Life as We Have Known It: The Voices of Working-Class Women edited by Margaret Llewelyn Davies (1931)

It is impossible to say how much I owe the Guild.
(Mrs Lizzie Layton, page 54)

‘Life as We Have Known It’ is a collection of first-hand accounts of the lives of working class women from the later nineteenth century through the early decades of the twentieth. Many of them escaped poverty or were inspired to write, by membership of the Women’s Co-Operative Guild, and the accounts were collated and edited into a collection by the Guild’s secretary, Margaret Llewelyn Davies. Despite the Victorian provenance of many of the accounts the book wasn’t published until as late as 1931. It made a big splash at a time when the study of social history was just starting to be a thing, typified by the foundation of the Mass Observation movement in 1937.

The Women’s Co-Operative Guild

The co-operative movement

In the first half of the nineteenth century workers formed co-operative groups in many countries across Europe in response to the Industrial Revolution. Wherever it occurred, the Revolution created a large industrial proletariat which the factory and business-owning classes brutally exploited.

A central activity of these various co-operative movements was to band together to open their own stores selling good quality groceries. In 1844 10 weavers and 20 other workers in Rochdale set up the Rochdale Society of Equitable Pioneers and opened a store which became well-known for selling good quality food and groceries at prices their working class customers could afford. In the process they developed the so-called Rochdale Principles which went on to become widely copied and famous. Over the following decades in Britain, larger co-operatives were formed from the merger of many independent retail societies. In 1863 the North of England Co-operative Society was launched by 300 individual co-ops across Yorkshire and Lancashire. By 1872, it had become known as the Co-operative Wholesale Society (CWS) and so on.

Women and the co-operative movement

Meanwhile, something had been missing from all this well-intentioned activity, namely women. Women worked side by side men in factories and, of course, ran most households, did most of the shopping, cooking, cleaning and child-rearing, and yet they not only had no representation in society at large, could not vote or take part in civic life – they didn’t even have a role within the Co-operative Movement.

So in 1883 a handful of women activists set up the Women’s Co-Operative Guild to fill the gap. There was no shortage of Victorian charities run by high-minded middle-class women who wanted to do something to the working class – but right from the start, the Guild was about working class women doing it for themselves.

The role of Margaret Llewellyn Davies

In 1889, the young Margaret Llewellyn Davies (born in 1861 and so 28 years old) took over as President of the Guild. She began implementing an ambitious agenda to broaden and expand the organisation. She encouraged working women around the country to form local groups, to organise and attend regional and national congresses, to educate themselves about broader political issues such as higher wages, shorter working hours, better working conditions, health and safety and, of course, the campaign to give women the vote. Davies was to serve as the Guild’s general secretary for over 30 years, until 1921. Her personal views, a combination of socialism and feminism, shaped the Guild’s direction.

In 1915, 16 years into the job, Davies edited a book titled Maternity: Letters from Working Women. it was based on letters from Guild members describing their experiences of pregnancy, childbirth and child rearing and was an eye-opening example of social history.

And now we finally come to the book under review because 16 years later, in 1931, Davies published a sister book, Life as We Have Known It: The Voices of Working-Class Women. By this point the Guild had 1,400 branches and 67,000 members for whom it had opened doors and given them undreamed of opportunities.

Life as We Have Known It

It’s a lot shorter than its reputation suggests, at just 170 pages of big type, and that’s with various bits of editorial matter added onto the original text, such as the introduction by Virginia Woolf, a note on the Women’s Co-operative Guild by Margaret Davies, and an afterword by the publishers of the 1977 Virago edition.

From everything I’d read about it I was expecting it to be mammoth and encyclopedic along the lines of Henry Mayhew’s epic ‘London Labour and the London Poor’. Instead it contains only six substantial accounts:

  1. Memories of Seventy Years by Mrs Layton (60 pages)
  2. A Plate-Layer’s Wife by Mrs Wrigley (12 pages)
  3. In A Mining Village by Mrs F.H. Smith (7 pages)
  4. A Guild Office Clerk contributed by the Editor (8 pages)
  5. A Felt Hat Worker by Mrs Scott J.P. (24 pages)
  6. A Public-Spirited Rebel by Mrs Yearn (8 pages)

These together make up 120 just pages.

There follow several slightly eccentric appendices. The most powerful is a brutal account of working as child slave labour in East Anglia by a Mrs Burrows. This is followed, a little oddly, about 20 extracts from letters from Guildswomen all round Britain which address the topic of what books they like reading and have read recently, with the result that many of them are just glorified lists of popular books of the first decades of the twentieth century, mildly interesting but not a patch on the searing accounts from the first part of the book.

1. Memories of Seventy Years by Mrs Layton (60 pages)

This is by far the longest memoir and is so long it has to be divided into chapters.

1. Childhood in Bethnal Green

Elizabeth ‘Lizzie’ was born in Bethnal Green 1855, one of 14 children, so that her mother was permanently pregnant or suckling or both. In those days Bethnal Green was a village and they had a big garden in which they kept pigs and ducks and chickens. When she was 6 they moved to a bigger house but in a more cramped neighbourhood with little outside space. A neighbouring dairyman kept cows whose manure stank out the house. There was no sanitation or running water, with human waste piled close to water butts with the result that there were recurring outbreaks of cholera. At the age of 12 her older sister went into service. One day a week all the babies were washed with the girls kept back from school to help. They used to hire a pram for a penny to take the babies to Victoria Park for a treat. One day she and her sister were naughty and went on an outing, walking, with one of the babies, to Epping Forest. Her parents were worried sick and relieved when they reappeared.

Her father was an educated man with a job in government service, who dressed smartly and was musical. He played at the coronation of Queen Victoria (1837). He taught himself tailoring to supplement his income, and grew all their own vegetables. Lizzie is never among the poorest of the poor.

As the family grew her mother had to take on extra work and became continually exhausted. A doctor prescribed spirits and so little Lizzie saved up pennies earned minding babies and running errands and bought treats of gin for her mother. This probably didn’t help and her mum went downhill and died when she was still a girl.

A development of bigger grander houses is built nearby. Some of the girls become ‘step girls’ who can earn up to 9d a Saturday for cleaning all the steps. The Sisters of Mercy are attached to a nearby church and have a spooky reputation but they give Lizzie and her sister food when they go knocking on their door.

The Sisters visit a house they’ve heard is poorly and discover a mother and two sisters with smallpox. In that neighbourhood people made matchboxes at home and the matchboxes were being made in the same room as the smallpox patients then taken out onto the streets to be sold and distributed.

As London expands fine old houses get converted into tenements or even into factories. Women and girls have to beg for their pennies pay while in the grand house the family of the owners live off roast joints.

Little Lizzie is ill, the doctor recommends a change of air and so she goes and stays with her aunt in the countryside. She loves the countryside and her first stay lasts five weeks. Her uncle is a farm bailiff. He lets her ride on the cows or on the cart piled with fresh fodder for the cows. She is scared of the bees but loves the sunsets she sees from the windows of the cottage.

2. Ten years in domestic service

When she’s 10 she starts earning a living as a baby minder, interspersed with attending one of Lord Shaftesbury’s Ragged Schools. The baby belongs to a couple who keep a small shop and pawn shop, so Lizzie sees the misery of families so poor they have to pawn their children’s clothes to pay for food.

Age 13, goes to Hampstead in service for a year. She is kept inside the house all week except for Sunday morning excursions to church. She has confirmation classes and is confirmed by the Bishop of London.

Age 15 went to be a maternity nurse in Kentish Town, where a young mother of 3 children and a baby died or puerperal fever. She gets 3 shillings a week which she ekes out by repairing her own clothes. One evening a gentleman offered her ten shillings to have sex with him and she was tempted but refused. the two oldest children are taught to read and write at home and Lizzie picks up some of this by watching. She develops an appetite for instalments of sensational stories in magazines lent her by the servant next door, but had to read these in secret.

Age 17 she quits the job when the family try to make her take the children on the only spare hours she gets to herself, on Sunday afternoons. She gets a new post with a lady and her daughter. This is a good gig as they happily let her read and the grown-up daughter even corrects her reading and writing. She has days off to go walking with her father, which she loved, and develops a cult of poring over maps and railway timetables and dreaming of travelling to farflung places such as Manchester!

She gets time off to assist at the lying-in of her sister and is horrified by the realities of childbirth and the harsh treatment of new mothers (not allowed to wash afterwards and fed on water gruel and toast).

Age 18, she can afford to dress well and starts having male friends. Men start proposing marriage to her. She happens to attend a wedding and is horrified at the vows a woman has to make and give up her freedom. Nonetheless she becomes engaged and the engagement lasts two years.

She accompanies her kind family for an extended stay at Hastings. The mother invites her fiancé to stay but he makes an improper suggestion to Lizzie and follows it up by trying to force her. She fights him off but from that point despises him. When they move back to London, this man keeps trying to see her until eventually she gives up her post and moves to Balham in south London to try and escape him.

3. Married life, Midwifery, Co-operation

She meets a man at a Mission Hall, Mr Layton. By now she is interested in social issues. They are engaged for three years and then, in 1882 Lizzie marries, aged 26. On the eve of the wedding the piano-making firm her fiancé works for goes bankrupt and he is thrown out of work.

After slogging round for work her husband gets a regular job as a carriage cleaner for a railway, working 12 hours a night, 6 days a week for 19 shillings i.e. 95p.

September 1883 first child. It is a forceps delivery with no anaesthetic. Imagine! She is all alone to look after the child. Three months later husband lost his job. A friend lodging in the same house tells him about a job working at St Pancras loading and unloading for 17 shillings a week. What with the rent and the cost of commuting to work, there isn’t much left over and Lizzie often goes hungry. The long hours make husband sick and he is routinely off sick for months at a time.

She takes in washing which she can only do when the baby is asleep and often only gets two hours sleep herself. Three years later a second child but it dies after three months from lack of nourishment and she says she might have died, too.

Her husband joins the Railwaymen’s trade union. She comes to understand the importance of trade unions for protecting working people A co-operative store opens 2 miles away and Mrs L becomes a member. An Education committee is set up and through them a branch of the Women’s Co-operative Guild. She loves that it’s not a question of middle class women coming and lecturing but working class women presenting and explaining and being open to questions.

She saw Margaret Llewelyn Davies speak. She was only a member for ten months before she was elected president. She nervously attends meetings of the general Co-Op Management Committee. She is invited to give lectures on domestic economy to guilds around London. She begins to speak in the meetings about political issues.

Her husband gets a promotion, they move to Cricklewood, Lizzie takes up nursing instead of taking in washing and ironing. She is encouraged by doctors but can’t possibly afford the fees for a midwifery course which start at £30. So she remains a maternity nurse but one who reads and studies and is show techniques by supportive doctors.

She handles so many cases that the friendliest doctor says he’d be confident her handling deliveries by herself, only contacting him if there are problems. Eventually she saves up the £30 and takes the exam, which she found intimidating, especially the five-minute interview, but fails. In the event the landmark Midwives Act of 1902 allowed her to trade on her extensive practical experience to become fully qualified.

Her local Guild fails but she joins a new one in Willesden where she is soon elected President. it’s quite clear by now that Lizzie Layton is an extremely competent, conscientious and hard-working woman. It’s an inspiring story. She is the first woman sent by the (male) management committee of the Willesden Co-Op to represent them at the national Co-Operative Union Congress. Then she attends the next Congress in Swansea.

For ten years she scrimped and saved enough to buy a house or, more precisely, to have a house of two apartments built to her specifications. She surprised the builder with her knowledge of drainage and ventilation. She insists the deeds of the house should be in her name, not her husband’s, despite the latter’s protests.

The last few pages of her account turn to how much she owes the Guild. Without them she would have had no focus to her life. The family they shared a house with worked all day and went to the pub every night. Without the Guild, its lectures and disciple, she might easily have taken to drink like her mother.

From a shy, nervous woman the Guild made me a fighter. (p.54)

She becomes a political lobbyist, meeting Sir Rufus Isaac to get maternity pay included in the Liberal Party’s forthcoming National Insurance Act (1911). When war came and so many men disappeared, she lobbied for the creation of home helps to support hard-pressed mothers left alone. She memorably describes lobbying the Prince of Wales’s Fund to change its decision not to support unmarried mothers (because of Anglican clerics, obviously) arguing that they needed support more than the married.

In 1921 she retires as Vice-President of the Guild and initially feels bereft. but her local branch was in trouble and so she sets up and runs a clothing club to help working people save for affordable clothes. She has been to three international Congresses but still patches her own boots, repairs her own clothes, and has an allotment. And the last two pages given an idyllic account of her allotment with its little shed, its seats and paraffin stove for cooking supper and the view over the railway embankment to the tower of Hampstead Old Church. Here she lives on her pension and a little money she has saved, and cooks and cares for a friend who is not very well.

What an inspiring narrative!

2. A Plate-Layer’s Wife by Mrs Wrigley

Much shorter and less epic but describing a childhood of extraordinary hard work. She was born in Cefn Mawr in Wales in 1858. Her father was a shoemaker earning 12 shillings a week, her mother went out sewing all day long for 1 shilling. As a small child her chores included:

  • looking after the 4 younger children
  • walking 2 miles to a pit bank to collect coals and carry them home in a basket on her head
  • walk 2 miles to a local farm to buy and bring home buttermilk
  • fetch water from a well in a jar she carried on her head
  • cleaning other people’s backyards for a penny
  • carrying men workers’ dinners to the iron forge for twopence a week

Some of her happiest memories are of going with other children to wash the family clothes in the River Dee. All this by the age of 8.

When she’s about 9 she goes to be a nurse for a child to a family in Stockport. But they make her work long hours as a lackey till a friendly old lady writes her parents to come and fetch her back.

Then she goes to work on a dairy farm near Oswestry. She’s paid 2 shillings and sixpence a month and stays there till she’s 12 years old. Then to work at another dairy farm, at Marple.

1872: aged 14 she moves to a job at a Temperance Hotel in Oldham. The master and mistress teach her to read and write and send her to school. She’s there to the age of 19. Here her wages rise to a pound a month.

1877: moves to a job as servant in a big house in Saddleworth. Hard work for two years. Here she first meets her future husband on the few hours a week she’s allowed out.

Aged 21 she moves to a gentleman’s house to be a cook. It is an excellent house kept by real Christians who were fair to the staff and allowed them balls and entertainments. Five years, until her husband persuades her to marry and leave.

Her husband was a platelayer on the railway earning 18 shillings a week, not enough to support a household so she had to do sewing. She soon joined one of the Oldham Co-operative stores and never looked back for the next 46 years. She’s 72 now and can’t imagine how she’d have survived without the Co-Op.

When she discovered she was pregnant she took in more sewing and washing to make up money but the extra work made her ill and she had to go home to her mother to look after her.

She tells the story of the mother she knew who was much worse off, she couldn’t sew, she often went without food, the children had rags. She got a job minding a house while two fine women went on holiday. There was a marble timepiece and she pawned it to get money to feed her family but the two ladies returned before the could redeem it and she was committed to gaol overnight, while her husband found the sum. A few days later she had her baby and was all alone, so Mrs Wrigley took pity, sent for a nurse, brought round clean bed clothes, and looked after her till she was well. Christ was in that woman.

1894 moved to Stockport. She had the fourth of their children. When they were small the table was often bare or she went without eating anything. One by one the children grew old enough to run errands and small jobs, a newspaper round, delivering milk, it made all the difference to the total family income.

She ensured the children all got an education and, as the boys turned 14, were put into apprenticeships. All five of them were given music lessons so that they made quite the little orchestra. During the Great War one was killed and two got married and moved away. The son died when she was 30 and just 11 months later he husband passed away.

Since then another son died, aged 30. She’s been a widow these 14 years. She couldn’t have stood her life if not for the Guild. It educated her, she became a member of her local branch, then a worker on committees, then was president for two years.

She joined the Suffrage to prevent the next generation having the hard life she endured. She doesn’t think there’d have been a war if women had had the vote beforehand. That’s what they all say. Women had the vote by the 1930s and look what happened next. But it was 1931 and she said she was working for peace. History suggests no-one can keep the peace if enemies (Hitler, Putin) are determined for war. But that shouldn’t stop anyone working to make their little part of the world a better place.

3. In A Mining Village by Mrs F.H. Smith (7 pages)

Born in Cardiff in 1884, Mrs Smith was 19 when she left the job in service she had to marry a miner in 1903. She discovered that miners had baths but no running water. Water had to be brought in from outside and boiled over a coal fire and emptied into the bath a bucket at a time. The miners’ houses weren’t built for convenience, just the bare minimum for the corporation to screw rent out of. There were just two rooms, bedroom and living room. The weekly wash had to be done in the same room as the miner stripped off in, so it was impossible. There was a continual layer of coal dust over everything.

The open fires and freedom of boiling water in numerous containers explains the high rates of child scaldings and burns in Wales. A 5-year old she knows died after falling in a bath of boiling water.

1904: baby daughter born. 1905: rented a house from the colliery company her husband worked for. 1906: a terrible pit explosion which killed 122, including the husband, two sons and adopted son of the woman opposite.

She describes the long hours of pit shifts and only 20 minutes food break. Sometimes so cold they shiver, sometimes so hot they emerge drenched in sweat.

Eventually she had nine children. Since 1925 her husband’s been ill, latterly with neuritis for 9 months. He tried to get light work at the pit but there wasn’t any so he went on the unemployment list.

All the facilities in her town are a cinema, the British Legion and some unfinished playing fields. There are two lovely parks and they can send the children for walks in the beautiful hills.

These days it is heart-breaking to see the unemployed men and lads down at the Labour Exchange. Being a member of the Guild and the local Co-Op has been one of the things that’s kept her going through all the hard times.

4. A Guild Office Clerk contributed by the Editor (7 pages)

This is Davies’s tribute to Harriet A. Kidd, chief secretary at the Guild head office from 1906 to 1917. Davies tells us she was a prickly but fiercely opinionated woman.

She started at a steel mill at Leek when she was ten years old. Whole families were employed by the paternalistic owners, who looked after morals and ensured they went to church.

She became a member of the local Co-Op and then of the Guild in 1897. She became secretary of her branch and of the Macclesfield region. She stayed up late doing Guild work then went to the mill next day. She got involved in trade unionism.

In 1906 she was invited to become a clerk at the Guild’s head office in Westmorland at which point she wrote back a letter confessing that when she was 18 she was seduced, or raped, by her employer and made pregnant. He refused to acknowledge the child and she had to bring up her son in secret, with the help of ‘her people’.

Nonetheless she was taken on at Guild headquarters among women who were supportive. In 1908 she followed the move of the headquarters to Hampstead in London. She became a proficient typist and insisted on hogging the office machine. She lacked much education but enjoyed reading. She became the Guild cashier, and also the cook and caterer whenever Guild Schools were held at the office.

She was the first woman to be elected to a position in the Amalgamated Union of Co-Operative Employees. She was a great advocate of the right of women to run their own lives, to vote, and receive equal pay for their work.

She was a wholehearted socialist, her hero Keir Hardie, her favourite song The Red Flag.

In 1916 she was diagnosed with a fatal illness but bore it with fortitude. Margaret often visited her after she became bed-ridden.

5. A Felt Hat Worker by Mrs Scott J.P.

Nellie. When she was seven her family moved into a draper’s shop. She was given the task of going round the customers every Saturday asking the poor to pay their bills and debts. Her extended family were very opinionated, with relatives who were Conservative, Liberal, an uncle who was a follower of Darwin, a regular visitor to the shop who was a Bradlaughite i.e. atheist. As a child she sat under the counter and listened to the grown-ups arguing back and forth.

When she was 12 she was sent to work in a hat shop, a nice clean job. When she was 14 she was sent to a hat manufactory, one big smelly room. Work started at 6.20am every morning and she had to walk a mile to get there. She only later realised a lot of the girls there were also prostitutes.

She was now living with her uncle, who had returned from Canada and America, and subscribed to American magazines, which she read from cover to cover.

She is badly ill for three months. When she recovers she goes to work in Christie’s Hat Mills. She is bolshie. She tells a conservative woman that the charwoman who brought up her family was as good a soul as Queen Victoria. The hat-making was hard, difficult to push the needles through tough fabric, and the senior women judged their work and sent back anything with uneven stitching to be redone. They had to take work home to work on it till 8 or 9 at night.

It’s too hard so she goes and works at Lees and Hatconks. There a fierce debates between the Conservatives and the Radicals. She joins Clarion Hall and there’s a Ruskin Hall Settlement in Stockport.

She gets married but, on her return, joins the Felt Hatters Trade Union and becomes an activist, getting all the other girls to sign up. When her mother dies she takes over the family ‘ticket’ for membership of the Co-Op. She becomes treasure of the Women’s Labour League, is on the Labour representation Committee and so on. She’s involved in the long campaign to stop girls having to take work home at night.

The text then turns to tell us about her favourite books by authors such as J.M. Barrie, Charles Kingsley, George Eliot, George Egerton, and half a page about H.G. Wells. She says the thing about all Wells’s novels is you seem to know the characters.

[I’m reading this book because the Penguin Selected Essays of Virginia Woolf includes the long introduction to it. Elsewhere in her essays, Woolf launches a sustained attack on novelists from the generation before hers – Arnold Bennett, John Galsworthy and H.G. Wells – and one of her central criticisms is that they describe characters who are ‘not like us’. It is, therefore, extremely enlightening to read the praise for Wells coming from ordinary working class women on precisely this point, that they identify with Wells’s characters. What this does is highlight the class-based nature of Woolf’s opposition to Wells et al. Woolf finds Wells’s characters common and vulgar. Inextricably mixed up in her radical innovations in the novel was a huge amount of unattractive snobbery.]

In 1908 she was asked to set up a Women’s Co-operative Guild in Stockport. There are now 300 members. It’s been a battle for women to take their place alongside the men.

I think sometimes, when I hear the women speaking of the influence of the Guild, what a wonderful organisation it is, and what it has meant to so many women. (p.106)

She stops working in hat factories to become superintendent at a place for feeding school children, was there during the start of the War when there was great want. Then she becomes a sickness visitor for an Approved Society in a part of Derbyshire, for seven years, the last 3 of the war, then 4 afterwards. She describes the bleak snow-packed countryside, the emptiness and beauty, and the kindness and hospitality of the people.

Then a doctor tells her she’s strained her heart and needs to quit the arduous work, sometimes walking over 20 miles a day etc. Now she works as a justice of the peace, or magistrate. The Guild lost members during the war because of its pacifism but it has since restored its numbers. She is proud when she hears testimonies of women who it has helped through deep trouble.

She describes a Guild member who lives out in India with her husband who manages a cotton mill and how she supervises creches and support for the native women.

She says how gratifying it is to think that her work for the Guild, the Co-Op and other progressive movements have paved the way for the women who come afterwards; how the Guild opened doors and minds, how it helped working women become articulate and express their demands.

6. A Public-Spirited Rebel by Mrs Yearn (8 pages)

‘We’ve had enough of posh men lording it over us, we’re not going to accept their posh wives!’

One of 14 children, eight of whom died in childhood. Dad was a brick-setter and couldn’t work for half the year, so mum went to the mill, leaving childcare to the older sisters. The family became slowly better off and mum joined the Stores. She died of cancer.

She married but her husband was out of work during the Engineers strike so she went to the mill. She was a trade unionist and got all the women to join, for which she was given the sack.

Then she joined the Guild and was soon elected to the committee. She attended her first Congress in 1915. She pioneered women in public roles in Oldham and stood for the town council, incurring much mockery from the men. She gives a CV of her activities, roles and positions through the 1920s, often the first woman to hold particular posts.

Class conscious, she objected to Lady Beaverbrook standing as a candidate in a local election. We’ve had enough of posh men lording it over us, we’re not going to accept their posh wives!

She tells us the International Co-Operative Women’s Guild will ensure there is peace.

Appendix

The appendix is made up of excerpts from lots of letters sent to Davies. It opens with the longest one, at 6 pages long, then settles down to 1- or 2-page snippets.

A childhood in the Fens about 1850 by Mrs Burrows

An account of an incredibly hard childhood. On her 8th birthday she was taken out of school and set to work in the fields. She worked alongside 50 or so other children and was among the oldest. The working day was 14 hours long. It was at Croyland near Peterborough and some of the children were as young as 5. The ganger used a long whip to make them work. They left town on the stroke of 6 and had to walk at least 2 miles, sometimes 5.

In the four years she worked there they never had a single meal under cover or in shelter except on one occasion, on a particularly bitter cold day, when a local shepherd’s wife told the ganger to let the children come into her house to eat their lunch.

As a child at Croyland she saw many opium addicts and knew a child whose daily task it was to go to a pharmacy to collect a shilling’s worth of opium.

After 4 years slavery she was sent to work in a factory in Leeds. Her father was a kindly man but sick with a brain tumour. Her mother worked like a dog. When the children grew up they paid her back and tried to make her last years comfortable.

Extract from letters

There follow 16 short extracts from letters. They all appear to have been commissioned to answer a question along the lines of ‘What books have you been reading?’ or ‘What are your favourite books?’ because they all address this question, briefly or at length. None of them have interesting views per se but it’s interesting to see the different levels of literacy and articulacy on display, as well as getting a sense of which authors’ names recur, notably H.G. Wells, but also Shaw and Hardy. And among the classics, everyone loves Dickens.

