A Silk Road Oasis: Life in Ancient Dunhuang @ the British Library

Want to see the oldest printed book which contains its own date of publication (868 AD)? The earliest known atlas of the night sky produce by any civilisation? See a copy of the Diamond Sutra written in the scribe’s own blood? Read an angry letter written by a wife abandoned by her husband 1,400 years ago? Learn about the life of a 10-year-old Buddhist nun?

If all this pulls your daisy, then come to this small but beautifully designed and fascinating exhibition at the British Library.

Scroll in Sanskrit and Khotanese embellished with an opulent silk painting of birds facing each other (943 AD) © British Library

Background history

The Silk Road was a term invented by German explorer Ferdinand von Richthofen in the 1870s to describe the tangle of trade routes stretching across central Asia from China in the East to the Mediterranean in the west. The silk roads went past the Gobi desert, split up to skirt the Taklamakan desert to the north and south, continued on through the Pamir mountains to Kashgar, then on to Samarkand in modern Uzbekistan, through Persia, Iraq and Syria to the Mediterranean in the West. At several points offshoots went south into Tibet or India.

The heyday

The network of silk roads began with the expansion of the Han dynasty (202 BC to 220 AD) into Central Asia around 100 BC, and grew and thrived until the tenth century AD. The blockbuster exhibition about them currently on at the British Museum takes its golden age to have been around 500 to 1000 AD.

Silk roads, plural

These days, modern archaeologists and historians refer to the silk roadS very much in the plural 1) in order to take in subsidiary routes, 2) to extend its length eastwards to the coast of China and Korea and westwards to take in Europe, 3) to include the contemporaneous sea routes from China to the Persian Gulf. All this is explained in some length at the British Museum show. However, this exhibition at the British Library focuses more narrowly on the roads’ core zone, from Chang’an in the East to Samarkand in the West.

Map of the silk roads © the British Library

The significance of Dunhuang

As you can see from this map, if you were heading west from China one of the major splits in the route occurred at a place called Dunhuang, where the route split into two roads skirting to the north and south of the uncrossable, huge and ever-shifting Taklamakan Desert.

The way stations along the northern and southern routes consisted of oases created by water in streams and rivers flowing down from the high mountains of the Tien Shan in the north and the Kunlun Shan in the south. According to Peter Hopkirk in his book ‘Foreign Devils on the Silk Road, one of the reasons the silk roads fell into disuse – apart from political turmoil in China and widespread banditry – was because many of these watersources dried up or moved or were filled with sand and silt. As they were abandoned, sand from the great Taklamakan blew over the ruined settlements and buried them for centuries.

Back to Dunhuang, it also was an oasis town, the last one in China (if you were heading west) the first one in China (if you were arriving from the east) and the place where the two major routes round the Taklamakan divided (or rejoined). It was established in 111 BC as a military outpost, fortified with defensive walls and watchtowers.

Buried treasure

Unlike the oasis settlements lining the desert Dunhuang was never abandoned when the roads fell into disuse, but continued to be a populated settlement up to the present day. But over the troubled centuries much of its silk road heritage was lost, forgotten, covered in sand. It was only at the end of the nineteenth century that a stream of explorer-archaeologists realised that there was buried treasure waiting to be dug up in this vast and remote part of central Asia. The story of the scramble for loot between representatives of Western colonial powers who identified and excavated sites right across the region is told in Hopkirk’s book.

Confessional book of the Manichean Uyghurs (ninth to tenth century) © British Library Board

This is one of the most important and complete manuscripts among the Old Uyghur Manichaean texts, the Xuastuanift, a confessional book of Manichaean Uyghurs, on display for the first time. It is a repentance prayer known as the Xuastwanift, which is widely used by the followers of Mani (216 to 277), a Persian prophet. It is around 4.5 metres long, written in Old Turkic in Manichaean script. The scroll demonstrates the eastwards spread of Manichaeism among the Uyghurs, whose West Uyghur Kingdom was tightly connected to Dunhuang.

The Mogao caves

One of the unique things about Dunhuang is the proximity of the astonishing complex of Buddhist caves, the Mogao cave complex, 15 miles to the south-east. We now know that during the silk road era nearly 500 caves were carved into the cliff face here, most of them by Buddhists, many decorated with beautiful multicoloured frescoes and containing artefacts and manuscripts.

The guardian Wang

Aware of a long tradition of Buddhist worship and relics in the region, the local Chinese authorities at the turn of the 20th century had put a Buddhist monk named Wang Yuanlu in charge of sites around the town. As a devout monk Wang earnestly wanted to raise money to regenerate and preserve the caves and regularly toured and examined them.

Photo of the priest, Wang Yuanlu, taken by Aurel Stein and included in his photographic album, 1907 © British Library Board

Wang discovers the Library Cave

One day Wang discovered a false wall at the back of one of these caves, chipped it away and made one of the great archaeological discoveries of all time. For in this cave, subsequently named The Library Cave and now more prosaically referred to as Cave 17, he discovered tens of thousands of ancient scrolls, manuscripts, printed documents, paintings, diagrams, histories, calendars and star charts from the fifth to the eleventh centuries, rolled up and stored higgledy-piggledy.

These scrolls contained an extraordinary range and diversity of documents, on a wide array of subjects, from huge religious scrolls to personal letters, from diplomatic documents to textbooks on astrology, from wills to instructions for the souls of the dead.

They are written in a surprisingly range of contemporary languages, such as Tibetan, Sogdian, Chinese, Old Uyghur, Phags-pa, Tangut and Turkic.

And they attest not only the predominant religion of the region, Buddhism, but many other faiths including Zoroastrianism, Manichaeism and Christianity which, because of them, we now know thrived in the area.

Paul Pelliot - Wikipedia

French archaeologist Paul Pelliot examines manuscripts in the library cave (photo by expedition photographer Charles Nouette, 1908)

Western archaeologists pounce

The western explorers I mentioned above, who made various expeditions throughout the 1890s and early 1900s and whose stories are told in Hopkirk’s book, soon heard rumours about a cave of magical discoveries and made the arduous journey to Dunhuang.

Here the western archaeologists, starting with Marc Aurel Stein, schmoozed the site’s curator, Wang, offering him money, technical assistance, promises to renovate the big painted caves and so on, and talked Wang into parting with thousands and thousands of these priceless scrolls. Crates full of them were dispatched by pony back to Kashgar, by train across Russia and then onto the capitals of Europe. Eventually these priceless manuscripts were scattered across 30 or so collections in 8 or so western nations, chief among them the British Museum in London.

Collectors’ guilt

Two world wars and the decolonisation of most of most of the European empires later, many of these institutions felt guilty about being party to such epic looting of China’s cultural heritage. In 1973 the British Library was founded. In the 1980s the British Museum handed over its hoard of documents from the Library Cave to the British Library.

Founding of the International Dunhuang Programme

In 1994, after much discussion between the various European and American institutions which owned documents from the library cave, the British Library was instrumental in setting up the International Dunhuang Programme (IDP). The IDP is a pioneering international collaboration that brings together online collections from the Eastern Silk Roads and promotes understandings of the history and cultures of the region.

That was 30 years and so this small but beautifully formed exhibition marks the thirtieth birthday of the International Dunhuang Programme. (All this is explained in the final part of the exhibition, which includes a timeline of the events I’ve just summarised.)

The exhibition

The exhibition showcases over 50 manuscripts, printed documents and pictorial works, most though not all, from the ‘Library Cave’ in the cave complex of Mogao and on public display for the first time.

The exhibition is contained in one long room downstairs. The light levels are low to preserve these ancient manuscripts which contributes to the subterranean, treasure-trove vibe.

The show is divided into ten sections, consisting of eight display cases (4 down the middle, 2 embedded in either wall). At the far end there’s a partition cleverly made from shelves piled high with rolled-up paper scrolls, recreating the effect of the original treasure cave. And off to one side there’s a bench seating about 5 people in front of a video projected on the wall which shows general views of the desert, the Mogoao cave complex, and handy maps showing the shifting silk roads and indicating the spread of religious beliefs along them. You can make out most of the elements I’ve listed in the photo below (video on the right, display cases down the middle, the scroll partition is visible at the far left).

Installation view of ‘A Silk Road Oasis: Life in Ancient Dunhuang’ at the British Library

Topics and stories

The key thing about the displays is that the curators have had the bright idea of dividing the documents into sections grouped around typical types of profession from medieval central Asian society. Each case is named after one of these characteristic professions of the time, constellates around the story of a specific named individual who we know of from a scroll, and then groups around it half a dozen other manuscripts from the same subject area. Thus the cases are named after:

  • The Merchant
  • The Diplomat
  • The Fortune-Teller
  • The Artist
  • The Scribe
  • The Printer
  • The Buddhist Nun
  • The Lay Buddhist

Installation view of ‘A Silk Road Oasis: Life in Ancient Dunhuang’ at the British Library showing a typical display case, in this instance scrolls relating to The Lay Buddhist (see below) (photo by the author)

As is my usual practice, all the text which follows in italics is direct quotation from the curators’ wall labels.

The Merchant (unnamed)

As a key trade centre on the Silk Roads, Dunhuang attracted merchants from as far afield as central Asia and India. Among these were the Sogdians, a group of Iranian people who dominated commerce in the region from the 4th to the 8th century. From their motherland near Samarkand (present-day Uzbekistan), Sogdian merchants established settlements stretching all the way to China.

Map showing location of Sogdiana © the British Library

This allowed them to act as agents for fellow Sogdians back home and along the trade network. Sogdian merchants sold many prized goods and transmitted religious ideas from their own culture and that of nearby regions.

Earthenware figure from China (7th to 10th century) probably representing a central Asian merchant, possibly of Sogdian origins, as suggested by his large beard and conical hat (photo by the author)

This section focuses on the letter written by an unnamed Sogdian merchant based near Dunhuang, which was addressed to two of his business partners in Samarkand, over 3,000 km to the west. It warns them about the devastating effects of political instability in China. The letter describes the famine that resulted from the sack of several Chinese cities by the Huns, a nomadic people from central Asia.

It also includes a letter from a wife who was abandoned by her husband at Dunhuang and who writes to reproach him in 313 AD. Her name was Miwnay and the letter tells us she moved from Samarkand to Dunhuang with her merchant husband Nanai-dhat. This letter was found in a lost mailbag and complains how, not having not heard from him in three years, Miwnay and her daughter Shayn have become destitute and forced to serve a local Chinese household.

“Behold, I am living wretchedly, and I consider myself dead. […] I obeyed your command and came to Dunhuang and did not observe my mother’s bidding or that of my brothers. Surely the gods were angry with me on the day when I did your bidding! I would rather be a dog’s or a pig’s wife than yours!” (Translated by Nicholas Sims-Williams)

Emphasising the theme of multiculturalism, this section also includes:

  • one of the oldest surviving Zoroastrian scriptures, consisting of a text about the prophet Zoroaster (born between 1500 and 500 BC) and a transcription of the holy ‘Ashem Vohu’ prayer
  • a letter from a Christian priest named Sergius to a Turkic government official based at Dunhuang

Dunhuang Limes

I need to digress for a moment about the Dunhuang Limes.

The Dunhuang Limes is a series of military sites spread over a distance of more than 140 miles, and are considered to be parts of the westernmost portion of the Great Wall. The sites begin in Anxi to the east of Dunhuang and extend to the Lop Nor desert to the west, and date back as far as the 2nd century BC [see the map at the top of this review for the line of the Great Wall].

The term limes, usually used to describe Roman military roads and their fortifications, was assigned by Aurel Stein to this series of watchtowers, forts, storehouses, beacon towers, walls, and other defensive structures. The items excavated from the sites reveal much about the daily life and administration of the garrisons stationed at the frontiers of the Chinese Empire. These items include tools, stationery, pottery, arrowheads and textiles, as well as important written documents including the Sogdian ‘ancient letters’.

Hence the shoe:

A shoe made of hemp from Dunhuang Limes © the British Museum

This utilitarian everyday object serves as a poignant reminder of the early settlers who resided along the Dunhuang Limes. These defensive walls and watchtowers, constructed north of the town, protected the territory then ruled by the Chinese Han Empire (206 BC to 220 AD). Doubling as farmers, the soldiers transformed the rugged landscape into cultivated land, while monitoring the desert Silk Roads for potential attacks.

