Design for Living: A Comedy in Three Acts by Noel Coward (1932)

LEO: It should be easy, you know. The actual facts are so simple. I love you. You love me. You love Otto. I love Otto. Otto loves you. Otto loves me. There now!

GILDA: Ernest, if you only realized what was going on inside you, you’d be bitterly offended!

‘Design for Living’ is a comedy play written by Noël Coward in 1932. It concerns a trio of artistic characters, Gilda, Otto and Leo, and their complicated three-way relationship. Originally written to star Lynn Fontanne, Alfred Lunt and Coward, it was premiered on Broadway, partly because its risqué subject matter was thought unacceptable to the official censor in London. It was not until 1939 that a London production was presented.

‘Design for Living’ was a success on Broadway in 1933, but it has been revived less often than Coward’s other major comedies. Coward said:

‘It was liked and disliked, and hated and admired, but never, I think, sufficiently loved by any but its three leading actors.’

The play was adapted into a film in 1933, directed by Ernst Lubitsch, with a screenplay by Ben Hecht, and starring Fredric March, Gary Cooper, and Miriam Hopkins.

Background

In the second half the 1920s Coward became one of the world’s most famous playwrights, with a succession of popular hits ranging from the operetta Bitter Sweet (1929) and the extravaganza Cavalcade (1931), to the intimate comedies Hay Fever (1924) and Private Lives (1930). Back when he was penniless Coward had met Lunt and Fontanne Lunt on his first trip to new York and had promised he’d write a play to showcase them as an ensemble. By the early 1930s the time was right for Coward to write their star vehicle.

The play was based on the Lunts’ own marriage. They were a devoted couple but had an open relationship with ‘triangular relationships in their private lives’. Coward wrote:

‘These glib, over-articulate and amoral creatures force their lives into fantastic shapes and problems because they cannot help themselves. Impelled chiefly by the impact of their personalities each upon the other, they are like moths in a pool of light, unable to tolerate the lonely outer darkness but equally unable to share the light without colliding constantly and bruising each other’s wings…. The ending of the play is equivocal. The three of them… are left together as the curtain falls, laughing…. Some saw it as the lascivious anticipation of a sort of a carnal frolic. Others with less ribald imaginations regarded it as a meaningless and slightly inept excuse to bring the curtain down. I as author, however, prefer to think that Gilda and Otto and Leo were laughing at themselves.’

‘Design for Living’ opened in New York on 24 January 1933, at the Ethel Barrymore Theatre on Broadway. It was such a success that Coward was persuaded to relax his usual rule against appearing in any production for more than three months, and he allowed the play to run for a total of five months. So great were the crowds of fans in the street that special police had to be called in during the last week of the run.

Ménage à trois

A ménage à trois is a domestic arrangement or committed relationship consisting of three people in polyamorous romantic or sexual relations with each other, and often dwelling together.

Cast

  • Gilda – ‘a good-looking woman of about thirty’, ‘a permanent spectator’
  • Ernest Friedman – ‘any age between forty and fifty, rather precise in manner’
  • Otto Sylvus – ‘tall and good-looking’
  • Leo Mercuré – ‘thin and nervous’
  • Miss Hodge
  • Photographer
  • Mr Birbeck
  • Grace Torrence
  • Helen Carver
  • Henry Carver
  • Matthew

Plot

Act 1. Otto’s studio in Paris, 1932

Gilda is an interior designer who lives with the painter Otto, who was previously attached to Leo, an author. Ernest Friedman arrives, an art dealer and friend of all three. He is excited about his newly acquired Matisse and wants to show it to Otto. Gilda says that Otto is in bed, ill, has had neuralgia and absolutely cannot be disturbed.

Their conversation consists of classily phrased arguments and insults. ‘Private Lives’ taught me that a good deal of Coward dialogue consists of bad-tempered arguing.

ERNEST: If, in my dotage, I become a bore to you, you won’t scruple to let me know, will you?
GILDA: Don’t be an idiot!

He wonders why she doesn’t marry Otto and she replies because he loves her too much. To be tied legally to him would kill the love. She tells him to mind his own business.

ERNEST: I cannot, for the life of me, imagine why I’m so fond of you. You have such abominable manners.

Ernest tells her that Leo is back in Paris after making a success in New York. They both find it hilarious that he’s staying at the Georges V hotel.

Gilda’s discourse is all on stilts, on a high register of shrill self-awareness occasionally tipping over into hysteria, so much so that Earnest confesses she scares him.

GILDA: I’m yelling! Can’t you hear me yelling like mad?
OTTO: What on earth are you talking about?
GILDA: A bad joke, and very difficult to explain.

For example, she delivers a little speech about how she hates her own femininity, hates being trapped in a woman’s body.

There’s nothing funny in the scenario and few comic lines or jokes. It’s just listening to a posh man being mildly abused by this wilful neurotic. Everything is overdramatised. When Ernest makes the slightest of comments on her claiming to be in love with both Otto and Leo at the same time, she flies into a wild dramatisation of the threesome.

GILDA: Look at the whole thing as a side show. People pay to see freaks. Walk up! Walk up and see the Fat Lady and the Monkey Man and the Living.

To the audience and Earnest’s surprise, Otto – not at all in bed and suffering from neuralgia as Gilda claimed – enters from the street carrying luggage. Gilda lied fluently as so many Coward characters do cf Elyot and Amanda in ‘Private Lives’. In fact Otto’s just returned from a trip to Bordeaux where he was doing a portrait for an unknown client who he insulted by telling her she was fat, and got thrown out.

When Ernest tells Otto that Leo’s back from America, Otto insists that they go and see him straightaway and Gild eggs them on so they both depart.

Then Leo stumbles in from the bedroom and we realise why Gilda lied to Ernest about Otto being in bed with neuralgia and he couldn’t go into the bedroom even to whisper hello. It’s because it wasn’t Otto in the bedroom it was Leo. When he says ‘What we did was inevitable. It’s been inevitable for years’ it makes it sound like they’ve had sex for the first time after fancying each other for years. In other words, that the ménage à trois I’ve read about in all the blurbs and summaries of the play isn’t as established as I thought.

Anyway, he’s racked with guilt about it and they spend some time discussing what it means to have betrayed their best friend etc. As usual with Coward this takes the form of an argument or a squabble. His character suffer from an over-articulacy, they are far too fluent and articulate for their own good – which almost guarantees that they pick up on stray words here and there and magnify them into huge arguments. This was Elyot and Amanda’s way in ‘Private Lives’ and the same here. Leo says something sweet and reassuring which Gilda takes to be an appalling cliché and explodes:

GILDA [viciously]: Let’s have some more! ‘Passion’s only transitory’, isn’t it? ‘Love is ever fleeting!’ ‘Time is a great healer’. Trot them all out, dear.
LEO: Don’t try to quarrel with me.
GILDA: Don’t be so wise and assured and knowing, then. It’s infuriating.

The key word here is ‘viciously’. All Coward characters flip from civilised banter to vicious recriminations and insults in a second, and then back again. It makes them all dislikeable. And it gives the plays a constant sense of walking on eggshells, anxiously waiting for the next character to explode. It’s more like living with a wife beater than attending a sophisticated ‘comedy’.

At the height of their discussion-squabble-argument, Otto walks in and discovers them. Ah. He and Ernest got to the Hotel Georges V only to discover Leo wasn’t staying there at all, so he’s come back to his apartment and found…

They come out and tell him that they slept together in his absence. With crushing inevitability they start arguing and finding articulate fluent ways to describe how miserable they are and to accuse each other. Posh people fighting in a Noel Coward play! Yes.

LEO: What right have you to be hurt and grieved, any more than Gilda and me? We’re having just as bad a time as you are, probably worse.

Much like the audience. Coward’s alleged ‘wit’ is only intermittently apparent. Much, much more present in all these plays is the bad-tempered arguing and insults.

OTTO: I’ve seen something in you that I’ve never seen before; in all these years I’ve never noticed it—I never realized that, deep down underneath your superficial charm and wit, you’re nothing but a cheap, second-rate little opportunist, ready to sacrifice anything, however sacred, to the excitement of the moment.

Not that funny. Otto is violently unpleasant and Gilda collapses in tears.

GILDA (collapsing at the table): Stop it! Stop it! How can you be so cruel! How can you say such vile things?

Otto makes clear his contempt and hatred for both of them, wishes they were dead and in hell, and storms out.

Act 2

Scene 1. Leo’s Flat in London, 18 months later

Most of Coward’s plays take place over a few days. A gap of 18 months is a big thing, more like a novel.

Leo and Gilda are now living together and he is writing plays which are being produced and are tremendously successful. The scene opens with Leo reading out the reviews of his latest play, ‘Change and Decay’, to Gilda,

A playwright nervous about his reviews writing a play about a playwright nervously reading his reviews – you could consider this delightfully meta and cleverly postmodern – or tiresomely self-obsessed and narcissistic, according to taste.

Coward does that thing which numerous modern-ish authors do, which is have a character in one of their novels or plays repeat the popular criticism of them: in this case he has Leo read out the Daily Mirror‘s criticism that his latest play is ‘thin’. This exasperates him and stings him to tell Gilda that in future he will write fat plays about fat characters. This is, of course, to ignore the substance of the criticism: Coward’s plays are thin. The basic scenarios are often quite winning, but the characterisation is generally shallow as a puddle and the dialogue is astonishingly lacking in the wit and humour I have for decades associated with Coward until I actually came to read and watch his plays, and be rather disappointed. Instead of genuine wit or comedy you have exchanges like this.

GILDA: Anyhow, you can’t expect a paper like the Times to be really interested in your petty little excursions in the theatre. After all, it is the organ of the nation.
LEO: That sounds vaguely pornographic to me.

Schoolboy humour. Here’s another example of Coward’s shimmering wit, Gilda pretending to be a brainless newspaper interviewer:

Gilda [conversationally]: Tell me, Mr Mercure, what do you think of the modern girl?
LEO: [politely]: A silly bitch.

Not scintillating repartee, is it?

A phone call from some aristocratic inviting them to dinner prompts Leo to say these social situations are awkward when they’re obviously a couple but not married. So he proposes to her but she sagely turns him down and even says it would be against her moral code.

Presumably this kind of suave, sophisticated exchange was designed to shock and outrage the older, Edwardian generation with their Victorian morals.

The phone rings incessantly, a symptom of the modern world. Leo calls their maid or servant, Miss Hodge, in and tells her to answer the phone for him. Next time the phone rings working class Miss Hodge answers the phone with comic ineptness. The working classes, eh, ha ha ha.

What’s obvious is how bored they are. Gilda is bored to death.

GILDA: Perhaps you’re wise about our marrying; perhaps it would be a good thing. I’m developing into one of those tedious unoccupied women, who batten on men and spoil everything for them. I’m spoiling the excitement of your success for you now by being tiresome and gloomy.

Watching posh bored people torment each other, throwing ‘cheap gibes’ at each other, that’s entertainment. ‘Tiresome’ – that’s the key word. And Leo is as irritated and frustrated.

LEO: This looks like a row but it hasn’t even the virtue of being a new row. We’ve had it before several times, and just lately more than ever.

A journalist, Mr Birbeck, and press photographer from the Evening Standard arrive to do a feature on him. After arguing with Gilda Leo is in a bad mood and gives sharp replies to all the questions. Here is an example of his authorly wit:

MR BIRBECK: Do you believe the talkies will kill the theatre?
LEO: No. I think they’ll kill the talkies.
MR BIRBECK (laughing): That’s very good, that is! It really is.

It isn’t though, is it? It’s not in the slightest bit funny. It’s flippant and cynical and sounds like it ought to be a joke, but it isn’t. Leo gives up answering questions and tells him he’s tired and doesn’t he find asking all these stupid questions ‘grotesque?’ and tells him to come back dome other time when he’s less… tired.

Nonetheless he lets the photographer take some snaps and the scene ends with Mr Birbeck tentatively asking whether Leo could, just maybe, possibly, give them a teeny weeny smile? This is one of the few things I’ve found funny so far, these poor professionals trying to do their job in the face of Leo’s self-important moodiness.

Scene 2. Leo’s London flat, a few days later

A few days later Leo is away. After some comic business with the working class character, the maid Miss Hodge (Gilda asks if she minds that she and Leo are not married; Miss Hodge says she doesn’t mind, having herself been twice married and not thinking much of the institution) departs and Otto turns up.

He too is now successful, as an artist. He’s just back from staging an exhibition in New York.

There’s a joke, a joke with a punchline, such a rarity in Coward it’s worth recording.

OTTO: This seems a very nice flat.
GILDA: It is. You can see right across to the other side of the square on a clear day.

Ooh, immediately followed by another one. Otto says he bumped into a woman just leaving. Gilda explains that that was the maid, Mrs Hodge.

GILDA: That was Miss Hodge. She’s had two husbands.
OTTO: I once met a woman who’d had four husbands.

And a little later, after Otto explains that he went away for a while, on a Norwegian freighter:

OTTO: I can say, ‘How do you do?’ in Norwegian.
GILDA: We must get to know some Norwegian people immediately, so that you can say ‘How do you do? to them.—

Noel’s on fire! Maybe you can see what I mean when I say that this kind of thing isn’t really funny in itself. These aren’t really jokes, or barely. What makes them funny (if it does) is how they exemplify the attitude of these posh, superior, self-absorbed arty types. It’s so exactly the kind of flippant throwaway remark that a posh character in a Coward play ought to say.

Anyway, she asks why he’s avoided them for so frightfully long and he says yes, it has been frightfully long, hasn’t it. Did you miss me, darling etc.

Remember I commented on a playwright having a character in his latest play commenting on newspaper reviews of the character’s previous plays which sound very like the reviews and criticism Coward got for his plays? Happens again here. Otto asks what Gilda thinks of Leo’s latest play, prompting quite a serious reply:

GILDA: Three scenes are first rate, especially the last act. The beginning of the second act drags a bit, and most of the first act’s too facile—you know what I mean—he flips along with easy swift dialogue, but doesn’t go deep enough. It’s all very well played.

‘Doesn’t go deep enough’. Well, there’s no point criticising Coward for what he isn’t. No Ibsen or Strindberg, he. He concocted effective and extremely popular entertainments over a career spanning decades. An awesome achievement.

Back in this play, Otto and Gilda have a picnic dinner together: cold ham, salad, cold rice pudding, and slowly revive their friendship turning back into love. Or whatever it is they have. Maybe just opportunity.

Otto jokes about what would happen if they ended up fighting over Gilda, reminiscent of the fight scene between Elyot and Victor which fizzles out in ‘Private Lives’.

The conversation is frequently difficult to distinguish from an argument or row.

OTTO: Shut up! Don’t talk like that…
GILDA [breaking down]: Don’t—don’t laugh at me.

Author’s message

Remember how I’ve pointed out that the fundamental dichotomy in Coward isn’t between the straight and the gay, it’s between what my son calls ‘the normies’ – the normal, everyday people with their conventional beliefs and lives and morality and behaviour – and the Coward characters who proclaim that they are special, different, exceptional, Well, the same sentiment is expressed here in a pat little speech by Otto. For when Gilda has a moment of ‘normality’ and says that their falling in love is sordid and gross, Otto suavely replies that this is only so if measured by other people’s standards. I might as well give the whole speech, as it amounts to a manifesto of sorts.

GILDA: Why should we flatter ourselves that we’re so tremendously different?
OTTO: Flattery doesn’t enter into it. We are different. Our lives are diametrically opposed to ordinary social conventions; and it’s no use grabbing at those conventions to hold us up when we find we’re in deep water. We’ve jilted them and eliminated them, and we’ve got to find our own solutions for our own peculiar moral problems.
GILDA: Very glib, very glib indeed, and very plausible.
OTTO: It’s true. There’s no sense in stamping about and saying how degrading it all is. Of course it’s degrading; according to a certain code, the whole situation’s degrading and always has been. The Methodists wouldn’t approve of us, and the Catholics wouldn’t either; and the Evangelists and the Episcopalians and the Anglicans and the Christian Scientists—I don’t suppose even the Polynesian Islanders would think very highly of us, but they wouldn’t mind quite so much, being so far away. They could all club together—the whole lot of them—and say with perfect truth, according to their lights, that we were loose-living, irreligious, unmoral degenerates, couldn’t they?
GILDA [meekly]: Yes, Otto, I expect so.
OTTO: But the whole point is, it’s none of their business. We’re not doing any harm to anyone else. We’re not peppering the world with illegitimate children. The only people we could possibly mess up are ourselves, and that’s our lookout. It’s no use you trying to decide which you love best, Leo or me, because you don’t know! At the moment, it’s me, because you’ve been living with Leo for a long time and I’ve been away. A gay, ironic chance threw the three of us together and tied our lives into a tight knot at the outset. To deny it would be ridiculous, and to unravel it impossible. Therefore, the only thing left is to enjoy it thoroughly, every rich moment of it, every thrilling second.

This is no different from the ancient trope of carpe diem, Latin for ‘seize the day’, which is a literary phrase for the pretty obvious idea that you should enjoy life while you can. (The original Latin phrase comes from Horace’s Odes, which I’ve reviewed for this blog.)

The banter goes on for page after page until they realise they need to go to bed together. They embrace passionately. So it’s partner swapping again, as in ‘Private Lives’.

Scene 3. The same, the next morning

10.30 the next morning. Otto is still asleep when Ernest calls on Gilda. He asks to see Leo but Gilda lies, saying he’s not very well and can’t be disturbed. In reality, as we know, Leo is away at a weekend house party and it’s Otto asleep in the next room. This is quite funny because it mirrors the situation in the first scene, where Ernest arrived wanting to see Otto and Gilda lied, saying he was in bed with neuralgia when it was, of course, Leo who she’d illicitly slept with, who was in the bedroom.

This explains why Gilda is, once again, as in the first scene, slightly hysterical. And in this hysteria liable to sound off and make sweeping statements. For a start she says humanity is a great disappointment, has barely risen above the primeval slime. But this leads onto a more revealing statement.

GILDA: The human race is a let-down, Ernest; a bad, bad let-down! I’m disgusted with it. It thinks it’s progressed but it hasn’t; it thinks it’s risen above the primeval slime but it hasn’t—it’s still wallowing in it! It’s still clinging to us, clinging to our hair and our eyes and our souls. We’ve invented a few small things that make noises, but we haven’t invented one big thing that creates quiet, endless peaceful quiet—something to pull over us like a gigantic eiderdown; something to deaden the sound of our emotional yellings and screechings and suffocate our psychological confusions—

Coward hated critical analysis of his plays, so I’m going to do something he would have loathed and subject this little speech to tuppeny-ha’penny analyses according to several classical schools of literary criticism.

A Marxist interpretation

Most of Coward’s characters come from the parasite rentier class which doesn’t work for a living. Thus, lacking the purpose given to existence by the need to work, they are often bored to death, as Gilda is. In this particular play, the two male leads do in fact work for a living, after a fashion, as a playwright and an artist.

But the real point is that none of them are aligned with the forces of History, specifically the Proletariat which is, in late capitalism, the embodiment of the spirit of History and which must, as Marx proved with his scientific socialism, soon overthrow the exploitative capitalist system and its imperial extensions, and usher in the triumph of the working class.

So on the Marxist view of his day, it is only by throwing in their lot with people with a cause, committed to the liberation of humanity, that Coward’s characters can discover meaning and purpose to life and stop indulging in their squalid, petty bourgeois intrigues.

Thus Gilda’s wish for ‘something to pull over us like a gigantic eiderdown; something to deaden the sound of our emotional yellings and screechings and suffocate our psychological confusions—’ is the cry of the rootless, aimless, cosmopolitan bourgeoisie adrift from the unstoppable march of History, and for which there is only one cure or solution. Align with the class of the future, the proletariat. See the plays of Jean-Paul Sartre which dramatise just this issue.

A Freudian interpretation

Freud’s first, pre-war model of the mind, developed between about 1895 and 1918, attributed the central driving force of the unconscious to Sex, broadly speaking the Darwinian drive of the human organism to reproduce which, more narrowly, creates erotic drives which had to be channelled ‘correctly’ in order to be socially acceptable. Freud was among the first to discover how easily these drives get blocked and misdirected in childhood and adolescence to turn into the florid array of sexual ‘perversions’, or be stifled and emerge was a wide variety of neurotic and obsessive symptoms, which his patients described when they presented to him.

However, the colossal slaughter and destruction of the First World War persuaded him that his theory was inadequate. Nothing about sex could explain the hecatombs of corpses and entire empires brought to their knees.

Thus in the 1920s he developed his second model of the mind and this time posited that alongside the positive Life Force or Eros, of which reproduction and sex are merely subsets, an equal and opposite drive in all humans, indeed (he speculates) in all organisms, which he called the Death Drive or Thanatos: the widespread wish that the whole wretched business of life, all the anxieties and worries and responsibilities, not to mention illnesses and accidents, would all cease once and for all.

Thus Gilda’s wish for ‘something to pull over us like a gigantic eiderdown; something to deaden the sound of our emotional yellings and screechings and suffocate our psychological confusions’ is a textbook expression of the deep wish, a key component of all human minds – sometimes buried deep, sometimes (as here) freely acknowledged – for the whole stressful business just to end.

Anyway, this big speech is all preparatory to Gilda telling Ernest she is leaving. Leaving Leo and Otto. Running away. She feels stifled. She wants to be free. She wants to be her ‘unadulterated self’. She’s going to run away, stay in a hotel, go to Paris, no, Berlin. Explaining all this makes her feel very tender towards Ernest and she throws her arms round his neck. She leaves two letters on the desk and then leaves with Ernest.

