in the country. Saved by his fairy godmother, panto style.

Manu spends 6 months learning about potato farming i.e. Foden regurgitates all the research he’s done on the subject, just as the abattoir chapter felt like a big gobbet of factual research about abattoirs, skimpily rearranged into something resembling ‘fiction’.

Papa continues to be his fairy godmother, adopting Manu who takes a false Belgian name, Adamu Chénal. Another false identity. Then Manu learns that Papa is dying of AIDS. In his last few days Papa arranges where he wants to be buried, then informs Manu he’s leaving the farm to him. And the old Dakota plane he’s been patching up in a barn.

So this is the second set of gifts from white men which have transformed Manu’s fortunes, first Cogan’s freight company and bar, now Papa’s farm and plane. For a man who complains about white racism, he’s had nothing but life-changing gifts from white people. Maybe, in this respect, Manu is an allegory of Africa, which has received over $1.2 trillion in aid but still wants more, much more, for the indefinite future.

Tom Burgis’s book The Looting Machine explains in great detail how African elites steal foreign aid, loot their own countries, and live in luxury while their populations starve in the streets. But the implication of Foden’s narrative is that, because they’re Africans massacring each other, at least they aren’t committing the real crime here, which is making ‘racist’ remarks.

There’s a few more digs at the British authorities by this British author so keen to do down his own country (p.379), before Manu finally gets his licenses and permissions and whatnot and, with wild improbability, flies Papa’s old Dakota back to Uganda.

Part 6. The Deconfliction Zone: January 2007 [back in Uganda]

Happy endings all round. Papa’s old plane didn’t actually make it all the way to Entebbe but crash landed on a hillside outside Mbarara, south-west Uganda, and so Manu sets up shop here, planting European potatoes in adjacent farmland he buys and converting the wrecked plane into a restaurant for tourists (the ones he so liberally accused of being racist in the previous section). But Manu’s happy to take white people’s money, as he was happy to be gifted their bars and businesses and farms and planes throughout the narrative.

And Edith, the Brigadier’s daughter who he had championship sex with in the jungle that time, she hears he’s back in the country, seeks him out, they renew their affair, they’re going to get married. Disney happy ending. The Lion King. Hakuna Matata!

Big Theme: Identity

The book’s big theme is Identity. We know this because Foden lays it on with a trowel every couple of pages and there’s a big sign saying Author’s Message next to each one.

The topic of identity has been done to death, and then far beyond, in hundreds of art exhibitions, novels, plays, movies, TV shows, millions of articles, thousands of charities and so on. It is the Topic of Our Time, what with the political brouhaha surrounding immigrants and refugees, what with young people confused about their genders all wondering who they are, who they’re meant to be, what with the nations of the West undergoing a snowstorm of cultural crises. Here are some of the ways Identity is central to the novel’s conception:

– The Rwanda civil war, the genocide and the Congo wars were all about ethnic identity, on a massive scale. Manu is a Tutsi among predominantly Hutu populations, heir to ethnic strife and then victim of ethnic massacres.

– Manu struggles to maintain a sort of Catholic identity in the face of the horror of the world (he wants to attend a Christmas Day service). But he is caught between the rituals of European Catholicism and African tradition – we see him undergoing a traditional coming-of-age ceremony in the jungle.

– Working for the white man (Norman Cogan) offers an escape from these tangled ethnic conflicts but at the cost of making Manu very conscious of being a black man working in a predominantly white industry.

– On trial in Amsterdam Manu realises the enormous gulf between the real life person and the cardboard cutout concocted by the legal system.

– Traipsing through the Belgian countryside Manu swaps the specificity of his identity as head of Normair for the generic identity of black tramp, ‘just another African migrant’ (p.303).

– Manu has built up his night with Anka into a Great Amour so he is devastated to learn that she thinks of it as only a one-night stand with a bit of exotic and now, back in Europe, has slotted back into engagement and marriage with a respectable white fiancé. It knocks Manu’s sense of the value or validity of his own experience.

– Manu adopts a fake identity when he is adopted as Papa’s son, yet another identity to live up to, to perform.

So there’s at least half a dozen embodiments or enactments of the Issue of Identity to ponder and unpack.

A-level English exam question

Discuss the theme of identity in the novel Freight Dogs by Giles Foden.

Essay length: 5,000 words maximum.

Deadline: end of first term.

Refer to the useful quotes on pages 58, 60, 97, 98, 107, 111, 151, 205, 287, 303, 361, 390 and the following:

The person who flew through the sky is resisting being reduced back to an older form: that of one who must identify as Tutsi or sub-Tutsi (p.97)

Later that night, lying in his own loaned RPF tent and sleeping bag, desperate for the morning and the return to Entebbe, Manu fiddles with the threads of his own frayed identity… He must simply be a freight dog now, just like Cogan said. That’s my group, that’s my team, that’s the badge I must wear. (p.98)

He’s trying to hold on to his new pilot persona…his new role as a pilot (p.100)

Somehow, he knows, he must become more deeply his own person, find solidarity in himself… (p.131)

He wonders, as he tries to sleep, if there’s a way he can similarly be both, can stay among the freight dogs but be clean of their sins? (p.205)

Another morning in this period of his failing to become the person he wants to be, now that he’s truly on his own and there’s nobody to imitate. (p.230)

Conclusions

Pros

If you’re going to write a novel about the Congo wars, having a commercial freight pilot as a central character is a very clever idea because, as the narrative makes abundantly clear, all these wars involved the aerial transport of weapons and munitions into war zones, and contraband loot out of them. Plus it means you can rope in specific incidents, such as the hijacking of commercial planes by the RPA to fly them to Kitona airport, in the early part of the Second Congo War. If you’re going to have one protagonist navigate through this complicated sequence of events, then having him be a pilot is a smart move.

Cons

A novel is not made ‘serious’ by being a) completely humourlesss or b) by simply by treating ‘serious’ subjects or c) by having lots of harrowing violence in it. So do umpteen cheap films and crappy documentaries. A novel is made ‘serious’ by the integrity of its conception, the depth of its characterisation, and the integrity of its prose style. I’m afraid Freight Dogs, for me, failed on all three counts.


Credit

Freight Dogs by Giles Foden was published in 2021 by Weidenfeld and Nicholson. References are to the 2022 paperback edition.

Giles Foden reviews

Africa reviews

Blood River: A Journey To Africa’s Broken Heart by Tim Butcher (2007)

I walked inside [the former Belgian restaurant in the Congo town of Kalemie] to find a wreck. A wooden bar ran along one wall and a Congolese lady stood behind it.
‘Do you have anything I could drink?’
‘No.’
‘Do you have anything I could eat?’
‘No.’
(Blood River: A Journey To Africa’s Broken Heart, page 103)

In the 1960s it was in Maniema that thirteen Italian airmen of the United Nations were killed and eaten, their body parts smoked and made available at local markets for weeks after the slaughter.
(Blood River: A Journey To Africa’s Broken Heart, p.134)

The Congo river system is potentially one of the most valuable assets in all of Africa, but in recent years it has been choked to a standstill by war and mismanagement.
(Blood River: A Journey To Africa’s Broken Heart, p.295)

As the lurid title suggests, Butcher is a journalist, not a historian or scholar. He was appointed Africa correspondent of the Daily Telegraph in 2000 and this book is a colourful description of his self-appointed task of repeating Henry Morton Stanley’s famous expedition across central Africa, from Kalemie on Lake Tanganyika, across country for 500 kilometres until he hit the River Congo, and then 3,000 or so kilometres down Africa’s second longest river, right down to the sea, beyond Boma – a journey he undertook in August 2004 (just as the Athens Olympics were about to start, p.322).

Limited use as a reference

Early on, Butcher inadvertently indicates the limits of his journalistic style or knowledge or interest or research, when he knocks off a description of the Rwanda genocide and how it unravelled into the two Congo Wars, which themselves degenerated into the Great War of Africa, in a mere two pages (13 to 14).

As it happens I’ve read about six book-length or chapter-length accounts of the Rwandan genocide and the wars which followed, all of which go into vastly more detail about this complicated and terrible sequence of events, and so I flinched a bit at the superficiality and, in my opinion, errors in Butcher’s brief summary. He has an interviewee say that Mobutu ‘invited’ ‘the Hutu gunmen’, the interahamwe, to flee into Zaire. He writes that ‘the Tutsi-dominated Rwandan government’ then sent troops to support Laurent Kabila’s insurgency (p.13).

This is not only very simplified but, in my opinion, actively misleading. It wasn’t just the interahamwe that fled into Zaire but the entire Hutu government and administration which had planned and carried out the appalling genocide of the Tutsi minority. Justifiably terrified of being captured and punished for their crimes, the Hutu administration terrified millions of Hutus into thinking the invading Tutsi-dominated Rwandan Patriotic Front would take revenge on them for the genocide, and so it turned into a mass exodus of a large part (about a quarter) of Rwanda’s population across the border into Congo.

It’s true that Mobutu had a long-standing close relationship with the Hutu leadership of Rwanda, but he didn’t ‘invite’ the fleeing génocidaires nor their million peasant compatriots into his country, they just crossed the border and presented Mobutu with a crisis (and an opportunity).

Butcher skips any explanation of the pre-existing civil war in Rwanda which was the context for the genocide and helps to explain it. Nowhere in the book does he mention the Rwandan Patriotic Front (RPF), or its leader and still the current president of Rwanda, Paul Kagame, or the key role the RPF played in ending the genocide when the entire international community (the UN, Britain, America, France) was standing by and letting it happen (to our eternal shame).

He nowhere explains that the Hutu génocidaires established an iron control of the vast refugee camps just inside the Zaire border and used them as bases to launch attacks against Tutsi villages inside Rwanda, continuing the genocide on a small scale while marshalling their resources to launch a re-invasion with the aim of completing the job of exterminating all the Tutsis.

He nowhere explains that the new Rwandan government of national unity repeatedly complained about the Hutu exiles to the Congo government of Mobutu, and begged the UN and international partners to step in and stop the raids and to rein in the Hutu génocidaires but that, once again, the international community did nothing.

He doesn’t explain that this was why, after a year of putting up with this destabilising presence on its western border, the RPF-backed Rwanda government decided to do something about it: to send its army into the Congo, dismantle the refugee camps, force the Hutu population to return to their country with promise of safe passage and that they would be unpunished if they just returned to their villages, while at the same time chasing the genocidal Hutu leaders and their mass-murdering militia, the interahamwe, deeper into Congo with the aim of killing them and putting an end to their genocidal plans once and for all.

He doesn’t explain how Kigali found a willing partner in the government of Uganda, which contributed its own forces, and suggested they use as a fig leaf and front man for their invasion, the drunken, womanising guerrilla leader Laurent-Désiré Kabila, who had been ‘fighting’ a small-scale insurgency against the Mobutu regime for 30 years and who they now put at the head of a new rebel force concocted for the purpose (the Alliance of Democratic Forces for the Liberation of Congo). Nor that the initial operation was so successful that Rwanda and Uganda decided to send their forces on right across Congo to the capital, Kinshasa, forcing the ageing ailing dictator Mobutu to flee the country (May 1996) and  installing their puppet, Kabila, as new president of Congo.

Butcher’s narrative gives the rough shape of these events but is, on my reading of the sources, wrong in most of its details, for example claiming that Rwanda and Uganda ‘backed’ a pre-existing military campaign by Kabila rather than Kabila being a convenient front man for an armed group invented for the purpose to cover an invasion entirely planned and led by Uganda-Rwanda.

It was when Kabila, safely established in power as the new president of Congo in 1997, began attacking his own Rwandan and Ugandan backers, ordering their troops to leave the capital, refusing to obey their orders any more, that Uganda and Rwanda, infuriated that their puppet had turned against them, mounted a second invasion, in 1998, to overthrow him.

This is why people refer to two Congo wars. The First Congo War, from 1996 to 1997 was the Rwanda-Uganda invasion to a) empty the Hutu refugee camps and b) overthrow Mobutu. The Second Congo War started in 1998 and was Rwanda-Uganda’s attempt to overthrow Kabila and impose a regime more friendly to them. It was this second invasion which got seriously bogged down because many of Congo’s neighbouring countries sent forces to support either the Kabila government or to ally with Uganda-Rwanda. Generally the alliances were influenced by deals to get their hands on Congo’s mineral resources. Thus Zimbabwe’s Robert Mugabe supported Kabila in exchange for access to minerals in Congo’s south-east, and so units of the Zimbabwean army found themselves fighting units from other nations in the tropical jungles of Congo, an expensive and bewildering waste of men and resources which distanced the Zimbabwe army from the regime (as described in Douglas Rogers’s account of the coup which eventually overthrew Mugabe).

