Occidentalism: A Short History of Anti-Westernism by Ian Buruma and Avishai Margalit (2004)

The dehumanising picture of the West painted by its enemies is what we have called Occidentalism. It is our intention in this book to examine this cluster of prejudices and trace their historical roots.
(Occidentalism: A Short History of Anti-Westernism, page 6)

Some features of Occidentalism

Many groups have queued up to hate ‘the West’ over the past 200 years, for many reasons, claiming that:

  • the West is a purveyor of ‘poisonous materialism’
  • Westernism is a disease of the spirit
  • the Western mind splits human knowledge into soulless specialisms
  • Westernism promotes alienated individualism over communal belonging
  • Western science destroys religious belief and faith
  • Western media are decadent and pornographic
  • Western culture is shallow and materialist so destroys spiritual values
  • Western society is capitalist, greedy, exploitative
  • Westernism is a ‘machine civilisation’ (compared to hand-made rural arts and crafts)
  • resentment / hatred of Western imperialism
  • of Western colonialism
  • of Western (particularly American) global power and selfish foreign policy
  • Western civilisation is associated with huge, degraded, corrupt cities (compared with organic rural life)
  • the West represents ‘rootless cosmopolitanism’ and multiculturalism (compared with homogeneous native traditions)

These are the accusations and stereotypes which the authors set out to analyse and investigate, going much further afield than the contemporary Middle East, and much further back in time than the past few troubled decades, to do so.

The authors

Ian Buruma (born 1951, aged 72) is a Dutch writer and editor who lives and works in the US. Much of his writing has focused on the culture of Asia, particularly that of China and 20th-century Japan.

Avishai Margalit (born 1939, aged 83) is an Israeli professor emeritus in philosophy at the Hebrew University of Jerusalem. From 2006 to 2011 he was George F. Kennan Professor at the Institute for Advanced Study in Princeton.

Both were contributors to The New York Review of Books during the 1990s and in fact this book grew out of an article published in that magazine in 2002, less than 12 months after the 9/11 attacks on New York shook the world of international affairs.

The background: Edward Said’s Orientalism

Buruma and Margalit don’t mention Edward Said in the text but they explicitly state that their concept of ‘Occidentalism’ is conceived as a mirror image of the notion of Orientalism which Said was instrumental in defining and popularising.

The view of the West in Occidentalism is like the worst aspects of its counterpart, Orientalism, which strips its human targets of their humanity. Some Orientalist prejudices made non-Western people seem less than fully adult human beings; they ha the minds of children and could thus be treated as ‘lesser breeds’. Occidentalism is at least as reductive; its bigotry simply turns the Orientalist view upside down. [It reduces] an entire society or civilisation to a mass of soulless, decadent, money-grabbing, rootless, faithless, unfeeling parasites… (p.11)

Prior to Said’s book, Orientalism had been the value-neutral name given to a perfectly respectable academic discipline, the study of the languages, peoples and societies of ‘the East’ (loosely defined as lands from the Middle East to Japan) until Said published his landmark study, Orientalism in 1978.

Orientalism was a long, thorough, polemical attack on the entire discipline, claiming that from its earliest beginnings it 1) drew up a clear unbridgeable distinction between ‘The East’ and ‘The West’, 2) invented stereotypes of ‘the Oriental’, ‘the Arab’, ‘the Muslim’ and 3) attributed to them and their world a shopping list of negative qualities, the stereotypical ‘Oriental’ being lazy, irrational, dominated by a simple-minded religion, corrupt, sensual, and so on.

Orientalism was intended to be a comprehensive demolition of an entire academic field which Said proved by showing that the same mental structures underpinned, and the same demeaning stereotypes and clichés appeared in, almost all Orientalist writing, from the late eighteenth century right up to the present day.

This would all have been fairly academic, in the narrow sense – academics squabbling over the epistemological foundations of a particular academic field – but for the real bite of the book which is its highly political approach.

This has two elements. Firstly Said claims that the entire field of research into the languages, culture, religions, society and so on of ‘the Orient’ enabled and justified imperial control of the region. Knowledge is power, and the ever-more comprehensive and intrusive studies done of the countless peoples, religions and cultures of this vast area enabled Western imperial control over them. Orientalist academic studies served colonial power.

The Palestinian issue

This by itself would have been a fairly controversial conclusion, but there’s a second, really inflammatory element to Said’s critique. This is his attempt to show the discredited assumptions and degrading attitudes of Orientalism played, and continue to play, an important role in determining attitudes across western culture and politics to the Problem of Palestine.

This, as every educated person knows, is one of the most contentious issues in international affairs. In 1917 the British Home Secretary, Arthur Balfour, declared that Britain would support the Jews of Europe in their wish to create a homeland in the Biblical Lands of Palestine. Between the wars increasing numbers of Jewish immigrants fled Europe and settled in Palestine, buying land from its Arab owners. Tensions between incomers and natives erupted into regular bouts of violence which the British authorities, given a ‘mandate’ to run the area after the First World War, struggled to contain. After the Second World War, an exhausted, impoverished Britain tried to hold the ring between increasingly violent Jewish and Arab nationalist political parties and militias, until, in 1948, they effectively gave up and withdrew.

The well-organised and well-armed Jewish settlers promptly declared the existence of the independent state of Israel and the neighbouring Arab countries promptly attacked it, seeking to strangle it at birth. The Israeli army successfully defended its country and amid, much bloodshed, hundreds of thousands of Palestinians fled, or were expelled, into neighbouring countries, especially Jordan.

In 1967 a joint force of Arab countries led by Egypt was mobilising for another attack when Israel launched a lightning pre-emptive strike, crushing the Egyptian army and forcing the Arabs to sign an armistice after just six days. As a result Israel seized the Jordanian-annexed West Bank (including East Jerusalem), and Egypt’s Sinai Peninsula as well as the Egyptian-occupied Gaza Strip.

As many as 325,000 Palestinians and 100,000 Syrians fled or were expelled from the West Bank and the Golan Heights, respectively, creating a humanitarian crisis.

In 1973 the Arabs launched a surprise attack on October 6, the Jewish holy day of Yom Kippur. Once again Israel faced numerically overwhelming forces but fought them off in what was effectively the Third Arab-Israeli War. In the aftermath of the war the Israelis realised that they couldn’t rely on fighting off Arab armies indefinitely, and so they began to put out feelers for some kind of peace treaty, which was to lead to the 1978 Camp David Accords under which Israel return the entire Sinai Peninsula to Egypt.

Orientalist attitudes to the Palestinian problem

The point of this long digression is that Said was a Palestinian. Both his parents were of Palestinian heritage, he was born in Palestine and raised in Egypt, attending English-language schools in Jerusalem and then Alexandria. Said’s father had served with US Army during the Great War and so earned US citizenship so, when he was expelled from his Egyptian private school for being a troublemaker he was sent to a private boarding school in Massachusetts, USA. Thus began his career as an academic in America (in New York).

But as he progressed through the academic hierarchy, as well as his purely academic publications about comparative literature, Said became known for his ‘outspoken’ opinions about the Palestinian issue, namely speaking up for the plight of the hundreds of thousands of Palestinian refugees, calling for the government of Israel to moderate its policies in the occupied territories and so on.

This, as you might have expected in polarised politicised America, drew down on his head the wrath of numerous journalists, commentators, Jewish groups and so on, many of which didn’t refrain from employing exactly the kinds of denigratory stereotypes he had listed in Orientalism against Said himself and the Palestinians he spoke up for.

In the Introduction to Orientalism Said explains that the motivation to write the book was partly driven by his own personal experience of Orientalist tropes. In New York academia he found himself extremely isolated as almost the only Palestinian and Arab working in an academic and publishing environment dominated by white liberals or Jews sympathetic to Israel and its policies.

So his own personal experience of having anti-Arab, anti-Palestinian and anti-Muslim slurs directed at himself, his writings and his opinions was a big motivation behind the years of research and labour of love which Orientalism amounts to.

This explains why the huge book, with its mountains of evidence, all work one way, criticising ‘the West’, Western attitudes, Western academia, Western imperialism, Western racism and so on.

In the Introduction Said explicitly says that he is not interested in exploring ‘the Arab Mind’ or ‘the Islamic World’ and so on. That would have doubled or quadrupled the length of the book, plus which he wasn’t professionally qualified to take on such huge subjects. His interest is solely in a deep investigation of how Western attitudes against ‘the Orient’ were created and proliferated throughout Orientalist studies, fiction and so on.

9/11

A lot happened in the real world between Orientalism‘s publication in 1978 and the publication of Occidentalism in 2002, but in the world of academia, magazines and publishing Said’s critique of Western attitudes had become very widespread among bien-pensant liberals. In the academy and liberal journals Said’s view that ‘the West’ continually sees the Middle East, the Arab world and Islam through simplistic, racist ‘Orientalist’ stereotypes, had become very widely accepted.

The 9/11 attacks on the World Trade Centre in New York, the Pentagon and (possibly) the White House (the fourth plane that came down in Washington) galvanised and transformed the culture, shocking and terrifying people around the Western world. It led numerous commentators and analysts to claim that we had entered a new era of war between ‘the West’ and ‘Islam’ or ‘Islamic terrorism’ or ‘Islamofascism’ etc, an inflammatory rhetoric which translated into actual war when, within a month of the 9/11 attacks, in October 2001, US forces invaded Afghanistan to overthrow the Taliban regime there.

Occidentalism

This is where Buruma and Margalit come in. They readily concede that 9/11, like the First Gulf War before it, led to an explosion throughout the media of just the kind of Orientalist racist stereotypes which Said had dedicated his life to uncovering and critiquing. But they point out that there was a gap in the whole discussion. If ‘the West’ could be accused of deploying Orientalist stereotypes against ‘the East’, ‘the Arab world’ etc, what about the stereotypes of the West which could be found in the media and political and terrorist discourse of the East? Didn’t Arab and Palestinian and Muslim leaders regularly rail against ‘the West’, didn’t an endless stream of news footage show enraged mobs burning the American flag and shouting ‘Down with America’, and wasn’t this anti-western rhetoric routinely associated with a predictable shopping list of negative stereotypes? Short answer, yes.

So what are these anti-Western tropes and where did they come from?

The West and ‘the Modern’

Right at the start Buruma and Margalit made a fundamental conceptual decision which underpins everything that follows: this is to identify anti-Western discourse with anti-Modernism. They argue that when nationalist commentators and activists in the rest of the world attack ‘the West’, they almost always conflate ‘the West’ with every aspect of the modern world which they dislike, despise or fear, everything from industrialisation, secularism, capitalism, rationalism through to cultural products such as pop music and pornography.

What many of the anti-Western nationalist movements of the past 100 or 150 years, whether in India or China or Japan, in the Middle East or across Africa, have in common is that they want to turn the clock back. They dream of an era which preceded the arrival of the West with its monstrous attributes of godless science, nation states, brutal capitalism, cultural hegemony and so on, they dream of an era when their countries were untainted by western influence, untainted by godless capitalism, when everyone lived in small rural communities and shared the same simple faith and devoutness.

At the roots of much anti-Western feeling is a deeper resentment at all these aspects of the modern world and a passionate desire to turn the clock back to simpler, more spiritual times. This leads them to a counter-intuitive conclusion:

Anti-westernism is a western product

The first people to loathe and hate modernism i.e the rise of a secular, godless, liberal, pluralistic society based on industrial capitalism, with the uprooting or rural populations and their herding into monster cities which became sinks of immorality and degeneracy etc, were westerners themselves.

It is one of our contentions that Occidentalism, like capitalism, Marxism, and many other modern isms, was born in Europe before it was transferred to other parts of the world. (p.6, emphasis added)

The main opponents to the birth and spread of industrial capitalist society were inhabitants of that society itself. Marx is the obvious epitome of this trend, but there had been plenty of opponents to the rise of godless rationalism and capitalist industrialisation for generations before him, and loads of theoreticians who tried to cling onto older ideas of pre-industrial societies bound together by a common religion

To put it simply, Western society has, for well over 200 years, contained a large number of intellectuals who fear, hate and loath their own western society, and who have developed an extensive set of concepts and vocabulary to express that hatred in.

Communist anti-westernism

The Bolshevik revolution of 1917 appeared, at a stroke, to validate the enormous, world-reaching rhetoric of Marxist analysis, to prove the inevitable collapse of capitalism and of communist revolution, and the Soviet regime spent the next 70 years energetically spreading its anti-western ideas and rhetoric around the world.

Fascist anti-westernism

But the Bolsheviks triggered an equal and opposite reaction in the extreme nationalist movements which developed into totalitarian fascism in Italy, then Germany and the other European governments who fell prey to authoritarian or fascist regimes between the wars.

And the fascist, anti-modern rhetoric developed by these regimes and their numerous intellectual defenders and propagandists, continued long after the Second World War, helping to justify and underpin semi-fascist military regimes in, for example, Franco’s Spain, Salazar’s Portugal, the Greece of the generals, or right-wing regimes in South America such as Pinochet’s Chile (1973 to 1990) or the military government in Argentina (1976 to 1993).

So this is the most fundamental thing about the book – Buruma and Margalit’s decision to expand its frame of reference faaaar beyond a consideration of anti-western rhetoric in the Middle East, in the Arab world or as expressed by Islamic terrorists like Osama bin Laden, and to turn it into an investigation of anti-Western thought in its widest possible definition.

Scope

In their introduction, on page 11, Buruma and Margalit briefly consider taking a chronological approach to the subject, tracing the origins of anti-western feeling all the way back to the Counter-Reformation, through the Counter-Enlightenment, before exploring the roots of the various types of socialist, communist and fascist opposition to the modern world.

Mercifully, maybe, instead of the kind of exhaustive multi-volume study this would have turned into, they decide to take a thematic approach. They will look at certain key images or symbols of the decadent, greedy, rootless etc West, and sketch out their origins in (mostly) Western discourse. This helps explain why the book is a light and frolicsome 149 pages long, although some of the explication is so dense and compressed that it sometimes feels like longer…

Contents

Accordingly, the text is divided into six chapters. The headings are neat and logical but I found the text they contain often very digressive, in the sense that it hops between quite disparate topics, times and places and then, just as unpredictably, returns to what they were originally discussing. On the upside this means the text is often as interesting for the sidelights or incidental observations it throws out as for the central points.

1. War Against The West

Introduction, as summarised above.

2. The Occidental City

Contrary to received opinion, people who hold strong Occidentalist views tend to be educated, or at least educated enough to be familiar enough with the values of the West to hate them. Taking the view that ‘Western values’ are undermining this or that set of traditional native values requires you to have a pretty good theoretical understanding both of what your native values are, what Western values are, and how the latter is ‘poisoning’ the former.

Far from being a dogma favoured by downtrodden peasants, Occidentalism more often reflects the fears and prejudices of urban intellectuals, who feel displaced in the world of mass commerce. (p.30, emphasis added)

Re. the 9/11 attacks on hi-tech buildings, Osama bin Laden trained as a civil engineer. the ringleader of the hijackers, Mohamed Atta, studied architecture at Cairo University and went on to do a Masters in urban planning at the Hamburg University of Technology. He hated modern architecture. He thought the concrete high-rise buildings built in Cairo and across the region in the 1960s and 1970s ruined the beauty of old neighbourhoods and robbed their people of privacy and dignity.