The phone rings, Miss Hodge answers it and this prompts Otto to slouch out of his bedroom in his pyjamas and dressing gown. Miss Hodge lets him know she disapproves, and he tells her to go away and mind her own business.

Leo sneaks in through the front door, and for a moment mistakes the back of the head on the sofa and the cigarette smoke rising to be Gilda and shouts Hi honey, I’m home. So is appalled when it’s Otto who turns to greet him.

This turns into a row, with Leo telling him how vile he is, just as Otto told him how vile he was in the earlier scene. As with so much Coward, this is studiedly symmetrical and patterned.

OTTO: I said all that to you in Paris. Do you remember? I thought it was true then, just as you think it’s true now.

They have a long conversation about how they’re doomed to repeat the same situation (infidelity with Gilda). Leo says he needs to be tolerant which Otto, understandably, finds hard.

Then they notice the letters, reading them and concluding that Gilda has escaped. So, rather pathetically, they decide to get completely pissed on brandy and then sherry. Difficult for actors portraying steady descent into quite wild and then tearful drunkenness. Otto delivers a semi-drunken rant:

OTTO (with sudden fury): So many words! That’s what’s wrong with us! So many words—too many words, masses and masses of words, spewed about until we’re choked with them. We’ve argued and probed and dragged our entrails out in front of one another for years! We’ve explained away the sea and the stars and life and death and our own peace of mind! I’m sick of this endless game of three-handed, spiritual ping-pong—this battling of our little egos in one another’s faces! Sick to death of it! Gilda’s made a supreme gesture and got out. Good luck to her, I say!

Apart from the detail of it being a trio, the basic idea of being sick to death of choking themselves with words and dragging their entrails out, this could come from one of Elyot or Amanda’s rants in ‘Private Lives’.

Coward drags out this scene to inordinate length with Leo and Otto arguing at length, though it’s dressed up with fancy ideas, for example:

LEO: Science is our only hope, the only hope for humanity! We’ve wallowed in false mysticism for centuries; we’ve fought and suffered and died for foolish beliefs, which science has proved to be as ephemeral as smoke. Now is the moment to open our eyes fearlessly and look at the truth!

Which might mean something in a more serious play but, spoken by one of Coward’s superficial mannequins, comes over as flippant and inconsequential as everything else they say. For example, increasingly fanciful digressions, for example about the absurdity of the words ‘macaroni’ and ‘wimple’. Eventually they get so drunk that they embrace, sobbing helplessly.

So the act ends with two old friends having got hopelessly drunk and feeling hopelessly lonely and sad. Not immediately comic, in fact quite sad for us…

Act 3

Scene 1. Ernest’s apartment in New York, two years later

Like the gap of 18 months before Acts 1 and 2, two whole years is another long period of time to jump. So we find ourselves in Ernest’s New York apartment. Gilda has married Ernest and become a commercially successful designer. Ernest is away and, on this fine summer’s evening, Gilda is giving a reception for some important clients, namely: Henry and Helen Carver, ‘a comparatively young married couple, wealthy and well dressed’, and Grace Torrence, ‘slightly older, a typical Europeanized New York matron’.

Gilda has grown up. She is elaborately and beautifully gowned. Her manner has changed a good deal. She is much more still and sure than before. A certain amount of vitality has gone from her, but, in its place, there is an aloof poise quite in keeping with her dress and surroundings.

Gilda takes Grace off to show her something and Henry and Helen have an extended argument about the merit of interior decorators, Henry thinking it’s all a racket, Helen defending her. Couples fiercely arguing, it’s Coward’s basic situation.

Doorbell rings and Henry lets in… Otto and Leo, both in fine fantastical moods. They come over as very camp i.e. over self-consciously mocking everything everyone says.

OTTO: There’s something strangely and deeply moving about young love, Mr. and Mrs. Carver.
LEO: Youth at the helm.
OTTO: Guiding the little fragile barque of happiness down the river of life. Unthinking, unknowing, unaware of the perils that lie in wait for you, the sudden tempests, the sharp jagged rocks beneath the surface. Are you never afraid?
HENRY I don’t see anything to be afraid of.
LEO (fondly): Foolish headstrong boy.

This is deliberately aggressively offensive but cast in such suave politeness as to be hard to talk back to. Part of the purpose of camp which is a power play.

Otto and Leo’s fast-talking sophisticated banter startles and puzzles Henry and Helen. This is also a classic scenario – clever, fast-talking smartarses bewildering the normies. Which conceals, not very well, their anger. They are cattily, bitchily angry with Gilda and their anger quickly comes out, constantly teetering on the brink of… yet another argument, a fight, a flaring row. The basic Coward content.

Gilda responds to their aggressive flippancy with bitterness of their own and barely controlled fury. On a general point, lots of twentieth century drama seems to be about people behaving badly on stage. Drunken angry bitterness being the speciality of, for example, Tennessee Williams a generation later.

Their intense, recriminatory conversation drives Helen, Henry and Grace away. Grace recognises boorish behaviour when she sees it. Gilda insists Leo and Otto leave as well but secretly gives them a key and tells them to come back.

After they’ve all gone she compulsively finished one of the other’s drink, with tears in her eyes.

Scene 2. The same, the next morning

Ernest returns the next morning and is greeted by his Black servant who makes him a coffee, he puts down his luggage etc and then… Otto and Leo come down the stairs wearing his pyjamas and dressing gowns.

He is completely flabbergasted and triggers their ‘brazen impertinence’ i.e. more camp flippancy. They tell him they gatecrashed Gilda’s little party the night before, she gave them a key, but when they came back she had gone.

They call him ludicrous for claiming that Gilda is his wife, but they dismiss this as nonsense, claiming she belongs to them just as much as to him (Ernest).

Cue Gilda walking in and explaining that she spent the night at a hotel. Ernest explodes in anger but once again, as in the previous scene, it’s a case of the two tricksters, jokers, sparky and flippant and imaginative people, against the ‘normie’, Ernest, who can’t keep up with their smooth repartee. Just as straight-laced Victor couldn’t keep up with Elyot’s smart repartee in ‘Private Lives’. So:

ERNEST: I think your arrogance is insufferable. I don’t know what to say. I don’t know what to do. I’m very, very angry.

Of course he doesn’t know what to do. He’s the normie in a play about tricksters.

Now it turns out that Gilda has realised she is bored with her life with Ernest and so she’s going to leave him. She reveals that being her wife has no value to her, it’s been very convenient and comfortable but now she realises she has to go back to the tricksters.

Ernest tries to argue that Gilda knows too much to be taken back by them but she denies it. He thinks she’s gone mad but she declares they are all of a piece, they all share the same ‘difference’ from normal society which I commented on earlier.

GILDA: It’s silly to go on saying to yourself that I’m different from Otto. and Leo just because you want to believe it. I’m not different from them. We’re all of a piece, the three of us. Those early years made us so. From now on we shall have to live and die our own way. No one else’s way is any good, we don’t fit.

‘We don’t fit’, cry of the alienated teenager for at least the last 70 years. And more manifesto:

ERNEST: Your values are false and distorted.
GILDA: Only from your point of view.
ERNEST: From the point of view of anyone who has the slightest sense of decency.
LEO: We have our own decencies. We have our own ethics. Our lives are a different shape from yours. Wave us good-bye, Little Ernest, we’re together again.

Ernest accuses them of wallowing in a ‘disgusting three-sided erotic hotch-potch’. But the more angry he gets – the more he invokes conventional morality – the more flippantly amused the naughty threesome become and, as Ernest stomps to the apartment door, leaves and slams it shut, the threesome collapse into hilarious laughter.

Thoughts

I’ve made my main comments: not many comic lines; thin characters; the whole effect achieved almost entirely by the posh self-centred self-satisfied smug superiority of the characters, which the audience is invited to alternately identify with and/or laugh at.

What impresses, maybe, is the professionalism with which the initial premise or scenario is worked through, with clever structural echoes and parallelism. But it gets pretty monotonous at moments, since the audience quickly develops a strong idea of what’s going to happen.

Is it even a real ménage à trois?

Short answer, no. It isn’t. Our three heroes do not live in a relaxed happy ménage, so they? The opposite. What really happens is Gilda sleeps around, betraying first Leo, then Otto and then, a year or so later, her husband Ernest. It is not a ménage at all but the story of a serial adulteress or promiscuous woman. The idea that the three of them can somehow happily co-exist only really comes at the end, in the Betraying Ernest scene.

But again, as with The Vortex, there’s little point judging the scenario by our own modern standards: in its day, the play’s timid hints at a genuine ménage were enough to cause shock and scandal among the bourgeois newspapers, critics and staid theatre goers.

Mocking the provinces

I wonder how long the English upper classes have been mocking the provinces. Maybe since the Norman Conquest. One of Coward’s other plays mocks Newcastle, and there’s a slight dig here.

GILDA: Have you been married much, then?
MISS HODGE: Twice, all told.
GILDA: Where are your husbands now?
MISS HODGE: One’s dead, and the other’s in Newcastle.
GILDA (smiling): Oh.

More sustained metropolitan snobbery is dispensed by Otto in Act 2.

OTTO [drawing up a chair]: What delicious-looking ham! Where did you get it?
GILDA: I have it specially sent from Scotland.
OTTO: Why Scotland?
GILDA: It lives there when it’s alive.
OTTO: A bonny country, Scotland, if all I’ve heard is correct, what with the banshees wailing and the four-leaved shamrock.
GILDA: That’s Ireland, dear.
OTTO: Never mind. The same wistful dampness distinguishes them both.

A post-colonial interpretation

Hilarious (that’s sarcasm). But if you were an Irish nationalist, an Indian nationalist, any educated inhabitant of one of Britain’s 57 colonies, dominions, territories, or protectorates, you might have read this kind of thing as precisely the kind of ignorant, self-centred, privileged, smug indifference that you had to shoot your way through in order to gain independence.


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An Outline of Psychoanalysis by Sigmund Freud (1940)

Note: to avoid misunderstanding, I believe Freud is a figure of huge cultural and historical importance, and I sympathise with his project of trying to devise a completely secular psychology building on Darwinian premises. Many of his ideas about sexuality as a central motive force, about the role of the unconscious in every aspect of mental life, how repressing instinctual drives can lie behind certain types of mental illness, his development of the talking cure, these and numerous other concepts have become part of the culture and underlie the way many people live and think about themselves today. However, I strongly disapprove of Freud’s gender stereotyping of men and women, his systematic sexism, his assumption of Western superiority over ‘primitive’ peoples, and so on. Despite the revolutionary impact of his thought, Freud carried a lot of Victorian assumptions over into his theory. He left a huge and complicated legacy which needs to be examined and picked through with care. My aim in these reviews is not to endorse his opinions but to summarise his writings, adding my own thoughts and comments as they arise.

***

Background

Freud was allowed to leave Austria by the newly installed Nazi authorities in early June 1938. The unfinished manuscript of ‘An Outline of Psychoanalysis’ bears the date July 1938, so scholars think that he began to write it either while waiting for permission to leave Austria or soon after his arrival in England. By early September he had written 63 sheets of notepaper but broke off to undergo a serious operation for the spreading cancer of his jaw and he never resumed work on it.

The manuscript was discovered among his papers after his death in September 1939. The editors of the Pelican Freud Library point out that although it might be unfinished, it is not incomplete. The final chapter is shorter than the others but appears to complete the prospectus laid out in the preface.

Almost all Freud’s previous works (for example, the Introductory and New Introductory Lectures) were aimed at the general public. The Outline, the editors explain, is not. It is more like a refresher course for established students of psychoanalysis with the result that the style is clipped and many matters alluded to only briefly, on the assumption that the reader is already familiar with sometimes quite detailed aspects of the theory.

The work is in three parts. Part one describes the structure of the mind, its division into id, ego and superego, and the pressure of the external world. It lays out the nature of the two great categories of primal drive – the sexual urge to procreate (Eros) and the organism’s wish to cease stimuli and excitation (the death drive or Thanatos).

In part two, Freud discusses the technique of psychoanalysis, what its aims are, how it works.

In part three, Freud (briefly) situates psychoanalysis within the broader realms of philosophy and psychology, before recapping the theory.

Preface

The teachings of psychoanalysis are based on an incalculable number of observations and experiences and only someone who has repeated these observations on himself and on others is in a position to arrive at a judgement of his own upon it.

Part 1. The mind and its workings

Chapter 1. The psychical apparatus

The oldest part of the psyche is the id. It contains everything inherited at birth, which means the instincts. The id develops an outer layer to mediate with the external world, the ego. The ego has the task of self-preservation. As regards external events it does this:

  • by storing up stimuli in the memory
  • by avoiding excessively strong stimuli (through flight)
  • dealing with moderate stimuli (through adaptation)
  • learning to bring about change in the external world to its own advantage (activity)

As regards the internal world the ego performs its task of self-preservation by gaining mastery of the instincts, deciding which ones will gain satisfaction and when, or vetoing them altogether.

It is guided in these decisions by tensions caused by (internal and external) stimuli: raised tension is experienced as unpleasure, lowered tension is experienced as pleasure. The ego strives after pleasure and to avoid displeasure. A foreseeable increase in unpleasure leads to anxiety. From time to time the ego retires from its job of mediation into sleep, which appears to be necessary to rest the body and brain.

The long period of human childhood leaves behind a precipitate of parental strictures, the superego. The ego has to satisfy the demands of 1) the superego, 2) the id and 3) external reality. The superego is formed not only from the strictures of the specific parents but from the family, national and racial demands, as well as the demands of the immediate social milieu; and then, along the way, incorporates material from teachers and other authority figures.

The id is the forces of nature, of heredity; the superego, the broad forces of culture and environment; the ego is formed as a result of the accidental experiences of the individual.

Chapter 2. The theory of the instincts

The general theory of instincts is not well understood. Insofar as instincts replace each other and displace energy onto each other there may be thousands of instincts. To be simple, psychoanalysis discriminates two basic instincts, Eros and the destructive instinct, elsewhere referred to as Thanatos. (Contrasting instincts of self-preservation and preservation of the species, between ego-love and object-love, fall within the realm of Eros).

Eros sets out to bind things together and preserve them; Thanatos seeks to tear things apart and destroy them. Thanatos tends ultimately to an inorganic state, hence it is also known as the Death Drive.

The two instincts can combine or oppose. Thus eating is an act of killing something for our satisfaction; sex incorporates aggression with reproduction. A surplus of the destructive instinct turns the lover into Jack the Ripper; a deficit, into a peeping Tom.

The two instincts exist alongside each other in the childish ego-id. The death instinct is easily detected when directed outwards in aggression; when the superego is constructed, the death instinct is attached to it and can operate self-destructively against the organism itself. Holding back aggressiveness can be just as detrimental as restraining sexual desire.

The libido is detectable in the primary infant state of pure narcissism when the ego takes itself as object. As the child develops it projects libido onto external objects. Throughout life the ego remains the reservoir of the libido from which libido is sent out to cathect (or charge) objects and to which it returns. Only when the subject is completely in love is the majority of the libido cathected onto the object which takes the place of the ego.

The nature of the libido has been deduced from its behaviour in the form of the sex instinct. This aspect of the libido develops out of the contributions of a succession of component instincts which are variously attached to different erotogenic zones.

Chapter 3. The development of the sexual function

The traditional view has it that human sexual life consists in bringing your genitals into contact with the genitals of someone of the opposite sex, with accompanying phenomena such as like kissing and touching. This activity is supposed to start at puberty. How does the traditional view then deal with the fact that:

a) some people are attracted to people of their own sex with similar genitals?
b) some people seek sexual satisfaction but ignore the genitals or other people altogether (called ‘perverts’)?
c) some children take an early interest in their own genitals (called ‘degenerate’)?

In contrast to the evident failure of the traditional theory, psychoanalysis has discovered that:

a) sexual life doesn’t begin at puberty but soon after birth
b) it is necessary to distinguish between sexuality and genitality, the former vastly outcompassing the latter
c) sexual pleasure can be obtained from many zones of the body and that these often only imperfectly overlap with the organs of reproduction

Childhood sexuality develops to a peak in the fifth year and thereafter falls into a lull during which much is forgotten: the latency period.

The onset of sexuality in man is therefore diphasic, first occurring in infancy, falling into latency, and re-efflorescing in puberty. The latency period seems to play a vital role in the process of acculturation unique to man, the passing on of traditional wisdom and knowledge to the next generation.

The first stage of childish development is the oral phase of suckling; the continuation of sucking after the baby is fed is evidence of the separation of pleasure-seeking and physiological need. This – the separation of strict physical need from the enjoyment of physical pleasure – is the justification for describing the baby as ‘sexual’.

Elements of sadism are present in the baby biting the nipple. This sadism is expanded in the next stage, the anal-sadistic phase, where biting and defecation become sources of pleasure.

Finally comes the phallic period when the child detaches sexual pleasure from bodily functions altogether and associates it with playing with its penis or clitoris. The little boy playing with his penis obscurely associates this pleasure with his mother; he wants to be the sole object of its mother’s attention and to do away with the father who keeps taking her away. This is the Oedipus Complex. The little girl, as and when she comes to see or hear about a boy’s genitalia, perceives the absence of a penis as a loss and conceives penis envy. The childish turning away from sexuality which this produces in women often lasts a lifetime.

These developmental phases do not develop in a simple pattern but overlap, often becoming fixated at particular levels. With the onset of puberty these earlier patterns return to influence sexual behaviour. Some early pleasures become focussed on traditional genital activity; some remain in residue as types of foreplay; some become the object of perverted sexual practice; some are repressed, or employed by the ego in forming character traits, and the energy of still others are sublimated into higher and socially acceptable cultural activity.

These discoveries mean that:

a) the phenomenology of the subject has to be examined from a dynamic or economic point of view
b) the aetiology of later mental illness is to be found in the patient’s early life

Chapter 4. Psychical qualities

What is the psyche? Behaviourism says there isn’t one, that we observe and quantify each other like machines.

Traditional psychology says there is a psyche and that it is synonymous with consciousness. Consciousness is hard to define but we all know what we mean by it. A psychology which confines itself to consciousness studies the difference between perceptions, feelings, thought-processes and wishes. But it is clear to self-reflection that these processes are not as continual, as transparent or sequential as earlier philosophers, for example John Locke, thought.

What are we to make of the gaps, the blanks, the dysjunctions in attempts to describe our mental life which trouble the ‘continuous consciousness’ model of the old view?

Psychoanalysis shifts the whole playing field by saying that the overwhelming bulk of psychic life is unconscious. It cannot be known (as the workings of chemistry or physics in the brain cannot be experienced) but its activity can be deduced and general laws governing its behaviour worked out by observation.

Some things out of consciousness become conscious easily; they originate in the pre-conscious, a kind of ante-chamber to consciousness and can be readily accessed. But the lion’s share of mental activity is unconscious and therefore can only ever be inferred or deduced from other evidence

Preconscious material makes its way into our conscious mind with little effort, but unconscious material can only be reclaimed for consciousness by a great effort. One is aware of resistance to its extraction. Sometimes unconscious material forces its way into consciousness and dominates it – as in psychotic illness. Sometimes preconscious material can be subject to repression and become inaccessible – as when we lose our memory.

Animals may well function with just an ego-unconscious. In men this happy state is complicated by the existence of speech which links perceptions to mnemic images and residues of perception, or memory. We don’t operate in a permanent present; we accumulate a huge weight of experiences.

In human beings, since the invention of language, internal events, thanks to being verbalised, can acquire a kind of reality which rivals outer perceptions. To test which is coming from where the ego develops methods for reality-testing. Errors which easily arise due to the new situation – where we mistake internal psychic experiences for ‘reality’ – are called hallucinations or dreams.

The inside of the ego is largely preconscious, with a thin layer of consciousness monitoring outside perceptions and an inner stream of consciousness. The id is entirely unconscious. What the nature of the physical processes are which make the biochemical changes which the mind is capable of perceiving remain a mystery.

Chapter 5. Dream interpretation as an illustration

A model mind is one in which the frontiers of the ego are safeguarded from the encroachments of the id by effective repression, and in which the superego and the ego work together as one. To find out how these forces work together we should see them malfunctioning and an easy way to begin is with dreams.

Everyone dreams. In dreams our experiences are hallucinatory, surreal, bizarre, nonsensical – everything we believe the unconscious to be. Dream interpretation distinguishes between the manifest content, what we remember of the dream upon waking, and the latent content, the real message of the dreams.

In a dram unconscious material has forced its way past the slumbering defences of repression into the preconscious; here it is scrambled by the Censor in such a way as not to disturb the sleep which the human organism requires. In other words, dreams enable refreshing sleep to occur because, although we are more vulnerable to raids from the unconscious, the censor steps in to distort the latent content of the impulse.

Dreams can originate from either suppressed wishes deep in the unconscious or from preconscious traces of the day’s activities to which deeper unconscious urges attach themselves.

Evidence that dreams are indeed the irruption of the repressed are:

a) dreams contain a high degree of material forgotten or inaccessible to waking consciousness
b) dreams partake of linguistic symbols derived from earlier stages in the subject’s development
c) dreams often repeat scenes from childhood which are repressed in waking life
d) dreams incorporate memories not accessible to the individual, possibly memories from the origins of the race

But Freud has called dream interpretation ‘the royal road to the unconscious’ because dreams make accessible to us the bizarre laws to which unconscious life is subject. These include processes of distortion called condensation and displacement.