This second conflict unravelled as not only forces from ten or so neighbouring countries got involved, but as regional warlords arose and seized control of different parts of the huge country. This is the complicated, multi-party conflict which is sometimes referred to as the Great War of Africa. Theoretically it ended with a peace treaty in 2003 but, on the ground, much violence continued in the form of roving bands of ‘soldiers’ or warlord-led militias, who emerged from the jungle, massacred villages, terrorised towns, looted all the food, raped all the women, murdered the men, then disappeared back into the jungle.

This, then, was the deeply insecure and scary environment in which Butcher planned to stage his recreation of Henry Morton Stanley’s epic journey down the Congo river. In the event, although he hears many rumours of roving warbands, although he hears from inhabitants of towns and villages of past attacks, and although he and his travelling companions race past small guard posts, he never in fact meets or has any encounters with any of the terrifying army, militia or tribal warriors.

I’ve summarised the events of the Congo wars in such detail because they are the vital backdrop to Butcher’s adventure, and because he refers to them again and again throughout the book, but mostly in what I regard as a misleadingly simplistic way. In particular I went from being puzzled to feeling a bit disturbed by his complete omission of the context of the genocide (i.e. the Rwandan civil war) and its cause (a deliberate policy of mass extermination in the name of Hutu Power), by his systematic downplaying of the genocide itself, by his complete omission of the name of the key organisation in both the civil war, the ending of the genocide, and the Congo wars i.e. the Rwandan Patriotic Front, and his preference for using the phrase ‘the Tutsi-dominated’ Rwandan government. The repeated use of this phrase cumulatively gives the impression that the source of all the disruption and violence in the region was the RPF-backed government in Kigali.

Now it is definitely true that the two Rwanda-Uganda invasions of Congo, first to overthrow Mobutu, and then to overthrow Kabila, massively destabilised the whole centre of Africa. But you have to understand that the RPF’s aim was to dismantle the Hutu regime which had just carried out the worst genocide of modern times, and then to overthrow the génocidaires’ main supporter, Mobutu, and install a government which would ensure that such a genocide never took place again. Unless you grasp that underlying motive for their actions you make it seem as if the Tutsi government was the unmotivated source of the disorder in the region. It certainly evolved into that situation, especially once all Congo’s neighbours piled in, but that wasn’t their initial motive.

The general thrust of Butcher’s account is correct and he repeats the outline of events several more times throughout the book, but almost all the fine details and the deeper background, which would help you make more sense of these tumultuous events, are either wrong or just missing.

In particular I found Butcher’s underplaying of the genocide (he mentions it but never dwells on what a truly horrific and regionally seismic event it was), his casting of the Hutus as helpless victims, and his continual nudging references to the violence across the region being caused by the ‘Tutsis-dominated’ government in Kigali, build up into a misleadingly incomplete and worryingly biased account of events. A casual reading of the book would lead you to believe that the Tutsis are the bad guys in the story and behind all the violence.

What I’ve just written is based on the following sources:

And, of course, Wikipedia:

But the same goes for Butcher’s versions of earlier events. On pages 58 to 59 he gives a brisk summary of the murder of Congo’s first president, Patrice Lumumba, which is heavy on gruesome detail (the acid used to dissolve the corpse) but very light indeed on the complex international and domestic crises Lumumba found himself facing and made considerably worse by his own troubled character and his chaotic and rash decisions, alienating the Americans who found him impossible to work with, then inviting the Soviet Union to send armed forces to help him put down secessionist movements, which alarmed all the Western powers, the Americans and the UN.

Again, Butcher’s account isn’t wrong, as far as it goes, but by focusing narrowly on Lumumba’s murder and heavily blaming the colonial power, the Belgians (Belgian army officers helped kidnap Lumumba then fly him to a remote part of the country, were present when he was badly beaten, then shot dead and buried in a shallow grave) Butcher’s account omits the six months of hectic crises which preceded it, and Lumumba’s role in exacerbating it.

He gives no sense of how Lumumba’s difficult character worsened the crises and, eventually, led everyone concerned (including many of his own ministers and his army) to believe that Congo would be better off with him out of the way and replaced by someone more stable and predictable.

I’m not defending these events. I’m just pointing out that Butcher’s zippy two-page account, focusing (like a thriller) on the gruesome events of the murder itself, omits the complexity of the context and so militates against a proper understanding.

For all these reasons I would actively advise against reading this book as any kind of authoritative source for the geopolitics of the region and the period. For that, the best place to start would be the outstanding ‘Congo: The Epic History of a People’ by David Van Reybrouck (2010).

Chaps in Africa

So, having established Butcher as a poor source of historical description or analysis, I was, in a sense, freed up to read the book for what it really is: a boy’s own adventure story, a ripping yarn, a white man’s tale of derring-do in the heart of Africa etc.

The ripping yarn tone of the story explains the praise on the cover from an impressive list of white, public school-educated, male Africa hands who recognise one of their own. These include: Alexander McCall Smith, Giles Foden, John le Carré and William Boyd. Boyd is quoted as saying: ‘The day of the intrepid traveller is not over’, which can be translated as: ‘White chaps can still have ripping adventures in the jungle’, a slice of cheery public school optimism which, once you’ve actually read the book with its bleak descriptions of super violence, social collapse and cannibalism, you might come to regard as pretty inappropriate.

Look at me, I’m woke

Butcher is at pains to stay on the right side of the reviewers and modern woke opinion by lambasting the wicked colonialists who exploited Africa during the wicked colonial period (the evils of wicked colonialism are described or referred to scores and scores of time) with a vehemence typical of a certain sort of middle-aged, middle-class, literary white man.

But I found the same is true of his dogged insistence on the evils of colonialism as of his references to the origins of the Congo wars, namely he’s not wrong, but, after a while, you start to realise he’s not describing the issue in its full complexity. He is, after all, a journalist, and so he’s writing in catchy headlines and peppy phrases.

For example, in several places he elides the truly evil, wicked, genocidal regime of the disgusting King Leopold in the 1880s and 1890s with the much more benign rule of the Belgian colonialists after the Second World War. OK, maybe they still had the same racist, white supremacist beliefs, but, as his actual narrative makes abundantly clear, they no longer massacred entire villages and cut people’s hands off; instead the post-war colonial regime built airports and railways and roads, and ports and docks, and ran mines and plantations and businesses and, above all, maintained the peace, creating the basis of a potentially prosperous country. Eliding the two eras and their policies into one thing struck me as morally dubious but also historically and politically misleading.

At one point, in a typically jeering throwaway remark, Butcher says it was one of Belgium’s most notable blunders that they didn’t train up a cohort of educated native politicians and administrators to take over the running of the country when they left. This sounds fine but it’s really a cheap shot because the Belgian colonial authorities, just like the French and British ones, thought they would be running Africa for decades to come and so had plenty of time to create an infrastructure and slowly train up the indigenes.

None of them anticipated the sudden rush for independence which was triggered by the independence of Ghana (in 1957). In particular none of them anticipated a key factor, which I’ve highlighted in my reviews of, for example, Martin Meredith’s bleakly hilarious book, ‘The State of Africa: A History of the Continent Since Independence’, which was that, once negotiations started, the African nationalist parties tried to outdo each other in demanding independence, soon, sooner, NOW!

With the result that the fiery nationalists at the conference called to discuss the future of the Belgian Congo demanded they be given independence within three months of the conference ending. Many commentators at the time thought this was wildly rash but they were, of course, all denounced as racist imperialists.

Ronan Bennett’s novel The Catastrophist is set against the backdrop of the crisis of 1960 and gives a lot of  factual detail about the lead-up to Lumumba’s murder. Some of the secondary characters who the impeccably liberal protagonist meets at cocktail parties etc point out that the Africans are nowhere near being able to run a country, that handing over rule to them will lead to massacres, white flight and the collapse of the country into civil war and…they are treated as racist bigots, disliked by the woke hero, ignored by the politicians. Trouble is, those racist bigots turned out to be 100% correct and then some. Rushed independence turned out to be an unmitigated disaster for the people of the Congo.

White privilege

Butcher takes every possible opportunity to slag off the wicked Belgian colonialists, but he is considerably less attuned to the way that he, a middle-class, well-connected white westerner, with thousands of dollars stashed in his kit, along with zippy technology (laptop and satellite phone) and possessor of tiptop connections to government authorities, numerous non-governmental organisations (NGOs) and the press (his employer, The Telegraph newspaper) is only able to undertake the journey because of his (relative) wealth, his white privilege and his western privilege.

Quite a few times he walks into the offices of bureaucrats or confronts African officials who are notably more respectful of him than of their fellow Africans who they’ve just been bullying, simply because he is a white man. The entire journey is only possible because he is, by Congo standards, rich, because he has thousands of dollars stashed in his clothes and so is able to pay Africans hard cash to drive him through the jungle, canoe him down the river, and generally bribe his way out of trouble.

That William Boyd quote could more accurately be rewritten as: ‘The day of the intrepid [western white male] traveller [with lots of cash and connections] is not over’.

In the footsteps of Stanley

Butcher’s entire expedition is an attempt to recreate Henry Morton Stanley’s great expedition across country to, and then down, the mighty Congo River, in which he was accompanied by three white companions and over 300 African porters, and which took three long gruelling years, from 1874 to 1877.

As you might expect, this inevitably entails several summaries of Stanley’s biography and character, of the great expedition (pages 44 to 49), and Stanley’s narrative (and illustrations) are referenced throughout the book, in particular whenever Butcher arrives at a place which Stanley first visited, or a town he in fact founded (for example, the settlement of Stanleyville which he founded at the end of the series of treacherous rapids which he modestly named, the Stanley Falls). Inevitably, Butcher also references Stanley’s central role in opening up central Africa for the murderous genocidal regime of the truly evil King Leopold of Belgium.

But again, I found Butcher’s account good as far as it went, but it never goes much beyond the stereotype of the wicked, brutal racist Victorian explorer. Butcher takes the standard journalistic view that Stanley was a wicked, violent, racist who treated his hundreds of native porters with appalling brutality and didn’t hesitate to open fire on tribespeople who got in his way. All the subtlety and complexity about the man and his achievements to be found in the (obviously much longer) biographies like that of Tim Jeal (2007) are simply absent. Jeal doesn’t gloss over Stanley’s brutality, but places him in the context of his time, compares him with other explorers, and explains the challenges he faced, from the treacherous Arab slave traders who dominated the region, to the often violent and sometimes cannibal tribes Stanley had to deal with.

I’m not in the slightest exonerating Stanley: the work he went on to do for King Leopold, systematically swindling scores of tribal leaders out of their ancestral lands by making them sign contract with Leopold which they obviously didn’t understand and had no legal validity, was obviously wicked and inexcusable. I’m just saying that, as with the Congo wars and Lumumba’s murder, Butcher’s journalistic summaries of Stanley gloss over the far more complex, more fascinating and therefore more useful facts.

Butcher’s mum

The blurb, the preface and much of the text all emphasise that Butcher is setting out to recreate Stanley’s epic voyage of explanation down the Congo – but on pages 8 to 11 we learn of a much more homely, domestic motive for his trip. His mother did it.

Butcher’s mum was a jolly hockey sticks daughter of the empire who, aged 21 in 1958, was packed off to southern Africa, with a friend, as a sort of finishing school. She travelled from Cape Town to Salisbury (modern Harare in Zimbabwe). It was the very end of the colonial era and so all the countries she travelled through – South Africa, Rhodesia – were still run by white colonial administrations, and so there was law and order and a good travel infrastructure: planes and trains and ferries ran on time and regularly.

This applied just as much to the 1958 Belgian Congo which the two young gells crossed as the final part of their journey. Leopoldville was the hub of one of Africa’s largest airline and the Congo’s chief port, Matadi, was served by a fleet of ocean liners. Everything – trains, planes, ferries – worked like clockwork , staffed by polite porters and obliging stewards – and so Butcher’s mother, when he used to question her, had little or no memory of it.

Now, 45 or so years later (2004), the countries she travelled through have collapsed into dictatorship (Zimbabwe) or chaos (Congo), most of the infrastructure of the latter having collapsed and disappeared back into the jungle (railway lines and railway sleepers long ago dismantled and sold for scrap or burned as firewood; stations derelict; docks abandoned, as in a dystopian sci fi movie).

Butcher’s mum kept brochures and posters and timetables from her trip which Butcher describes poring over lovingly as a boy and young man. And so Butcher’s adventure has this second level, not only retracing the steps of the man who ‘discovered’, mapped, named and revealed central Africa to western readers in the 1870s and 80s – but at the same time moving through the surreal ruins of what had once been the thriving and efficient colonial infrastructure remembered by his mum and recorded in the various brochures and timetables she kept, circa 1958 (plus other 1950s documents and guides he acquired in preparation for his trip).