The booklets

Another digression to mention that each of the characters or job types is introduced not only via the usual object labels but in nifty printed booklets (attached to each display case) made of a kind of artificial vellum and decorated with patterns from the period. Some thought and effort went into these and they’re very stylish.

One of the stylish fake-vellum booklets which contain object information in ‘A Silk Road Oasis: Life in Ancient Dunhuang’ at the British Library (photo by the author)

The Diplomat: Ca Kima-sana

From the 10th century, the rulers of Dunhuang strengthened their ties with Khotan, a central Asian kingdom located 1,800 km to the west. Sent by their state, Khotanese envoys frequently travelled to the oasis to help maintain close diplomatic relations, especially by seeking marriage alliances.

Map showing location of Khotan © the British Library

Khotanese delegations varied in size and were hosted by the local government. Their members, who spoke an Indo-Iranian dialect, had to operate in a multilingual environment. They were actively engaged in Dunhuang’s Buddhist community as patrons and helped spread medical and geographical knowledge during their visits.

This section is named for two figures: one is Sam Khina Hvam Samgaka, a high-ranking Khotanese official who commissioned a devotional scroll, wishing for a long life and the well-being of his relatives. The manuscript is over 21 metres long and contains six different Buddhist texts. It was embellished with an opulent silk painting.

Scroll in Sanskrit and Khotanese, over 21 metres long, embellished with an opulent silk painting (943 AD) © British Library

The other named figure is the diplomat Ca Kima-sana, also known as Zhang Jinshan. He is represented by a long scroll in which he explains that he led a delegation of over 100 people to secure the hand of a Chinese princess for their king. He also recounts the religious activities he undertook at Dunhuang in exchange for safe return. This section also includes:

  • a tenth-century Chinese-Khotanese phrasebook
  • an account of hospitality given to foreign visitors at Dunhuang between 979 and 982
  • a Khotanese translation of the Siddhasara, a medical text attributed to the ancient Indian physician Ravigupta

The Fortune-Teller: Shenzhi, the Yin and Yang Master

Fortune-tellers, whose practices were regulated by the local administration, helped both the ruling elite and ordinary people navigate daily life. They advised on anything from the best time to start a construction project to the best direction to take on a journey. They also guided people when choosing a life partner, looking for lost things or strategising for battles.

Fortune-tellers produced calendars and other astrological works. These were considered a form of scientific knowledge, normally controlled by China’s imperial court. At the same time, divination traditions from central Asia spread along the Silk Roads and converged at Dunhuang, leading to a unique blend of approaches.

This section includes a striking almanac:

Official almanac showing the 12 spirits of the zodiac animals, portrayed as officials with animals in their hats (978 AD) © British Library Board

An almanac is a yearly publication that typically contains information such as astronomical data and astrological predictions. This incomplete document for the year 978 is a copy of the almanac originally printed by the imperial Chinese Bureau of Astronomy. It shows the 12 spirits of the zodiac animals, portrayed as officials with animals in their hat. They surround the deity Taisui, who is associated with Jupiter and governs people’s destiny in a given year.

This section also contains:

  • the longest surviving manuscript text in the Old Turkic script, the Irk Bitig or Book of Omens, a 4-metre-long Tibetan divination scroll written in Old Turkic which contains 65 divinations
  • the oldest star chart from any civilisation which depicts 1,345 stars across 13 maps, dating to the second half of the 7th century
  • a 4-metre long divination scroll in Tibetan, featuring 12 divination diagrams in the Chinese astrological tradition
  • eight diagrams linked to a divination form known as the ‘Nine Palaces’ which indicate lucky and unlucky dates and directions for construction work, in a scroll which belonged to Shenzhi,
    a Yin and Yang Master and a monk at the Longxing Temple

The Printer: Lei Yanmei, the woodblock carver

Using a method derived from earlier stamping processes, printers chiselled content in reverse into woodblocks. They then inked those blocks and impressed them onto paper. The quality of the prints thus depended on their woodcarving skills. Printing technology emerged in China around the 7th century, about 700 years before appearing in Europe. The work of printers quickly became essential for Buddhists, as a way of enabling the large-scale reproduction of sacred texts and images. As printing spread to East Asia and to central Asia along the Silk Roads, printers set up many local workshops. While some places, like Sichuan, became major printing centres, Dunhuang printers also produced, on a much smaller scale, copies of Buddhist scriptures, prayer sheets and almanacs.

The Diamond Sutra, the world’s earliest printed book with a date, 868 AD

This 5 metre scroll is the oldest complete printed book with a date. Preceding the finely carved text is a depiction of the Buddha preaching to his elder disciple, Subhuti, amid a large assembly. Such sophisticated design attests to a mature printing industry, calling for collaboration between highly skilled artists, scribes and woodcarvers. It is thus possible it came from Chengdu, Sichuan, which was a major printing centre at the time.

This section also includes:

  • a text containing numerous identical images of the Bodhisattva Avalokiteshvara
  • a woodblock printed prayer sheet with pigments
  • a booklet of Diamond Sutra translated by Kumarajiva

The Scribe: Ke’u Monley

Between 786 and 848, Dunhuang came under Tibetan rule. It was transformed into a bustling centre for scribes who worked for the Tibetan empire.

The Tibetan Empire in the 8th to 9th centuries © the British Library

Local scribes, some of whom were from mixed Chinese and Tibetan parentage, produced thousands of copies of Buddhist sutras in Tibetan. These works, presented in a range of formats, were even distributed to monastic libraries in central Tibet. The rules of the scriptorium were stringent and scribes had to manage the resources they received carefully for fear of punishment. They were also taught to write in different styles, tailored to their tasks, such as transcribing sacred texts or drafting official documents. 

This section includes:

  • old Tibetan annals giving a year-by-year account for the period 641 to 764, the earliest surviving historical source on the Tibetan empire
  • a bilingual manuscript which features the Tibetan version of the Lankavatara Sutra in red ink alongside a Chinese commentary in black ink
  • a large book of Buddhist scripture titled The Perfection of Wisdom Sutra
  • a document giving information about the scribe Ke’u Monley who belonged to a team of scribes entrusted with copying the Perfection of Wisdom Sutra for the Tibetan prince
  • along with some original scribal tools, namely a glue brush and a wooden pen

Tibetan woodslip pen (eighth to tenth century) © British Library Board

The artist: Dong Baode

Artists from different regions shaped Dunhuang’s creative landscape. The projects they were commissioned for ranged from adorning the Mogao Caves with breathtaking murals and stucco figures, to crafting portable paintings on silk, hemp and paper. Surviving sketches, preparatory drawings and tools like stencils offer a window into artists’ creative process. While workshops likely existed earlier, a government-supported painting academy emerged in the 10th century, providing official backing for artistic endeavours. Most artists remained anonymous unless they reached a particularly elevated status. They combined visual traditions and techniques from along the Silk Roads, leaving an enduring legacy through their contributions.

Sketch of protective deities (tenth century) © British Library Board

These two figures, depicted on thick paper, stand dynamically on rocks, almost mirroring each other. Precise lines render their flowing scarves, flexed muscles and facial hair. This type of sketch served as a reference for artists and could have been resized as needed to fit across various compositions. Very similar illustrations are found in Dunhuang manuscripts.

This section contains:

  • a stencil of a Buddha figure
  • a scroll relating to the master painter named b who other documents tell us managed a local painting guild, controlled and deployed painting resources
  • a 1.2 metre tall black ink study representing Avalokiteshvara, the bodhisattva of compassion

The Lay Buddhist: the 80-year-old who wrote in blood

Buddhism left the largest imprint at Dunhuang, although faiths such as Daoism, Zoroastrianism and Manichaeism were also present. With the spread of Buddhism on the Silk Roads, the oasis became a major hub for Buddhist worship and pilgrimage from the 4th century onwards. The worship of images, through portable paintings and other media, held a central place in Buddhism. Copying scriptures was also paramount to Buddhist devotees, as a way of accumulating spiritual benefits. While wealthy patrons could commission elaborately decorated manuscripts, ordinary people wrote sacred texts themselves. Manuscripts served various functions, as reflected by the variety of formats and languages they came in. They could be chanted during ceremonies, worn as talismans and employed in memorial services.

Illustrated Sutra of the Ten Kings (tenth century) © British Library Board

This scripture depicts the purgatory-like period following death. The Ten Kings, shown as magistrates seated at desks, assess the deeds of the departed. The last king spins the wheel of rebirth, deciding how they will be reincarnated. This handscroll is almost 5 metres long. It was likely produced to assist a dead relative in their voyage to the next life and used during memorial services.

This section also contains:

  • a decorative copy of the Great Parinirvana Sutra
  • a miniature Tibetan scroll less than 5cm wide, containing verses about the path to liberation from the sufferings of death and rebirth, and a prayer to end the reincarnation cycle
  • a scroll of the Nilakantha Dharani, dharanis being incantations believed to be protective and to generate spiritual benefits when chanted
  • a banner painting of a bodhisattva
  • and three small booklets of the Diamond Sutra in Chinese written by an unknown 80-year-old devotee using his own blood as ink

The Buddhist Nun: Deng Ziyi

Buddhism gradually changed the lives of female devotees by offering them a role beyond those of daughter, mother and wife: they could become nuns. Dunhuang documents give us a glimpse into their experiences, from joining as novices, sometimes before the regulatory age of 12, to embracing the rules of monastic discipline upon being ordained. Between 800 and 1000, there were more nuns than monks living in the town. Censuses provide a sense of the community structure and demographics within nunneries at the time. It was not uncommon for nuns to retain some possessions after embracing monastic life. They could also play a significant role in the local lay community.

Rules of a women’s association (959 AD) © British Library Board

This circular is over 1,000 years old. It defines the objectives, bylaws and structure of a women’s club, established to promote friendship among women. All 15 signatories agreed to these rules by signing a mark under their name. The association was overseen by a nun, underscoring the influential role of nuns within the Dunhuang community.

This section includes:

  • information about Deng Ziyi who became a nun aged just 10 in 914, including the official permit granting her permission to become a novice
  • a finely calligraphed scroll copied in 543 by a nun named Xianyu listing the voluntary commitments for fully ordained Buddhist women
  • a tenth century list of nuns at the Dasheng Temple, the largest of five nunneries at Dunhuang, which had a total of 209 members
  • a votive painting depicting the 11-headed manifestation of Avalokiteshvara, the bodhisattva of compassion
  • the will, written in 865, of the nun Linghui, written in the presence of witnesses, including close relatives and two officials

The caves

As I mentioned, at the far end of the exhibition space is an alcove partitioned off by a floor-to-ceiling stand containing scores of rolled-up paper mimicking the scrolls found in the famous Library Cave.

Installation view of ‘A Silk Road Oasis: Life in Ancient Dunhuang’ at the British Library showing the scroll partition (photo by the author)

This space gives more detail about the caves, namely:

Away from the busy streets of Dunhuang, 25 km southeast of the town, is a large Buddhist site made up of hundreds of richly decorated caves called the Mogao Caves. It is here that, in 1900, the Daoist priest Wang Yuanlu found a small room containing tens of thousands of manuscripts, paintings and other objects dating from the 5th to 11th century. Known as the ‘Library Cave’ or Cave 17, this extraordinary time capsule is one of the world’s greatest archaeological discoveries. It has revolutionised our knowledge of the Silk Roads, offering glimpses of religious and secular everyday life. Many of the objects in the exhibition are from Cave 17. They were acquired by archaeologist Marc Aurel Stein and taken to the UK.

There’s:

  • a copy of Stein’s photo album open to the photo he took of Wang
  • a timeline of key events starting at Wang’s discovery of cave 17 in 1900 and continuing up to the opening of this exhibition
  • more objects including:
    • a confessional book of the Manichaean Uyghurs
    • three Buddhist ritual objects, being: a paper-cut flower; a carved wooden figure of a Buddha; a Tibetan tantric ritual implement
  • a small sculpture by modern artist Xie Xiaoze titled ‘Rain of Languages (Buddhist Sutras)’

Rain of Languages (Buddhist Sutras) by Xie Xiaoze (2023) in ‘A Silk Road Oasis’ at the British Library

Most usefully, there was a small monitor showing photos of some of the decorated caves. These are mind blowing, showing beautifully preserved caves decorated from floor-to-ceiling with complicated colourful motifs and often including one or more statues of the Buddha or Boddhisatvas. I think these should have been included in the short film projection on the wall at the start of the exhibition, they’re too stunning and important to be stashed away here, and on a fairly tiny screen, smaller than a laptop screen.