The deduction from dreams is that the unconscious is desirous of expending its energy regardless of object. The dream is the guardian of sleep because it fulfils this rude instinct, this pressing unconscious wish, in the shape of a fantasy.

Anxiety dreams, which seem to disprove the thesis that dreams are fulfilments of wishes, happen when the instinct overpowers the Censor and is threatening to storm the ego in the full ugliness of its naked lust. The only option open to the ego is to wake up, switch defences up to full, and stuff the repressed material back into oblivion – but at the cost of an all too palpable effort (sweats, adrenalin, anxiety etc).

Part 2. The practical task

Chapter 6. The technique of psychoanalysis

A dream, then, is a psychosis which remains under our control. By contrast other mental illnesses are less controllable. They may come about when the urgings of the id unbalance the ego, or when the superego makes impossible demands, or when both gang up on the poor ego.

In analysis the analyst comes to the ego’s aid with a promise to reinforce his mechanism of defence in return for the subject giving us the complete honesty and candour we need to examine the unconscious. [N.B. it is this bolstering of defences which was pursued in the work of ego psychology developed by Freud’s daughter, Anna Freud].

Psychotics who have completely abandoned contact with reality are beyond the terms of this pact and cannot be treated by psychoanalysis. But there is another class of psychiatric patient who still has enough contact with reality to undertake the pact required to carry out therapy – ‘the vast number of people suffering severely from neuroses.’

The therapeutic pact If the neurotic gives us his full story in full candour we will help rebuild his ego. Sounds like the role of the master-confessor from the olden days of religion? Yes, except for the all-important distinction that a psychoanalyst can learn from the patient what he does not know himself, which Christian confession can never do.

In order to do this the psychoanalyst must extract everything whatever that comes to the patient’s mind, no matter how trivial. It is from this material that the analyst deduces the unconscious urges which are dominating the patient.

But the analyst will meet resistance. And after resistance, transference. The patient will begin to project onto the analyst all the feelings evoked by their memories of childhood, for example, the ambivalent love-hate feelings which every child projects onto its first authority figure, the Father.

Transference has the advantage that the analyst can then act with the authority of the father and the patient may make great efforts to please Daddy. Plus, the analyst has the advantage of seeing a key period from the patient’s life acted out in front of them rather than inconclusively reported by a confused patient.

Unfortunately, transference has a negative side as the repressed anger and defiance of the patient, also, can be projected onto the analyst. Worse, the repressed erotic wish for the parent of the opposite sex can emerge in the shape of the patient falling in love with the analyst.

If the patient thinks these are real experiences, it’s tricky; the analyst has to disabuse them and make them see that these are just repetitions of childhood feelings. Once transference is acknowledged, the patient can begin the process of rebuilding, of broadening the area of control of, the ego.

The second part of the cure is the overcoming of resistances. The ego, threatened from within and without, expends a lot of energy clinging to certain anti-cathexes, resistances to repressed material. It is the job of analysis to embolden the ego, to give it the power to regain mastery over its whole domain and not to feel threatened and embattled (anxious, hysterical, neurotic or obsessive).

As resistances to the expression of forbidden material are overcome, welcome mental energy is liberated for the ego to redeploy across its kingdom. When the analysis has progressed this far, two factors now become evident. The first is Guilt, which is the shape taken by resistance in the superego, which expends energy punishing the ego. The superego insists that:

The patient must not become well but must remain ill because they deserve no better.

The analyst has to make the unreasonableness of this self-punishment clear to the patient. The second factor is a complete takeover of the ego by the will to destruction, the death wish, which often leads to suicide.

Chapter 7. An example of psychoanalytic work

One fundamental discovery of psychoanalysis has been that neurotics have the same pathology as normal people, they have the same innate disposition as normal people, the same experiences, the same problems to solve. They are simply people who find this framework of requirements too much, resulting in misery, anxiety, symptoms.

On closer investigation, it appears that almost all these neuroses have their origin in childhood. Hardly surprising when you consider the primal power of the id and the vulnerability of the still-developing ego, feeble, immature and incapable of resistance.

The ego copes with excess stimuli from the external world with flight; with excess stimuli from the internal world with repression, attempts at mental flight, denial and rejection. It later turns out that these have been paid for at the cost of full development, and that the libidinal energy devoted to holding these instincts back, permanently cripples and disables the ego; stunts its proper development.

Why has evolution permitted such an apparently costly mechanism to afflict the young animal? Because it’s a small price to pay compared to the epic task which the ego has to achieve in its first five years:

In the space of a few years the little primitive creature must turn into a civilized human being; he must pass through an immensely long stretch of human cultural development in an almost uncannily abbreviated form. This is made possible by hereditary disposition; but it can never be achieved without the additional help of upbringing, of parental influence which, as a precursor to the superego, restricts the ego’s activities by prohibitions and punishments and encourages the setting-up of repressions.

Thus, the influence of civilisation is among the determinants of neurosis. It is easy for a barbarian to be happy – he gives way to all his basest desires, represses nothing and so has no neuroses. For a civilised man it is a long strenuous journey, with many pitfalls.

The central role of sexuality in this developmental journey has been proved by psychoanalysis time after time:

The symptoms of neuroses are either a substitutive satisfaction of some sexual urge or measures to prevent such a satisfaction; usually some kind of compromise between the two.

Why should this be so surprising? The one essential role of every organism is to reproduce; preparation for reproduction is crucial; and yet in the rise of civilisation no instinct is more thoroughly repressed than sexuality. Given such strong opposing forces why be surprised that so many people fall victim in one way or another to illness caused by the repression of their innermost desires?

Central to the child’s experience is the Oedipus Complex. Freud approaches it via a developmental history of the child.

The child’s first erotic experience is sucking at the breast, the primary model of gratification (‘Love and hunger meet at a woman’s breast’, The Interpretation of Dreams, page 295). Initially breast and baby are one polymorphously perverse substance.

Soon the breast is differentiated and becomes cathected (i.e. charged) with conflicting feelings of love and hate (tiny aggression is shown by biting the nipple) in the oral phase. Soon the breast forms itself into the whole of the mother who pampers and plays with the child, prompting a galaxy of feelings, gratifications and frustrations, pleasures and rages.

Thus the mother is the first seducer, the prototype of all later love-relations.

At three and four, in the phallic stage, the baby boy is aware of the pleasure given by playing with his penis and shows it off proudly to his mother. He associates this pleasure with her and wants to possess her, according to the prompting of obscure feelings. If the child shares the Mother’s bed and then Daddy comes home and he is returned to his cot, the feelings of little Oedipus can be imagined. Rage and hatred and lust and desire seethe in the toddler mind. Eventually the mother or father tell little Johnny to stop playing with himself or being so stubborn or bad tempered and all these injunctions are accompanied by the explicit or implicit threat to deprive the boy of the source of his greatest pride and pleasure, his penis.

This is the castration complex and is the most terrifying experience of a small boy’s life. It echoes down the ages in the Greek myths where successive gods castrate their father, and in the age-old practice of circumcision by which pubescent boys submit to authority, in both Judaism and Islam.

In response to this terrifying fear the child suppresses its masturbatory activities and sublimates them into fantasies. It fosters resentment, defiance and fear of the father and practices a total renunciation of the mother or slavish identification with her, in order to be spared by the Father.

It is precisely because this ‘nuclear complex’ paves the way for so many strategies of defence that psychoanalysis calls it the founding moment in the development of human character. All these seething feelings are repressed in childhood, go underground during the latent phase. But then they return in new guises at puberty that explosive period of sexual and egoistic efflorescence, with the arrival of full-blown sexual awareness. The revival of repressed material with the onset of puberty plays a large role in determining character.

On this model girls are born inferior. Their lack of a penis leads to penis envy. Their attempts at masturbation are failures, hence a general turning away from sexual life in girls and women.

They may try to introject the masculinity they lack and become lesbians. They may turn to hatred of the mother who brought them into the world without a penis and so turn their love toward the father. In this narrative the girl’s attempt to be like their father and to incorporate his penis-authority is finally sublimated into the wish to take the mother’s place, to bear Daddy a baby. Once formulated, this wish may, like the boy’s forbidden fantasies, be repressed into the unconscious but, with the onset of puberty, the wish is revived but directed outwards, so that the young woman goes off to attach herself to the first suitable male who reminds her of Daddy.

Part 3. The theoretical yield

Chapter 8. The psychical apparatus and the external world

Ultimate reality is itself unknowable. All we can know is reality as mediated by our sense perceptions and ‘known’ as it is perceived by our organ of knowledge, the mind.

Thus, in describing the workings of the mind most psychology, and most ordinary people, have to work with concepts which are largely metaphorical, concepts like height, depth, width or more advanced concepts like time, like cause and effect, which have no physical, tangible ‘reality’. We have imposed them on ‘reality’ because they provide us with a working model, a way of getting on with the real world.

Psychoanalysis is no different. It invokes metaphorical concepts like the unconscious, the repressed, the libido and so on. We can never know exactly what these things ‘are’. Possibly, we will one day be able to correlate them to specific physical, biochemical changes in the brain. In the meantime we use them because they provide a workable explanation of the many other phenomena we observe in the mind.

To recapitulate: the id is the realm of unconscious drives; it is ruled by two broad instincts 1) the desire to fulfil every instinctual wish 2) the equal and opposite drive to reduce tension. Ultimately, the second wish is pushing for the cessation of all tension and stimuli (‘Nirvana’). The two broad streams of instincts are assigned to two broad categories: the desire for pleasure, of which sexual pleasure is a subset, fall under the heading of Eros; and the wishes for all stimuli to cease fall under the death instinct.

Mediating between the id and external reality is the ego. The ego attempts to control the instincts of the id such that they can be fulfilled at the most propitious moments in the external world. Sometimes desires which threaten the ego’s function have to be entirely repressed and the ego has to expend energy doing this. The id is driven exclusively by desire for pleasure, the Pleasure Principle, while the ego is driven by a desire for safety, the Reality Principle.

Most of the ego is preconscious. Occasional strands of association, images and verbal residues, drift across the part of the psyche which is capable of self-reflection, often puzzling or even bewildering us.

The ego develops and separates itself off from the primal id at a price. Its autonomy is always contingent and subject to disruptive incursions from ‘below’, from the unconscious, and to a constant stream of punitive demands from ‘above’, from the superego. And the ego is constantly under attack from the terrifying forces of external reality.

No wonder the ego often cracks under the strain and has a ‘breakdown’. It is at this stage that psychoanalysis sets out to trace the fissures, the cracks of the breakdown, back to their earliest origins in childhood. And, once the repressed material has been dragged into the light of consciousness, the patient can acknowledge the long buried childhood experiences which are at the root of the problem and begin rebuilding new, better ego defences with which to face the world.

Chapter 9. The external world

Guilt is the punitive action of the superego upon the ego. The superego is the concentrate of injunctions laid upon us by our first objects, the parents. Thus the psyche has three parts:

  1. the deep inner world – the id
  2. a special part of the outside world introjected or brought inside – the superego
  3. a bit that mediates between outer and inner – the ego

The superego is the heir to the Oedipus Complex. Its intensity has nothing to do with the actual strictness of the real-life parents, but is a function of the intensity of the Oedipal feelings which the child had to repress.

It is a dim perception of this sense of a planting-from-outside which has led theologians to account for conscience as being implanted in us by a higher cause, God.

The superego is initially based on the residue of the Oedipus Complex, but attracts to itself all the teachings of the parents, of teachers and authority figures, general social morality and the accumulated wisdom of the past…

[Here the manuscript breaks off in mid-sentence. The editors of the Pelican edition end the text with ellipses…Quite poignant.]

Comment

This is Freud’s most concentrated theoretical exposition of psychoanalysis, rich in new insights and cross-connections and very persuasive, especially where he gives a bit of wider context, mentioning (albeit briefly) psychoanalysis’s position vis-a-vis philosophy and other psychological theories i.e. it goes deeper than both, far, far deeper.

The passage describing the actual process of psychotherapy is the clearest, most persuasive summary of how the analytic therapy works which I have read.

Possibly it is so effective because he largely eschews the florid metaphors he is so prone to in the rest of his work (analysis as archaeology etc) and also because he doesn’t waste time going off on one of his rants against religion or into a long digression on a literary text (Gradiva, Hamlet etc).

Instead, he bases the theory on the basis of a materialist, biological interpretation of the human organism and human mind,  stopping to consider what the evolutionary reason or advantage for this or that mental strategy might be – and this gives it more scientific weight and authority than almost anything else I’ve read by him.

If you were going to read one work by Freud, maybe this is the one; it’s barely 70 pages long in the Pelican Freud Library paperback.


Credit

The history of the translation of Freud’s many works into English forms a complicated subject in its own right. ‘An Outline of Psychoanalysis’ was first translated into English by James Strachey in 1964 as part of The Standard Edition of the Complete Psychological Works of Sigmund Freud. My quotes are from the version included in volume 15 of the Pelican Freud Library, published in the 1986.

More Freud reviews

Future of an Illusion and other writings on religion by Sigmund Freud

Note: to avoid misunderstanding, I believe Freud is a figure of huge cultural and historical importance, and I sympathise with his project of trying to devise a completely secular psychology building on Darwinian premises. Many of his ideas about sexuality as a central motive force, about the role of the unconscious in every aspect of mental life, how repressing instinctual drives can lie behind certain types of mental illness, his development of the talking cure, these and numerous other ideas have become part of the culture and underlie the way many people live and think about themselves today. However, I strongly disapprove of Freud’s gender stereotyping of men and women, his systematic sexism, his assumption of Western superiority over ‘primitive’ peoples, and so on. Despite the revolutionary impact of his thought, Freud carried a lot of Victorian assumptions into his theory. He left a huge and complicated legacy which needs to be examined and picked through with care. My aim in these reviews is not to endorse his opinions but to summarise his writings, adding my own thoughts and comments as they arise.

***

1. The Future of An Illusion (1927)

Freud posits a parallel between the development of a child and the development of civilisation. In individuals you get a progression through helpless infant, wilful adolescent and mature adult. By an analogous evolution society can be said to develop through stages, from savage tribes with beliefs in all kinds of spirits; to semi-civilised societies who believe in one God; then onto modern society, rational, scientific and atheist.

1. Civilisation is based on, indeed, is to some extent defined as, the amount of instinctual repression it can achieve. Some people (i.e. communists) may wish for a redistribution of wealth so that everyone will work joyfully and creatively together. Unlikely. People don’t like work; people prefer indulging their instincts in pleasurable pursuits. Civilisation means coercing people into wealth-creating work and making them repress their instinctual desires.

2. Society organises instinctual repression. The upper classes repress their instincts in order to provide a ‘moral’ role-model for the workers. The workers are ambivalent towards this model of rational self-repression, partly resenting it because they are clearly not getting as much wealth and power as the upper classes; but allying with their rulers if the latter identify threats from outsiders, for example, the ‘barbarians’ for ancient Greece or Rome, or ‘outsider’ groups such as Jews in 20th century societies (or refugees and immigrants in contemporary Britain). But all sectors of society can be united by certain artistic ideals (in the sense that art is a sublimation of our instinctual wishes). A shared art can help unite people in their ideal.

(N.B. Freud wrote this during the heroic age of Bolshevik propaganda – 1927 – and anticipated many of the aesthetic theories of the Nazis, namely to unite the Volk in worship of high ideals while focusing anti-social energy onto outsider groups like the Jews.)

3. Primitive man is paralysed with fear in face of the horrors of existence, the arbitrariness of disease, famine, catastrophe, death and so on. He peoples the world with spirits who he tries to relate to in the same way he relates to those around him i.e. family, chief, slaves etc. As mankind develops, so does this primitive pantheism, so that the many spirits and their functions become concentrated into a king of the gods and, eventually, into one figure, one God, ruler of a totally controlled Providence, in charge of divine justice, deciding who has been good and will be rewarded etc. Naturally, whoever thought up this monotheism consider themselves to be The One People, the Chosen People (i.e. the Jews).

4. Freud reminds the reader of the theory he outlined in Totem and Taboo 15 years earlier. There he took a hint from Darwin about the possibility that early man lived in hordes, a band of brothers borne by a harem of mothers owned and inseminated by one semi-divine Father. In Freud’s fantasy of ‘primitive’ society the brothers rose up in rebellion, overthrew the ruling Father, killed him and ate him in a communal meal deliberately designed to implicate everyone in the guilt. This ‘historical’ fact is what lies behind the practice found among so many cultures – the worship of a totem animal which is superstitiously revered all year round, except for the one holy day when it is executed and ritually eaten. (In fact, no history or anthropology has come anywhere near confirming Freud’s fantasy of this primal parricide, which is generally discredited.)

Freud then highlights the continuity between his explanation of religion as a protection for the helpless savage from the cruel forces which surround him, and modern-day religious belief.

5. Freud lists the reasons our parents and priests give for believing religion:

  1. it is handed down from time immemorial
  2. there are many proofs
  3. in any case, you’re forbidden to discuss it

In fact 2) is demolished because religious belief is so riddled with contradictions and falsehoods, for example, the contradictions in the Bible, the explosion of the Genesis myths by archaeology and geology and so on. Some Christians say, ‘I believe precisely because it is absurd’ but if that is the case, why not believe any old absurdity and fantasy? The fact is that religious people may differ in details of theology or ritual but overlap considerably in their basic, primeval wishes – to be consoled, protected, assured of life after death.

Spiritualists try and persuade us of the immortality of the soul but how pitiful is the transparent egotism of such a wish, the wish to live forever, to deny the upsetting reality of death and extinction.

6. Religion is an illusion: an illusion is a belief incorporating a large amount of wish-fulfillment. We all want a Big Daddy to hide from us the desolation and heartbreak of reality, to pick us up and dust us off and make things better. Religious beliefs cannot be proved or refuted, and this is clearly what gets Freud’s goat about religious people – they are so dishonest. They have no intellectual discipline but use whatever tools lie to hand – logic till that runs out, absurdity till that won’t serve, the strength of tradition till that is proved to be largely false, and then the testimony of personal experience which can’t be proved or disproved – they will do anything to cling onto their pitifully childish wishes: Yes, I will live forever; Yes, Daddy loves me, totally, completely; Yes, all the injustices I suffer now are recorded and will be set right in the Afterlife.

Even a bunch of ‘savages’ ought to be embarrassed by the childishness of all this, let alone so-called ‘civilised’ men.

7. ‘Ah but’ (says The Voice of The Believer, which Freud invents to play Devil’s advocate), ‘it is:

  1. dangerous to undermine religion since this will lead to anarchy
  2. cruel to deprive people of the illusions that sustain them

Now these are good points which Freud doesn’t really rebut. He concedes that that religion has achieved much, historically, by making civilization possible (i.e. focussing people’s anarchic wishes and fears onto one controllable God) but moves on swiftly to point out how, after thousands of years of its hegemony, just look around at the misery, injustice and inhumanity which still plague us. Far from ensuring moral behaviour, religion has in fact made many scandalous concessions to the weakness of human nature, for example, the rigmarole of confession and penance and masses for dead relatives, and so on.

But fortunately, in Freud’s view, the spirit of Science is now abroad: we live in dangerous times and pretty soon the repressed masses are going to realise that the sanctions against rebellion underpinned by religion have evaporated. So if we want to keep order in society, we have to do something about the fact that religion is collapsing and have to establish a firmer foundation for law and morality than this dying system – solid, secular ethics.

8. By basing the undoubtedly wise injunction ‘Thou Shalt Not Kill’ exclusively on God’s authority, along with a host of other restrictions and laws, we risk the collapse of these injunctions so vital to civilisation when religion itself collapses, as it inevitably will, before the onslaught of science.

Better to be honest. Religion is ‘true’ (just like dreams and neurotic symptoms) insofar as it tells us a psychologically true story in symbolic terms (for example, the central event of the sacrifice and cannibalism of the Father as depicted in Totem and Taboo is psychologically true depiction of the Oedipus Complex which Freud claims every male human experiences). But now, says Freud, it’s time to cast symbols aside and face the facts, to move into the scientific – or adult – phase of civilization.

9. The Voice of the Believer says this is dangerous talk because it is naive to think that Reason can replace Religion as the glue binding Society together. Look at the French Revolution which tried just this and catastrophically failed.

Once again, Freud doesn’t quite refute this good point. Instead he says the reason to be sceptical about any triumph of Reason is because so many people’s adult intellects are weakened, and this is because:

  1. their instinctual sex life is so repressed that they become obsessed and/or ill
  2. as children they are force-fed so much illogical nonsense under threat of hellfire

No, says Freud, we must take the risk, we must draw up a plan for modern education which omits religion. It may take a while for the reform to take affect (he cites the slow progress of Prohibition in the USA, 1920 to 1933) but it will be worth it to build the just, unrepressed, scientific society of the future.

Instead of wasting our energy on vain hopes of an afterlife, let’s build a New Jerusalem on earth ‘by concentrating all our liberated energies into life on earth.’ Freud expresses the ‘hope that in the future science will go beyond religion, and reason will replace faith in God’.

10. The Voice of Religion says:

  1. you are trying to replace a tried and tested illusion with an untried one, and
  2. religion unites all levels of society from labourer to intellectual. What else can do this?