So: two sets of ghosts, and that’s just the white ghosts. Obviously Butcher discovers, once he enters the country, that he is also moving among spirits of all the African tribes who lived and died, fought and were enslaved, and, more recently, burned and looted, their way through the same terrain. (See Ryszard Kapuściński’s excellent book, The Shadow of The Sun, for extended descriptions of how belief in the spirits of the dead continue to saturate African culture.)

So Butcher’s trip is alive with resonances and echoes.

Kalemie

Butcher starts his journey in the port of Kalemie on the west bank of Lake Tanganyika, which is where Stanley arrived with his huge expedition of over 300 porters, after having crossed country from Zanzibar and then crossed the lake from east to west. Instead Butcher kicks off his journey by flying there, direct from South Africa. I thought this was a slightly odd decision. To fully recreate the Stanley expedition he ought to have travelled overland from the Tanzanian coast to Lake Tanganyika, as Stanley did. It would have been interesting to have his description of modern-day Zanzibar and Tanzania, and would have maybe provided a useful contrast between one African country and another.

So anyway, Butcher flies direct to Kalemie on the western, Congo, side of Lake Tanganyika and it’s here that, after quite a few digressions about Stanley, his mum, the contacts he has drummed up in preparation for the trip, and the briefings he’s had, that he finally gets the journey started.

Kalemie straightaway provides a good example of the decline and decay all of Congo has fallen into, after 32 years of Mobutu’s systematic looting of his own country, zero investment and appalling corrupt local administration, followed by seven years (1997 to the time of his visit, 2004) of increasingly chaotic and widespread conflict. From a distance it looks like a modern town but once he’s landed and looks more closely:

What I had taken to be an estate of factories, damaged in the recent war in the Congo, turned out to be a ruin dating from a much earlier age. Faded advertisements could just be made out on the walls…Grass grew long and untroubled through the railway sleepers on the approaches to the disused station…An old railway carriage…stood rusting in the tropical heat. In one of the compartments someone had made a small cooking fire on the floor, now surrounded by various dirty pots…Instead of a functioning high street what I found was a dusty space filled by gaggles of meandering locals…Of the buildings themselves there was little beyond the fronts. Rust had not just coloured the roofs but eaten out huge holes through which tropical rain had flooded for countless rainy seasons…Pipes that once brought mains water to each building lay broken and there was not one working lightbulb…Without cobalt or diamonds or gold to draw outsiders’ interest here, Kelamie had been hollowed out by the years. Where there had once been a substantial settlement, nothing but the husk remained. (pages 85 to 85)

And this in ‘one of the biggest towns in the Congo’, a town with no state radio or TV, no newspaper, no landline phones and no internet, no petrol stations or cars, where the 1950s airport the Belgians built has become a bullet-riddled ruin (p.88).

This is what decades of neglect, lack of investment, lack of law and lack of local government produce, in a place ‘run by’ officials and administrators who do nothing but loot and steal and demand bribes for every transaction, a place where the state fails to provide either teachers or doctors or police (p.105). A key word or theme or image which threads through the text is ‘ruin’, along with its cousins, ‘derelict’, ‘wreck’, ‘decline’, ‘decay’ and ‘abandoned’.

Going backwards

Butcher hires some guys to take him by motorbike (two bikes and their owners for security’s sake, and because they know the route) inland from Kalemie. The key fact to grasp is that there are no roads any more, let alone railways. In the 1950s guides and the memory of his mother (and other accounts from the 1950s, which he cites) the major cities and many of the towns were connected by good asphalt roads which the Belgians built. Every single one of these has disappeared and been swallowed back into the jungle. Several times he comes across vehicles buried under decades of tropical foliage and realises that the narrow track through the jungle where he’s standing was, 50 years previously, an open, asphalt highway busy with cars and lorries. Now all gone, disappeared.

Similarly, Congo’s main cities were joined by railway lines and all of these have disappeared. In some cases the metal rails have been removed along with the sleepers and all that’s left is a track worn flat by the trudging of African feet. In town after town he comes across derelict, abandoned railway stations. In one particularly vivid moment he’s struggling through thick tropical forest, the sky blocked out by interlocking trees swaying high above him, dense foliage pressing right up against the narrow path he’s pushing his motorbike through when his boot clunks against something metallic. When he squats down and scrapes away at the thick soil and undergrowth at his feet he is stunned to reveal a metal rail. Beneath his feet and completely swallowed up by raw jungle is a railway which was part of thriving, developing country just 40 years previously. He is staggered by how quickly, and how totally all these infrastructures have been utterly lost, by how swiftly the country has unravelled and gone backwards.

Butcher’s journey

So Butcher rides pillion on the back of a motorbike from Kalemie heading directly west, roughly following the old abandoned overgrown railway line which once ran alongside the River Lukuga and linked Kalemie on Lake Tanganyika to join the River Lualaba between Kabalo and Kongolo. But after a 110k or so they take an abrupt right turn, heading north towards Mukumbo, then onto Kabambarre, and then to Kasongo, a now-ruined port on the River Congo.

This journey doesn’t look much on the (very good) map in the book, but it was in fact a mind-boggling 500 kilometres. (The book contains one master map of the entire route, done in a professional cartographic style, and then each chapter of the actual narrative starts with a charming hand-drawn map of that particular leg of the journey, complete with hand-drawn dotted lines, place names, and distances. Sweet. And handy.)

Anyway, Butcher covered this awesome 500k on the back of a motorbike! Along rutted, narrow, earth tracks bounded by tropical rainforest and continually littered with tree roots, bumps and ravines, streams, gulley and occasional rivers. No wonder he got a sore bum!

He takes a (very basic) ferry across the river and, on the other side, contracts more motorcyclists to drive him through 200km more narrow winding jungle paths, via the (ruined) town of Kibombo and on to another riverside port, Kindu. It’s on this leg that he comes across the wreckage of an armoured car which was shelled and destroyed during a firefight on a major road paralleling the river. Now the road has completely disappeared and all that’s left is a rusting metal hulk, almost completely overgrown by jungle.

In Kindu he contacts the local UN station (‘Hi, I’m a white jounralist’) which agrees to convey him in one of their river patrol boats 150k north, to the riverside settlement (not a town, just a few huts on the muddy bank) of Lowa. Here the friendly, civilised UN sailors set him ashore, with much shaking of heads over his folly, and Butcher, very scared, approaches some local Congolese lounging near huge wooden canoes. He is greatly relieved when one of them agrees to take him by canoe, or pirogue, the 200k by river further north to the town of Ubundu. This man, Malike Bade, quickly recruits three other oarsmen and off they set.

Ubundu, the ruined town which had once been the thriving Belgian port of Ponthierville, marks the start of the 150k or so of rapids and waterfalls collectively (still) named the Stanley Falls. Butcher has to transfer from the river to dry land and hitches a ride with some motorcyclists who work for a western charity (‘Hi, I’m a white journalist’), who have just delivered supplies to Ubundu and are now returning to their base at Kisangani, the big settlement which marks the end of the Stanley Falls.

It’s on this leg that he has the haunting experience of stumbling across a rail from the railway the Belgians built running north-south parallel to the river, now not only abandoned but completely buried by the tropical jungle (pages 248 to 249).

It was one of the defining moments of my journey through the Congo. I was travelling through a country with more past than future, a place where the hands of the clock spin not forwards, but backwards. (p.249)

Kisangani is the first town in nearly 1,000 kilometres which has proper roads, car, electric power, hotels worth the name, and running water, and bed with clean sheets, so he has an orgy of showers and sleeping and eating proper food, and then more showers and more eating and sleeping.

He discovers Kisangani may look like a big functioning town but most of the infrastructure here, as everywhere else in Congo, is in ruins – the ruined railway station and the ruined harbour, the riverside cranes which look so impressive from a distance but haven’t worked for decades, broken beyond repair:

a shell, prone to spasms of political anarchy and chaotically administered by inept, corrupt local politicians…It owed what little stability it had to the artificial props of a large UN force and foreign aid workers. (p.255)

And the local politicians do everything they can to undermine even these fragile elements of stability. A few months before he arrived in Congo there had been conflict in the profoundly unstable Bukavu region far to the east on the Rwandan border, with reports of Rwandan forces massacring Congolese. Instead of calming opinion, Kisangani’s officials inflamed it and blamed the deaths on the UN for failing to protect the Bukavese, with the result that angry mobs went on the rampage, looting then setting fire to UN buildings, ransacking aid organisations’ offices and warehouses, while the so-called police stood by or even joined in.

When you read of events like this you wonder, why are we bothering to give money to help people who are so absolutely determined to ruin themselves?

I heard heartbreaking stories about corrupt Congolese officials pocketing aid money intended for local public-health workers, and local soldiers not just looting aid equipment, but brazenly asking for cash to hand it back to its rightful owners. Many in the aid community spent their time counting the days until their contracts were up and they could go back to the real world. (p.285)

A Catholic missionary, Father Leon, tells him about the notorious massacre of monks and gang rape of nuns which took place here in 1964 (24 November 1964, to be precise), was widely reported, and helped crystallise world opinion that Congo was slipping back into Stone Age barbarism (pages 270 to 274).

After five days Butcher moves out of his hotel and into the last large mission being run in the city, by the Missionaries of the Sacred Heart of Jesus. After two weeks of sounding out local ship crews and NGOs, trying to find a boat which will take him down the river, after numerous disappointments, Butcher eventually secures a ride on a UN patrol boat (‘Hi, I’m a white journalist’) which will take him the 1,000 kilometres down the river to the port of Mbandaka.

On the way he becomes ill and weak with fever so that by the time he arrives at Mbandaka, he just can’t face another week or two or three hustling for his next ride down the river. Mbandaka is much smaller and more ruinous than Kisanagani was, so there isn’t even a hotel. God knows where he’d stay. Whereas the UN riverboat captain had told him that a UN helicopter service left the following morning for Kinshasa.

Reluctantly, but with great relief, Butcher travels the 600k from Mbandaka to the country’s capital, Kinshasa by helicopter. Here he is put up in the amazingly luxurious gated compound owned by a major international mining company, which won lucrative contracts by helping with the smooth transition of power after wily old Laurent Kabila was unexpectedly assassinated (16 January 2001) and succeeded by his completely inexperienced son, Joseph Kabila, aged just 30 at the time.

Only after days of showers, lots of sleep, taking a variety of medicines, eating proper food and drinking clean water in this rich, privileged western enclave, does Butcher feel human again, and in a position to decide what to do next. He consults with the senior guy minding the mining company compound who explains that there are no buses or taxis in Kinshasa. The only possible option is to pay to have one of the mining company’s cars and driver drive him along the only remaining road in the entire country (recently refurbished with foreign aid money) the 350k to the Atlantic port at Boma. So that is what he does.

In total the journey took him ‘six harrowing weeks’, 44 days, and was a dazzling, deeply depressing insight into the state of contemporary Africa.

Butcher’s bleak view of Africa

As the Telegraph‘s Africa correspondent, Butcher is amusingly blunt: Africa is fucked, that’s his basic position. African nations were screwed by the colonial powers from the Congress of Berlin to independence (the 1880s to the 1960s); then suffered epic civil wars and/or the extended rule of vicious kleptocrats; and have now mostly fallen into states of disrepair, degradation, police states, autocracies, characterised by epic corruption, horrible everyday violence, and the regular occurrence of coups or civil wars.

The one constant through all these episodes was the heavy undertow of human suffering. It gnawed away at every African epoch I read about, no matter whether it was caused by nineteenth-century colonial brutes or twenty-first century despots. Generations of Africans have suffered the triumph of disappointment over potential, creating the only continent on the planet where the normal rules of human development and advancement simply don’t apply.

It was this sense of stagnation that troubled me most as I worked my way through my reading list. Sub-Saharan Africa has forty-one separate countries of stunning variety – from parched desert to sweaty rainforest, from wide savannah to snow-tipped volcano – and yet as I did my background research, the history of these varied countries merged into a single, pro forma analysis…as crude as the underlying assumption: that African nations are doomed to victim status.

By the time I started working in Africa as a journalist in 2000, its patina of despair had thickened to impenetrability… (p.4)

Certainly, when it comes to Congo, Butcher regards it as a country which has comprehensively gone to ruin, a place which has not only ceased developing but is actively undeveloping, moving at speed back into pre-20th century, pre-industrial times.