Photo from the slideshow of photos of the interiors of some of the Mogao cave, complete with explanatory text. Courtesy of Dunhuang Academy, Photo by Sun Zhijun

In fact the friend I showed them to said these are stunning, mind-blowing, amazing – they should have been blown up and printed on the walls life-size. Maybe, although space is limited in this little downstairs gallery. But they certainly impress on you the huge culturual importance of the cave complex, the extravagantly beautiful carvings and frescoes, make you realise it’s up there with the Egyptian Valley of the Kings in terms of priceless decorated ancient interiors.

Music

I haven’t yet mentioned that this room packed full of priceless manuscripts also features a mellow and evocative soundscape. This has been created by a Dr Xiaoshi Wei using recordings from the British Library’s vast sound archive and from the China Database for Traditional Music with a view to recreating the sounds of the ancient Silk Road. Birds sing, gongs sound, monks chant, adding to the atmosphere of peace, calm, civilisation and enlightenment.

This is a small-ish exhibition, but full of wonders and revelations.


Related links

Related reviews

Attila the Hun by Christopher Kelly (2008)

The full title is Attila the Hun: Barbarian Terror and the Fall of the Roman Empire.

Kelly is a fellow at Corpus Christi College Cambridge and it shows in this book, which carefully weighs the existing written accounts of the Huns alongside the latest archaeological evidence to give a sober, untheatrical account of the historical background to the advent of the Huns and the rise to power of their legendary leader.

Sources

To start at the end, there is a very useful appendix detailing the 22 or so classical and early medieval authors who make any reference the Huns, long or short, giving you the opportunity to search for translations online.

As to the Huns, they left absolutely no written accounts of their lives or culture: they were illiterate nomads from central Asia. The one and only Hun word we know of is strava because Priscus uses it to describe the funeral ceremonies held for the dead Attila. Otherwise we are entirely dependent on the written records of their enemies.

Sieving the sources

Kelly shows how one of our two most important sources, Ammianus Marcellinus (our only written account of the Huns before Attila), like so many ancient and medieval authors, based his accounts on previous similar accounts of ‘barbarians’. Kelly shows how Ammianus copied elements from the account by the famous Greek historian Herodotus in his History (430s BC) of the Scythians, a non-Greek, horse-riding warrior race from north of the Black Sea. This was how Roman authors and their audiences expected barbarians to be.

So the historian must assess how much is ‘true’ and how much is repetition of the kind of topoi – clichés if you like – handed down in the literary tradition: ie you have to pick through all the written accounts very carefully, weeding out the handed-down, the rumour, the fantasy and the made-up, before you establish the tiny kernel of fact. If any.

So what is Kelly’s book like?

Comments

A commenter on Amazon made a shrewd point: there is surprisingly little about Attila in this book about Attila. For the book is overwhelmingly about the Romans – about Roman emperors and generals and administration and power politics from the 370s when the Huns first arrived, to the 450s when Attila abruptly died. This is for the reasons stated above – that the Huns left no written record, a very sparse archaeological record, and what we know about them comes from their interactions with the Empire. We only have half the story.

The book convinces you that everything about the build-up, about Attila’s reign, and then the aftermath of his death, is fully and completely recorded and assessed. But that turns out to be a tremendously complicated story of Roman alliances, deceits, of cheating generals and scheming emperors and even scheming emperors’ wives, with a long central section about a scheming emperor’s eunuch. Lots and lots about the Machiavellian politics of the two Roman imperial courts – disappointingly little about Attila himself.

Key questions

So, for example, neither Kelly nor anyone else can answer some simple questions:

Where did the Huns come from? Kelly spends a chapter discussing the Huns’ origins and considering at length the theory that they were descendants of the Xiongnu, Mongolian nomads who established an extensive empire in the 3rd century BC, only to reject the theories and conclude – as almost everyone else is forced to – that our best guess is they came from the Great Plains of Kazakhstan.

As they migrated west they found themselves cramped into a smaller area (the Hungarian Plain, itself flat and featureless) with less resources, less acreage for their thin, hardy horses, and fewer settlements to plunder. So after a while they realised it was better to extract ongoing tribute from these places rather than raze them to the ground: they developed a policy of terrorising the inhabitants to extract tribute. Thus arriving in Hungary forced the Huns to change their loose social structure, to become more settled and organised, which led (apparently) to the coalescing of clan leadership. It is against this background that Attila emerges. And all this is no more than intelligent guesswork…

Why did the Huns arrive? They first appear in the writings of Ammianus Marcellinus (330 – 391) who says they arrived in the 370s. The terror they spread with their policy of total devastation terrorised the Gothic tribes who had lived just across the Danube  for generations, to plead with the Roman authorities to be allowed to cross the river into the Empire. But what pushed the Huns out of Kazakhstan? Why did they migrate west? No-one knows.

The Battle of Adrianople

Kelly gives a detailed account of the build-up to the fateful Battle of Adrianople 378 AD. The Goths were pushed by the newly arrived Huns towards the Danube and then begged the Emperor Valens to flee to safety across it. Valens gave permission but then the management of 80,000 Goth refugees was badly handled: settlement and food for them were slow in being organised. Mounting discontent toppled into war when the local Roman officer invited the Goth leader, Fritigern, to peace talks, then tried to assassinate him. The attempt failed and Fritigern returned to mobilise his fighting men among the various tribes of Goths, along with some Huns who had crossed the border, into a sizeable force. The Emperor Valens, irritated at having to cancel a campaign he was waging in the East against the Persians, marched back to Constantinople where he was booed at the Imperial Games, and set off north to the city of Adrianople in a vengeful mood. He had asked the emperor in the West, Gratian, to send forces, and Gratian was making his way to rendezvous with his fellow emperor – but slowly.

Arriving early at Adrianople early, his scouts telling him the Goth army was only some 10,000 strong, and his own impatient mood prompted Valens to decide take the Goths on with his eastern army alone. It was exterminated. There is a detailed account of the heat which exhausted the waiting Romans and the fires which the Goths lit to blow smoke downwind into their faces and then, while the leaders were still discussing some kind of truce, skirmishing broke out among the impatient troops which escalated chaotically – thus denying the Romans the advantage of their traditional discipline and order. Some 20,000 Roman soldiers were slaughtered along with Valens himself, burned to death in a farmhouse where he had taken refuge. It was the biggest Roman military defeat in 700 years, throwing the East wide open, and bringing home to everyone the power of the invading ‘barbarians’.

Priscus’ mission

Part three of this four-part book retells in considerable detail the one and only account of Attila we have from personal experience, that of Priscus of Panium who was chosen to accompany Maximinus, the head of the Byzantine embassy representing Emperor Theodosius the Younger (ruled 408–450) which travelled across the Danube and into the heart of the Hun empire to meet Attila.

Kelly uses Priscus’s eye-witness account to critique the stereotyped hearsay of Ammianus and to draw some obvious conclusions, namely the Huns were more civilised than the Romans had been led to believe. Priscus was impressed by Attila’s palace beyond the Danube, as well as the quarters for his queen who supervised the creation of sophisticated tapestries. Slowly he realises that Attila is no psychopathic barbarian but a cunning strategist.

A calculating man

What emerges from Priscus’ account (which itself only survives in fragments) is Attila’s cunning and the extent to which he engaged in normal diplomacy. Like anyone else who’s heard of Attila, I assumed his horde raped, pillaged and burned their way indiscriminately across Europe, but this isn’t quite true or is only part of the truth. Attila undertook several incursions into Roman territory – into the Balkans in 441 and 447, then into Gaul in 451 where his rampage was stopped at the Battle of the Catalaunian Plains, and then south into Italy in 452, until he reached the gates of Rome.

However, after each of these campaigns he withdrew back to his strongholds across the Danube. Ie he never set out to conquer and take control of Roman territory. Kelly’s book makes clear that the incursions were carried out to spread terror and thus increase his main aim, to bolster his negotiating position with the emperors, forcing them to pay him off with ever-bigger tribute/bribes/pay-offs. Successive Roman emperors handed over staggering amounts of gold to Attila and also – a subtle Stalinist touch – he always insisted that any Hun refugees in Roman territory were also handed back to him, to be executed in short order. No Hun was to be allowed to create an alternative power-base or become a client of the Romans.

Kelly sums up Attila’s policy neatly as a protection racket on a grand scale.

Attila’s death

The last 40 pages of this 230 page book describe in minute detail the manoeuvres and machinations of the final emperors who faced him – Valentinian III (Western Emperor 425 to 455), Theodosius (Eastern Emperor 408 to 450) and Marcian.

As with the rest of the book, you need both a family tree and to have been keeping notes to remember which member of which imperial family was conspiring against who and why, let alone the network of barbarian rulers who by now had seized enormous tracts of the western empire – the Vandals in North Africa, the Goths in Spain, the Franks in Belgium, all of them potentially making alliances with any of the others against any of the others – it is like a permanent, super-complex game of Risk. And right in the thick of it, Attila abruptly died in 453.

One account has it that he stayed up late drinking in his palace on the night of his wedding to another wife (nobody knows how many wives he had) and the next morning his bodyguard found him dead in her bed. If the sources can be believed, he appears to have had a nosebleed and, drunken and unconscious, drowned in his own blood. Or did his new wife poison him? Or did his bodyguard kill him? Various theories and rumours survive in our ancient sources and, once again, you have to choose the one you think most plausible, in the full knowledge that they might all be fictions.

Aftermath

History doesn’t stop. The new situation threw all the players the book has described in such detail into a new matrix of strategic possibilities. The Vandals in North Africa, the Goths in Spain, the Franks in Belgium, the western Roman emperor, the eastern Roman emperor – all had to reconsider their plans and alliances now a key element in the geopolitical situation had been removed. Briefly, Attila’s three sons – Ellac, Dengizich, Ernak – fell into civil war, were killed, overthrown or defeated in battle and the empire built up by this cunning, calculating man collapsed, leaving absolutely no trace behind except the permanent weakening of the Roman Empire and a fearsome reputation.

Related links

Early medieval reviews

The short stories of Arthur Conan Doyle

Arthur Conan Doyle (1859 to 1930) wrote some hundred and twenty short stories, excluding the 56 Sherlock Holmes stories and the 17 or so Brigadier Gerard stories. The excellent Société Sherlock Holmes de France website estimates the total number of all Conan Doyle’s fictions as 239, for he also wrote some 20 short novels. His first story was published when he was 20, the last when he was 70.

For boys

The overall affect is rip-roaring adventures for boys. None of them are really for adults, none of them have much psychology, much interiority, and the plots – though superficially gripping – are all wound up in a brisk few final paras. They anticipate hundreds of adventure movies and comics and graphic novels. They are short and punchy and great fun.

Reassuring

Even the horror and science fiction stories, though they ostensibly deal with the bizarre and grotesque, are ultimately reassuring because there is never any doubt as to the good sense and decency of the narrator(s). It is always a man and he is always soundly for the Empire and the natural fair play of the British, innately superior to all other nations and divinely ordained to rule vast tracts of the world and over their occasionally troublesome natives (and, quite often, over the great unwashed back here in Blighty).

Many of the stories exemplify that specially British sense of justice and fairmindedness which, in the mind of Imperialists, justified, indeed demanded, our Imperial role and which, similarly, justified the existence of a landed aristocracy with its Justices of the Peace, Lord Lieutenants and whatnot.

(For a thorough depiction of this deeply conservative worldview see my review of Andrew Young’s biography of Lord Salisbury, Prime Minister 1886 to 1892 and 1895 to 1902.)

G.M. Young, historian of the Victorian era, writes about ‘the most precious element in Victorian civilisation, its robust and masculine sanity’, and Conan Doyle is a kind of quintessence of this, a charmingly unreflective, unquestioning, untroubled supporter of everything British.