Once again Freud answers his own question unconvincingly by resorting to the relatively small example of the help he has been able to give individual patients in coming to terms with their illnesses. Freud hopes that psychoanalysis can extend that help to society at large.

This is, to put it mildly, quite a big hope…

Thoughts

Given Freud’s lifelong animus against religion, it’s surprising that, when he finally got round to writing a complete book on the subject, it turned out to be such a surprisingly bad and unsystematic text. It trots through various arguments for atheism, buttressed by bits of psychoanalytic theory, but is surprisingly ramshackle and unconvincing.

For me, the Voice of the Believer which he creates in order to dramatise the text, is much more persuasive, especially when you consider that, as Freud was writing, some European nations stood poised to experiment with just the sort of non-religious, ‘scientific’ ideologies to bind society together which Freud appears to recommend: Stalin’s Russia and Nazi Germany.

Obviously, Freud wasn’t a Nazi or a Bolshevik, but both those ideologies claimed to have ‘scientific’ solutions to society’s problems, circa 1927, which just goes to show what a slippery term ‘science’ is, just as liable to ideological manipulation and distortion as the ‘religion’ he so simple-mindedly attacks.

And then, looking back with the benefit of hindsight from 2023, it’s clear that, despite with all the gee whizz technology we in the West have invented, if you look at the world as a whole, religious fundamentalism (Muslim and Hindu, in particular) and irrational nationalisms (Russia, Turkey, Brazil), are on the rise almost everywhere.

It is Freud’s hopes for a rational, secular and scientific future which seem naive and superficial.

2. Oskar Pfister’s The Illusion of A Future: A Friendly Disagreement with Professor Sigmund Freud (1928)

Freud wrote The Future of an Illusion in 1927 partly with his friend and devout Christian, Oskar Pfister, in mind. The following year Pfister wrote a pamphlet refuting Freud’s points, The Illusion of a Future, which Freud welcomed (dissent was OK as long as fundamental allegiance to The Movement remained unquestioned).

Pfister summarises Freud’s critique of religion in The Future of an Illusion, thus:

  1. Religion is a universal obsessional neurosis based on the Oedipus Complex.
  2. Religion comprises a system of wishful illusions together with a disavowal of reality.
  3. Religion is hostile to free thought.
  4. Religion has failed as a guardian of civilisation.

Pfister’s rebuttals

1. Undoubtedly religious belief can include a neurotic component. Undoubtedly early religious systems were based on ‘primitive’ mental states. Undoubtedly religious belief in its earliest phase was bound up with the repression of instinctual drives accompanied by neurotic components. But that doesn’t disprove the validity of belief itself.

Freud oversimplifies to say the same Oedipal complex lies at the bottom of all religious belief. Can such a simple explanation really explain the religion of the totemists, the social-ethical monotheism of the Israelites, the Aten-belief of the Egyptians, the piety of the conquistadors, and so on?

In contrast to the many repressive elements of primitive religious belief, Pfister sets the uniquely unrepressed and liberating belief of reformed Christianity, and above all, the ethical achievement of Jesus’s commandment of Love.

Jesus overcame the collective neurosis of his people according to good psychoanalytic practice in that he introduced love – morally complete love – into the centre of life.

For Pfister, Jesus was the first psychoanalyst. Therefore Freud, insofar as he is following in Jesus’s footsteps, is a good Christian!

Whoever has fought with such immense achievements for the truth and argues for the salvation of love, as you have [Pfister’s book is directly addressed to Freud], is a true servant of God according to Protestant standards.

For Pfister Protestantism is the reverse of Freud’s neurotic, repressed illusion: it is the blossoming of man into his full biological destiny of love.

It is misleading of Freud to write his natural history of the development of religion in such a way as to tar Christian belief with the brush of primitive animism etc. The entire point of Christianity is that Jesus represents a triumph over the irrational compulsions of the Old Law, the superstitious repressions of the Old Testament, and its replacement with a new dispensation of brotherly love and love of God.

2. Undoubtedly there is a large element of wish-fulfilment in much religious experience. Pfister points out that Freud is indebted to the pioneering ideas of Ludwig Feuerbach (1804 to 1872) and his psychologising of religion; it was Feuerbach who first demonstrated that much theology is disguised anthropology and religion a dream.

But, for a start, many atheists are governed just as much by wish-fulfilment as believers; and their compulsion to disbelief, their atheism, is no more than their Oedipal wish to do away with the Father. Wishes are common to all mankind, as psychoanalysis shows. Pfister agrees with Freud that the moral progress of mankind consists of the overcoming of egotistical wishes: where he differs is in insisting that Jesus enjoins the highest form of overcoming egotism.

The gentleness and humility, the self-denial and rejection of the hoarding of wealth, the surrender of one’s life for the highest moral values, in short the whole way of living that he who was crucified at Golgotha demanded of the apostles, is diametrically opposed to the appetites of human nature.

Consider the Lord’s prayer. It embodies the overcoming of everything egotistical. Freud, by implication, is attacking a Judaic, a Mosaic religion, based on the jealous God of the Old Testament and operating through fear. Not Pfister’s God of liberation through love.

Pfister goes onto the attack to say that there is in fact a huge element of wish-fulfilment in science. The history of science is an unceasing struggle against anthropomorphisms. This was being highlighted at the time these books were being written by quantum physics and the splitting of the atom. Now we know that reality is textured and fissured in complicated, sometimes incomprehensible ways: to continue to see colours as colours not frequencies, to see this table as solid and not a buzzing mass of particles, these could be said to be wishes for the world to remain stable and meaningful despite the strict testimony of science.

Science and philosophy have to take into account the experiential, the phenomenological. In order to function in the world we make leaps beyond what science can now prove: this is not wish-fulfilment, it is being human.

Nor is Religion inflexible. After some resistance (and hasn’t psychoanalysis shown that resistance is a common human quality?) religion has adapted to Copernicus and Evolution. And so it will assimilate Freud’s insights as easily.

3. Is religion hostile to thought? No, says Pfister. On the contrary, his brand of Protestantism encourages freedom of thought whenever possible.

We calm frightened persons who are experiencing a crisis of belief with the assurance that God loves the sincere doubter and that a belief made more secure through thought is more valuable than one which has simply been taken over and taught.

Contrary to Freud’s claim that religion has stifled thought, consider the great thinkers who were Christians. Descartes, Newton, Faraday, Pasteur, Leibnitz, Pascal, Lincoln, Gladstone, Bismarck, Kant, Hegel, Goethe et al were all Christians; did belief stop them from thinking new and original thoughts? No. Look at Einstein who, through brilliant scientific achievement, has come to believe that the universe has a design.

4. Freud claims that religion has held the field for thousands of years as a civiliser of mankind and look at the mess we’re still in, so now – says Freud – it’s Science’s turn. Pfister agrees that there is much to abhor in the contemporary world. But it is just silly to blame religion for this. Religion is and always has been: ‘not a police force that conserves, but a leader and beacon toward true civilization from our sham civilization.’

Religion should bring forth the greatest achievements in art and science; should fill the lives of all people, even the poorest, with the greatest treasures of truth, beauty and love; should help to overcome the real stresses of life; should pave the way for new, more substantive and genuine forms of social life, and thus call into being a higher, inwardly richer humanity, which corresponds more closely to the true claims of human nature and of ethics than our much-praised uncivilisation.

Pfister then moves on to the offensive to attack Freud’s scientism (defined as ‘the belief that science and the scientific method are the best or only way to render truth about the world and reality’). Freud (optimistically) writes that Science will steadily reveal the truth of the world to us and that the advance of intellect will in time reconcile us to the hard facts of existence.

We believe that it is possible for scientific work to gain some knowledge about the reality of the world by means of which we can increase our power and in accordance with which we can arrange our life.
(The Future of an Illusion)

Pfister replies that this vision is breath-takingly naive. Freud sidesteps all the epistemological questions which have dogged science, questions about the ‘reality’ of the outside world on which we conduct our experiments, and the nature of the knowledge we acquire about it.

On the one hand Freud’s naive faith in the reality of external appearances has been hugely undermined by recent (1920s) science, which has consisted precisely in dissolving appearances: optics dissolves colour into frequencies, physics dissolves solids into whirling worlds of atoms, and atoms themselves disappear into smaller entities which are both particles and waves, at the same time. So Pfister accuses Freud of being a philosophical novice:

Natural science without metaphysics doesn’t exist. The world is accessible to us only through our intellectual make-up and not through the senses alone. Our categories of thought, whether one considers them according to Kant’s method or some other way, always play a part. Therefore we must engage in criticism of knowledge. We need concepts like cause and effect, although they have been discovered to have their origins in anthropomorphisms, we need molecules and atoms [though they are now realised to be artificial constructs]. Even the measuring and weighing has to do with abstractions for numerical concepts are, like all concepts, abstract. Philosophy, which begins as soon as experience ends, extends into the empirical sciences and whoever doesn’t seriously come to grips with philosophical problems will do so in an amateur confused way.

So, according to Pfister: 1) Freud’s deliberate ignorance of philosophy seriously undermines his understanding of what science is and how it proceeds. But 2) given that Freud’s ‘science’ is a rather simple-minded, uncritical concept, how can we believe Freud’s predictions of a future world ruled by it?

Thus I don’t know through Freud’s generally accessible concept of science how far knowledge extends, what degree of reliability it can establish and what opportunities are allotted to it. How can I know if the extension of power through knowledge means an increase in happiness for humanity?….

Is it unthinkable that a civilisation that is guided only by science will succumb to wild passions after the World War has revealed to us the barbarism lurking in the depths of nations? Has it been settled so definitely that progress in the sciences until now has increased the sum total of human joy in life? Is it certain that we are happier than we were 100 years ago? What will become of the most beautiful characteristics of technology when they are forced into the service of the inhuman hunger for money, of human cruelty, of inhuman dissipation?

(Very prophetic in the light of the uses science was shortly to be put to in the Soviet Union, in Nazi Germany, and in the countries who developed and dropped the atomic bomb.)

Pfister then delivers a sustained assault on the implications of Freud’s narrow scientism: human beings are not just thinking machines, they make and feel and judge. Setting up rational Science as the great shibboleth is throwing out everything which makes human existence glorious and humane: the great achievements in art, in poetry, in philosophy, in architecture; the entire realm of aesthetics and the judgement of beauty; the realm of ethics which must guide us through all the decisions of a lifetime.

Freud seems to think that knowing something gives us control over it and that therefore Science will provide the rational mind with everything it needs to rule its life. This is a demonstrably silly idea. What’s more, it is subverted by the very discoveries Freud himself has made about the vast amount of human behaviour which is subject to irrational determination, to unconscious motivation.

For Pfister Religion, not Science, offers the best means of overcoming these instinctual drives and determinants, of arriving at the full freedom and self-determination offered by Jesus.

A positivistic Science such as Freud promotes cannot begin to offer the foundations for morality, for art, for any sensible guidance on how to live our lives. Psychoanalysis can restore the overdetermined subject to his or her proper autonomy, but the big decisions in life still lay all before them and science alone is nowhere nearly enough of a guide.

Conclusion

Pfister summarises his case: Isn’t Freud’s scientism every bit as much of a wish-fulfilment, of an illusion, as the simple-minded version of faith he ascribes to religious believers?

Freud’s airy visions of the future triumph of his vague, ill-defined ‘Science’ are a limp wish next to the solidity of the science of the human heart which he has developed. And Pfister delivers his punchline: In his social and religious writings, then, Freud is labouring under ‘the illusion of a future’ i.e. a naive, utopian belief in a future where human beings are governed by reason and science – as obvious a wish-fantasy as anything Freud attributes to believers.

3. Psychoanalysis and Faith: The Letters of Sigmund Freud and Oskar Pfister

Oskar Pfister was a Swiss pastor who was introduced to Freud’s writings by Jung in 1909. Freud and Pfister exchanged letters between 1909 and 1937.

Pfister – born in 1873, the same year Freud entered University – was the youngest of four sons of a Swiss pastor. His father died when Pfister was three and he was afflicted with a lifelong sense of loss and a search for love. After attending university he trained in theology and took charge of his first congregation in 1902. Repelled by the word-spinning of traditional theology Pfister looked for a more practical way of helping the souls in his charge. When Jung introduced him to Freud’s work in 1909 he became a convert and from that moment never wavered in his belief in the insights and usefulness of psychoanalysis, writing books on technique, pastoral care and pedagogy up to his death in 1956.

When Jung left Freud in 1913 and then the Swiss psychoanalysts rebelled against the founder, Pfister stayed loyal. But Pfister never wavered either from his Christian faith, and in the letters and in the two pamphlets, Future of an Illusion and Illusion of a Future Freud and Pfister carried out a private and public debate about psychoanalysis’s implications for religion. Only some of their correspondence has been published. In among a good deal of chat about books, congresses and the spread of the Psychoanalytic Movement there are exchanges on religion. Here are some highlights:

Pfister sends Freud an outline of how he treats adolescents. Freud says analysis consists in two stages: the release of tension and the sublimation of instinctual drives. To release tension in his patients is relatively easy and helped, Freud says, by their irreligion and by the analyst’s openness to sexuality. Freud says Pfister is lucky to have religion to help him with the second part of the process.

Freud: ‘In itself, psychoanalysis is neither religious nor non-religious but an impartial tool which both priest and layman can use in the service of the sufferer.’

Pfister says there’s little difference between them in views on sexual morality. The Reformation was, after all, an analysis of Catholic sexual repression, imperfectly carried through. Pfister sees himself now at the forefront of a further evangelical movement towards the liberation of love. He is working for better education, better social conditions, a healthier moral outlook.

Freud agrees with the description of himself as ‘a sexual protestant’.

Freud ironically asks why none of the pious discovered psychoanalysis, why was it left to a godless Jew? Pfister replies that he doesn’t regard Freud as a Jew at all, but in his emphasis on the healing power of love, says of Freud, ‘A truer Christian never was.’ Anna Freud interpreted this as Pfister’s inability to accept Freud’s militant atheism. But then, Anna would say that. You can read Pfister’s Illusion of a Future as a (persuasive) attempt to incorporate Freud into a Christian tradition of love.

Pfister quotes Plato to Freud: ‘The art of healing is knowledge of the body’s loves and he who is able to distinguish between the good and bad kinds, and is able to bring about a change, so that the body acquires one kind of love instead of the other, and is able to impart love to those in whom there is none is the best physicians.’

Freud perceptively points out that psychoanalysis can only catch on in Protestant countries. No surprise that its first foreign conquest was Protestant Switzerland, with son-of-a-pastor Jung and son-of-a-pastor Pfister. Whereas it had hardly made any headway in arch-Catholic Austria. Cf Protestant England where it caught on up to a point, and Puritan America, where it became wildly popular.

Pfister critiques The Future of an Illusion by saying it is too simplistic. If there are contradictions in the religious world-view, why doesn’t Freud refer to the many theologians who have attempted new syntheses?

‘Your substitute for religion is basically the idea of 18th century Enlightenment in proud modern guise.’

How awful if the aim of Freud’s therapy is to bring people into ‘the dreadful icy desolation’ of a godless stoicism. Pfister, by contrast, tries to bring people through therapy to a love of life, a life of love.

Freud replies by saying that he wrote Future of an Illusion as his own opinion; his personal views on religion form no essential part of psychoanalysis (shrewd politics here, from Freud). The book only really contains one argument: religion is a means of sublimating instinctual drives; it is wish-fulfilment.

Freud regards the icy waste of atheism as beyond the reach of most analysands; most will have to sublimate their needs into higher forms – art, religion etc. (Note the implication that Freud’s atheism is in some sense heroic, beyond the reach of most mortals).

Pfister suggests that Freud’s militant atheism is due to his having been brought up round arch-Catholics (not least his Catholic nurse, who terrified the infant Freud with visions of hell and was then sacked for theft, leaving him with an indelibly poor opinion of Catholics).

Pfister assures Freud that Freud’s great god Science is just as full of contradictions as Religion and, what’s worse, it’s continually changing. Moreover, look at the great minds who have been believers – a counterthrust to Freud who had said, ‘Look at the great minds who have been twisted and distorted by religious repression’.

Freud says his one big argument against religion is, ‘How the devil do you reconcile all that we experience and have to expect in this world with your assumption of a moral world order?’ It is a restatement of the age-old, single biggest objection to belief in a caring God, the so-called Problem of Pain. Freud writes:

I do not know if you have detected the secret link between the Lay Analysis and the Illusion. In the former I wish to protect analysis from the doctors and in the latter from the priests. I should like to hand it over to a profession which does not yet exist, a profession of lay curers of souls who need not be doctors and should not be priests.

Pfister replies that it’s wrong to forbid priests to practice psychoanalysis. Psychoanalysis purifies and refines art, philosophy and religion.

Freud: The essence of religion is the pious illusion of a providence and a moral world order, which are in conflict with reason. It becomes clear that Freud’s Number One problem is with the idea of a divine Providence ruling over everything and ensuring its followers peace, health and happiness. For him, this simply does not exist and people who pretend it does are giving in to infantile wishes. Ethics are not based on an external world order but on the inescapable exigencies of human existence.

On receiving a copy of Civilisation and its Discontents Pfister says: Freud is a biological conservative, Pfister a biological progressive. In the biological theory of evolution Pfister sees a progression upwards. Pfister reads Freud’s concept of the Death Drive, Thanatos, as not an instinct but a slackening of the master life-force, Eros. Civilisation aspires upwards.

Freud thinks Mind is special. But, at the end of the day, it is only an infinitesimally small part of Nature. Would Nature really miss ‘Mind’ if it was snuffed out? Only if you argue that Mind is the point, the purpose of Nature i.e. that the world was created as a garden for mankind, either in Christian or Jewish or Muslim belief. Freud looks coldly at the evidence and thinks such a belief is childish.

Pfister tells Freud that just because the ego-ideal (i.e. the ‘conscience’) may be based on an introjection of parental demands doesn’t diminish its value. Just because Freud demonstrates how even the highest products of the mind develop from the basest instincts doesn’t invalidate those highest products – art, religion, morality – in their own terms.

Morality is vital to physical and psychological health. Immoralism leads to anarchy and unhappiness. Morality is a kind of mental hygiene; it seems designed to keep mankind well. Pfister tries to persuade Freud that he himself lives a deeply moral, kind and loving life, despite all his attempts to deny it.

Right to the end of their correspondence, Pfister and Freud seem to be talking at cross-purposes, arguing past each other.

Thoughts

The difference between the two thinkers is they start from different premises. Freud has the panoramic view and Pfister the humanistic. Freud’s imagination roams across all of human history and across all the modern world. Makes you suspect that there is something in the panoramic imagination which predisposes a person to finding the miserable and the wretched aspects of human existence.

On the other hand Pfister, starting from the wishes and desires of the individual, our need for love, our creativity and imagination, produces a far more optimistic world-view.

Maybe all people who view human beings sub specie aeternitatis – possibly the great majority of scholars and intellectuals – are drawn to a pessimistic view,  whereas particularists, people interested in the trials and triumphs of the individual, tend towards a more optimistic view of life. Take the striking example of Bruno Bettelheim who went through Auschwitz but retained a faith in the improvability of ‘the informed heart’.

4. A religious experience (1927)

This an exchange of letters between Freud and an American doctor in 1927.

In the autumn of 1927 G.S Viereck, a German-American journalist who had paid me a welcome visit, published an account of a conversation with me, in the course of which he mentioned my lack of religious faith and my indifference on the subject of survival after death. This ‘interview’ as it was called, was widely read and brought me, among others, the following letter from an American physician:

“… What struck me most was your answer to the question whether you believe in a survival of the personality after death. You are reported as having said: I give no thought to the matter. I am writing now to tell you of an experience that I had in the year I graduated at the university of X.

“One afternoon while I was passing through the dissecting room my attention was attracted to a sweet-faced dear old woman who was being carried to the dissecting-table. This sweet-faced woman made such an impression on me that a thought flashed up in my mind: There is no God; if there were a God he would not have allowed this dear old woman to be brought into the dissecting room.

“When I got home that afternoon the feeling I had had at the sight in the dissecting-room had determined me to discontinue going to church. The doctrines of Christianity had before this been the subject of doubts in my mind. While I was meditating on this matter a voice spoke to my soul that ‘I should consider the step I was about to take’. My spirit replied to this inner voice by saying, ‘If I knew of a certainty that Christianity was truth and the Bible was the Word of God, then I should accept it.’

“In the course of the next few days God made it clear to my soul that the Bible was His Word, that the teachings about Jesus Christ were true, and that Jesus was our only hope. After such a clear revelation I accepted the Bible as God’s Word and Jesus Christ as my personal Saviour. Since then God has revealed Himself to me by many infallible proofs. I beg you as a brother physician to give thought to this most important matter, and I can assure you, if you look into this subject with an open mind, God will reveal the truth to your soul, as He did to me and to multitudes of others.”

I sent a polite answer, saying that I was glad to hear that this experience had enabled him to retain his faith. As for myself, God had not done so much for me. He had never allowed me to hear an inner voice; and if, in view of my age, he did not make haste, it would not be my fault if I remained to the end of my life what I now was – an infidel Jew.

In the course of a friendly reply, my colleague gave me an assurance that being a Jew was not an obstacle in the pathway to true faith and proved this by several instances. His letter culminated in the information that prayers were being earnestly addressed to God that he might grant me faith to believe.