The failure of the Congo is so complete that its silent majority – tens of millions of people with no connections to the gangster government or the corrupt state machinery – are trapped in a fight to stay where they are and not become worse off. Thoughts of development, advancement or improvement are irrelevant when the fabric of your country is slipping backwards around you. (p.289)

Butcher has a map from 1961 which shows all the railways, roads, airports, mines and towns built by the Belgians. Now almost all of them are abandoned and have faded back into the jungle. The Great War has left the huge territory divided between regional powers, armies and militias or just local bandits, any of whom might stop and shoot you for no reason.

Butcher is continually, vehemently rude about the white man, about colonialists, about outsiders who came into Congo, and is much consumed by the white supremacist, racist, arrogance which thought it knew what was best for the Congolese. Again and again he makes the same point.

And yet very often, in the very next paragraph, he goes on to describe at great length, and very upsettingly, just how completely Congo was devastated by its kleptocratic rulers, by Mobutu and his clique in faraway Kinshasa, who developed the cult of the leader of the nation while all the while stealing every last dollar from their people, building grotesquely luxurious palaces and villas, buying scores of properties around the world, while the infrastructure of entire provinces such as Katanga collapsed and disappeared back into the jungle.

And then he goes on to describe the work of the United Nations which strives hard to bring the warring sides in Congo’s endless conflicts to the negotiating table, which expends a small fortune trying to police the ceasefire at locations all across this country as large as a continent. For example, the story of Kisangani which saw horrific levels of violence in various civil conflicts, whose infrastructure and economy collapsed, and is nowadays only just about propped up by the UN and western NGOs, when the local population aren’t ransacking them.

The point being that, no matter how woke, anti-colonial and politically correct Butcher tries to be in his editorialising, the blindingly clear conclusion from his long, gripping narrative is that the Congolese simply cannot rule themselves. (p.319).

As soon as they tried to (June 1960) the place collapsed into a series of civil wars along with tribal massacres on a hair-raising scale, and now, as he writes (2004), 43 years after independence, Butcher’s journey amounts to an odyssey through a country which has not only failed to develop but is, to use his powerful neologism, undeveloping, with communities all across the country deprived of the clean water, electricity, communications, industry, travel infrastructure, even minimal education, even the most basic medical facilities, all things they took for granted under the Belgians.

Now it’s all gone, decayed, corroded, overgrown, crumbled to dust, and the country has reverted to its African origins: impenetrably difficult to travel across, riddled with disease (cholera from the water, malaria from the ubiquitous mosquitos) and infested with blood-thirsty, savage warrior bands, who arrive out of nowhere, kill all the men, rape all the women, burn the village to the ground, then disappear back into the jungle.

It’s a tropical hell. It’s Hieronymus Bosch in the jungle.

Summary

As I’ve probably stated at too great a length, I was unhappy with Butcher’s journalistic and rather superficial descriptions of many key aspects of Congo’s modern history. And I am gently mocking of the contradiction that, despite his insistent criticism of colonialism and white racism and imperial exploitation etc, it is only because he is a white westerner and (relatively) rich that he can pay the locals to ferry him wherever he wants, waltz into UN offices anywhere in the country and not only get their attention but persuade them to help him out (by boat, by bike, by helicopter). He’s a white man. Of course they’ll help.

But what I haven’t emphasised enough is that Butcher is also a cracking writer, with a great eye for detail. His descriptions of the jungle, the ruined settlements, primitive villages or scary cities (like Kisangani) are vivid and compelling. It’s a gripping, exciting read.

And also, Butcher has a knack for interviewing people or getting them to tell him about themselves and stories about their trade, village, town, or local history. Obviously these stories are tidied up and made fit for western consumption, he’s a journalist, that’s what he does. But he talks to a wide range of people who begin to build up a sense of opinions and experiences from right across this vast country.

(There are obvious omissions: he never speaks to anyone from any of the armed militias which, according to his interviewees, roam so much of the jungle, emerging to carry out unspeakable atrocities, but then journalists rarely do. They’re not the kind of people who make for compliant and articulate interviewees and so their voices are consistently absent from most western accounts.)

So although there are better books to go to in order to to understand the recent political and military history of the Congo, Butcher’s sweaty, fearful, sleepless, buttock-bruising account gives you a really vivid feel for what the country and its actual population – thousands of miles from the slick government spokesmen and official narratives of downtown Kinshasa – are really like. And a vivid and almost overwhelming sense of the dreadful fate, almost complete social collapse back into the Stone Age, which so much of it has undergone.

On the long slow journey down the river aboard a UN patrol boat (more accurately, a primitive tug or ‘pusher’) Butcher finds himself audience to an impassioned diatribe by the Malaysian captain, Mohammed Yusoff Sazali, who explains that Malaysia, like Congo, was colonised for centuries; Malaysia like Congo was subject to a cruel racist colonial masters (the British); Malaysia gained independence about the same time as Congo (1957 and 1960); Malaysia like Congo was dragged into Cold War conflicts. And yet, 50 years later, Malaysia is part of the world, has achieved great things in education and health, has a booming economy, they even host a Grand Prix every year. While Congo is collapsing year by year into pre-industrial, Stone Age poverty. Why? Why has Malaysia stormed ahead and Congo fallen so far behind? The skipper:

had distilled the quintessential problem of Africa that generations of academics, intellectuals and observers have danced around since the colonial powers withdrew. Why are Africans so bad at running Africa? (p.310)


Credit

Blood River: A Journey To Africa’s Broken Heart by Tim Butcher was first published by Chatto and Windus in 2007. References are to the 2008 Vintage paperback edition.

More Africa reviews

We Wish to Inform You That Tomorrow We Will Be Killed With Our Families: Stories from Rwanda by Philip Gourevitch (1998)

‘Hutus must stop having mercy on the Tutsis.’
Eighth of the Hutu Ten Commandments published by Hutu Power propagandist Hassan Ngeze in 1990 (page 88)

Disappointment

Simon’s law of book-buying states that the more you spend on a book, the more likely you are to be disappointed. Nothing has brought me as much pleasure as picking up a copy of my childhood favourite, The Town That Went South by Clive King, for 30p in a National Trust second-hand bookshop a few years ago. By contrast, I paid full whack to buy We Wish to Inform You That Tomorrow We Will Be Killed With Our Families and almost immediately took against it.

The shiny cover of the Picador paperback somehow belies the fact that it was published in 1998 and so is nearly a quarter of a century old.

Next, the introduction by Old Etonian and Conservative Party leadership contender Rory Stewart is reasonable enough but offers no insights or ideas. In fact it opens with disappointing stupidity. His very first sentence is: ‘Is genocide a suitable subject for literature?’ to which the obvious answer is, ‘Yes, everything is a suitable subject for literature’. More specifically, ‘Yes – have you not heard of Holocaust literature?’ Literature about the killing fields of Cambodia, about the Armenian genocide, and so on? So it’s a non-question asked for purely rhetorical effect.

And finally, Gourevitch’s book itself is also disappointing because, although it contains a lot of good quality history of the background and buildup to the genocide, of the events of the genocide itself, and then a detailed account of the aftermath up until late 1998 when he completed his text, and although it contains interviews with a phenomenally large number of representative figures – it is continually interrupted by Gourevitch’s own meditations on the nature of genocide, what we should feel about genocide, whether we can write about genocide, the difficulty of imagining genocide and so on, which are uniformly poor quality, entry-level, GCSE-level. Trite ideas padded out with lame and obvious quotes. It is a big disappointment. Gourevitch may be a terrific reporter but he’s no intellectual.

The tone is set in the puzzling first chapter where Gourevitch retails a conversation he had with a pygmy (one of the aboriginal inhabitants of the region now known as Rwanda, who were swamped by later Bantu incomers and now make up about 1% of the population). This conversation delivers the  thumpingly banal message that humanity is one and needs to be united in its struggle against nature. This is the ‘insight’ message Gourevitch chooses to open his long book about the Rwandan genocide with, i.e. not very insightful at all, certainly not worth paying £10 for.

With a sinking feeling, I realised within a few pages that this book was not going to offer much insight into politics or human nature. In fact, in the passages where he tries to ‘think’ about the genocide, Gourevitch’s banal meanderings tend to blanket and dull the impact of the horrifying facts he sets down so powerfully in the factual passages.

The second disappointment is that a major part of the book’s USP is that it contains interviews and conversations Gourevitch had with scores of Rwandans from all parts of the country, from all classes and professions, Hutus and Tutsis, which go to create an impressive mosaic, like the walls of photos I’ve seen in some art installations, hundreds of photos of ordinary people caught up in a nightmare. Hence the book’s sub-title, Stories from Rwanda.

But I’m sad to report that these stories, also, partake of the general disappointment because they, also, are often surprisingly dull and banal. Obviously, many of the interviewees describe horrifying scenes: they describe entire lives lived in the shadow of the ethnic conflict between the majority Hutu and minority Tutsi populations, they describe the repeated crises in the 1960s and 70s, when small-scale pogroms, massacres and localised ethnic cleansing broke out for one reason or another; then they describe the atmosphere of fear created by the RPF invasion of 1990 and the emergence of really vitriolic Hutu supremacism, the advent of magazines and radio stations calling for the complete extermination of the Tutsis; and then describe gathering round their radios to listen to the dreadful news that the moderate Hutu president Juvénal Habyarimana’s plane had been shot down as it came into land at Kigali airport and the terrible sense of doom most of them felt.

And then, of course, Gourevitch includes eye-witness account of going into hiding, being arrested, trying desperately to contact family members, watching people being shot, hacked to death with machetes, driving through smoking villages, coming across streets full of bodies, terror and despair.

The content of these stories is, of course, gripping and horrifying. But the style is uniformly flat. They all sound the same, they all speak very simply. Either that’s because all Rwandans sound the same, very simple and flat. Or because all Rwandans are dull and boring. Or maybe because every interview had to be carried out through an interpreter, since most Rwandans speak French, and French has less lexical variety than English and that’s why everyone comes out sounding the same. Or maybe it’s because all the testimony has been first translated, and then put through Gourevitch’s own style machine. All the interviews are made up of suspiciously complete sentences. There are no hesitations or repetitions or stumblings. All Gourevitch’s interviewees speak in perfect and grammatically correct sentences. They all sound the same and they all sound boring.

He even manages to make Paul Kagame sound boring, which is quite a feat. Paul Kagame was born and raised a Rwandan exile in Uganda. He volunteered to join the Ugandan army, rose quickly through the ranks, studied military theory, was a senior officer in the rebel force which helped Yoweri Museveni overthrow the Ugandan dictator Milton Obote. Kagame then went on to become a co-founder and eventually leader of the Rwandan Patriotic Front (RPF) which invaded north Rwanda in 1990 and fought the Rwandan army to a ceasefire in 1993. Kagame was still working through implementation the peace accords he signed with the Hutu president Juvénal Habyarimana in August 1993, when the latter’s plane was blown out of the sky in April 1994. This was the trigger for Hutu Power extremists in the government to launch their genocide of Rwanda’s Tutsi population, so Kagame immediately resumed the RPF incursion into Rwanda, quickly seizing large parts of the country, taking the capital Kigali on 4 July 1994, then pushing west to conquer almost the entire country and putting an end to the genocide by 17 July 1994.

Kagame then took up the twin roles of vice-president and defence minister in the post-genocide government, but everyone knew he was the real power in Rwanda, which he has gone on to lead down to the present day, 2021, when he is still serving as president.

Kagame is described by analysts as a military leader of ‘genius’ for turning the RPF from a ragtag of half-armed volunteers into a highly disciplined and effective military force (p.218). And then, after all this, he went on to be the military and strategic brains behind the alliance of armies, the AFDL, which invaded east Zaire in 1997 to close the Hutu refugee camps where Hutu Power génocidaires had been regrouping and preparing for genocide part two. This was the incursion which led to the AFDL marching all the way to Kinshasa and overthrowing Zairean dictator Joseph Mobutu.

In other words, Kagame is one of the most fascinating characters of the late 20th/early 21st centuries and Gourevitch has had the privilege of interviewing him not once but on numerous occasions. And yet, in Gourevitch’s hands, this is what Kagame sounds like:

“I have wanted to be original about my own thinking, especially in regard to my own situation here. Not that I don’t realise that there are other people out there to admire, but it is just not my habit to admire anybody. Even if something has worked, I think there are many other things that could work also. If there’s anything else that has worked, I would certainly pick a bit from that. But if there could be another way of having things work, I would like to discover that. If I could have some original way of thinking, that would be OK for me.” (quoted on page 213)

Pretty dull, eh. It’s far too harsh to say that Gourevitch is a lightweight and he makes everyone he interviews sound like a lightweight, but that thought did cross my mind during more than one of the duller interviews in the book.