The tower of Babel

Tall buildings have been a focus of anxieties and symbols of ill omen from at least as long ago as the Bible. The Old Testament or Jewish Bible has barely got going before, in chapter 11, we are told about Nimrod who built the Tower of Babel with a view to making a name for themselves. God and, it appears, his angels, feared what they might do next, so afflicted the workers on it with different languages so they couldn’t understand each other, and then dispersed them across the face of the earth.

I visited New York in the 1980s and went to the top of the South Tower of the World Trade Centre which had an observation deck on the 107th floor and an outdoor viewing platform. It was 1,377 feet above street level. You could feel the building moving under your feet since it was designed to have a certain amount of ‘give’. I have acute vertigo and was terrified.

Cities as sinks of iniquity

Throughout recorded history, cities in every culture have been associated with corruption, greed, exploitation of the poor by the rich, decadence and immorality.

It is a universal story, this clash between old and new, authentic culture and metropolitan chicanery and artifice, country and city. (p.27)

Western sources

Regarding the authors’ focus on western texts, they live down to my expectations. In just the first part of this chapter they quote the Bible, Juvenal, the Goncourt brothers, William Blake (Dark Satanic mills), T.S. Eliot (The Rock), Richard Wagner (despised the frivolity of Paris), Voltaire (admired the liberty of eighteenth century London), Theodor Fontane (disliked London’s materialism), Friedrich Engels (horrified by the poverty of Manchester) and not a single Arab or Muslim voice.

It feels like a fairly obvious sixth form selection of obvious cultural figures (Blake, Eliot, Wagner). I’d so much have preferred an explanation of Islamic traditions about ‘the city’.

Antisemitism

They then move onto antisemitism, long associated with cities, cosmopolitan i.e. non-native culture, money-lending and capitalism etc, citing (again) Eliot, Pierre-Joseph Proudhon, Marx. The Nazis incorporated late-nineteenth century tropes of seeking to escape the city for a healthier life in the country into their fascist propaganda about racial purity, despising a checklist of big capitalism, cosmopolitan crowds, decadence (nightclubs and jazz), corruption of good Aryan women into prostitution and, of course, managed to blame all of this on ‘the Jews’.

A lot of these concerns and the language they were expressed in were picked up by other nativist nationalists, in Japan (about which Buruma knows a lot and which developed its own form of fascism during the 1930s) and in the Arab Middle East, developing its anti-colonial, anti-western rhetoric (many nationalist Arab leaders allied with Nazi Germany on the twin bases that a) my enemy (Britain)’s enemy is my friend and b) shared antisemitism).

Sayyid Qutb

They make a brief mention of Sayyid Qutb (1906 to 1966), widely considered the father of modern Islamic fundamentalism, to address not his writings, but his miserable alienation when he moved to New York to study in the 1940s and was repelled by absolutely everything about American life, its soulless materialism, its obsession with capitalist consumerism, its degraded immorality. Maybe they felt obligated to wedge him in somewhere, but Qutb’s importance to the development of Islamism or Islamic fundamentalism or Islamic terrorism isn’t developed at all. A paragraph on him before swooping back to Europe and…

The French Revolution

Surprisingly, maybe, they then move to the French Revolution. The French Revolution crystallised Enlightenment trends against medieval monarchs and aristocrats, the rule of the Church, traditions of all sorts, which needed to be torn up and thrown away, replaced by the cult of Reason, modern laws for modern enlightened citizens.

Antisemitism was implicit in Christianity from the beginning, with the Jews being blamed for insisting on the crucifixion of Jesus by the earliest Church Fathers. Buruma and Margalit attribute the birth of modern antisemitism to the French Revolution. Traditional upholders of the monarchy, the aristocracy and the Catholic Church were easily persuaded that the whole thing was a Jewish conspiracy, and so was born a whole modern antisemitic way of thinking about the world, which was to flourish and become steadily more toxic in the heart of Europe as the nineteenth century progressed.

The German Volk

Soon after the revolution, France invaded Germany, or the German states. Ideological opposition to the teachings of the French Revolution became mixed up with patriotic fervour. This all happened to the first generation of German Romantics. France came to represent the modern, godless, cosmopolitan city, riddled with over-clever philosophers and money-grubbing Jews, which was trying to conquer and obliterate the values of the Volkisch, spiritual German town, the German landscape of sturdy peasants, wise artisans and soulful poets. The authors cite the German folklorist Gottfried von Herder (1744 to 1803) as an example of this view.

Japan and China struggle to adopt Western culture

But western ideas of democracy, industrialism, capitalism and so forth were undeniably effective. They provided the underpinnings for the astonishing spread of Western imperialism. The question for rulers in countries from Morocco to Japan was which ideas from the West it would be profitable to accept, and which they needed to reject in order to maintain their culture and traditions, protect their nations from ‘spiritual pollution’ i.e. Western liberal ideas. Tricky.

Japan and China in different ways tried to adopt Western techniques without changing the core of their culture. Japan was much more successful, maybe because its centralised administration was stronger: it imported Western industrialisation while managing to keep a strong sense of national culture. By contrast the Chinese political system had become corrupt and inefficient so it failed to import Western industrialisation but instead found itself infected with all kinds of Western ideas about republics and democracy and the individual etc, ideas which led to the overthrow of the monarchy in 1911.

The appeal of Marxism to anti-colonial nationalists

For the central 70 years of the twentieth century many developing countries thought that Marxism offered a way forward. It was modern, industrial, scientific but rejected the soulless materialism, corruption and imperialist mindset of the Western capitalist societies. hence its attraction for many developing countries, especially in the decades after independence in the 1940s and 50s.

Unfortunately it was the dream which failed. The failure of the secular socialist nationalism promoted by the likes of President Nasser of Egypt, Gaddafi in Libya, Saddam in Iraq, Assad in Syria led to a wave of disillusion across the Arab world and opened the cultural space for Islamists who promoted a radical solution, a return to a world before any kind of modernity existed, back to the pure, unsullied, pious and unified world of the early Caliphate.

Mao and the war against the city

The authors devote 4 or 5 pages to Chairman Mao, ruler of China from 1949 to 1976. They see Mao as the biggest exponent in all world history of the war of the country against the city. The corrupt westernised city was epitomised for Chinese communists like Mao by Shanghai, administered by westerners and packed with a cosmopolitanism, capitalism and corruption. Mao thought such places needed to be purged in the name of a peasant communism.

Mao’s promotion of peasant values promised an escape route from Western capitalism, from urban alienation, decadence and corruption, and a return to integrated rural communities, where life and work would have proper, deep human meaning and purpose.

And so during the 1950s he unleashed the Great Leap Forward which involved rounding up and shooting hundreds of thousands of members of the urban bourgeoisie, those who survived being sent to huge rural labour camps. It was, he boomed, in countless speeches, a good thing ‘to exterminate the bourgeoisie and capitalism in China’ (p.42).

The Khmer Rouge 1975 to 1979

This is the mindset which went on to guide the horrific Khmer Rouge regime in Cambodia, 1975 to 1979. Most of Pol Pot’s soldiers were illiterate peasants, often only boys. When they took the capital, Phnom Penh, they were staggered by the wealth, the size, the swarming multinational population, the coffee shops and fleshpots. All these were ruthlessly emptied and its inhabitants either shot on the spot, or dragged off to be tortured, or marched off to labour camps in the countryside. Only by exterminating the urban bourgeoisie could the country be restored to purity and truth and correct living. It was a kind of logical end point of centuries of anti-city rhetoric.

The Taliban 1996

Same with the Taliban, illiterate peasants in flipflops armed with weapons seized from the fleeing Soviets or donated by America. After a ruinous civil war they took the capital of Afghanistan, Kabul, in 1996. First they butchered the leader of the pro-Soviet regime, Mohammad Najibullah, then they banned everything to do with modern life, which they associated with the hated West, in a bid to return society to the ‘purity’ of the earliest days of the Muslim Caliphate.

All music was banned, along with television, soccer, and most forms of socialising. Women had to cover themselves from head to foot and were not allowed out without a chaperone. Kabul was ruled by a six-man shura not one of them from Kabul, not one of them had ever lived in a city.

The Khmer Rouge and the Taliban represented the triumph of ‘authentic’ rural values over the corrupt, decadent modern city.

Germania

The authors then take a characteristic leap in subject, concluding with a page describing a different way of triumphing over the chaotic modern western city: this was to demolish it and build a totalitarian alternative.

Hitler hated Berlin and planned to rebuild it as a totalitarian capital, its alleys and slums replaced by broad boulevards designed for marching armies, its swarming cosmopolitan crowds replaced by the unified adoring Aryan crowd. All the messy attributes of the decadent West – civil liberties, free market economies, democracy, individualism – would be replaced by one Folk, one Reich, one Führer and one Capital City.

The Hitler regime was overthrown before building got very far but other countries have made the experiment. The authors cite Pyongyang, capital of North Korea, as what Germania might have looked like, a neoclassical testament to untrammeled, totalitarian power.

Lastly, they reference the steel and glass cities of coastal China which have mushroomed in the last twenty years, which represent a kind of defiant triumph over the less impressive, shop-soiled cities of the West. We can do it bigger, better and shinier than you, say high rises such as the Burj Khalifa in the United Arab Emirates, Merdeka 118 in Kuala Lumpur, the Shanghai Tower in Shanghai, the Abraj Al-Bait Clock Tower in Mecca, the Ping An International Finance Centre in Seoul and so on.

These are not so much anti-Western, as supra-western, denying old ideas of Western supremacy by outdoing it.

3. Heroes and Merchants

Werner Sombart

This focuses on the roots of Germany’s sustained sense of being different from ‘the West’, which German intellectuals defined as soulless mercantile Britain and godless revolutionary France.

The authors zero in on a book written in 1915 by a German sociologist named Werner Sombart and titled Händler und Helden or Merchants and Heroes. In the book Sombart contrasted the commercial civilisation of Britain and the liberty, equality, fraternity culture of France with the heroic culture of Germany. The Western bourgeois is satisfied with ‘comfort’ (in German Komfortismus) and the soporific sports of the British. By contrast the German welcomes death as the ultimate sacrifice he can make for the Volk.

Similar ideas were shared by the historian Oswald Spengler and the warrior-author Ernst Jünger. Happy happy Germany to have such ideologues of the glory of war. The fundamental trahison des clercs (‘treason of the intellectuals’) is to promote exciting ideas about glory and sacrifice which lead hundreds of thousands of young men to their death. ‘The young must shed their blood,’ write Thomas Abbt (p.58). Other young men, obviously. You need to stay safe in your study in order to produce such intellectual masterworks.

The authors make a direct link between the widespread contempt for bourgeois Komfortismus described by numerous right-wing German intellectuals, and the attitude of the jihadi fighter interviewed early in the 2001 Afghan who said that the Islamists would triumph because ‘You [the West] love life, but we love death’.

Personally, taking a materialist Darwinian evolutionary view of Homo sapiens, it seems unlikely that impatience to make live heroic lives and die in a noble cause, particularly among zealous young men ‘ardent for some desperate glory’, will ever die out. It has been so ubiquitous throughout all human history, in all cultures, that it appears to be hard-wired into the species. I’ve recently read a suite of books about the problems of African society and prominent among them is what to do about disaffected, unemployed youths, hanging round, looking for a cause to redeem their alienated lives…

Military death cults in Japan

The authors go on to trace how German hyper-nationalism and Occidentalism went on to become surprisingly influential in intellectual circles in the Middle East and Japan. The same valuing of a heroic ideal of nationhood which led Hitler to sacrifice an entire generation of German youth, was the one that made the Japanese fight to the death, island by island and send waves of kamikaze pilots in 1944.

Buruma has a counter-intuitive interpretation of Japanese suicide warriors. The phenomenon was considered at the time as being somehow specifically Japanese, but Buruma says the surviving farewell letters of many of the kamikaze pilots (and drivers of the less well-known suicide torpedoes) indicate that most were highly educated students studying the humanities at leading universities, and that a surprising number of them were well read in German literature and philosophy. They dressed up their feelings in tropes about the Samurai and cherry blossom but their fundamental ideas about the diseased decadence of the West and the need for heroic sacrifice are actually Western ideas.

Buruma gives a potted summary of the way Japanese politicians and intellectuals in the mid-nineteenth century cobbled together a patchwork copy of Western intellectual, economic, political, military and religious life, not least in the cobbling together of a state religion, Shinto, which they thought would echo the Christianity which seemed to be such a central part of European life. Ditto the transition of the emperor from a remote and powerless figure in Kyoto, who was moved to Tokyo to become a combination of kaiser, generalissimo, Shinto pope, and highest living deity. People talk (dismissively) about the British inventing many of their ‘traditions’ in the nineteenth century (Christmas trees, the kilt) but the Japanese did the same with knobs on.

Regarding the development of a cult of heroic sacrifice Buruma says an important source was the Imperial Rescript to Soldiers and Sailors of 1882 which the armed forces learned by heart and included a passage commanding the ultimate sacrifice for the emperor.

A practical consequence of this Occidentalism were that, when Western forces surrendered, as at Singapore in 1942, the Japanese viewed surrendering forces as dishonourable cowards who preferred to save their skins rather than fight on to the death i.e. the exact opposite of Japanese martial values.

As a result the Japanese regarded the surrendering British forces as less than human and treated them accordingly, working them to death in brutal labour camps. My best friend at school’s dad was in the army in Burma at the end of the war. He saw the state of soldiers repatriated from the Japanese camps. As a result he refused to have anything Japanese in the house.

The Rashtriya Swayamsevak Sangh

The authors then move on to India for a quick description of the Rashtriya Swayamsevak Sangh (RSS) which means the ‘National Volunteer Organisation’. Founded in 1925 this was a far-right, Hindu nationalist paramilitary organisation which aimed to instil ‘Hindu discipline’ in order to unite the Hindu community and establish a Hindu Rashtra (Hindu nation). Like the Nazis they aimed to create a new society based on racial purity, military discipline and sacrifice.

Osama bin Laden

Then, in this whistlestop tour, we are on to your friend and mine, the demon figure of the first decade of the 21st century, Osama bin Laden. The authors give quotes from an interview bin Laden gave after the 1996 al-Khobar Tower attack in Saudi Arabia. They say the language bin Laded uses of self-sacrifice, of suicide attacks, is emphatically not part of the Islamic mainstream tradition. In mainstream Islam dying in battle against the infidel is what creates justified martyrs; blowing yourself up along with unarmed civilians is something quite different, feared and despised by many Muslims as much as by Westerners.

They slightly contradict themselves by then describing the death cult of the Assassins, created in the 13th century for reasons which are still debated, and the pattern they set for being prepared to die for Islam in taking out an infidel opponent.

Anyway, whatever the precise roots there’s no denying that throughout the nineteenth century Muslim leaders called for jihad against western colonists and their godless capitalism, against their Jewish agents, and against native leaders who had been corrupted by their infidel ways.

Assassination

When I read this I immediately thought of President Anwar Sadat of Egypt. He was assassinated in 1981 by members of Egyptian Islamic Jihad for signing a peace treaty with Israel and instigating a crackdown on Islamic extremists, and so was painted as ‘a traitor to Islam’.

Sadat’s fate raises a general principle of Occidentalism which is that often opponents of the West aren’t actually opposed to the distant West, which they had never visited and of which they knew relatively little, so much as against the westernisers in their own society, political or social leaders who they blame for importing Western secular values. So they kill them.