I am still awaiting the outcome of this intercession. In the meantime my colleague’s religious experience provides food for thought. It seems to me to demand some attempt at an interpretation based upon emotional motives; for his experience is puzzling in itself and is based on particularly bad logic. God, as we know, allows horrors to take place of a kind very different from the removal to a dissecting-room of the dead body of a pleasant-looking old woman. This has been true at all times and it must have been so while my American colleague was pursuing his studies. Nor, as a medical student, can he have been so sheltered from the world as to have known nothing of such evils. Why was it, then, that his indignation against God broke out precisely when he received this particular impression in the dissecting-room?

For anyone who is accustomed to regard men’s internal experiences and actions analytically the explanation is very obvious – so obvious that it actually crept into my recollections of the facts themselves. Once, when I was referring to my pious colleague’s letter in the course of a discussion, I spoke of his having written that the dead woman’s face had reminded him of his own mother. In fact these words were not in the letter, and a moment’s reflection will show that they could not possibly have been. But that is the explanation irresistibly forced on us by his affectionately phrased description of the ‘sweet-faced dear old woman’. Thus the weakness of judgement displayed by the young doctor is to be accounted for by the emotion roused in him by the memory of his mother. It is difficult to escape from the bad psychoanalytic habit of bringing forward as evidence details which also allow of more superficial explanations – and I am tempted to recall the fact that my colleague addressed me as a ‘brother-physician’.

We may suppose, therefore, that this was the way in which things happened. The sight of a woman’s dead body, naked or on the point of being stripped, reminded the young man of his mother. It roused in him a longing for his mother which sprang from his Oedipus Complex, and this was immediately completed by a feeling of indignation against his father. His ideas of ‘father’ and ‘God’ had not yet become widely separated; so that his desire to destroy his father could become conscious as doubt in the existence of God and could seek to justify itself in the eyes of reason as indignation about the ill-treatment of a mother-object. It is, of course, very natural for a child to regard what his father does to his mother in sexual intercourse as ill-treatment. The new impulse, which was displaced into the sphere of religion, was only a repetition of the Oedipus situation and consequently soon met with a similar fate. It succumbed to a powerful opposing current. During the actual conflict the level of displacement was not maintained: there is no mention of arguments in justification of God, nor are we told what the infallible signs were by which God proved his existence to the doubter. The conflict seems to have been unfolded in the form of a hallucinatory psychosis: inner voices were heard which uttered warnings against resistance to God. But the outcome of the struggle was displayed once again in the sphere of religion and it was of a kind predetermined by the outcome of the Oedipus complex: complete submission to the will of God the Father. The young man became a believer and accepted everything he had been taught since his childhood about God and Jesus Christ. He had had a religious experience and had undergone a conversion.

All of this is so straightforward that we wonder whether this case throws any light on the psychology of conversion in general. Our case does not contradict the views arrived at on the subject by modern research. The point it throws into relief is the manner in which the conversion was attached to a particular determining event, which caused the subject’s scepticism to flare up for a last time before being finally extinguished.

This is an excellent example of Freud’s technique of rewriting or over-writing other people’s experiences and beliefs in terms of his own theory. Some patients found and still find it liberating. Others have found it authoritarian and oppressive.


Credit

The history of the translation of Freud’s many works into English forms a complicated subject in its own right. Freud’s works quoted here were translated into English as part of The Standard Edition of the Complete Psychological Works of Sigmund Freud, published throughout the 1950s and into the early 1960s. My quotes are taken from the versions which were included in the relevant volumes of the Pelican Freud Library, published in the 1980s. ‘The Future of an Illusion’ is in volume 12.

I read ‘The Illusion of a Future’ in The International Journal of Psychoanalysis, Volume 74, part 3 (1993), in a translation by Susan Abrams, as edited by Paul Roazen. I can’t remember where the short text ‘A religious experience’ comes from. I’ll add an update when I find the source.

Freud and religion reading list

  • Three Essays on the Theory of Sexuality (1905)
  • Obsessive Actions and Religious Practices (1907)
  • Totem and Taboo (1913)
  • On Transience (1915)
  • A Seventeenth Century Demonological Neurosis (1923)
  • The Future of An Illusion (1927)
  • Civilisation and Its Discontents (1930)
  • Group Psychology (1930)
  • Question of a Weltanschauung (1933)
  • Moses and Monotheism (1939)
  • Freud, A Life For Our Times by Peter Gay (1988)

More Freud reviews

Civilisation and Its Discontents by Sigmund Freud (1930)

Note: to avoid misunderstanding, I believe Freud is a figure of huge cultural and historical importance, and I sympathise with his project of trying to devise a completely secular psychology building on Darwinian premises. Many of his ideas about sexuality as a central motive force, about the role of the unconscious in every aspect of mental life, how repressing instinctual drives can lie behind certain types of mental illness, his development of the talking cure, these and numerous other ideas have become part of the culture and underlie the way many people live and think about themselves today. However, I strongly disapprove of Freud’s gender stereotyping of men and women, his systematic sexism, his occasional slurs against gays, lesbian or bisexuals and so on. Despite the revolutionary impact of his thought, Freud carried a lot of Victorian assumptions into his theory. He left a huge and complicated legacy which needs to be examined and picked through with care. My aim in these reviews is not to endorse his opinions but to summarise his writings, adding my own thoughts and comments as they arise.

***

Civilisation and Its Discontents might more accurately be titled Why Civilisation Makes Us Unhappy. Freud suggests that civilisation is built on the renunciation of sexual and aggressive drives but that, although this benefits wider society, it often comes at the expense of anxiety and guilt i.e. mental illness, for us as individuals.

Many of the articles and books I’ve read about Freud claim that this was his single most influential book.

Civilisation and Its Discontents is a good example of Freud’s lifelong interest in the Big Questions of society – religion, morality, art and so on. His attempts at explaining the origins of society in Totem and Taboo (1914) and Moses and Monotheism (1939) were heavily criticised at the time and have been generally discredited since. His attack on Christianity in The Future of an Illusion (1927) doesn’t address (or invent) historical events in the same way as Totem and Moses does and so hasn’t dated so badly. It’s more an analysis of the psychological underpinnings of organised religion and so retains some force – although it has been superseded by thousands of later writers, commentators, utopians and revolutionaries, also seeking to abolish religious belief, so it’s just one polemic in a very crowded field.

By comparison with those other books, Civilisation and Its Discontents (although it kicks off with yet another dig at religious belief) is built on stronger foundations. Its central thesis that repression of our baser instincts is simultaneously the basis of a ‘civilised’ society and the source of many problems and mental illnesses suffered by its civilised citizens. This is an intuitively plausible argument which the passage of time has done nothing to discredit, which is why many critics reckon it might have been Freud’s single most influential book: its message that modern society makes us ill probably reached a far wider audience than any of his more theoretical or therapeutic works.

1.

Freud opens with a reference to his essay The Future of an Illusion, his most sustained, full-frontal attack on the psychological bases of religious belief. Freud replies to a critic who had written to say that Future failed to take into account genuinely spiritual feelings, in particular the ‘oceanic feeling’ of which the religious speak (as did Freud’s renegade follower, C.G. Jung).

Freud explains that this feeling is a relic, left after the realistic ego grew up, of a person’s infantile narcissism and sense of oneness with the world. For Freud religious belief begins in the infant’s sense of helplessness and need for parental protection, a feeling which is reborn and accentuated in the adult by their nervous awareness of the countless risks and dangers of human existence.

2.

Life is cruel. Human beings, endowed with memory to remember the past and reason enough to foresee the disasters of the future, need protection from both. There are three ways of escaping reality:

  1. Defence mechanisms, such as religion.
  2. Substitute satisfactions and sublimations of hopes and fears – Art.
  3. Intoxicants to extinguish consciousness.

What is the purpose of life? Well, who knows. But when you examine the way people actually behave – and not what they say – it is clear that most people live life in the pursuit of happiness. This happiness is threatened by three things:

  1. The decay and dissolution of the body.
  2. The destructiveness of the outside world.
  3. Our difficult relations with other people.

So how can we escape this dreadful predicament?

  • hedonism? (full of risks and danger)
  • art? (limited to the percipient few)
  • intoxicants? (ultimately self-destructive)
  • Eastern quietism? (brings only mild contentment, not happiness)
  • hermetic isolation? (you go mad)
  • delusions and mental illness? (as in psychotics and paranoiacs)
  • mass delusions? (for example, religion)
  • love, which may be the source of our greatest gratifications? (but oh how exposed and vulnerable we are to its sudden withdrawal)
  • the enjoyment of beauty? (fickle and easily destroyed)

There are maybe three psychological types, who will each tackle these problems differently:

  1. The Erotic Man who wants love and sexual satisfaction.
  2. The Narcissist who tries to take control of the world in his own mental pleasures.
  3. The Man of Action who seeks to change the world.

But there is one complete worldview which seeks to tackle all of these threats to our wellbeing – Religion. Religion tackles the vulnerability of human beings by:

  • depressing the value of life in this world
  • drawing its followers into an unreal view of the world, similar to mass delusion
  • fixing them in psychical infantilism

3.

So, it’s 1930. We are all discontented with civilisation. Why? Because in rising to a civilised level we have been forced to renounce many instinctual pleasures. A glance at many primitive peoples, for example, Australian aborigines, seems to show a people at one with life. By contrast, psychoanalysis has shown the terrible price in neurosis and nervous disease paid by ‘civilised’ people for the benefits of civilisation. A general disappointment with the early promises to improve life made by science and technology hasn’t improved things. So what are the salient features of this civilisation we are so unhappy with?

  • technology and the exploitation of nature
  • the creation of order and beauty
  • higher mental achievements, for example, religion, art and science
  • the ordering of human affairs via Justice and the Law

On the level of the individual citizen, civilisation is a process which results in:

  • character-formation
  • the sublimation of the instincts into ‘higher’ cultural achievements
  • the renunciation of instinct

4.

The development of civilisation is like the growth of an individual. Savage men are driven to compete for a wife/sex object. One strong man comes to rule the horde. Then the sons rise up and kill the Father. Genital love is the motor in the formation of the Family. Aim-inhibited love leads to friendship and camaraderies, useful for uniting the group and forming bonds between them. Once set on this path, Man is moved to sublimate his basic sex-drive into more complicated psychic and social structures. As society is built up it exerts tighter control on the individual’s potentially anarchic sexuality, corralling it and narrowing it down to focus on heterosexual pairing. Even that restricted arena of expression mustn’t come about before a rigorous series of rituals have been carried out.

So much for libido and sex drive. Are there other reasons for the unhappiness created by civilisation?

5.

Yes. Human beings are violent. The Biblical injunction to love your neighbour is only necessary because there is such a violent urge in all of us to rape, torture, exploit and mutilate our neighbour. Society uses every means at its disposal to rearrange libido so as to secure social acquiescence. One obvious way is via aim-inhibited libido, libido which is rerouted into either generalised affection (for your dog or children or old people) or into friendship, rerouted libido which vastly expand the ties of family into society.

Civilisation has to use its utmost efforts in order to set limits to man’s aggressive instincts and to hold the manifestations of them in check by psychical reaction formations. Hence, therefore, the use of methods designed to incite people into identifications and aim-inhibited relationships of ‘love’, hence the restriction upon sexual life, and hence, too, the ego-ideal’s commandment to love one’s neighbour as oneself – a commandment which is justified by the fact that nothing runs so strongly counter to the original nature of man.
(Pelican Freud Library, volume 12, page 303)

The communists say that men were originally peaceable and equal but that the institution of private property has corrupted them. Do away with private property and everything will be alright. Freud laughs. On the contrary, all societies are bound together by what they exclude, by their ability to project the natural aggression of their members outwards onto outsiders.

In this respect the Jewish people, scattered everywhere, have rendered most useful services to the civilisations who were their hosts. (volume 12, page 305)

A newly insurgent dream of Germanic world domination has inevitably raised the oldest scapegoat upon which to focus its anger – the Jew. And the communist utopia in Russia turns out to call for an entire class to anathematise, the bourgeoisie (although, at this period, the direst fate was being meted out to the wealthier peasants, known as kulaks.)

In order to become civilised, man has to give up these two elements: unbridled sexual satisfaction and the expression of aggression. Primitive man expressed these easily and was happy. He also died young. Civilised man has exchanged happiness for security. We live long lives with a lot of frustration and misery in them.

6.

Section 6 is a complicated defence of Freud’s theory of the death instinct or Thanatos. Originally Freud posited just two psychic classes, ego-instincts and object-instincts. The idea of narcissism, first developed in an essay of 1914, complicated matters and by 1920 Freud had developed a new fundamental opposition, that between Eros and the death drive, between instincts which seek to unify, to bind (in a primitive way with the breast, with food; later with a sex-object; in a sublimated form with friends or comrades, via aim-inhibited libido) and instincts which seek to break psychic energy down into smaller units, ultimately to death.

In practice our instincts always appear in some combination. On the personal level libido accompanied with aggression is sadism; the death drive comes to the aid of group psychology and aim-inhibited libido by being deflected outwards onto strangers and enemies. Aggression thwarted is turned inwards as masochism or self-punishment or suicide. Despite opposition and scepticism to these ideas, even within analytic circles:

I adopt the standpoint, therefore, that the inclination to aggression is an original, self-subsisting instinctual disposition in man, and that it constitutes the greatest impediment to civilisation. (12: 313)

Civilisation is a process in the services of Eros, whose purpose is to combine single human individuals, and after that families, then races, peoples and nations, into one great unity, the unity of mankind. These collections of men are libidinally bound to each other. Necessity alone, the advantages of work in common, will not hold them together. But man’s natural aggressive instinct, the hostility of each against all and of all against each, opposes this programme of civilisation. This aggressive instinct is the derivative and the main representative of the death instinct which we have found alongside Eros and which shares world dominion with it. Thus the evolution of civilisation represents a struggle between Eros and Death, between the instinct of life and the instinct of destruction, as it works itself out in the human species. This struggle is what all life essentially consists of and it is this battle of giants that our nursemaids try to distract us from with their lullaby about Heaven. (12: 314)

7.

So how is this aggression controlled in the individual? Through the superego. By returning it in upon itself, by setting a part of itself aside, the ego is able to satisfy upon itself the aggressive wishes it would like to impose on others – Freud calls this mental agency the conscience and the emotional affect it produces in us is guilt. The superego is the watch-dog of civilisation planted inside the head of each of us.

Guilt is the fear of the loss of love, its primal source the withdrawal of parental love. In its simplest form, if you do something bad you are anxious that you will be found out and that love will be withdrawn from you, the love of your parents or of the community at large. So you can still do wrong but will strive not to be found out.

In the more sophisticated form, you develop a full superego based on childish experiences and anxieties. Now you feel guilty even if no-one finds out or can find out what you’ve done – because someone does know; your conscience knows. What’s more, it knows about things you haven’t even done but have fantasised about doing; and it knows about things you’ve fantasised about doing and repressed so deeply you don’t even remember them. Since everyone has the same Oedipal fantasies, everyone suffers a greater or lesser sense of guilt.

More: the superego is fiercest in those who set out to please it most; the more you try to please it in every way, the more demanding the superego becomes. Hence the pathological saint. And if bad luck from the external world does actually befall you, this only provides the punishing superego with more opportunities to punish you for being such a loser. Hence, Freud declares, with the confidence of an unbelieving Jew, the characteristics of the Jewish race, in that the more calamities overtook it, the more they blamed themselves.

More: there is an original substratum of guilt laid down in all of us due to archaic vestiges of the primal Parricide, which is bequeathed to each of us at birth. Its traces are reawakened by naughty things we do, which introduces us to fear of punishment (withdrawal of love); and further reinforced by the introjection of that fear/aggression in a superego. The more we renounce our instincts, the more the superego is given energy to punish us, to demand more. Therefore, insofar as civilisation is defined as the renunciation of instinct, it must inevitably lead to an increase in guilt. Civilisation, by its very nature, reinforces the superego in all of us, and the superego is the punishing principle. Civilisation must make everyone feel guilty.

8.

So, to recap: The price we pay for civilisation and security is the loss of happiness through instinctual renunciation and an accompanying increase in personal guilt.

Freud goes on to speculate that maybe guilt is the product not of libidinal wishes but only of repressed aggressive wishes. So neurotic symptoms are the result of the libido being repressed; when aggression is repressed it reactivates ancient feelings of remorse (for murders, real or imaginary) and guilt i.e. the aggression is rechannelled, via the superego, against the repressing ego, in the form of demands for more obeisance and penitence.

Freud draws the analogy between the development of an individual and the development of civilisation. In the latter, also, a superego, an ego-ideal, is created in the form of a strong leader – Moses, Jesus et al. Just as the oedipal boy unconsciously wishes his authoritative father dead but then suffers remorse and guilt at these buried feelings, so the Jews and Christians wanted their insufferably strict leaders dead and then, in fact, killed them. And just as the individual superego – in the latency period – sets up an idealised version of the dead leader’s injunctions and punishes followers for not attaining them, so entire peoples feel guilt and remorse at the primal murder they’ve committed, set up idealised versions of the murdered Father (of Moses who talked to God, of Jesus who IS God) and punish themselves for not living up to these impossibly high ethical standards.

Over and above the vague sense of guilt or malaise whose origin Freud has explained, there are the specific injunctions of the superego. In individual patients, modern therapy often consists in softening the impossibly strict demands made on them by their own superegos, demands which result in unhappiness and illness.

In society as a whole, the same is true. Our society makes impossible demands on people. Freud singles out the injunction to love your neighbour as yourself as a prime example. It is a fine specimen of the highest ethical ideal a society can rise to, but its very impossibility leads to unhappiness among the many people who try to live up to it, fail, and then punish themselves.

Freud dryly remarks that he thinks maybe a real change in the relations of people and their possessions, a genuine redistribution of wealth – in other words communism – would be more likely to produce ethical improvement than religion’s insistence on demanding the impossible.


Credit

The history of the translation of Freud’s many works into English forms a complicated subject in its own right. Civilisation and Its Discontents was translated into English in 1961 as part of The Standard Edition of the Complete Psychological Works of Sigmund Freud. Quotes in this blog post are from the version which was included in Volume 12 of the Pelican Freud Library, ‘Civilisation, Society and Religion’, published in 1985.

More Freud reviews

Metapsychology: The Theory Of Psychoanalysis by Sigmund Freud

Note: to avoid misunderstanding, I believe Freud is a figure of huge cultural and historical importance, and I sympathise with his project of trying to devise a completely secular psychology building on Darwinian premises. Many of his ideas about sexuality as a central motive force, about the role of the unconscious in every aspect of mental life, how repressing instinctual drives can lie behind certain types of mental illness, his development of the talking cure, these and numerous other ideas have become part of the culture and underlie the way many people live and think about themselves today. However, I strongly disapprove of Freud’s gender stereotyping of men and women, his systematic sexism, his occasional slurs against gays, lesbian or bisexuals and so on. Despite the revolutionary impact of his thought, Freud carried a lot of Victorian assumptions into his theory. He left a huge and complicated legacy which needs to be examined and picked through with care. My aim in these reviews is not to endorse his opinions but to summarise his writings, adding my own thoughts and comments as they arise.

****

Metapsychology is the attempt to link what is observable about human psychological behaviour with the biological basis of the human organism; to link psychology and biology.

Volume 11 of the old Pelican Freud Library is titled ‘On Metapsychology: The Theory of Psychoanalysis’ and contains the following works, most but not all of which I summarise in this blog post:

  1. Formulations on the two principles of mental functioning (1911)
  2. A note on the unconscious in psychoanalysis (1912)
  3. On narcissism: an introduction (1914)
  4. Instincts and their vicissitudes (1915)
  5. Repression (1915)
  6. The unconscious (1915)
  7. A metapsychological supplement to the theory of dreams (1917)
  8. Mourning and melancholia (1917)
  9. Beyond the pleasure principle (1920)
  10. The ego and the id (1923)
  11. The economic problem of masochism (1924)
  12. A note upon the mystic writing pad (1924)
  13. Negation (1925)
  14. A disturbance of memory on the Acropolis (1936)
  15. Splitting of the ego in the process of defence (1940)

Freud’s metapsychology: an overview

Metapsychology was an obscure area in Freud’s day and this volume is a collection of Freud’s very tentative and provisional attempts to link mind and body. Nowadays we know vastly more about the complex nature of the brain, about the nervous system and the action of hormones, about the body’s genetic heritage and so forth. But eighty years after Freud’s death, nobody is much closer to providing a single agreed theory on what links body and mind.

To summarise: Freud began by positing the dominance of instincts, not ‘reason’, over human life, and singling out the sex instinct as the primary instinct. The choice of the sex instinct as primary is logical because, on a Darwinian view, it is evident that we humans share the drive, found across the entire organic world, to reproduce:

The individual actually carries on a twofold existence: one to serve his own purposes and the other as a link in a chain, which he serves against his will, or at least involuntarily. The individual himself regards sexuality as one of his own ends; whereas from another point of view he is a mere appendage to his germ-plasm, at whose disposal he puts his energies, prompted by the incentive of a bonus of pleasure [sex]. He is the mortal vehicle of an immortal substance… The separation of ego instincts from the sexual instincts reflects this dual character of the individual.

This is the libido theory in a nutshell. The choice of the sex instinct as the central plank of Freud’s theory is also fortuitous/handy/useful because Freud claims that sex, unlike, say, hunger or aggression, is uniquely malleable: it is capable of repression and sublimation, of being transformed into the impressive variety of mental constructs which make up our complex mental life.