He’s spoken to literally hundreds of people, including many key players and all kinds of experts and aid and UN officials and yet…hardly any of them say anything interesting. Only towards the end did some of the Rwandan officials complaining about the utter ineffectualness of the international community make an impression.

A literary account, alas

Gourevitch is a longtime staff writer for New Yorker magazine and a former editor of The Paris Review. He knew nothing about Rwanda or African politics before he watched the shocking images on the TV news as the Rwanda genocide broke in spring 1994. Fascinated and appalled he realised he had to find out more (or realised this was a terrific opportunity for an ambitious journalist looking for a subject for a book).

So Gourevitch began visiting Rwanda in 1995 (p.7) and over the next two years made nine trips to the country and to its neighbours (Zaire, Burundi, Uganda, Tanzania) to report on the genocide and its aftermath. He made 6 trips lasting a total of 9 months (p.185). During that time he interviewed hundreds of people from Rwanda and the neighbouring countries and the book contains an impressive number of first-hand, eye-witness testimony from many, many Tutsi survivors, as well as more confrontational interviews with men accused of complicity or of organising particular local massacres.

Possibly his lack of background in African affairs partly explains the air of hopeless bewilderment he exudes right from the start. In the opening sections of the book Gourevitch goes heavy on his inability to imagine the events, on the importance of imagination in our lives, his interest in how people imagine their identities, on the importance of the narratives which shape their lives. In other words, he brings a heavily literary slant to his huge and complicated subject.

On the first page of his text he mentions Charles Dickens, on page 3 he is citing Joseph Conrad’s Heart of Darkness, there are epigraphs from George Eliot and John Milton. Directly after that limp quote from Kagame which I cite above, Gourevitch says it reminds him of the poet Rainer Maria Rilke writing on love and art (p.213).

Oh dear. It is going to be literary journalism, the worst sort, the type of journalism which spends a lot of its energy emphasising the author’s own sensitivity, which foregrounds his own emotional responses, to the subject matter, rather than doing a journalist’s job which is to get on and tell you what happened and let interviewees tell their own stories, preferably without a load of editorialising about how you everything you find out about the horrors makes you feel. In the showbiz world of American journalism, ruined by the egotistical displays of Norman Mailer or Tom Wolfe in the 1960s, it is acceptable to put the author and his responses at the centre of the story, but I wanted a history, I wanted to know the facts, not reiterations of how a pampered New York journalist was appalled to discover how brutal life  is in much of Africa and how thoughtlessly cruel human beings can be.

His factual sections are sensational but when he stops to reflect on it all, Gourevitch writes quite a lot of stupid things. When he writes that ‘Power is terribly complex’ on page 78 I suddenly realised I was dealing with an idiot. My daughter learned more about political, social and cultural power in her GCSE Sociology course than Gourevitch displays in this entire book. All the ‘reflection’ in the book displays a disappointingly low knowledge of political theory, knowledge of international relations, or philosophy about human nature.

And I was irritated by his casual assumption that the ‘we’ he continually refers to are all white, liberal, college-educated, East Coast readers of New Yorker magazine, that ‘we’ all share his over-developed moral scruples and his severely under-developed sense of world affairs, geopolitics, African history and politics. Right at the beginning he tries to implicate the reader in his sensitive moral scruples:

I presume that you are reading this because you want a closer look, and that you, too, are properly disturbed by your curiosity. (p.19)

Well, er, no. I am not disturbed by my interest in reading about the Rwandan genocide in the same way that I am not disturbed by my interest in reading about the Holocaust, or the Second World War, or the First World War, the Somme, the bombing of Hiroshima and Nagasaki, the American Civil War, the Tapei Rebellion, the rape of Nanking, the Gulag Archipelago, the Russian Civil War, the Ukraine famine, the Partition of India, Islamic State, the Crusades, the decimation of the Incas and Aztecs, the violent rise of Islam, the blood-soaked fall of Byzantium, the life and massacres of Genghiz Khan. I could go on…

I am reading this book because I want to be better informed about human history which, as anyone who has even a superficial knowledge of the subject knows, amounts to an unrelenting series of wars, massacres, genocides and bloodbaths. I’m kind of used to it.

So, no, I am not in the slightest disturbed by my curiosity to want to understand a recent historical event better. Seems perfectly normal to me, and most of the history books I read include passages where historians say the public in general ought to be more aware of history. In addition, many progressive historians and commentators tell us we need to get out of our Eurocentric frame of reference and understand more about the wider world and places beyond London or Paris. So that’s why I’m reading a book about Africa, and about one of the most striking events in post-war African history.

Gourevitch’s comment betrays a basic…what…dimness, obtuseness, ignorance…about the entire subject of History and why people would want to study it, which is to find out what happened, to try and understand why it happened, in order to better understand the forces at work in the world around us, now, in the present.

The facts

The book consists of three elements:

  1. Gourevitch’s self-consciously literary fretting over the power of imagination and the importance of narrative and the centrality of stories and the difficulties of human identity and a familiar checklist of progressive, liberal arts issues
  2. interviews with scores of Rwandans, UN officials, foreign doctors and aid workers, politicians and so on, giving often harrowing descriptions of their experiences or clarifying the political situation in Kigali, in the UN, in the aid camps in Zaire
  3. actual historical facts

When he sticks to the facts, Gourevitch is very good indeed. Suddenly, about a third of the way into the book, after the kind of maundering speculation I’ve been slagging off, it changes tone dramatically and becomes a riveting account of the early history of the country, a description of the colonial era when the Belgians divided the two ethnic groups of Hutu and Tutsi the better to control them, and how this ethnic division, once created, went on to dog the Rwanda, which won independence in 1962 but continued to suffer repeated outbreaks of ethnic violence, pogroms and massacres (the massacres of 59, of 61, of 63, and so on).

In what follows I extract the facts Gourevitch gives and supplement them from other sources to try and create a comprehensive and useful timeline.

Rwandan history

In 1994 Rwanda had a population of about 7 million. Relatively small, it was the most densely populated country in Africa. About 85% of the population were Hutus, 14% Tutsis and 1% pygmies known at the Twa.

Rwanda is divided into five provinces: Kigali, Northern, Eastern, Southern and Western.

Because they were illiterate, no Rwandans before the arrival of Europeans had ever written anything down. Therefore, their prehistory relies entirely on unreliable oral traditions and speculation. Modern archaeology tentatively suggests that the hilly region was inhabited by pygmies as long ago as 8,000 BC, before it was slowly infiltrated from 700 AD by Bantu tribes from West Africa who went on to form the Hutus, and by ‘Nilotic’ ethnic groups from the north who were ancestors of the Tutsi (p.49). Maybe.

Hutus and Tutsis

For centuries before Europeans arrived, the Tutsis were nomadic cattle rearers, which made them wealthier than the Hutu majority who were mostly static farmers; the ruler of Rwanda was a Tutsi and the aristocratic Tutsis looked down on the peasant Hutus.

The regime was essentially feudal: Tutsis were aristocrats; Hutus were vassals. (p.49)

Although there’s a racial stereotype that the Hutus are full-on ‘negroid’ African in appearance while the Tutsis have narrow faces, with narrow noses and thin lips, in reality scores of generations of interbreeding meant the majority of the population didn’t conform to these stereotypes and very often Rwandans couldn’t tell which groups each other belonged to (p.50). Plenty of the Rwandans Gourevitch talks to tell him they pass for one ethnic group when they in fact belong to another. In other words, it wasn’t such a starkly obvious divide as between blacks and whites. Many Hutus and Tutsis are indistinguishable.

Tutsi ruler Kigeli Rwabugiri reigned from 1853 to 1895 and expanded the kingdom to its greatest extent. He oversaw a society which was regimented and hierarchical, with layers of military, political and civil chiefs and governors, priests, tax collectors, sub-chiefs, deputy governors and so on (p.49). Divisions between Hutu and Tutsi were hardened, with the former obliged to perform forced labour for the latter.

When the Berlin Conference of 1884 to 1885 carved up Africa between the European imperial nations, Rwanda was handed to the Germans because they had explored the region, had missionaries on the ground, and nobody else wanted it (p.55). After Germany lost the Great War, Rwanda was combined with the neighbouring nation of Burundi and handed by the victorious allies over to Belgium, because they abut the huge Belgian Congo to the west. Belgium ran Rwanda from 1918 to 1962.

The Belgians hardened the ethnic division in the country by compelling every citizen to state on their identity papers which group they belonged to. This had the effect of crystallising a racial divide which had been far more fluid and flexible before.

The Hutu revolution

Throughout the century Hutu resentment at their inferior status simmered. With the advent of an educated class it found expression. In 1957 nine Hutu intellectuals published a Hutu Manifesto. Its full title was ‘Note on the social aspect of the native racial problem in Rwanda’ and it was ten pages long. The manifesto called for a ‘double liberation’ of the Hutu people, from the colonial oppression of the Belgians, and then from the racial oppression of the Tutsis. The manifesto called for the political disenfranchisement of the Tutsi, banning intermarriage between the two groups, and banning the Tutsi from military service.

1959 Hutu political leaders backed by elements in the Belgian administration overthrew the Tutsi monarchy (which had continued to exist throughout the colonial period) and replaced it with a republic. Violence against Tutsis spread across the country and tens of thousands of Tutsis fled to neighbouring countries, including Uganda. (When many of these exiles returned with the triumph of the RPF government in 1994, they were referred to as ’59ers’.)

Independence 1962

Rwanda was separated from Burundi and the two countries gained independence on 1 July 1962. Tutsi militias raised among exiles, especially in neighbouring Uganda, staged occasional raids into Rwanda, which always led to reprisals by the Hutu government. In December 1963 a Tutsi raid led to Hutu reprisals in which tens of thousands of Tutsis were massacred, in what one journalist called a genocide and Bertrand Russell declared was the worst massacre since the Holocaust. (This Russell quote crops up in Fergal Keane’s book on the genocide; it’s obviously one of those quotable quotes you get extra marks for in your GCSE essay.)

More than 336,000 Tutsi left Rwanda in 1964 to escape the Hutu purges. In 1972 Tutsi school students across the country were attacked, beaten, their houses torched. So large-scale massacres and pogroms came in waves.

Meanwhile, in neighbouring Burundi, it was the Tutsis who were in charge and in 1973 embarked on a pogrom of Hutus. As many as 100,000 were killed and a further 200,000 Hutus fled as exiles into Rwanda, where every one of their stories fed the fuel of anti-Tutsi anger.

The 1973 influx of Hutu refugees inspired the Rwandan president Grégoire Kayibanda to order his army chief of staff, Juvénal Habyarimana, to set up ‘committees of public safety’, which promptly set about massacring Tutsis. On this occasion the victims were ‘only’ in the hundreds, but as many 100,000 Tutsis fled abroad.

To summarise, Rwanda and Burundi have a long record of attack and counter-attack, profound ethnic antagonism and ethnic cleansing of the two groups which dated back before independence and flared up on an almost annual basis, with the Tutsi almost always being victimised, massacred, and fleeing the country in tens of thousands. The 1994 genocide was generations in the making.

Habyarimana’s coup 1973

In 1973 Rwanda’s army chief of staff, Hutu nationalist Juvénal Habyarimana, carried out a coup, overthrowing president Kayibanda and declaring himself president of independent Rwanda. Under his rule Rwanda became a totalitarian, one-party state in which every citizen was compelled to be a member of his MRND party and was required to chant and dance in adulation of the president at mass pageants (p.75). Habyarimana was to remain dictator of Rwanda for 21 years, kept in place by lavish aid from Western nations and in particular from his most loyal Western supporter, France. Naturellement.

Gourevitch makes the point that during the 1980s and 90s France channeled huge amounts of armaments to the Hutu government, up to and through the actual genocide; that French advisers helped the government at all levels; that French president Francois Mitterand’s son Jean-Christophe was an arms dealer who made a packet from the trade (p.89).

In 1986 the global price of Rwanda’s main exports, coffee and tea, collapsed, and real hardship for the majority of the population added to simmering Hutu disaffection. The racist, supremacist policies of Hutu Power spread like a virus, popularising the insulting term inyenzi or cockroaches for Tutsis.

The Rwandan Patriotic Front (RPF) The Tutsis in Uganda

But so did the Tutsi fightback. It is important to understand the role played by Ugandan politics. In 1979 Tutsi exiles in Uganda formed the Rwandan Patriotic Front (RPF). (It was initially known as the Rwandan Refugees Welfare Association and then, from 1980, as the Rwandan Alliance for National Unity (RANU)). It was formed in response to the persecution of Tutsi refugees by the regime of Ugandan president Milton Obote. Obote accused the Rwandans of collaboration with his predecessor, Idi Amin.