Historically, the main embodiment of Muslim resistance to westernisation was the Muslim Brotherhood, founded in 1928 with the following manifesto:

‘God is our objective; the Qu’uran is our constitution; the Prophet is our leader; Struggle is our way; and death for the sake of God is our highest aspiration.’

Then, in another leap, the authors tell us that Japanese kamikaze tactics were adopted by the Hezbollah in the Lebanon with the 1983 Beirut barracks bombings which killed 241 US and 58 French military personnel.

Buruma and Margalit wrote this book before the US invaded Iraq in March 2003, an occupation which triggered an epidemic of suicide bombings by Sunni and Shias against the occupying forces.

Weimar

They conclude with a simple but crucial message. The Weimar Republic didn’t die because it was liquidated by Nazis, big business and the Army. It died because too few people were prepared to defend it. See the books on the subject by Peter Gay and Walter Laqueur. Passionate young men from the Right and the Left conspired to attack and undermine it at every opportunity. Nobody stood up for the boring, unromantic business of liberal democratic political life.

4. Mind of the West

Russian anti-westernism

Occidentalists accuse the West of being effective, technologically adroit, economically triumphant, and yet lacking the soul, depth, spirit and godliness which the critics, of course, pride themselves on having. I particularly despise the long tradition in Russian culture of belittling the frivolity and superficiality of France or Britain compared to the Great Russian Soul and its vast capacity for Noble Suffering. Tolstoy. Dostoyevsky. Occidentalists.

Dostoyevsky despised the West because it sought happiness and comfort whereas it should have been seeking salvation. And the route to salvation is via suffering. Only suffering brings wisdom. The West is afraid of suffering. The West can never be wise. Only a people devoted to suffering can be genuinely holy. The Russian soul welcomes and endures great suffering. Thus it is superior to everyone else’s.

Dostoyevsky and the propagandists for Russian suffering prepared the way (or just accurately reported the mindset) of the great Soviet barbarism of the twentieth century, the horrific civil war, the mass famines of Stalin, the huge gulags, total repression of civil society, the incredible death toll of the Great Patriotic War caused by Stalin’s ineptitude (and having massacred all his leading army officers) and Russian military readiness to sacrifice soldiers by the hecatomb in ways the Western Allies couldn’t believe. Still. Spiritual superiority, that’s what counts.

The line continues all the way through to Vladimir Putin. Putin sits in the main line of Russian cultural thought in despising, like Tolstoy, like Dostoyevsky, the decadence of Western liberalism, whose rapid end he has confidently predicted in numerous speeches.

Meanwhile, while he wastes his nation’s resources on a stupid nationalist war, the population of Mother Russia is going into decline as people flee Putin’s dictatorship or just die of ill health due to its wretched health problems.

Russia has the world’s 11th-largest economy but ranks 96th in life expectancy. Life expectancy for Russian men is 67, lower than in North Korea, Syria or Bangladesh. Still. Spiritual superiority, that’s what counts, eh.

The authors spend a long section describing ‘the love affair of Russians with their own soul’ and the achievement of nativist thinkers, loosely termed ‘Slavophiles’.

Anti-westernism’s German roots

In fact, counter-intuitively, Buruma and Margalit attribute Slavophilia, like so much anti-westernism, to German roots, specifically German Romanticism. Humiliated by Napoleon’s victories over them, conscious of their political backwardness (fragmented into scores of little princedom and dukedoms) German intellectuals, in a massive case of sour grapes, said worldly success didn’t matter, what mattered was what was in your soul. They compensated for their economic, social, political backwardness by asserting the supremacy of their spiritual life.

A spectrum

It occurs to me that there was a spectrum in the moving west to east across Europe in the nineteenth century. At the western extreme was Britain, economic powerhouse of the world but almost bereft of genuine art, philosophy or religion (sure it had the oppressive Church of England but this had little or no spiritualist tradition). Then came France, nearly as economically diverse as Britain, a good deal more artistic and philosophical. Then Germany, economically and politically backward but packed with ‘deep’ philosophers and its great musical tradition. Poland, which is never taken account of by anybody in these kinds of surveys. And finally Russia, the most economically and socially backward of European nations and, accordingly, possessed of a self-congratulatory sense of its immense spiritual superiority over everyone else.

In the authors’ view, to be blunt, it’s all the Germans’ fault. Extremely resentful of the military, economic and artistic success of Napoleon’s France, German Romantics compensated for national humiliation by working out the theory of the superior spiritual value of Das Volk and the nobility of dying for it.

Isaiah Berlin on German Romanticism

No less an authority than Isaiah Berlin thought this was the case and, moreover, thought the model the Germans worked out became a template which could be exported to all peoples who feel mocked and humiliated. The template was copied by the Russians during the nineteenth century and, as we’ve seen, adopted by Arab and Indian nationalists between the wars.

Buruma and Margalit summarise Berlin’s model. The German Romantic movement was the Counter-Enlightenment. It valued intuition and spirit over reason and calculation. It preferred heroes to shopkeepers. It looked back to a lost era of national and religious unity and looked forward to its glorious restoration.

On this view Nazism, Japanese fascism and Islamic fundamentalism are all the heirs to the original German Romantic anti-Westernism.

Russian Orthodox Christianity

The authors tell me things about Russian Christianity I didn’t know. They describe the messianic conviction that Moscow is a second Rome and only home to true Christianity. They explain that Russian Orthodox Christianity is far less interested in theology than Greek or Roman Christianity and far more concerned with custom and practice. Icons are more important than intellectual debate.

Intellectualism is suspect. And any kind of change is not needed. The thousand year old tradition of the Russian church suffices. Innovation tends to come from outside, representing threat and betrayal.

The authors give a potted history of Russia, with Peter the Great and Catherine the Great realising they had to import Western technology and ideas. Throughout the nineteenth century Russian intellectuals split into westernising and slavophile parties. They give potted biographies of individual westernisers. And they explain that for these men, the West meant Germany and its succession of Romantic philosophers.

As with Orientalism, all these Russian thinkers worked out their theories and defined themselves against the Other, the Other being a highly simplistic, stereotyped view of The West, a West which was materialistic, godless, mechanical, superficial, divided, corrupt and decadent, which lacked the soulfulness and the unity of people and purpose which characterised Mother Russia.

The triumph of will over reason

One major aspect of Occidentalism is the valorising of will over reason. Timid reason calculates the best course of action, tots up the pros and cons, a shopkeeper mentality. All this contrasts with the will which acts instinctively, in large glorious romantic causes. Following the footsteps of Friedrich Nietzsche, Hitler and the Nazis famously praised the Triumph of the Will over pettifogging rationalism. And so did nineteenth century Russians.

Konstantin Leontiev

The Russian Nietzsche was Konstantin Leontiev (1831 to 1891). He wrote a big book, Russia and Europe, which made a big splash. He was one of hundreds of late-nineteenth century philosophers and commentators who worked up an ‘organic’ theory of history i.e. that societies are like organisms which have a birth, a youth, a maturity and then a decay.

Surprise, surprise, Leontiev thought that the West with its decadent liberal democracy was in the last stages of decay. Exactly what Vladimir Putin thinks today, 150 years later. Continuities like this demonstrate that this is not a rational belief based on evidence, it is a prejudice, an unchanging tenet of anti-western bigotry, of Occidentalism.

The authors end the chapter with a brief history of the word nihilism which came to prominence, in Russia, in Ivan Turgenev’s novel Fathers and Sons. The chapter ends with more evidence of Dostoyevsky’s fanatical hatred of the West and fear that it’s godless, scientistic values were undermining the noble soul of Mother Russia.

5. The Wrath of God [Muslim fundamentalism]

 Buruma and Margalit draw a distinction between religious Occidentalism and secular Occidentalism. 

They say that Islamism is the form Occidentalism is taking in our time. What is new or unique is Islamism’s view that the West is guilty of barbarous idolatry and proceed to explain what this means, starting with a definition of idolatry.

They give a pocket history of the concept of idolatry which stems from the Jewish Bible. Here God is depicted as a jealous husband who is hurt when his Chosen People whore after strange gods. But obviously it has a deeper charge than that. God is also king of the universe, master of creation, source of existence. Denying God is the worst kind of blasphemy imaginable. In the Old Testament numerous kings and rulers are depicted as behaving as if they were as powerful as, or more powerful than, their creator, and demanding the veneration which is due to God.

So idolatry is giving to men the devotions and worship which are due to god. They discuss the meaning of Arab terms such as tajhiljahiliyya and jahili. jahiliyyahas been used to describe the religious ignorance which prevailed in Arabia before the advent of the Prophet Mohammed but also, more metaphorically, as the notion of barbarism, in the same way the ancient Greeks used it to refer to everyone who wasn’t Greek. At school I was told it was a joke term for people whose unGreek languages made them sound like they were saying ba-ba-ba-ba.

To summarise, the use of the term jahiliyya in Islamist discourse can be interpreted as referring to a new barbarism (godless idolatry) which originates from the West and is infecting the Muslim world.

The authors have a digression into the history of Manicheism, first as an actual belief system propounded by the Iranian prophet Mani (216 to 277 AD) then as the strand in most religions which posits an absolute divide between God and Evil. Then they show how ‘evil’ in most religious traditions is associated with the body, with its weakness, tendency to degrade and die, its distracting appetites, worst of which is, as we all know, sex. The body is contrasted with the soul which is taken to be immortal and the part of a human body which can approach or commune with god.

Ali Shari’ati

They discuss Ali Shari’ati (1933 to 1977), an Iranian Shia Muslim revolutionary and opponent of the westernising regime of the Shah. Shari’ati thought the best way for developing countries to fight back against the infection of godless western materialism was by rallying around their religious beliefs and traditions, in his case, Islam. He explicitly linked the influence of the West as encouraging Muslims to idolatry i.e. diverting worship away from God and towards the godless things of man i.e. money, consumer goods.

The industrial revolution made the West rich but it led to what sociologist Max Weber called ‘the disenchantment of the world’. It lost its magic and spirits. It lost God. And so all its goods and products are tainted by this tendency to disenchant and divert men’s worship from God to things. Idolatry.

Sayyid Qutb

The authors tell us about Islamic radical thinkers who fought back against the forces of secularism, for example Muhamed Taleqani in Iran, before returning to Sayyid Qutb, first mentioned in chapter 2.

For Qutb the whole world, from decadent Cairo to New York, was in a state of jahiliyya. He saw the West as a gigantic brothel, steeped in animal lust, greed and selfishness. Human thought, in the West, was ‘given the status of God.’ Material greed, immoral behaviour, inequality and political oppression would end only once the world was ruled by God and by His laws alone. The opportunity to die in a holy war would allow men to overcome selfish ambitions and corrupt oppressors (p.117)

One of the appeals of Islam is its egalitarianism: all men really are equal in the eyes of God in a way they rarely have been in the Christian West, and the Islamic dream is of a society where all men worship God, all laws derive from God, all behaviour is godly, and so it is literally impossible for large disparities in wealth or for corrupt immoral rulers ever to arise.

Qutb is given more space this time around, with a thumbnail biography describing the two years he spent in America to improve his English and which turned him into a West-hating Occidentalist. He also became a ferocious antisemite, literally believing in the famous forgery, The Elders of Zion and the ‘worldwide Jewish conspiracy’ and associating the global nature of finance capital with ‘Jewish bankers’ and so on. Schoolboy antisemitism.

To look at it another way, Qutb thought he was developing an approach which saved the noble and godly in human nature. The West wasn’t just godless, it actively worshipped the things of the body, the West is a cult of physical appetites, valuing food, drink, sex, holidays, fast cars, thus degrading human nature, instead of uplifting it through things of the soul by focusing solely on God. jahiliyya is the culture of animals or, worse, of humans who have thrown away their human attributes in a mad rush to become animals.

So, if Westerners have deliberately denied their humanity and turned themselves into animals, then they can be treated like animals, as worse than sub-humans. It’s this development of a train of thought which led him to consider all Westerners as sub-human which makes Qutb, as Buruma and Margalit out it, ‘the high priest of Occidentalism’ (p.121).

More, the world is in a state of war, between those who seek the righteousness of Islam and the rest. Even Islamic countries have been tainted to some extent by Western or secular innovations, and so jihad must be fought to overthrow idolatrous leaders. This is, obviously enough, an incitement to permanent warfare. You can see why it would appeal to zealous young men disgusted by the West, such as Mohamed Atta and so it explains the never-ending supply of young men prepared to take up arms to defend and assert radical Islam. But it just as easily explains why those societies, Islamic societies, will never be at peace with themselves. Libya, Egypt, Yemen, Syria, Iraq. Permanent war.

Abu-l-A’la Maudadi

Then we are introduced to Abu-l-A’la Maudadi (1903 to 1979) Islamic scholar, Islamist ideologue, Muslim philosopher, jurist, historian, journalist and activist, who is described (on his Wikipedia page) by Wilfred Cantwell Smith as ‘the most systematic thinker of modern Islam’.

The thing about all these Islamic thinkers is it’s hard to remember them because they all appear to have had the same pretty simple idea: Islam needed to reject the corruption of the West, purged of Western corruption, in order to become pure. Then everyone will live happy godly lives.

In practice Maudadi opposed Indian nationalism because it was Hindu, and democracy because it would impose majority Hindu values on Muslims. He said in a speech that anyone who voted would be a traitor to the Prophet and to God. He wanted to revive the early Caliphate (what Islamic fundamentalist doesn’t?).

Maudadid founded the Jamaat I-Islami Party which went on to be influential in the politics of the new country formed at the Partition of India, of Pakistan.

Tawhid and Muhammed Iqbal

Tawhid is the doctrine of the Unity of God. One of its proponents was Muhammed Iqbal (1877 to 1938) writer, philosopher and politician, considered by many to be ‘the spiritual father of Pakistan’. In his view human society should practice unity, harmony and justice in order to reflect the Unity of God. Against this settled social background each individual should be able to develop their individuality or khudi.

So, Buruma and Margalit ask, what was it that made Qutb an Occidentalist and Iqbal not? Partly it was personal psychology; Qutb was overwhelmed and disgusted by everything he experienced in America, whereas Iqbal enjoyed his British education and took a degree at Cambridge.

But basically Iqbal was tolerant. He thought there were many ways to God; the best way is Islam but there might be others for men of good faith. Qutb, by contrast took a fiercely Manichean view: there was the world of Islam and then everything else, which was full of sub-human barbarians. Qutb wrote:

Any society that is not Muslim is jahiliyya

And true believers need to take up jihad to enforce the rule of God in their nations. Permanent war.

Protestantism and liberalism

The authors then shift their ground to explain that the Reformation i.e. rebellion against the grip of the Roman Catholic Church, began the long process whereby religion and the personal sphere were separated out, in the Protestant countries of the West. The separation of church and state. The right to freedom of conscience, of belief, of religion.

And this is anathema to Islamists who insist there is not, there cannot be, a divide between religion and private belief or morality. Everyone must believe and worship the same, follow the same morality. This is why some critics of political Islam liken it to fascism. More accurately it might be likened to totalitarianism. Mussolini said: ‘Everything in the State, nothing outside the State, nothing against the State.’ Swap ‘Islam’ for state. Note the Morality Police in Saudi Arabia and Iran.

Women in Islam

Buruma and Margalit finally get around to the hugely contentious subject of women in Islam. They claim that many Muslims yearn for a return to traditional and community values. Islamic fundamentalism draws its support from a nostalgia for a return to proper Muslim values, which are associated with tradition beliefs and customs.