Moving on, Freud claims that this libido, this sex instinct, at an early stage of the human’s development, divides, such that some of it becomes focused on the infant ego. As this ego grows and develops it uses libido like mental fuel. Hence the division in all humans between the core sex instinct – which continues blindly to follow the dictates of reproduction – and the growing ego instincts – which develop into individual consciousness and judgement and choice.

So libido can be divided into ego-instincts and object-instincts: inward-directed versus outward-directed mental energies.

Now Freud introduces another binary idea: the Pleasure-Unpleasure Principle. All the twelve-week-old baby wants is the gratification of its instinctual needs. It operates according to a calculus: it likes what brings pleasure and reacts against what brings unpleasure. Simple.

  • Unpleasure is defined as an uncomfortable increase in stimuli – from the environment, from inside the body’s nervous system, or from inside the psyche itself.
  • Pleasure is the successful resolution or dissipation of these stimuli.

But as it grows and develops, the child learns to use its hands, its body, above all its voice, to achieve its ends. And slowly it learns that its desired ends may be more effectively met later, if it postpones its immediate gratification now. Thus, from the heart of the Pleasure(-Unpleasure) Principle is born the Reality Principle, the ability to delay gratification in the name of survival or just better gratification.

The growth of the Reality Principle goes hand in hand with the growth of the ego. Thus Freud has developed a complete explanation of how conscious mind grows from unconsciousness; how lucid judging reason develops organically from a hotbed of passions and desires.

Thinking, Freud says, is, at bottom, an experimental form of action forced upon us by the failure of our initial wants to be fulfilled in an indifferent world. Thinking is not God given; anything but. It is evolved upwards from base animal instincts through a long precarious developmental process which can go off the rails at any moment.

This bottom-up theory certainly accounts for the rum assortment of characters, types, beliefs and behaviour which we find in the real world – exactly the kind of gimcrack plethora you would expect from a neo-Darwinian account of the constant creation of genetic diversity within a roughly fixed species.

In Freudian terms the triumph of Thinking over Instinctual Action is directly equated with the triumph of the Reality Principle over the Pleasure Principle. There is nothing special about thinking. It is just the instinctive behaviour of a certain species pushed to interesting and complicated new levels.

Once you’ve grasped this story it’s easy to see why the so-called rational mind is so inclined to never develop beyond, or regularly backslide into, all kinds of ‘irrational beliefs’ – and that its fall will be downwards, backwards, into more primitive mental positions and processes. It is these positions which have to be painfully abandoned during the course of what Freud takes to be every human being’s development towards the acme of human reason, the pinnacle of which is Freud’s own disenchanted and rational stoicism.

Post-war revision

However, during the First World War all Freud’s patients went off to fight and, with time on his hands, he sat down to attempt to integrate all the scattered insights about dreams, jokes, repression, resistance, the unconscious etc which he had developed over the previous 15 years, into a fully worked-out metapsychology. At which point he discovered that recent develops in practical psychotherapy disrupted the old scheme. Slowly he developed a new one. Soon after the war he published a series of books in which he outlined its two key modifications of the pre-war theory:

Two become three

In Freud’s new revised version of psychoanalytical theory, the psyche now has three parts, not just the unconscious-conscious dyad of yore. Now we’ve got:

  1. the ego (formerly the conscious mind)
  2. the id (formerly the unconscious)
  3. the superego (a new agency)

The superego

This new concept, the superego is the introjection (internalisation) of the child’s fantasy ideal of its parents – beings it perceives as having total control, issuing orders with total moral authority, but accompanying this with total unconditional love.

Part of this superego is the more or less conscious conscience which nags at us when we behave badly – but much more of it is underground, unconscious, punishing us for stepping out of line with its impossibly high ideals, raging against us for failing to live up to its ideals. Hence the clinical phenomena of guilt, anxiety, of depression and deep self-loathing. These are the results of part of the mind – the strong inflexible judging superego – directing its energy against the all-too-fallible conscious mind or ego.

But hang on – how can these instincts, supposedly all designed to gratify the organism, to satisfy the appetites of life, end up driving it to commit suicide?

Only if you posit a new theory of instincts, if you place the previously separated-out ego instincts and object instincts into one box and call these the instincts of life or Eros. And over against it you put a newcomer, a bold new idea – this is that every organism, every cell, contains within itself a desire not to exist, a deep desire to return to the blissful stasis of the inorganic: a death wish which Freud grandly called Thanatos.

This new Eros-Thanatos division is inestimably bigger and more grand than the tinkering with the various branches of libido which characterised pre-war psychoanalytical theory.

And so it was armed with this new, expanded, far more ambitious post-war theory of instincts, and the new model of the psyche which allowed for immeasurably greater subtlety and insight, that Freud went on to write his key later philosophical works, Civilisation and Its Discontents, The Future of an Illusion and so on.

After this overview of the development of Freud’s metapsychology, let’s turn to the individual papers gathered in this volume.

1. Formulations of the two principles of mental functioning (1911)

This is a brilliant brief outline of the early psychoanalytical theory, explaining the derivation of ‘thinking’ from pure, instinctual wish-fulfilment. From its simple origins as a bundle of undifferentiated appetites Freud shows how instincts grow and develop and, meeting resistance from the outside world, split into ego instincts (supporting the rational mind) and object instincts (targeting various wanted objects in the outside world: a good steak, a spouse), and how these develop similarly but not simultaneously, are prone to become ensnared and snagged at different points of development.

Just a few pages later Freud is explaining how this theoretical model can account for art, religion, the success of education etc etc. Dazzling.

For Freud ‘thinking’ is essentially an experimental form of acting which has gathered a momentum of its own and developed into the complex interacting of over-thinking humans which we call human culture.

2. A note on the unconscious in psychoanalysis (1912)

This is a collection of practical reasons for believing in the existence of the unconscious, for example Bernheim’s experiments with hypnotism. If you hypnotise someone and tell them to strip naked in half an hour and then instruct them to forget the instruction, wake them up and sure enough they’ve forgotten you even hypnotised and yet, nonetheless, half an hour they strip naked and they can’t explain why – well, where was the instruction stored in the meantime? Certainly not in the conscious mind. Why does the inaccessible command have such power? Unless our minds contain a huge reservoir of material which is inaccessible to the conscious mind. Let’s call it the unconscious and accept that it exerts much more influence over our lives and decisions than any of us imagine.

The other main evidence for the existence of the unconscious which Freud produces is dreams. Freud asserts that dreams have meaning and that psychoanalysis can interpret them to reveal the secrets of the unconscious mind.

The reader can tell we’re still in Freud’s First Theory if there’s a lot of simple stuff about dreams. Freud never abandoned his idea that psychoanalysis had revealed the secret of the interpretation of dreams, but these ‘insights’ pale in comparison with the much more powerful later model which claims to have uncovered the secrets of guilt, unhappiness, despair, suicide and a host of other human feelings. It is a far more comprehensive worldview.

3. On narcissism (1914)

This is one of the key texts in Freud’s theory. In it he draws a distinction between object-libido and ego-libido, makes criticisms of the heretics Jung and Adler who had just left the Movement (compare with his History of Psychoanalysis) and introduces the idea of an ego-ideal. This is an agency which is capable of watching and monitoring the ego, not in order to breach its defences, as the unconscious does, but in order to judge it according to higher, suprapersonal criteria, This is the seed of the post-war notion of the superego.

Freud says the young human animal possesses sexual instincts and ego instincts, the latter growing out of the former:

  • ego instincts work to preserve the rational calculating self and its individual requirements
  • sex instincts work to preserve the race i.e. to achieve sexual satisfaction at any cost

It’s easy to see how the two will frequently, on a daily basis, come into conflict.

The activity whereby the libido (which ought to be an outward-facing sex instinct) becomes focused on our own ego, is named narcissism (first identified as a mental disorder by the British essayist and physician Havelock Ellis in 1898.

Every healthy person undergoes a narcissistic phase when libido is diverted to the growing ego. We can talk about a perfectly natural and healthy amount of narcissism because it provides the energising of the ego which is necessary for it to function:

Narcissism in this sense would not be a perversion, but the libidinal complement to the egoism of the instinct of self-preservation, a measure of which may justifiably be attributed to every living creature.

But in the course of ‘correct’ development, the libido should be redirected beyond the ego, to real objects in the real world, objects which the growing child learns increasingly to identify and understand. Object-instincts, as their name implies, are developing attachments to objects in the outside world, food, love object etc.

One consequence of this development is that, if both object and ego libido are drawn from the same source, the more one is used up, the less there is of the other:

We see also, broadly speaking, an antithesis between ego-libido and object-libido. The more the one is deployed the more the other becomes depleted. The highest phase of development of which object-libido is capable is seen in the state of ‘being in love’, when the subject seems to give up his own personality in favour of an object-cathexis.

(The opposite situation, incidentally, is that of the paranoiac who, in his self-obsession, concentrates all object-libido back on himself and thus comes to fear for ‘the end of the world’ because all his real ties to the external world, his object-cathexes, have been withdrawn from it. A neat model.)

Freud claims the psychological concept of narcissism is justified by its presence in a number of clinical areas:

  • in compulsive masturbators and narcissists in the simple sexual sense
  • in paranoiacs and schizophrenics (who have withdrawn all object libido from the outside world)
  • in hypochondriacs who project concerns about the contingencies and dangers of the outside world back onto themselves
  • and in the genuinely ill (see below)

But maybe most strikingly of all, the interdependence of object- and ego-libido helps to explain the extreme overvaluation of the object which takes place in ‘romantic love’. In romantic love the ego becomes emptied of libido as libido rushes out in a cathexis of the beloved object.

Overvaluation of the beloved is a form of excessive object-cathexis.

Glorification of the love object and depreciation of the self occur:

  • in love: the beloved becomes the sum of all perfections, see Dante etc
  • in religious worship: God is perfect (despite having made a distinctly imperfect world)
  • in parents’ love for babies, where parents transfer onto their babies/children their own repressed narcissism i.e. baby is perfect, nothing is too good for baby etc

In all of these instances there is a sense that we have revived our repressed infantile narcissism, our exorbitant love of our own ego, which characterised all of our early developments – and projected it onto another.

The object takes the place of the ego’s ego-ideal: anything and everything must be done for it and no questions asked by the internal policeman.

We outsiders can only admire and feel an unconscious tug when we see people pouring their hearts out in worship of God or falling head-over-heels in love, or all-consumed by love of their young baby. How wonderful, we say; how wonderful to feel like that – because it reminds us distantly of our own phase of narcissism, of the great primitive pleasure to be obtained by total abandonment of adult worries in the name of a cause, escape from the exigencies of the Reality Principle, and from the harrying of the punitive conscience.

Recap

The ego instinct is at first just that, energy fuelling the developing ego. But in its development, the libido comes to invest energy outwards, onto objects. And the very first stage it takes is to love itself as an object. The ego takes itself as its first object of love. All later loves contain something of this primary narcissism.

In later life the primitive narcissism – which is overcome in natural development as the ego struggles with the process of maturation in a challenging environment – returns.

For example, think of when you’re ill. You instantly withdraw most of your mature cathexes, your libidinal investments in the outside world, and refocus them on yourself. You pamper yourself. You buy yourself comfort food.

Religion shares similar patterns. In a heartless world you want to be loved. The next best thing to being loved is to love someone else totally, so totally and obsessively that you blot out the sad imperfections of your own life and character. All libido becomes invested in the idealised figure of the Beloved. Whether it’s the beatified Beatrice or Brad Pitt, you’d do anything for this idol set up in your soul.

The overinvestment of the Object and debasement of the Subject in romantic love accounts for why, when the affair ends, the subject is left feeling empty, void of purpose and energy, and has to go through a proper period of mourning which is required to reroute their libido towards a full range of external interests again.

Men and women

Freud then goes on to claim that men and women differ in their development. Men form a first love of the ‘attachment’ type i.e. their first love is their mother. All successive lovers have to conform to the maternal model.

But with women it’s different. The different configuration of women’s bodies, the growth of the reproductive organs, focuses women’s gaze inwards. Women tend to be more self-contained than men, and it is the survival of this far higher amount of primitive narcissism in women which so fascinates men and represents itself as a challenge to penetrate the ‘mystery’ of a really gorgeous woman.

There follows Freud’s explanation of Frauendiest i.e. 1,000 years of Western attitudes towards women.

In their development, then, a human being is presented with two basic sexual choices:

ONESELF – narcissism – women

THE PERSON WHO NURTURES YOU – narcissism object-love – men

Between these two extremes a person’s sex life will fall. For Freud the fully-developed adult is a male with the correct genital orientation, capable of a high degree of object-love i.e. who adores his mother and goes out into the world to find someone just like her.

In extremis this tends towards the total object-cathexis (i.e. over-valuation) of romantic love and the abasement of the subjects ego before it. In contrast, women, ‘perverts’ and homosexuals have a far higher complement of narcissism in their psychic make-up. They rest content with taking themselves as libidinal objects.

Psychoanalysis has discovered, especially clearly in people whose libidinal development has suffered some disturbance, such as perverts and homosexuals, that in their later choice of love-objects they have taken as a model, not their own mother but themselves. They are plainly seeking themselves as a love-object, and are exhibiting a type of object-choice which must be termed narcissistic.

Thus women will tend to like men who make much of them, bring them flowers, chocolates, meals, opera etc. Many women, Freud claims, are remarkably self-centred and self-contained and this provokes the outward-bound object-driven man to fascination, reminding him of his own long-since-overcome narcissism and provoking him to conquer and penetrate the woman’s mystery/aloofness.

This is also an explanation for why lonely women like cats. It is a reversion to an earlier stage of narcissism projected onto a passive object. Notably narcissistic and self-contained themselves, cats reawaken this primal narcissism in women. Cats’ sublime self-centredness calls forth all the loving and pampering which women wish for themselves.

The same happens with babies, which cats are in fact a preparatory substitute for. It’s simple: having a baby reawakens the baby in us. It legitimises a revival of infantile behaviour in us. And a materialist Darwinian worldview would predict that the narcissistic impulse is stronger in women because it is the woman’s biological role to nurture the baby.

If we look at the attitude of affectionate parents towards their children, we have to recognise that it is a revival and reproduction of their own narcissism, which they have long since abandoned. The trustworthy pointer here is overvaluation of the object which we have already recognised as a narcissistic stigma in the case of object choice…

Thus parents are under a compulsion to ascribe every perfection to the child – which sober observation would find no occasion to do – and to conceal or overlook all his shortcomings (incidentally the denial of sexuality in children which it has been psychoanalysis’s achievement to bring into the scientific arena, is another manifestation of this)…

Moreover, they are inclined to suspend in the child’s favour the operation of all the cultural acquisitions which their own narcissism has been forced to respect. The child shall have a better time than its parents; he shall not be subject to the necessities which we regard as paramount in life when it comes to ourselves. Illness, death, renunciation of enjoyment, restrictions of his will, shall not touch him; the laws of Nature and society will be abrogated in his favour; he shall once more be the core and centre of creation – His Majesty The Baby!

The child shall fulfil those wishful dreams of the parents which they have never carried out – the boy shall become a great man and a hero in his father’s place, and the girl shall marry a prince as compensation for her mother. At the most touchy point in the narcissistic system, the immortality of the ego, which is so hard-pressed by reality, security is achieved by taking refuge in the child.

Parental love which is so moving and at bottom so childish, is nothing but the parents’ narcissism born again, which, transformed into object-love, unmistakeably reveals its former nature.

This is exactly what you would expect of an animal produced over hundreds of years of evolution which has developed an advanced ability to think and feel. Evolution never wastes a successful formula. By the same token it prefers to face new challenges with the old equipment at hand. Evolution patches and extemporises. How can it do otherwise? It has no plan, no intention, except blind adaptability. As Stephen Jay Gould puts it:

If God had designed a beautiful machine to reflect his wisdom and power, surely he would not have used a collection of parts generally fashioned for other purposes… Ideal design is a lousy argument for an omniscient Creator. Odd arrangements and funny solutions are the proof of evolution – paths that a sensible God would never tread but that a natural process, constrained by history, follows perforce.

How neat, then, that the earliest psychic formations which helped get the infant ego off to a start, and which atrophy as the child adapts to the demands of an uncaring world, should then be recycled, revived or redirected in the name of pampering and protecting their offspring – the new addition to the geneline – which ensures the only form of immortality we have, the immortality of the molecule of life, DNA.

To sum up, a person may love:

1. according to the narcissistic type:

  • what he himself is (himself)
  • what he was, his past (his vanished youth)
  • what he himself would like to be (projected onto idols and heroes)
  • someone who was once part of himself (in the case of women, the baby who was once part of their body)

2. according to the attachment type:

  • the woman who feeds him
  • the man who protects him
  • the succession of substitutes who take their place, whether in the real world or in fantasy (i.e. everyone from a strong protector, in Fascist mentality, to the infinitely strong protector of a supposed Deity)

Freud makes one last crucial point in this essay. Initially, the childish ego is the recipient of unconditional love from its own ego instincts. As the child grows and starts getting hassled about pooing in a pot, not playing with himself etc it becomes clear that the ego is not the little prince we took it for.

As the object-instincts become attached to the mother who nurtures and the father who disciplines, the ego-instincts begin to create an ideal self, a version of the ego which lives up to all these demands, as the real one so lamentably fails to do. This is the origin of the ego-ideal.

The ego-ideal:

  • takes its energy from the ego instincts
  • is formed and shaped in the likeness of parental instruction
  • becomes the object of redirected narcissistic admiration
  • begins to censor and judge the ego in its own right, in a way the wild and simply instinctual unconscious obviously can’t do

And thus the ego-ideal becomes the source of self-judging, of guilt at failure to live up to the ideal.

Now we can restate psychoanalytic explanations of common psychological states using a neat diagram:

  1. Anxiety is formed by the threat of the Return of the Repressed, from below.
  2. Guilt is the superego’s punishment of the ego’s failure to rise to the parental and social standards, from above.

Freud writes:

Repression we have said proceeds from the ego; we might say with greater accuracy that it proceeds from the self-respect of the ego. The same impressions, experiences, impulses and desires that one man indulges or works over consciously will be rejected with the utmost indignation by another, or even stifled before they enter consciousness. We say that the one man has set up an ideal in himself by which he measures his actual ego, while the other has formed no such ideal.

This ideal ego is now the target of the self-love which was enjoyed in childhood by the actual ego. The subject’s narcissism makes its appearance displaced on to this new ideal ego, which, like the infantile ego, finds itself possessed of every perfection of value. As always where the libido is concerned man has here again shown himself incapable of giving up a satisfaction he had once enjoyed. He is not willing to forgo the narcissistic perfection of his childhood; and when, as he grows up, he is disturbed by the admonitions of others and by the awakening of his own critical judgement, so that he can no longer retain that perfection, he seeks to recover it in the new form of an ego ideal. What he projects before him as his ideal is the substitute for the lost narcissism of his childhood in which he has his own ideal.

So what is the relationship between this high ego ideal and the process of sublimation?

Idealisation is to do with the overvaluing of the object. Sublimation is what happens to the instinct.

The formation of an ego ideal and sublimation are quite different. The formation of an ego ideal heightens the demands of the ego and is the most powerful factor favouring repression [i.e. of idea that doesn’t come up to scratch]. Sublimation is a way out, a way by which those instinctual demands can be met without repression.

In other words, embarrassing wishes and impulses which would otherwise be repressed with the help of the powerful ego ideal, can also be rerouted into socially acceptable behaviour, and this is the psychoanalytical process called sublimation.

In this way the unacceptable psychopath reinvents himself as a famous general. Thus the socially (and personally) unacceptable voyeuristic impulse to see naked women is sublimated into the socially (and personally) acceptable career of being a painter.

The ego-ideal is the source of that running commentary on ourselves, that observation of the ego, which we call self-consciousness.

When it’s going OK, it feels like a voice in our heads debating, arguing, judging. When it goes wrong it’s often linked with ‘hearing voices’ telling you what to do, which can be found in schizophrenics and people whose minds have gone wrong.

In primitive societies, in the old days, and in Catholic countries, these voices are heralded as coming from God, angels (such as inspired Mohammed or Joan of Arc):

It would not surprise us if a special psychic agency were to exist which sees that narcissistic satisfaction from the ego-ideal is ensured and which, to this end, constantly watches over the actual ego and measures it by that ideal.

Recognition of this agency enables us to understand the so-called ‘delusions of being noticed’, of ‘being watched’, which are such striking symptoms of paranoid diseases. Patients of this sort complain that their thoughts are known and that their actions are watched and supervised; they are aware of voices which characteristically speak to them in the third person (‘Now she’s thinking that again’, ‘Now he’s off’).

The complaint is justified. A power of this kind, watching, discovering and criticizing all our intentions, does really exist. Indeed it exists in every one of us in normal life. And in these very voices the ego ideal reveals its origins: for what prompted the subject to form his ego ideal, on whose behalf his conscience acts as a watchman, arose from the critical influence of his parents (conveyed to him by the medium of the voice), to whom were added, as time went on, those who trained and taught him, and the innumerable and indefinable host of all the other people in his environment – his cultural milieu–- and public opinion…

The institution of conscience is at bottom an embodiment, first of parental criticism, and subsequently of that of society.