Tutsi refugees Fred Rwigyema and Paul Kagame had joined Yoweri Museveni’s rebel Front for National Salvation (FRONASA). Museveni had fought alongside Obote to defeat Amin in 1979 but withdrew from the government following Obote’s disputed victory in the 1980 general election.

With Rwigyema and Kagame, Museveni formed a new rebel army, the National Resistance Army (NRA). Their campaign to overthrow Obote’s government became known as the Ugandan Bush War.

Obote remained hostile to Rwandan refugees throughout his presidency and in 1981 forced RANU into exile in Kenya. In 1982 he encouraged local councils to force Rwandan refugees out of ordinary civil life and into refugee camps. When Rwandans attempted to cross the border back into Rwanda, the Habyarimana regime confined them to isolated refugee camps and closed the border to prevent further migration.

You can see why many Tutsi exiles found themselves in an impossible position and it explains why so many joined up with Museveni’s NRA with the aim of overthrowing Obote and restoring their rights within Uganda.

In 1986 the NRA captured Kampala with a force of 14,000 soldiers which included 500 Rwandans, some of them senior officers, among them Kagame and Rwigyema. Museveni was grateful for their support and relaxed all Obote’s laws discriminating against Rwandans.

But you can also see why their success in the Bush War led soldiers like Rwigyema and Kagame to  think they might launch a similar military attack against the consider an attack against Rwanda, with the aim of overthrowing the dictatorial Habyarimana regime, installing a moderate government and so allowing the Rwandan refugees inside Uganda to return home. And you can see why the new man they’d helped to power in Uganda, Museveni, would support such a move.

The Rwandan civil war 1990 to 1994

At its 1987 convention RANU renamed itself the Rwandan Patriotic Front (RPF). After a small-scale incursion was repelled in 1989, a cohort of Tutsi soldiers within the Ugandan army deserted, along with uniforms, arms and ammunition and invaded north Rwanda in 1990. It was the right year, as the Cold War came to an end and Western powers abruptly ceased their support for African dictators like Mobutu of Zaire and Habyarimana of Rwanda and force them to instal multi-party democracies.

The RPF incursion developed into the Rwandan Civil War. (To give a sense of the relatively small scale of all this, the original Tutsi incursion numbered some 2,500 soldiers who effectively went AWOL from the Ugandan army, accompanied by some 800 civilians such as doctors and nurses.) The RPF were defeated and repelled by the Rwandan Army (bolstered by French troops flown in to prop up another notorious African dictator) and withdrew to the Virunga mountains where Paul Kagame, establishing himself as its paramount leader, led a very effective regrouping and reorganisation. He attracted funds and exiles, he imposed strict military discipline and turned the RPF into an impressive fighting machine. In 1991 they emerged from the mountains to conduct an effective guerrilla campaign, hitting military targets across the north.

Throughout this period Hutu Power stepped up their propaganda that the Tutsis were parasites on decent hard-working Hutus, exacerbated by the war which Hutus blamed on Tutsi invaders. The circle around Habyarimana’s wife, Agathe, set up a propaganda magazine, Akura, edited by Hassan Ngeze, who developed into the Dr Goebbels of the regime and in December 1990 published a Hutu Ten Commandments mandating Hutu supremacy in all aspects of Rwandan life (p.87).

Propaganda claimed the Tutsis were an alien people, were not Christians, were fighting to gain dictatorial control of Rwanda, restore the old monarchy and reduce the Hutu majority to slaves. In 1992 Hutu Power ideologue Leon Mugesera made a much-reported and chilling speech calling on Hutus to send the Tutsis back to Ethiopia by river i.e. as corpses down the river Nyabarongo (pages 53 and 96). And throughout the war Radio Rwanda broadcast anti-Tutsi hate and there were sporadic anti-Tutsi pogroms around the country, in which thousands were murdered.

The RPF invasion ratcheted up the very anti-Tutsi hate they were set up to counter.

Fragile peace 1993

By 1992 Habyarimana had been forced to accept a measure of multi-party politics and had included politicians not members of his party in the cabinet. It was these opposition politicians who met with the RPF leadership and negotiated a ceasefire in July 1992, leading to face-to-face peace negotiations.

It’s vital to realise that the hardline Hutus, often referred to as the akazu (p.81) and linked with the extended family of the president’s wife, disapproved of Habyarimana’s willingness to compromise and negotiate. They began setting up parallel hard-line Hutu structures within the organs of state, the civil service, the media and the army. Historian Gérard Prunier names late 1992 as the time when the idea of a genocidal ‘final solution’ to kill every Tutsi in Rwanda was first floated among this group. It was led, ironically enough, by one of the new parties encouraged to form by Western pressure to set up a proper democracy, the Coalition for the Defence of the Republic (CDR).

When Habyarimana signed a treaty with the RPF in early 1993 promising a transition to a genuine pluralist democracy in which Tutsi rights would be respected the CDR refused to sign, organised nationwide protests and encourage anti-Tutsi violence in which hundreds were murdered. In response the RPF resumed hostilities, this time defeating the Rwandan army which hadn’t been paid due to the country’s deteriorating economy.

Ever-faithful France sent troops to bolster the Rwandan army. The numbers are tiny. Just the arrival of 400 well disciplined and trained French troops was enough to halt the RPF advance. Nonetheless the RPF came within striking distance of Kigali but Kagali overruled his senior officers and refused to take the capital, shrewdly pointing out that it would alienate his foreign backers and the Hutu population. Instead he declared a ceasefire and called for more negotiations.

On the Hutu side, factions arose in all the parties which allied themselves with what became known as Hutu Power. Each party split into a moderate faction which believed in some amount of political negotiation, and a ‘Power’ faction, which rejected compromise and stood for total Hutu supremacy (p.97). Youth militia wings of each of the parties emerged, including the Interahamwe meaning ‘those who attack together’, who had their origin in football supporters clubs (p.93).

Habyarimana began to realise that the Hutu Power militants were more his enemy than the RPF. After prolonged haggling over the make-up of the post-war Rwandan army, a formal peace treaty was signed on 4 August 1993 (p.99). A transitional government was to be set up with members from all the main parties. UN troops were flown in to supervise the treaty, while Hutu Power authorities began to plan a genocide. Four days after the signing a new radio station set up by the akazu, Radio Television Libre des Milles Collines, began broadcasting genocidal propaganda (p.99).

The general situation was not helped at all when president of Burundi, Melchior Ndadaye, who had been elected in June as the country’s first ever Hutu president, was assassinated by extremist Tutsi army officers in October 1993, leading to a Hutu uprising and a violent crackdown by the Tutsi army which left around 50,000 dead (p.101). The assassination reinforced the notion among Rwandan Hutus that the Tutsi  presented a permanent threat and that there could be no peace, not real long-lasting peace, until they were completely eliminated. This very fragile ‘peace’ lasted from August 1993 till April 1994.

Trigger for the genocide 1994

On the night of 6 April 1994 a plane carrying president Habyarimana and his counterpart Cyprien Ntaryamira of Burundi – both Hutus – was shot down as it approached Kigali airport, killing everyone on board. Hutu extremists blamed the RPF. The Hutu Power wing of the army, led by Colonel Théoneste Bagosora, assassinated the next in line to civilian authority, the (Hutu) Prime Minister,  Agathe Uwilingiyimana, along with ten Belgian UN soldiers charged with her protection (who were tortured first, p.114), and immediately started to implement the campaign of slaughter which they had been developing for years. It was to be a ‘final solution’ to the Tutsi problem.

The RPF claims that Hutu extremists themselves murdered their own president because he was engaged in negotiations with the Tutsis i.e. was a moderate Hutu and seen by a ‘sellout’ by the extremists on his own side.

The very next day, 7 April, as systematic killings across the country began, Kagame warned he was abandoning the treaty and the RPF broke out of its base in the north, attacking into Rwanda in three directions. So the genocide took place against the backdrop of renewed invasion and war. The RPF slowly seized territory in the east, heading south. UN troops were stationed in the demilitarised zone in the north but were ordered to withdraw to their camps to avoid getting involved in the fighting.

You can see why the renewal of war incited the Hutu Power advocates to carry out the genocide with feverish haste, ordering their followers at local level to kill as many as possible as quickly as possible before either the RPF won or the international community stepped in. For Hutu Power, it was a race against the clock.

The genocide – 100 days in 1994

Between April and July 1994, an estimated 800,000 Rwandans were killed in the space of 100 days. Three key facts to grasp are that:

1. The Hutu Power extremists had been preparing for this day for years, had drawn up lists of every Tutsis in the country with names and addresses, had assigned local Hutu leaders to direct and manage the slaughter, and had plans to take over state radio The Hutu extremists set up a radio station, RTLM, and newspapers which circulated hate propaganda, urging people to ‘weed out the inyenzi‘, to broadcast messages of hate. In other words, it was all extremely well planned. The identity cards which every Rwandan had been obliged by law to carry ever since the Belgians introduced them in 1931 (p.56) now became death warrants for any Tutsi stopped by police, militias, at road blocks, in the street, stopped search identified and hacked to death with a machete.

2. Second thing is that Rwanda was unique in tropical African countries in having been, from before Europeans arrived, a highly hierarchical country, organised like a pyramid from each district up to the top of government. Habyarimana’s governing party, the MRND, had a youth wing called the Interahamwe, which was turned into a militia to carry out the slaughter, but they operated within a highly organised society. It was a very well-organised genocide.

3. French troops, fighting on the side of the Rwandan army, freed up resources which Colonel Théoneste Bagosora could redirect to speeding up the genocide (p.90). On the nights of 16 and 18 June French arms shipments were flown into Goma in Zaire and then ferried across the border to support the genocidal Hutu Power regime (p.155). Gourevitch writes of:

The French political and military establishment’s…blatant complicity in the preparation and implementation of the butchery. (p.155)

I was amused to read that as the RPF closed in a French military plane whisked Habyarimana’s wife, Agathe, the central figure in the networks of Hutu Power, the leading figure in the azaku, to safety back in the homeland of liberty, equality and fraternity. Vive la France!

Number killed

At least 800,000 Tutsis were slaughtered in just 100 days, making it the fastest mass killing in human history. People were slaughtered at a faster rate than even during the Holocaust. Some Tutsis, commentators and historians put the figure higher at 1 million, for example a Red Cross report published soon afterwards.

What’s Somalia got to do with it?

Six months before the genocide broke out American troops had carried out Operation Gothic Serpent, an attempt to take on the evil warlord, Mohamed Farrah Aidid.,who ruled Mogadishu, capital of Somalia, which led to the so-called Battle of Mogadishu on 3 and 4 October 1993 during which a black hawk helicopter was shot down and 19 American soldiers were killed and 73 wounded. Not just that. The American corpses were paraded through the streets, and filmed and the video footage beamed around the world. The world’s only superpower was humiliated.

This explains why, when trouble broke out in another faraway African state, the administration of President Bill Clinton desperately tried to ignore it, then downplay it. Gourevitch quotes the press conferences given while the genocide was being carried out in which the poor press secretary tried to explain the administration’s position that ‘genocidal acts’ were taking place but these didn’t amount to an actual genocide. Why the hair-splitting? Because if the Americans conceded it was a genocide, then they would be legally obliged under the Genocide Convention of 1948 to intervene. And Clinton refused under any circumstances to risk another Black Hawk Down humiliation. And therefore officials at every level of the administration were under strict orders never to use the g word.

A bit too neatly Gourevitch says that in May, as the genocide was in full swing, he was visiting the Holocaust Memorial Museum in Washington, which happened to have been opened by President Bill Clinton who made a speech repeating the museum’s motto Never Again. But not only did it happen again, and the American government was the number one reason that the West, the international community and the United Nations did not do more to stop it (as explained in detail on pages 151 to 154). Disgusting.

French involvement and guilt

By June the RPF, attracting more and more Tutsi recruits, controlled the east of Rwanda, had surrounded the key cities including Kigali. In the same month France launched Opération Turquoise in the west of the country, entering from bases in the Zairian cities of Goma and Bukavu and eventually controlling the western fifth of Rwanda in order to create a safe haven for refugees. The fact that many of these refugees were Hutus, fleeing the advancing RPF army, and included many Hutu Power administrators and officials, has led to claims ever since that the French in effect protected those responsible for the genocide.