Conan Doyle comes over as everyone’s favourite uncle, full of rattling good stories and anecdotes – but nobody for a minute takes any of his opinions seriously. He is Mr Chips.

Magazines

The stories were written for money to be published in the impressively wide variety of magazines which flourished in the 1890s. They were reprinted in numerous subsequent collections. One of the collections was titled Round the Fire Stories and that perfectly captures the Boy Scout ambience of so many of them.

The 1880s and 90s were a golden age of little magazines, created to feed the appetite of the middle and lower classes who had been taught to read as a result of the 1870 Education Act and its sequels, who, due to the wealth-creating effect of the Second Industrial Revolution, increasingly had the means to buy cheap titles.

Conan Doyle’s most effective outlet was the Strand magazine (established 1891), packed with articles, news and stories by leading writers of the day, all for the bargain price of one shilling in which he continued to publish to the end of his career.

These magazines demanded sensational storylines, glamorous protagonists, short, sharp doses of the mysterious, the macabre, the haunting or the humorous, and this well-defined format and sensation-seeking audience should be kept in mind when reading Conan Doyle’s stories.

Themes

Patriotism

‘I do not go so far as to say that the English are more honest than any other nation, but I have found them more expensive to buy.’ (The Lost Special)

‘He was a villain, but he was a Briton!’ said the captain, at last. ‘He lived like a dog, but, by God, he died like a man!’ (The Slapping Sal)

No more striking example could be given of the long arm and steel hand of the British law than that within a few months this mixed crew, Sclavonian, negro, Manila men, Norwegian, Turk and Frenchman, gathered on the shore of the distant Argentine, were all brought face to face at the Central Criminal Court in the heart of London town. (The Tragedy of Flowery Land)

The British Empire

The colonies, especially Australia, New Zealand, South Africa, are the playground of white men – the justification of the Empire goes without saying i.e. that native peoples should have their land taken and their goods stolen doesn’t occur. See Doyle’s good-humoured and open-handed pamphlets justifying the Second Boer War, which simply don’t consider the possibility that the British might have been motivated solely by power politics and greed. In The Green Flag even mutinous Irish republicans, when faced with the fuzzy wuzzies, turn out to be the stoutest defenders of the British Empire.

London

‘…now gradually overtaken and surrounded by the red brick tentacles of the London octopus.’

London is always growing, throwing out ever-expanding avenues of redbrick terraces. The ones so many of us still live in to this day.

Women

Chivalry is the way the patriarchy, men, reassured themselves that they deserved to be in charge, that it was OK to keep women in powerless subjugation. Chivalry was men’s reply to women demanding the vote or control of their own lives: look, we defer to you in everything sweet ladies, why on earth would you need the vote?

‘Ladies are in danger of losing their privileges when they usurp the place of the other sex. They cannot claim both.’ (Doctors of Hoyland)

Women in Conan Doyle are tall, stately, and the most beautiful woman in England. Defending their ‘honour’ is the motivation for quite a few of the stories.

Diamonds

Diamonds seem to be the treasure and currency of choice, the bigger the better, and feature in his very first story, The Mystery of Sasassa Valley as well as The Stone of Boxman’s Drift, Our Midnight Visitor, The Club-Footed Grocer.

Comedy

A constant throughout is Conan Doyle’s bluff good humour. Rising to overt comedy in the GP reminiscences and Brigadier Gerard stories, or just lying low, purring in the background. Constantly, pervasively there is his confidence and solidity, as ubiquitous as his splendid Edwardian moustache.

Crime

Crime of the most sensational and puzzling sort, of course, for example, The Story of the Lost Special or The Story of the Lost Watches.

Sensation

The stories were published in popular magazines which often contained sensational news or features. The stories take this tone from their surroundings. Nothing is subtle or underplayed. Everything is the most sensational scandal in London or England or the world.

Stanniford, the banker! I remembered the name at once. His flight from the country some seven years before had been one of the scandals and sensations of the time. (The Sealed Room)

Such was the position of affairs when, upon the evening of Monday, June 21st, there came a fresh development which changed what had been a mere village scandal into a tragedy which arrested the attention of the whole nation. (The Black Doctor)

It’s the same breathless sensationalism which characterises the Holmes stories and give them their delightful, thrilling sense of (utterly spurious) importance.

Scandal

Scandal and the fear of scandal is a motivation in these and the Holmes stories to a degree which is hard for us to understand. The reputation of upper middle class people was so important that they were willing to kill or die to preserve it. Just the hint that some misbehaviour in a former life abroad might revisit someone in respectable England causes numerous Conan Doyle protagonists to drop dead of horror. The Jew’s Breastplate is a particularly preposterous example of a story driven by this ludicrous sentiment.

Secret societies

Secret societies flourished in the 1880s and 1890s. They merged in the public mind with terrorist groups such as nihilists, anarchists, Fenians, even the violent suffragettes. They are routinely offered as explanations when some crime, especially a murder, goes unsolved and were so familiar a subject that Conan Doyle can make a comic story about a chemist who is mistakenly invited to give a lecture about dynamite to a group of nihilists.

Murder

Plenty of people get murdered and the murders are horrible and yet, in some difficult-to-define way, romantic and exciting. They upset the characters – but they don’t upset us, because they are so transparently the engines of a rattling good yarn.

Horror

The great horror trope of the pale ghastly face at the window occurs in scores of the stories – Uncle Jeremy’s Household, A Pastoral Horror – and melodramatic horror is one of the commonest emotions: ‘… and she realized, with a thrill of horror, that what she had taken to be a glove was the hand of a man, who was prostrate upon the floor.’

And now I come to that portion of my story which fills me even now with a shuddering horror when I think of it (The Striped Chest)

This could be the epigraph to many of the collected stories.

The 1880s

The Mystery of Sasassa Valley (September 1879)

‘Tell it? Oh, certainly; but it is a longish story and a very strange one; so fill up your glass again, and light another cigar, while I try to reel it off.’

The opening words sets the tone for the entire oeuvre. Jack Turnbull as an old man recalls how he and Lucky Tom Donahue, two young lawyers who packed in study to emigrate to South Africa, took their cue from a native tale of a haunted valley and discovered the weird glowing was given off not by demons but by diamonds!

The American’s Tale (December 1880)

“Deuced rum yarn!” said young Sinclair. Hard core Western redneck Jefferson Adams regales a posh English literary club with a tall tale about a feud in 1870s Arizona between cool Brit called Scott and short-fused Alabama Joe which ends with Joe being eaten alive by a giant Venus flytrap plant!

A Night Among the Nihilists (April 1881)

‘By the way,’ he remarked, as we smoked a cigar over our wine, ‘we should never have known you but for the English labels on your luggage.’

Robinson, a clerk in a corn merchant’s, is sent to Russia to open up trade with a major landowner. There is a mix-up and he is introduced into a secret society of Nihilists and saved just as he is rumbled, when the police burst in!

That Little Square Box (December 1881)

‘Dick was just the man I wanted; kindly and shrewd in his nature, and prompt in his actions, I should have no difficulty in telling him my suspicions, and could rely upon his sound sense to point out the best course to pursue. Since I was a little lad in the second form at Harrow, Dick had been my adviser and protector.’

The narrator is a nervous, solitary, literary type who, when he boards the ship from Boston to London, overhears two foreign men whispering about a secret box and when to set it off, thinks he is hearing anarchist/terrorists. In fact, they are releasing racing pigeons!

The Gully of Bluemansdyke: A True Colonial Story (December 1881)

‘The two men lapsed into silence for some time, moodily staring into the glow of the fire, and pulling at their short clays.’

New Zealand in the 1850s. A posse is formed to hunt down seven men who bushwhacked the young sons of two old-timers. A paean to the rugged spirit of the emigrant colonial trooper. Trooper Braxton and his capture of the Bluemansdyke murderers. The Australia stories are linked.

Bones, The April Fool of Harvey’s Sluice (April 1882)

Comic tale. ‘

Boss, with the keen power of calculation which had made him the finest cricketer at Rugby in his day, had caught the rein immediately below the bit, and clung to it with silent concentration.’

Another tale of derring-do in the New Zealand outback, but lightened with romance and humour, as two English miners, posh John ‘Boss’ Morgan and herculean Abe ‘Bones’ Durton save the life of pretty young Miss Carrie Sinclair who transforms the life of mining shanty Harvey’s Sluice.

‘With these few broken words the strangely assorted friends shook hands and looked lovingly into each other’s eyes.’

Reminiscent of Paint Your Wagon. Climaxes with a big shootout as the pals save Miss Sinclair from bushrangers.

Our Derby Sweepstakes (May 1882)

Two men compete for the hand of the fair Miss Eleanor Montague and decide the winner of the Derby will win her hand. Told in 1st person by Eleanor in an impersonation of a Victorian airhead.

That Veteran (September 1882)

Very amusing. A gentleman on a walking holiday in Wales pulls into an inn where he is regaled with stories of the Crimean War and a soldier’s career by one sergeant Turnbull until his head is swimming and he passes out. The soldier is a fake, a criminal, who has drugged him and stolen his watch.

My Friend the Murderer (December 1882)

A further New Zealand story: the prison doctor narrator (Conan Doyle/Watson) hears the life story of Maloney, the Bluemansdyke murderer who escaped the rope by turning queen’s evidence and had sundry adventures trying to escape revengers as he fled to Australia, England, France and then back to Oz where he finally dies in a bar brawl.

The Captain of the Polestar (January 1883)

‘Being an extract from the singular journal of John McAlister Ray, student of medicine’. He is the doctor on the Polestar which travels unwisely far into the northern, Arctic ice fields, supposedly in search of whales, but in fact driven by the haunted captain Nicholas Craigie who is pursuing the phantom of his murdered sweetheart which flees across the ice.

See an interesting article about the story’s origins in Conan Doyle’s actual Arctic voyage aboard the whaler Hope.

Gentlemanly Joe (March 1883)

The narrator is a young man working at a bank along with four other blue-bloods and the vulgar, jumped-up son of a bookie who they ironically name Gentlemanly Joe. They mercilessly rib him, especially when he falls in love with little Miss Cissy who is in fact engaged to one of them. Then comes the night of the great fire when the Newsome house burns down and it is big strong Gentlemanly Joe who breaks down the door and rescues Miss Cissy. Though she marries her fiancée she and the others will never forget Gentlemanly Joe!

The Winning Shot (July 1883)

A genuinely eerie supernatural story. One Octavius Gaster arrives at a charming upper class household in Dartmoor where Lottie Underwood is due to marry her sweetheart. He casts clouds over the gathering, defends spiritualism, has a newspaper cutting implicating him in black magic, falls in love with Lottie, which leads to a fight with Charley and he is evicted. Then the great shooting match between soldiers at locals where Gaster turns up and, at the climax of the match, appears to make Charley shoot through a phantasm of himself, killing himself. The spookiest thing is that after weeks of delirium Lottie is seen getting into a train with him.

Selecting a Ghost (December 1883)

Comic story told by a preposterously pretentious narrator Mr d’Odd, a successful grocer who has bought a big old house and now wants a ghost to go with it so he asks his brother-in-law in London to find one, resulting in a crook from London coming down and pretending to be a purveyor of ghosts who audition for him as he drinks some magic potion. When he awakes, he has of course been robbed.

The Silver Hatchet (December 1883)

‘On the 3rd of December 1861, Dr. Otto von Hopstein, Regius Professor of Comparative Anatomy of the University of Budapest, and Curator of the Academical Museum, was foully and brutally murdered within a stone-throw of the entrance to the college quadrangle.’

Then another victim is found. Then the friendship of two medical students who stumble across a silver-handled ax and, as he holds it, one goes homicidally mad. They are arrested it and the police inspector handling it also becomes homicidal. It is cursed:

‘Ever evil, never good, Reddened with a loved one’s blood.’

The inclusion of the students makes it seem like the short melodramatic plot of an Austrian operetta.

An Exciting Christmas Eve or, My Lecture on Dynamite (December 1883)

Odd tone of tale about a short bespectacled Herr Doctor Otto von Spee to whom lots of accidents occur, the final one being kidnapped on Christmas Eve to deliver a lecture on gunpowder to a secret, presumably revolutionary, society which climaxes with some sample guncotton being detonated and Dr von Spee escaping.