Papers on metapsychology (1915)

During the war Freud sat down to figure out a metapsychology to back up the practice and theory of psychoanalytical psychology. Half-way through it he abandoned the exercise, realising that his own views were in fact changing and realigning. The initial papers from this attempt survive:

4. Instincts and their vicissisitudes (1915)

For Freud an instinct is:

a concept on the frontier between the mental and the somatic, the psychic representative of the stimuli originating from within the organism and reaching the mind…. the psychical representative of organic forces…. An instinct can never become the object of consciousness – only the idea that represents the instinct can.

An organism can evade an external stimulus but it cannot evade stimuli from within (instincts) which become attached to particular ideas and images in the psyche. It is with the interplay of these images that psychoanalysis (classically, in the interpretation of dream symbolism) has to deal with, and to deduce from the images present to the waking and sleeping mind, the real state of the instincts, the continual drives, which lie behind them.

Freud posits two fundamental polarities:

  • the Pleasure-Unpleasure Principle: all organisms seek to avoid unpleasant excitation
  • the Nirvana Principle: all organisms seek a state of rest

In respect of the Nirvana Principle Freud says some profound things about the Mind:

The nervous system is the apparatus which has the function of getting rid of the stimuli which reach it, or of reducing them to the lowest possible level; or which, if it were feasible, would maintain itself in an altogether unstimulated condition…

Our mental apparatus is first and foremost a device designed for mastering excitations which would otherwise be felt as distressing or would have pathogenic effects. Working them over in the mind helps remarkably towards an internal draining away of excitations which are incapable of direct discharge outwards, or for which at the moment such a discharge is undesirable.

The human mind is a continuation by other means of the organism’s challenge of coping with the unending stream of inner and outer stimuli.

As to the instincts which operate by these two principles they also fall into two categories:

  1. sex instincts
  2. ego instincts

These instincts roughly correspond to:

  1. the Pleasure Principle (PP)
  2. the Reality Principle, with which the PP is in constant conflict

Instincts which come into conflict are subject to four vicissitudes:

  1. reversal into its opposite
  2. turning back on the subject’s own self
  3. repression
  4. sublimation

Instincts may become inhibited in their aim, such as in the case of ‘affection’, a sort of libido which becomes muffled. ‘Aim-inhibited libido’ is Freud’s explanation of friendship and affection.

Instincts may become fixated on particular objects early in their development and thenceforth lack flexibility and mobility, opening the door to the possibility of obsession.

Instincts may work through identification, a primitive mode of assimilating the (good or bad) features of some object.

Identification is based on the oral stage of development, the first fundamental attitude of the infant to reality when he or she seeks to control things by taking them in the mouth.

The parallel with this infantile oral identification is the cannibalistic phase of the development of primitive peoples. Ingesting a god or god-substitute involves taking on his powers.

In Totem and Taboo Freud attributes a primeval act of cannibalism as being the origin of the Oedipus Complex, of Religion and of Morality and notoriously goes on to claim the persistence of primitive oral identification at the heart of the Christian eucharist.

How many instincts are there? You could have as many as you like but Freud focuses on two:

At the root of all neurotic afflictions was found to be a conflict between the claims of sexuality and those of the ego… Biology teaches that sexuality is not to be put on a par with other functions of the individual; for its purposes go beyond the individual and have as their content the production of new individuals – that is, the preservation of the species. It shows further that two views, seemingly equally well-founded, may be taken of the relation between the ego and sexuality.

On the one view, the individual is the principal thing, sexuality is one of its activities, and sexual satisfaction one of its needs; while on the other view, the individual is a temporary and transient appendage to the quasi-immortal germplasm which is entrusted to him by the process of generation.”

7. A metapsychological supplement to the theory of dreams

What the metapsychological writings demonstrate is the gaps in Freud’s system which you normally miss when reading the rest of him, for example, the absence of a decent theory of instincts, among a host of other questions:

What is an instinct? how many are there? how do they work? how is it different from a reaction? What is the exact meaning of the unconscious? What is consciousness? How does perception work? How are the senses linked to the mind? How do we notice? react? to external stimuli? What is language? How are words linked to images in the mind? What is ‘meaning’? What relation does language bear to reality?

Freud’s vacillations in these areas merely highlight how his brilliant psychological insights break down when you try and elaborate them into a self-consistent system.

His metapsychology is not a theoretical underpinning which other psychologists could use. It is a theoretical justification spun out like medieval theology from radical and useful insights and discoveries made elsewhere.

The most striking thing about his plan for a series of metapsychological papers is the lack of a paper on consciousness and perception. Freud couldn’t enter into this realm of tests and experiments on memory and perception and calculation and decision-making without turning into a cognitive psychologist, and he wanted to remain outside that domain, free to speculate.

8. Mourning and melancholia (1917)

Mourning is the systematic decathecting of object-libido from an object which is no more: not always a person, it could be a nationalistic dream or wanting Oldham to win the Cup.

Melancholia (depression) is rage or hatred against some love-object or ideal which has failed. and then this rage projected back upon the ego.

The distinguishing mental features of melancholia are a profoundly painful dejection, cessation of interest in the outside world, loss of capacity to love, inhibition of all activity, and a lowering of the self-regarding feelings to a degree that finds utterance in self-reproaches and self-revilings, and culminates in a delusional expectation of punishment…

Reality-testing has shown that the loved object no longer exists, and it proceeds to demand that all libido shall be withdrawn from its attachments to that object. This demand arouses understandable opposition – it is a matter of general observation that people never willingly abandon a libidinal position…

The melancholic displays something else in addition to what is lacking in mourning – an extraordinary diminution in his self-regard, an impoverishment of his ego on a grand scale.

In mourning it is the world which has become poor and empty; in melancholia it is the patient themselves. The patient represents their ego to us as worthless, incapable of any achievement and morally despicable; they reproach themselves, vilify themselves and expect to be cast out and punished.

This delusion of (mainly moral) inferiority is completed by sleeplessness and refusal to take nourishment and – what is psychologically very remarkable – by the overcoming of the instinct which compels every living thing to cling to life.

You can see from these quotes why Freud thought every living thing wishes to end the endless flood of incessant stimuli and return to the nirvana of non-being. And why it was only a few more years before he epitomised this drive as Thanatos, the Death Instinct.

And why, at the same time, he comes to see the judging, censoring, punitive ego-ideal as partly fuelled by energy from this latter drive. If ever it gets the upper hand it will push its severe criticism of the miserable ego to the extent where life itself becomes intolerable: the superego.

9. Beyond the Pleasure Principle (1920)

In the early years of psychoanalysis the Pleasure Principle, the drive to seek gratification of the instincts and to avoid unnecessary excitation, seemed enough to account for the mental phenomena exposed by Freud’s investigation of neuroses, hysterias and obsessions.

But during the war, as we’ve seen, in papers like On Narcissism and Mourning and Melancholia, Freud begins to deal with psychological phenomena which seem to contradict this simple Pleasure Principle. He uses the examples of:

  • war neuroses i.e. soldiers who have recurring dreams or nightmares
  • the child who plays the ‘here-there’ game i.e. who repeats the traumatic abandonment of his mother in play
  • dreams which contain recurrent unpleasantness
  • the burning need to act out and repeat traumatic scenes from their early lives on the part of patients in therapy
  • in even normal people, the tendency to repeat behaviour patterns, to fail in business or love

Freud points out the existence of a profound compulsion to repeat in human nature which seems at least as primitive as and, in theoretical terms to go far beyond, the simple requirements of the Pleasure Principle.

For example, anxiety dreams present a pretty good refutation of the idea that all dreams are concealed wish-fulfilments.

Now Freud speculates about the presence of a thin cortical layer protecting the brain from excess stimulation, rather as the lining of the cell protects the cell from too much outside. This wall or barrier, he wonders, may be the origins of the preconscious-conscious system, the interface between outer and inner, in which resides our use of language, our sense of time and duration.

The purely psychological equivalent of this anatomical barrier is anxiety, which is the perceived feeling of lots of mental energy being directed to a weak spot in the mental barrier designed to repel borders.

It may then be that anxiety dreams are attempts to master an intrusion of excess stimuli by repeating the cathexis (i.e. projection) of mental energy to the breach in the ego’s defences and that this repeated sending of reinforcements explains the repetitiveness of anxiety dreams.

This reading confirms what Freud has been saying all along: that the function of the psyche is to master and bind excess stimuli and convert them into life-preserving, life-enhancing behaviour.

This is done by binding free-flowing libido / instinctual energy, to cathexes, charges and mental investments. It is only after this initial mastery has taken place and the libido has been converted into manipulable cathexes that these bound cathexes enter under the dominance of the Pleasure-Unpleasure Principle. Thus, shell-shocked soldiers and playing children are compulsively repeating this attempt to bind and master excess stimuli.

It’s really only a logical extension of the stasis implied by the Nirvana Principle. But at this point Freud goes on to postulate a conservative aspect to all instincts, suggesting that all instincts are attempts to return to an earlier organic form which events have conspired to take the organism beyond. In other words, at some level, the deepest aim of living things is the cessation of stimuli i.e. Death!

The sexual instincts are now seen in a completely new light. From the treatment of Anna O in the 1880s up to the middle of the Great War, the conflict between our riotous sex instincts and the feeble ego instincts which try to control them was enough to underpin the therapeutic practice of psychoanalysis. With these radical ideas Freud moves the goalposts onto a completely new football pitch, to a different city. The scope of psychoanalysis has been vastly expanded.

The sex instincts are now seen merely as one subset of a more general libido which possess the specialised function of regressing to the state of sperm and egg; the sex instincts are even more regressive in a way than the others except that, in their enthusiasm to return to a monocellular state, they are forced to move the organism forwards on to those sex moments!

Evolution is an accident. There may appear to be an onward and upward movement but that is simply because there is no way back. Circumstances change and entire species are wiped out. Only a few mutants survive and prosper. There is no way back. All organisms are impelled forward, along Time’s Arrow, to reproduce. Reproduction is the embodiment of the Life Drive in Time.

So in order to head forwards the creature must repress its backward instincts, the complexes and cathexes it has had to overcome in the long haul to full maturity and adult sexual activity. The No Entrance sign at the doorway to the unconscious propels us forward, and if the repressed threatens to return it is always accompanied by anxiety, the sense of a terrifying vertiginous descent into the primitive past. Thus the only free space, the only place for growth, is forward.

The final part of Beyond the Pleasure Principle is a long meditation on the biological nature of death based on contemporary experiments with protozoa. Left to themselves protozoa multiply and die. But if they can be induced to unite, to join together, they undergo a fresh lease of life, presumably with all the fresh stimuli that have to be coped with on their programmed road to death.

Could this be the basis for a fundamental psychological dichotomy between sex instincts and death instincts found in the higher animals? In Instincts and Their Vicissitudes Freud had postulated two categories of instinct: sex instincts and ego instincts, deduced from:

  • clinical experience of neurotic patients whose conditions nearly all arose from a conflict between a) repressed sexual wishes and b) the conscious ego which was repressing them
  • the fundamental biological fact of the twin purpose of any organism, its individual drive to maintain internal equilibrium fighting against the universal drive to go out there and undergo all manner of trials in order perpetuate the species

But now, in this new version, sex instincts and ego instincts are seen as first cousins, the splitting-off of the same thing. Now the grand dichotomy is between:

  • EROS builder of life
  • and THANATOS, life’s destroyer

What is life? What is death? What is sex? Working within the limited biology of his day, this polarity is the best and deepest answer Freud can come up with.

Key writings

Group Psychology and the Analysis of the Ego (1921) takes these ideas further and contains a long description of being in love.

The Ego and the Id (1923) is a more systematic exposition of the new tripartite structure of the mind which I have sketched out here.

But it’s in Beyond the Pleasure Principle that Freud really turns the corner into a deeper, more complex, more visionary understanding of human nature, which is why it’s regarded to this day as a key work.


Credit

The history of the numerous translations of Freud’s many works into English form a complicated subject in their own right. The works in this review were translated into English between 1958 and 1964 as part of The Standard Edition of the Complete Psychological Works of Sigmund Freud. All references in this blog post are to Volume 11 of the Pelican Freud Library, ‘On Metapsychology: The Theory of Psychoanalysis’, published in 1984 by Pelican Books.

More Freud reviews

An Autobiographical Study by Sigmund Freud (1925)

Note: to avoid misunderstanding, I believe Freud is a figure of huge cultural and historical importance, and I sympathise with his project of trying to devise a completely secular psychology building on Darwinian premises. Many of his ideas about sexuality as a central motive force, about the role of the unconscious in every aspect of mental life, how repressing instinctual drives can lie behind certain types of mental illness, his development of the talking cure, these and numerous other ideas have become part of the culture and underlie the way many people live and think about themselves today. However, I strongly disapprove of Freud’s gender stereotyping of men and women, his systematic sexism, his occasional slurs against gays, lesbian or bisexuals and so on. Despite the revolutionary impact of his thought, Freud carried a lot of Victorian assumptions into his theory. He left a huge and complicated legacy which needs to be examined and picked through with care. My aim in these reviews is not to endorse his opinions but to summarise his writings, adding my own thoughts and comments as they arise.

***

This essay was one of 27 commissioned for a series called ‘Contemporary Medicine in Self-Portrayals’ i.e. less a strict autobiography than a ‘my life and my contribution to science’.

It comprises a sketchy historical review of the events leading up to Freud’s ‘discovery’ of psychoanalysis, then an exposition of psychoanalysis’s central tenets, an explanation of the technique, and a sketch of its applications to other spheres of human knowledge.

Early life

Sigmund Freud was born on 6 May 1856 in Freiberg in Moravia, in the modern Czech Republic, the youngest of 9 children of the bankrupt wool-trader Jacob Freud (facts also mentioned in The Interpretation of Dreams, page 284).

The family moves to Vienna when Freud is 4. He is consistently top of his class at the Gymnasium (junior school).

His father, Jacob, though poor, said, ‘Follow whatever career you wish, son’. Freud didn’t especially want to become a doctor:

I was moved rather by a sort of curiosity which was directed more towards human concerns than towards natural objects.

At higher school he was caught up in the intellectual excitement generated by the theories of Darwin and, after listening to a reading of an inspiring essay on Nature by Goethe, he decides to study medicine (as recounted in The Interpretation of Dreams, page 572).

1873: Starts attending University of Vienna. Encounters antisemitism for the first time. Unsure what to specialise in until he attends classes by Ernst Brucke, Professor of Physiology, who becomes his hero.

1876 to 1882: Researches physiology of the nervous system of fish and eels. Takes a long time to win his Degree as Doctor of Medicine, in 1881.

1882: Brucke tells him, ‘You are poor. There’s no money in pure research; best to take up the actual practice of medicine.’ So Sigmund enters the Vienna General Hospital but continues with his theoretical interests, now concentrating on disorders of the human nervous system.

From the anatomy of the brain – still a very theoretical subject, i.e. no cash – Freud moved on to study nervous diseases. Almost nothing was known about nervous diseases in the 1880s, there were no specialists and few texts in Vienna. Far away in Paris shone the beacon of Jean-Martin Charcot, a leading light in treating mental illness.

1885: Appointed Lecturer on Neuropathology due to his research. Soon afterwards awarded a bursary and set off to Paris to study under Charcot. Here Charcot had proved that hysteria existed as a definite  and distinct diagnosis. Contrary to received opinion it could be found in men as well as women. It resulted in physical symptoms. It could be brought on by hypnotic suggestion. But as to the psychological origins of hysteria – nothing.

1886: On the way back from his winter stay in Paris he stopped at Berlin to study the disorders of childhood. Via the prestigious Kassowitz Institute for Children Freud published a string of learned studies of cerebral palsy.

1883 to 1884: Freud experiments with the new drug cocaine as a possible anaesthetic, but others do the definitive work.

1886: Freud marries Martha Binnays, his fiancée for 4 long, frustrating years due to his lack of money or prospects. Now, aged 30, with no real achievements to his name, Freud really needs money to set up the kind of bourgeois household he wants.

1886: When Freud lectures in Vienna on Charcot’s discoveries he is largely ridiculed and excluded from research laboratories. So he sets up as a private consultant on nervous diseases. How does he treat people? With electrotherapy (which he soon drops) and with the method of hypnotism which he had witnessed in Paris.

1889: Freud visits Nancy in France, to watch the great Hippolyte Bernheim perform hypnosis. It was Bernheim who developed the notion of suggestibility under hypnosis. Freud had translated Bernheim’s On Suggestion and its Applications to Therapy in 1888. He took along some of his private patients. Pondering hypnosis hints that there are forces operating on the mind of which we are normally unconscious. But in practice it rarely cures real neurotics.

1880 to 1882: While all this went on Freud befriended Josef Breuer, a physician 14 years his elder, who lives and practices in Berlin. Breuer tells him about his treatment of Anna O. This clever young woman was afflicted with a colourful array of neurotic symptoms. Breuer discovered that if he hypnotised her, she was capable of explaining the origins of the symptoms in real-life events of which she was unaware in waking life. Not only that, but once she explained the cause, the symptom disappeared! Clearly neurotic symptoms have meaning; they are related to real life events, so they are memories but they are buried somewhere inaccessible to waking consciousness. Freud replicates Breuer’s results with many of his private patients.

1895: Freud publishes Studies On Hysteria, a list of case studies with some theory of the ‘cathartic’ method of cure i.e. hysteria is caused by suppressed memories but if these memories can be brought into the conscious minds, the symptom disappears. Breuer is happy to leave his findings at that.

1895 to 1900: The Heroic Period. Freud sets out on a voyage of discovery building on the insights gained so far. Above all, he begins to suspect a sexual factor in the aetiology of hysteria. He moves on to confirm a similar sexual motive lying beneath neuraesthenics. He realises that much of the success of hypnotism is due to the patient’s trust in the hypnotist. After a while he realises that he can get comparable results in his patients (i.e. the release of a flood of memories) by just asking the patient about their experiences. Slowly he evolves the technique of free association.

1896: Freud’s father dies and this triggers a pitiless self-analysis in which he reviews his whole life, his aims and achievements to date. He comes to realise the importance of little-suspected motives, of early fears and anxieties in his adult life, choices and behaviour. At the same time he is examining his patients for similar origins to their obsessions and symptoms.

All the thoughts of this turbulent period are recorded in his epic correspondence with Wilhelm Fliess, an ear-nose and throat specialist based 500 miles away in Berlin. Nowadays dismissed as a crank, Fliess nonetheless provided an invaluable sounding board for Freud’s experimental speculations at a time when respectable opinion in Vienna increasingly shunned him.

Psychoanalysis

1899: publishes The Interpretation of Dreams which contains all Freud’s major discoveries, either explicitly or in embryo:

  • Neurotic symptoms are the return of repressed memories of desires or feelings too shameful for the patient to cope with, which is why they are repressed.
  • The amount of effort needed to recall them to conscious thought is a measure of resistance.
  • Free association helps the patient approach the dangerous memory.
  • But a quicker way to get there is through dream interpretation.
  • Dreams are the disguised fulfilment of a repressed wish.
  • Dreams use the language of the unconscious in which everything is eternally present, persons are interchangeable, logic is forgotten and the vilest desires are expressed.
  • Desires are distorted by the dream-work which consists of condensation, overdetermination, displacement – so that a dream has two layers, the manifest content (what we remember and tell upon waking) and the latent content (the distorted wish).
  • ‘Dream interpretation is the royal road to the Unconscious.’

An instinctive wish wells up in us. The ego forbids it entrance to consciousness. It is repressed but it must have expression. So it emerges, disguised, in dreams and in neurotic symptoms. Therefore, mental illness is a message from the unconscious; when the painful message is deciphered by the common work of analysis, the wish is discharged with an ‘affective release’ i.e. emotion; the patient bursts into tears etc.

Following on the Release of Tension there is the Act of Judgement or Sublimation. You consciously come to terms with this shameful part of your personality; or, less consciously, you sublimate its energy into a new understanding of your life, your motives, your agenda, into higher goals.

The essence of the Psychoanalytical Revolution is this: Everything mental is in the first instance unconscious; the attribute of consciousness may be present or it may be absent. Consciousness, this precious mind and the clever thoughts we value so much, are, then, almost irrelevant to the truth about what we are and to how we actually behave as human animals.

This is a departure from all previous theories of the mind which, reasonably enough, had concentrated on asking how Reason and Intellect work, what is the role of language in thought etc etc? Two thousand years of philosophers worrying away at the nature of the links between sensations and concepts and the words we express them in.

Freud says this is all irrelevant. Consciousness is a puny, secondary, almost irrelevant secretion – a rationalisation, a justification – of decisions and wishes and desires and strategies which are fully worked out in a part of the mind which can by its nature never be accessible to us. We can only guess at its activities by inference, from the misshapen tip of the iceberg which is all we can see.

Human mental activity is almost entirely unconscious.

The sexuality of children

1905: Three Essays on Sexuality. The other major component of the theory is the sexuality of children. Through analysis, through dreams and free association, most of Freud’s patients traced their problems back to infantile sexual experiences. Though not sexual in the standard meaning (erection, ejaculation etc) Freud found that children are excited and gain pleasure – gratification – of the sexual instinct, through different parts of their bodies as they grow. He called these the erotogenic zones.

He hypothesised a developmental model:

  • Years 0 to 1: pleasure through the mouth, sucking on the breast, the oral phase
  • Years 1 to 3: pleasure in acquiring control over peeing and defecating, the anal-sadistic phase
  • Years 3 to 5: pleasure in playing with the little penis or clitoris, the phallic stage

At this point the sexual drives are clearly in approximately the right place for the purposes of reproduction to which they will be called at the onset of puberty.