One of the central areas is the role and behaviour of women because in a patriarchal culture like Islam, the behaviour of women directly reflects on the honour of their menfolk, in a way most of us in the West just don’t understand.

Countless visitors to Muslim countries in the eighteenth and nineteenth centuries observed the strict segregation of the sexes, the way women were completely invisible in many rural communities, or else were covered from head to foot in towns.

They zero in on the issue of the veil. The veil for women appears to have existed way before Islam there are depictions of it in pictures from the first century. Maybe Muslims copied it from the Byzantine Empire. It came to signify that the owner did not do manual labour i.e. became a status symbol.

During the independence struggle in Algeria many women took the veil as a proud assertion of their Islamic heritage and defiance of the French colonialists. But 50 years later, in the era of the Taliban, women are to be covered in what are effect shapeless sacks, completely denying their physicality, the assumption being that the merest glimpse of female flesh will cause an outbreak of ungodly fleshly thinking among surrounding men. In this respect ‘the veil’ is a symbol of a Manichean tension between the Spirit and the Body.

Wisely the authors don’t propose to delve deeper into the symbolism, meaning and all the debates raging around ‘the veil’, as fully explicating the history and then trying to find quotes in the Koran or the hadith to back up all the different opinions would keep us here till Doomsday.

Their book is not about Islamic beliefs and customs, it has the narrower focus of being about Muslim opinions about the West, in this case, Eastern views about Western women.

Islamic fundamentalists (and, the authors emphasise, Orthodox Jews) regard women’s dress and behaviour in the West as little better than prostitutes’. Here we’re back to Sayid Qutb’s opinion that Western immorality isn’t just bad, but degrades human beings to a level lower than animals. Animals don’t know any better, but humans do, and to reject what they know (of God’s demands for respect and morality) means they forfeit their humanity.

Also, in a patriarchal society, a woman is the ‘protected jewel’ in the crown of a man’s honour. Which means that how a man protects and defends his woman is a large part of his honour or identity. And here’s the point: Western men who relate to Western women as if they were just other citizens without any of the respect due to them in a Muslim country, show that they lack even the most basic sense of honour.

Wahhabism and Saudi Arabia

Three packed little pages which describe the alliance in the eighteenth century of fiercely puritanical preacher Muhammad Ibn Abd al-Wahhab and warlord Muhammad Ibn Saud. The warlord adopted the puritanical beliefs of the preacher and together they conquered the Holy Places. Then a lot of history as first the Ottomans and then the British took control of the Saudi peninsula, but by shrewd manoeuvring the family of the Sauds took control of the new kingdom and imposed an extremely fierce version of Islam on their population.

Then came the discovery of oil and these phenomenally strict Puritans found themselves among the richest people in the world. The result, say Buruma and Margalit, is an uneasy form of ‘officially sanctioned hypocrisy’, where the Saudi authorities impose a strict morality in public but live like Roman emperors in the privacy of their own palaces, or in their mansions in London and New York.

Saudi ‘hypocrisy’ would be of limited interest or importance if it weren’t for the fact that in the last decades of the twentieth century the Saudis began to export their form of intolerant Islam. As of 2004 the authors thought that:

Saudi Arabia is now the prime source of fundamentalist, puritanical ideology affecting Muslims everywhere, from North Africa to Indonesia. Oil money is used to promote religious radicalism around the world… (p.136)

That was 20 years ago, the trend has only increased since then, with Saudi involved not only in the Arab Spring uprisings and aftermaths, funding groups in Tunisia, Libya and Egypt, but also bankrolling sides in the ruinous civil wars in Syria and Yemen; and that’s before accounting for their promotion of their particularly virulent purist form of Islam in Muslim countries across North Africa and central Asia and into the Far East, in countries like Indonesia and Malaysia. And part of the package is a virulently anti-Western Occidentalist message.

6. Seeds of Revolution

A 12-page chapter on how the main venom of Occidentalism falls, even more than on distant America, on Israel. Eccentrically, they tackle this vast bottomless subject via a little known, unimportant novel published by the Theodor Herzl (1860 to 1904), the Austro-Hungarian Jewish journalist who was the father of modern political Zionism.

The Encyclopedia Britannica defines Zionism as a Jewish nationalist movement, originating in central and eastern Europe, that had for its goal the creation of a Jewish national state in Palestine, the ancient homeland of the Jews.

The novel was titled Altneuland which was translated into English as ‘The Old New Land’ when it was published in 1902. It’s apparently a huge text but the core of it is a vision of what Palestine will look like twenty years hence i.e. in 1922, after Palestine has been successfully occupied by Jews. The place has become a technological and economic miracle, the previously barren desert blooming, the previously rundown ports now full of cranes and ships, the rundown towns transformed into European-style cities with wide boulevards and cafes. Religion there is some, but hollowed out to become little more than the civic holidays of a mostly secular European culture.

Visitors to this brave new Jewish world marvel at the gleaming cities and high technology but find time to ask the one Arab in the book what he thinks, and he is overjoyed. Palestinian land-owners sold to the Jews for good prices, Palestinians are employed in all the new works, even the poor are lifted up by the rising standard of living. It’s win-win-win.

Of course it didn’t turn out that way and the modern state of Israel has become the number one hate figure for Arab politicians and Islamists throughout the region, a running sore in the Middle East which will, probably, never go away.

Anyway, the authors don’t really scratch the surface of the issue before proceeding to their rather rushed conclusion: this is that most of the nationalist responses to western imperialism borrowed western ideas to fight it with, whether they be the liberty-equality-fraternity of the French Revolution, the scientific positivism of Comte, the communism of Karl Marx, the anti-Enlightenment tropes of the German Romantics.

They move from Margalit’s home territory (Jerusalem/Israel) back to Buruma’s, Japan. He explains how the samurai leaders of Japan who realised in the 1860s that they needed to carry out a wholesale modernisation of their nation did so by importing selected Western ideas but also sparked a nativist nationalist backlash. But even this, although dressed in Japanese costume, borrowed ideas on how to run society from European fascists and the Nazis in particular.

They conclude that no Occidentalist can be free of ideas from the Occident. The modernisation of Japan gave rise to an anti-modern backlash which borrowed ideas and technology of the modern world in their effort to reject it. Same, they suggest, with Islamic fundamentalists. They loathe and fear western materialism, but communicate using laptops and mobile phones.

On almost the last page the authors start discussing the Ba’ath Party, which gained power in post-independence Syria and Iraq, and how it was forged in the 1930s from a combination of nostalgia for a holistic Arab community and ideas taken from European fascism. One of its theoreticians, Sati’ Husri, was a keen student of German Romantic theorists like Fichte and Herder who rejected the French Enlightenment by promoting the notion of the organic, völkisch nation united by blood and soil. This was translated by Husri into the Arab word asabiyya or (Arab) blood solidarity

The end of the book feels rushed and hurried. Only here do they make the big point that Arab ‘nationalist’ leaders have killed far more of their fellow Arabs than all the colonialists and Zionists put together, witness Saddam Hussein and Hafez al-Assad, who everyone thought was a cruel mass murderer until the Syrian civil war broke out in 2011 and we all discovered that his son, Bashar al-Assad, is even viler. Over half a million Arabs have died in the Syrian civil war.

What not to think

 Buruma and Margalit conclude with some very rushed thoughts. For a start they predict that the war against terror will mostly be fought within Arab states, against extremists. 

Secondly, they say the conflict is against a worldwide, loosely affiliated underground movement. (Presumably they mean al-Qaeda, though they don’t say so.)

As to the first prediction, now, in 2023, 20 years after the book was written, we know that America went ahead with its idiotically badly conceived invasion of Iraq, which on the face of it was an invasion by a foreign power, but that this triggered the collapse of Iraq into prolonged civil war and ethnic cleansing. The ‘within states’ thesis was more dramatically proven by the Arab Spring which led to the disintegration of the states of Libya and Syria, turmoil in Egypt, and a cruel civil war in Yemen. Presumably al-Qaeda and all its affiliates wanted to create pure Islamic states or restore the Caliphate, but they’ve turned out to be part of a process which has destabilised and wrecked much of the Arab world. My view is that it’s their culture, they’re their countries, we’ve interfered enough in that part of the world (and too many other parts of the world, too). Let them sort it out.

Buruma and Margalit say we shouldn’t be paralysed by ‘colonial guilt’ but I think we’re way beyond that now. Every time we intervene we make things worse. We turned Iraq into an abattoir. The Yanks spent a trillion dollars in Afghanistan over 20 years and look at it now: still the poorest country in the world and back to being ruled by the Taliban.

The West intervened in Libya to prevent Gaddafi massacring protesters in Benghazi but didn’t follow it through by leading and uniting the opposition which, instead, collapsed into regional factions, so that twelve years later, Libya has no one central government.

Total intervention, as in Iraq or Afghanistan, failed.

Partial intervention, as in Libya, failed.

I suggest the only viable policy is complete non-intervention as the West, in effect, is doing in Syria.

If Arabs and Muslims want to spend decades massacring each other, it’s not so much that we don’t want to intervene, or don’t have a moral duty or whatever to intervene; it’s more that we’ve tried intervening, in different countries in different ways, and almost always we make it worse. Non-intervention seems to me the only responsible policy.

This book was written when the Western world was reeling from the 9/11 attacks which everybody felt turned the world on its axis and introduced a whole new era. There was felt to be an urgent need for commentary and analysis, not least explanations of what Islamic fundamentalism was and why the terrorists hated us so much. This book was an interesting attempt to fill that gap.

By the end, although it contains lots of references to specific writers and theories, it feels somehow rushed and superficial. Buruma and Margalit’s thesis, which they repeat half a dozen times, is that German Romantic writers of the early nineteenth century developed a worldview opposing the rational scientific values of the French Enlightenment and Revolution, and this template for opposing all the forces of ‘modernity’ was then taken up by intellectuals in other countries which resented the way the godless materialism of Britain and France seemed to be destroying traditional values, in countries as far afield as Russia, China, Japan and India, and, in the twentieth century got mixed into the anger, resentment and humiliation of a number of Arab and Muslim theorists and theologians.

Their basic idea is that opposition to the West, and the negative stereotypes which its enemies use to characterise it which the authors call Occidentalism, began in the West and always carries the spoor of its Western origins.

However, it’s a long time since 9/11. Now, in 2023, it feels like a lot of the excitement, paranoia and hyperbole of that era has drained away. The Arab Spring, then the Arab Winter, then the collapse of Libya, Syria and Yemen, changed the landscape. Up till then Arab nationalists and radical Islamists believed that all they had to do was overthrow the ageing dictators who in one way or another had imposed Western ideas (nationalism, socialism, science) onto their peoples, and the purified, communal, traditional Islam of the good old days would rush back in to restore the Caliphate. Instead , when the dictators were overthrown, first in Iraq, then Tunisia, Libya, Egypt, with the vain attempt to do so in Syria, the result wasn’t the Unity of Islam but chaos and massacre.

Al Qaeda affiliates across North Africa continue to terrorise their countrymen but they will never be able to seize power; all they do is create the chaotic conditions in which warlords and mercenaries like the Wagner group thrive (in places like Chad, Mali or the Central African Republic or the wretched failed state of Somalia), while political and military leaders with no principles overthrow each other in naked bids for power, as in the utterly pointless Sudanese Civil War.

Piled onto all this is the relentless degradation of the environment of the Arab world, which is only going to get hotter and hotter, with evermore water shortages and the loss of evermore agricultural and even pasturing land. A lot of the Arab world is going to become a hellish place to live.

So the situation is massively more screwed up than when Buruma and Margalit wrote this book and their scholarly shuffling through tomes by Herder and Fichte, Schelling and Nietzsche, Dostoyevsky and Tolstoy, feels like bookish trip down memory lane. Then again maybe they were right to stick to the library; their treatment of the role of Israel in all this, approached through Theodor Herzl’s novel and a half page description of modern Jerusalem, feels entirely inadequate.

Either way, ahead lies total chaos in which the Occidentalism they describe and define will seem increasingly irrelevant to an Arab world collapsing into endless civil war and social collapse. The West wasn’t behind the Arab Springs, that was what so excited the protesters, they were entirely homemade, of domestic Arab and Muslim origin. But so was the chaos and collapse they brought in their wake, of entirely Arab and Muslim origin. It’s their countries, their people, their problems. We’ve intervened too many times. We shouldn’t get involved.


Credit

Occidentalism: A Short History of Anti-Westernism by Ian Buruma and Avishai Margalit was published in 2004 by Atlantic Books. References are to the 2005 Atlantic Books paperback edition.

Related reviews

Orientalism by Edward Said (1978) part 1

(I believe you pronounce his surname Si-, to rhyme with sky, and -eed; Edward Si-eed.)

Orientalism created a big splash when it was published way back in 1978, nearly 50 years ago. It opened doorways into radical new ways of thinking about imperialist history and culture. It has gone on to be translated into more than 40 languages and had an immense influence right across the humanities. It’s a classic of cultural criticism.

An example of its ongoing impact is the way the very first wall label which introduced the 2019 exhibition at the British Museum about the interplay between the Muslim world and Europe – Inspired by the East – quotes page one of Orientalism and then liberally applies Said’s perspectives throughout the rest of the show. It may nowadays be impossible to discuss the cultural and ideological aspects of Western imperialism, specifically as it affected the Middle East and India, without taking into account his perspective and sooner or later mentioning his name.

There are probably four ways of considering the book:

  1. The thesis.
  2. What the text actually says, its discussion of individual Orientalists (I try to give a summary in part 2 of this review).
  3. Its implications and influence.
  4. The practical political conclusions Said draws from his thesis.

Said’s thesis

Said’s thesis is relatively simple in outline and consists of a set of interlocking contentions:

The ‘West’ has always defined itself against the ‘East’. In earlier centuries, Europeans defined Christianity and Christendom partly by contrasting it with Islam and the Muslim world. In the imperial nineteenth century Europeans thought and conceived of themselves as energetic, dynamic, inventive and ‘advanced’ partly by comparing themselves with an ‘Orient’ which was slothful, decadent and ‘backward’.

But this entire notion of ‘the Orient’ is a creation, a fiction, a fantasy, created over centuries by Western scholars and writers and artists. It is a self-contained, self-referential image which is the product of Western fantasies and needs and bears little or no relationship to the confusing and complex reality of peoples and races and religions which actually inhabit the very varied territories which Europeans all-too-easily dismissed as ‘the Orient’.

These fantasies and fictions and fabrications about ‘the Orient’ were created by a sequence of Orientalist scholars, starting in the later 18th and continuing throughout the 19th centuries. Orientalism as a discipline began back in the 18th century with the first studies of Arabic, the Semitic languages and Sanskrit.

The bulk of Said’s text comprises portraits of, and analyses of the work of, the leading Orientalist scholars who, from the late eighteenth century onwards, founded and then developed what turned into an eventually enormous body of work, given the disciplinary name of Orientalism. This far-flung discipline, whose attitudes leeched into arts, sciences, anthropology, economics and so on, set out to categorise, inventorise, define, label, analyse and intellectually control every aspect of life and culture in ‘the Orient’.