J. Habakuk Jephson’s Statement (January 1884)

Remarkably powerful fiction which claims to be a true account of what happened on the Marie Celeste (discovered drifting December 1873): the boat is slowly taken over by an evil half-caste – Mr. Septimius Goring – who along with two black sailors murders all the white crew and passengers, steering to a remote African settlement where he lords it over the natives instead of to Portugal. When the natives see the lucky charm an old slave gave him in America their superstitious reverence forces Goring to set Jephson adrift and so be picked up by a passing ship.

The Heiress of Glenmahowley (January 1884)

First person narrative. Bob Elliott and John Vereker are two unsuccessful lawyers marooned in a pub in the west of Ireland, passing the time being unpleasantly racist about the locals when the publican tells them of a local widow who is fabulously wealthy and her beautiful young daughter the heiress. Comedy as both men pretend not to be interested but next day climb over the big spiked wall, tumbling into the ditch and scrambling through briars to try to woo and win the beauty. It is made plain he English narrator is a pompous preening twerp.

The Blood-Stone Tragedy: A Druidical Story (February 1884)

The narrator begins to discuss the recent case of Williams the druid when the other man in the railway carriage says, Hush, don’t mention the word, it might wake my sleeping wife. And then proceeds to tell the story of how his then fiancée got lost in the mountains and fell into the clutches of a maniac who thinks he is a druid and plans to sacrifice her at midnight.

John Barrington Cowles (April 1884)

Longer and more psychologically penetrating than usual: the narrator’s friend falls for an ice cold beauty who is associated with two men who went mad, with cruelty to her dog, with tyranny over her mother, the daughter of a soldier in India who indulged in black magic. She beats a mesmerist at a public lecture and then, at the height of their engagement, she reveals something hideous to John Barrington Cowles. He raves that she is a werewolf. He goes down with brain fever and then is taken by the narrator to the Isle of May to recover. One night with a storm approaching, JBC hears her calling and runs to his death over a cliff.

The Cabman’s Story: the Mysteries of a London ‘Growler’ (May 1884)

A London cabbie tells a few of his colourful experiences like carrying a corpse, and carrying a forger. Nice ventriloquism of the cabbie, similar to My Friend The Murderer.

The Tragedians (August 1884)

Young Mr Barker the narrator enters the happy life of the Latour family in Paris, the widowed Madame, young Rose and brother Henry the would-be actor. In another part of town the famous actor and seducer of women, Lablas, wins at cards and plans the abduction of Rose. Barker and the brothers are walking home late when they encounter Lablas and accomplices abducting Rose. Fight. Broken up with the promise of a duel. And, as Henry had just got the role of Laertes opposite Hamlet, the duel is fought for real onstage in a scene which rises to real intensity and power.

Crabbe’s Practice (December 1884)

Pure comedy as two medical students cook up a fake drowning and electrical resuscitation to boost Crabbe’s practice.

The Man from Archangel (January 1885)

1st person narrator. Lonely young scientist John M’Vittie inherits money and a barren stretch of property in Scotland to which he moves to carry out his obscure experiments. One stormy night a schooner is shipwrecked on the shore and, out of character, he rows out and saves a beautiful young damsel who doesn’t speak English. Days later a tall, brown-faced, red-shirted, leather-booted pirate-type comes snooping claiming the woman is his bride. But she hates him. He and his crew kidnapped her from her wedding.

The Lonely Hampshire Cottage (May 1885)

3rd person. Very moody landlord John Ranter is advised by his doctor to retire and moves to a remote cottage where he beats his wife and is a byword. Then a strange sailor appears, walking to Southampton, in need of a bed for the night. Ranter offers it and slowly unravels that the stranger has struck it rich in California and bears dollars and gold. In the middle of the night he creeps up the stairs to murder him but is caught by the stranger who reveals himself as Ranter’s runaway son.

The Great Keinplatz Experiment (July 1885)

Professor von Baumgarten is an expert on mesmerism and spiritualism and carries out an experiment with his daughter’s fiancé and his student, Fritz von Hartmann, to see if souls leave the body during hypnosis. They do, but re-enter the wrong bodies, the professor’s soul entering the student’s body and vice versa, with hilarious consequences. Played for laughs, this reminded me of a Laurel and Hardy short.

The Parson of Jackman’s Gulch (December 1885)

1853 in this rough mining settlement 150 miles from Ballarat when a pastor arrives and wins over the miners by reading the Bible whenever they blaspheme. His campaign climaxes with the first ever sermon in the back of the pub where he proceeds to lock them in and reveal himself to be the noted bushranger Conky Jim while his partners rob the assay office of its entire haul of gold.

The Fate of the Evangeline (December 1885)

1st person. John Vincent Gibbs reveals the true story behind the loss of the ‘Evangeline’, namely that, rejected in love he had become an anchorite on a remote Scottish island when who should turn up but his erstwhile fiancée, mercenary father and calculating suitor, all of whom he overhears, before swimming out to the yacht Miss Lucy is sleeping aboard, cutting the painter and absconding with her. The schooner is run down in the Irish Sea by a freighter bound for Australia where they make a new life and, ultimately, write this ‘true account’. Quotes the Scotsman quoting Edgar Allen Poe’s detective, C. Auguste Dupin, on the necessity of eliminating the impossible etc.

Touch and Go: A Midshipman’s Story (April 1886)

1st person. It is 1868 and the narrator was a lad of 14 back on the banks of the river Clyde from his first journey as a seaman. He, his sister and cousin fool old Jock their minder and take a sailing boat out for a pleasure run alone and on impulse decide to sail to the mouth of the river where a storm pushes them out into the Irish Sea. Caught in heavy waters they are like to drown when they are rescued by a steam launch, dried and slept and dropped on the beach of the Isle of Man.

Cyprian Overbeck Wells : A Literary Mosaic (December 1886)

1st person. Humorous: the narrator Smith fancies himself a writer and after 10 years a clerk leaves his job to write a masterpiece, decides to read all English literature to give himself a boost: then one night hallucinates a tableful of the great novelists who proceed to tell a story in tag.

Uncle Jeremy’s Household (February 1887)

1st person. Long one. Student Hugh Lawrence goes to Dunklethwaite House in Yorkshire to stay with his friend John Thurston who is staying with old eccentric, poetry-obsessed Uncle Jeremy and the nanny, Miss Warrender, an attractive Indian young woman, orphan of a famous Indian chief, and Uncle J’s amanuensis, the tall creepy Copperthorne. Hugh becomes curious about the troubled relationship between secretary and nanny and puzzled by her sometimes savage demeanour until one night, he overhears their conversation in the greenhouse and discovers she is the daughter of a Thuggee leader, worships a goddess of murder, killed her adopted father’s daughter and the little girl Uncle J had adopted; and now they both plan to murder old Uncle J as the secretary has got himself named in the will. In the end a) Miss Warrender escapes having b) tasked a wandering Indian stranger in the village to murder Copperthorne.

The Stone of Boxman’s Drift (December 1887)

3rd person. The early 1870s in the Vaal valley near Kimberley, South Africa, barren land except for the diamonds and therefore wild prospectors from all over the world.

Headley Dean, with his crisp, neatly-trimmed hair and beard, his quick, glancing eyes, and his nervous, impulsive ways, had something of the Celt, both in his appearance and in his manner. Eager, active, energetic, he gave the impression of a man who must succeed in the world, but who might be a little unscrupulous in his methods of doing so. Big Bill, on the other hand, quiet, unimpressionable, and easy-going, with a sweeping yellow beard and open Saxon countenance, may have had a stronger and deeper nature than his partner, but was inferior to him in fertility of resource, and in decision of character in all the minor matters of life.

A morality tale whereby the Celt comes over selfish and greedy when they find a huge carbuncle. In their struggle it bounces into a bottomless pit. The dim Saxon reveals he had found it earlier and placed it for the Celt to discover, who is then covered in guilt and shame.

John Huxford’s Hiatus (June 1888)

John works in a cork factory in Brisport which is forced to close down by competition from south America. He is offered a job in Canada and leaves his weeping fiancée, promising to write. Within days of arriving he is attacked and beaten over the head in a low dive. He recovers but has amnesia. He rises by hard work to be a rich man and, upon hearing Devon voices down at the docks, suddenly remembers everything. He sails over the sea and is reunited with his sweetheart who has stayed true to him these past seventy years.

The 1890s

The Ring of Thoth (January 1890)

Third person. An Egyptologist in the Louvre stumbles upon a 4,000 year old Egyptian who discovered the secret of eternal life and now is going to end his life in the arms of his mummified love.

A Physiologist’s Wife (September 1890)

3rd person. Social comedy/satire in which cold-hearted rationalist and scientist Professor Ainslie Grey marries one Mrs. O’James. A younger colleague is due to marry his daughter, until he meets the new Mrs Grey and is stunned to realise she is his first wife from Australia who ran off and left him and was drowned in a shipwreck. In fact she didn’t take the boat but came to England to start a new life. Cold rationalist Professor tells them to go be happy and reunited. He dies of a broken heart.

A Pastoral Horror (December 1890)

1st person. Murder in a beautiful Alpine valley. An Englishman awaiting the outcome of a bankruptcy case in England has moved to the isolated village of Laden where he is witness to several gruesome murders of peasants. The one other educated man in the village is the curé, Father Verhagen. So imagine everyone’s horror when it turns out to be him, going insane.

The Surgeon of Gaster Fell (December 1890)

1st person. 1885. James Upperton moves to an isolated cottage on the Yorkshire Moors to study but becomes embroiled with several mysterious people, Miss Cameron, the Italianate beautiful young woman staying in the boarding house he puts up in, and the self-styled surgeon of Gaster Fell who is the only neighbour, who warns him to bolt his door at night and who he sees cruelly mistreating a wizened old man. One stormy night his front door creaks open and a ghastly evil figure is revealed by lightning. Chased off by another man. In the cold light of day it turns out the old man is clinically and violently insane and being ‘cared’ for by his son and daughter, the surgeon and mysterious young lady.

Our Midnight Visitor (February 1891)

1st person. A long atmospheric story set on the small isle of Uffan near Arran. The scenery and mood painted very well in the style of Robert Louis Stevenson. A stranger appears, a wealthy American calling himself Digby, dropped by his yacht who comes to stay with young MacDonald and his bad-tempered father. The narrator’s suspicions mount until a newspaper cutting reveals that Digby is Frenchman who has stolen a fabulous diamond and is on the run.

A Straggler of ’15 (March 1891)

A patriotic portrait of Corporal Gregory Brewster, last survivor of the battle of Waterloo. Superpatriotic and vivid description of working class Chatham. This was turned into a play, as describe in Andrew Lycett’s biography of Doyle.

The Voice of Science (March 1891)

3rd person. Drawing room comedy as Mrs Esdaile’s son Rupert takes advantage of the new ‘phonograph’ to record a message listing the conquests and cheating of his sister Rose’s fiancé, Captain Beesley, who mysteriously runs out the French windows and down the drive never to be seen again.

The Colonel’s Choice (July 1891)

Colonel Bolsover marries young Miss Hilda Thornton despite rumours and the attempt of friends to dissuade him. Several years of happiness follow but then Captain Tresillian appears from India and, in a confrontation scene, he reveals that he and Hilda were engaged but he was penniless. A fire breaks out at Melrose Lodge and the colonel saves his wife then nobly steps into the flames to give her a better life.

A Sordid Affair (November 1891)

A hymn to honest working women. Mrs Raby is trying hard to support her ex-drunk husband by dressmaking. She makes a beautiful dress for a posh client but her husband steals it, pawns it and gets blind drunk, forcing Mrs Raby to spend all her savings buying the original dress from its Bond Street shop in order to keep her promise to her client. Then she recovers her husband from the gutter and takes him home.

Oh, blind, angelic, foolish love of woman! Why should men demand a miracle while you remain upon earth?

A False Start (December 1891)

3rd person. Comedy about young Dr Horace Wilkinson who has several false starts of first patients including the gas man and an impoverished gypsy before he called quite by mistake to the house of the local millionaire. Turns out to be a comedy case of mistaken identity in which Wilkinson shines nobly.