From the moment they arrived, and wherever they went, the French forces supported and preserved the same local political leaders who had presided over the genocide. (p.158)

Throughout the genocide French military spokesman argued that it was a ‘two-way’ genocide, both sides were as bad as each other and sneeringly referred to the RPF as the Khmer Rouge. The French had many motivations. 1. To maintain hegemony over the widest possible area of francophonie. 2. To maintain its credibility with the other African dictators it supported. Hatred of the English. Hard though it is to believe, the French government opposed the RPF because they originated in English-speaking Uganda. French culture must be preserved even at the cost of supporting the largest genocide since the Holocaust. This was recognised as a factor in France’s support for mass murder by as senior figure as Paul Kagame:

‘If they wanted people here to speak French, they shouldn’t have helped to kill people here who spoke French.’ (p.160)

The permanent grievance of the history’s losers.

The signal achievement of [France’s] Opération Turquoise was to permit the slaughter of Tutsis to continue for an extra month, and to secure safe passage for the genocidal command to cross, with a lot of its weaponry, into Zaire. (p.161)

Scum. cf p.289 and p.325.

End of the genocide July 1994

By late June the RPF had surrounded Kigali and took the capital on 4 July, followed on 18 July by the major towns of the north-west, forcing the interim government into Zaire. The RPF victory ended the genocide as well as the civil war. By the end of July 1994 Kagame’s forces held the whole of Rwanda except for the Turquoise zone in the south-west.

The international community, the UN troops on the ground and the French had done fuck-all to halt the worst genocide since the Second World War. (To be fair, Canadian General Roméo Dallaire sent his superiors in New York advance warnings he had learned from high-placed Hutu dissidents that a really huge massacre was being planned. When they ignored his warnings and actively reduced the UN presence on the ground, he and his reduced forces were at least able to provide refuge for thousands of Tutsi and moderate Hutu at its headquarters in Amahoro Stadium, at other secure UN sites, and assisted with the evacuation of foreign nationals.)

Instead the genocide ended solely as a result of the military intervention of Paul Kagame’s RPF (p.143). (Mind you, you could make the case that the genocide only came about because of the sequence of events following the RPF’s initial invasion of 1990, designed to overthrow the ‘legitimate’ Hutu government. Academics, commentators and advocates of all sides can spend the rest of time assigning blame.)

Map showing the advance of the RPF during the 1994 Rwandan genocide (source: Wikipedia)

Aftermath – flight of the Hutus

As the RPF closed in the Hutu extremists prepared not just to flee the country, but used state radio and local authorities to terrify the Hutu population into believing they too, in their turn, would be slaughtered by vengeful Tutsis. Which explains why some two million Hutu peasants took to the road and fled west into Zaire, eventually setting up huge refugee camps as big as cities.

And indeed the RPF were accused of themselves killing thousands of Hutu civilians as they took power, and of pursuing and Hutus across the border in Zaire as they tracked down members of the notorious Interahamwe. The RPF denies this was intentional but Gourevitch has Kagame admitting certain rogue elements in his army may have carried out illegal revenge attacks. He tried to restrain them, some were tried and imprisoned, but there’s a limit to his control.

But the bigger story, which Gourevitch dwells on at length, was the creation of vast Hutu refugee camps which became cities in their own right, homes to countless businesses, run with fear and intimidation by Hutu Power administrators, and funded and supported by the international community and hundreds of well-meaning aid agencies.

Ethnic cleansing in East Congo 1995 to 1996

The resulting situation in eastern Congo became chaotic with Rwandan Tutsis tracking down and massacring Hutus, and Hutu extremists regrouping in the vast refugee camps helped by Western governments and aid agencies a) launching cross-border raids back into Rwanda to murder survivors and kill witnesses and b) embarking on their own campaigns of ethnic cleansing against ethnic Tutsis who had lived in Zaire for generations, specifically in the area of Kivu around the Zairean town of Goma.

In other words, intense Hutu-Tutsi animosity, spilling over into massacres and ethnic cleansing continued for years after the genocide itself was ended by the invading RPF.

First Congo War 1996 to 1997

Gourevitch spells out how the genocide was a gift from God for Congo dictator Seko Sese Mobutu (p.281). The old bastard had been unceremoniously dumped by his Western supporters when the Cold War ended in 1990 and had gone through a lean time manipulating a succession of fig-leaf ‘democratic’ governments while he slowly lost control of the lucrative mining industries which had kept his kleptocratic state alive, inflation soared to 9,000 per cent, the economy collapsed.

But with the advent of nearly two million refugees in the far east of his country in 1994, Mobutu was suddenly the man the international community and countless aid agencies had to go through to help them and he proved a willing participant, seeing as he got to cream off significant percentages of the money passing through his capital and its crooked banks. Leading the charge was, of course, the dictator’s most loyal Western friend and the most avid supporter of the genocidal Hutus, France.

France, ever eager to bail out Hutu Power, broke ranks with the rest of what in Cold War parlance used to be called the ‘Free World’ and unilaterally restored aid to Zaire – which meant, of course, to Mobutu who shovelled the money directly into his Swiss bank accounts. (p.281)

Throughout the spring of 1996 Hutu Power militias based in the refugee camps funded by the West continued a campaign to ethnically cleanse the area of North Kivu of its native Zairean Tutsi population, Gourevitch tours the area after such cleansing, travelling through miles of devastation, meeting terrified refugees. The RPF Rwandan government demanded something be done to protect the Tutsis. Zaire protested no such cleansing was going on. The international community did precisely nothing (p.289).

Eventually Kagame was forced to consider direct military intervention into eastern Zaire where the camps were located. His ally Museveni had introduced Kagame to Zairean revolutionary and guerrilla leader Laurent-Désiré Kabila. They began recruiting troops and creating networks of like-minded soldiers, militias and exiles which coalesced into the Alliance of Democratic Forces for the Liberation or AFDL.

Since North Kivu had been largely ethnically cleansed of Tutsis, Kagam predicted the Hutu Power militias would next turn on the 300,000 or so Tutsis living in South Kivu, known as the Banyamulenge after the town they were meant to have immigrated from back in the seventeenth century.

In September 1996 Hutu militias began attacking the Banyamulenge, burning houses, assassinating key officials, executing people in the street. They were fully supported by Mobutu’s army and media, who blamed the Tutsis victims for every atrocity. This was the same pattern and rhetoric which had led to the genocide. Tutsis fought back and were aided by Rwandan soldiers infiltrated into the area (p.295).

When the local Zairean governor declared that the entire Banyamulenge population had one week to vacate their homes and leave the territory, it was precisely the kind of categorical provocation Kagame had been waiting for. He immediately ordered the advance of the amalgamated forces which he, Museveni and Kabila had created into South Kivu. He tells Gourevitch he had three aims:

  1. protect the Banyamulenge Tutsis, arm them, empower them to fight and protect themselves
  2. to dismantle the notorious refugee camps and get their Hutu occupants to return to Rwanda where they would be treated decently
  3. to ‘change the situation in Zaire’ i.e. remove Mobutu as an active supporter of genocidal Hutu Power and replace him with a modern, neutral figure

The AFDL advance was as disciplined and effective as the RWP invasion of Rwanda 2 years earlier. It had the decisive effect of breaking the grip of Hutu Power on the camps and forcing an estimated 700,000 refugees to abandon the camps and trek the 20 or 30 miles back across the border into peaceful Rwanda, and return to their communities. Obviously, there were all kinds of problems with this enormous reintegration into such a densely populated country and with so many divisive memories, but the wholesale massacre of Hutu refugees which the Hutu Power ideologues had terrified the refugees with never happened.

But to the wider world’s surprise the invading AFDL didn’t just invade the Hutu camps, tracking down Hutu Power exponents, freeing the majority of the Hutu refugees into returning to Rwanda – they then declared their intention of marching on Zaire’s capital, Kinshasa, approximately two and a half thousand miles west.

Fall of Mobutu May 1997

It took the AFDL a long seven months to get there, more a tribute to the shocking state of Zaire’s roads and infrastructure than to any opposition put up by the rubbish Zaire army, the FAZ (which Gourevitch describes as ‘Mobutu’s famously cowardly army’, p.256).

As Kabila’s troops approached the capital, president Nelson Mandela of South Africa flew in to try and broker a deal, but failed. Mobutu wanted to stay on the scene, if only as a figurehead president, while Kabila, leading the winning army, wanted all or nothing. Mobutu, his family and cronies fled, Kabila’s troops entered Kinshasa and on 30 May 1997 Kabila was sworn in as president. Next day Kabile changed the country’s name from Zaire to the Democratic Republic of the Congo. He was to be president until his assassination in 2001.

The Second Congo War 1998 to 2003

Kabila turned against his own backers, responding to the Congo public’s dislike of the occupying army of Rwandans and Ugandans and summarily expelling them all in 1998. Bad move. Rwanda and Uganda again collaborated in putting together an invasion force, this time with the aim of overthrowing Kabila and installing a more compliant president. However, the conflict ended up roping six other African nations into the fighting which degenerated into chaos.

The conflict dragged on till 2003 by which time an estimated five million people had died as a result of the conflict. Some armed groups remain active in the areas near Rwanda’s border right up till the present day, 2021.

The post-genocide period

The last hundred pages of this 350-page book cover the period after the genocide. Gourevitch describes the surprising number of Tutsis who returned from exile all over the place, not just the neighbouring countries of Uganda and Tanzania, but Europe and America, once it was clear that a democratic, mixed ethnicity and peaceful government was in place. And the inevitable tensions this led to between those who’d lived through the horror and seen family and loved ones literally hacked to death before their eyes, and returnees from abroad who moved into the many empty houses, tidied up the mess left by the departing Hutus, had barbecues, laughed and joked as if nothing had happened. Many of the survivors Gourevitch interviews find this difficult to cope with (pages 229 to 241).

He covers the massacre of Hutu refugees at the Kibeho refugee camp. He visits post-genocide prisons packed with Hutus who are strangely passive. Considering that high-profile Hutus were being assassinated on the outside, many of them were relieved to be in the relative safety of prison, regularly visited by international aid workers and monitors. He describes in detail the paradox of Hutu Power genocidaires being protected and funded by western aid agencies, at the complete inability of the international community, yet again, to intervene to stop their attacks into Rwanda and their ethnic cleansing of North Kivu and, yet again, the only thing to stop it being a military invasion organised by Paul Kagame, this time in the shape of the coalition AFDL.

At this kind of thing – specific settings and the issues arising from them – Gourevitch excels and his book will remain a valuable record and testimony to the tense, disorientated spirit of the period after the genocide and before the second Congo war of 1998, the one which degenerated into the Great War of Africa. Gourevitch thought he was covering an event which had finished but ended up recording a moment in the continual, ongoing flux of human events, the edgy post-genocide moment which has itself become part of history.

Stupid remarks

Gourevitch peppers the books with remarks which are, presumably, intended to be insightful, but as someone who did a history GCSE, A-level, history-based degree and has spent my life reading history books and attending history exhibitions, I found disappointingly obvious and trite.

Colonisation is violence and there are many ways to carry out that violence. (p.55)

Every war is unconventional after its own fashion. (p.82)

They sound good, don’t they, they create a good literary, rhetorical effect, they sound profound, but a moment’s reflection tells you they are trite or untrue. He operates on a very superficial level. When he quotes Lord Acton’s hoary dictum that power corrupts and absolute power corrupts absolutely, as if it was a useful contribution to the debate about the genocide, you realise you are dealing with a child. He quotes Stalin’s alleged saying that one death is a tragedy, a million deaths is a statistic, as if it’s a dazzling new discovery (p.201). Disappointing.

Worst of all, Gourevitch develops a theory of human nature based on his literary feelings, on the premise that the most important thing about human nature is the power of the imagination. Instead of seeing things in political terms, he again and again reverts to modish blah about narratives and stories and identity and returns again and again to the importance of imagination, narrative and stories. He is more indebted to Coleridge than Clausewitz. John Milton, Charles Dickens, Rilke, George Eliot, these are his terms terms of reference. It is thin stuff and wholly inappropriate to the subject matter.

He keeps writing things I profoundly disagree with.

We are, each of us, functions of how we imagine ourselves and of how others imagine us… (p.71)

(Note the prissy, attention-drawing use of commas, a rhetorical flourish to make the sentence sound more considered and profound.) I am a Darwinian materialist so I simply disagree. I would counter-suggest that we are, each of us, (sic) not at all functions of how we imagine ourselves, but functions of how our bodies work, products of our biology, of the complex interaction between our genetic inheritance and the myriad biochemical signals the environment we find ourselves in sends us or triggers in our bodies.

If I am starving to death in one of the world’s countless famines or dying of cancer or stroke or heart attack or delirious with malaria it doesn’t really matter what my imagination or anyone else’s imaginations are doing. I am a function, first and foremost, of my biology, all else is secondary.