  1. Mrs Hood: never a day without attending a committee, reads the progressive newspapers; likes Scott, Dickens and Thackeray, would love to read Tess, wants to read a good history of the French Revolution
  2. Mrs Ferguson: reads the daily papers and the Co-operative press but also interested in books on international affairs; and dips into Tennyson for rest
  3. Mrs Foister: lists books she’s read in the past 2 and a half years, an interesting insight into what was available to the serious reader
  4. Mrs Axten: some of the books she’s read in the past 4 years
  5. Mrs Corrie: reads pamphlets to keep up with the Labour and Co-op movement; including Kipps, Bennett and about to start Tess
  6. Mrs Preston:  Dickens, especially the Pickwick Papers and Nicholas Nickleby
  7. Mrs Burman: the Happy Traveller by Frank Tatchell
  8. Mrs Woodward: reads newspaper and journals for research for her position in the Guild; then gives a list of 27 novels
  9. Mrs Rix: Little Women and Ella Wheeler Wilcox
  10. Mrs Garrett: reads to inform her work for the Guild; reads the classics but singles out H.G. Wells; her son lent her ‘The Green Hat’ which she strongly disapproved of
  11. Mrs White: a Guild officer, she and her husband have long attended the Working Men’s College in Camden Town; her list of 20 or so books includes ones by Wells and George Bernard Shaw
  12. Mrs Bedhall: gets books from the students library at the Warwickshire Education Committee; she gives an interesting list of books on serious topics such as co-operation, socialism, education and so on
  13. Mrs Bampton: likes books about the supernatural or history
  14. Mrs Smith: likes books about London and so likes Martin Chuzzlewit (by Dickens)
  15. Mrs Marshall: Hardy and Lorna Doone
  16. Mrs Russell: busy with Co-op and Guild work but scrapes together a list of books she’s liked in the past, Hardy, Eliot, Bronte and Ella Wheeler Wilcox

The last ten pages contain five excerpts on very specific subjects.

Pioneer Poor Law Guardians

From a Lincolnshire Guildswoman

In 1895 the unnamed author overcomes male opposition to get elected to the Board of Guardians. How she and two women colleagues win round the Chairman of the Board. Becomes the first woman Vice-Chair of the House Committee. She has a jokey relationship with the chairman. He warns the ladies not to take the seats of ‘the old fossils’ on the committee. After serving for nine years she wonders if she herself has become one of ‘the old fossils’. When it was proposed to send a woman to the national Poor Law Conference the men cried out that women should stay at home and mind their families, but she overcame this opposition and went anyway.

From a Lancashire Guildswoman

When a young girl the mill she worked in burned down and she was unemployed and often went hungry. When she got another job she saved her pennies and invested in the local Co-op shop. Only later did she hear about the women’s Guild.

I attended the Guild Annual Meeting, which was a revelation. Each day my vision seemed to be widening and my spirit felt that here was the very opportunity I had always been seeking but never put into words. I had longings and aspirations and a vague idea of power within myself which had never had an opportunity of realisation. (p.147)

She comes to understand why the campaign to give women the vote was so important. The Guild was about widening its members’ sense of what their duties, rights and responsibilities could be. All girls and women were brought up to believe their job was to look after their man, their home and their children. The notion that they could break out of this prison and take on broader social, administrative positions came as a revelation to tens of thousands of women, as these letters testify again and again.

She quotes men who resisted women taking roles in Poor Law administration but learned that they were the most reliable and clear headed. And she describes her weekly schedule to show how routine and organisation allowed her to do all the housework, and then all her administrative and Guild jobs on top.

Pit-head baths

From a mid-Lancashire Guildswoman

This woman quotes the account of her husband describing the arrangement of baths at the colliery where he works, and comments on the enormous benefit for miners’ wives of having the men strip, bathe, and put on clean clothes at the pit, rather than bring the dirty clothes home to take off and shake coaldust all round the house.

From a Durham Guildswoman

Her husband’s pit have had showers since 1926 and she describes the advantages for him and her: no dirty clothes bringing soot and dust back to dirty the house; no smell of pit which used to fill the house; no need to boil water for the miner’s bath and for his dinner on the same fire at the same time. Vast improvement.

A member’s view of the Guild

From a London Guildswoman

An inspiring page and a half in which the unnamed author describes how membership of the Guild not only liberated her but gave her a profound understanding of the power of unity and united action. She praises the Guild for its democratic spirit whereby all the members feel absolute equals. She cites members who the Guild has given the confidence to think about bigger issues, outside the home, realise that their voice and opinions have value, given them to confidence to speak up, even in situations previously reserved exclusively for men.

Paratexts

According to Wikipedia:

Paratext is material that surrounds a published main text supplied by the authors, editors, printers, and publishers. These added elements form a frame for the main text, and can change the reception of a text or its interpretation by the public.

The main body of ‘Life as We Have Known It’ is not only fragmentary in itself, but strewn with additional paratexts which enrich or complicate its reception, depending on your point of view. There are three:

1. Introductory letter to Margaret Llewelyn Davies by Virginia Woolf (28 pages)

The original text was published by the Hogarth Press, the small publishing house set up by Virginia Woolf and her husband, Leonard. Virginia knew Davies so it’s no coincidence that the text has a long  and characteristically digressive introductory essay by Virginia, which describes her own involvement with the Guild, specifically her impressions of visiting a 1913 Congress and then the Guild’s London headquarters.

Woolf’s factual writing, her essays, and reviews, are generally very chewy, meaning they are often highly digressive, approaching their subject in a roundabout way, and this long essay is no exception. In sheer length, Woolf’s introduction is longer than all but one of the Guildswomen’s contributions i.e. in depth and complexity it threatens to overwhelm the stories that follow. It also spends a long time going into detail about the distance which she, as a privileged upper-middle-class lady, felt from the earthy working class women of the movement. For these reasons I’d definitely leave reading it till after you’ve read the main body of the text.

Woolf’s introduction is included in David Bradshaw’s edition of Woolf’s collected essays, and I’ve summarised it at length in a separate blog post.

You could give students an exercise to place Woolf’s introduction side by side with one or two of the working women’s texts, and ask the students to identify what the Woolf has that the others don’t, in a bid to extract and define literariness. Distance, detachment, acute observation of details, self consciousness, class consciousness, anxiety, non-linearity, obscurity, digression and indirection, these would all be elements you would note in the Woolf which are completely absent from the Guildswomen’s accounts. Are they aspects of what makes Woolf literature while the Guildswomen’s accounts remain social history?

Conversely, what do the women’s accounts have that Woolf’s introduction doesn’t? Some kind of authenticity?

2. Notes on the Women’s Co-Operative Guild by Margaret Llewelyn Davies (1930)

Davies was a radical in the old sense of the word, a genuine socialist. She emphasises that the Guild she ran took its place among many other working class movements, especially trade unionism. They make up the fabric of working people’s lives: trade unions stretch the warp of a decent living wage, while the cooperative movement threads the woof of intelligent spending. The aim? Gaining control of industry by the people for the people, consciously echoing Marx.

She sees the co-operative movement as ‘the beginning of a great revolution!’

The Movement shows in practice that there is nothing visionary or impossible in the aspirations of those who desire to see the Community in control, instead of Capitalists.

The co-operative system is designed to prevent people making fortunes and instead distributing wealth fairly among all.

Capital becomes the tool of labour and not its master. (p.165)

When she wrote there were over 1,000 co-operative societies across England and Scotland with some 6 million members, forming one of the largest trading and manufacturing concerns in Great Britain. The union is allied with the Labour Party and with an international co-operative alliance with members in 34 countries.

So she sees all this as part of a peaceful revolution ‘from autocratic Capitalism to democratic Co-operation’ and sees the Women’s Co-Operative Guild – with its 67,000 members in 1,400 branches – as playing a key role and the central mechanism of reform is shopping. In her day it was women who ran all households and did all the shopping for everything. Therefore, if they chose not to shop at normal commercial businesses designed to maximise profit, let alone at shops tied to factories and pits, but instead spent money at co-operative stores which they part-owned and ran, they changed at a stroke from being exploited consumers to empowered decision makers.

She explains the administrative structure of the Guild, staffed and run entirely by working women so that as soon as they joined, opportunities arose to volunteer for this or that committee or role. With responsibility came education in how to run and manage things, alongside political education into the big issues of the day, a kind of ratchet effect leading women who joined inevitably forward into greater enlightenment and empowerment.

And roles in the local Women’s Guilds acted as springboards for roles in the local and regional Co-operative movement. Despite opposition from men at all levels, at the time of writing many Guildswomen had taken up roles at all levels of the regional and national Co-Operative Movement.

In addition, newly liberated, informed and confident women have been active in national campaigns for:

  • the establishment of school clinics
  • a national maternity scheme
  • the inclusion of maternity benefit in the National Insurance Act of 1911
  • ensuring this maternity benefit was legally awarded to the mother not the father

Not only have women been educated to take on administrative roles within the Guild, the wider Co-Operative Movement, but in local and regional government. And this momentum has become international with the creation of an International Co-Operative Women’s Guild including 27 countries (including the Soviet Union). At the most recent Congress, in 1930, delegates discussed whether the position of women would be improved by state family allowances, which sounds like the perennial proposal of state pay for housework.

She ends with bracing optimism that the International movement is committed to peace and lobbies the League of Nations for universal disarmament. We know all the fine words for peace during the 1930s completely failed, and its abject failure casts a sad shadow over what had, up until this last paragraph, been a bracing list of outstanding achievements.

3. Afterword by Anna Davin and Gloden Dallas (1977)

Most historical documents are written by educated men, so most accounts of working class lives, especially the lives of working class women, have been written by outsiders. The rarity of accounts written by genuinely working class women makes the testimony of this book priceless, with its first-hand testimony to lives and sufferings, of their childhood, marriages and children, above all of the unremitting burden of hard labour, long hours, poverty and endless worry.

And not just that, but the second part in many of these accounts – describing how these downtrodden women discovered the Co-op movement and then the Guild and its huge impact in liberating them, opening their minds, educating them and encouraging their abilities to think more widely, to take up positions of influence and power – are just as rare and valuable.

So the book is not just a document of working class immiseration but at the same time uplifting and inspirational, giving example after example of how uneducated working women were empowered to escape the prison of their homes and domestic responsibilities and engage with the wider world.

4. Virago

There’s a fourth context not contained in the text as such, which is that 46 years after it was first published, the book was chosen by the founders of the new feminist publishing house, Virago Books, as their first publication. So it has a signal importance from two quite distinct moments in feminist publishing, 1931 and 1977. So that reading it now is not only to engage with a classic of women’s social history but to also see it through the lens of the optimistic feminist editors of the 1970s. There are, as it were, at least two eras or types of feminist aspiration radiating from the text.

Thoughts

Horror The primary thought is, of course, horror at the appalling conditions and experiences described by the six core accounts and especially the childhood in the Fens. The authors thought readers in 1931 might not credit the miseries they lived through, how much harder is it for us a hundred years later.

Triumph Next you respond to the ‘triumph over adversity’ theme of the accounts, awed by how these women supported their menfolk and families through decades of grinding poverty, by sheer, unremitting hard work and commitment. None of them ran away from their responsibilities through years and decades of grinding poverty, not enough money, not enough to eat, no clothes for the children, depriving themselves of food to make sure their children ate and so on. Mind-bogglingly exemplary commitment and what used to be called moral fibre.

The Guild And then all the accounts take the same turn, which is to describe their discovery of the Co-Op movement, then of the Women’s Guild within it, often running alongside a commitment to trade unions and other movements for the improvement of working people. In this respect, it’s a self-selected group – if they praise the role the Guild played in opening their minds, supporting their education, boosting their confidence, allowing them to take on administrative roles of a sort previously unavailable to women, it’s precisely because these are letters written to Davies from Guild members in praise of the Guild’s role.

Which doesn’t stop them being eye opening about not just the misery of childhood and work in the Victorian working classes, but about the role the Co-Op movement and the Guild in particular played in liberating so many working women’s minds and abilities.

Oddity Then there’s puzzlement. It’s hard, at this distance of time, to understand why there are the 16 short letters or snippets from Guildswomen listing their favourite books. Why was this considered important? Was it to address some concern at the time about working class literacy or women’s literacy? Was general reading considered a marker of cultural achievement and so was valued as much as the financial support the movement offered? On the face of it you’d have thought these 20 odd pages would have been better filled with a few more detailed autobiographical accounts on the pattern of Mrs Layton or Mrs Burrows. But maybe it was important to Davies and the Guild to make a point about the cultural uplift the Guild supported?

Paratexts It’s already a text made up of multiple sub-texts and fragments, which set up complex echoes and cross-references, raising lots of issues of social history and politics which it doesn’t quite complete or fulfil. But then there are the paratexts which add a whole new layer of complexity. Davies’s afterword gives a factual account of the Guild which provides context for the letters but it is itself haunted by the fact that – when you look it up – you discover that the Women’s Co-Operative Guild closed in 2016. So not only are the women whose accounts the book contains long dead, but the organisation which Davies describes in such loving detail, is itself now defunct, a ghost.

Virginia Woolf‘s introductory essay is important but is so characteristically self-involved and tortuous, so long and impactful in its literary and psychological complexity, that it threatens to overawe the much simpler, starker texts from the working women. Above all, it enters a big note of doubt and scepticism about the Guild’s work, which you should definitely only read once you’ve first fully read all the original accounts.

Anna Davin and Gloden Dallas’s afterword radiates the kind of radical socialist feminism of the 1970s which, as far as I can tell, has completely disappeared. 1977 was still close to the radical politics of the late 1960s, it was a world of squats and huge trade union membership leading to regular national strikes and mass protest marches which gave a real sense that some kind of radical restructuring of society was possible, was maybe just round the corner. All that has disappeared like morning dew.

Gone When I try to describe to my kids what it felt like to be young and left wing in the 1970s going into the embattled 1980s they look at me like I’ve just landed from Mars. Their world is mediated through TikTok, Instagram and WhatsApp. Rather than changing the capitalist basis of the economic system my daughter, the queer 4th wave feminist, is concerned about gender fluidity, MeToo in the American film industry and Black Lives Matter on the streets of American cities.

TikTok The world of coal miners, of unionised heavy industries, the world of local communities dotted around Britain loyally supporting their local Co-op, in fact the whole concept of people living all their lives in small close-knit communities, has disappeared utterly, to be replaced by cosmopolitan networks of globetrotting buddies keeping in touch via social media. And they all love it, young people love the gadgets and opportunities provided by billion-dollar American corporations and don’t want to change a thing.

Lost So, for me, the book is (obviously enough) testimony to the lost world of Victorian and early 20th century working class poverty and the fightback against it – but it is also witness to the lost world of 1970s radicalism, to the optimistic feminist editors who chose it to be Virago’s first ever publication. As I read it I had the complicated sensation of engaging with not one but two lost worlds.


Credit

‘Life as We Have Known It: The Voices of Working-Class Women’ edited by Margaret Llewelyn Davies was first published by The Hogarth Press in 1931. It was republished by Virago Press in 1977. I read the 2012 Virago paperback edition.

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Investment in Blood: The True Cost of Britain’s Afghan War by Frank Ledwidge (2013)

Before the British burst onto the scene, Helmand was ‘stable’ in the sense that there was almost no Taliban presence and little prospect of any. After three years of British presence, the province was the most savage combat zone in the world. With British forces and their commanders out of their depth, it was only the intervention of a powerful US force of marines that brought some level of control to the situation.
(Investment in Blood, page 217)

This is by way of being the sequel to Ledwidge’s critically acclaimed book Losing Small Wars: British Military Failure in the 9/11 Wars (2011). Ledwidge is formidably well qualified to discuss the issues. He has had an impressively wide-ranging career both in and outside the military. He started life as a barrister, then served as an intelligence officer in the naval reserve in Iraq before going on to act as a civilian justice adviser in Afghanistan. These days he’s an academic.

The true cost

Nowadays you can just google ‘cost of Afghan war’ and get a host of topline figures. Delve into a few articles and you quickly get a sense of the quagmire of conflicting estimates and figures.

According to the top result, from Brown University, as of 2023, since invading Afghanistan in 2001, the United States has spent $2.313 trillion on the war, which includes operations in both Afghanistan and Pakistan.

As to the UK, I came across this BBC page ‘Afghan withdrawal a dark chapter for UK, says Defence Committee chair‘ which puts the cost to Britain of its Afghan adventure at nearly £30 billion. Everyone has an axe to grind, everyone has an angle.

So why read a book about a subject so readily available on the internet? Well, for two reasons: 1) because books give context, angles, interpretations and, above all, ideas, in ways which ‘objective’ sources like the BBC, Wikipedia, newspaper articles, generally don’t. And 2) for the style and personality and character of the author, enjoyable, fluent, enlightening or dim and patronising, as they may be.

Investment in Blood is in three parts.

Part 1. Casualties

Chapter 1. Why we went there

And why a small peacekeeping force found itself thrown into a full-scale war. For Ledwidge a leading reason the heads of the British Army wanted to deploy to Afghanistan had nothing to do with peacekeeping or tackling the opium trade, it was a self-interested wish to keep Treasury funding coming, to bolster the business case for maintaining the army the size it was, to hang on to battalions which were threatened with being disbanded, on the principle of ‘use them or lose them’ (pages 21 and 120).

Chapter 2. The human cost i.e. army casualties

Starting with the 454 British dead, then the thousands who suffered life-changing injuries, especially amputations, and then the psychological impact, especially the much-vaunted post-traumatic stress disorder.

Chapter 3. Afghan civilian casualties

Abdul Zia has been living for six years in the dirt-poor camp of Nasaji Baghrami, set in sea of mud, excrement and pathetic tarpaulins…It is located in Kabul’s particularly dirty and unpleasant fifth police district…There was a time when life for Mr Zia was much better: he used to have a small farm and seven children. That farm was in the Lashkar Gah district of Helmand. But then one day in 2006, shortly after the British entry into Helmand, for no reason that he can fathom his house was hit by a missile or a bomb from a NATO plane. Whatever it was, it killed six of his children. (p.94)

Afghan dead

Ledwidge explains his methodology which restricts itself to Afghan civilians killed by NATO forces according to reliable, certifiable sources then proceeds through each year, carefully accrediting the numbers. He reaches a total of at least 542 Afghan civilians killed by NATO forces. Compare and contrast with these figures from the US Institute of Peace: 70,000 Afghan military and police deaths, 46,319 Afghan civilians (probably a significant underestimation) and some 53,000 opposition fighters.

Afghan wounded (p.91).

He has no figures and so gives anecdotal evidence of the number of wounded civilians attending the NGO-run civilian hospitals. Other sources claim numbers to be in the hundreds of thousands.

Afghan refugees

Then there are the refugees forced to flee their homes (p.93). According to the UN Refugee Agency, as of December 2021, the total number of people displaced by conflict inside Afghanistan is 3.5 million.

Part 2. Financial costs

Chapter 4. The cost of the vast logistical effort of installing and maintaining a brigade in Afghanistan

The American government is admirably open about the money it spends on its military campaigns, the British government is secretive and hostile to researchers.

This turns out to be impossible to ascertain because of the byzantine and different methodologies used by the Ministry of Defence and the Treasury. Ledwidge quotes several army officers and civil servants saying nobody really knows the cost of a war like this. Instead there is a confusing range of estimates depending on accounting methods and definitions, but some of the figures cited are staggering.

According to the MoD’s own figures it costs about £400,000 to keep one soldier in the field for one year, plus about £60,000. In 2012 a parliamentary question revealed the ‘net additional cost’ of military operations since 2001 as £17.3 billion. Between 2006 and 2012 it cost about £15 million per day to maintain the UK’s presence in Afghanistan.

The most gobsmacking fact, for me, was the chief of logistics to General Petraeus saying the cost of air conditioning alone to all US army bases in Iraq and Afghanistan was over $20 billion.

He has a passage describing the scale of the vast Camp Bastion in Helmand which, at its peak, was home to 22,000 troops and support personnel for 12 different nations.

The blackly Catch-22 aspect of the war is that most of the supplies are not flown in but driven into landlocked Afghanistan by brave lorry drives, much of it contracted out to security companies. Much of this is through Taliban-held territory so many of the security companies have come to arrangements with local tribal and Taliban leaders, paying them retainers not to attack their convoys. So UK taxpayers money goes to the Taliban to bribe them into not attacking the supplies being sent to the British Army so they can carry on fighting them (p.113).

Billions of pounds were spent on kit – transport, guns, ammunition – which we handed over to the Afghan police and army and which, in 2021, they handed over to the Taliban without a fight. Ledwidge predicted this would happen in 2012 (p.117).

Chapter 5. The cost of caring for the wounded and the role of charities

There used to be a number of hospitals run by the armed forces solely for military casualties. One by one these have been closed due to government cuts and now there are none. Instead there are Ministry of Defence Hospital Units, or MDHUs, embedded within civilian National Health Service hospitals. Ledwidge explains why it is quite a loss in security and psychological well-being for veterans not to be treated in units entirely staffed by their own people, who understand what they’ve been through. Ledwidge repeats reports that some wounded veterans have been barracked by other patients in NHS hospitals.

A lot of care for wounded soldiers, whether physical or mental, has been funded by charities, especially the high profile and successful Help for Heroes, founded in 2007, which complements the work of older service charities such as the Royal British Legion.

In his Afterword, written in March 2014, Ledwidge explains his methodology for calculating that the cost of supporting the nearly 3,000 troops who were evacuated from Afghanistan and the thousands more who will apply for medical and psychiatric help, for the rest of their lives, will probably cost some £10 billion (p.238).

Chapter 6. The civilian efforts i.e. the cost of development: has it really gone to help ‘the poorest of the poor’?

An eye-opening account of the work of the Department for International Development which Ledwidge calculates to have spent over £2 billion in Afghanistan. The obvious problems are that the majority of that has gone to the Afghan government, which is a byword, both among its population and internationally, for corruption. In fact it’s debatable whether it is even a government at all in the normal sense of the word or a collection of regional warlords and narco-bosses (of ‘gangsters and warlords’, in Ledwidge’s words, p.170). So that, in the words or a security officer:

‘The only Afghan lives I’ve seen transformed by western aid agencies are warlords who’ve used siphoned funds to build mansions, amass huge overseas property portfolios and arm private militias.’ (p.148)

The other thing about aid money is the surprising amount of it which is spent on freelance aid consultants, earning £500 to £1,000 a day. Whenever these leave a fortified camp i.e. Camp Bastion, they must be accompanied by armed security guards who cost much the same amount, per guard, per day. The fatuousness of so many misguided ‘development’ projects is brought out by the next chapter.

Neocolonialism not colonialist enough

Ledwidge makes a point also made by Jack Fairweather, and quotes Rory Stewart among others making the same point: which is that, in imperial times, imperial administrators of a province would make it their life’s work, often stayed in post for a decade or more, learned the language, got to really know the local people, culture, religion, economy and maze of feuds and tribal allegiances. Slowly they built up a sense of what is possible and how to do things with the locals’ consent.

That entire approach has been lost. In modern ‘nation building’, advisers and consultants and experts are flown in for short-term placements, often with little understanding of the local culture, to implement off-the-peg ‘development projects’ which they’ve applied in Sierra Leone or Uruguay or some other completely different culture (p.157).

Thus Ledwidge gives the comic anecdote of a senior British woman official instructing a provincial governor what to do in front of his Pashtun colleagues, which amounted – in their culture – to a public humiliation and guaranteed that he would not do what she was telling him (p.153).

He also hints that so-called ‘experts’ hired for development and nation building don’t know what they’re talking about. He met experts in his own specialist subject, international law, who had never done a day’s work abroad i.e. hadn’t a clue (p.157).

To return to the first point: we laugh at them, we criticise them, we abhor them; but our imperial forebears were much, much better at this kind of thing than we are. The British government spent £40 billion, lost 440 soldiers and killed thousands of civilians and…for nothing.

Part 3. Assessment of what was won or lost

Chapter 7. What was achieved in Helmand?

Did the British Army presence bring peace and security? Did it eliminate the Taliban threat? Is the improvement, if any, sustainable? Did we eliminate opium as the mainstay of the economy, as Tony Blair promised we would? The answer to all these questions is a resounding no.

At the time of writing, Afghanistan had received tens of billions of dollars in international development assistance plus at least $900 billion from the international community and yet: according to the UN development index the country was ranked 181 out of 182; it was the poorest country for which reliable figures exist; it came bottom on lists for access to safe water and enrolment in all stages of education. It had the third highest infant mortality rate in the world and the lowest life expectancy, at 43.6 years. 42% of the population live on less than a dollar a day (p.168).

More importantly, the relentless focus on finding a military solution i.e. fighting the Taliban, has led to a new level of the militarisation of society.

The executive director of the charity War on Want believes that ‘Western intervention has managed to produce a country which, even after the 20 years of civil war which preceded it, is even more fractured and militarised than it was before’. (p.170).

One of the many reasons for the failure of Western efforts is because they were built around the idea that the central government was ‘elected’ and therefore had a ‘democratic mandate’, and all efforts flowed from this premise, two leading ones being a) training the Afghan police force and b) giving the majority of aid money to this government and training them how to run a country and disburse it responsibly.

Unfortunately, the ‘democratically elected’ government is little more than a bunch of ‘gangsters and warlords’ (p.170), who sent their aid money straight on to their Swiss bank accounts or to buy real estate in Europe or to pay their tribal supporters, while the Afghan police continued to be a byword for uselessness and corruption with a lot of rape and child abuse thrown in.

Afghan legal officers – Ledwidge’s area of expertise – had a habit of being assassinated (p.172). In practice, lots of local legal officers and enforcers quietly made deals with the Taliban about what they were or weren’t allowed to do i.e. in effect, the Taliban ran law and order (p.172).

Ledwidge says policy makers in theses nation building efforts bang on about building schools and hospitals to win over hearts and minds, but this policy has two very obvious flaws: 1) it’s relatively easy to build the buildings, but then who staffs them? Training doctors and teachers will take years and years. In fact, the allies had to stop building schools and hospitals in Afghanistan because there was no-one to man them, a problem euphemistically referred to as ‘overbuilding’ (p.173).

2) Northern Ireland had an insurgency for 30 years and it had all the schools and hospitals you can imagine. That wasn’t what the people needed. What they needed was a political settlement which would offer security for all. That’s what the people in all these trouble spots want first and foremost. Security. And that’s what the coalition forces failed to provide in either Iraq or Afghanistan (p.173).

Fascinatingly, the Soviets did understand the long-term nature of this kind of commitment and took tens of thousands of Afghan doctors, lawyers, soldiers, policemen, prison officers and so on back to Russia and trained them over many years. With the result that many of the current Afghan officials Ledwidge met as part of his work spoke fluent Russian. But none of the occupying powers were prepared to make that kind of commitment (p.174).

He tells a funny story about UK Foreign Secretary David Miliband visiting Helmand and inviting two Afghan ministers for dinner. In all innocence he asked these ministers how long he thought central government officials, civilian and military, would remain in the provincial capital, Lashkar Gah, after the NATO forces withdrew, and they replied…about 24 hours (p.174). Exactly. And this is indeed what happened when the Americans withdrew their last forces in August 2021. The security forces fled or melted away and the Talinan was back in power within days.