Out of the Running (January 1892)

Pretty young Dolly, farmer’s daughter, has two suitors Adam and Elias and in a number of scenes we meet them and hear her mother’s opinion about which one to take. Dolly thinks it is Adam leaves a dog rose on her window sill every morning and so accepts him. There is an accident with the hayrick which crushes the orphan inarticulate farmhand Bill. Next morning, unable to walk, he crawls to her window to leave another rose sprig and is found there dead. Dolly distraught. Hardy territory.

The Great Brown-Pericord Motor (March 1892)

3rd person. Short, grotesque story of two inventors who fall out over a flying machine they’ve created. They fight and one is killed in the struggle. Pericord attaches Brown’s body to the machine and sends it off out to sea, then goes mad. ‘He walked swiftly down the stair and was quickly reabsorbed into the flood of comfortless clammy humanity which ebbed and flowed along the Strand.’

De Profundis (March 1892)

Strange and gruesome. Starts with a hymn to the British Empire and its insatiable need for British men. Then the tale of John Vansittart a planter from Ceylon who visits the narrator, goes staying with his friends, marries suddenly but just before departing comes down with smallpox. He sails early and is due to be met by his wife and friend at Falmouth; the ship goes on to Madeira and JV appears in a vision to the narrator out of the calm Atlantic waves…

A Regimental Scandal (May 1892)

A tale of our fine men in the Army, specifically rich Major Errington who tries to help Colonel Lovell when his shares crash by cheating against himself at cards – until it is revealed. Far from being a scandal this is a hymn to how jolly decent the British Army is.

A Question of Diplomacy (summer 1892)

Comedy. The Foreign Secretary, laid up with gout, is outwitted by his wife who arranges for his daughter’s fiancé to get a position in Tangiers and for the daughter to accompany him and for them to get married asap, all against the FS’s wishes.

Lot No.249 (September 1892)

At an old Oxford college a fat evil undergraduate has been conducting experiments, bringing a 4,000 year old mummy back to life, and increasingly using it to terrorise his enemies – before a steady young sporting chap steps in and stops it.

Jelland’s Voyage (November 1892)

Henry Jelland and Willy McEvoy get into serious debt in a trading port in Japan, and steal the money from their employer who’s on a long trip. When he unexpectedly returns they steal more money to buy a yacht, which is then pursued by the irate employer until the men shoot themselves but their empty yacht is then carried by storm into the wastes of the Pacific.

The Los Amigos Fiasco (December 1892)

A very short light-hearted comic-horror piece about a town which tries to execute a man with electricity by increasing the voltage, but only succeed in giving him superhuman life.

The Green Flag (June 1893)

The Irish Question:

For Irish regiments have before now been disaffected, and have at a distance looked upon the foe as though he might, in truth, be the friend; but when they have been put face on to him, and when their officers have dashed to the front with a wave and halloo, those rebel hearts have softened and their gallant Celtic blood has boiled with the mad Joy of the fight, until the slower Britons have marvelled that they ever could have doubted the loyalty of their Irish comrades.

In faraway Sudan a British force is overcome by attacking dervishes, the square collapses, things are going badly, when the Republican leader Dennis Connolly unexpectedly rallies the Irish contingent and dies saving the day. Propaganda how even dissidents within rally to the Empire when faced with opponents from without.

The Slapping Sal (August 1893)

An 18th century yarn.

‘He was a villain, but he was a Briton!” said the captain, at last. “He lived like a dog, but, by God, he died like a man!’

A British man o’war is struggling against a more powerful French ship but is saved by the mutineers of another British boat, the Slapping Sal and their fierce leader Hairy Hudson who turned out to be a true Brit.

The Case of Lady Sannox (November 1893)

A dashing surgeon is having an affair with a high society lady, is called late at night to operate on the wife of a Turkish merchant; he horribly disfigures the woman, then it is revealed it is his high-born lover and the merchant her husband who has taken a horrific revenge.

The Lord of Château Noir (July 1894)

During the Franco-Prussian War a French aristocrat terrorises a Prussian officer in vengeance for his dead son.

Round The Red Lamp (1894)

A collection 15 stories themed around medicine, the red lamp being the sign of a GP.

A Medical Document (October 1894)

Three old doctors – a GP, a surgeon and an alienist – sit around discussing eerie cases. There’s passing reference to the way popular fiction uses very rare or vague conditions (‘brain fever’) but rarely actually common diseases (typhoid). And how fiction rarely uses those outbreaks of vice which are so common. I think he’s talking about sex.

Behind the Times (October 1894)

Comic, warm-hearted memoir of an old-fashioned doctor way behind modern scientific times, but with a magical healing touch and bedside manner.

His First Operation (October 1894)

Comic, warm-hearted memoir of a young student attending his first operation and fainting.

The Third Generation (October 1894)

Seasoned Dr Horace Selby is visited by Sir Francis Norton who, it quickly transpires, is infected with syphilis. He explains the taint comes from his hard-living Regency grandfather. He is due to marry the following week. The doctor suggests creating a sudden reason to go abroad and cancel the nuptials. But next morning Dr Selby reads that the noble aristocrat has thrown himself under the wheels of a heavy dray and died, in order to spare the damsel and kill the hereditary taint. True Brit.

Sweethearts (October 1894)

The doctor in a seaside town meets an old man on a bench who wastes and declines over three consecutive days. Finally he reveals it is because he is waiting for his wife, his childhood sweetheart, to return. I wonder whether Conan Doyle’s readers found this sickly sweet, or lapped it up.

The Curse of Eve (October 1894)

The nondescript life of Robert Johnson, gentleman’s outfitter, is turned upside down when his wife begins her labour. He chase all over town for one doctor, and then again for a second opinion. After an all-night vigil, his son is delivered.

Lives had come and lives had gone, but the great machine was still working out its dim and tragic destiny.

The Doctors of Hoyland (October 1894)

Dr James Ripley of Hoyland in Hampshire is astonished when a lady doctor moves to the town. Quickly she establishes herself a practice and ends up treating Ripley himself after he fractures his leg falling from a carriage. His initial sexist resistance to a female doctor is completely overcome by close experience of her ability and he inevitably falls in love with her. Thankfully, Conan Doyle foresees the utter hopelessness of such a resolution and has her remaining devoted to Science, departing for further education in Paris, leaving the country doctor sadder and wiser.

The Surgeon Talks (October 1894)

Like A Medical Document this consists of paragraph-long anecdotes: how they removed the ear from the wrong patient; how most people receive the diagnosis of impending death nobly etc. The woman who hides her cancer form her husband.

‘…Besides, [a doctor] is forced to be a good man. It is impossible for him to be anything else. How can a man spend his whole life in seeing suffering bravely borne and yet remain a hard or a vicious man? It is a noble, generous, kindly profession, and you youngsters have got to see that it remains so.’

The Parasite (December 1894)

‘He has to thank his phlegmatic Saxon temperament for it. I am black and Celtic, and this hag’s clutch is deep in my nerves.’

A Foreign Office Romance (December 1894)

Introduces the figure of the comically garrulous old Frenchman who would mutate into Brigadier Gerard. Here he is named Alphonse Lacour, assistant to the French ambassador who is finalising a treaty with the English Foreign Secretary when a messenger arrives to say the French have handed over Egypt i.e. lost their bargaining power; at which Alphonse kidnaps the messenger and drives him up and down in a carriage reciting the Koran until it is too late, the treaty is signed, and Alphonse flees back to France a national hero.

The Recollections of Captain Wilkie (January 1895)

On a train an experienced doctor carries out some Holmesian analysis of the man sitting opposite. He reveals himself to be a reformed professional thief and recounts a number of his adventures. The collection-of-anecdotes story.

The Three Correspondents (1896)

Incredibly Kiplingey. Three newspaper correspondents riding through the heat of Egypt to join the army. Racial stereotypes:

‘Mortimer was Saxon—slow, conscientious, and deliberate; Scott was Celtic—quick, happy-go-lucky, and brilliant. Mortimer was the more solid, Scott the more attractive. Mortimer was the deeper thinker, Scott the brighter talker.’

And Anerley the nube. They are attacked by four Arabs who they shoot, Anerley is wounded. But it is he who finds the Arabs’ camel and beats his colleagues back to the telegraph station to send a famous despatch to his paper.

Tales of the High Seas: I. The Governor of St. Kitt’s (January 1897)

Set in the early 18th century, time of pirates in the Caribbean and among all the pirates the most feared and savage is Captain Sharkey. Captain Scarrow of the ship Morning Star is told that: a) Sharkey is captured and due to hang next morning, b) ordered to take the governor of St Kitts back to London.

The governor is duly rowed out the next morning and off they set and he proves a jovial guest who can hold his liquor and tell a good yarn. Having crossed the Atlantic to Beachy Head he rips off his disguise to realise that he is Captain Sharkey, who had cut the governor’s throat and stolen his clothes! With his loyal mate he departs on the only seaworthy boat left and Scarrow watches them commandeer a fishing barque and disappear.

Tales of the High Seas: II. The Two Barques (March 1897)

Stephen Craddock, an American Puritan gone bad, volunteers to the governor of Kingston to lead an expedition to trap Sharkey when his boat is reported as drydocked on a remote island, with a similar boat painted to look the same. Doubles. Craddock and crew go hunting for him ashore for several days, then return to their own ship, only to find it is Sharkey’s own Happy Delivery. They imprison him and sail to Kingston where they are greeted as victorious heroes and are about to capture the governor and leading citizens, when heroic Craddock breaks free of his bonds, dives into the sea, and raises the alarm before being shot and drowned by Sharkey.

Tales of the High Seas: III. The Voyage of Copley Banks (May 1897)

Captain Sharkey murdered Copley Banks’s wife and two children. He plans his revenge, hiring a crew of wrong ‘uns and himself becoming a pirate then fast friends with Sharkey before tricking him aboard his ship, tying him to the muzzle of a gun and booby trapping it all with gunpowder. Boom! End of Captain Sharkey.

The Striped Chest (July 1897)

Captain Barclay and mate Allardyce go aboard a Portuguese barque which has foundered in a storm. It is abandoned except for a corpse they find. They carry to portable cargo aboard their ship, including an enormously heavy chest which has a note on saying, Don’t open. The second mate, overcome by greed, is discovered dead with his head cloven in like the corpse on the wreck. As the first mate goes to open it Captain Allardyce pulls him back just as a mechanism springs out to crush his head. This is a genuinely atmospheric and powerful story.

The Fiend of the Cooperage (October 1897)

Mr Meldrum, skipper of the private yacht The Cooperage, puts into an island off Sierra Leone where two Brits are maintaining a trading outpost (compare with Conrad’s An Outcast of the Islands). The nautical terms and atmosphere of the island very well described. But something evil is haunting the island, scaring the negro servants, and stealing away a man every third day… Meldrum and Dr Spelling stay up all night in a tropical thunderstorm to find out what…

The New Catacomb (1898)

Two archaeologists in Rome, one of them a dashing bounder just returned from a failed elopement with an English girl. His colleague takes him at night to a new catacomb then traps him there; for he had loved the girl he had ‘ruined’.

The Confession (January 1898)

She looked down at the grating, and shrank in terror from the sight. A convulsed face was looking out at her, framed in that little square of oak. Two terrible eyes looked out of it—two eyes so full of hungry longing and hopeless despair that all the secret miseries of thirty years flashed into that one glance.

Very short. A Jesuit priest accidentally reunited with his long-lost love who has herself taken the veil, and they bemoan the doomed love affair which separated them.

The Story of the Beetle-Hunter (June 1898)

This and the following stories make a set in the Strand of longish, factual stories about mysterious crimes, Holmes stories without Holmes. An unemployed doctor answers an advert in the Standard and goes for an interview with Lord Linchfield who requires a strong man with a good knowledge of beetles. They go by train to Pangbourne to Delamere Court, home of tall eccentric beetle expert Sir Thomas Rossiter. In the middle of the night Rossiter sneaks into their bedroom and attacks the dummy figure in the bed. They are able to accost him and show that he is subject to mad fits, as his wife had claimed.

The Story of The Man with the Watches (July 1898)

A long puzzle concerning that could almost be a Holmes mystery. A man and lady enter a train to Manchester, having refused to enter a carriage with a bearded man smoking. At Manchester all three are gone, and a young man no-one can account for is found shot dead. The article describes the various theories of police detectives before quoting a long letter form one of the protagonists which explains what happened. It is one of Doyle’s favourite tropes, the ‘revenge from overseas’. A Holmes story without Holmes.