This body of ‘knowledge’ ramified out through Western societies: it was packaged and distributed via newspapers, magazine articles, the new technology of photography, and informing, and in turned informed by, creative writing – novels and stories and poems about the ‘exotic East’ – and the arts – painting, sculpture and so on – to produce an immense, self-reinforcing, self-justifying network of verbal, textual, intellectual, ideological and artistic, popular, journalistic and political stereotypes and clichés about ‘the mysterious East’, and its supposedly sullen, childlike, passive, sensual and barbarous peoples.

Eventually this huge network of images and texts became received opinion, idées recues, hardened into ‘common sense’ about the Ottoman Empire, the Middle East and the Islamic world. And all of it – Said’s main and central point – was completely and utterly misleading.

Why did it thrive? How was it used? Said contends that this eventually huge set of preconceptions, this extensive set of prejudices, supported by leading scholars in the field, backed up by the narratives of various explorers and adventurers, given visual power in thousands of lush, late-Victorian paintings of the sensual, slothful, backward ‘Orient’, all this provided the discourse – the network of texts and images and ideas and phrases – which European rulers (of France and Britain in particular) invoked to justify invading, conquering, oppressing and exploiting those countries and peoples.

Orientalism justified empire. Orientalism provided the ideological, cultural, scientific and academic discourse which justified western colonialism.

When imperialist politicians, adventurers, soldiers or businessmen wrote or spoke to justify the imperial conquest and exploitation of the Middle East they quoted extensively from this storehouse of supposedly ‘objective’ academic studies, from supposedly ‘eye-witness’ accounts, from the widely diffused visual and verbal stereotypes and clichés of European artists, from what had become the received wisdom about ‘the Orient’ which ‘every schoolboy knows’ – in order to justify their imperial conquests and ongoing domination. But which were, in fact, the profoundly misleading creations of Orientalist scholars, ethnographers, writers, artists and so on.

The logical consequence of this sequence of arguments or worldview is that all Western narratives and images of the so-called ‘Orient’ produced during the 18th, 19th and indeed the first half of the twentieth centuries, are deeply compromised – because they all, wittingly or unwittingly, to a greater or lesser degree, helped to justify and rationalise the grotesque racism and unfair domination and economic exploitation of an entire region and all its peoples.

Orientalism is not only a positive doctrine about the Orient that exists at any one time in the West; it is also an influential academic tradition…as well as an area of concern defined by travellers, commercial interests, governments, military expeditions, readers of novels and accounts of exotic adventure, natural historians, and pilgrims to whom the Orient is a specific kind of knowledge about specific places, peoples and civilisations. (p.203)

Compromised learning

Said’s basic premise is that all knowledge, including academic knowledge, is not pure, objective truth, but highly constrained and shaped by the society, and people, which produced it.

My principle operating assumptions were – and continue to be –that fields of learning, as much as the works of even the most eccentric artist, are constrained and acted upon by society, by cultural traditions, by worldly circumstance, and by stabilising influences like schools, libraries, and governments; moreover, the both learned and imaginative writing are never free, but are limited in their imagery, assumptions, and intentions; and finally, that the advances made by a science like ‘Orientalism’ in its academic form are less objectively true than we like to think. (p.202)

Foucault

Said is a chronic name-dropper. He namechecks what has become the standard sophomore checklist of French and Continental literary and political theorists so very fashionable when the book was written. Thus he refers to Walter Benjamin, Antonio Gramsci and Louis Althusser. It’s notable that these are all Marxist theoreticians and critics, because, at bottom, his project is not only to inject contemporary politics back into academic discourse, but specifically left-wing, anti-imperialist politics. But the figure Said refers to most often (fourteen times by my count) is the French historian and critical theorist, Michel Foucault.

This is because Said’s thesis piggybacks on Foucault’s notion of discourse. Foucault was a French historian who studied the institutions of prisons and madhouses (among other subjects) with a view to showing how the entire discourse around such institutions was designed to encapsulate and promote state power and control over citizens, and in that very Parisian perspective, over citizens’ bodies. So you could argue that Said is copying Foucault’s approach, lock, stock and two smoking barrels, and applying it to his own area of interest (hobby horse) the colonial Middle East.

Contents

Rather than give my own impressionistic view of a book, I generally find it more useful for readers to see the actual contents page. Then we can all see what we’re talking about. Here’s the table of contents. (I give a detailed summary of the actual contents of the book in part 2 of this review; and a summary of the long Preface and Afterword in a third review):

Chapter 1. The Scope of Orientalism

‘Draws a large circle around all the dimensions of the subject, both in terms of historical time and experiences and in terms of philosophical and political themes.’

1. Knowing the Oriental

2. Imaginative Geography and its Representations: Orientalising the Oriental

3. Projects

4. Crisis

Chapter 2. Orientalist Structures and Restructures

‘Attempts to trace the development of modern Orientalism by a broadly chronological description, and also by the description of a set of devices common to the work of important poets, artists and scholars.’

1. Redrawn frontiers, Redefined Issues, Secularised Religion

2. Silvestre de Sacy and Ernest Renan: Rational Anthropology and Philological Laboratory

3. Oriental Residence and Scholarship: The Requirements of Lexicography and Imagination

4. Pilgrims and Pilgrimages, British and French

Chapter 3. Orientalism Now

‘Begins where its predecessor left off at around 1870. This is the period of greatest colonial expansion into the Orient…the very last section characterises the shift from British and French to American hegemony. I attempt to sketch the present intellectual and social realities of Orientalism in the United States.’

1. Latent and Manifest Orientalism

2. Style, Expertise, Vision: Orientalism’s Wordliness

3. Modern Anglo-French Orientalism in Fullest Flower

4. The Latest Phase

Said’s personal position

Limiting his scope to the Middle East

On page 17 of the introduction Said says that, in order to avoid writing a book about ‘the Orient’ in its widest definition, he’s going to limit himself to writing about Islam and the Middle East. Sounds like a reasonable plan, the kind of defining of the boundaries of an intellectual project which you’d expect in any objective academic study. But the last pages of the Introduction give a whole new spin to this decision. On page 11 he writes that:

No production of knowledge in the human sciences can ever ignore or disclaim its author’s own circumstances.

He says this in order to broach his own relationship with the entire subject, then goes on to indulge in more pages of autobiography than you’d expect in a scholarly work. He tells us that the subject is in fact very, very close to his heart.

My own experience of these matters are in part what made me write this book. The life of an Arab Palestinian in the West [he’s obviously referring to himself], particularly in America, is disheartening. There exists here an almost unanimous consensus that politically he [Said] does not exist, and when it is allowed that he does, it is either as a nuisance or as an Oriental. The web of racism, cultural stereotypes, political imperialism, dehumanising ideology holding in the Arab or the Muslim is very strong indeed, and it is this web which every Palestinian has come to feel is his uniquely punishing destiny. It has made matters worse for him [i.e. Said] to remark that no person academically involved with the Near East – no Orientalist, that is – has ever in the United States culturally and politically identified himself wholeheartedly with the Arabs… (p.27)

So the book really is by way of being a very personal (and I use the word with knowing irony) crusade, coming out of his own personal experiences of discrimination and erasure, or, as he puts it in the 1994 Afterword to the book, from:

an extremely concrete history of personal loss and national disintegration. (p.338)

And written in the passionate hope that, by revealing the power structures behind the academic discipline of Orientalism in all its manifold forms, he can overthrow the false dichotomy between Orient and Occident, between East and West.

It’s a judgement call whether you find this frankness about his personal investment in the project admirably honest and an example of fessing up to the kind of personal position behind the text which his project sets out to expose in so many Orientalist scholars – or whether you think it reveals a highly partisan, parti pris perspective which invalidates his approach.

Said’s involvement in the Palestine-Israel problem overshadows the work

Said goes on to tie his detailed cultural analysis to a highly controversial contemporary political issue, namely the ever-fraught Israel-Palestine situation, as screwed up back in 1978 as it remains today. Crucially, his Introduction describes how this plays out in America culture, in academia and the media in the present day:

the struggle between the Arabs and Israeli Zionism, and its effects upon American Jews as well as upon liberal culture and the population at large (p.26)

In other words, Said explicitly ties his analysis of historical Orientalism to the bang up-to-date (albeit nearly 50 years old) political and cultural view of the Arab-Israeli conflict held inside American academia and the media and political establishments. This is obviously a perilous approach because the liveness of the current political debate around Israel-Palestine continually threatens to overshadow his academic, scholarly findings or ideas.

And Said was in fact far from being a distant academic viewer of the conflict. Said’s Wikipedia page tells us that from 1977 until 1991 he was a member of the Palestinian National Council (PNC) and deeply involved in negotiations to try and find a two-state solution to the Palestinian Problem.

1) It’s ironic that his book accuses all Orientalist scholars of being parti pris and biased, even if they don’t know it, while he himself is phenomenally biased and parti pris. But that’s a small point, and one he was perfectly aware of. He is perfectly clear about not really believing in the possibility of disinterested academic research:

I find the idea of strict scholarly work as disinterested and abstract hard to understand. (p.96)

2) More importantly, his political involvement threatens to a) distract from and b) overshadow Said’s entire project. In practice it meant he was forever getting dragged into stupid media squabbles, like the one featured on his Wikipedia page about him throwing a stone in Lebanon which managed to get blown up into press headlines about ‘The Professor of Terror’.

This is an American problem and links into the issues of the power of the Jewish lobby in Washington which is itself (as I understand it) linked to the even larger power of the fundamentalist Christian lobby in Washington, which (as I understand it) strongly supports the state of Israel for theological and eschatological reasons.

All I’m saying is that Said positions himself as someone who is bravely and pluckily bringing ‘politics’ into academia, revealing the power structures and political motivations behind an entire academic discipline, ‘Orientalism’, and good for him. But it’s a double-edged and very sharp sword. He who lives by politics dies by politics. Discussing radical political theory is relatively ‘safe’, as so many Marxist academics prove; but if you bring clarion calls about one of the most contentious issues in international affairs right into the heart of your academic work, and you shouldn’t be surprised if your political opponents will throw any mud to blacken your name.

Ironies

It’s a central irony of Said’s work that although he went to great lengths to expose the Islamophobia at the heart of the Orientalist project, he himself, despite being of Palestinian heritage, was not a Muslim, but had been raised a Christian.

In other words, all his writings about how Orientalists write about Islam without being inside it, without understanding it, without giving voices to Islam itself – the very same accusations could be brought against him.

From start to finish his book lambasts Westerners for speaking over the Orient, for never giving it a voice so it is a delicious irony that:

  1. There are no Muslim voices in his book – as far as I can tell he doesn’t quote one Arab or Muslim scholar anywhere, so he’s largely replicating a practice he is fiercely critical of.
  2. Said himself is not a Muslim – he lambasts various Western simplifications and demonisations of Islam with a strong sense of ownership and partisanship – but he himself comes from a completely different tradition.

I’m not saying either of these aspects negate his argument: but the whole thrust of the book is to teach us to pay more attention to the political aims and ideologies underlying apparently ‘objective’ academic texts, to question every author’s motives, to question the power structures they are part of and which permit their teaching, their research, their publishing. So these thoughts arise naturally from Said’s own promptings.

Problems and counter-arguments

Despite its astonishing success and the widespread adoption of its perspective throughout the humanities, Orientalism has many problems and issues.

Defining the ‘Orient’ and ‘Orientalism’

For a start, Said’s use of the word ‘Orient’ is extremely slippery. Sometimes he is referring just to the Middle East, sometimes he includes all of Muslim North Africa, sometimes he is referring to the entire Islamic world (which stretches to Indonesia in the Far East), sometimes he throws in India, the jewel in the crown of the British Empire, whichever suits him at the time.

In an ironic way Said’s definition(s) of Orientalism are as slippery and detached from reality as he says Orientalists’ discourse about ‘the Orient’ were.

One upshot of this is that you get right to the end of the book without ever reading a simple, definitive, usable definition of the central word. Here’s what the Etymological Dictionary has to say about ‘Orient’:

Late 14th century: ‘the direction east; the part of the horizon where the sun first appears,’ also (now with capital O-) ‘the eastern regions of the world, eastern countries’ (originally vaguely meaning the region east and south of Europe, what is now called the Middle East but also sometimes Egypt and India), from Old French orient ‘east’ (11th century), from Latin orientem (nominative oriens) ‘the rising sun, the east, part of the sky where the sun rises,’ originally ‘rising’ (adj.), present participle of oriri ‘to rise’.

Same applies to his slipperiness in defining what ‘Orientalism’ means. He gives at least ten distinct definitions (on pages 41, 73, 95, 120, 177, 202, 206, 300 and more) but it’s possible to arrive at the end of the book without have a really crystal clear definition of his ostensibly central concept.

Said is not a historian

This really matters because he is dealing with history, the history of European empires and of the texts which, he claims, though written by supposed ‘scholars’, in practice served to underpin and justify imperial rule. But thousands of historians of empire have passed this way before him and his text , whenever it strays into pure history, feels like history being done by an amateur.

It feels particularly true when he again and again suggests that what underpinned the British and French Empire’s control of their colonial subjects was the academic knowledge grouped under the heading Orientalism – and takes no account of some pretty obvious other factors such as economic, technological or military superiority.

In a sense he can’t afford to for at least two reasons: 1) because if he did get into, say, the economic basis of empire, his account would end up sounding like conventional history, and second-rate economic history at that; 2) literature and scholarly texts are his stomping ground a) because he’s just more familiar with them b) because his central premise is that knowledge is power; conceding that there are other types of power immediately undermine the narrow if intense scope of his book.

Histories of empires

In the introduction Said says that the chief imperial powers in the Middle East and India were a) Britain and France through to the mid-twentieth century, and b) America since.

This feels a bit gappy. John Darwin’s brilliant comparative study of the Eurasian empires, After Tamerlane, teaches us that ’empire’ has been the form of most governments of most civilisations for most of history. Imperialism is the ‘natural’ form of rule. It’s ‘democracy’ which is historically new, problematic and deeply unstable.

Were the British and French empires somehow unique?

No, in two ways. Taking a deep historical view, Darwin shows just how many empires have ruled over the Middle East over the past two and a half thousand years, namely: the Assyrian Empire, the Babylonian Empire, the Parthian Empire, the Persian Empire, the Moghul Empire, the Athenian Empire, the Roman Empire, the Byzantine Empire, the Seljuk Empire, various Muslim caliphates who concentrated on conquering territory the Umayyad Caliphate, the Abbasid Caliphate, and the Ottoman Empire (or Caliphate). So the British Empire’s relatively brief period of control was neither the sole nor the most important influence.

The role of the Ottoman Empire in falling to pieces during the nineteenth century, leading to mismanagement, repression and the rise of nationalist movements across its territories is never given enough credit in these kinds of books. It’s always the French and British’s faults, never the Turks’.

Second, focusing on Britain and France may be justified by the eventual size of their territorial holdings, but downplays the rivalry with and interference of other European imperial powers. For example, Sean McMeekin’s brilliant book ‘The Berlin-Baghdad Express: The Ottoman Empire and Germany’s Bid for World Power, 1898 to 1918‘ shows how the newly united German Reich (or empire) elbowed its way into the Middle East, with its own Orientalising scholars and preconceptions.

And Said completely ignores the Russian Empire. For me this is the most interesting empire of the 19th century because I know nothing about it except that it expanded its control relentlessly across central Asia, as far as the Pacific where it eventually got into a war with Japan (1905). But long before that Russia had ambitions to expand down through the Balkans and retake Constantinople from the Turks, re-establishing it as a new Christian city, the Second Rome. This is one of the most mind-boggling aspects of Orlando Figes’s outstanding book about The Crimean War (1853 to 1856).