He writes that the most basic function of power is to coerce us into its narratives. This reads to me like the modish bullshit of the English graduate. The whole approach reeks of the trend across all the humanities and high brow journalism to invoke the magic words ‘narrative’ and ‘story’ as if they explain everything about human nature and politics, but they don’t. If someone puts a gun to your head and tells you to do something or die, complex theories of meta-narrative and Coleridgean distinctions between imagination and fancy become irrelevant. When he writes:

I felt tempted, at times, to think of Rwanda after the genocide as an impossible country. (p.224)

I felt tempted to throw the book out the window. This is high-sounding bullshit. What does it even mean? A country is a country is a country, borders on a map, enforced by border police, with a government and administration and laws and a currency. Russia continues to exist after its century of Soviet tyranny, Germany is going strong, decades after the Holocaust and its violent partition, even Cambodia is still a country after the horror of the killing fields – and so on and so on. Clearly the worry that Rwanda is an ‘impossible’ country is a problem which only exists in Gourevitch’s head and shows you just how obtuse his responses can be.

There’s a lot to be written about the ideology of Hutu Power which drove the genocide and the way it shaped the actions of the génocidaires at all levels of Rwandan society, but Gourevitch doesn’t have the conceptual framework or academic training to do it. He makes repeated efforts to do so, but I found them shallow and disappointing.

The big takeaway

Leaving Gourevitch out of the equation, I think the biggest single thing to take away from study of the Rwandan genocide is that it wasn’t a one-off, inexplicable outbreak of barbarity. The one big thing you learn from studying it is that it was simply the highest point of a century-old culture of ethnic rivalry and hatred, which broke out from the 1950s onwards in repeated massacres and pogroms, exactly as the Jews of Russia and Eastern Europe were subject to centuries of persecution and pogroms way before the Holocaust.

In that sense it is far from inexplicable, it is very, very explicable. What turned the long history of minor, localised outbreaks of ethnic violence into a genocide was the hard work of the Hutu Power ideologues who set out to organise the extermination of the Tutsis by harnessing the organisation and technology of a modern state, using state radio, magazines, and every level of the highly structured administration to promulgate simple messages of hate and desperation. It boiled down to: “Kill the cockroaches before they kill us!” and hundreds of thousands of Hutus, primed by decades of negative propaganda, bought this message and acted on it (p.251).

But study of the Rwandan genocide doesn’t stop in July 1994. Like all the other accounts I’ve read, Gourevitch shows how it leads directly on to the issue of the Hutu refugee camps and the way the Hutu Power génocidaires survived and recreated their power structures there, terrorising hundreds of thousands of refugees, carrying out deadly incursions back into Rwanda, and then setting about the ethnic cleansing of east Congo. And how that led directly to the AFDL invasion of Zaire which became known as the First Congo War, and how that led on to the second invasion of Congo, by Rwandan and Ugandan forces which led to the disastrous Great War of Africa.

For a few months the specific genocidal Hutu Power campaign was able to be carried out with unbridled ferocity, but the killing of Tutsis had been commonplace for decades before it, and the killing of comparable numbers of Hutus (maybe as many as 100,000 Hutus were killed in all forms of revenge attack, from individual reprisals and local pogroms through to the more organised massacres in the refugee camps) followed seamlessly after it.

Gourevitch ends his book gloomily with Bill Clinton’s flying visit to Rwanda in March 1998 (he didn’t even leave the airport) but during which he acknowledged that the events of 1994 had been a genocide and that ‘the international community’ had done too little to intervene. The later sections of his book testify over and over to the complete failure of the international community, America or the UN to act either to prevent the genocide or to intervene to prevent the regrouping of the génocidaires in the camps. Gourevitch gets progressively more angry about it.

But the thing that comes over in his last few pages is the way the killings resumed inside Rwanda. During 1997 and into early 1998, as he was finalising his account, the number of murders and massacres of Tutsis by revived groups of Hutu Power génocidaires was steadily increasing. In fact the book ends with yet another grim atrocity, an account of how a group of 150 Hutu Power militia and interahamwe attacked a boarding school in Gisenyi and hacked to pieces the 17 schoolgirls and a 62-year-old Belgian nun.

In other words, as he ended the book, the tide of communal hate killing had returned and was rising. I’ll need to read other books to find out what happened next…

A correct understanding of human nature

The Rwandan genocide itself was a definable and unique historical event with a specific start and a specific end-point. Gourevitch, throughout his book, professes himself puzzled and bewildered at how it could ever have happened, incapable of imagining the motivation and mindset of ordinary people who took up machetes to hack their neighbours and own family members to pieces.

But the more you study it, the more understandable the Rwandan genocide becomes, provided you have a correct understanding of human nature.

We humans are animals, part of the animal kingdom, subject to the same constraints and urges as other animals. My son who’s just completed his Biology degree, said one of his lecturers summed up all animal activity in a snappy motto: feed, fight, fuck. That’s it. Like all animals, we humans are programmed to mate and reproduce; to do that effectively, we have to fight or compete (albeit in socially mediated and sublimated ways) for a mate. But none of this can take place unless we can feed and water ourselves on a regular basis.

For sure, the so-called ‘mind’ and ‘reason’ which well-fed philosophers have pontificated about for millennia, beginning in the slave societies of ancient Greece and Rome, is also a deep part of human nature – but most people, even the most highly educated, are fundamentally irrational and easily swayed. Humans are very suggestible and easily steered towards courses of action which let them fulfil their primal urges – hunger, lust, violence, and the more socialised wishes for praise and acceptance, wealth and power, no matter how local and fleeting. (Presumably Gourevitch has heard of Sigmund Freud. If so, why has he not learned anything from him, from the grim conclusions Freud drew about human nature based on the First World War?)

The great appeal of war for young men in less-than-perfectly-disciplined armies is that you can fulfil a lot of these really primitive urges. As well as the joy of killing alongside a closely-bonded band of brothers, war all too often provides endless opportunity for risk-free sexual violence. Hence the outbreak of mass raping during every conflict in human history, including the Rwandan genocide.

Once you align your thinking with the basic facts that humans are fundamentally irrational animals, driven by a cacophony of unconscious primitive urges, which lead them to make all kinds of irrational mistakes and, given the opportunity, behave terribly – then most of human history, including all its atrocities, make perfect sense, indeed seem inevitable.

Human nature doesn’t change, at least not on a timescale which human society registers. Give or take a few differences in social conventions, we understand the motives of medieval kings and Roman emperors just fine. And they map very well onto to the behaviour of contemporary African dictators such as Mobutu or Bokassa, just as the lickspittles and hangers-on in the court of each would be interchangeable, and just as the lives of the ordinary businessmen or urban workers or peasants doing forced labour in the fields would be recognisable in 1st century Rome or 20th century Congo.

It is only if you have a wrong understanding of human nature that you are surprised by atrocity and barbarity. Only if you assume that everybody else is as highly educated as you, as well-read in Rilke and Milton, as able to eat out in 5-star restaurants around the world on New Yorker expense accounts. If you come from this blessed background then you might be tempted to think that everyone else is as kind and generous and thoughtful and concerned about issues of gender and equality and identity and narrative as you are. So it is only if you live in this cloud cuckoo-land, liberal arts culture that you are going to be shaken to your core when you visit a country where hundreds of thousands of people undertook the systematic slaughter by hand of their neighbours and even their own family members.

The Armenian Genocide. The Russian Civil War. The Ukraine Famine. The Second Word War. The Holocaust. 20 million Russian dead. Indian Partition. The Great Leap Forward. The Chinese Cultural Revolution. Pol Pot in Cambodia. The Yugoslav wars. Has he not heard of these and many other comparable mass murders?

Why has he not learned the simple lesson that this is what humans do. In the right circumstances, whipped up by the right leaders, humans are capable of any atrocity. The Rwandan genocide wasn’t an inexplicable outbreak of madness but just the most recent example of an enduring and central aspect of human nature.

Gourevitch displays the same naive or obtuse shock every time he comes to ‘think about’ the genocide. The shock and dismay of a privileged, literature-soaked author, at the pinnacle of his liberal profession in the richest country in the world, amazed to discover what life is like in one of the poorest countries in the world (which is how Rwanda was classified by the World Bank in the immediate aftermath of the genocide, a place where the average annual wage was estimated to be $80, far less than Gourevitch and his fellow editors of The Paris Review probably used to spend on one business lunch.)

It isn’t anything ‘wrong’ in human nature or ‘wrong’ about the human imagination which he is discovering. Human nature is human nature just like gravity pulls things towards the centre of the earth, the sun rises in the morning, fire burns and so on. It is a basic fact of the world we exist in.

The reason Gourevitch is shocked is that he had such a completely mistaken view of human nature in the first place. He had read about the Holocaust but not really processed its lessons, what it tells us about what ‘ordinary’ people are capable of, namely any level of cruelty and barbarity if they think it means they and their loved ones will survive.

It is the shock of a pampered American discovering that the rest of the world is not like America, in fact it is inconceivably different. (Gourevitch is well aware of the issue of American parochialness and American ignorance. He routinely criticises the sparse and uninformed commentary on the situation in Rwanda and Zaire which he reads in even leading American newspapers like the New York Time and Washington Post, e.g. pages 297, 343. What’s the title of the Green Day song, American Idiot.)

Because he has diametrically the wrong view of human nature, Gourevitch at various points describes the genocide and the killings which followed it as a kind of failure of political and cultural imagination (p.206).

On the contrary, from my point of view, the Rwandan genocide was a kind of fulfilment of the profound and bestial aspects of human nature which I’ve described – albeit carefully whipped up, legitimised and organised by the Hutu Power propagandists. The genocide is explicable because it derives from understandable, analysable aspects of human nature. Have you not read any human history? Do you not know it amounts to a catalogue of massacres and genocides?

The common objection people make to my view of human nature, starting with my own kids, is: “Well, it’s not like that where I live. Where I live everyone is nice and friendly and caring. If what you say is true, how come everyone isn’t at everyone’s throats all the time?”

But the answer is simple: we in the West are well fed. Really well fed. The biggest medical problem in the West is the epidemic of obesity and diabetes. Fat people don’t fight. Even the most casual knowledge of history shows a direct correlation between hunger and social upheaval. The French Revolution, the Russian Revolution, the rise of the Nazis took place in societies pushed to the brink by famine, hunger and extreme social stress; in Weimar Germany mass unemployment meant people were literally starving.

In these circumstances, the most basic human drives come to the fore and can be manipulated and directed by those who understand how: Danton, Lenin, Goebbels, Pol Pot and, in Rwanda, the  exponents of Hutu Power such as Hassan Ngeze and Colonel Théoneste Bagosora.

It follows that the fundamental aim of any government should be to manage the economy in such a way as to ensure that most of its citizens are fed, not only as a good in itself but as the basic protection against social collapse and reversion to barbarism. To take a leaf from Gourevitch’s book and quote a famous literary figure, it was Bertolt Brecht who wrote: “Food first, then fancy talk about morality”. (“Erst kommt das Fressen, dann kommt die Moral” The Threepenny Opera).

Feeding your population, ensuring security of food, then of housing, then of work which is rewarded with a stable currency, are probably any modern government’s top priorities.

Gourevitch’s assembly of all the facts and his narrative of the deep history, build-up to and then catastrophic events of the Rwandan genocide are thorough and authoritative, and he has obviously interviewed an enormous variety of people who shed light on all levels of events, victims and perpetrators, as well as numerous UN and aid officials, ministers, government spokesmen, including president Kagame of Rwanda and president Museveni of Uganda. It’s a hugely impressive roster. He had tremendous, what the journalists call “access”.

For all these reasons his book tells a searing story and will remain important evidence. But every time he stops to ‘think’ about what he’s describing, he displays a regrettably low level of awareness about human nature, society and history. He demonstrates that he is an idealistic American unprepared for a world which is mostly not populated by well-read, New York liberals. His bewilderment is sometimes so total I wish I found it funny, but it ended up being deeply irritating and marring my admiration for the extensive and very impressive factual sections of his book.

Cecile Kayirebwa

We are animals, bound by the same fundamental facts and constraints of biology as all other life forms on earth. And yet we belong to a freak line of evolution which has led us to develop language, speech, writing, mathematics and technology, and create an impenetrably complex labyrinth of cultural artefacts. One among billions of these human artefacts is this song written by Rwandan poet and singer, Cecile Kayirebwa, which laments the victims of the Rwandan genocide.

Credit

We Wish to Inform You That Tomorrow We Will Be Killed With Our Families: Stories from Rwanda by Philip Gourevitch was published by Farrar, Straus and Giroux in 1998. All references are to the 2000 Picador paperback edition.


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