The King of the Foxes (July 1898)

The setting is a crew of old fox hunters telling yarns and one tells the story of Wat Danbury, whose doctor had told him to lay off alcohol before he began hallucinating, who goes an epic hunt, finally being the only rider left as he enters spooky woods to find himself confronted by a monster giant fox, the king of foxes, killing the hounds. He flees home and never touches a drop again.

The Story of The Lost Special (August 1898)

‘It is one of the elementary principles of practical reasoning, that when the impossible has been eliminated the residuum, however improbable, must contain the truth.’

A foreigner hires a special train from Liverpool to Manchester. it never arrives but vanishes into thin air. As in The Man with the Watches the story takes the form of an official report, collating the puzzling crime and then revealing the unriddling solution.

The Story of the Sealed Room (September 1898)

‘It was in the course of one of these aimless rambles that I first met Felix Stanniford, and so led up to what has been the most extraordinary adventure of my lifetime.’

Lawyer sees a young man nearly run over by a cab and helps him into his decayed big house. Discovers his father was the banker who ruined lots of people and disappeared. There is one room sealed shut which the absconded father wrote the son not to open till he was 21. A few months later the young man arrives at that age and the lawyer is present at the unsealing of the door where they find the father’s body, dead these seven years. He committed suicide in shame but didn’t want his poorly wife to know.

The Story of the Black Doctor (October 1898)

Another very detailed and forensic crime mystery which the narrator examines in detail, weighing all the evidence in the mysterious murder of the dark-skinned doctor of Bishop’s Crossing near Liverpool. A Holmes story without Holmes.

The Story of The Club-Footed Grocer (November 1898)

‘With every fresh incident I felt that I was moving in an atmosphere of mystery and peril…’

Stephen is invited by letter to visit his disreputable uncle who used to be a ship’s chandler in Stepney but was attacked and beaten and, when the attacker was gaoled, moved to a remote cottage in the Lake District. Thence Stephen goes to discover the pirate has been released from gaol, gathered his crew and is besieging the uncle. There’s a showdown in which the uncle leaps to his death and the stolen diamonds are – cunningly – discovered to be hidden in his club foot boot heel.

The Brazilian Cat (December 1898)

The protagonist visits his cousin, Everard King, at his country pile where he has housed his large collection of Brazilian flora and fauna, especially the prize exhibit, a huge black puma. Despite warnings from the collector’s wife, the protagonist allows himself to be locked in to the animal’s cage. He manages to survive and when evil Everard returns in the morning it is he and not the protagonist who is killed. And as a result, the protagonist inherits the land, house and title.

The Retirement of Signor Lambert (December 1898)

A grim and sadistic story in which, like The Case of Lady Sannox, a jealous husband arranges the disfigurement of a lover; in this case the strong-minded self-made man Sir William Sparter discovers a letter from his wife to a celebrated tenor, Signor Lambert. He teaches himself about neck anatomy, goes to the tenor’s house, chloroforms him and permanently damages his vocal cords.

A Shadow Before (December 1898)

‘Before’ meaning before the Franco-Prussian War. We are in Ireland, 1870, and City financier (i.e. gambler) John Worlington Doddshorse, ordered by his doctor to treat the stress of incipient bankruptcy, stumbles across the biggest horse fair in the land. He sees two different men in the hotel opening lengthy telegrams which appear to be in code. Then witnesses them paying way over the odds for the horses brought to sale. He telegrams his colleague in the City – sells all French and German stocks – there’s going to be a war.

The Story of The Japanned Box (January 1899)

The old crumbling Thorpe Place in the Malverns in the heart of England, where the narrator goes as tutor to the children of old weathered Sir John Bollamore. He was a hellraiser in his youth but reformed by his sweet wife who died. But the narrator hears a woman’s voice coming from his rooms, and so do the servants. He thinks Sir John a reprobate and hypocrite until he falls asleep in an alcove of the room (ah, that old ruse, like the narrator of The Ring of Thoth) and accidentally sees Sir John open and play a phonograph of his dying wife’s voice.

The Story of The Jew’s Breastplate (February 1899)

Preposterous chauvinist tosh in which a young curator is given responsibility for a museum of antiquities only to receive an anonymous letter warning that it might be burgled. Which it duly is the the urim and thurim breastplate of the ancient Hebrews tampered with. The narrator lies in wait with the young curator and they are astonished to discover it is the eminent archaeologist and former curator, Professor Andreas, who is damaging the breastplate. Why? Because his daughter is in love with a cad who had already stolen the jewels and the former curator is ham-fistedly tying to replace them in order to prevent a ‘scandal’, shame and disgrace.

The Story of B.24 (March 1899)

Cast entirely as a written submission to a court of appeal, it is from a burglar who is tempted to burgle the grand house of Lord Mannering but discovers Lady Mannering waiting to aid and abet him so furious is her hatred of her husband and she then proceeds to stab him to death and blame the burglar.

A True Story of the Tragedy of Flowery Land (March 1899)

Grim unrelenting account of the mutiny of rebellious Malays aboard a British barque, they murder the captain and captain’s brother and first mate and Chinaman, pilot the ship to South America, scuttle it and go ashore. Nonetheless they are betrayed and end up standing in a London court and are hanged.

The Story of the Latin Tutor aka The Usher of Lea House School (April 1899)

The narrator gets a job at a dodgy sounding school in Hampstead and is astonished at the rudeness with which the only other master treats the Head. Things come to a head when he hears them fighting and intrudes, only to discover the repellent master is the Head’s son!

The Story of The Brown Hand (May 1899)

After a successful career in India a surgeon retires to England where he is haunted by the ghost of an Indian whose hand he promised to keep safe after having to amputate it. the hand was lost in a fire. the ghostly Indian searches for it every night. The protagonist goes to a surgeon in the East End and obtains a hand recently amputated from an Indian sailor and returns with it to the country house where the ghostly Indian finds it, politely bows to the surgeon, and departs for ever. Which is why the protagonist is made the surgeon’s heir.

The Croxley Master (October to December 1899)

A long and very persuasive account of a poor but educated doctor’s assistant, starved of funds, who is persuaded to take part in a boxing match against the local champion. If the plot is contrived the writing conveys real atmosphere. Depiction of the mining community reminds me of DH Lawrence whose first novel, The White Peacock, was published only 12 years later.

‘Work was struck at one o’clock at the coal-pits and the iron-works, and the fight was arranged for three. From the Croxley Furnaces, from Wilson’s Coal-pits, from the Heartsease Mine, from the Dodd Mills, from the Leverworth Smelters the workmen came trooping, each with his fox-terrier or his lurcher at his heels. Warped with labour and twisted by toil, bent double by week-long work in the cramped coal galleries or half-blinded with years spent in front of white-hot fluid metal, these men still gilded their harsh and hopeless lives by their devotion to sport. It was their one relief, the only thing which could distract their minds from sordid surroundings, and give them an interest beyond the blackened circle which enclosed them. Literature, art, science, all these things were beyond their horizon; but the race, the football match, the cricket, the fight, these were things which they could understand, which they could speculate upon in advance and comment upon afterwards. Sometimes brutal, sometimes grotesque, the love of sport is still one of the great agencies which make for the happiness of our people. It lies very deeply in the springs of our nature, and when it has been educated out, a higher, more refined nature may be left, but it will not be of that robust British type which has left its mark so deeply on the world. Every one of these raddled workers, slouching with his dog at his heels to see something of the fight, was a true unit of his race.’

The 1900s

The Debut of Bimbashi Joyce (January 1900)

Sent out to command one of the front line garrisons in south Egypt against incursions by the Mahdists, young Joyce is taken in by a wandering Arab who they nearly torture to get him to speak and turns out to be the senior head of intelligence in disguise. They all joke about it over a fine meal then cigars. No irony when Doyle writes that, in riposte to the successes of fanatical Islam, ‘ten years of silent work in Cairo, and then all was ready, and it was time for civilisation to take a trip south once more, travelling as her wont is in an armoured train.’

Playing with Fire (March 1900)

Account of a séance including an artist who had been painting a unicorn. At the height of the séance the ectoplasm forms a unicorn which goes rampaging through the house!

An Impression of the Regency (August 1900)

A brief powerful vignette of the Prince Regent and his gross companions larking about when the mad George III bursts in, lowing like an animal, to appal them all.

The Leather Funnel (1902)

The narrator visits a friend in Paris who suggests objects which have witnessed powerful scenes affect our dreams. As an experiment the narrator sleeps with a battered leather funnel by his bed and has a nightmare of a woman being tried and then beginning a course of water torture. Screaming himself awake, his friend shows the historical documents proving he has witnessed the torture of the Marquise de Brinvilliers, a real historical woman, a poisoner and murder!

There’s a hiatus in my list of Conan Doyle’s short stories between 1902 and 1908, as this is a period when he wrote and published six Brigadier Gerard stories as well as 13 Holmes stories (which I’ve reviewed elsewhere) and two novels, Waterloo and Sir Nigel. Then:

The Pot of Caviare (1908)

Set during the Boxer Rebellion (overlapped with the Boer War 1899 to 1901) in the absurd little legation of Ichau where a handful of white men and woman hold out against the encroaching fanatics. The American professor tells the German colonel about the last time he survived a siege because he was a doctor but he was forced to witness rape and torture. Never again. They both realise the relief column is delayed three days. Almost certainly they will be overrun. The colonel bids the professor put arsenic in the prized caviar. The others think it is a celebration dinner. They all eat it and die but, in is dying moments the professor hears the shots of the relief column which does arrive to save them!

The Silver Mirror (August 1908)

Classic diary format. A boring accountant is set a demanding task of combing 20 big ledgers to find evidence against a forger but, as the work intensifies he begins to feel he is going mad because he starts to see visions in the big old mirror he keeps on his side table. Each night the same scene emerges from a mist, assuming steadily clearer shape and showing some atrocity from remote history…

The Home-Coming (December 1909)

The first of the historical stories. 528 AD in Constantinople. 10 year old Leon is the daughter of the Empress Theodora, her love child who she abandoned at a monastery before rising to become consort to the great Emperor Justinian. When the old Abbot brings Leon to Constantinople the wicked eunuch sees his chance to control the Empress, and she must make a cruel choice…

The Lord of Falconbridge (August 1909)

1818. Tom Cribb has retired from prize fighting to become a publican but his son is in the fancy. A strange woman enters and offers the son £50 to train for a fight. Despite misgivings Tom Spring trains, then is instructed by the woman to catch a stagecoach to Tonbridge where he is taken to a remote country house. Here walks the brutish husband of the mystery woman and it is he she wishes Tom to fight, and so they fight, Tom eventually overcoming the brute. He is abandoned by the fair lady but rescued by the landlord of the pub he change coaches in, a devoted fan of the fancy.

The 1910s

The Terror of Blue John Gap (August 1910)

Dr John Hardcastle is on a rest cure in Derbyshire, and finds out the hard way that local lore about a monster inhabiting a deep ancient cavern is in fact true.

In 1911 Conan Doyle published a collection bringing together a number of historical tales, The Last Galley: Impressions and Tales. His interest in history is stimulating, even if he used the different settings for more or less the same tales of derring-do and romance. In the preface he wrote:

It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited. I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves. These facts might be coloured with the glamour which the writer of fiction can give, and fictitious characters and conversations might illustrate them; but none the less the actual drama of history and not the drama of invention should claim the attention of the reader. I have been tempted sometimes to try the effect upon a larger scale; but meanwhile these short sketches, portraying various crises in the story of the human race, are to be judged as experiments in that direction.

Fine words, but what they mean in practice is Doyle selects tableaux from the past which form an improving picture, in which noble sentiments may be vapoured forth. His ‘history’ stories are the equivalent of the luxuriously smug, hyper-realistic paintings of the late Victorian Olympians such as Sir Lawrence Alma-Tadema, Sir Frederick Leighton and Albert Moore. They are pre-Modern in that there is no threat to the narrator’s psyche, to his sturdy Edwardian values. No matter how gruesome or bloody the events described, they are profoundly unthreatening. This is their main selling point and appeal, as it is of the Holmes stories.