Opium

The Taliban almost completely banned Afghan farmers from growing opium (p.176). As the incoming NATO forces pushed the Taliban out, opium growing returned and, Ledwidge asserts, this time around the Taliban allowed it to and took a cut to pay for their weapons.

By 2007 Helmand, just one of Afghanistan’s 34 provinces, supplied over half the world’s poppy crop. He makes the basic point that, at the time of writing, a hectare of wheat was worth £475 to an Afghan farmer, whereas the same area of opium might be worth £6,500 (p.177).

Ledwidge has a good handle on this because when he served as a ‘justice adviser’ in Afghanistan he was actually paid out of the UK’s counter-narcotics budget (p.178).

Women’s rights

After the Soviet Union invaded Afghanistan they attempted to develop its economy and modernise its society. A key aspect was promoting women’s rights in this fantastically conservative, patriarchal society. By the time they quit the country in 1989, some 70% of teachers, 50% of government workers and 40% of doctors were women (p.184). The point is, the West armed the mujahideen for ten long years in order to overthrow the Soviet occupation and eventually succeeded. Whereupon the country collapsed into civil war, from which chaos emerged the Taliban who, as we all know, plunged the country back into the Dark Ages, part of which was sacking all women from all jobs and banning them from leaving the house unless accompanied by a male relative.

Which regime was better for women, Soviet rule or Taliban rule? Their Afghan adventure was seen as the Soviets’ Vietnam, and the long drag on their national resources, and the social unrest it caused contributed, maybe, to the final collapse of the Soviet Union. Still. It makes you wonder whether life for many Afghans, and pretty much all Afghan girls and women, would have been immeasurably better if the Soviets had been allowed to continue their rule of the country.

By the end of this withering chapter it’s hard to avoid the thought that Afghanistan exists as a kind of mockery of all notions of international development, state building, foreign aid and so on. Or, as Ledwidge puts it:

The attempt to impose Western-style government and legal systems on a country that has no real inclination to adopt either – and to do it a matter of a decade or so – was always doomed to failure. (p.187)

Poll results

Ledwidge shares the hilarious results of opinion polls which have been from time to time carried out on the Afghan population. In one just 8% of Afghans living in Helmand Province (Helmandis) had even heard of the 9/11 attacks in New York. This is really important because it indicates the way that hardly any of the population understood why the NATO forces were there; most of the population thought they were just the latest in a long line of murderous invaders. Further, only 30% believed that NATO protected the population from attack, while 65% believed NATO killed more of the population that the Taliban did. When informed that the main aim of NATO forces was to introduce democratic values, 72% of those polled couldn’t explain what that meant (p.188).

These and other stats help explain why so many young Afghan men didn’t understand any of our high-falutin’ ambitions about nation building and development and democracy and all the rest of it, and just thought of themselves as patriotic heroes combating the latest wave of brutal, destructive invaders, like their fathers and their grandfathers before them.

Chapter 8. Have we in Britain been made safer by both wars?

Are we ‘safer’ as a result of Britain’s involvement in the invasions of Iraq and Afghanistan, as Tony Blair and Defence Secretary John Reid claimed? Was it ever in out best interests to pursue these wars?

No. Ledwidge claims that most army officers know the simple truth: that both the wars, in Iraq and Afghanistan, were fought primarily to satisfy Tony Blair’s misguided wish to keep in with the Americans (p.205). The second campaign, in Afghanistan, was mainly fought because the army desperately wanted to rehabilitate itself in the eyes of our American masters after ballsing up big time in Basra. Neither had any relevance at all to Britain’s actual, present or future security needs. Fighting the Taliban was always a stupid, stupid thing to do. Ledwidge quotes a former NATO official at the time:

‘[The Taliban] pose no threat to Britain and not one Afghan has ever been involved in any terror attack in Europe or the US. It is simply rubbish to assert that British soldiers are fighting impoverished opium farmers and $10 a day gun-for-hire insurgents in Helmand Province to protect the British people from terror attacks. These Afghans are fighting our soldiers because they just don’t like foreigners and never will.’ (quoted page 198)

In the event, both Ledgwidge and Jack Fairweather give plenty of evidence that the British Army’s dismal failures in Basra and Helmand irreparably damaged the so-called ‘special relationship’ with America. Ledwidge cites former Chief of Staff of the US army, General Jack Keane, addressing a conference at the Royal Military Academy Sandhurst in 2013:

‘Gentlemen, you let us down; you let us down badly’ (quoted page 233)

And this is the view widely held in the US military. Then again this may be no bad thing if it forces the UK political and defence establishments to distance ourselves from America and think through our likely defence threats and strategies from a purely British position. Don’t hold your breath, though. The ludicrous embarrassment of Brexit was proposed partly by Conservative politicians convinced that our future lies with America, 4,000 miles away, rather than with the continent just 20 miles away.

The people who run the British establishments, in politics, the military, the arts and media and many other sectors, will continue to kiss American arse for the foreseeable future. As Ledwidge puts it: ‘The results of this are toxic and go far beyond the military’ (p.206).

The so-called ‘special relationship’ has led Britain into the invasion of two Islamic countries. Her confused and inconsistent strategy (or the lack of any strategy) in the ensuing wars and her over-enthusiastic and totally uncritical following of US policy have been intensely damaging to British (and Afghan) interests. The policies pursued have been entirely counter-productive and literally self-defeating. (p.208)

As a result of tagging along behind America on these two misguided interventions we in Britain have been made less safe in two ways. 1) We have generated a home-grown generation of angry young men here in the UK, outraged by our invasion of Muslim countries and killing of Muslim civilians. Some of these have carried out terrorist attacks on our own soil as a result of British intervention in Iraq and Afghanistan. As Pakistan and security expert Anatol Lieven puts it:

‘UK policy has been an absolute disaster in the perception of the Muslim population and has produced a significantly increased terrorism threat.’ (quoted page 210)

The second way in which these disastrous wars have made us less safe is we have wasted billions investing in the wrong kind of armed forces. In particular all the money has gone to the army (which, it turned out, was incapable of supplying its soldiers with the kind of equipment they needed) at the expense of the other two branches of the armed service, the navy and air force.

This explains why, when NATO wanted to support the anti-Gaddafi forces in Libya, it was the French who led the attacks – because they have a fully functioning aircraft carrier and lots of planes; we don’t.

By emasculating the Royal Navy to pay for the army and its operations in the Afghan desert, the UK has jeopardised the defence of our island nation’s vital interests. (p.213)

All the time, intellect, energy, money, material and resources ploughed into fighting badly organised peasants 5,000 miles away have completely distracted attention from the very real threats we face from a) larger, more conventional armies i.e. Russia, fighting in Europe and b) the serious emerging threat of cyber-attacks.

Thoughts

Out of date

The most obvious point is the book is fabulous as far as it goes, but is now out of date. Ledwidge wrote it in late 2012-to-early 2013 i.e 10 long years ago. Since then, residual units of the British Army racked up more time in Afghanistan alongside the much bigger US presence, and the fight against the Taliban ground on, with accompanying NATO losses and civilian collateral damage, for another 8 years. And it all led up, of course, to the humiliating US withdrawal which concluded in August 2021.

So most if not all Ledwidge’s figures are out of date. What remains valuable, though, on a procedural level, is his careful structuring of the entire subject and his explanations of the methodologies he used; and on a conceptual level, the questions he asks and the searingly critical conclusions he comes to. All of these shed new light and angles on the story of the war.

Slow starting, ferocious ending

The second point is that, at least to begin with, this is a less impressive book than its predecessor. It feels more hurried. In the first book he took the reader with him, his points were carefully argued, we shared his slowly growing sense of disgust and horror, so there was a dynamic aspect to the narrative.

In this book he takes his anti-war attitude for granted and so doesn’t so much take us on a journey but just restates his disgust. An example of this is the way he uses the same small number of negative quotes from people involved in the wars not as the punchline of extended arguments, but as short-hand, as quick reminders, and uses them repetitively. So he tells us more than once that the former UK ambassador to Afghanistan Sir Sharrard Cowper-Coles thought the war was a waste of time. These kind of quotes are used as a kind of shorthand, summarising the more extended forms of the arguments he gave us in the preceding book.

That said, the final two chapters, 7 and 8, finally become really angry, rising to the level of evidence-based excoriation found in the first book and leaving you shaking with fury at the idiocy and incompetence of British politicians and army leaders. What a shambles. As an Afghan friend of Ledwidge puts it:

‘We were promised good governance: where is it? We were promised economic growth: where is it? We were promised stability: where is it? (p.190)

454 British troops killed, thousands badly injured and crippled. Tens of thousands of Afghan dead. Tens of billions of pounds wasted. And a week after we left, the Taliban rolled back in and took power again, as if nothing had happened. It’s hard to think of a more complete definition of futility.


Credit

Investment in Blood: The True Cost of Britain’s Afghan War by Frank Ledwidge was published in 2013 by Yale University Press. References are to the 2014 YUP paperback.

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New world disorder reviews

Kim by Rudyard Kipling (1901) part 2

‘Alas! It is a great and terrible world.’
(The lama’s catchphrase)

In part one of this review I summarised Rudyard Kipling’s 1901 novel, Kim, chapters 1 to 9, picking out interesting quotes, and commenting. This part picks up the summary half way through the novel i.e at chapter 10. It’s not just half way through, though. Chapter ten introduces four elements which change our view of the narrative.

1. For the first time the narrator refers to all the events of the story as not being in the exciting present, following the day-by-day, hour-by-hour exploits of our daring young hero, but in the historic past. Talking about a report Kim writes for his mentor Mahbub Ali, the narrator says:

The report in its unmistakable St Xavier’s running script, and the brown, yellow, and lake-daubed map, was on hand a few years ago (a careless clerk filed it with the rough notes of E’s second Seistan survey), but by now the pencil characters must be almost illegible. (p.144)

This completely changed my attitude to the story, converting it from a tale of the present to one of the past (regarded from Kipling’s time), and so doubly past: from our time back to the time of writing and publishing (1901) and then, further back, by a distance that allows secret reports to be openly published and its writing to fade i.e. an appreciable period.

2. The second thing is related to the first, which is that the narrative (not quite for the first time but for in the first really sustained way) steps back from describing the breathless present, to take a more lofty overview of events. Previously the narrator had reported virtually every scrap of dialogue between Kim and his interlocutors; now the narrator steps back and uses just a few paragraphs to convey the passage of no fewer than three years of Kim’s life, covering his school career at St Xavier’s College. In term time he learns white boy subjects like reading, writing and ‘rithmetic, along with Latin and cricket. In holiday time he accompanies Agent C25, otherwise known as Mahbub Ali, well-known Pathan horse trader, on his ‘business’ trips to various parts of India, all the time learning spycraft on the job. Or he goes to stay with the supposed jeweller Lurgan Sahib up in Simla, where he is instructed in the arts of disguise and blending in.

In other words, after this brief overview of the passage of time, events from chapter ten onwards occur three years later than the events of the first half. We are told that Kim is now 16 years old (p.149).

3. Part of this change involves a switch from direct speech – the overwhelming majority of the text to date has been direct speech i.e. dialogue – to narrative description. It’s like stepping off a fast-moving tram onto the pavement. Suddenly the text has a completely different feel.

4. Lastly, it’s also at the start of chapter 10 that Mahbub gives Kim a gun. A gun.

A mother-of-pearl, nickel-plated, self-extracting .450 revolver.

Suddenly, at a stroke, a story which had been about a 10 or 11 year old boy having innocent adventures turns into a spy story with guns. Guns and knives had, albeit obliquely, occurred earlier, specifically in the scene where Kim warns Ali that two enemy agents are lying in wait to shoot him outside he and his employees’ campment at Lucknow railway station (chapter 8). But with Ali’s ceremonial presentation to Kim of his own gun, suddenly the story seems to have more in common with Raymond Chandler than the innocent schoolboy adventures of Stevenson or Rider Haggard.

Plot summary from chapter 10

Chapter 10

Head of ‘the Department’ Colonel Creighton and two of his best native operatives, Ali and Lurgan, have a summit conference about Kim’s future. The latter pair think Creighton should have been using Kim on missions years ago. For the first (and only) time the phrase ‘Secret Service’ is used. The phrase ‘Great Game’ had cropped up only twice before in the text (‘the Great Game that never ceases day and night, throughout India’); from now on it occurs 15 times.

In Lucknow, Ali takes Kim to visit Huneefa the blind hoori who uses her stain to colour the now-pale Kim back to a native brown. Turns out she is also a witch or enchantress and, as Kim passes out due to heavy soporifics, she casts spells to keep traditional devils away from him. Also turns out that the obese Babu is out on the balcony observing proceedings (with repugnance). He and Ali are both a bit freaked out by the genuine witch intensity Huneefa.

So Colonel Creighton has agreed that Kim can finally definitively leave St Xavier’s. Ali supervises him being painted brown and then clothed in native dress. The plan is to let him wander the roads with his lama for another 6 months as a probationary period.

Chapter 11

So Kim is told he may travel to Tirthankars’ Temple, Benares for a happy reunion with his master, so he catches a train, with the usual casual encounters with other travellers which make the book feel so rich and full.

When he arrives at the Jain temple, the lama is predictably unemotional, shows Kim his cell, explains his devotions, explaining that he has wandered here and yon but many dreams have told him that he would never find the River of Life until he was reunited with his chela. And so he has patiently waited three years for their reunion.

He treats the fevered child of a desperate father, a Jat from Jullundur, with quinine and beef essence, curing him, but with delicacy and grace awards the credit to the god of the Jains, the lama’s hosts, who are flattered. Kipling repeatedly describes the delicacy and respect of the various native traditions, and generally contrasts them with white people’s blundering clumsiness e.g. Bennett the chaplain.

When Kim rises to ‘bless’ the child we discover that he is now, aged 16, ‘tall and slim’, like all male heroes should be (p.164)

The lama decides they will head north, so Kim arranges a train ticket. The Bankoh with the sick son accompanies them. On the train they meet ‘a mean, lean little person – a Mahratta’, who uses the special rhythm of speech and displays his amulet, to let Kim know he is one of the Secret Service, agent E23. He tells a real espionage story of travelling South with a colleague to collect vital information, they are set upon and his colleague killed, he just has time to bury the vital document ‘under the Queen’s Stone, at Chitor’, then he is chased all over central India by enemy agents, one of whom finally attacks and cuts him, before he makes his getaway onto the current train, cut and bleeding and shaking in terror.

Kim puts all his skills of disguise and uses the paintbox Lurgan gave him, to utterly transform E23.

In place of the tremulous, shrinking trader there lolled against the corner an all but naked, ash-smeared, ochre-barred, dusty-haired Saddhu, his swollen eyes –opium takes quick effect on an empty stomach –luminous with insolence and bestial lust, his legs crossed under him, Kim’s brown rosary round his neck, and a scant yard of worn, flowered chintz on his shoulders. (p.171)

Chapter 12

They arrive at Delhi station where a young British officer is leading a group of native policemen in a search for E23. The thing is, the opposition agents have framed him for a murder down South and his picture and description have been widely circulated, to police and officialdom outside ‘the Department’. That’s why Kim performed his makeup magic on the train.

Now the English officer, searching through the train, comes to their compartment, sees a half-naked Saddhu (E23 in disguise), a lama meditating, his chela yakking, and a big hairy peasant (the man with the sick infant) and – with what this book has to taught us to be characteristic English ignorance – dismisses them:

‘Nothing here but a parcel of holy-bolies,’ said the Englishman aloud, and passed on.’

In the immense crowd of Delhi station, E23 sees a tall British officer and contrives to blunder into him, let fly a stream of abuse at which the officer arrests him. E23 just has time to explain that this is Strickland, ‘one of us’, an authority figure who appears in other Kipling stories.

The narrator intervenes to indicate the web of connections which makes up the Great Game. Soon a telegram is going from Strickland’s office in Delhi to agents in Chitor who dig up the letter, and the information, he tells us, has consequences which ripple as far afield as the Ottoman Sultan.

Meanwhile, Kim and the lama set off on foot heading north from Delhi with the foothills of the Himalayas in the background, in scenes of village life beautifully illustrated by Kipling. They are in the neighbourhood of the matron of Hulu who sends servants to invite them to her house. Here there are comic scenes as this domineering woman bosses her household and the lama, while Kim giggles at his discomfort. I realised she’s a bit like Tintin’s Madame Castafiore, imperious, bossy but loveable.

One evening she introduces them to a worker of charms who has healed her sick grandson, before departing grandly in a servant-held palanquin to tour her villagers. At which point the medicine man reveals he is none other than the obese Hurree Babu.

Three things. Babu first of all reveals that it was he who was sent down to Chitor to retrieve the buried document. He tells Kim how impressed everyone in ‘the Department’ was by his quick thinking on the train, in disguising and thus saving E23.

Then he tells him a new situation. Three years earlier the British Army, including the Mavericks, had marched off to fight, in what I take to have been the Second Afghan War (1878 to 1880). At the peace some of the northern princedoms had undertaken to have roads built. Hurree supervised the building but slowly learned that the princes, and the local coolies, all thought of the roads as being prepared for invading Russians. Now, Hurree tells him, two spies have been sent by Russia, one a Russian and one a Frenchman, under cover of a hunting expedition, to spy out the lie of the land, to make maps of the area, to prepare the way, maybe, for an invading army.

Babu says he would simply poison them and be done but the British government with its ludicrous sense of fair play is allowing them to visit and keep up the front of mere hunters. But:

‘They are Russians, and highly unscrupulous people.’

Nothing changes, then. So Hurree asks Kim to head north with him to deal with these Russkies, but not travelling together. Hurree will go ahead and asks Kim to persuade the lama to head northwards, but at a day’s march behind them, so nobody thinks they’re connected. Which is what they do.

Chapter 13

Lovely descriptions of walking up into the foothills of the Himalayas, the villages, the wildlife, the clean air, the bracingly steep slopes. The lama grows stronger as he scents the mountain air of his Tibetan homeland.

Hurree Babu overtakes them and they discuss plans. He tells them to follow his umbrella, which he will keep open at all times, then hurries past them. A few days later he catches up with the two foreign spies up in the mountains. They had bullied the 11 coolies lent them by an independent Rajah one time too many, after a particularly scary thunderstorm, and the servants had melted into the forest. At this propitious moment the Babu appeared and posed as the ‘agent for His Royal Highness, the Rajah of Rampur.’ The Russian and Frenchman are delighted.

He lets them get him drunk and complains more and more about the perfidious British i.e. lulling them into thinking he can be suborned to their cause.

For the first time we see and hear the two foreign spies. Why is one Russian, one French? Because, according to the notes, the Paranoid party in the British administration saw a threat not only from Russia via the North-West Frontier, but (far more remotely) from France, which was annexing parts of China and, it was feared, might attempt an attack on India through Tibet.

The choice of nationalities is made, then, for Kipling’s propaganda purposes. Their characters and conversation are equally propagandistic. They are made to systematically under-estimate the British, taking their (the British) apparent openness to strange travellers as weakness; and to over-estimate their (the Russian and French) understanding of ‘the Oriental mind’. Says the Russian:

‘It is we who can deal with Orientals.’

This kind of hubris, of unjustified vaunting, doesn’t go unpunished in Kipling. wo days later, they come across the lama sitting with the diagram explaining his religion, expounding it to Kim. The foreigners ask who they are. Babu explains this is a famous local holy man, and he will expound the mysteries of Buddhism. The lama is delighted to do so, while Babu takes Kim aside and tells him the foreigners have all their reports – books and reports and maps – stored in a large kilta with the reddish top.

Suddenly – violence! The Russian wants the lama’s diagram, offers money, the lama inevitably refuses, the Russian seizes it and it tears. The lama goes for his metal pencase, the Russian punches him full in the face. All the coolies recoil in superstitious horror. While the lama reels back from the blow, Kim throws himself at the Russian’s throat, rolling down the hill a little, till he can bash the Russian’s head against a boulder. The Frenchman ran towards the lama, fumbling with his revolver as if to take him hostage, but is driven off by a barrage of stones from the coolies, who scoop up the wounded lama and all disappear into the forest, as dusk falls suddenly.

The Babu runs down to Kim, tells him to lay off the Russian, tells him to run and join the coolies in the forest, where they have taken the foreigners’ bags, get possession of the bag of maps. Kim stops bashing, turns and runs. The Frenchman fires and just misses him. For the first time Kim takes out his gun and fires it in anger, missing the Frenchman, then running on into the trees.

Now the Babu takes charge, begging the Frenchman to stop shooting, assisting the injured Russian to his feet.

Cut to the coolies in the fir trees. They are outraged by the act of sacrilege they’ve just seen; one of them points out they have the foreigners’ four rifles and could simply go down and shoot them dead. But the lama, after a moment’s hesitation, rises above the situation and his own injuries and preaches true Buddhist forbearance. No. NO, he commands the coolies who quickly back down. The foreigners’ anger and impiety will bring its own reward. They will be reincarnated as worms. Kim cheerfully chips in that he kicked the Russian in the groin as they tumbled down the hillside together.

No, the coolies will take the lama and Kim back to their village, Shamlegh-under-the-Snow. Kim realises that, despite his brave front, the lama is more badly shaken than he admits. His heart is racing. He feels dizzy. The coolies then discuss how they are going to divide the spoils because they have carried off the foreigners’ entire baggage. Here Kim is canny and doesn’t so much claim the big kilta, the basket containing eight month’s work by the foreigner’s, maps and notes etc, as plants the idea that it is full of bad juju and only he knows how to defuse and turn it away.

Cut to Hurree, a mile away, on the main track with the furious foreigners, alternately shouting at each other or berating him. So he play-acts the stupid native, submits to abuse and blows, the better to stick with them. And hugs himself with glee for he knows how he will guide the losers through scores of mountain villages where they will become a byword for humiliation and ineptitude.

Chapter 14

Arriving at their village the coolies divide their loot. The lama regrets giving way to anger and meditates all night. Next morning Kim meets the Woman of Shamlegh, bold and commanding. The men have gone and left her with the kilta. In her hut Kim spills it on the floor and discovers all the foreign spies’ equipment:

Survey-instruments, books, diaries, letters, maps, and queerly scented native correspondence. At the very bottom was an embroidered bag covering a sealed, gilded, and illuminated document such as one King sends to another.

The woman of Shamlegh flirts with Kim. He is now a tall handsome young man (of 16). She appears to offer Kim her ‘hand’ and headship of the village. Kim has to tactfully decline (p.214) and again on page 218. She is really smitten by his handsomeness. Love interest very unusual in Kipling.

He asks her to take a message to the Babu. Village children are monitoring their process along the forest road. Later she returns with a reply from the Babu that all is well, that Kim and the lama should retrace their steps, and he will overtake them, once he has escorted the foreigners as far as Simla.

The lama comes to sit with the other villagers, dangling their feet over the vertiginous edges of the mountain village, laughing and smoking. He confesses to Kim that he is very sad. It was a mistake to abandon his quest for the River of the Arrow and return to the hills. He comes of the hills and loves the hills but that is precisely why it was giving in to his desires and affections to return up here. And the blow he received was a sign from the Wheel that he was slipping back into the world of emotions. No, they must return down to the plains.

The woman of Shamlegh now reveals that she had an affair with a Sahib who fell sick, who took her to the nearest mission station, taught her the piano, taught her Christianity, left promising to come back but never did. Bitter, she returned to lord it over this shabby little village and its poor menfolk. She was beguiled by Kim because he reminded her of her Sahib, but Kim persists in saying he must return to the plains with his lama till she becomes angry and bitter. She mocks the lama’s weakness, he can barely support himself against the doorpost, and so whistles up some of her men who bring out a dooli, ‘the rude native litter of the Hills’, and carefully lift the ailing lama into it.

She and Kim squabble up to the departure but then he surprises her by dropping his disguise of assistant priest to a lama, taking her round the waist and kissing her, Sahib style, while saying ‘Good-bye, my dear.’ As the litter is carried down the hill by the grunting village men, Kim looks back and sees her, a small figure waving from the door of her hut.

Chapter 15

The final chapter, tying up loose ends. We are told how Hurree Babu continued his pose of obseqious guide till he had led the foreigners all the way to Simla, where he grovellingly begged a testimonial then disappeared. Reappeared in Shamlegh where the Woman told him about Kim and the lama’s departure in the litter, and he sets off to overtake them, having lost quite a lot of weight in all these peregrinations.

Now the lama is becoming ill. When the littermen leave them at the plain Kim becomes his staff, leaned on, carrying the foodbag, the bag with the foreigners’ secrets, begging in the morning, setting up the lama’s blanket, caring for the old man who is visibly dying.

The lama is full of gratitude. Kim says he loves him and has failed him and hasn’t done enough and bursts into tears. The lama raises him up and says he is the best of disciples.

Kim had sent message ahead to the widow of Kulu, the chatterbox who hosted them before. Now she sends a litter to collect the holy man and falls into long middle-aged flirtation which the lama takes in good part. Kim is so tired he’s ill. The widow vows to nurse him back to health.

She gives him a lockable strongbox for the treasures, brews him reviving potions and force them down him, then she and another old woman give him a truly Indian massage, after which Kim sleeps for 36 hours.

When he wakes, refreshed, it’s to discover the Babu has caught up with them and the lady of Kulu, the Sahiba, has been feeding him up, too. He has appeared in his long-running disguise as a ‘humble Dacca quack.’. Now Kim formally hands over the foreigners’ treasure trove to the Babu and it is a great weight off his mind. The responsibility has been stressing him.

We learn that it is clear proof of the treason of some of the northern princes, sucking up to the Tsar, so the British will replace them. And the Babu tells how he delivered them to Simla where they tried to establish their identity at the nearest bank, having made Russia a laughing stock among peasants along the entire route.

(It’s a slight puzzle in the plot that nothing further seems to happen to the two foreign spies. They are allowed to continue on their way.)

The Babu, in his comic way, announces that Mahbub Ali has come to the house too. He has to go now, to make report, but soon they will all rendezvous up at Lurgan Sahib’s in Simla, tell all their stories and have a party. This is all very convivial and happy.