Blaming Britain and France just feels like blaming ‘the usual suspects’. Very limited.

Putting politics back into scholarship

He says on numerous occasions that 19th century Orientalist scholars claimed that their work was objective and scholarly and completely unconnected with the way their countries exercised imperial dominion over the countries whose cultures they studied – and that this was of course bullshit. The Orientalist scholars were only able to carry out their studies because they could travel freely across those countries as if they were the members of the imperial ruling caste. Therefore his project is very simple: it is to put the politics back into supposedly neutral, ‘detached’ scholarly analysis.

This struck me as being very Marxist. It was Marx who suggested that cultures reflect the interests of the ruling class, aristocratic art in the 17th and 18th centuries, bourgeois art and literature with the rise of the industrial bourgeoisie in the 19th century – and made the point which underpins Said’s whole position, that supposedly ‘neutral’ bourgeois scholarship always always always justifies and underpins the rule of the bourgeoisie, there’s nothing ‘neutral’ about it.

Christendom versus Islam

Said claims that Western civilisation, that Christendom, largely defined itself by contrast with the Muslim world for 1,000 years from the rise of Islam to the decline of the Ottoman Empire, as if this is a subversive insight. But to anyone who knows European history it’s obvious. Expansionist militarist Islam had already seized half the territory of the former Roman Empire and threatened to invade up through the Balkans and, potentially, exterminate Christendom. You would notice something like that. I’d have thought it was schoolboy-level obvious.

General thoughts

The Other

At regular intervals Said invokes the notion of ‘the Other’ which is always presented in critical books like this as if it was a big bad bogeyman, but I always find the idea a) childish b) too simplistic. If you read Chaucer you’ll see that his notion of ‘the Good’ is defined in hundreds of ways, most of which have nothing to do with Islam. OK when he refers to the Crusades (the Knight’s Tale) he does mention Islam. But there’s lots of other things going on in European texts, lots of ways of creating value and identity, which Said just ignores in order to ram home his point.

It’s an irony that Said says the use of the simple binary of East and West is too simplistic but then uses an even more simplistic term, ‘the Other’, replacing one simplistic binary with another which just sounds more cool.

What if the East really is a threat to the West?

Fear of the Other is always treated in modern humanities, in countless books, plays, documentaries, in artworks and exhibition texts, as if it is always a bad thing, irrational, can only possibly be prompted by racism or sexism or xenophobia or some undefined ‘anxiety’.

But what if things really do get worse the further East you go? What if the governments of Eastern Europe, such as Poland or Hungary, really are worryingly authoritarian and repressive? What if the largest country in the world, which dominates ‘the East’, Russia, has clearly stated that Western liberal democracy is finished, carries out cyber-warfare against infrastructure targets in the West, and has invaded and committed atrocities in a West-friendly neighbour? What if ‘the East’ is a source of real active threat?

As to the Middle East, what if it is subject to one or other type of civil war, insurgency, and horrifying acts of Islamic terrorism, widespread atrocities committed in the name of Allah, and the region’s chronic political instability?

And further East, what if the most populous nation on earth, China, is also known to be carrying out cyber attacks against Western targets, operates spy networks in the West, and is raising tensions in the Pacific with talk of an armed invasion of Taiwan which could escalate into a wider war?

Isn’t it a simple recognition of the facts on the ground to be pretty alarmed if not actually scared of many of these developments? I don’t think being worried about Russian aggression makes me racist. I don’t think being appalled by barbaric acts in the Middle East (ISIS beheading hostages, Assad barrel-bombing his own populations) means I’m falling prey to Orientalist stereotypes.

I don’t think I’m ‘Othering’ anybody, not least because there are lots of players in these situations, lots of nations, lots of governments, lots of militias and ethnic and religious groups, so many that simply summarising them as ‘the Other’ is worse than useless. Each conflict needs to be examined carefully and forensically, doing which generally shows you the extreme complexity of their social, political, economic, religious and ethnic origins.

Just repeating the mantras ‘Oriental stereotyping’ and ‘fear of the Other’ strikes me as worse than useless.

Britain and the East

Said goes on at very great length indeed about the British Empire and its patronising stereotyped attitudes to ‘the East’, ‘the Orient’ and so on.

But, because he’s not a historian, he fails to set this entire worldview within the larger perspectives of European and British history. Attacks and threats have always come from the East.

The ancient Greeks and Romans feared the East because that’s where the large conquering empires came from: the Persian Empire which repeatedly tried to crush the Greek city states and the Parthian Empire’s threat to the Romans went on for centuries. When Rome was overthrown it was by nomadic warrior bands from ‘the East’.

As to Islam, all of Europe was threatened by its dynamic expansion from the 7th century onwards, which conquered Christian Byzantium and pushed steadily north-west as far as modern Austria, while in the south Muslim armies swept away Christian Roman rule across the whole of North Africa, stormed up through Spain and conquered the southern half of France. They were only prevented from conquering all of France – which might have signalled the decisive overthrow of Christian culture in Europe – had they not been halted and defeated at the Battle of Tours in 732.

As to Britain, we were, of course, invaded again and again for over a thousand years. Britain was invaded and conquered by the Romans, invaded and conquered by the Anglo-Saxons, invaded and conquered by the Vikings, then invaded and conquered by the Normans.

Attacks on Europe always come from the East and attacks on Britain always come from the East. Napoleon threatened to invade in the early 1800s and in the later part of the nineteenth century many Britons lived in paranoid fear of another French invasion. Hitler threatened to invade and obliterate British culture in the name of a horrifying fascism.

So the fundamental basis of these views isn’t some kind of persistent racism, isn’t fancy ideas about ‘the Other’ or ‘imperial anxiety’, it’s a basic fact of geography. Look at a map. Where else are attacks on Europe, and especially Britain, going to come from? The Atlantic? No, from the East.

Throughout European history the East has been synonymous with ‘threat’ because that’s where the threat has actually come from, again and again and again. For me, these are the kinds of fundamental geographical and historical facts which Said simply ignores, in order to sustain his thesis.

And what if the Orient actually was alien, weak, corrupt and lazy?

Said repeats over and over again that Western, Orientalising views of the Middle East or Islam loaded it with negative qualities – laziness, inefficiency, corruption, violence, sensuality – in order to help us define and promote our own wonderful values, of hard work, efficiency, honesty in public life, good citizenship, Protestant self restraint and so on.

You can see what he’s on about and I accept a lot of what he says about Western stereotyping, but still… what if the West was, well, right. This is where a bit of history would come in handy because even modern, woke, post-Said accounts of, say, the declining Ottoman Empire do, in fact, depict it as corrupt, racked with palace intrigue, home to astonishing brutality from the highest level (where rival brothers to the ruling Sultan were liable to be garrotted or beheaded) to public policy.

I’ve just been reading, in Andrew Roberts’s biography of Lord Salisbury, about the Bulgarian Atrocities of 1876 when an uprising of Bulgarian nationalists prompted the Ottoman Sultan to send in irregular militias who proceeded to rape, torture and murder every Bulgarian they came across, with complete impunity. Up to 30,000 civilians were slaughtered, prompting the British government to abandon its former stalwart support for the Ottomans. My point is this wasn’t invented by Orientalists to justify their racist stereotypes about the violent barbaric East; nobody denies that it happened, it was widely publicised at the time, and it moulded a lot of people’s opinions about Ottoman rule based on facts.

Anybody who tried to do business or diplomacy with the Ottoman Empire quickly came to learn how corrupt and venal it was. So what happens to Said’s thesis that all these views were foundationless stereotypes, artificial creations of the racist Western imagination – if historical accounts show that inhabitants of the Orient, which he defines at the Middle East, really were lazy, inefficient, corrupt, violent.

For example, in his book about the railway line which the Kaiser wanted to build to Baghdad, Sean McMeekin describes the comic meeting between German engineers and Turkish labourers. No ‘Orientalism’ was required for the contrast between Teutonic discipline and efficiency and the corrupt, lazy ineffectiveness of the Turks to be clear to all involved.

Said’s style

Said is long-winded and baggy. He never uses one word or concept where fifteen can be crammed in. Moreover, he is clearly aspiring to write in the high-falutin’ style of the Parisian intellectuals of the day, Roland Barthes or Michel Foucault, who used recherché terms and tried to crystallise new ideas by emphasising particular terms, words used in new, lateral ways, teasing out new insights. At least he hopes so. Here’s a slice of Said, made up of just two sentences.

Orientalism is not a mere political subject matter or field that is passively reflected by culture, scholarship, or institutions; nor is it a large and diffuse collection of texts about the Orient; nor is it representative and expressive of some nefarious ‘Western’ imperialist plot to hold down the ‘Oriental’ world. It is, rather, a distribution of geopolitical awareness into aesthetic, scholarly, economic, sociological, historical, and philological texts; it is an elaboration not only of a basic geographical distinction (the world is made up of two unequal halves, Orient and Occident) but also of a whole series of ‘interests’ which, by such means as scholarly discovery, philological reconstruction, psychological analysis, landscape and sociological description, it not only creates but also maintains; it is, rather than expresses, a certain will or intention to understand, in some cases to control, manipulate, even to incorporate, what is a manifestly different (or alternative and novel) world; it is, above all, a discourse that is by no means in direct, corresponding relationship with political power in the raw, but rather is produced and exists in an uneven exchange with various kinds of power, shaped to a degree by the exchange with power political (as with a colonial or imperial establishment), power intellectual (as with reigning sciences like comparative linguistics or anatomy, or any of the modern policy sciences), power cultural (as with orthodoxies and canons of taste, texts, values), power moral (as with ideas about what ‘we’ do and what ‘they’ cannot do or understand as ‘we’ do). (p.12)

That second sentence is quite exhaustingly long, isn’t it? In my experience, you often get to the end of Said’s huge unravelling sentences with the impression that you’ve just read something very clever and very important, but you can’t quite remember what it was.

A key element of his style, or his way of thinking, is the deployment of lists. He loves long, long lists of all the specialisms and areas which he claims his ideas are impacting or pulling in or subjecting to fierce analysis (power political, power intellectual, power cultural, power moral and so on).

On the one hand, he is trying to convey through monster lists like this, a sense of the hegemony of Orientalist tropes i.e. the way they – in his opinion – infuse the entire world of intellectual discourse, at every level, and across every specialism. This aim requires roping in every academic discipline he can think of.

On the other hand, his continual complexifying of the subject through list-heavy, extended sentences, through the name-dropping of portentous critical theorists, threatens to drown his relatively straightforward ideas in concrete.

Said describes the process of close textual analysis very persuasively but, ironically, doesn’t actually practice it very much – he is much happier to proceed by means of lists of Great Writers and Orientalist Scholars, than he is to stop and analyse any one of their works.

He explains that it would be ‘foolish to attempt an encyclopedic narrative history of Orientalism’ but this is deeply disappointing. That might have been really solid and enduring project. Instead we are given a surprisingly random, digressive and rambling account.

His actual selection of example, of texts which he studies in a bit of detail, is disappointingly thin. This explains why you can grind your way through to the end of this densely written 350-page book and not actually have a much clearer sense of the history and development of the academic field of Orientalism.

And lastly, he just often sounds unbearably pompous:

And yet, one must repeatedly ask oneself whether what matters in Orientalism is the general group of ideas overriding the mass of material? (p.8)

One uses the phrase ‘self conscious’ with some emphasis here because… (p.159)

And his frequent straining for Parisian-style intellectual rarefication sometimes makes him sound grand and empty.

I mean to say that in discussions of the Orient, the Orient is all absence, whereas one feels the Orientalist and what he says as presence; yet we must not forget that the Orientalist’s presence is enabled by the Orient’s effective absence. (p.208)

No, no we must never forget that. Forgetting that would be dreadful.

Lastly, he cites quotations, sometimes quite long quotations, in French without bothering to translate them. This is impolite to readers. On a smaller scale he drops into his prose Latin or French tags with the lofty air of an acolyte of Erich Auerbach’s grand traditions of humanist criticism who expects everyone else to be fluent in French and German, Latin and Greek.

Nevertheless, [in French Orientalist Louis Massigon’s view] the Oriental, en soi, was incapable of appreciating or understanding himself. (p.271)

It would be more polite, and effective, to take the trouble to find adequate English equivalents.

Immigration

When the book was published, in 1978, there weren’t many immigrants of any colour in Britain and Said could confidently talk about scholars and an academic world, as well as the nation at large, which was largely white. In other words ‘Orientals’ were still rare and relatively unknown.

In the 45 years since the book was published, mass immigration has changed the nature of all Western countries which now include not only large communities of black and Asian people, but eminent black and Asian cultural, political and economic figures. As I write we have a Prime Minister, Home Secretary and mayor of London who are all of Asian heritage.

I dare say fans of Said and students of post-colonial studies would point out the endurance of ‘latent’ Orientalism i.e. the continuation of prejudice and bigotry against the Arab and Muslim and Indian worlds, especially since the efflorescence of vulgar imperialist nostalgia around the Brexit debate.

Nevertheless, I imagine the unprecedented numbers of what used to be called ‘Orientals’ who now routinely take part in Western political and cultural discourse, who write novels and plays, direct films, comment in newspapers and magazines, host TV shows and, of course, teach courses of postcolonial and subaltern studies, would require Orientalism to be comprehensively rethought and brought up to date.

The modern Middle East

At the end of the day, Orientalism is a largely ‘academic’ book in two senses:

1. On reading lists for students

Said primarily set out to change attitudes within universities and the humanities. In this he was dramatically successful, and it is impossible to read about the European empires and, especially, to read about 19th century imperial art, without his name being invoked to indicate the modern woke worldview, the view that almost all European arts and crafts which referenced ‘the Orient’ are morally, politically and culturally compromised or, as he bluntly puts it on page 204, racist, imperialist and ethnocentric.

Said provides some of the concepts and keywords which allow modern students of the humanities to work up a real loathing of Western civilisation. Good. The Russians want to abolish it, too.

Irrelevant for everyone else

But it’s also ‘academic’ in the negative sense of ‘not of practical relevance; of only theoretical interest’. What percentage of the public know or care about the opinions of nineteenth century Orientalist scholars? For all practical purposes, nobody. Who gets their ideas about the modern Middle East from the poetry of Gérard de Nerval, the letters of French novelist Gustave Flaubert or umpteen Orientalising Victorian paintings? Nobody.

I suggest that most people’s opinions about the Middle East derive not from poetry or paintings but from the news, and if they’ve been watching or reading the news for the last 20 years, this will have involved an enormous number of stories about 9/11, Islamic terrorism, Islamic terror attacks in London and Manchester and other European cities, about the 2001 US overthrow of the Taliban in Afghanistan, the 2003 coalition invasion of Iraq, the long troubled military struggles in both countries, the 2011 Arab Spring followed swiftly by civil war in Libya, the terrible civil war in Syria, the military coup in Egypt, the ongoing civil war in Yemen, and just recently the humiliating and disastrous US withdrawal from Kabul (2021).

Remember the heyday of Islamic State, the videos they shot of them beheading Western hostages with blunt knives? Footage of them pushing suspected gays off rooftops? Blowing up priceless ancient monuments?