The link with contemporary art is also pointed by the way the stories are, mostly, illustrated by fine late-Victorian and Edwardian illustrators who depict a world of tall, manly men and lovely chaste Victorian women, threatened by stunted foreign or working class villains.

The Last Galley (November 1910)

146 BC. Boy scout tableau of the final Phoenician galley returning to Carthage after the fleet has been destroyed by Rome. Watched by Carthaginians from their terrace, one of them has met a strange prophetess in the Land of Tin (Cornwall) who predicted that the Romans would succeed Carthage as Queen of the Sea but that people form her own island would, in time, become rulers of a great empire. It ends with the Romans destroying and sowing salt into the ruins of Carthage, and with the same message as Kipling’s Islanders:

And they understood too late that it is the law of heaven that the world is given to the hardy and to the self-denying, whilst he who would escape the duties of manhood will soon be stripped of the pride, the wealth, and the power, which are the prizes which manhood brings.

Through the Mists I: The Coming of the Huns (November 1910)

Unusually detailed impression of the Christian heresies of the mid-fourth century, the Donatists, Arians and Trinitarians, is the backdrop to a Greek leaving his city to go be a hermit in the mountains beyond the river Dniester where, one day, he witnesses the arrival of the Huns. He kills a Hun who enters his cave then rides in a frenzy to the nearest Roman outpost to warn them.

Through the Mists II: The First Cargo (1910)

A Roman who’s remained behind in Britain writes to one who’s returned to Italy to describe his first meeting with the Saxons who British king Vortigern has invited to come and defend them. There is strong racial stereotyping as the narrator contrasts the strong, practical, democratic Saxons with the weak-minded, impetuous, unwarlike Britons (who will go on to become the Welsh and Cornish).

The Last of the Legions (December 1910)

The last Roman governor receives the order to leave (410) and then, ironically receives a deputation of Britons calling for independence. When they learn that they suddenly are going to become independent the beg the Romans to stay but it is too late. A parable on the various movements demanding independence from the British empire i.e. Ireland, India.

Through the Mists III: The Red Star (January 1911)

630 in Constantinople, three successful merchants reminisce, and one remembers being on a long caravan trail through Arabia when they meet the caravan of Mohammed and his followers and how he stays up all night listening to the charismatic leader. Interesting insight into how 1911 saw the Prophet.

The Contest (March 1911)

A comic story of Nero who set sail to Greece with an army of supporters to compete in singing competitions and is bested by a peasant goatherd who, however, is hustled off by his friends. A canny courtier tells Nero it was none other than the great god Pan in disguise which pleases the megalomaniac.

An Iconoclast (March 1911)

The year 92 in the reign of the Emperor Domitian in Rome. Senator Emilius Flaccus returns from boozing with the emperor to find his priceless statue has been damaged by a fanatical Christian. When the emperor arrives Flaccus decides to show him mercy and release Datus from his chains if he will only pray to the statue. But once again he attacks it, to the emperor’s amusement.

The Blighting of Sharkey (April 1911)

1720. Return to the antihero wicked pirate Jack Sharkey from the three Tales of the High Seas from 1897. The crew are mutinying when a rich merchantman is seen and boarded. They kill all the passengers except a fine Spanish maiden but back in Sharkey’s cabin she strokes them all with her leprous hand. This clinches the crew’s decision to mutiny and they set Sharkey and the girl adrift in an open boat.

Through the Veil (April 1911)

A decent married Scottish man and wife are shown round he recent excavations of a Roman fort and later that night they both dream powerfully that they are participants in the storming of the fort by Picts some 1800 years previously.

Giant Maximin (July 1911)

210 AD. The fate of the eight-foot giant Theckla told in three scenes: who sees the Roman Army marching by and runs down to join it, becoming the bodyguard of the Emperor; 25 years later who is there when the Army mutinies against the emperor Alexander and is unexpectedly proclaimed emperor himself; who fails to cultivate Rome and the politicians and loses the love of the army as it starves, and so is killed by the very legionaries who raised him to the purple.

One Crowded Hour (A Pirate Of The Land) (August 1911)

A light dash of social history. On the Eastbourne-Tunbridge road one Sunday night a masked man holds up three cars, taking the slim pickings of a don’t-you-know posh young chap, of two screechy actresses, and then he assaults a rich man in a big Daimler beating him insensible before stealing everything of value. Next morning the dashed young chap walks into the morning room of Sir Henry Hailworthy, of Walcot Old Place, Deputy-Lieutenant of the county and accuses him of being the highway robber. He admits it. The first two robberies were to disguise the third one, of a loathsome City spiv who diddled him out of his savings. The dashed young chap shakes his hand and agrees to forget about it. The title refers to the poem and the usually staid, respectable Deputy Lord Lieutenant and JP quotes it to express his excitement at pretending to be a highway robber.

Most of 1912 was taken up with the serialisation in the Strand of the great adventure novel, The Lost World.

The Fall of Lord Barrymore (December 1912)

Very entertaining story about London man about town Sir Charles Tregellis during the Regency. His sophisticated nephew appears and promises to do down his rival about town, the thuggish Lord Barrymore. And proceeds to do it. Told with great wit and gusto!

The spring of 1913 was taken up with the serialisation of the novella The Poison Belt.

How It Happened (September 1913)

Haunting short account of a man who is in an early car crash, recalling the lead-up to it and then, in the final sentences, realising he is dead!

Borrowed Scenes (September 1913)

A peculiar squib which seems to be satirising the style and the character of the contemporary author George Borrow.

The Horror of the Heights (November 1913)

Brilliantly gripping account of Captain Joyce-Armstrong, an airman who flies higher than any man before him and discovers the upper atmosphere is inhabited by vast jellyfish-like monsters.

Danger! being the Log of Captain Sirius (July 1914)

A strange and disturbing story. The Captain Sirius works for a ‘small country’ which offends Britain which issues an ultimatum. He persuades his king to let him take his eight submarines and destroy British merchant navy, thus starving her. Predicts German tactics in both World Wars – but why was it published within days of the Great War breaking out?

As the Great War began, for September 1914 to May 1915, Conan Doyle was serialising the last of the four Sherlock Holmes novellas, the Valley of Fear.

The Prisoner’s Defence (January 1916)

An intense melodrama set in the present day, during the War. An officer is charged with murdering a beautiful woman but refuses to defend himself. Only a month later does he read out a prepared statement. He was in love with tall French blonde. On leave she pushed him so hard, he was indiscreet and mentioned an Allied offensive. Later he discovers she has written it all up and is posting it to her control: she is a German spy! They lock her in a room and he goes to alert the cops but on his return she tears past him on her motorbike (!). He shoots his revolver and kills her. The prisoner’s defence rests.

In 1917 Doyle published only one story, the Holmes spy tale His Last Bow.

Three of Them (April 1918)

After 3 and a half years of war, Conan Doyle could only bring himself to write five ‘stories’ which are really just chats between a kindly middle aged dad and his three adorable middle class children, Laddie, Dimples and Baby. If you were in a cynical mood the tweeness of these little sketches might make you puke. They certainly capture a fantasy of professional upper middle class living. The titles sum them up. I. A Chat About Children, Snakes and Zebus (April). II. About cricket (April) III. Speculations [about God and the Devil] (July). IV. The Leatherskin Tribe (August). V. About Naughtiness and Frogs and Historical Pictures (December).

‘Oh, Daddy, come and talk about cricket!’ Daddy was pulled on the side of the bed, and the white figure dived between the sheets. ‘Yes; tell us about cwicket!’ came a cooing voice from the corner. Dimples was sitting up in his cot.

A Point of View (December 1918)

An odd short squib wherein an American journalist, staying at an English country house, writes a piece wondering why any self-respecting man would be a servant. At a later stay the valet this was based on takes exception and makes it very plain that servants have self-respect and deserve respect: ‘I wish you would make them understand that an English servant can give good and proper service and yet that he’s a human bein’ after all.’

The 1920s

The Bully of Brocas Court (November 1921)

1878. Bareknuckle fighting has been outlawed but special rings and gloves not come in. Sir Fred Milburn is despatched to London to find someone who can stand up to Farrier-Sergeant Burton. He chooses the London fighter Alf Stevens. They are returning to Luton when their coach is stopped by an oddly-dressed pair of men in a dark dell who challenge them to a fight. So they fight and it’s honours even when they hear a howling from the woods and clear off. Later, at an inn, the landlord says they were fighting the ghosts of Tom Hickman and Joe Rowe, both killed in a carriage accident in the 1820s.

The Nightmare Room (December 1921)

A room is all Victorian sumptuous rugs and curtains at one end, completely bare at the other, with a divan upon which a beautiful but immoral woman is lounging. In bursts her husband declaring he knows about her affair with young Douglas; she must choose one of them. In bursts Douglas and the husband produces poison: Let’s play cards for her, old man. All written in the highest pitch of melodrama with everyone gasping or turning white. In the final line the director steps forward and shouts, Cut! It was all a scene from a movie 🙂

The Lift (June 1922)

Flight-Commander Stangate with his sweetheart has a premonition of evil. They ascend the big funfair lift with a motley crew of civilians. It jams 500 feet up. The wild-eyed bearded engineer reveals, from the girders, that he has arranged for it to plummet to their deaths as a sign to this wicked generation. At the last minute Stangate kicks down the wooden walls of the lift and helps the passengers onto the girders just as the madmen jumps into it and the cable snaps!

The Centurion (October 1922)

[Being the fragment of a letter from Sulpicius Balbus, Legate of the Tenth Legion, to his uncle, Lucius Piso, in his villa near Baiæ, dated The Kalends of the month of Augustus in the year 824 of Rome.] wherein he witnesses the siege and fall of Jerusalem, 70AD, and then talks to a centurion who was there when Jesus was crucified.

A Point of Contact (October 1922)

Tyre. 1100BC. In the noble stereotypes to which we are accustomed, Doyle paints a tableau, the moment when King David of the Israelites, come to buy building material for Jerusalem, meets Odysseus, refitting his ship before sailing on to Troy.

One of these men was clearly by his face and demeanour a great chieftain. His strongly-marked features were those of a man who had led an adventurous life, and were suggestive of every virile quality from brave resolve to desperate execution. His broad, high brow and contemplative eyes showed that he was a man of wisdom as well as of valour.

Billy Bones (December 1922)

One more in the twee three of Them series about Daddy and his three adorable children, Laddie, Dimples and Baby. Written as practical advice to daddies about how to create a Treasure Hunt.

The years 1923 to 1928 were taken up with a reduced turnover of 11 Sherlock Holmes stories and a couple of Professor Challenger novellas.

Spedegue’s Dropper (October 1928)

The Death Voyage (September 1929)

A long and detailed counterfactual in which Doyle envisions the Kaiser not abdicating but travelling to Kiel to inspire his Navy to set out for a final epic battle against the joint British and American fleets. What a strange story. And, like so many Great War fictions, it had to wait 11 years to be born.

The Last Resource (August 1930)

Kid Wilson is an American gangster in hiding in Soho. Late one night he tells his English crook hosts about an American town whose citizens form a committee, tell the chief of police to go away for a few days, round up all the crooks in town and machine gun them to death in a dance hall. It was only a dream 🙂 Interesting though, that that’s the kind of solution which people invoked to the out-of-control gangster violence of the Prohibition era.

The End of Devil Hawker (August 1930)

Back to the Regency period and another boxing story.

It was in these very rooms of Cribb that this little sketch of those days opens, where, as on a marionette stage, I would try to show you what manner of place it was and what manner of people walked London in those full-blooded, brutal and virile old days.

The Parish Magazine (1930)

Very funny light-hearted story set in the present day of a printer who is persuaded to publish an addendum to the parish magazine. Only when he receives letters from outraged local worthies and their lawyers does he actually read it and realise it is full of scandalous allegations and innuendoes about half the parish. After a sleepless night he is called to a mysterious meeting which turns out to be of the ‘Rotherheath Society of Bright Young People’ who have, in fact, not sent it out, fabricated the outraged letters to him, and did it all as a practical joke.

It is very fitting that his last published story should be one which continued to show the jovial good-humour which makes Conan Doyle such a good companion.


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