Very interestingly, Kim is portrayed as being so shattered that he feels quite alienated from the world, almost as if he’s had a nervous breakdown. Nothing will focus, nothing makes sense. Then. Click. It all slots into place.

He looked upon the trees and the broad fields, with the thatched huts hidden among crops – looked with strange eyes unable to take up the size and proportion and use of things – stared for a still half-hour. All that while he felt, though he could not put it into words, that his soul was out of gear with its surroundings – a cog-wheel unconnected with any machinery, just like the idle cog-wheel of a cheap Beheea sugar-crusher laid by in a corner. The breezes fanned over him, the parrots shrieked at him, the noises of the populated house behind – squabbles, orders, and reproofs – hit on dead ears.

‘I am Kim. I am Kim. And what is Kim?’ His soul repeated it again and again.

He did not want to cry – had never felt less like crying in his life – but of a sudden easy, stupid tears trickled down his nose, and with an almost audible click he felt the wheels of his being lock up anew on the world without. Things that rode meaningless on the eyeball an instant before slid into proper proportion. Roads were meant to be walked upon, houses to be lived in, cattle to be driven, fields to be tilled, and men and women to be talked to. They were all real and true.

It’s a rare bit of psychology, for Kipling. Kim goes outside for the first time in days and lies on the good earth and feels it healing him.

Cut to Mahbub and the lama returning from a walk. Turns out the lama stumbled into a nearby book a few days earlier, and Mahbub leapt in and stopped him from drowning. But the lama insists that this little brook was the River of the Arrow and that he has finally achieved enlightenment. Mahbub mocks, and makes sarcastic asides in his own language, but is impressed by the lama’s utter certainty. He even sees the funny side when the lama asks him to take up Buddhism and follow The Way.

Mahbub the Muslim Pathan stomps off about his business. The lama calmly sits down beside sleeping Kim and wakes him. He sits:

cross-legged figure, outlined jet-black against the lemon-coloured drift of light. So does the stone Bodhisat sit who looks down upon the patent self-registering turnstiles of the Lahore Museum. (p.239)

Neatly tying the scene back to the very opening outside the Lahore Museum. The lama proceeds to tell Kim in all seriousness how, while he (Kim) was recovering, he (the lama) went and sat under a tree, taking no food or water for two days and two nights. And then:

‘Upon the second night – so great was my reward – the wise Soul loosed itself from the silly Body and went free. This I have never before attained, though I have stood on the threshold of it. Consider, for it is a marvel!’

Freedom from the silly body and its illusions and devilries. Enlightenment. Kipling indulges in a powerfully persuasive vision of the lama’s soul flying completely free of his body, free of the constraints of time and place, and uniting with the Great Soul where everything is always now.

But he felt compelled to return to the body of this poor mortal, Teshoo Lama, in order to show his disciple the way. And the last spoken words of the story are his imprecation to Kim to follow him on the road to salvation:

‘Son of my Soul, I have wrenched my Soul back from the Threshold of Freedom to free thee from all sin – as I am free, and sinless! Just is the Wheel! Certain is our deliverance! Come!’

This is a very moving and persuasive end to this long rambling tale. It deliberately leaves completely up in the air the question whether Kim will follow the way and become a seeker for wisdom, or will at some point be reunited with Babu, Mahbub and Lurgan and graduate into a fully-fledged operative in the Great Game.

My money would be the mystical route, for right at the end he is hugely relieved to be shot of the box of foreigners’ correspondence and says the Great Game can go hang. Whereas his reverence for the lama is deep and unashamed.

But the point is Kipling leaves it as a sort of cliff-hanger. A Rorschach test. What you think happens next says more about you than about the story.

Scenes and descriptions

Odd and clotted though Kipling’s prose often is, he strews the book with beautiful word paintings.

In the Jain temple

Kim watched the last dusty sunshine fade out of the court, and played with his ghost-dagger and rosary. The clamour of Benares, oldest of all earth’s cities awake before the Gods, day and night, beat round the walls as the sea’s roar round a breakwater. Now and again, a Jain priest crossed the court, with some small offering to the images, and swept the path about him lest by chance he should take the life of a living thing. A lamp twinkled, and there followed the sound of a prayer. Kim watched the stars as they rose one after another in the still, sticky dark, till he fell asleep at the foot of the altar.

Climbing the foothills

They crossed a snowy pass in cold moonlight, when the lama, mildly chaffing Kim, went through up to his knees, like a Bactrian camel – the snow-bred, shag-haired sort that came into the Kashmir Serai. They dipped across beds of light snow and snow-powdered shale, where they took refuge from a gale in a camp of Tibetans hurrying down tiny sheep, each laden with a bag of borax. They came out upon grassy shoulders still snow-speckled, and through forest, to grass anew.

The shikarris who save Kim and the lama

They sat down a little apart from the lama, and, after listening awhile, passed round a water-pipe whose receiver was an old Day and Martin blacking-bottle. The glow of the red charcoal as it went from hand to hand lit up the narrow, blinking eyes, the high Chinese cheek-bones, and the bull-throats that melted away into the dark duffle folds round the shoulders. They looked like kobolds from some magic mine – gnomes of the hills in conclave. And while they talked, the voices of the snow-waters round them diminished one by one as the night-frost choked and clogged the runnels.

There’s story, there’s a plot of sorts, there’s characters. But you could argue that Kim is worth reading, and treasuring, for these descriptions alone.

Secondary characters

Quite apart from the main, recurring characters, Kim has a large cast of walk-on parts, especially when Kim is on the road or on a train with his lama.

  • Huneefa, the blind witch or mistress of dawat
  • A long-haired Hindu bairagi (holy man), who had just bought a ticket, halted before him at that moment and stared intently (p.156)
  • a chance-met Punjabi farmer—a Kafmboh from Jullundur-way who had appealed in vain to every God of his homestead to cure his small son (p.157)
  • A white-clad Oswal banker from Ajmir, his sins of usury new wiped out (p.158)
  • a mean, lean little person—a Mahratta, so far as Kim could judge by the cock of the tight turban (p.167)
  • A hot and perspiring young Englishman (p.173)
  • A tallish, sallowish District Superintendent of Police – belt, helmet, polished spurs and all – strutting and twirling his dark moustache (p.174); this turns out to be Inspector Strickland, an authority figure who appears in other Kipling stories
  • the Russian spy
  • the French spy
  • the man from Ao-chung who emerges as the leader of the rebellious coolies
  • the Woman of Shamlegh

Kim’s identity crises

Modern literary and art criticism is obsessed the idea of identity and the umpteen different crises it is prey to – gender identity, sexual identity, national identity, ethnic identity, religious identity. Kipling was there 120 years earlier with this story of a boy with an excess of identities: is he the orphan of a British soldier? Or a canny street kid from Lahore? Or a budding young spy for the Raj?

[Ali] ‘Therefore, in one situate as thou art, it particularly behoves thee to remember this with both kinds of faces. Among Sahibs, never forgetting thou art a Sahib; among the folk of Hind, always remembering thou art – He paused, with a puzzled smile.
[Kim] ‘What am I? Mussalman, Hindu, Jain, or Buddhist? That is a hard knot.’

And:

[Kim] ‘Hai mai! I go from one place to another as it might be a kickball. It is my Kismet. No man can escape his Kismet. But I am to pray to Bibi Miriam, and I am a Sahib.’ He looked at his boots ruefully. ‘No; I am Kim. This is the great world, and I am only Kim. Who is Kim?’ He considered his own identity, a thing he had never done before, till his head swam. He was one insignificant person in all this roaring whirl of India, going southward to he knew not what fate. (p.101)

Who is Kim, indeed?

A very few white people, but many Asiatics, can throw themselves into a mazement as it were by repeating their own names over and over again to themselves, letting the mind go free upon speculation as to what is called personal identity. When one grows older, the power, usually, departs, but while it lasts it may descend upon a man at any moment.

‘Who is Kim – Kim –Kim?’

He squatted in a corner of the clanging waiting-room, rapt from all other thoughts; hands folded in lap, and pupils contracted to pin-points. In a minute – in another half-second – he felt he would arrive at the solution of the tremendous puzzle; but here, as always happens, his mind dropped away from those heights with a rush of a wounded bird, and passing his hand before his eyes, he shook his head.

When the Russian punches the lama, Kim retaliates like a hot-blooded Irishman (his father was Irish and his Irish ‘blood’ is made much of throughout the text). Then he kneels over the lama, cradling his head and speaking like a native.

Then he remembered that he was a white man, with a white man’s camp-fittings at his service.

Lachrymose literary critics, keen to make everything a crisis, lament Kim’s ‘split’ identity and are all-too-quick to make it a symbol of India itself, with some tragic divide between coloniser and colonised. But there are two other, less hysterical ways to think about the issue.

One is the obvious one that is front and centre of the story itself, which is that the depth of the white boy’s knowledge of Indian street life makes him wonderful choice of operative for Creighton and the Department: an entirely positive, good thing.

The other is even simpler, which is that it’s fun and it’s cool. It’s cool being Kim, king of the streets in Lahore, skilled manipulator of railway carriages, of resting places on the Great Trunk Road, teller of tales to big households. Street urchin, loyal disciple, schoolboy, trainee spy. Dressing up and having adventures is what Sherlock Holmes and loads of other protagonists of 1890s adventure stories love to do, and which boys of all ages who read them, wish they could do.

Kipling’s crabbed prose and plotless stories

As discussed in the first of these two Kim reviews, Kipling’s prose is crabbed, abbreviated, littered with Biblical or official or archaic vocabulary, allusive, telegraphic. He uses almost any device in order to prevent it being smooth and flowing and easily comprehensible. It’s the textual embodiment of his barely fierceness, his energy, his sarcasm, his facetiousness. Some sentences just require a double take.

Lurgan Sahib did not use as direct speech, but his advice tallied with Mahbub’s

Meaning that Lurgan didn’t say it so directly as Mahbub did. Odd locution, though, isn’t it? Examples abound. Here’s the start of chapter 11. After being handed his disguise, a small gun, and news from Ali that he’s allowed to go see his lama, Ali then leaves him alone at Lucknow train station, and:

Followed a sudden natural reaction.

Think of all the ways you’d rewrite that to make it smoother, more readable, more enjoyable. No, Kipling prefers the clipped, telegraphese.

The man who couldn’t write plots

I’d like to link this tendency with another major tendency of Kipling’s fiction, which is his struggle to come up with plots, with actual storylines. Many of his short stories do, indeed, have plots, but it’s also quite common to come across ones which are more like anecdotes which have been stretched, or sometimes just like clever ideas which have been padded out. I’m thinking of the ‘story’ of a new-built ship where he gives all the parts voices and shows how they learn to work together. Or the one about the animal inhabitants of an old mill who react to it being hooked up to electric power by its owner. These are good ideas but they don’t quite build up to be actual stories. Ditto, for example, the Just So stories. It’s a brilliant idea, but quite a few of the actual stories don’t quite live up to the original conception.

The Norton edition contains excerpts from letters and relevant writers. In particular it has several short excerpts from the autobiography Kipling wrote right at the end of his life, ‘Something of Myself’. And in these it’s interesting to read not once but twice, he himself conceding that thinking out plots was his chief shortcoming as a writer. He describes the way he chewed over a revised version of Kim with his father, chatting over their time in India over many a pipe of tobacco. It was in this process that many of the very specific details with bejewel the final narrative, its ‘opulence of detail’, were remembered and added. At which point he goes on to write:

As to its form there was but one possibility to the author, who said that what was good enough for Cervantes was good enough for him. To whom the Mother: ‘Don’t you stand in your wool-boots hiding behind Cervantes with me! You know you couldn’t make a plot to save your soul.’ (p.275)

Several things. One, it displays Kipling’s enduring bond with his parents. He was clearly very attached to his mother and father till the end of his life, and this is sweet. Two, this is a typically contorted way of making his point, hiding it behind dialogue with his mother. Three, and this may be because he’s embarrassed to admit such a cardinal failing in a writer, that he had great ideas, brilliant ideas, but struggled to work them up into plots and narratives.

You turn the page and there’s another excerpt from Something of Myself which really rams it home.

Kim, of course, was nakedly picaresque and plotless – a thing imposed from without. (p.277)

Not just this, he then goes on to write a colourful paragraph describing how he ‘dreamed for many years’ of turning the story into a good, solid, three-volume Victorian novel, with a compelling storyline,  psychologically rich characters, carefully worked out symbolism etc etc. But he couldn’t. He just couldn’t.

Not being able to do this, I dismissed the ambition as ‘beneath the thinking mind’. So does a half-blind man dismiss shooting and golf.

I think he’s being hard on himself. Tens of thousands of novels are coming-of-age stories which hang a sequence of sometimes pretty random incidents on the notion that they all occurred to the central protagonist and marked his or her ‘development’ and growth from childhood, through adolescence into adulthood. Kim is no more random than many of these. In fact I think he does a good job of establishing the main characters – the lama at the start, Mahbub Ali growing in importance, Lurgan Sahib appearing half way through to add colour and variety, then Hurree Babu adding strangeness.

But clearly Kipling himself saw the novel as deficient in plot, and plot-planning as a major weakness in his abilities as a writer.

Is Kipling’s crabbed style a compensation for lack of plot?

My suggestion is that, after reading lots of Kipling, I began to wonder whether his odd, crabbed, cryptic, archaicising, Biblicising prose style was what he twisted up and contorted and worked on instead of plots. He knew he couldn’t make an impact with dramatic stories – so he developed, or jazzed up his already eccentric way of writing, instead.

I imagined him getting more and more frustrated with himself and, in his stress and anxiety, strangulating the English language into ever weirder shapes and locutions, as if  the baroque overwroughtness of his prose would somehow compensate for what he himself was very conscious was an embarrassing absence of fully worked-out story.


Credit

Kim was serialised in Cassell’s Magazine from January to November 1901, and first published in book form by Macmillan & Co. Ltd in October 1901. All references are to the 2002 Norton Critical Edition edited by Zohreh T. Sullivan.

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The Narrow Corner by W. Somerset Maugham (1932)

If Dr Saunders was somewhat lacking in sympathy, he made up for it by being uncommonly tolerant. He thought it no business of his to praise or condemn. He was able to recognize that one was a saint and another a villain, but his consideration of both was fraught with the same cool detachment. (Chapter 11)

I started reading this 200-page novel because I saw it in the charity shop for £1. But it turns out, by accident, to be closely linked to the last Maugham novel I read, The Moon and Sixpence. In his typically breezy preface Maugham explains that he created the character of Captain Nichols in that book, a disreputable sea captain, based on someone he’d met in the South Seas, because he needed three or four ‘witnesses’ to help the narrator piece together the latter stages of the life of Charles Strickland, the ‘primitivist’ painter who is the subject of The Moon and Sixpence.

But the character stuck in his mind, along with another minor character, Dr Saunders, who he had created to make a cameo appearance in his first travel book, On a Chinese Screen. Both haunted and niggled at his imagination until here, 13 years after The Moon, they finally appear in their own story.

The plot

Dr Saunders is the short, ugly but immensely competent doctor based in Fu-Chou, China. He is persuaded by a well-known Chinese rogue and mastermind of all kinds of dubious businesses, Kim Ching, who lives on the distant island of Takana, to come and treat Kim’s cataracts.

Kim Ching’s two dutiful sons, who bring the invitation, offer to pay Dr Saunders a lot of money and so he overcomes his reluctance and goes. He arrives on the island, is put up at the best (in fact the only) hotel and performs the operation successfully. Kim is happy, pays up and offers him any little luxuries he needs but Dr Saunders is a man of modest needs. Now the doctor has to pass the time until the monthly ship arrives, to take him off the island and back north to his home in China.

So Dr Saunders eats on the balcony of the hotel, reads the out of date newspapers and smokes opium, prepared for him by his sleek young Chinese help, Ah Kay. The text gives several very evocative descriptions of the technical preparations and then the state of mind created by smoking opium. Saunders floats serenely and watches the world go by.

Ah Kay now made himself a couple of pipes, and having smoked them put out the lamp. He lay down on a mat with a wooden rest under his neck and presently fell asleep. But the doctor, exquisitely at peace, considered the riddle of existence. His body rested in the long chair so comfortably that he was not conscious of it except in so far as an obscure sense of well-being in it added to his spiritual relief. In this condition of freedom his soul could look down upon his flesh with the affectionate tolerance with which you might regard a friend who bored you but whose love was grateful to you. His mind was extraordinarily alert, but in its activity there was no restlessness and no anxiety; it moved with an assurance of power, as you might imagine a great physicist would move among his symbols, and his lucidity had the absolute delight of pure beauty. It was an end in itself. He was lord of space and time. There was no problem that he could not solve if he chose; everything was clear, everything was exquisitely simple; but it seemed foolish to resolve the difficulties of being when there was so delicate a pleasure in knowing that you could completely do so whensoever you chose. (Chapter eight)

Then one day two white men walk into the bar and they all get to chatting. One is the tremendously shifty, cockney, middle-aged, stubbly, nervy Captain Nichols. The other is a handsome young Australian man introduced as Fred Blake, who is also oddly nervous.

After some conversation Blake makes his excuses and leaves, whereupon Captain Nichols confides to Saunders that he was ‘on the beach’ without a job in Sydney, and desperate to get away from his nagging wife when he was approached by a powerful underworld figure who offered him money and the lugger he has just arrived in, to take a young man off for a cruise. Anywhere special, asks Nichols. ‘Just away from here,’ comes the threatening reply. All very suspicious.

Nichols continues to describe to Saunders the way he was given a cab ride to an out-of-the-way bay, rowed out to the boat – the Fenton, a relatively small vessel which can fish for pearls or do smuggling, as required – and had barely got his bearings before young Blake was put aboard from another dinghy. Nichols was handed £200 to go cruising and keep a low profile, and then the dodgy but obviously well-connected fixer who’d arranged all this disappeared back to shore.

And so it is that Nichols has spent the last month captaining the lugger as they cruise aimlessly round the south seas, all the time trying to puzzle out what Blake’s mystery is…

Later that day Saunders asks Kim Ching about the newcomers. Kim knows Nichols and says he is a no good man, and warns Saunders to have nothing to do with him.

Nonetheless, Saunders is impatient to go home and decides to ask Nichols if he can hitch a lift on the lugger, if it’s heading north. Nichols says sure, but Blake is dead against it and they have a fierce argument about it right in front of Saunders. Obviously Blake is hiding something pretty big.

But Nichols insists that he is captain and the captain’s decision is final. He also admits that he partly wants the doc to come along because he – Nichols – has bad dyspepsia which he (rather comically) complains about all the time and so he hopes the doc can cure him.

So Ah Kay packs Saunders’ bags, they say goodbye to the grateful and influential Kim Ching, and go aboard.

Saunders likes to think of himself as a connoisseur of character. Like many a Maugham narrator, like the narrator of the travel book The Gentleman in the Parlour, he is cool and non-judgmental. He observes men with all their foibles and is amused. Nichols knows that Saunders knows that he is a crook. They amuse each other with their canniness. (‘Nichols took an artist’s delight in his own rascality’.) Blake on the other hand is young and earnest and nervous, his temper constantly ready to snap.

Another perennial theme of Maugham’s – that people often have unexpected aspect to their character – is demonstrated when a big storm blows up. It quickly becomes too rough for Saunders and he retreats below decks. The point is that Nichols, although without doubt a shifty crook, is able to show his true colours as a supremely confident master of sailing. He is in complete control of the little lugger, making all the right decisions, and absolutely fearless while enormous waves crash over it and threaten to capsize it for hours on end. Nichols may be a dodgy geezer, but Saunders has to admire his stamina, courage and competency.

This is the central Maugham theme – that people aren’t ‘good’ or ‘bad’ but complex mixtures of contradictory characteristics, which is why ‘judging’ them is so futile. On the contrary, the doctor not only doesn’t judge, he savours, like a fine wine, the complicated blend of aromas and scents, qualities and characteristics, which each human presents for his delectation.

For the first 160 pages or so, the novel is slow-paced, lazily describing sea voyages, green islands, warm seas, blue skies, slow natives, smiling Chinese, opium nights, and Dr Saunders leisurely contemplating the odd people fate throws in his way.

After a while it reminded me of the Symbolist classic, Against the Grain by Joris-Karl Huysmans from 1884 in which the élite protagonist, a moneyed aristocrat, retires from the world altogether to a secluded chateau and devotes himself to the world of the senses, cultivating collections of fine paintings, rare wines, exclusive scents, erotic books and so on. Although in a different setting, Dr Saunders has much the same approach to life, a decadent almost symbolist approach.

After surviving the storm our crew of Saunders, Ah Kay, Nicholas, Blake and the two ‘blackfellows’ who man the ship, are relieved to put in at the nearest sheltered haven, Kanda-Meira, twin islands belonging to the Dutch East Indies.

Here they encounter the characters who will trigger the main action. The island is a decent size, is administered by Dutch officials, has a main town which is bustling with all ethnic groups (Chinese, natives, Indians, Arabs).

Our team bump into a pleasant, big, strong Danish man named Erik Christesson. He volunteers to show them round the island and, while Saunders and Nichols are content to drink and play cards, Erik and young Blake soon form a strong friendship, going on some long hikes together up the side of the local volcano and around the ruins of the original Portuguese forts. They become close friends, Blake more or less hero-worshiping the strong young Dane who is so confident and bluff, while the Australian remains so nervous and unhappy.

A gay novel?

The suspicion had been growing on me that this was a sort of gay novel. Obviously nothing overt or obvious, homosexuality was illegal in Maugham’s day, but:

1. Dr Saunders has a very close relationship with his servant Ah Kay, who he describes a couple of times as beautiful, slender, slim, well-dressed, obedient, smooth-skinned and generally lovely.

2. On a growing number of occasions Saunders notices just how devastatingly handsome young Fred Blake is, with a Grecian profile, sensual lips, and a handsome body when he strips off to wash in the sea.

As he sat there, in the mellow light, in his singlet and khaki trousers, with his hat off so that you saw his dark curling hair, he was astonishingly handsome. There was something appealing in his beauty so that Dr Saunders, who had thought him a rather dull young man, felt on a sudden kindly disposed to him. (Chapter 17)

3. The Dane Christessen (aged about 30) is described as a bit thick and slow, but is nonetheless physically impressive and Saunders, once again, on a number of occasions notices the puppy-like devotion he inspires in handsome young Blake.

So nothing especially overt but, in the lazy sensual atmosphere of tropical climate, opium nights, stripping off and swimming in the sea, and of repeated descriptions of trim native boys and strapping white men, I began to enjoy the rather homoerotic atmosphere.

Femme fatale

And couldn’t help thinking that Maugham himself enjoyed himself writing this first three-quarters of the novel, with its lazy inconsequential sensuality. Unfortunately, all this evaporates in the final quarter which descends a bit into melodrama and also involves a lot of backstory and explication i.e. becomes a lot more harassed and gnotty.

Christessen introduces our characters to a household which lives on a nutmeg plantation. The place is owned by old Swan, a man so decrepit and wizened that he gives the impression of being only half there, off in his own dream world of memories a lot of the time. His daughter, Catherine, married an Englishman named Frith, a former teacher from Britain – a particularly odoriferous Maugham creation, a fat lazy man gone to seed who has spent twenty years translating the Portuguese epic poem, The Lusiads, into rhyming English verse, and also, given half a chance, starts sounding off about Hindu philosophy.

Fat old Frith and his wife had a daughter, Louise, before his wife, Catherine, died suddenly of heart failure. So now Frith lives with his batty father-in-law and his beautiful daughter.

After Erik has introduced them all, Frith hosts a dinner party, old Swan tells disreputable stories, Saunders is entranced by the eccentric Frith, Captain Nichols just tucks into the grub and Blake… Blake is stunned when the lissom young Louise walks through the door. She is stunning, breath-takingly, staggeringly attractive.

She was wearing a sarong of green silk in which was woven an elaborate pattern in gold thread. It had a sleek and glowing splendour. It was Javanese, and such as the ladies of the Sultan’s harem at Djokjakarta wore on occasions of state. It fitted her slim body like a sheath, tight over her young nipples and tight over her narrow hips. Her bosom and her legs were bare. She wore high-heeled green shoes, and they added to her graceful stature. That ashy blond hair of hers was done high on her head, but very simply, and the sober brilliance of the green-and-golden sarong enhanced its astonishing fairness. Her beauty took the breath away.

Later the others drink and play cards but Louise takes Blake for a stroll round the tropical garden and he kisses her, then touches her breasts. After more kisses they go back in.

But it is enough. Blake knows he can have her. He knows she wants him.

Later that night, Christessen drops in for a drink at Dr Saunders’ hotel and tells the doctor that he and Louise are engaged. As a young man he had a great respect and devotion to Catherine, Mrs Frith, the girl’s mother and she asked him to marry her daughter and look after her. From the way he tells it, Saunders suspects that Christessen was actually in love with the mother, who gave him the kind of love and security he had lacked since coming out to the East as a vulnerable young man. Anyway, when Catherine passed away, Christessen promised to keep his vow.

That night big simple Christessen goes back up to the nutmeg plantation where he spent so many happy days as a young man. He sits in the rocking chair outside the darkened building while everyone is asleep and reveries about the old days.

Which is why he is startled when an upstairs French window – which he knows is Louise’s  – opens, Louise comes out onto the verandah, beckons someone else, and a man’s figure tiptoes out, climbs over the balustrade and drops to the garden beneath.

Louise goes back into her room and silently closes the window, but in those few moments Christessen has walked over to the figure on the ground, which is still fastening his shoes. Christessen hauls him to his feet and starts strangling him, without thought or remorse. Someone has been with his beloved Louise. He will kill him.

Until a stifled squeak makes him look again and – he realises that the man is none other than Fred Blake – the young man he’d come to look on as a new best friend, as a younger brother to mentor and look after.

Horrified Christessen lets Blake drop to the floor choking, and staggers off into the night.

To cut a long story short, Blake recovers, puts his boots on, goes very cautiously down the road back into town, and heads for Christessen’s house, determined to find out what on earth the big Dane was doing outside the Frith house, and why on earth he attacked him like that.