Alongside, of course, the perma-crisis in Israel with its never-ending Palestinian intifadas and ‘rockets from the Gaza Strip’ and retaliatory raids by the Israeli Defence Force and the murder of Israeli settlers and the massacres of Palestinians, and so on and so on.

And you shouldn’t underestimate the number of Westerners who personally know people who fought in one or other of those wars; for example, 150,610 UK personnel served in Afghanistan and some 141,000 in Iraq. All those soldiers had family, who heard about their experiences and shared their (sometimes appalling) injuries and traumas. First hand testimony trumping Victorian paintings.

And quite a few Westerners have been affected by one or other of the many Islamic terrorist attacks on Western cities, starting with the 2,996 killed in the 9/11 attacks and all their extended families, the 130 people killed in the 2015 Bataclan attack in Paris, the families of the 22 people killed and 1,017 injured in the 2017 Manchester Arena bombing; or attacks on tourists in Muslim countries such as the 202 killed and 209 injured in the 2002 Bali bombings, numerous Islamist attacks in Egypt, Tunisia and other tourist favourites.

Compared to the images and news footage and reports and first hand experience of these kinds of events, I’m just suggesting that Said’s warning about the frightful stereotyping of the Orient carried out by nineteenth century and early twentieth century writers, artists and scholars is a nice piece of academic analysis but of questionable relevance to the views about Arabs, Muslims and the Middle East currently held by more or less everyone living in the contemporary world.

Said addresses this point by saying that there is a direct link between older imperial views and current views, that his entire project was not only to show the origins and development of Orientalist views but how they continue up to the present day to inform contemporary news and TV and magazine and political discourse about Islam and the Middle East.

But proving that would require a completely different kind of book, something from the field of media studies which examined how the tropes and stereotypes Said complains are utterly without foundation in the real world, have gained renewed life from actual events which people not only consume via TV and newspapers, but via social media, massacres filmed live, as they happen.

In the 1995 Afterword and 2003 Preface which he added to the book (and I review separately) he does indeed try to do this, but he died (in 2003) well before the advent of social media and cheap phones transformed the entire concepts of media, news and information out of recognition.

In almost all ways, this book feels as if it comes from a bookish, scholarly, library-based world which has been swept away by the digital age.

An interview with Edward Said (1998)

This interview was produced in 1998, so before 9/11, the Afghan War, the Iraq War, al-Qaeda, ISIS, the Arab Spring etc. If Said thought Western attitudes to Middle Eastern countries were bad then, what must he have made of the hugely negative shift in impressions caused by 9/11 and the subsequent wars (he passed away in September 2003, living just long enough to see the American invasion of Iraq, commenced in March 2003, start to unravel)? You could almost say that the interview hails from a more innocent age.

Practical criticism

See if you can identify the kind of essentialising Orientalist stereotypes about the Middle East, Arabs and Islam which Said describes in the coverage of the recent Hamas attack on Israel (I’m just giving the BBC as a starting point):


Credit

Orientalism by Edward Said was first published by Routledge and Kegan Paul in 1978. References are to the 2003 Penguin paperback edition (with new Afterword and Preface).

Related reviews

Kim and Orientalism

Edward Said’s 1978 book ‘Orientalism’ mounted a sustained attack on the way eighteenth and nineteenth century Western scholars paved the way for the imperial conquest of the Middle East and India by creating and then maintaining a false concept of ‘the Orient’ and then attributing to its inhabits, so-called ‘Orientals’, a range of negative qualities such as laziness, incompetence, corruption, sensuality, luxury, squalor and so on. They did this in order to bolster and reinforce Western imperialists’ notions of themselves as, by contrast, hard working, chaste administrators of fair play and justice etc.

Said’s huge study aimed to show how all-pervasive these stereotypes and received ideas about ‘the Orient’ had become by the start of the twentieth century, and had endured, in one form or another, right up to the time of writing. His critique was a powerful insight and continues to be influential to this day.

Said’s sophisticated critical perspective moves his reader well beyond a straightforward enjoyment of Kipling’s 1901 novel, Kim, as ‘simply’ a realistic portrait of the India that Kipling grew up in, knew and loved so well, and digs deeper, to critique it as a complex web of ‘Orientalist’ stereotypes designed to bolster and justify British rule.

I’ve just been rereading both Kim and Orientalism and so am well aware of the debate, but I’d like to see it from a slightly different perspective. I’d make four points about the use of ‘stereotypes’ in language and literature.

(Before we begin, the dictionary definition of a stereotype is: ‘a widely held but fixed and oversimplified image or idea of a particular type of person or thing.’)

1. All language is stereotyped

I suggest that language is always based on stereotypes. Language is general, it is based on very general categories. When I say ‘go’ or ‘red’ or ‘tree’ these are alarmingly imprecise terms. We each have a stereotyped (‘widely held and simplified’) impression of what ‘go’ or ‘red’ or ‘tree’ mean. Specific enough to make communication possible, but vague enough to contain a wide variety of personal connotations, memories and meanings. Language is always, in this sense, a compromise with reality.

When anyone speaks or writes or reads, they bring to their language a wealth of experiences which include not only what they have personally seen and experienced, but what they’ve read, and for the last few generations, what they’ve seen on TV and in the movies and, nowadays, all over the internet and social media.

In other words, if you were test of how accurate most people’s ideas are about any subject you care to choose, when tested against ‘reality’, I bet you’d find that all of us are adrift, askew, influenced by family, friends, early experiences, what we’ve read or watched etc, so as to harbour personal opinions which are, more often than not, generalised and inaccurate.

To recap: in order for language to work, it requires a high level of generalisation, which comes close to the notion of stereotype, of a simplification of the multifarious, continually changing reality which our senses present to us.

2. All fictions are stereotyped

Building on the notion that stereotypes are required for language to even function, I’d then suggest that stereotypes (‘widely held and simplified’ opinions about people or things) are necessary for all fictions to work. In a sense most fictional characters are types. Especially in genre fiction, in the adventure stories of the 1890s I’ve been writing about, it’s widely accepted that the characters are often cardboard thin; the interest isn’t in their interior life but in what happens to them; in external events and adventures.

The most basic form of fictional stereotyping is dividing characters into good guys and bad guys. Throughout written literature good guys and bad guys proliferate, starting with the heroes celebrated by Homer and the pious kings and prophets celebrated by the writers of the Bible, at about the same time (let’s say 500 BC).

For most of its history literature has been tied up with a strong sense of morality, meaning readers or viewers of plays are supposed to assess and judge the characters depicted. Often narrators or characters explicitly ask us to do just that.

What we consider ‘literature’ can be defined as works that give a bit more complex depictions of human psychology, which show people as neither black or white but complex characters, often caught in difficult situations. That’s why we all look back to the Greek tragedies as the beginning of this kind of ‘serious’ literature, because even 2,400 years ago writers and audiences were stimulated by the depiction of complex moral dilemmas. But most classical and pretty much all Christian literature, from the Dark Ages to the 18th century, embodied and promoted relatively straightforward, schematic concepts of morality which relied – I’m arguing – on essentially stereotypical characters.

In Chaucer holiness and virtue, piety and devoutness are praised, as in his beautiful if conventional dream visions. Chaucer’s works become more ‘literary’ when they dramatise conflicting moral schemas, such as setting the Wife of Bath’s attractive vigour and sassiness against traditional Christian notions of chastity and restraint.

Similarly, Shakespeare is universally considered great literature, partly because of his extraordinary use of language, but centrally because of the unparalleled psychological complexity of the characters he creates. There’s a pretty simple scale from cardboard characters = pulp at one end, through to complex characters = literature, at the other.

In the mid-nineteenth century, some writers started to try and wriggle loose from the constraints of the oppressive moralising of Victorian society. Grown-ups like Flaubert and Maupassant in France or the rather more childish Oscar Wilde in Britain, were among the many writers claiming that good literature has nothing to do with ‘morality’, and should be judged purely on style and technical achievement. But they were struggling against their own instincts. Flaubert’s masterpiece, Madame Bovary, is a highly moralistic story of a woman who brings about her own ruin, and Wilde’s The Picture of Dorian Gray is a fairy tale with a childlike moral (an innocent young man, led astray, ultimately gets his come-uppance).

Although by 1900, when Kim was written, there was already an enormous, an incomprehensibly huge variety of fictions, ranging from pulp Westerns, horror, fantasy and sensation stories, countless types of plays, operettas and music hall skits, all the way through to the subtlety and sophistication of a Henry James novel – but deep down, almost all these fictions operated within this framework of moral meaning.

It’s very hard to escape the prison-house of morality. It’s almost impossible for us to stop judging on a strongly moral basis, the characters and storylines in all the cultural products we’re faced with, whether plays and TV shows, films and books.

Back to Said’s book and I would suggest that his entire critique of ‘Orientalism’ is itself based on an pretty traditional moral claim, that the Orientalists were (and are) being unfair in negatively stereotyping ‘Orientals’ in order to justify conquering and ruling them and that, in order to be more fair, in order to create a fairer, more just world, we need to overturn these prejudices and biases. Despite Said’s awesome display of erudition and sustained attempts to write like a Parisian intellectual it is, in the end, an almost playground level of moral thinking.

3. Adventure fiction depends on stereotypes

Thirdly, Kim is an adventure story for boys. To treat it as an academic study of Indian society and find fault with it, to accuse it of promoting racist stereotypes, is surely as inappropriate as accusing Star Wars of promoting scientific errors or pointing out that the Sherlock Holmes stories rely on pretty improbable coincidences.

They are adventure stories, they are entertainments, and these genres, by definition, simplify things – they rely on simple plots, simple motivations, simple psychology and simple characters.

I agree with Said’s broad point, that Kim could be seen as just one cog in a vast interlocking cultural machine, a huge, patronising and basically racist worldview which defined ‘Orientals’ without any agreement or participation by them, which wrote their scripts for them, invented their characters for them, gave them opinions and actions and generally portrayed them in ways which, either blatantly or subtly, helped to underpin Western hegemony over ‘the Orient’. I agree with his basic point.

I’m just adding my own perspective on Said’s massive critique, which is to that it’s difficult to say anything about anything which doesn’t, at some level, rely on the generalising (what I’ve called ‘stereotyping’) qualities 1) of language itself, 2) of almost any fiction, and 3) of adventure fiction in particular.

The boy hero (Kim), the remote but authoritative father figure (Creighton), the tough assistant (Ali), the bookish colleague (Babu), the man who’s good with gadgets (Lurgan), just writing the list makes me realise how these stereotypical roles anticipate James Bond (boy hero), his father figure (M), his tough assistant (Felix Leiter), the gadget guy (Q) and so on. Lots of difference in surface detail, same underlying archetypes.

4. Kim is surprisingly unstereotypical

Mentioning the three types of simplification or stereotypicality generally found in this kind of adventure yarn helps to highlight a surprising result, which is the extent to which Kim is very much not a work of stereotypes and clichés. On the contrary, Kim tends towards the ‘literature’ end of the spectrum (as I’ve sketchily defined it above) precisely because it is unexpectedly complex, full of variegated detail, full of contradictions which surprise the reader.

Indian profusion i.e. not a simple binary

The whole purpose of Kim the novel is that it revels in the sheer profusion of Indian life, in its countless ethnic groups and religions and languages. It is littered with characters from different provinces and racial groups and religions, careers and professions.

The book contains a profusion of places – Kim is constantly on the move himself, so we directly get to see Lahore, Lucknow, Benares and Simla, Bombay, Karachi and Umballa, with smaller towns in between – but other characters refer to incidents elsewhere such as picking up the secret message left at Chotra or incidents right up on the North-West frontier, so that it (deliberately) gives the reader a sense of geographic breadth and variety.

And the text itself is absolutely packed with what feels like as many Indian phrases Kipling could cram into it, from multiple Indian languages, sometimes embedded in the narrative passages but absolutely infesting the dialogue and direct speech, almost every speech by any character including at least one native term.

My point being that Said’s repeated accusation against the Orientalist mindset is that it erected an entirely factitious binary opposition between ‘East’ and ‘West’ and ignored the complexity of actual peoples on the ground. On that axis, Kim is anti-Orientalist in the way that that hoary old binary is swamped and erased by the overwhelming complexity and confusion of races, religions, languages and characters which flood the text. At some points some characters do voice sentiments about how the white man will never understand ‘the Oriental’ etc but the characters who say that are implied to be in error, lesser characters, obtuse white characters, who are outside the marvellous world Kim inhabits.

Anti-white passages

Kipling very obviously plays with stereotypes, sometimes giving us what we expect, sometimes playing against expectation. Thus if he was directly and simply the imperial propagandist that critics make him out to be, then all the British characters would be good and a representative of Britain’s state religion, the Church of England, would be expected to be a shining beacon of morality. Instead Kipling goes out of his way to portray the Anglican chaplain as both physically and morally thin and pinched, unimaginative and bigoted.

Elsewhere British officials are routinely criticised by Indian characters for being ignorant, bad administrators, quick to show off their knowledge of horses (when they don’t know what they’re talking about), or easily hoodwinked (like the officer in charge of police searching the train for agent E23 in chapter 12) precisely because they rely on racial stereotypes, predictable narrow expectations, and so can be played.

Babu Hurree Chunder Mookerjee unexpectedly complex

Admittedly, the head of ‘the Department’, Colonel Creighton, is depicted as a ramrod-backed beacon of intelligence and discretion. It’s not difficult to see that he is a kind of moral foundation to the narrative whose efficiency and integrity justifies British imperial rule as just and wise and fair – but that’s precisely why he’s kept in the background, playing a surprisingly peripheral role.

More typical of a Kipling character playing against type is the Babu Hurree Chunder Mookerjee. Babu is a form of address for a Brahmin but by 1900 it had become a term of abuse by the English, suggesting an Indian who’s had some Western education, and aspires to Western cultural values, but falls hopelessly and embarrassingly short.

And indeed, to begin with, this is how Mookerjee is presented, with Kipling playing his half-educated speech, his references to European thinkers he only part understands and so on, for laughs. And, in our body-image-conscious times it may be worth pointing out the Babu is presented as fat with big fat wobbly legs, a back like jelly, and that this also is, initially, part of the barrage of mockery he’s subjected to. But, as the story progresses, Kim, and the reader, slowly come to respect his abilities more and more, until he plays a hero’s part in accompanying the Russian and French spies through the mountains to Simla, despite them abusing and beating him, putting up with all that and the threat of worse, to ensure that they are chaperoned into the heart of the Raj’s security setup where they can be safely monitored. Kim explicitly says that, completely contrary to the stereotypical figure of the fat cowardly Bengali Babu, Mookerjee is fat, and continues to make comically half-educated remarks, but is in fact deeply brave and, what matters most to Kipling, dutiful.

Indian piety easily trumps Western religion

To go back to the chaplain, it’s not just Bennett who is held up to scrutiny and found wanting, it is his entire religion, the religion of Westerners, Christianity itself, which is fairly regularly mentioned and 100% of the time seen as inferior to Indian religions.

Take the fight with the foreign spies in the mountains, where the Russian’s supposed Christianity is shown to be a poor, thin, hypocritical thing which allows a bully to beat up an old man, compared to a) the superstitious but infinitely more ‘moral’ response of the mountain coolies or shikarri for whom hitting a holy man is inconceivable blasphemy, and b) the genuine depth of the lama’s Buddhist faith. The way the lama has a moment of weakness before insisting on ordering the coolies not to go back down and take revenge on the two foreigners (i.e. shoot them) has genuine psychological veracity and shows a moral depth and principle absent in almost all the white characters.