The actual pleasure is derived from the operation of a whole number of instincts which steadily sort themselves out into their component parts as the child grows, often resulting in pairs of opposites: masochistic and sadistic urges; the urge to show and to look.

Small children’s play amounts to continuous experimentation with a steadily growing range of instinctual drives and satisfactions, applied to the child’s steadily growing awareness, first of parts of its body, then of their functions, then of the body’s relationship to the outside world, and finally to other people, to its siblings and parents.

The sexual impulse overall can be called the libido. The libido does not develop smoothly.

As a result either of the excessive strength of certain of the components or of experiences involving premature satisfaction, fixations of the libido may occur at various points in its development. If subsequently a repression takes place, the libido flows back to these points (a process described as regression) and it is from them that the [frustrated] energy bursts through in the form of a symptom.

The Three Essays set out to schematise all human sexual experience.

‘Normal’ heterosexual genital intercourse undertaken for the procreation of children – the only form of sex allowed by the Catholic Church of Freud’s time – is a product of the most strenuous repression of other desires and the pinnacle, the furthest highest peak, of socially acceptable sexual development. In reality, the overwhelming majority of the population are unable to adhere to this incredibly restricted target and indulge in various forms of ‘perversion’ (in the Catholic sense).

The Three Essays turn 2,000 years of theories about sex and our relationship with our bodies on their heads. In Freud’s model the gratification of physical instincts is the bedrock of human existence; in his view, children, far from being sexless innocents, from the earliest age are indulging these desires, and none of us ever really gives them up; they are merely repressed. They can be repressed in numerous ways, if the process is done badly, resulting in us becoming twisted or neurotic; or they can be sublimated into ‘higher’ activities acceptable to society.

The structures of society, the institutions of civilised life which we like to pride ourselves on – its laws and morality and religion and philosophy and art – are constructed in order to hide our true animal nature from ourselves.

Back to the theory of human development. The developing instincts must have an object: to begin with it is the infant’s own body, in a state of permanent auto-erotism (thus the small infant is said to be polymorphously perverse, simply meaning that it finds pleasure in every aspect of physicality).

Later, the infant develops an awareness of the breast it is suckling from and develops an image of the Good Mother (who suckles it) and the Bad Mother (who goes away).

Later still the child becomes aware of the complementary roles played by its mother and father, and the boy-child wants to take his father’s place and take possession of his mother. This is the Oedipus Complex, which Freud placed slap-bang at the centre of his theory of childhood development, of the aetiology of the neuroses, of the origins of culture and society, and of the way existing societies are run.

All a boy child’s puzzles about its little willy and about where it came from, everything becomes centred on this grand obsession: 1) terror of the all-powerful Father, and the reverse side of terror, aggression, the wish to kill him; and 2) love of the mother who suckled us and is affectionate.

Like Oedipus, we wish to kill our father and sleep with our mother. These are the only people in the child’s life; onto them he projects models of all the possible relations human beings can have. No surprise, then, that in later life so many of our attitudes to authority figures, love objects, other citizens, work-mates etc will be found to derive from the primitive stratum of emotional webs which are centred on the Oedipal Complex.

Once the child has overcome these feelings, he lapses into years of amnesia, the latency period from 5 to the onset of puberty at 11, 12, 13. The storm and stress of infancy are largely forgotten while the child’s faculties are concentrated outwards onto social activity, on learning from parents, teachers and other authorities, what rules to obey, how to read and write and judge, how to handle your peers: the vital work of acculturation, of learning the ancestral wisdom which separates us from the simple beasts who repeat in each generation their timeless instinctive activity.

The latency period seems to be a phenomenon of advanced societies. During this period the child develops reaction-formations (equal and opposite reactions against the sexually intense years), meaning emotions such as disgust and shame.

These, for Freud are the origins of morality. You are indoctrinated into thinking that the acts of defecating, peeing, playing with your genitals are ‘dirty’. You react with shame. Encouraged by your parents, your teachers and everything you read, you develop an idea that sex is ‘wrong’, ‘dirty’.

A strong body of tradition originating from the highest possible authority (God) goes to confirm all these feelings and to encourage you to sublimate them into socially-acceptable forms. Thus religious believers themselves display many interesting examples of perversions, neuroses and various types of abnormal behaviour but under the protection of piety.

The child introjects all of these injunctions from their parents and other authority figures, and constructs an ego-ideal, a model way to live and behave and think. They hero-worship idealised figures, from Jesus to Hollywood stars to the latest soccer players.

The naive child want to live up to their standard, to impress them with selflessness and devotion to an ideal. Thus the growing child lays down in their mind a superego or conscience, the internalised laws of their culture which now supersede the rules of the parents (who are, in any case, beginning to seem all-too-human and fallible).

Puberty

The onset of puberty with its rush of hormones and the development of primary and secondary sexual differentiation is a traditional time of turmoil in all societies and a time when the young have to be forcibly, sometimes painfully, initiated into full adult membership of society.

In more advanced cultures this means the early sexual patterns are revived but come into fierce conflict with the reaction-formations of disgust and shame and the powerful strictures of the introjected superego.

But the ideal, mature grown-up is as much of a myth as the ideal, model, married heterosexual. Freud’s theory helps to explain what a chaos of complexes and obsessions and instincts and desires and repressions and terrors and self-punishment we have to pass through to emerge as anything like the responsible grown-ups which society requires.

I hope it will be easy to gather the nature of my extension of the concept of sexuality. In the first place sexuality is divorced from its too close connection with the genitals and is regarded as a more comprehensive bodily function, having pleasure as its goal and only secondarily coming to serve the purposes of reproduction. In the second place the sexual impulses are regarded as including all those merely affectionate and friendly impulses to which usage applies the exceedingly ambiguous word ‘love’.

The detaching of sexuality from the genitals has the advantage of allowing us to bring the sexual activities of children and of perverts into the same scope as those of normal adults. The sexual activities of children have hitherto been entirely neglected and though those of perverts have been recognised it has been with moral indignation and without understanding. From the psychoanalytic standpoint, even the most eccentric and repellent perversions are explicable as manifestations of component instincts of sexuality which have freed themselves from the primacy of the genitals and are now in pursuit of pleasure on their own account as they were in the very early days of the libido’s development. The most important of these perversions, homosexuality, scarcely deserves the name. It can be traced back to the constitutional bisexuality of all human beings and to the after-effects of the phallic primacy. Psychoanalysis enables us to point to some trace or other of a homosexual object-choice in everyone…. Psychoanalysis has no concern whatever with any judgements of value.

The second of my alleged extensions of the concept of sexuality finds its justification in the fact revealed by psychoanalytic investigation that all of these affectionate impulses were originally of a completely sexual nature but have become inhibited in their aim or sublimated. The manner in which the sexual instincts can thus be influenced and diverted enables them to be employed for cultural activities of every kind.

Psychoanalytic therapy

Freud then moves on to explain the technique of analysis. This is based on the concept of transference. The typical psychoanalytic patient soon forgets the wish to be cured of unhappiness or troubling thoughts and symptoms. He begins to project onto the analyst his deepest feelings. These may be of love and affection for the great healer of souls – in which case the analyst can work with them to continue towards catharsis.

But transference may become entirely negative, the patient projecting aggression and defiance onto the analyst. This makes things difficult, sometimes impossible. The centrality and the limitation of transference explains why analysis works with some patients and not with others; and also why whole categories of patient are beyond its help, namely schizophrenics and paranoiacs, who are too detached from reality to form the realistic relationship with the analyst which transference requires in order to work.

The transference is made conscious to the patient by the analyst and it is resolved by convincing him that in his transference attitude he is re-experiencing emotional relationships which had their origin in his earliest object attachments during the repressed period of his childhood.

The history of the psychoanalytic movement

1900: Freud’s discoveries were either ignored or dismissed. Freud came to attribute this to the resistance of the wider world to the truth, resistance which is modelled on and derives from the original work of repression carried out during the latency period. The denial from the wider world  resembles the denial Freud encountered from individual patients who disbelieved his interpretations until they were finally persuaded and cured.

1902: Interested physicians begin to meet at Freud’s house.

1906: Interest in Freud stirs in Zurich, at the renowned Bergholzli Sanatorium run by Eugene Bleuler and his rising assistant Carl Gustav Jung.

1908: All interested parties, from Austria, Germany and Switzerland, meet at Salzburg for the first Psychoanalytic Congress.

1909: Freud and Jung are invited to America, to lecture at Clark University, Worcester, Massachussetts, at the invitation of President Stanley Hall. In the States Freud meets Harvard neurologist James J. Putnam and the ‘pragmatic’ philosopher William James. James in his classic text, The Varieties of Religious Experience (1902), had set out to draw a limit to the kind of scientific positivism espoused by Freud, and to reserve an exclusive area of experience open only to intuition: more or less corresponding to religious experience.

1910: The Second Psychoanalytical Congress in Nurenberg sets up an the International Psychoanalytical Society and appoints Jung the first President.

1911 to 1913: Two secessionist movements. Alfred Adler leaves to set up Individual Psychology based on the ‘masculine protest’, the idea that neuroses are formed by the drive to overcome perceived organ inferiorities. (This is the origin of the inferiority complex). Jung leaves to set up Analytical Psychology, emptying Freud’s libido of its sexual content, rejecting the Oedipus Complex and importing ideas like a ‘racial unconscious’, ‘the oceanic feeling’, ‘archetypes of behaviour’ – in every instance abandoning the specific discoveries of Freud for vaguer, more mystical interpretations of personality.

1914 to 1918: The Great War brings psychoanalytic practice and publications to a halt.

1920: Psychoanalytical Congress at the Hague. The War helped spread psychoanalysis by bringing home the reality of the psychogenesis of mental illness to the general population. Previously sceptical doctors, put off Freud’s theories by their sexual aspects, were forced to take into account ‘the flight from reality’, ‘the flight into illness’, in the form of the ‘shell-shock’ which had afflicted so many combatants.

Freud says the history of psychoanalysis breaks into two periods: the Heroic Period 1895 to 1906 when he was substantially alone; and the period from 1906 – when the Swiss came on board – to the time of writing (1925), when a body of analysts has grown in its own right and contributed many new ideas.

Narcissism

One major new addition to the theory made during the war was the theory of narcissism. Before the ego has identified external objects, it takes itself as an object and an element of narcissism never really leaves us.

All through the subject’s life his ego remains the great reservoir of his libido, from which object-cathexes are sent out and into which the libido can stream back again from the objects. Thus narcissistic libido is constantly being transformed into object-libido, and vice-versa. An excellent instance of the length to which this transformation can go is afforded by the state of being in love, whether in a sexual or a sublimated manner, which goes so far [in self-love] as involving a sacrifice of the self.

In 1925, at the period of writing this pamphlet, Freud had entered a new phase. The new concept of narcissism had disrupted the simplicity of the old theory. Previously Freud had divided the instincts into sex-instincts and ego-instincts; into a conflict between sex – operating on the Pleasure Principle – and the ego – working on the Reality Principle. The conflict between these two opposed forces explained repression, neurosis etc.

But if the ego could also be the object of libido, which is what narcissism amounts to, then the two supposedly antagonistic forces are closer together than was previously thought.

Second theory

In 1922 to 1923 Freud wrote Beyond The Pleasure Principle, The Ego and The Id, and Group Psychology and the Analysis of the Ego. Between them these works tried to resolve the contradictions  thrown up by the theory of narcissism with two further innovations:

First, a new topographic theory of the mind incorporated the unconscious drives and instincts into the new and bigger concept of the id; the id provides the energy for the ego, which grows out of it by a process of repression and having to come to grips with the external world i.e. the ego is formed by the clash between the inner Pleasure Principle of the human creature and the harsh unyielding world compressed into the Reality Principle; at a later stage, as we’ve seen above, the child develops the superego or conscience.

But Freud also posited a major new force, the Death Drive. He grouped together all the positive instincts of the earlier theory, all the drives towards satisfaction which seek unity and binding-together, the drives propelling us forwards through life, under the name Eros. In opposition to them, as the drive which seeks dissolution and a return to the inorganic, he posited the existence of a death drive or Thanatos.

The death drive wishes the organism to return to stasis, to achieve peace. The death drive is made up of components which include the wish to suicide – the death wish – a wish to return to the peaceful, unstrife-ridden world of the womb. That’s the death drive turned inwards, against the self. But it can also be directed outwards, sublimated and projected, in the form of aggression towards others.

Freud was well aware that these new developments were highly speculative but the impact of the Great War had shown everyone that as well as sexual or libidinal satisfactions a great deal of vicious violent barbarism made up a major part of the human animal. The death drive is Freud’s attempt to bring together all these anomalies under one roof.

These innovations proved fruitful for future developments in psychoanalysis. The new way of thinking of the ego as the zone of protection for the animal, the place where it learns to mediate between its wild lusts and the restrictions of outer reality, led to research which views many mental activities as essentially defensive.

These psychic mechanisms of defence which the human animal erects were to be investigated in detail by Freud’s daughter, Anna Freud. And the understanding of aggression, of the hate and rage which the tiny animal feels against its parents in the earliest years and which it later projects outwards onto society, these were to be investigated by Melanie Klein.

Social theory

Lastly, Freud turns to psychoanalysis’s applications to other spheres of knowledge. Here he refers to the way psychoanalysis has taken off in France mainly in the arts. (As Roy Porter among others has pointed out, in France many of Freud’s discoveries in the realm of the unconscious and developmental theory already existed in the work of Charcot and Janet and Piaget, so he was not seen as such a ground-breaking pioneer.)

1. Literature and myth

In the final sections of this essay Freud outlines how he applies the insights of psychoanalysis to other areas. Central is the Oedipus Myth which has haunted all the ages because it is a perfect representation of a universal law of the human mind. Hence the mystique of Shakespeare’s play, Hamlet, which is a more refined application of the same insight. Hamlet is unable to revenge his father because Claudius (his father’s murderer) has already acted out Hamlet’s own deepest (repressed) fantasy: he has killed his father and is sleeping with his mother.

Freud’s loyal English disciple Ernest Jones wrote a full-length study of Oedipus and Hamlet. Otto Rank, Freud’s loyal secretary, wrote a compendious book on the Incest Theme in literature and went on to compile an encyclopedic analytical interpretation of ‘The Myth of The Birth of The Hero’.

Thus was born a whole new way of relating to, thinking about and interpreting literary and artistic creations, a method of analysing out the hidden or repressed analytical material contained in a novel or painting, an academic tradition which continues to the present day. Freud in various works devised theories and insights into art, literature and the imagination, which gave them a special privileged place in his theory:

The realm of imagination is a ‘reservation’ made during the painful transition from the pleasure principle to the reality principle in order to provide a substitute for instinctual satisfactions which had to be given up in real life. The artist, like the neurotic, had withdrawn from an unsatisfying reality into this world of imagination; but, unlike the neurotic, he knew how to find a way back from it and once more to get a firm foothold in reality. His creations – works of art – were the imaginary satisfactions of unconscious wishes, just as dreams are; and like them they were in the nature of compromises, since they too were forced to avoid any open conflict with the forces of repression. But they differed from the narcissistic asocial forces of dreaming in that they were calculated to arouse sympathetic interest in other people and were able to invoke and satisfy the same unconscious wishful impulses in them too.

Freud himself applies these insights in his book-length studies of Leonardo and of Michelangelo’s famous statue of Moses.

2. Freudian slips and jokes

Freud had also expanded the application of psychoanalysis into ‘the psychopathology of everyday life’, clearly showing the continuity of the wish-principle in everyday slips of the tongue and accidents which, also, turn out to be messages from the unconscious realm, the so-called ‘return of the repressed’.

In addition, there was his study of jokes in Jokes and their Relationship to the Unconscious (1905) which similarly points to the return of embarrassing repressed material in the socially acceptable form of comedy.

3. Religion

Religion was a major obsession of Freud’s throughout his writing life. In the short early essay, Obsessive Actions and Religious Practices (1907) Freud showed that obsessive actions amount to a private religion and that religion amounts to ‘a universal obsessive neurosis’.

Freud then gives a useful summary of Totem and Taboo (1913) in which he had tried to show how the universal taboo on incest and the worship of taboo animals supposed to have fathered the tribe were reducible to primitive attempts to control the Oedipus Complex.

Bearing in mind that many of these tribes every year kill and eat the totem animal (which is otherwise feared and revered) in a special feast, Freud hypothesises:

The father of the primal horde, since he was an unlimited despot, had seized all the women for himself; his sons, being dangerous to him as rivals, had been killed or driven away. One day, however, the sons came together and united to overwhelm, kill and devour their father, who had been their enemy but also their ideal. After the deed they were unable to take over the father’s heritage since they stood in one another’s way.

Under the influence of failure and remorse the learned to come to an agreement among themselves; they banded themselves into a clan of brothers by the help of the ordinances of totemism, which aimed at preventing a repetition of such a deed [the Primal Parricide], and they jointly undertook to forgo the possession of the women on whose account they had killed their father.

They were then driven to finding strange women, and this was the origin of the exogamy which is so closely bound up with totemism. The totem meal was the festival commemorating the fearful deed from which sprang man’s sense of guilt (or ‘original sin’) and which was the beginning at once of social organisation, of religion and of ethical restrictions.

Now whether we suppose that such a possibility was a historical event or not, it brings the formation of religion within the circle of the father complex and bases it upon the ambivalence which dominates that complex.

After the totem animal had ceased to serve as a substitute for him, the primal father, at once feared and hated, revered and envied, became the prototype of God himself.

The son’s rebelliousness and his affection for his father struggled against each other through a constant succession of compromises, which sought on the one hand to atone for the act of parricide and on the other to consolidate the advantages it had brought.

This view of religion throws a particularly clear light upon the psychological basis of Christianity, in which, as we know, the ceremony of the totem meal still survives, with but little distortion, in the form of Communion.

Totem and Taboo is among the most discredited of Freud’s works, based on nineteenth century anthropology which has been superseded. Seen from another angle, it is among his most ambitious, and florid, attempts to apply his theory to every aspect of human society past and present.

Summary

Thus Freud has tried to show how psychoanalysis is able to throw light on the origin of everyday slips, dreams, jokes and humour, morality, art, religious belief and practice, myths and folktales, and shows them all to be different ways of dealing with the same psychological material.

Psychoanalysis has also led to investigations and clarifications of symbolism, building on the symbolism of dreams to look at symbolism in art and religion.

In the field of education Freud singles out Oskar Pfister, author of pedagogical books (and his great interlocutor on religious issues) and, for the analysis of children and greater theorisation of childhood, Freud refers to the work of his devotee, Melanie Klein, and of his daughter, Anna.

Postscript (1935)

Freud concludes that with the announcement of the topographical structure of the mind (id, ego and superego) and the division of instincts into classes (Eros and the death instinct) he has finished his theoretical contribution. Others are carrying on where he left off.

My interest, after making a lifelong detour through the natural sciences, medicine and psychotherapy, returned to the cultural problems which had fascinated me long before, when I was a youth scarcely old enough for thinking….

I perceived ever more clearly that the events of human history, the interactions between human nature, cultural development and the precipitates of primeval experiences (the most prominent example of which is religion) are no more than a reflection of the dynamic conflicts between the ego, id and the superego, which psychoanalysis studies in the individual – are the very same processes repeated on a wider stage.

Thoughts

Freud was a politician to his fingertips. In a letter to Fliess he described himself as a ‘conquistador’ and he wasn’t exaggerating. The word indicates the grandiose scale of his ambition and his self-image.

For example his late work, Moses and Monotheism, can be seen as an attempt to rewrite Jewish history the better to place himself as its logical conclusion. Freud is the new Moses leading the Chosen People of the new science, psychoanalysis, into the Promised Land of scientific understanding and psychological health.

Most of the dreams in The Interpretation of Dreams are analysed to reveal a mammoth ambition and self-confidence, clearly in part derived from the wish to overcome, to supersede, his weakling father Jacob.

Everything he wrote was written with a political aim. The History of the Psychoanalytical Movement (1914) is a case in point, containing as it does a fierce polemic against the acolytes who had recently seceded from the Movement: Alfred Adler who went on to found ‘Individual Psychology’ and Jung who founded ‘Analytical Psychology’.

Seen in this light i.e. as part of Freud’s relentless ‘political’ aim to publicise and establish his theories, The Autobiographical Study is interesting because:

  1. It goes to such great lengths to insist on the strictly scientific nature of his research before he conceived psychoanalysis, and to demonstrate the continuity of psychoanalysis with mainstream science.
  2. It seeks to put the record straight on his relations with Janet. Pierre Janet, a disciple of Charcot’s, was the founder of modern psychology in France and the French (with typical chauvinism) claimed that Freud had come to France, purloined all their ideas, then dressed it up in heavy Germanic philosophical terms.
  3. Freud reproves the entire profession of philosophy for not being capable of fitting his concepts into their intricate systems of words, which is why he had a lifelong indifference or dismissal of philosophy as irrelevant to his discoveries which he always, of course, were based on facts not mystifying word games.

Credit

All Freud’s works have complicated histories in translation. An Autobiographical Study was first translated into English in 1959 as part of The Standard Edition of the Complete Psychological Works of Sigmund Freud. References in this blog are to the revised version, published in 1986 as part of Volume 15 of the Pelican Freud Library, ‘Historical and Expository Works on Psychoanalysis’.

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