Remember: Blake doesn’t know that Christessen considers himself engaged to Louise. Only we know this because Maugham created the scene where Christessen explains it all to Dr Saunders.

Blake arrives at the hotel room where Christessen lives, opens the door, tiptoes in, lights a match – and sees the big man lying on the floor with half his head shot away. He has committed suicide.

Terror-stricken, Blake stumbles out and blunders across town to Saunders’s hotel, where he wakes the good doctor from a pleasant opium haze.

Saunders listens impassively to Blake’s confused story – and then tells him that the Dane was engaged to Louise. Blake is horror stricken and collapses in tears. He is devastated at causing the death of his big strong friend. And hates Louise for not telling him about the engagement.

For him, Blake, she was just another bit of skirt who threw herself at him because he is so damn handsome – if he’d had any idea they were engaged he’d never have slept with her. Why oh why didn’t she tell him? Saunders gives Blake a knockout shot of morphine and they both go back to sleep.

In the morning the Dutch police call as a formality. They have found Christessen’s body and can see that it was obviously suicide, they just want to double check his last movements. So Saunders gives an accurate description of Erik’s coming to have a drink with him the night before, then leaving, at which point everything had seemed alright.

The police attribute Christessen’s suicide it to the intense loneliness of the East which undermines so many good men. Blake is in the clear.

Blake’s story

So far so suddenly and abruptly, melodramatic. But as if this wasn’t enough, the book now lets us in on the reason Fred Blake is on the run. This is the result of another tragic love affair.

Blake’s father is a successful and influential lawyer in Sydney. Among his many contacts is an important politician, Pat Hudson. Blake’s dad has him and Mrs Hudson round for dinner. Unfortunately, Mrs Hudson – thin, old, a bit leathery – falls head over heels in love with handsome young Blake. (Blake tells this long convoluted story to Saunders in by far the longest chapter in the book, which lasts 25 pages.)

Blake and Mrs Hudson have sex everywhere. She is voracious. She is imaginative and teaches him all sorts of new tricks (I thought this must be a bit racy for a novel published in 1932). She takes insane risks of being caught or seen. She wants to live dangerously.

Eventually Blake gets sick and tired of it all, and tries to end the affair. She refuses to take no for an answer, bombards his home and office with phone calls, sends letters, waits outside his office morning, noon and night. She becomes a stalker.

Finally, Mrs Hudson sends Blake an unusually sober and sensible letter saying she sees his point, maybe he is right, maybe they should call it a day, but she has to tell him that her husband has been told some gossip  about them and now suspects. Can she see him just one last time so they can straighten their stories out about the few times they’ve been seen (at the cinema together, things like that)?

Naively, Blake agrees and goes along to her house. Mrs Hudson starts off the conversation by continuing with the line about getting their stories straight. But then she asks for just one last goodbye kiss, then a goodbye grope and then — then she begs him to make love to her one last time.

Weak as only a young man can be, Blake agrees, and they are in mid-coitus when the door opens and the husband walks in. Seeing his wife being penetrated by young buck, no-nonsense Pat Hudson strides over to Blake without a word and attacks him. They have one hell of a fight, punching, wrestling, pushing, throwing, smashing up all the furniture.

Eventually Pat Hudson has Blake in a death grip on the floor, kneeling on his neck and intending to snap it when Blake, scrabbling around with his hands, feels a gun being placed into one of them. He grabs it and fires. Hudson falls off him. Blake fires again. Hudson is dead. There is blood everywhere.

He realises that Mrs Hudson planned it all. She lured Blake into her honey trap and made sure her husband would come home to find them, all the time having a loaded gun to hand. Now she wants to run away with him to America and get married and make love to him all day long.

Appalled by what has happened, Blake staggers home, tries to eat an ordinary dinner with his mother and father, but breaks down and tells them everything. His father is a hard case. A general election is due and Hudson was a vital supporter of Blake Senior’s Labour Party. This adds a power political element to an already messy situation. His dad decides Fred will have to ‘disappear’. He contacts one of his best fixers to find a boat and a skipper who won’t ask any questions. For the time being, to avoid the police investigation, Fred is admitted to hospital on suspicion of having scarlet fever – this will put the cops off the trail and also stall Mrs Hudson.

A few days later, his dad gets Blake spirited out of the hospital and onto the same lugger Captain Nichols had been deposited on only half an hour before. At this point the backstory and the main narrative join up. Now Dr Saunders understands why Blake was so nervy right from the start, and this also fills in all the background to Captain Nichols’ story of being hired by a mystery man.

It also explains the couple of occasions on their cruise together, when Nichols or Saunders have had the opportunity to read fresh newspapers from Australia (always at a premium in the East) and Fred has hidden or thrown them away.

Then, in one of them, he had read that Mrs Hudson, widow of the leading politician Pat Hudson, had been found hanged, obviously being distraught at the still unsolved murder of her husband and having committed suicide.

Blake is even more horror-stricken. His father obviously arranged the ‘suicide’. She was mad and obsessive, but… they had slept together, he knew her, he feels awfully to blame for her ‘death’.

And now, as the story arrives back at ‘the present, Blake tells Saunders how he feels like a doomed man, a fated man. Everywhere he turns his handsome good looks attract women and instead of innocent fun and games, somehow it always seems to lead to death and disaster.

All this time Saunders has listened, the great collector of human stories, the connoisseur of human weakness and foll, with a grim detached expression on his face.

It’s at this moment, with a distraught Blake sitting in Saunders’ hotel room, that the door opens and Louise walks in. They stare intently at each other, neither talking, Blake with genuine hatred in his eyes. Louise leaves without a word. Later that day, the Fenton sails, carrying off Blake and Captain Nichols (never, alas, to be met again in Maugham’s fiction. I would pay good money for another novel featuring the shifty rascal Nichols – a very enjoyable character).

Dr Saunders pays a final visit to the house of Frith, encountering mad old Swan and Louise, who he is surprised to find completely calm and self-possessed.

Coda

In the last chapter, a month later, Doctor Saunders is sitting on the terrace of the van Dyke Hotel in Singapore when Nichols approaches him, looking down at heel and seedy.

Know what happened? That kid Blake disappeared overboard, fell or jumped. The sea was dead calm. It was night time, they’d been drinking, Blake had been low, Nichols went to bed, Blake wasn’t there in the morning.

What’s worse the boy had won almost all the money Nichols was paid for doing the job of spiriting him away, the £200, off him at cribbage.

After he’d disappeared, Nichols broke into Blake’s strong box but there was no money in it. The kid must have put all the money in a belt and been wearing it when he jumped. The doctor is dismayed and just about to ask some questions when Nichols goes pale and – his wife comes up to him, the legendary wife who he is always trying to avoid. Without further ado she commands the rough old sea captain to get up and follow her immediately, which he does like a scolded child. Comedy.

Leaving the doctor never to know the complete story, leaving him remembering the slow, calm, self-possessed movements of beautiful young Louise, the still centre of this perfect emotional storm.

Conclusion

This bald summary of the rather complicated plot doesn’t convey the real experience of the book, which is one of civilised and leisurely observation of some wonderful characters.

the fat old philosopher is a corker, particularly the scene where he arrives in great deliberation at Dr Saunders’ hotel room to read to the good doctor an excerpt from his ongoing translation of The Lusiads and Saunders, despite his best efforts to the contrary, falls asleep.

It contains hundreds of moments of acute perception and insight. I particularly liked the character of the rather mad old Swan, owner of the plantation where Frith and the fragrant Louise live. In our own day, everyone is so earnest about mental health and social care and Alzheimer’s. In an old-world author like Maugham, old people are more free to be weird and strange, as I remember them from my own boyhood.

Swan talked in a high cracked voice with a strong Swedish accent, so that you had to listen intently to understand what he said. He spoke very quickly, almost as though he were reciting a lesson, and he finished with a little cackle of senile laughter. It seemed to say that he had been through everything and it was all stuff and nonsense. He surveyed human kind and its activities from a great distance, but from no Olympian height – from behind a tree, slyly, and hopping from one foot to another with amusement. (Chapter 20)

Later, Louise comments on her grandfather:

‘Old age is very strange. It has a kind of aloofness. It’s lost so much that you can hardly look upon the old as quite human any more. But sometimes you have a feeling that they’ve acquired a sort of new sense that tells them things that we can never know.’

Having lived through the old age, illness and dementia of both my parents, I know what she means. The really old are uncanny, no longer relating to our world of deadlines and urgency, living by their own pace, and party to incommunicable truths.

Three traits

Maugham’s books have three characteristics: every page displays examples of his odd, rather clumsy non-English way with the English language; there are repeated meditations on the pointlessness and absurdity of existence; almost all his characters seem to have blue eyes.

Maughamese

Just a few examples of his odd clunky way with the English language.

  • There were few Chinese, for they do not settle where no trade is.
  • The grand houses of the old perkeniers, in which dwelt now the riff-raff of the East.
  • There was a wide space in front of it, facing the sea, where grew huge old trees, planted it was said
    by the Portuguese.
  • Often it is the same with men, with Anglo-Saxons at all events, to whom words come difficultly.
  • He was surprised and a trifle touched by the emotion that with this shy clumsiness fought for expression.
  • She gave them both a cool survey in which was inquiry and then swift appraisement.

Blue eyes

Fred Blake was a tall young man, slight but wiry, with curly, dark brown hair and large blue eyes. He did not look more than twenty. In his dirty singlet and dungarees he looked loutish, an unlicked cub, thought the doctor, and there was a surliness in his expression that was somewhat disagreeable; but he had a straight nose and a well-formed mouth.

Captain Nichols looked at him with his little shifty blue eyes and his grinning face was quick with malice.

The little old man had very pale blue eyes with red-rimmed, hairless lids, but they were full of cunning, and his glance was darting and mischievous like a monkey’s.

She wore nothing but a sarong of Javanese batik, with a little white pattern on a brown ground; it was attached tightly just over her breasts and came down to her knees. She was barefoot… Dr Saunders noticed that her brown hands were long and slender. Her eyes were blue. Her features were fine and very regular. She was an extremely pretty young woman.

The meaning of life

Maugham was an atheist. There is no meaning of life. It is all a dream. On this Dr Saunders with his opium trances, and Frith with his lengthy expositions of Eastern philosophy, agree.

But Saunders expresses another recurrent Maugham trope, which is the sheer oddity, the surreality, of pondering the way that all organic life has crawled out of the protozoic slime, struggled into multi-cellular life, fought and died and triumphed for billions of years – and all to arrive at the peculiar and random moments of life and death which Saunders, as a doctor, has witnessed first hand again and again.

There’s no ‘why’ to any of this – just wonder that it should be, and a connoisseur’s savouring of the infinite absurdity of existence. Here is Saunders attending a Japanese pearl diver who is dying of dysentery.

But in the hold where the pearl shell was piled, on one of the wooden bunks along the side, lay the dying diver. The doctor attached small value to human life. Who, that had lived so long amid those teeming Chinese where it was held so cheap, could have much feeling about it? He was a Japanese, the diver, and probably a Buddhist. Transmigration? Look at the sea: wave follows wave, it is not the same wave, yet one causes another and transmits its form and movement. So the beings travelling through the world are not the same today and tomorrow, nor in one life the same as in another; and yet it is the urge and the form of the previous lives that determine the character of those that follow. A reasonable belief but an incredible. But was it any more incredible than that so much striving, such a variety of accidents, so many miraculous hazards should have combined, through the long aeons of time, to produce from the primeval slime at long last this man who, by means of Flexner’s bacillus, was aimlessly snuffed out? Dr Saunders thought it odd, but natural, senseless certainly, but he had long made himself at home in the futility of things. (Chapter 11)

‘At home in the futility of things’. Very comfortably at home. That is the Maugham mood.

He awoke in the morning with a clean tongue and in a happy frame of mind. He seldom stretched himself in bed, drinking his cup of fragrant China tea and smoking the first delicious cigarette, without looking forward with pleasure to the coming day… and Ah Kay brought him his breakfast out on the veranda. He enjoyed his papaya, he enjoyed his eggs, that moment out of the frying-pan, and he enjoyed his scented tea. He reflected that to live was a very enjoyable affair. He wanted nothing.
He envied no man. He had no regrets. The morning was still fresh and in the clean, pale light the outline of things was sharp-edged. (Chapter 19)

Maugham isn’t a great novelist, and often struggles with the English language, but he is just such damn fine company!


Related links

Somerset Maugham’s books

This is nowhere near a complete bibliography. Maugham also wrote countless articles and reviews, quite a few travel books, two books of reminiscence, as well as some 25 successful stage plays and editing numerous anthologies. This is a list of the novels, short story collections, and the five plays in the Pan Selected Plays volume.

1897 Liza of Lambeth
1898 The Making of a Saint (historical novel)
1899 Orientations (short story collection)
1901 The Hero
1902 Mrs Craddock
1904 The Merry-go-round
1906 The Bishop’s Apron
1908 The Explorer
1908 The Magician (horror novel)
1915 Of Human Bondage
1919 The Moon and Sixpence

1921 The Trembling of a Leaf: Little Stories of the South Sea Islands (short story collection)
1921 The Circle (play)
1922 On a Chinese Screen (travel book)
1923 Our Betters (play)
1925 The Painted Veil (novel)
1926 The Casuarina Tree: Six Stories
1927 The Constant Wife (play)
1928 Ashenden: Or the British Agent (short story collection)
1929 The Sacred Flame (play)

1930 Cakes and Ale: or, the Skeleton in the Cupboard
1930 The Gentleman in the Parlour: A Record of a Journey From Rangoon to Haiphong
1931 Six Stories Written in the First Person Singular (short story collection)
1932 The Narrow Corner
1933 Ah King (short story collection)
1933 Sheppey (play)
1935 Don Fernando (travel book)
1936 Cosmopolitans (29 x two-page-long short stories)
1937 Theatre (romantic novel)
1938 The Summing Up (autobiography)
1939 Christmas Holiday (novel)

1940 The Mixture as Before (short story collection)
1941 Up at the Villa (crime novella)
1942 The Hour Before the Dawn (novel)
1944 The Razor’s Edge (novel)
1946 Then and Now (historical novel)
1947 Creatures of Circumstance (short story collection)
1948 Catalina (historical novel)
1948 Quartet (portmanteau film using four short stories –The Facts of Life, The Alien Corn, The Kite and The Colonel’s Lady)
1949 A Writer’s Notebook

1950 Trio (film follow-up to Quartet, featuring The Verger, Mr. Know-All and Sanatorium)
1951 The Complete Short Stories in three volumes
1952 Encore (film follow-up to Quartet and Trio featuring The Ant and the GrasshopperWinter Cruise and Gigolo and Gigolette)

1963 Collected short stories volume one (30 stories: Rain, The Fall of Edward Barnard, Honolulu, The Luncheon, The Ant and the Grasshopper, Home, The Pool, Mackintosh, Appearance and Reality, The Three Fat Women of Antibes, The Facts of Life, Gigolo and Gigolette, The Happy Couple, The Voice of the Turtle, The Lion’s Skin, The Unconquered, The Escape, The Judgement Seat, Mr. Know-All, The Happy Man, The Romantic Young Lady, The Point of Honour, The Poet, The Mother, A Man from Glasgow, Before the Party, Louise, The Promise, A String of Beads, The Yellow Streak)
1963 Collected short stories volume two (24 stories: The Vessel of Wrath, The Force of Circumstance, Flotsam and Jetsam, The Alien Corn, The Creative Impulse, The Man with the Scar, Virtue, The Closed Shop, The Bum, The Dream, The Treasure, The Colonel’s Lady, Lord Mountdrago, The Social Sense, The Verger, In A Strange Land, The Taipan, The Consul, A Friend in Need, The Round Dozen, The Human Element, Jane, Footprints in the Jungle, The Door of Opportunity)
1963 Collected short stories volume three (17 stories: A Domiciliary Visit, Miss King, The Hairless Mexican, The Dark Woman, The Greek, A Trip to Paris, Giulia Lazzari, The Traitor, Gustav, His Excellency, Behind the Scenes, Mr Harrington’s Washing, A Chance Acquaintance, Love and Russian Literature, Sanatorium)
1963 Collected short stories volume four (30 stories: The Book-Bag, French Joe, German Harry, The Four Dutchmen, The Back Of Beyond, P. & O., Episode, The Kite, A Woman Of Fifty, Mayhew, The Lotus Eater, Salvatore, The Wash-Tub, A Man With A Conscience, An Official Position, Winter Cruise, Mabel, Masterson, Princess September, A Marriage Of Convenience, Mirage, The Letter, The Outstation, The Portrait Of A Gentleman, Raw Material, Straight Flush, The End Of The Flight, A Casual Affair, Red, Neil Macadam)

2009 The Secret Lives of Somerset Maugham by Selina Hastings

The Gentleman in the Parlour by W. Somerset Maugham (1930)

Laughter is the only reality. (Chapter 9)

Maugham is very candid in his preface about his motives in writing this book. It was 1922 and he was an established and very successful author, of novels and also a series of smash-hit West End plays. He fancied a break from writing novels, had written one travel book (On a Chinese Screen) more or less by accident, worked up from notes on a journey and now, having seen how it was done, he fancied undertaking another journey but this time with the conscious aim of writing a carefully composed and crafted travel book.

The preface explains that, whereas the novel is necessarily a mongrel form, since dialogue, descriptions of scenery, moments of comedy or moments of tragedy, require the novelist to vary his style to be appropriate for each of these different moments, by contrast the travel book need contain no such varieties of tone.

Here prose may be cultivated for its own sake. You can manipulate your material so that the harmony you seek is plausible. Your style can flow like a broad, placid river and the reader is borne along on its bosom with security; he need fear no shoals, no adverse currents, rapids, or rock-strewn gorges.

The travel book can be an essay in style.

The journey

In Ceylon Maugham met a British government official who recommended he visit Keng Tung, in the remote Shan States in the north of Burma. So Maugham sailed to Rangoon, travelled on to Mandalay, where he set off by mule for the remote Keng Tung. After 26 days he arrived and recorded his impressions before carrying on to the Thai border, whence he travelled by car to Bangkok. Then by boat to Cambodia, a trek to the famous temple complex at Angkor Wat, another river trip to Saigon and then a coastal journey via Hue to Hanoi.

At this point the narrative ends, though Maugham went on to Hong Kong, crossed the Pacific, the United States, and the Atlantic, returning to London to resume his career as author and socialite.

Pause for reflection

The main thing about this book is that he waited until seven years after the trip to write it i.e. it wasn’t knocked out in the heat of the moment for money. Maugham gave himself seven years in which to shape and craft the narrative. Hence the way the preface emphasises style over impact and hence the book’s very leisurely, patrician prose. And also the fact, brought out in biographies and in Paul Theroux’s fascinating introduction, that the content of the book is highly manipulated. Not to put too fine a point on it, Maugham made stuff (particularly people) up, and by the same token, omitted a lot of important facts.

Most obviously, Maugham travelled with his long term partner, Frederick Haxton, and it was Haxton who made all the necessary arrangements, organised all travel and accommodation details, as well as approaching and befriending people of all classes throughout the journey, something Maugham was very bad at because of his stammer and his shyness. But in the book Haxton never appears, Maugham appears to have no white companion at all. On the contrary, the strong impression is given is that Maugham was an intrepid and solo traveller.

Meeting people

Throughout the book (and indeed throughout his short stories) the narrator describes the way he has a special skill at extracting confidences and anecdotes from the people he meets. Indeed there is a quotable paragraph which I’ve read quoted in other introductions and articles about Maugham, where he analyses the special skill he has in gaining people’s confidence and hearing their stories.

Often in some lonely post in the jungle or in a stiff, grand house, solitary in the midst of a teeming Chinese city, a man has told me stories about himself that I am sure he had never told to a living soul. I was a stray acquaintance whom he had never seen before and would never see again, a wanderer for a moment through this monotonous life, and some starved impulse led him to lay bare his soul. I have in this way learned more about men in a night (sitting over a siphon or two and a bottle of whiskey, the hostile, inexplicable world outside the radius of an acetylene lamp) than I could if I had known them for ten years. If you are interested in human nature it is one of the great pleasures of travel. (p.32)

Thus the narrative includes a number of stories confided in him by the people who he meets:

  • The story of Masterson, the decent white man who takes a native wife and has three pretty children but, when she asks him to formally marry her, can’t bring himself to; he wants to eventually retire in dignity to Cheltenham. And so she leaves him as Maugham finds him a few months later, desolate and abandoned.
  • The haunting episode with the Italian priest living in a hand-built mission in the remotest part of the Burmese jungle.
  • The Frenchman in the teak forest who bursts into tears over a couplet of Verlaine.
  • The florid cast of characters aboard the ship from Bangkok to Saigon, including a soulful Italian tenor, an ugly little French governor and his statuesque wife, and the Wilkins, the cheerful American owners of a travelling circus.
  • The lengthy encounter with a man named Grosely who approaches him at his hotel in Haiphong claiming to have known him at medical school in London back in the early 90s. Now he is raddled and gone to seed. He invites Maugham to his squalid rooms in the roughest part of the native quarter where he lives with a retired prostitute he’s married, and offers him a pipe of opium (which Maugham refuses) before telling him the strange and sad story of his life: to wit, he made a fortune working as a tide waiter in China, taking bribes from opium smugglers, all the time fantasising about returning to London. When, after 20 years, he finally returned to London with a fortune, he found it bigger, noisier, unfriendlier than he remembered, the women stand-offish, the men snobby. Eventually, he realised he preferred the East and headed back towards China but was overcome by fear that, now, his memories of China would prove equally as false. So he stopped off at Haiphong on a temporary basis, and said he’d complete the trip any day now. He’d been saying that for five years. Another of Maugham’s subtle grotesques.

It is a bit of a shock to learn that some of these stories appeared elsewhere, in magazines, as fictions. I also noticed several passages of ruminant meditation which appear in some of the short stories. For Maugham the borderline between fiction and fact was obviously pretty porous, as were the borders of his texts: if a passage worked, why not use it elsewhere? appears to have been his practice.

Also, once I had really soaked up his leisurely bookish approach to travelling, it began to dawn on me that Maugham is a collector of people. He relishes their peculiarities and absurdities, their sad love stories, their ridiculous passions.

Reading this book doesn’t shed much light on the factual background of the British Empire in the East (none, really); but it makes you realise that a lot of his short stories are like those glass display cases in which Victorian collectors kept stuffed specimens, of exotic birds and rare butterflies pinned to boards. Only Maugham’s stuffed exhibits are people.

Maugham himself describes how he has to sit through countless boring dinners and endless chat over whiskey and soda at the club, before the magic moment arrives and a person discloses themself, reveals the nugget, their essence, the one great story they have about their lost love or their great triumph or a ghoulish murder, which excites his imagination, which fuels him, which he can work up into one of his wonderful short stories.

Descriptions

I expected there to be lots of anecdotes about people but was surprised that there is quite so much description of landscape, not necessarily Maugham’s strongest point. Particularly on the first part of the trip, the 26 day mule trek through jungle, up into mountain, and across wide sluggish Burmese rivers, there are many passages of description worth stopping and savouring.

Then, the muleteers’ duties accomplished and the servants having unpacked my things, peace descended upon the scene, and the river, empty as though man had never adventured up its winding defiles, regained its dim remoteness. There was not a sound. The day waned and the peace of the water, the peace of the tree-clad hills, and the peace of the evening were three exquisite things. There is a moment just before sundown when the trees seem to detach themselves from the dark mass of the jungle and become individuals. Then you cannot see the wood for the trees. In the magic of the hour they seem to acquire a life of a new kind so that it is not hard to imagine that spirits inhabit them and with dusk they will have the power to change their places. You feel that at some uncertain moment some strange thing will happen to them and they will be wondrously transfigured. You hold your breath waiting for a marvel the thought of which stirs your heart with a kind of terrified eagerness. but the night falls; the moment has passed and once more the jungle takes them back. It takes them back as the world takes young people who, feeling in themselves the genius which is youth, hesitate for an instant on the brink of a great adventure of the spirit, and then engulfed by their surroundings sink back into the vast anonymity of mankind. The trees again become part of the wood; they are still and, if not lifeless, alive only with the sullen and stubborn life of the jungle. (Chapter 14)

Maughamese

Having pointed this out in reviews of his short stories I had vowed not to mention it in this review, but Maugham really does have a cranky way with the English language.

  • I took to the road once more. One day followed another with a monotony in which was nothing tedious. (Chapter 15)
  • I had with me a number of books that would have improved my mind and others, masterpieces of style, by the study of which I might have made progress in the learning of this difficult language in which we write. (Ch 15)
  • I had wandered so long through country almost uninhabited that I was dazzled by the variety and colour of the crowd. (Chapter 18) This is French word order, placing the adjective after the noun
  • There are perhaps a dozen monasteries in Keng Tung and their high roofs stand out when you look at the town from the little hill on which is the circuit-house. (Chapter 21) ‘on which is’ sounds like a German expression to me; it’s not natural English.

What’s so odd is that Maugham makes several explicit references to his struggle to write elegantly and yet so continually fails to do so. He was born and bred in France till the age of ten. French was his first language, and it was obviously a lifelong battle to shake off the influence of French word order, a battle he never won.

In fact the struggle to write clearly is so obviously a theme of the book and his seven-years’ labour on it that he devotes a paragraph to a typically candid and self-deprecatory account of his own style.

When I was young I took much trouble to acquire a style; I used to go to the British Museum and note down the names of rare jewels so that I might give my prose magnificence, and I used to go to the Zoo and observe the way an eagle looks or linger on a cab-rank to see how a horse champed so that I might on occasion use a nice metaphor; I made lists of unusual adjectives so that I might put them in unexpected places. But it was not a bit of good. I found I had no bent for anything of the kind; we do not write as we want but as we can, and though I have the greatest respect for those authors who are blessed with a happy gift of phrase I have long resigned myself to writing as plainly as I can. I have a very small vocabulary and I manage to make do with it, I am afraid, only because I see things with no great subtlety. I think perhaps I see them with a certain passion and it interests me to translate into words not the look of them, but the emotion they have given me. But I am content if I can put this down as briefly and baldly as if I were writing a telegram. (Chapter 37)

This is both true and not true. Maugham is obviously posing (to himself as well as to his readers) as a man of simple tastes and plain prose. And it is an accurate description of some of his prose. But not all of it. Throughout his texts the prose is continually troubled by efforts at fine writing, description and philosophical lucubrations. He may have believed this account when he wrote it – or he may be cannily offering it to the reader as an apology and a claim to our sympathy – but it is far from being the whole story of this man’s odd and lifelong struggle with the English language.