In praise of Buddhism

And, to stay on religion, there is, of course, the end of the novel which, in a startling move, appears to authenticate and validate Buddhist belief. Kipling in all seriousness describes the lama’s moment of nirvana when he feels his soul leaving his body, leaving the constraints of time and place, and touching the Great Soul of the Universe. Christianity is nowhere to be seen. The lama’s religious epiphany is profoundly moving and believable.

A review of these four or five elements explains why I don’t see how a fiction which mocks the British authorities, mocks British religion and throws itself wholeheartedly behind the wisdom and restraint and morality and religious superiority of India’s native peoples, can, on the face of it, be described as simply upholding British hegemony. It may well, eventually, deep down, be premised on British rule in India, but in a rather more subtle and interesting way, by means of its fundamental assumptions.

The cure

The cure for generalisations from all sides i.e. stereotyping, whether racial, sexist and so on, is to be as specific as you can be, about individuals, about situations, and about texts.

That’s why I pay such close attention to the exact wording of texts and quote so extensively from works I’m reviewing. The more precise you are to the actual words of the text, the more enjoyable, strange, often unexpected and pleasurable the experience. The further you move away from the text, the more likely you are to start generalising, the more likely you are to give in to moralising generalisations. In Wilde’s day the authorities criticised his books for being ‘decadent’ and ‘corrupting’ (which, in fact, in one sense, they were). In 2023 woke academics criticise books for being ‘sexist’ and ‘racist’ (which, in fact, they often are). Different terminology, but the same impulse to judge.

Doesn’t mean that all of these books, old and new, beneath whatever elements we disapprove of, don’t also contain interesting and enjoyable uses of language and the entire point of literature, in my view, is to entertain the widest possible range of human thoughts, feelings, characters, situations, thoughts and so on. It’s about being open. Which is why I’m against people who say ban this or rewrite that. Whether authoritarian regimes or revisionist academics or anxious publishers, they are against openness. They are on the side of closing down.

At the highest level of generalisation, when you are furthest removed from the strangeness and unpredictability of the text, you get lazy journalists or literary critics simply dismissing Kipling as ‘racist’ or ‘orientalist’, without knowing or caring for the complex interplay of linguistic elements in his actual texts. But it’s precisely the interplay and unexpectednesses which those kind of people ignore in order to make their political points, which make literature worthwhile.

In fictions, characters stereotype each other

The modern author has to be careful not to offend against modern concerns about gender or racial stereotyping. But their characters can. Fictional characters are allowed to think and talk like actual people actually do. And so part of the enjoyable complexity of Kim is that much of the ‘stereotyping’ where it goes on, isn’t done by the author but by the characters, and on the whole by the Indians themselves. They come from a huge and diverse country where, as in many nineteenth century countries, people were far more attached to their family, their clan, their religion and their region than they were to any notion of the ‘nation state’. And so part of the fun of the story is listening to characters taking each other down and knowingly, comically, satirically making generalisations about this or that regional or religious or business or gender type.

I think it’s still alright for us in England, in 2023, to take the mickey out of Scotsmen for liking a wee dram, or Yorkshiremen for being boomingly convinced of their county’s superiority, or Welshmen for being peevish, or bankers for being braying Hoorays, Germans for being Teutonically efficient, the French for shrugging their shoulders and saying ‘Bouf!’, and so on. Same here, a hundred years ago, in India, where certain ethnic or regional groups were associated with certain characteristics, and part of the enjoyment of the book is reading about their views about each other, done with a pleasurable absence of modern self consciousness, done, on the whole, for comedic ends.

I’ve no idea whether any of it is ‘true’, I’ve only a shaky grasp who any of these people are or what part of India they come from, but the use of stereotypes by the characters themselves, between themselves, is one more way the text works to make the reader feel part of that world. Bergson famously said there’s something robotic about comedy, about the predictability of character types and behaviour, and so the deployment of so many types, is not a negative thing: it’s comic and welcoming.

Pathans

‘Trust a snake before an harlot, and an harlot before a Pathan.’

Mahbub Ali is a Pathan and depicted as being quick to anger but quick also to forgive. His Pathan-ness is frequently referred to as making him a certain type.

Jats

He picked up his lathi – a five-foot male-bamboo ringed with bands of polished iron – and flourished it in the air. ‘The Jats are called quarrelsome, but that is not true. Except when we are crossed, we are like our own buffaloes.’

Sikhs

One advantage of the Secret Service is that it has no worrying audit. That Service is ludicrously starved, of course, but the funds are administered by a few men who do not call for vouchers or present itemised accounts. Mahbub’s eyes lighted with almost a Sikh’s love of money. (p.148)

Just a few examples of the many generalisations the author, or his characters, make about the many, many races which lived in Victorian India.

The Irish

And don’t forget that the single ‘race’ which Kipling makes most generalisations about isn’t Indian at all, but much closer to home, the Irish, or ‘the Rishti’, as Kim puts it.

It is a central fact of the entire narrative that Kim is not of English descent, but of the much more interesting and colourful Irish descent. ‘Colourful’ because there was a widespread view at the time (and still is to this day, among many Irish people I know or see in the media) that the Irish are more passionate, uninhibited, more in touch with their feelings (as we’ve said since the 1960s) than the uptight, emotionally constipated English, all vicars and maiden aunts.

This binary comes over very starkly in the contrast between the quick-to-judgement, unsympathetic English chaplain, Bennett, and the much more sympathetic and kindly Irish Catholic priest, Father Victor, a difference Bennett himself is uneasily aware of:

It was noticeable that whenever the Church of England dealt with a human problem she was very likely to call in the Church of Rome. Bennett’s official abhorrence of ‘the Scarlet Woman’ [derogatory Protestant term for the Catholic Church] and all her ways was only equalled by his private respect for Father Victor.

The word ‘Irish’ occurs nine times in the text:

Kim followed [the lama] like a shadow. What he had overheard excited him wildly. This man was entirely new to all his experience, and he meant to investigate further, precisely as he would have investigated a new building or a strange festival in Lahore city. The lama was his trove, and he purposed to take possession. Kim’s mother had been Irish, too.

Which means he was Irish on his father and mother’s side as well, the implication being that he is curious, excitable, imaginative, and prepared to cross boundaries and break rules as a purely English boy probably wouldn’t. Of his secret meeting with Creighton:

Kim flipped the wad of folded paper into the air, and it fell in the path beside the man [Creighton], who put his foot on it as a gardener came round the corner. When the servant passed he picked it up, dropped a rupee – Kim could hear the clink – and strode into the house, never turning round. Swiftly Kim took up the money; but for all his training, he was Irish enough by birth to reckon silver the least part of any game. What he desired was the visible effect of action.

He is up for what Irish people still, I believe, call the craic, the fun, the action, the excitement. Viewed from one perspective, Kim can be seen as a kind of embodiment of the craic, always up for naughtiness, scampishness, kicking against restraints and sensibleness but, in his own way, deeply reliable and dutiful. Oh and hot-headed, as in the climactic scene where the Russian spy hits Kim’s beloved lama.

Before Kim could ward him off, the Russian struck the old man full on the face. Next instant he was rolling over and over downhill with Kim at his throat. The blow had waked every unknown Irish devil in the boy’s blood, and the sudden fall of his enemy did the rest.

As it happens the last mention of ‘Irish’ in the text, presumably deliberately, collates both the Irish and the Oriental in Kim’s make-up. After the fight they all hide in the forest.

They [the coolies] arranged and re-arranged their artless little plans for another hour, while Kim shivered with cold and pride. The humour of the situation tickled the Irish and the Oriental in his soul.

Asiatic, Oriental and the East

Lastly, a detailed look at the most ‘stereotyping’ or words, the key words Said highlights in his study. I collected mentions of these key words – ‘Asiatic’ occurs 15 times, ‘Oriental’ 15 times, ‘the East’ 9 times – to see what Kipling’s use of them shows, if anything.

Asiatic

Asiatics do not wink when they have outmanoeuvred an enemy, but as Mahbub Ali cleared his throat, tightened his belt, and staggered forth under the early morning stars, he came very near to it.

Kim dived into the happy Asiatic disorder which, if you only allow time, will bring you everything that a simple man needs.

He threw the blanket off his face, and raised himself suddenly with the terrible, bubbling, meaningless yell of the Asiatic roused by nightmare. ‘Urr-urr-urr-urr! Ya-la-la-la-la! Narain! The churel! The churel!’

A very few white people, but many Asiatics, can throw themselves into a mazement as it were by repeating their own names over and over again to themselves, letting the mind go free upon speculation as to what is called personal identity.

E23, with relaxed mouth, gave himself up to the opium that is meat, tobacco, and medicine to the spent Asiatic.

The Englishman is not, as a rule, familiar with the Asiatic

Kissing is practically unknown among Asiatics, which may have been the reason that she leaned back with wide-open eyes and a face of panic.

She brewed drinks, in some mysterious Asiatic equivalent to the still-room—drenches that smelt pestilently and tasted worse.

I’m not really qualified to say whether any of these passages are ‘racist’ or not. Some of them seem pretty factual: when I went down into the streets of Bombay I was overwhelmed by what seemed to me to be wild disorder; as to the meditation, my impression is that this is something Indians, Tibetans et al brought up in the tradition do better than Westerners who learn it late. It seems pretty reasonable to suggest that Englishmen are not, on the whole, familiar with Asians (though these days, I appreciate, many millions of Englishmen are Asians.)

What immediately struck me about them is how much Kipling wants to be regarded as an expert. They seem less about asserting the West’s ‘hegemony’ over Indian subjects, than asserting Kipling’s hegemony over this subject matter. It sounds more to me like an expert flourishing his credentials and bolstering his brand. To go a bit further in this direction, it’s almost like his flaunting of his expertise amounts to a sales pitch.

Oriental

Those Kings’ Prime Ministers were seriously annoyed and took steps, after the Oriental fashion. They suspected, among many others, the bullying, red-bearded horse-dealer whose caravans ploughed through their fastnesses belly-deep in snow. At least, his caravan that season had been ambushed and shot at twice on the way down.

That would have been a fatal blot on Kim’s character if Mahbub had not known that to others, for his own ends or Mahbub’s business, Kim could lie like an Oriental.

Now and again a night train roared along the metals within twenty feet of him; but he had all the Oriental’s indifference to mere noise, and it did not even weave a dream through his slumber.

The gentlemen were delighted. One was visibly French, the other Russian, but they spoke English not much inferior to the Babu’s. They begged his kind offices. Their native servants had gone sick at Leh. They had hurried on because they were anxious to bring the spoils of the chase to Simla ere the skins grew moth-eaten. They bore a general letter of introduction (the Babu salaamed to it orientally) to all Government officials.

These are a bit more pejorative, aren’t they? Kipling generalises that ‘Orientals’:

  • take revenge in a violent and underhand manner
  • are proficient liars

No fewer than four of them focus on ‘the Oriental’s’ poor sense of time or lack of sense of urgency, the frantic time obsession which hag-rides so many Westerners to this day:

Dynamite was milky and innocuous beside that report of C25; and even an Oriental, with an Oriental’s views of the value of time, could see that the sooner it was in the proper hands the better.

He [the lama] stood in a gigantic stone hall [of Lahore railway station] paved, it seemed, with the sheeted dead third-class passengers who had taken their tickets overnight and were sleeping in the waiting-rooms. All hours of the twenty-four are alike to Orientals, and their passenger traffic is regulated accordingly.

[When Kim tries to run away from the college] Trousers and jacket crippled body and mind alike so he abandoned the project and fell back, Oriental-fashion, on time and chance.

Swiftly – as Orientals understand speed – with long explanations, with abuse and windy talk, carelessly, amid a hundred checks for little things forgotten, the untidy camp broke up and led the half-dozen stiff and fretful horses along the Kalka road in the fresh of the rain-swept dawn.

On the other hand it’s important that this sentiment:

‘My experience is that one can never fathom the Oriental mind. Now, Kimball, I wish you to tell this man what I say word for word.’

Is put into the mouth of the Anglican vicar, Bennett, who is portrayed as narrow-minded and bigoted. Similarly, another generalisation about ‘Orientals’ is put into the mouth of the Russian spy, talking about Mookerjee’s half-educated character:

‘He represents in petto India in transition – the monstrous hybridism of East and West,’ the Russian replied. ‘It is we who can deal with Orientals.’

This is the wrong kind of generalising; or generalising by someone who has not acquired the experience and authority for such a statement. Which is made evident when the Russian makes the scandalous blasphemy of grabbing for the lama’s diagram and then punching him in the face when he resists, resulting in Kim jumping on him, rolling him downhill, smashing his head against a rock and kicking him in the nuts. Plus the spies’ loss of their entire eight months’ worth of reconnaissance work. Quite clearly, the narrative is telling us, only some people are allowed to make these kinds of sweeping generalisations. People in the know. Throughout his life Kipling bridled at the kind of people who made sweeping generalisations about British India or imperialism without ever having stepped outside Britain. Nothing spurred him to anger quicker than ignorant generalisations.

Finally this, the last instance of the word in the book is, surely, admiring.

He [Mukkerjee] stowed the entire trove [the spies’ paperwork] about his body, as only Orientals can.

How cool is that, the ability to stash stuff in the capacious folds of your Indian outfit. How much more interesting than a jacket with pockets.

The East

The most frequent use of ‘the East’ comes attached to the idea, already mentioned, that life is slower, people less time-harried, in the East than the alienated West. Two instances here combine with the three cited above, to make it Kipling’s most frequent generalisation (out of these three keywords, anyway):

Ticket-collecting is a slow business in the East, where people secrete their tickets in all sorts of curious places.

The Oswal, at peace with mankind, carried the message into the darkness behind him, and the easy, uncounted Eastern minutes slid by; for the lama was asleep in his cell, and no priest would wake him.

As to Kipling’s attribution of distinctive behaviours to the East, I’ve no idea whether this is true:

The old man was off his pony in an instant, and they embraced as do father and son in the East.

The old lady had retreated behind her curtains, but mixed most freely in the talk, her servants arguing with and contradicting her as servants do throughout the East.

I personally have come across a love of bartering in India and Pakistan which you don’t find at all in England

‘I sell and – I buy.’ Mahbub took a four-anna piece out of his belt and held it up. ‘Eight!’ said Kim, mechanically following the huckster instinct of the East.

And it seems reasonable to describe the many scents and perfumes found in shops and temples:

Kim was conscious that beyond the circle of light the room was full of things that smelt like all the temples of all the East. A whiff of musk, a puff of sandal-wood, and a breath of sickly jessamine-oil caught his opened nostrils.

Last word. Kim and the lama arrive at a new village, where:

There they told their tale – a new one each evening so far as Kim was concerned – and there were they made welcome, either by priest or headman, after the custom of the kindly East.

Some readers could take this as patronising and racist. But I read it as admiring and complimentary. It is redolent of kindness and the spirit of love – love of people and wonders and life and adventures –which, in my opinion, above everything else, suffuses this marvellous, life-affirming novel.


Credit

Kim was serialised in Cassell’s Magazine from January to November 1901, and first published in book form by Macmillan & Co. Ltd in October 1901. All references are to the 2002 Norton Critical Edition edited by Zohreh T. Sullivan.

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