The most important thing about this paragraph is its positioning, in the middle of what turns out to be the longest descriptive passage in the book, a love letter to the wondrousness of the temple complex at Angkor Wat, which continues on to a lyrical paean to the sculpture and art of the ancient Khmers. Maugham’s claims to prosy simplicity are themselves just an element in his tricksiness. It’s part of his appeal.

A life of ease

The struggle Maugham so visibly has to write basic, clear English prose sheds ironic light on the claim in the preface that the book will be an ‘exercise in style’.

So much so that I think we do best to stop applying it to his style of language and apply it more accurately to his style of living. More than descriptions of jungle or temples, more than anecdotes about white men in remote imperial outposts, what the book radiates is Maugham’s love of ease and leisure. Travelling by river is calm and monotonous. Day follows day on the mule trek across the mountains, all merging into one. Arriving at the little government bungalows along the way, he immediately makes himself at home. Two pages are devoted to describing his cook (unsatisfactory, eventually fired). Every morning his loyal Gurkha servant brings freshly ground coffee. When he finally arrives at a town with modern facilities he is in clover.

It was pleasant to have nothing much to do. It was pleasant to get up when one felt inclined and to breakfast in pyjamas. It was pleasant to lounge through the morning with a book.

He makes a great point of not knowing anything. He doesn’t read any guidebooks or mug up on local history. He satirises that approach in the (fictional?) character of a Czech who, he claims, is up early and out to take notes on all the different Buddhist temples in pagan, and has made a life’s study of acquiring general knowledge. He is, by his own admission, ‘a mine of information’. Maugham mocks him. He prefers to skim across the surface of things, letting his imagination project stories, snatches of dialogue, really glorified whims and fancies, onto the surface of people, scenery, places and landscapes.

I travelled leisurely down Siam. (Chapter 26)

The key words are: leisurely, nonchalant, ease, peace, laze, loll, lie, lounge, bath, verandah, smoke. Wherever he finds himself, Maugham regularly takes out his pipe and has a calming, relaxing smoke. In the depths of the jungle after 26 days’ journey by mule, he fantasises of a hotel where he can toast his toes by a fireside and lounge in an easy chair with a comfortable book. Above all, Maugham conveys a sense of quite wonderful, bookish, rather frivolous ease and leisure.

To ride in a teak forest, so light, so graceful and airy, is to feel yourself a cavalier in an old romance. (Chapter 26)

I think it is this, this ability to be at home, relaxed, to find the lazy, lyrical sometimes whimsical aspect of any situation, which makes all of Maugham’s books such a pleasure to read. They are extremely relaxing.

Books and art

An indication of the extent to which the book is more an exercise in a certain nonchalant, unflappable style of travelling and a deliberate avoidance of facts and analyses in favour of charming impressions is the steady flow of references to Western art and books: Rembrandt, Titian, Michelangelo, El Greco and Velasquez, Monet and Manet, Veronese and Cimabue are just some of the painters knowledgeably referenced: and Wordsworth, Lamb and Hazlitt (the title of this book is a quote from Hazlitt’s essay about ‘going a journey’), Proust, Bradley the philosopher, Verlaine and La Fontaine, George Meredith, Walter Pater, John Ruskin, Euphues and Sir Thomas Browne are just some of the writers invoked and even quoted.

Thus he is able to write the splendidly contrived and humorous sentence:

The uneventful days followed one another like the rhymed couplet of a didactic poem. (Chapter 24)

A bit later, he writes:

The village street was bordered by tamarinds and they were like the sentences of Sir Thomas Browne, opulent, stately, and self-possessed. (Chapter 26)

Both of which expect of the reader a familiarity with a certain type of rather dusty old literature. This assumption of knowledge is part of the strategy of the prose: you could react badly to it, and dismiss Maugham as a pompous old bore; but I happen to have read my share of didactic rhyming poems and Sir Thomas Browne, so I not only smile in recognition of the reference, but also smile at the preposterousness of the way Maugham’s first thought, lazily sailing down a river in Burma or entering a dusty oriental town, is of very English literary references.

It is this – to us nowadays, maybe forced and pretentious – approach, which is part of what he means when he talks about ‘an exercise in style’.

The British Empire

Modern politically correct, post-colonial critics find tearing into Maugham’s dilettante attitude easy meat. Above all it’s easy to criticise him for not showing a flicker of interest in the government, economy, political situation or native peoples of the countries he passes through. Hopefully my review has made clear by now that that kind of thing is exactly what he was deliberately avoiding, not least because he knows he’s not very good at it. In his own day there was no shortage of left-wing critics (and an entire political party, the Labour Party) writing books and articles attacking the exploitative nature of the British Empire. Maugham knows he is not in the same business, he is in the entertainment business.

That said, right at the start of the book there is a very interesting page where he tackles the issue head-on. He imagines a future historian of the Decline and Fall of the British Empire reading his book and being appalled at the lack of interest it shows in the subject. But what’s interesting is what Maugham has this historian say about the British Empire between the wars, what – presumably – Maugham himself thought about the Empire — and this is that he found it to be ruled weakly and ineffectually.

It is the great paradox of the British Empire that it achieved its largest size between the wars and yet at the same moment was struck by paralysing doubt. Thus Maugham has his future historian lament that the British held their empire with ‘a nerveless hand’, that they held their office only through the force of guns yet tried to persuade the natives they were there on their own sufferance, they offered efficiency and benefits to people who didn’t want them; British power was tottering because the masters were ‘afraid to rule’, lacked confidence in themselves and so commanded no respect from the natives, the British tried to rule by persuasion rather than power, who were troubled by the feeling that they were ‘unfit to rule’.

Though only a page long, it is a fascinating and powerful indictment and goes a long way to explaining the sudden collapse of the Empire after the Second World War.

(Aldous Huxley, a completely different kind of writer, says more or less the same thing about the indecisive shilly-shallying of the British government in India in his book of travels in Asia, ‘Jesting Pilate’.)

Soulful moments

In among the lazy descriptions of jungle and temple, tiffin and evening pipes, are some genuinely thoughtful moments. Not too thoughtful, mind – Maugham goes out of his way to explain that he is not a philosopher (although he likes reading a bit of philosophy every morning before breakfast is served). Nonetheless, a consistent attitude emerges, which is his admiration for simplicity and lack of pomposity.

He admires Buddhism. He admires its simplicity and takes some time to reimagine the circumstances of Prince Gautama’s life and decision to abandon everything. He comes across a tiny village in the remote Burman jungle and ponders that their way of life, handed down from generation to generation, is admirable, honest and pure. He greatly admires the Italian priest labouring in the jungle. He likes the good and the simple.

This rather basic philosophy is reinforced by lyrical descriptions of the peace and mystery of the jungle, and the equally beguiling atmosphere of some of the Buddhist temples. He encounters many of these and so there are many descriptions of the eerie, absorbent quality of the gold-leafed statues of Buddha, especially when the light of the setting sun sets them aglow. Here he is on a houseboat in Ayudha.

When I awoke in the night I felt a faint motion as the houseboat rocked a little and heard a little gurgle of water, like the ghost of an Eastern music travelling not through space but through time. It was worth while for that sensation of exquisite peace, for the richness of that stillness, to have endured all that sight-seeing.

The Gentleman in the Parlour illustration in Radio Times by C.W. Bacon (1950s)

The Gentleman in the Parlour illustration in the Radio Times by C.W. Bacon (1950s)


Related links

Somerset Maugham’s books

This is nowhere near a complete bibliography. Maugham also wrote countless articles and reviews, quite a few travel books, two books of reminiscence, as well as some 25 successful stage plays and editing numerous anthologies. This is a list of the novels, short story collections, and the five plays in the Pan Selected Plays volume.

1897 Liza of Lambeth
1898 The Making of a Saint (historical novel)
1899 Orientations (short story collection)
1901 The Hero
1902 Mrs Craddock
1904 The Merry-go-round
1906 The Bishop’s Apron
1908 The Explorer
1908 The Magician (horror novel)
1915 Of Human Bondage
1919 The Moon and Sixpence

1921 The Trembling of a Leaf: Little Stories of the South Sea Islands (short story collection)
1921 The Circle (play)
1922 On a Chinese Screen (travel book)
1923 Our Betters (play)
1925 The Painted Veil (novel)
1926 The Casuarina Tree: Six Stories
1927 The Constant Wife (play)
1928 Ashenden: Or the British Agent (short story collection)
1929 The Sacred Flame (play)

1930 Cakes and Ale: or, the Skeleton in the Cupboard
1930 The Gentleman in the Parlour: A Record of a Journey From Rangoon to Haiphong
1931 Six Stories Written in the First Person Singular (short story collection)
1932 The Narrow Corner
1933 Ah King (short story collection)
1933 Sheppey (play)
1935 Don Fernando (travel book)
1936 Cosmopolitans (29 x two-page-long short stories)
1937 Theatre (romantic novel)
1938 The Summing Up (autobiography)
1939 Christmas Holiday (novel)

1940 The Mixture as Before (short story collection)
1941 Up at the Villa (crime novella)
1942 The Hour Before the Dawn (novel)
1944 The Razor’s Edge (novel)
1946 Then and Now (historical novel)
1947 Creatures of Circumstance (short story collection)
1948 Catalina (historical novel)
1948 Quartet (portmanteau film using four short stories –The Facts of Life, The Alien Corn, The Kite and The Colonel’s Lady)
1949 A Writer’s Notebook

1950 Trio (film follow-up to Quartet, featuring The Verger, Mr. Know-All and Sanatorium)
1951 The Complete Short Stories in three volumes
1952 Encore (film follow-up to Quartet and Trio featuring The Ant and the GrasshopperWinter Cruise and Gigolo and Gigolette)

1963 Collected short stories volume one (30 stories: Rain, The Fall of Edward Barnard, Honolulu, The Luncheon, The Ant and the Grasshopper, Home, The Pool, Mackintosh, Appearance and Reality, The Three Fat Women of Antibes, The Facts of Life, Gigolo and Gigolette, The Happy Couple, The Voice of the Turtle, The Lion’s Skin, The Unconquered, The Escape, The Judgement Seat, Mr. Know-All, The Happy Man, The Romantic Young Lady, The Point of Honour, The Poet, The Mother, A Man from Glasgow, Before the Party, Louise, The Promise, A String of Beads, The Yellow Streak)
1963 Collected short stories volume two (24 stories: The Vessel of Wrath, The Force of Circumstance, Flotsam and Jetsam, The Alien Corn, The Creative Impulse, The Man with the Scar, Virtue, The Closed Shop, The Bum, The Dream, The Treasure, The Colonel’s Lady, Lord Mountdrago, The Social Sense, The Verger, In A Strange Land, The Taipan, The Consul, A Friend in Need, The Round Dozen, The Human Element, Jane, Footprints in the Jungle, The Door of Opportunity)
1963 Collected short stories volume three (17 stories: A Domiciliary Visit, Miss King, The Hairless Mexican, The Dark Woman, The Greek, A Trip to Paris, Giulia Lazzari, The Traitor, Gustav, His Excellency, Behind the Scenes, Mr Harrington’s Washing, A Chance Acquaintance, Love and Russian Literature, Sanatorium)
1963 Collected short stories volume four (30 stories: The Book-Bag, French Joe, German Harry, The Four Dutchmen, The Back Of Beyond, P. & O., Episode, The Kite, A Woman Of Fifty, Mayhew, The Lotus Eater, Salvatore, The Wash-Tub, A Man With A Conscience, An Official Position, Winter Cruise, Mabel, Masterson, Princess September, A Marriage Of Convenience, Mirage, The Letter, The Outstation, The Portrait Of A Gentleman, Raw Material, Straight Flush, The End Of The Flight, A Casual Affair, Red, Neil Macadam)

2009 The Secret Lives of Somerset Maugham by Selina Hastings

The Scramble for China by Robert Bickers (2011)

Bickers obviously knows a hell of a lot about western intervention in nineteenth-century China – or the story of the Foreign Devils in the Qing Empire 1832-1914, as the book’s sub-title puts it. Unfortunately, he attempts to convey this wealth of information in such a long-winded, round-the-houses manner, choked by a prose style which manages to combine academic jargon and whimsical archaism, that a lot of the time it’s difficult to tease out what he’s on about.

For example, the early chapters open with an unnamed ‘he’ doing something melodramatic and striking, thus creating an arresting opening – but take a page or more getting round to explaining who ‘he’ is, what ‘he’ is doing, where and when and why, thus leaving us in the dark.

They shouldered their way in. At Mr Lindsay’s order, Mr Simpson and Midshipman Stephens put their shoulders against the barred entrance to the Daotai’s quarters and heaved, twice. (Opening of chapter two)

Who? Where? When? Why? Patience, grasshopper. All will be revealed… eventually.

Was it a dream? Were his eyes deceiving him? He pressed forward through the crowd, the report goes, to get a better sight of the strangers, and “immediately began rubbing his eyes”. (Opening of chapter three)

Who? Where etc. Wait. Wait and see. Wait quite a while, in fact, for Bickers to make himself clear.

These teasing anecdotes, once finally explained, themselves take a while to be placed in the wider historical moment, which Bickers tends to explain both repetitively and obscurely. Quite regularly I didn’t know who he was referring to or when because the narrative jumped unpredictably between one set of characters and another, and (very frequently) back and forward over time. The only really consistent thing about his approach is his use of colourless academic phraseology and his scorn for the no-good imperialising westerners.

At first sight there appears to be a good deal of ‘background colour’ – the third chapter prides itself on going into great detail about the role of theatre and opera in Chinese society, from the professional heights of Peking Opera to the most amateur of local productions. Unfortunately, a lot of these purple passages, when you really look at them, merely state the obvious.

To give an example, the ‘he’ described in the opening of chapter three turns out to be a Chinese bystander who’s heard about two Europeans who have arrived out of the blue at Shanghai in – well, the date is lost in the yards of verbiage, I genuinely couldn’t figure it out – and who have blundered into a public opera production. This is Bickers’ cue to write pages about the Chinese opera and theatre tradition. Sounds fascinating, right? Alas, these pages are written thus:

But what was being staged depended on the occasion, and who was paying – the temple, a guild or a private patron. We cannot know, but we do know that the temple and the gathering so rudely interrupted by these bumptious foreign travellers were part of the fabric of Shanghai life and culture, in which were tightly interwoven the sojourning communities of commercial China, men from afar, whose trading activities were a key component of its wealth and importance. (p.59)

This one long sentence informs us that this big temple in Shanghai was part of Shanghai life and culture. Golly. Communities of sojourners (sojourner = ‘a person who resides temporarily in a place’) were – in case you hadn’t twigged – ‘men from afar’. OK. And that the trading activities of travelling merchants ‘were a key component of [Shanghai’s] wealth and importance’. ‘Tightly interwoven’ sounds impressive, doesn’t it? What does it mean, though?

I.e. when you take this grand-sounding sentence to pieces, it doesn’t tell you anything that wasn’t already fairly obvious. This is true for thousands of passages throughout the book: sound great, don’t tell you a thing.

Obscurity 

I’ve gone back and reread the opening pages of chapter three, twice, and I genuinely cannot actually work out when the action quoted above is taking place. You have to wait until three pages into the chapter before there is any reference to an actual date, and then it’s to two dates at once, one or both of which may refer back to a scene described in the previous chapter (I think), a reference which, in turn, required me to go back and double-check those dates.

In other words, this book requires quite a lot of double-checking and cross-referencing just to figure out when the thing is happening. Here’s the date reference I’m talking about:

Understanding what they were congregating for on this dreary October day in 1835 and had been watching on that wet June morning in 1832, and why at a temple, will help us develop a fuller picture of the China that first Lindsay and Gütlzaff, and then Medhurst and Stevens, were so intent on interrupting with their presence. (p.53)

This is what I mean by a round-the-houses manner. The opening of chapter three is deliberately obscure and teasing but… becomes no clearer as it goes on, in fact becomes in many ways more obscure and confusing as it goes on. All that really comes over is Bickers’s anti-British attitude (‘so intent on interrupting’) which is, indeed, the central thread of his account.

All this makes for a very frustrating read. Obviously Bickers knows masses about this subject – it is a tragedy for us readers that he can’t set it down in a straightforward, understandable manner.


The sound of his own voice

Complementing the obscure structuring of the book is the convoluted prose style.

1) Long paragraphs Bickers’ paragraphs routinely last an entire page and often longer, so on opening the book anywhere the reader is faced with a blank wall of words, with no way of breaking the text down into smaller, manageable units of meaning. I continually found myself losing the drift of a 2-page long paragraph, my eyes glazing over, suddenly snapping out of it and then having to go right back to the start to figure out what was happening.

2) Long sentences These mammoth paragraphs are indicative of the book’s general long-windedness. Bickers is reluctant to write a simple declarative sentence. He prefers long, swelling periods, dotted with commas to indicate the proliferation of subordinate clauses and – if possible – the insertion of one or two additional facts in parentheses, to make them as ornate and rhetorically over-wrought as possible.

You know those suitcases which are so over-stuffed you have to sit on them to try and get them closed? Bickers’ sentences are like that. And is this over-stuffing done in the name of presenting the facts clearly? Alas, no. Nine times out of ten it is to achieve an effect of style, a rhetorical repetition of phrases or artful alliteration, the deployment of irony or sarcasm – all techniques which are more suitable to a creative writer than to a historian.

And so, yet again, the Tianhou temple at Shanghai played host to parley, and the crude theatrics of private diplomacy, as Medhurst in particular stood, or rather aimed to sit, on his dignity as yet higher officials, the Customs superintendent (with a foreign cloak, he noted) and the district magistrate, came along in turn to sort things out, and found the foreign intruders rudely rebuffing the requirements of propriety when meeting officials of the great Qing. (p.52)

Note the attempts at humour – ‘or rather aimed to sit’. Note the insertion of a parenthesis, which itself contains two grammatical parts ‘(with a foreign cloak, he noted)’. Note the fondness for alliteration, for the sound of his own style – ‘rudely rebuffing the requirements’. Note that rather than describing or explaining the attitudes of the participants, Bickers prefers to convey them through irony verging on sarcasm – ‘the great Qing’.

Basically, this is a historian trying to write like a novelist.

3) Old fashioned Ironically for someone who is so determined to take a loftily modern, politically correct point of view of the old British Empire, Bickers’ prose, as well as being convoluted to the point of incomprehension, is also addicted to very old-fashioned locutions and vocabulary. Since I often couldn’t work out what he was on about, I found myself drawn to collecting his oddities and archaisms (= ‘a thing that is very old or old-fashioned, especially an archaic word or style of language’):

  • History was ever a public act, but it was also ever a private passion. (p.16)

Leaving aside the fact that this grand sounding period means less the more you think about it, there is the phrasing to savour – ‘ever’ to mean ‘always’? Really? In 1817 certainly. In 1917 maybe. But in 2017? Reading so many Victorian journals, tracts, articles has obviously infected Bickers’ style. But this is far from being a one-off oddity:

  • Lindsay was ever deadly serious, of course, and Medhurst too. (p.75)
  • There were private interactions, too, as there had ever been. (p.224)
  • Music was ever also a private pleasure, a private relief, a source of succour. (p.228)
  • Such confidence in the foreign ability to know China better than the Chinese themselves was to be oft rehearsed. (p.39). ‘Oft’?
  • All understood the law, he averred… (p.41) ‘Averred’?
  • All this fury and posture came to nought. (p.46)
  • The bells in Macao were quieted at the request of his physicians, but it all proved to no avail. (p.46)
  • Emigrants from Fujian, who had long sojourned in the city… (p.54)
  • The colonial consolidation and expansion of the emperor’s predecessors was largely foresworn… (p.66)
  • The Qing could but capitulate… (p.324)

Odd that Bickers is so loftily dismissive of the old imperialist bullies when he himself sounds so like a mutton-chopped lawyer out of Dickens:

  • The tension among the Company men in China persisted thereafter… (p.25)
  • … they aimed to get their complaints heard elsewhere along the coast and transmitted thereby to Peking… (p.26)
  • Scholars have begun in recent decades to look beyond the rhetoric of some schools of Chinese statecraft, particularly insofar as it articulated hostility to commerce.. (p.62)
  • Thereafter he held an intendant post in Zhejiang… (p.72)
  • Charles Elliott, by now the British superintendent of trade, rushed to Canton from Macao in cocked-hatted full dress uniform, evading the blockade and thereby deliberately adding himself to the hostaged fray. (p.78) ‘The hostaged fray’?
  • There were ‘mixed feelings’ from The Times, at the conclusion of a ‘miserable war’, and the ‘ill-gotten gains’ therefrom. (p.84)
  • Jardines had fourteen receiving ships by 1845, and usually ten thereafter… (p.92)
  • Like most of the early missionary community in China, he secured a post with the official British establishment during the war, and turned it into a secure position thereafter… (p.94)
  • In this way they rationalised their operations somewhat. (p.106)
  • Telegraph lines snaked their way thereafter to China. (p.164)
  • [The convicted murderer John Buckley] went quietly to his death, the site guarded by twenty-four policemen in case an attempt was made to rescue him, and he was not thereafter missed. (p.180)
  • For almost a quarter of a century thereafter the firm grew and diversified… (p.185)
  • Thomas Hanbury and his ilk were wedded to their interests in the Settlement at Shanghai… (p.189)
  • At least in Britain there was a Public Records Office, and in principle archives were transferred to public access, but nothing of that like existed in China. (p.376) — I don’t think I’ve ever read ‘like’ being used in this way before. ‘…nothing of that like…’ Surely you or I would write ‘but nothing like that existed in China’, but where would be the fun in that?

Alliteration Alliteration self evidently promotes sound and rhetoric over factual content and meaning.

  • Lindsay instantly resumed a pointed game of protocol and precedence. (p.21)
  • Their later frantic, frequent queries… (p.27)
  • It complained that the authorities in Canton were corrupt, capricious and cruel (p.28).
  • All wanted friendly and fruitful relations… (p.41)
  • They left that afternoon with a promise that a polite and properly formal response to their petition would follow. (p.41)
  • Instead they indulged in recondite debates about terms and texts. (p.73)
  • [Nathan Dunn’s exhibition of chonoiserie in London in December 1841] inspired catcalls and copycats… (p.88)
  • Such consular conveniences, compounded by confusions… (p.107)
  • [The Taiping rebels] fought fanatically and fiercely. (p.120)
  • … fifteen years’ worth of precedent and practice. (p.155)

Maybe Bickers is modelling himself on the lyrics of Gilbert and Sullivan operettas. In at least one place he does in fact directly quote Gilbert & Sullivan – on page 78 referring to the ‘little list’ being used in negotiations with the Chinese, a phrase which is the focus of a well-known song from their operetta about Japan, The Mikado (1885) (in fact, Bickers likes the jokey reference so much, he makes it again on page 194).

Hendiadys and pairing Why use one word when you can use two – ideally alliterating or rhyming – to deliver that knockout rhetorical punch?

  • Confident, nonetheless, they memorialised now more readily and steadily. (p.370)
  • … ongoing debates and disagreements… (p.374)

Fancy-ancy just for the fun of playing with words:

  • These shows… brought curious orientals to accompany the oriental curiosities on display in London. (p.89)
  • As successive reports made their way back to Britain, and as the lobbyists worked their words… (p.80)
  • But abate it they could not, or abate it they would not… (p.113)
  • Nearly all foreigners could or would still only talk a pidgin English… (p.114)
  • The act of uprising – daring to stand and daring to fight… (p.120)
  • But he could not, or would not, pay them. (p.126)
  • Parkes had grown up as British China grew up. He had grown with conflict and he had grown accustomed to conflict. China was his adult life, his only life… (p.138)
  • The men were there to fight and fought there well. (p.162)
  • So Robert Hart had had his fill of life in the foothills of the China apocalypse, had seen how vacuum would follow and violence ensure if the Qing could not hold… (p.196)
  • This new Peking, the object of romantic contemplation, suggested a China that might be appreciated rather than caricatured, and savoured rather than savaged. (p.221)

Singular nouns or nouns without an article This a real addiction of Bickers’ style, it occurs throughout on every page and gives the prose a stilted, hieratic feel:

  • [Lindsay] was ready to perceive slight and note omission… (p.22)
  • Now Lindsay was sailing north without invitation… (p.24)
  • … he and his retinue had been denied audience… (p.24)

Shouldn’t that be, ‘denied an audience’? It’s not wrong, it’s just that denying many of these nouns an article turns them from specific instances or events into lofty-sounding abstractions – makes them and the sentences they appear in just that wafer-thin bit more stilted and precious than they need be. More portentous and pretentious, to adopt Bickers’ own manner.

  • The predictable regularity of the internationalised trading world was periodically upset, as in any port city, by human failing and misadventure… (36)
  • They knew so well many of the possibilities that lay beyond their reach by imperial order, and engaged in shrewd estimate and wild conjecture… (p.65)
  • Nor was [the emperor Daoguang] the despised feudal archaism of the Marxist history of communist-era China, which castigated the failures of the late-Qing monarchs to combat imperialism’s assault. (p.67)
  • Those Napier-ordered bombardments of the Canton forts were simply ‘minnows’ compared with the just desserts of Chinese obstruction and insult that were to be meted out by British warships. (p.77)
  • The British helped inform this comedy of error. (p.86)

As with the other elements of Bickers’ style it gives the impression of acuity and insight without providing any actual information. The proliferation of these rhetorical tricks explains why you can read whole page-long paragraphs, arrive exhausted at the end, and then wonder why you don’t appear to have learned or remembered anything.

  • The Canton RegisterCanton Courier, and the more ambitious and scholarly Chinese Repository, edited by Elijah Bridgman, the first American missionary to China, all conveyed up-to-date news, description and opinion across the seas. (p.36) Why not descriptions?
  • Every contact with Chinese officials was an occasion for slight. (p.44)
  • It administered each in the way which seemed best, or most pragmatic at the time, and given considerations of resource and capacity. (p.69) Why not ‘resources‘?
  • Bouts of fighting were interspersed with parleys and negotiations, and with defence of insecure occupations of Chinese islands… (p.81) Why not ‘the defence’?
  • Stronger still would be the accumulated body of printed and private report… (p.89)
  • … the consequent legal haziness of their operations generated much correspondence and dispute. (p.93)
  • But domestic crisis was no small matter when rumour swept around… (p.114)
  • If stray shots passed over there would be formal complaint and stern rebuke. (p.127)
  • European initiative needed Chinese resource. (p.156)
  • The Customs delivered increasing resource as foreign trade grew… (p.198)
  • The development of official banks of information and report by consul and commissioner… (p.218)

So Used as an emphasiser, and in an unusual position in the word order, in a very old-fashioned way:

  • Indeed it will help if we understand more about the temple itself, which so stood out on the Shanghai waterfront close by the Customs House and under the highest point on the city wall, and which so stands out in these two landmark accounts of foreign visits to the city…This way we can better understand the China of the early 1830s outside the narrow confines of the factories, the roads, Macao, that narrow semi-foreignised sliver of the Canton delta that so overfills accounts of the early Sino-foreign encounters. (p.53)

Indeed, it would have been better for the gentle reader of these rhetorical tricks which so embellish and so adorn the purple prose of this grandiloquent historianographer, if his exuberant verbosity had been somewhat reined in and replaced with useful and understandable factual content.

Presage Bickers likes this word.

  • The foreign traders, all of them, were to be held hostage for the drug, without fresh food, without their servants, worried that the commissioner’s little list… presaged individual arrests and possibly torture. (p.78)
  • The sight of the burning buildings… presaged some more years of violent Canton problems. (p.101)
  • All such minor disturbances of men and women could presage consular grief. (p.114)
  • An estimated 7 million people were affected by the floods and dyke-failures that presaged the great change [of the course of the Yellow River in 1851] (p.136)
  • This turn to antique China also presaged the opening of another front in the foreign campaign. (p.221)
  • Margary’s slaughter presaged another round in China’s despoliation… (p.260)
  • The new blockade was to presage a new phase in the campaign… (p.296)

The use of ‘presage’ is typical of Bickers’s preference for the orotund and bombastic as opposed to the plain and simple.

Inversions of normal sentence order which makes sentences sometimes difficult to understand.

  • Quickly to the Company’s aid came instead other parties and volunteers… (p.26)
  • What commercial bliss it was that hot Canton spring… (p.78)
  • Rare it was that ‘the preacher commences and ends his discourse without a single intervention’. (p.111)
  • Always in Peking, I think, someone will in fact have heard him. Always someone will have heard the young foreigner belting out song in the capital’s dry air. (p.229)
  • Always there were exceptions… (p.249)
  • Fearful too were Chinese residents and local authorities. (p.349)

Incomprehensible In fact the combination of all the above tricks and jackanapary makes some sentences simply incomprehensible.

  • And what was eventually left over, why, when the hullaballoo was over, and when Lin’s officers had spent three weeks in April and May overseeing the smashing of the balls of opium and their flushing out to sea at Humen, close by the Linten anchorage, then what a market there was for it, and what prices it could now fetch discreetly, much more discreetly, sold along the coast to friends disappointed by the diversion of the spring stock. (p.79)
  • Along the coast with the British Cantonese went nonetheless, or followed soon after. (p.101)
  • Gods of ignorance and bafflement reigned over the China theatre. (p.397)

Sojourners sojourning As mentioned above, a sojourner is ‘a person who resides temporarily in a place’. Lots of westerners came out to newly-opened-up China to make a quick fortune then go home; they are pretty obviously ‘sojourners’, if you choose to use this antique term. But lots of Chinese, both native and immigrants from the south-east Asian diaspora, also came to ‘sojourn’ in the new Crown colonies Britain had wrested from China. Hence there was a whole lot of sojourning going on, and the text doesn’t let us forget it:

  • Sojourners and settlers prefer familiarity to adaptation… (p.62)
  • [The Qing empire] was well used to dealing with sojourners from outside its formal domain… (p.69)
  • Cantonese migrants and sojourners were quick to see additional value in association with the British… (p.102)
  • Robert Fortune’s second sojourn in China… (p.105)
  • They [westerners] were sojourners, mostly… Their sojourns were not short. (p.117)
  • Shanghai itself fell on 7 September 1853 to a sojourner coup. (p.125)
  • The sojourner was mentally relocating, settling in, his sense of where he formally belonged shifting. (p.168)

Personification

  • Arrogant opium swaggered its way along to the newly opened ports. (p.92)

Not traditional history writing, is it?

Tired and jaded

It is an oddity of this book that Bickers’ tone is tired and jaded with the whole western adventure in China before it has even started. Very early on he starts using phrases like ‘once again’ and ‘yet again’, when in fact what he’s describing is happening for the first time. This quickly conveys to the reader that Bickers is frightfully bored with the oh-so-predictable cultural misunderstandings or western bullying or the absurd scenes of everyone standing on their dignity which he depicts.

  • At Shanghai as at Hong Kong, and in every foreign community, such sentiments… were to be expressed again and again… (p.134)
  • Again it all began in Canton… (p.136)
  • And here we are again at the closed gates of the city and at the closed door of the yamen… (p.146)
  • It was the old story, of China coast savviness about Chinese duplicity… (p.213)

This tone conveys the regrettable sense that Bickers feels blasé and superior to the events he’s describing and the poor saps enacting them. If only the human race had given Bickers something a bit more interesting and novel to write about! There’s a striking passage which introduces the First Opium War where he tells us how awfully over-familiar the whole thing is:

The course of events that followed are well known. How Lin Zexu was sent as a special commissioner to investigate the problem in Canton and to put a stop to the trade, how he made his way overland to the city and set about making his mark: all of this has been much narrated. (p.77)

Is it well known, though? Has it been much narrated? Do you know all about Lin Zhu and his overland trek and what happened next? I certainly didn’t. In fact, that’s why I’m reading a book about the scramble for China, precisely to learn about this history, not to be patronisingly told that I ought to know all about it all already.

This passage (there are plenty more in the same vein) crystallised my feeling that Bickers is far too close to his subject matter and makes a kind of rookie error in assuming that his readers share his specialised knowledge and are all as blasé and bored by it as he is.

But many of us have barely heard any of this story before and it is his responsibility to tell it to us. Alas, Bickers is so over-familiar with events that he has to resort to fancy prose and attitudinising to keep his own interest up. I, on the other hand, was hoping for a simple, reliable and clearly written account of the events of these hundred years in China.

Alas, I didn’t get it here. Bickers’ account of the First Opium War is confusing, but not as confusing and partial as his account of the Taiping Rebellion (1850-64) on pages 118 to…. well… his account just fizzles out somewhere ten pages later – which I was particularly looking forward to. As if determined to confuse, he begins his account of the Taiping Rebellion, one of the most epic events in world history, in mid-chapter, after some pages which give the impression they are going to be a description of the cosy lives of the China British. He introduces this vast historical subject with these words:

But then enter the younger brother of Jesus Christ who came to discomfort all their lives… (p.118)

If you didn’t know that the leader of the Taiping Rebellion was a religious visionary who really did think he was the brother of Christ, this opening would be incomprehensible. In fact, Bickers doesn’t give an account of the overall Taiping Rebellion at all – he is only interested in it insofar as a) it demonstrates and was arguably caused by, the destabilising presence of Europeans on China’s coasts and b) it impacted the British settlements at Canton and at newly colonised Shanghai (where, for example, in 1853, the British – from the protection of their walled settlement – could watch pitched battles between the Taiping army and the imperial Qing forces).

The accounts of the Taiping Rebellion in the books by John Keay and Jonathan Fenby are both much clearer and much more penetrating than in Bickers. These two historians clearly explain the causes and consequences of this truly epic conflict, possibly the largest civil war in all human history, anywhere, a titanic devastation which led to the loss of as many as 20 million Chinese lives, maybe more.

The same frivolous and off-hand approach characterises Bickers’s treatment of the contemporaneous but distinct Nian Rebellion (1851-68), given only a brief page here (p.135), fleetingly explained but not analysed in any depth.

The brief mention of the Crimean War (on pages 134 and 135) neither explains that conflict nor its geopolitical ramifications for the European powers in China. Bickers briefly points out that the war had a distinct Pacific element – a fascinating idea I’d never come across before – but then frustratingly drops the subject completely. This feels like a massive and fascinating topic completely ignored. So disappointing. I bought this book precisely to understand the geo-political implications and context and motives for the sequence of China-oriented wars of the nineteenth century, and that turns out to be the very last thing on Bickers’ mind.

This confusing melange of super-brief references to these huge and super-important wars then segues abruptly and, as usual, in a very offhand way, into a typically arse-over-tit account of the Second Opium War (1856-60).

So the foreigners placed their faith in the Qing, once they had warred with them, beaten them, and humiliated them. Again, it all began in Canton. (p.136)

Note the tired and jaded tone as he casually begins a confusing account which spools onto page 150, with a vivid but hard-to-follow explanation for the (scandalous) British burning of the Emperor’ Summer House. OK. But in the 14 or so pages which cover it, Bickers nowhere mentions that he is describing the Second Opium War – you have to know that already. He is so close to, and over-familiar with, his subject, he just assumes that we all know about this stuff already. But we don’t. That’s why we bought your bloody book in the first place.

Towards the end I was genuinely appalled when the only mention he makes of the Russo-Japanese War of 1905, the first war in modern times in which a non-European nation (Japan) thrashed a European one (Russia) is the following. (He’s explaining how, after the Boxer Rebellion was finally quelled, the European nations demanded reparations but, for the most part, didn’t seek to acquire new territory. Apart from Russia):

Russia failed to conform, though, and hung on in Manchuria with 200,000 troops. So the British and the Japanese opened up a new world of international politics by entering into a formal alliance in 1902, breaking with decades of British practice, and in 1904-5 the Japanese smashed Russian forces in Manchuria and Siberia, shocking the European world, and offering new hope for the colonised and threatened. (p.349)

The Russo-Japanese War doesn’t even get a sentence of its own, but is shoehorned into the second half of a sentence which starts in 1902 and ends in 1905. Wow.

The republican revolution which finally overthrew the Qing Dynasty – and ended 3,000 years of rule by emperors – in October 1911, is dealt with – including the accident which sparked it, the spread of revolt, the seizure of power by Sun Yat-Sen, the abdication of the emperor, and the handing over of power to general Yuan Shikai – this seismic event is dealt with in 10 sentences – half a page – and not returned to.

Thus does Bickers leap over hugely important geopolitical, strategic and military events in order to get back to lambasting western businessmen living in sin with their Chinese mistresses, making fortunes from the opium trade and lobbying for more access to Chinese markets.

This is a sociological essay about the British in China, not a history.

Academic jargon

By this stage the reader has realised that Bickers isn’t interested in giving a chronological account of what happened during China’s century of humiliation; he isn’t interested in analysing or explaining the complex geopolitics of a weakened China caught between coastal invaders like the British and, towards the end of the period, the Japanese – all overshadowed by the ever-present threat from the land-grabbing Russian empire in the west and north.

He isn’t even very interested in any of the other European nations – the French and Americans get only a few walk-on parts, while the Portuguese, Dutch or Germans are hardly mentioned at all.

Instead, what becomes clearer and clearer is that Bickers thinks he is giving a kind of cultural history of the British in China.

That’s a fine ambition but he doesn’t live up to it. There is nothing at all in the book about, say, Chinese art or poetry, nothing. What there is, is repeated references to the way the Chinese or British performed as if on a stage with each other, or the way Chinese artefacts (and people) were shipped off to London to be put on display in various public shows and the big European expositions of the later Victorian era, or the way the colonisers engaged in practices and policed sites and shaped public space, and so on. Instead of interesting stuff about Chinese culture, what Bickers gives us is a lot of Eurocentric academic jargon.

Over the past forty years or so, the mind-set and terminology of (mostly French) modern literary theory/history/sociology pioneered in the 1960s and 70s by, say, Roland Barthes or Michel Foucault, has congealed to form a higher entity called just Theory – an attitude and set of jargon which has spread out to infect study of all the humanities subjects at university.

I’m extremely familiar with this all-purpose semi-sociological terminology from the many art exhibitions I go to, where contemporary artists no longer make ‘art works’ – they engage with issues of gender and sexuality, or money and class or whatever, carrying forward projects which use strategies of this, that and the other, which taken together amount to their practice. What used to be called ‘works of art’ are now more often than not the sites of their engagement with some issue or other, where the artists subvert conventional narratives of whatever or challenge this, that or the other norm or convention.

This all-purpose academic jargon has a number of purposes. Firstly, like academic jargon down the ages, from the ancient world through the Middle Ages – it makes the author sound clever. Secondly, it makes it all sound very serious: no longer painting a picture or developing a photo, an artist is now engaged in their practice – like a serious professional, like an architect or a GP. Thirdly, it is all very active – none of that old bourgeois standing around in front of an easel, an artist now engages with, subverts, challenges and questions and interrogates and a whole load of other action words. All very exciting and edgy.

At the same time many of the words have a very clinical and scientific feel: not only the artist, but especially the art critic, is no longer subject to the wishy-washy whims of their bourgeois imagination, but gives the impression of applying rigorous scientific procedures: artists have ‘projects’ and ‘practices’ which are enacted in ‘sites’ and ‘spaces’. Anything like a sculpture or installation reorientates the ‘space’ around it, maybe reorders ‘spatial hierarchies’, probably ‘challenges’ accepted ‘narratives’ or what a work of art can be, and so on.

Another feature of Theory Language is that a little of it goes a long way: these terms have become remarkably all-purpose: you can apply them to almost any human activity and come out sounding serious, weighty and profound.

The only snag is that – although this kind of language, used sparingly, conveys a sense of power and thrust and importance and intellectual force,

a) it doesn’t, on closer examination, really tell you anything at all
b) used too much, it quickly turns into a vacuous jargon of empty slogans – just as the public very quickly got sick of Theresa May telling us she represented ‘strong and stable leadership’ (and turned out to represent the opposite) so an artist, or curator, or critic, or historian who goes on and on about ‘practice’ and ‘projects’ and ‘sites’ and ‘narratives’ in an effort to sound meaningful and scientific and precise – runs the risk of ending up like a cracked record playing the same meaningless jargon over and over again; far from subverting anything, this kind of jargon ends up reinforcing existing conventions about art writing. In fact, it is the new set of conventions.

Examples of academic jargon

Display is an important idea for Bickers. European merchants built big houses – he takes it as an example of ‘display’. They hosted lavishes dinner – more ‘display’. Chinese objects were sent back to London – where they were put on ‘display’. As if grouping these pretty everyday activities under a semi-scientific singular noun gives us all a special insight into human activity, grouping them all together somehow explains… something.

  • China was in this way [exhibitions of China bric-a-brac in London in the 1840s] being normalised as an object for such display and ethnographic and other curiosity. (p.89)
  • Such displaydisplay at table, architectural display – announced probity and confidence (to each other, to Chinese merchants), but it also spoke of vulgarity and extravagance. (p.99)
  • Admiration for the appearance of the Sikhs, the ‘colour’ they were felt and said to have brought to China, and to British display in China… (p.163)
  • What became the routine display of China at such forums was a key strand in the project that Hart was leading. (p.204)

Engage and engagement At a recent internet conference I attended there was a list of banned words; if you mentioned one you had to contribute to the swear box (all money coughed up was sent to a charity for refugees). ‘Engage’ and ‘engagement’ were top of the list. Why? Because they means everything and nothing; because they are empty buzzwords.

  • Farmers engaged in handicraft production. (p.64)
  • The ordered business of its routine engagement with the world at the treaty ports elsewhere was able to continue… (p.352)

Enterprises and projects

the British Empire didn’t carry out strategies or policies, apparently. It engaged in projects and enterprises.

  • At the heart of the official British China enterprise… (p.206)
  • The foreign China enterprise at Shanghai was actually truly a real-estate imperialism… (p.222)
  • They were men of commerce and outside what was formally recognised as British empire, and their enterprise was multi-national and often makeshift. They had no imperial project. (p.382)

Sites and spaces Both make pretty run-of-the-mill places sound important and exciting, and make it sound as if you’re saying something especially perceptive and insightful about them.

  • This book explores the world which created that final photograph and its many sites and fields of action. (p.14)
  • A popular temple was also a commercial and economic site… They were embedded in the daily public space of the city. (p.16)
  • The rural landscape was pocked with market sites. (p.65) — It is so much more emphatic and intellectually demanding than simply writing ‘markets’ or ‘market places’.
  • [Just outside harbour boundaries, opium] was stored, and there were established new sites for conflict and the low-level disorderliness that filled the consulate letter books. (p.93)
  • The new ports were like many of the other sites of power around the Indian Ocean. (p.105)
  • As the new roads and buildings grew up in the treaty ports they were to acquire new memorials, and new sites for commemoration and celebration. (p.112)
  • It might seem odd that we can find so much insistent quiet emphasis on the symbolic ordering of foreign space [the British insisted on having a grand ex-palace to be their legation in Beijing]. Partly this was a response to understandings of Chinese conceptions, a breaking out of spaces and sites allotted them for reasons they interpreted (rightly sometimes) as intentionally demeaning. But they had their own such practices already… (p.206)
  • Foreign observers chuckled at Chinese geomancy, at fengshui, even as they fashioned symbolic landscapes themselves, sacralising space, creating sites for pilgrimage, reflection and remembrance. (p.207)

In this last example Bickers is describing how the British built graveyards wherever they settled. Note how he goes out of his way to ridicule the British who, he claims, chuckled at Chinese geomancy but – at least according to Bickers’ confidently post-imperialist view – were themselves every bit as superstitious and irrational in their treatment of ‘space’ – i.e. building cemeteries. Ha ha ha, silly old British.

But as with almost everything Bickers writes, a moment’s reflection makes you question this casual criticism and superiority: geomancy or fengshui are to some extent optional practices; organising the hygienic and orderly burial of the dead are rather more of a necessity. But – and here’s my point – Bickers has conceived and written this sentence not to make a factual statement – but to score politically correct points over ‘the foreigners’.

  • Peking, resolutely, was different to all the other sites of the foreign presence, different in scale, meanings, history, experience and climate. (p.215)
  • the Inspectorate General was the site in time of an entirely novel private experiment of Hart’s. (p.227)
  • There were of course other sites of jubilee. (p.309)
  • China long remained a site of foreign male opportunity. (p.311)
  • Homes, memoirs show, now became sites for the assertion of the supremacy of the European woman over her servants… (p.313)
  • Real Chinatowns became fictionalised nests of opium dens and sites of the despoliation of white girls by Chinese men. (p.364)

Space

  • [Western music] served to mark space in new ways. (p.228)
  • So at Shanghai they ordered space, responding as quickly as they were able to the breathtaking speed with which opportunities were seized, innovations latched onto, loopholes explored. They also ordered Chinese use of public space, imposing new norms of behaviour, turning urination into a minor criminal category. They also attempted to order aspects of private space: the gambling house, the brothel, the household. (p.224)

On reflection, where Bickers writes ‘space’ he really means ‘behaviour – but ‘space’ sounds more abstract, intellectual and scientific. And, in his usual hurry to denigrate Europeans and the British at every turn, he turns the imposition of regulations like banning people pissing in the street into a bad thing. Maybe we should return to the days of men randomly urinating in the street? Similarly, maybe gambling houses and brothels shouldn’t have been regulated. Naughty, naughty Europeans with their silly imperialising laws.

Practice A super-useful word which can be applied to almost any human activity to make yourself sound impressively intellectual. For example, my postman for the most part engages in letter-delivery activities but has recently expanded his practice to encompass the manual transmission of parcels in the course of which he transitions from the public space of the pavement, governed by one code of conduct, to the private space of my porch, which has become a site for intrapersonal exchange and dialogue i.e. we have a bit of a chat whenever he knocks on the door to deliver a parcel.

Used in this pretentious way ‘practice’ has become a buzzword which lends your text the authority and the spurious pseudo-scientific precision of an anthropologist or ethnographer or sociologist. But like so many of these terms, it mostly just dresses up banality and the bleeding obvious.

  • Officials often had little time intellectually for popular religious practice. (p.61)
  • Buddhist in origin, but adopted far beyond Buddhist practices, [the festival] involved opera performances, processions and bonfires… (p.61)
  • But that containment [of foreign traders by the Chinese] was too restrictive, too contrary to emerging European interests and practices… (p.157)
  • As the concessions and settlements merged spatially with the rest of the developing cities, their autonomous judicial systems and practice routinely returned to deportation as a legal punishment. (p.160)
  • It was a queer affair, the extension of Tongzhi restoration practice to overseas diplomacy… Burlingame was carefully and explicitly instructed not to follow practices which might prompt reciprocal demands on Peking.. (p.212)
  • There were descriptions and assessments too of Chinese practice. (p.281)
  • North China farmers knew that into their brittle world had come new forces, with alien ideas and practices… (p.341)
  • And the practices of the new combined forces of Boxers, the Yihequan, ‘Boxers united in righteousness’, gave them mastery over foreign things… (p.342)
  • Foreign office archives practice was in theory quite clear. (p.375)

Lovely sentence this last one, don’t you think?

Network Not found so much in other Theory-mongers, this word makes you sound like you’re all across modern technology and the internet and the groovy, cool, multi-connected world.

  • [The Taiping Rebellion] was a revolt informed by the new intellectual currents from over the oceans which were at work in Chinese cities and in the networks of people, goods and ideas that flowed through them… (p.120)
  • The swiftness of the incorporation after 1860 of the new sites of treaty port China into these far wider networks shows just how interconnected it already was. (p.156)
  • Globalisation, international migration, the growth of British and other European empires and the networks that cut across and through them, all had a bearing on developments in China. (p.156)
  • China was already deeply embedded in new-fashioned networks… (p.157)
  • So the Inspectorate general became the centre of its own network of stations, as well as a node in wider networks – regional meteorology, the international round of display and representation… (p.204)
  • The growing presence, and relative ease of transmission of goods and people, locked China more and more closely into knowledge networks, not least geographical and scientific ones. (p.165)
  • By 24 October 1860, when allied troops paraded into the heart of the imperial capital escorting Elgin and Gros, two bands in the vanguard heralding their intrusion and the imminent treaty ceremony, China was already being fashioned steadily into new networks – of communications, of people, of ideas. (p.157)

‘New networks of communications, of people, of ideas’ – this is vacuous modern corporate jargon: it could be an excerpt from the press release for any big company, bank or government department – it has that hollow corporate ring, impressive, vibrant-sounding and absolutely empty of meaning.

Scripts and performance This is another classic piece of sociological jargon in which people are depicted as hollow puppets helplessly ‘performing’ ‘scripts’, putting on performances – which they called living and making decisions but which we – everso wise Posterity – can now see as ritualised and formulaic ‘performances’:

  • The China script for the performance of British power and identity in the treaty ports was borrowed from the Subcontinent. (p.162)
  • Many missionaries played at the local level the China game of compensation for injury and damage, property restitution and repair, and symbolic gesture – judgement and proclamation set in stone, or transfer of communally important sites as punishment… Some did so to show how powerful Church and mission were, how actively they could help; to reassure and protect existing converts, and to tempt others. Such action could also provide a stage for the rehearsal of the national honour script, the dignity of the nation residing in the person of the missionary and his flock. (p.249)
  • But as 3,000 troops and labourers disembarked at Langqiao Bay in May 1874, a more routine script was being rehearsed… (p.254)
  • His death was incorporated into the same empire script that he rehearsed as he travelled… (p.260)
  • The limits of this private enterprise imperialism, of the sweaty plans of Bland and his ilk were reached on the early Sunday of of 28 July 1913, when Bruce and his band blundered noisily into sleepy Zhabei, and nobody met them to play their scripted part in the local drama of Settlement expansion. (p.369)

Transgressions and subverting and challenging and interrogating etc. Sounds so exciting and edgy and revolutionary. But is all too often applied to really boring and obvious descriptions in an effort to jazz them up.

  • As guardians of order and peace they saw such large gatherings… as sites of transgressions of moral order. (p.61)

What he means is that prostitutes often plied their trade at big Chinese festivals. Who’d have thought? Pretty transgressive, eh?

Actually, there isn’t as much transgression here as I find in the commentary of art galleries; and only one or two mentions of another favourite of Literary Theory, ‘desire’, used as a kind of bland, all-purpose, catch-all term for sex in the widest sense. Although there are quite a few references to brothels and prostitutes – mainly, of course, pointing out how brothels and prostitutes followed western land grabs and settlements, thus proving what racist hypocrites Europeans were. Oh, and many of them took Chinese mistresses, as well. How vile and disgusting, only white men have ever taken mistresses, and only in China.

Prose like concrete

The direction of Bickers thought is always upwards towards sweeping generalisations. Converting a specific argument between a specific Chinese and English into the generic term ‘dispute’, or particular local laws and customs into the generic word ‘practice’, is always to leave the specific and colourful behind in the name of scientific-sounding but in reality vague and generalised concepts. Move in this direction enough and you are left with sentences which are so generalised they could be about anything, anywhere. It just makes long stretches of this book really, really boring.

Always there were exceptions, men and women horrified by this new world of local conflict and dispute that could unfold as people converted. But the mission enterprise was nonetheless mired from the start in such local dispute, at the same time as it was enmeshed with the wider foreign world in China through nationality, affinity, language, marriage, and wider kin networks. (p.249)

It’s like reading concrete. It’s like being stuck in a supermarket car park looking at thousands of shopping trolleys, all the same. Dispute, insult, practice, site, spatial integration, networks of communication, sites of display, imperial spaces, networks of engagement, circuits of empire, colonial display, imperial sites, the China project, the China enterprise, blah blah blah.

I should have been warned off by the reviewer on Amazon who said reading this book was like walking through thickening mud.

Some, such and many Bickers also has a peculiar way with the words ‘there’, ‘some’, ‘such’ and ‘many’: by peculiar I mean that I’ve read thousands of books, paying close attention to their style, and never come across anyone use those words so eccentrically and idiosyncratically. He is fond of ‘fray’ which recurs many times; and ‘odd’.  It is tempting to embark on an analysis of these short, common words for what they reveal about Bickers’ eccentric uses of them – but this review is long enough already.

  • Such permission was certainly given to some… (p.374)
  • Such fear held good there. (p.374)
  • Such memory is the product of hard state work. (p.392)

A simpler soul might write ‘this kind of’ permission or fear or memory – but Bickers is a sucker for rhetorical effects.

Bullying sanctimoniousness

It goes without saying that a modern white, middle-aged English academic will have completely absorbed the political correctness of their university context and so be extremely, comprehensively, sarcastically critical of the white, middle-aged Englishmen of the past. A modern politically correct academic could take no other attitude.

They are all racist imperialist saps; we, dear reader, are by contrast morally unimpeachable and live in an age of complete enlightenment. Thank goodness the modern West which Bickers is a part of doesn’t go around invading other countries and plunging them into decades of chaos and civil war; thank goodness the modern West doesn’t build encampments in foreign countries – Iraq, say, or Afghanistan – protected from angry natives by huge walls inside which the soldiers and civil servants of the occupying forces, blissfully uninterested in the local culture, are provided with all the pleasures of home.

Yes, the modern historian, embedded in this wonderful Western culture, is sooo superior to his great-great-great-great grandparents who did just the same in China or India. In an account of a speech the Prime Minister Lord Salisbury gave in 1898, Bickers makes sure to point out that it was infused with the outdated ideology of social Darwinism, that he spoke ‘complacently’ and that his imperialist audience ‘chortled’.

What’s ironic is that Bickers’ own account is drenched with the cultural ideology of our times – sanctimonious political correctness – and that he himself never loses an opportunity to ‘chortle’ at the inferiority of other people – in this case, our ancestors. Bickers displays exactly the same patronising tone towards people who can’t defend themselves, as he lambasts haughty imperialists for displaying towards their victims.

Bickers laughs at the British merchants and soldiers, the consuls and captains he depicts, for importing the comforts of home, for bringing in English plants and trees, for building Anglican churches, for ordering prints and paintings of reassuringly patriotic subjects to hang on their walls, and even sending for familiar foods, rather than the bewildering local cuisine.

They wanted and recreated the familiar. They wanted their cigar brought, and then their newspaper. So they made themselves at home on the Huangpu, the Min, Gulangyu island, the slopes of Hong Kong, as snug as they could manage, and read weeks-old news about the real world over the ocean in a fug of finest Havana. (p.117)

Silly selfish saps!

And in their insatiably imperialist lust for profit, Bickers points out that some British firms even sold guns and ammunition to the warring sides in the Taiping Rebellion! The horror of those racist imperialist profiteers! Luckily, we now live in a blessed and enlightened age, when the British government would never dream of selling arms and airplanes, guns and implements of torture to Third World regimes, to countries like Saudi Arabia, who use the planes we sell them to bomb civilians in Yemen. Never ever.

— To be perfectly clear: I find a lot of the historiography of the British Empire, generally written by guilty white liberal men who bend over backwards to be politically correct in every way, to be revoltingly smug, superior and sanctimonious. To assume that their responses to the problems those people living in the 1840s, 1850s, 1860s and so on faced – their motivations to travel where the opportunity was, to set up companies, to trade and make money, to seek a living and a career – were all somehow uniquely wicked, and only the British ever did this or displayed imperialistic behaviour – never displayed before or since by any other nation (including the countless Chinese merchants they traded and set up companies with, or the genuinely bestial Japanese Empire) – and to assume that these are all behaviours which we moderns, in our infinite wisdom, have completely outgrown.

In my opinion, every human being is born into struggle – against their biological destiny, their physical flaws, the illnesses and accidents we are all prone to, against the psychological damage of childhood and education, against the cultural and technological limits of their time and position and, above all, the crushing necessity to make a living, to earn a crust, to eat and drink and stay alive.

My opinion is the same as John Locke’s, that we do better to commiserate our common frailty and sinfulness with our fellow humans – to sympathise with other people, to understand their suffering and pain, to help and aid those who are alive, now, today – and to empathise with the tribulations of those who came before us, who struggled through their own challenges.

But people like historians of empire, who appoint themselves judge and jury over the past, who lump the entire population of Britain into one undifferentiated pile labelled IMPERIALISTS so they can sneer and ridicule and belittle our benighted ancestors, well they run the risk of themselves being lumped in with the Britain of our times, being judged by the same strict broad-brush approach which they apply to the past – and found wanting. Was Bickers not alive during the invasion of Iraq, the invasion of Afghanistan, the financial crash of 2008, the Brexit vote or, at its widest, the election of President Trump? In a hundred and fifty years time won’t he be lumped in with this violent, war-starting, financially ruinous era?

And – the most obvious crime of our age – he is living through the destruction of the planet’s life forms and the tipping point of global warming. In a hundred and fifty years time Bickers too – with his flying round the world and globetrotting, a privileged western academic who ‘travelled extensively, visiting many of the haunting sites scattered across China that feature in the book’ (as the blurb puts it) – will be lumped in with the stupid, blinkered generation who arrogantly took it as their prerogative, as their right, as their entitlement, to burn up fossil fuel, to heat up the atmosphere, and to permanently damage the planet – and all in order to write his sarcastic quips about his obscure forebears.

And, if anybody reads books a hundred and fifty years hence, this type of morally superior historian will be judged all the more harshly because they have forfeited the possibility of themselves being forgiven by the unremitting harshness, judgmentalism, superior and supercilious attitude which they apply so flippantly and casually to people who died 150 years ago, and who cannot speak in their own defence. ‘Judge not lest ye be judged,’ as a dead white man said long ago.

Seen from this perspective – of condemning the helpless dead – judgmental histories like Bickers’ are a form of bullying. And when I see any form of bullying happening right in front of me, although I may not like the victim very much, my instinct is to side with the underdog, with the person being subjected to relentless vilification by someone in power over them.

But the relentless patronising of the past is not only morally offensive, it’s also plain dumb. Repeatedly Bickers comes up with the revelation that these businessmen and traders and merchants and bankers were out to make a profit! That merchants and bankers came out from Britain to set up businesses, to trade, and to make money! God, the implication is – how grubby and tacky and awful, all this fussing about money and profits!

The implied contrast is with morally pure academics, swanning around the world paid for by government grants, unfurling their deathless prose for the benefit of lesser mortals who have to scheme and plan and graft, to set up businesses, borrow capital, employ staff, hire premises and equipment, do deals and live with the permanent risk of going bankrupt or having your offices, staff or family attacked by anti-western zealots. What losers they must be, eh!

Bickers describes how a lot of the China traders got very rich very quick which, it is implied, was a contemptible thing. What depraved wretches! Lucky for us that we live in an era of perfect equality, with no disparities of income and wealth, either here in perfectly governed Britain, or in contemporary not-at-all-capitalist China. Aren’t we so right to feel superior to the past and their despicable get-rich-quick mentality 🙂

Eurocentric

The final irony is that, despite all his fashionably anti-imperial attitudinising, this book is in fact written overwhelmingly from the white western point of view. To be precise, from the British and, by and large, English point of view. Chaps’ diaries are used to put chaps down. Chaps’ accounts of their adventures are used to criticise chaps’ racist attitudes. Chaps’ reports back to the East India Company or Parliament are used to chastise chaps’ crudely mercantile way of thinking.

Oh silly, silly Victorians who knew nothing about multicultural studies or LGBT rights, who thought only in terms of their own age, cultural and social norms. How blinkered some people can be! Could they not guess how they would be judged in 150 years time and reorient all their actions accordingly?

Also, a thorough account of ‘the scramble for China’ really ought to include not just the British but the French, Portuguese and Dutch, with large roles for the Russians and Germans, all of whom got in on the act, scrambling for their own treaty ports and concessions. But in this book there are hardly any accounts of other countries’ activities.

All in all, this book is emphatically not a historical account of the multi-national scramble for China – it is a cultural and sociological study of ‘the British in China 1832-1915′ and its title really should have conveyed that more accurately.

And above all – irony of irony – for such a politically correct writer, there are hardly any Chinese voices in the text. This may be for all kinds of structural reasons, such as that many of these encounters weren’t recorded on the Chinese side, or that the archives were lost in the various revolutions and rebellions. But the fact remains that this is yet another book about the white British empire, by a white British historian, which relies overwhelmingly on the efficient and detailed record-keeping of white Victorian imperialists – in order to twist and quote them out of context with the sole intention of proving what awful racist money-grubbing insensitive imperialists they were.

In other words, through the academic jargon and preening rhetoric, there is little in the facts and nothing in the attitude which are either new or interesting. The Scramble for China conforms entirely and dully to the politically correct dogmas of our time.

Extended example

The Boxer Rebellion (1899-1901) was just one of several native Chinese uprisings which overlapped with, or promoted reprisals from, the European powers to create a terrifying vortex of violence right at the end of the nineteenth century. What you’d hope for from a long (400-page) historical account of the period might be an attempt to disentangle these events, to patiently explain and analyse them. Bickers does the opposite.

War was fought across Manchuria, as Russian forces razed Amur river cities, and smashed their way south into Manchuria and north out of Port Arthur. It was fought in Tianjin, the foreign concessions besieged by Boxer bands and the Qing army. It was fought all the hot dusty way to Peking, as a multinational force of foreign troops slogged their way to the capital and relieved the besieged legations and Christian cathedrals. War was fought in Shanxi province, as German and British columns tramped to Taiyun, slaughtering opposition on the way… War was fought between Boxers and Christians, between Qing armies with Boxer allies, and the ‘Eight Power’ allied expeditionary force. It was fought by British marines and Japanese infantry, as well as by Sikhs, Bengalis, Black Americans, Annamese, Algerians and a British regiment of Chinese from Weihaiwei… It was a cruel war: a war between states, a civil war, a fight for personal survival… (p.346)

My critique is simple: every one of these incidents (the battles and campaigns) and ideas (for example, the very mixed nature of the armies) ought to receive extended treatment so that the reader can understand these key events and these important issue better; can learn something.

Instead, this vast tangle of events and ideas is made subordinate to Bickers’ addiction to fancy rhetoric, to the single flashy rhetorical trick of starting a lot of sentences with ‘war was fought’ or ‘it was fought’. Sure, the repetition rams home the idea that there was a whole lot of fighting going on; but the most basic elementary entry-level journalistic questions – who, what, where, when, why and how? are ignored – not in the name of some compelling insight or new thesis – but in the name of grand-standing rhetoric.

Bickers is more interested in describing the way news of these events back home was chaotic and often fabricated, how reports were made up by European journalists or editors, along with staged photographs and how some of the very first newsreel footage in the new technology of moving pictures was also generally faked and rigged.

Golly! News is fabricated and created by fallible and/or profit-seeking papers, magazines and media outlets! Wow! Yes indeedy, Bickers is here to tell us that coverage of far-away wars is often sensationalist and inaccurate.

There was a dearth of authenticity in this much-faked war, characterised and impelled as it was by forgery and wild rumour (p.355)

To read Bickers you’d think this must be the only war in history characterised by ‘forgery and wild rumour’ – as opposed to the obvious fact that, as the saying coined a century ago puts it, the very first casualty of war is truth.– This is a truism. A cliché. A threadbare, bleedingobvious commonplace taught to every GCSE schoolchild. Why am I reading it in a book written by a professor of history as if it is a dazzling new discovery?

My contention is that Bickers knows an awesome amount about this period, but fails to report it clearly or accurately, preferring to corral it all into either a) huge paragraphs designed to show off his rhetorical prowess, or b) long sections filled with tedious academic jargon which, upon a closer reading, always turn out to be obvious and banal.

To adopt Bickers’ own sociological terminology, this book is history ‘recruited’ and ‘refashioned’ for personal ‘display’ and ‘aggrandisement’.

This example is far from unique. A few pages later he does the same thing again. In among the chaos of the turn-of-the-century conflicts there was a lot of looting and pillaging (as, I believe, has occasionally happened in other wars) – but do we gets details, context, causes or consequences, useful facts and analysis to help us understand and remember each of the distinct outbreaks and incidents? Nope. We get another set-piece of booming rhetoric:

They looted at Tianjin; they looted at Peking; they looted everywhere in between, and far out into the northern provinces. They looted for days, for weeks, for months. They looted arsenals, granaries, mints and palaces. They looted the instruments from the old Jesuit Observatory. They looted salt stocks and Tianjin, and treasure from pawnshops. They looted houses and hovels. They looted tombs. They took furs, silks, paintings, jades and porcelains. They looted gold-plate from the roofs of temples. They took books and statues. What they did not like or could not take they trampled underfoot, tore, burned or wrecked. (p.350)

OK, I get it – there was a lot of looting. But who, what, where, when, why and how? Not in this book, you won’t find these basic questions answered.


Conclusion

This long book is a struggle to read. The average person-in-a-hurry could pick up pretty much all they need to know in half an hour by reading these Wikipedia articles.

What this 400-page book gives you which Wikipedia doesn’t, is vast amounts of anthropological-ethnographic-sociological jargon, almost entirely about the Western, and specifically British, individuals involved in the opening up and colonising of China.

There are brief descriptions of festivals or temples, a bit about Peking architecture, many scattered details about relevant places and events though generally delivered in a confusing way – but little or nothing about Chinese art or poetry, history or attitudes, culture or politics – and nothing you can really grasp or learn from about the big wars in Victorian China and their geopolitical implications. And that was the main reason why I bought this book.

Instead, there are lengthy sociological disquisitions about the spread of Christianity through missionary activity (chapter 8), the rise of the Chinese Customs Authority under the legendary Ulsterman Robert Hart (chapter 7), a lengthy account of how Hart’s Customs helped organise a comprehensive network of lighthouses along China’s coast in the 1870s and 80s, which leads on to the western gathering of data generally, about the meteorology of the coast or of Chinese diseases (chapter 9).

Sounds interesting, doesn’t it? But because it is all couched in the limited and stereotyped jargon of ‘practices’ and ‘networks’ and ‘sites of insult’ and ‘imperial enterprise’ etc, and because Bickers never drops his anti-British sentiment (lighthouses were – shockingly -built to make imperial trade safe and guarantee profits! meteorological data designed to help imperialist shipping! medical reports to help the racist westerners better able to exploit etc) it isn’t. It ends up all sounding the same. He manages to make a riveting period of history sound really boring.

Last thoughts

For my £15 I had to wade through hundreds of pages of preening prose and abuse being thrown at long-dead profit-hungry, racist imperialists – but did ultimately emerge with two newish (to me) thoughts:

  1. The China British were always a sort of spin-off of British India, using the same slang, building the same sort of houses, treating the locals, especially their servants and mistresses, with the same appalling and often violent condescension. And the Forward Party of China colonists really thought they could hoodwink and bully the British government back home into supporting an incremental takeover of China through piecemeal wars and ‘punitive actions’ – raucously calling for more and more belligerent intervention. This, after all, was all how we slowly acquired India. Hmmm. Interesting.
  2. Right at the end of the book Bickers describes how he has himself been subjected to harangues and lectures by modern young Chinese criticising him personally for being British and therefore to blame for the ‘century of humiliation’. What is interesting is that these young people have absolutely no experience of any of the events they cite (the violence of 1842, 1860 or 1901). But this story – how their country was subjected to a hundred years of imperialist conquest, a hundred years of victimhood – has been drummed into them by the Chinese state. Why? Bickers explains that, after the Chinese government violently repressed the Tiananmen Square protests of 1989, and arrested and imprisoned the reform-minded leaders who let it all get out of hand, they then undertook a sweeping review of Chinese education designed to emphasise the uniquely nation-saving achievements of the Chinese communist party and why all Chinese should be forever grateful to it. In order to boost its role as the goody in the story, the communists emphasised the irredeemable baddyness of all foreigners, of Western Imperialism, be it British, French or Russian, and also to lump in the decades of abuse from Japan as somehow permitted and encouraged by those imperialist farangs.

It is fascinating to learn that the anti-western feeling of many of China’s young educated people is more powerful and passionate today than it has ever been – and that it is encouraged by state-sponsored history books, courses and teachers.

The final chapter of Bickers’ book is thirty pages devoted to a rather boring description of how archives and records were rescued from China during the 20th century, and how a patchwork of researchers has set about writing more accurate and unjingoistic accounts of western, and especially British, imperialism in China. Fair enough.

The irony is that they are doing so at the same time as China’s authorities are also sponsoring a highly tendentious anti-western narrative. Bickers worries that this could lead to quite dangerous results:

A globalised China is not new; but a powerful global China is unprecedented. That provides new food for thought, especially as Chinese youth come out into the world equipped for instinctive indignation at China’s past humiliations and what they feel to be contemporary echoes of those. The awkward confidence that such sensitivity engenders in them might make for all of us a very awkward world. (Final words of the text – p.399)

Worrying, eh?

And this leads onto a final thought of mine, which isn’t in the book at all – that we live in an age of Victimhood, of ever-multiplying victim narratives competing to be heard. The Jews have a well-established Holocaust narrative which is now enshrined in Holocaust Memorial Day (January 27). Black History Month has been going since 1970 in the States, 1987 in the UK. Since as far back as 1909 there’s been an International Women’s Day, now held on 8 March. These are state-sanctioned days or periods solemnly commemorating what are, at heart, victim narratives.

But away from these official victim narratives, the sense of being victimised and humiliated proliferates in the modern world – the entire Arab world, for example, blames Europeans and especially the British for allowing Israel to be founded, for giving their countries stupid arbitrary borders, for interfering and undermining their nations in any number of 20th century coups and invasions, and for continuing to kill Muslims in Iraq or Afghanistan or Syria – victim narratives which can be compiled into recruiting literature for al-Qaeda or ISIS.

I’m not passing judgement on any of these or the numerous other narratives of victimhood of our time – just pointing out the fact that the last pages of Bickers’ book make a riveting contrast to the previous 400. For the first 400 he gives hundreds of quotations from bombastic, jingoistic, imperialistic, often overtly racist, patronising and violently confident China pioneers, settlers and apologists all boasting about their power and might and supremacy. Right at the end of the book there is a loud screeching of brakes as you are suddenly dumped into the 21st century and find yourself surrounded by voices all clamouring to show off their weakness, to show you their wounds and their suffering, all competing to show you how vulnerable and abused and humiliated they have been.

Read newspapers and magazines from 1911 and they’re all about power, might and conquest; read newspapers and magazines from 2011 (when this book was published) and it’s a wall of helplessness, victimhood and suffering.


Related links

Other reviews about the history of China or the Far East

Horse Under Water by Len Deighton (1963)

‘Your job is to provide success at any price. By means of bribes, by means of theft or by means of murder itself. Men like you are in the dark, subconscious recesses of the nation’s brains. You do things that are done and forgotten quickly.’
(Horse Under Water, page 141)

‘Don’t ever hanker after tidiness. Don’t ever think or hope that the great mess of investigation that we work on is suddenly going to resolve itself like the last chapter of a whodunnit: I’ve-got-all-gathered-together-in-the-room-where-the-murder-was-done kind of scene. After we’re all dead and gone there will still be an office with all those manilla dust-traps tied in pink tape. So just knit quietly away and be thankful for the odd sock or even a lop-sided cardigan with one sleeve…’
(The Narrator lecturing Jean on the limits of the achievable, p.93)

Tomas was as calm as a Camembert.
(Typical dry Deighton simile, Ch 46)

The Ipcress File made Len Deighton famous overnight. It sold out repeat reprints and there were high hopes for this, the sequel. Ipcress had identified itself as ‘Secret File No.1’ and Horse Under Water had ‘Secret File No.2’ prominently displayed on the cover suggesting a direct link. Sure enough it is another adventure featuring the same British intelligence officer from the first novel (unnamed in the novels, though given the name Harry Palmer in the series of movies starring Michael Caine). So it appears to inaugurate a series like the Bond books (which started in 1953) or le Carré’s Smiley series (which started in 1961). Apparently, Deighton planned five novels but only four were published before he moved on to other things. Reflecting on this, I can’t help feeling it was a mistake not to give his hero a name. Presumably it felt coolly elliptical at the time, but has made it harder to identify and market them ever since…

Paratextuality and presentation

Like IPCRESS there’s a lot of showy business going on about the presentation of the text. There’s:

  • a supposedly official stamp on the flyleaf (saying the text has been ‘Downgraded to unclassified’)
  • a letter placed before the narrative and dated 1941, which is meant as a clue to the plot (and letters turn out to be what the ‘plot’ is all about)
  • the customary footnotes throughout, mainly explaining acronyms of the various military and intelligence organisations, in the UK, America, France, Russia etc
  • 18 pages of appendices at the end, explaining half a dozen items in the text at greater length

And before all of this, there’s a page titled ‘Solutions’ with 58 numbered words on it. It took a few chapters for me to realise it’s another Deighton game – each chapter title is a cryptic crossword clue and the ‘Solutions’ page gives the one-word answers, which in turn sum up the matter of the chapter. Ha!

(Crosswords In Ipcress the Narrator very conspicuously fusses over a crossword from page 40 to page 140; similarly, in this book he starts a crossword about three-quarters the way through and his worrying over the clues accompanies the slotting together of the plot. ‘I wrote NOSTRUM to replace SISTRUM. I was beginning to get it now’, p.146.)

Tourism of the mind

Thrillers and spy novels are a form of escapism. The simplest form of escape is going abroad. Most people in cold damp England dream of going on holiday somewhere warm. The IPCRESS File includes jaunts to hot Lebanon and a sunny Pacific island; this sequel is extensively set in Portugal with outings to Morocco and Spain; and not just anywhere in Portugal but the Algarve region in the south which was, of course, to become a tourism Mecca and, eventually, cliché.

This ‘exotic’ (for 1963) setting allows Deighton to stretch his descriptive chops, with lots of descriptions of Portuguese villages, sunsets, markets packed with luscious fruit or silvery fish, fishing boats, surf crashing on the golden sands, local food, local drink, foreign phrases and so on. These are all very good and atmospheric. A little more interestingly, he slips in some (alleged) Iberian proverbs:

I remembered the Portuguese proverb that says, ‘From Spain, neither fair wind nor good marriage.’ (p.80)

What was that local saying that da Cunha had quoted—’Italy, a place to be born, France, a place to live, and here, a place to die.’

‘They say, “God gave the Portuguese a small country as their cradle and all the world as their grave.”‘ (p.63)

There is an old Spanish proverb which runs ‘For a fleeing enemy make a golden bridge’.

An old Portuguese saying, ‘Better the red face than the black heart.’

Inconsequential details

Jean and I spent a lazy Saturday afternoon. She washed her hair and I made lots of coffee and read a back issue of the Observer. The TV was just saying ‘… a Blackfoot war party wouldn’t be using a medicine arrow, Betsy…’ when the phone rang. (Ch 4)

The text is packed with inconsequential details, with overheard snippets of conversation, fragments (like the fragments of demotic life quoted in the classic Modernist texts of Joyce or Eliot).

The rain beat heavily against the car windows. Outside Woolworth’s a woman in a plastic raincoat was smacking a child in a Yogi Bear bib. Soon we stopped at Admiralty Arch. (Ch 13)

These are all alienation techniques – foregrounding the trivial, repressing the important, a continual textual self-consciousness which:

  • shows the Narrator’s mind is permanently registering every detail of his surroundings, like a trained camera
  • keeps the reader alert to the fact that we are reading a fiction
  • is at the same time a running commentary on the trivia of consumer culture

He mentions cubism at one point and I wondered if the novel could be compared to cubist technique. In many places the sentences don’t follow as a train of thought but jump from one facet to another, like an attempt to see all the angles of a situation at the same moment.

Something similar can be said about the very short chapters, often only a page long, like facets of a diamond, scores of shiny surfaces refracting the light – the secret – at the core of the gemlike plot. On the other hand, they don’t seem short because so much information is conveyed by them. I’d hazard a guess that Deighton put a lot of work into cutting back his texts, paring away till they are as clipped and allusive as possible (a little like Kipling did; I wonder if anyone’s made a comparative study of the pair of parers).

Super detachment

In a more conventional spy story the protagonist would be sharing his issues and problems with us. The majority of text in the Alistair MacLean novels I’ve been reading consists of the hero thinking through, very thoroughly, all possible avenues of action, sharing and involving the reader in his high-tension predicament – then doing it all over again as the situations change and plans have to be adapted.

Deighton is the exact opposite – he very deliberately eschews almost all inner thinking by his protagonist. He is at pains to show how detached and clinical his protagonist is and, since it is the detached clinical protagonist telling the story, the narrative itself comes over as clinical and detached, too. For example, a colleague who’s been helping out on the Portugal job gets into our man’s car at London Airport car park to drive it over to him and the car explodes, killing this colleague, as our man watches. And this is all described thus:

Joe was at the far end of the enclosure; he opened the door of my VW, got in and switched on the main lights. The rain tore little gashes through the long beams. From inside the car came an intense light; each window was a clear white rectangle, and the door on Joe’s side opened very quickly. It was then that the blast sent me across the pavement like a tiddly-wink. ‘Walk, not run,’ I thought. I jammed my spectacles on to my nose and got to my feet. A cold current of air advised me of an eight-inch rent in my trouser leg. (Ch 20)

‘Advised.’ The text evinces training, self-discipline, no emoting. It tags our man as he follows standard procedure i.e. we follow who he calls, what code words he uses, and so on. Our man steals a taxi and calmly drives away. The last sentence, the parting thought of the sequence, the thing the author wants to imprint on your mind about the whole incident, is: ‘I soon mastered the knack of double-declutching the crash gearbox.’ Cool, in the sense of absolutely unflustered and not admitting to any feeling.

Always with the vivid detail; rarely with the thought; never with any emotion.

Description instead of plot

It’s just one example of how much effort has gone into puzzling and confusing the reader. Puzzles, like the crossword clues. Deighton gives description instead of exposition. Much of this description is vivid and brilliant, sharp snapshots of people and places and scenes.

I watched the waves moving down on to the shore. Each shadow darkened until one, losing its balance, toppled forward. It tore a white hole in the green ocean and in falling brought its fellow down, and that the next, until the white stuffing of the sea burst out of the lengthening gash. (Ch 15)

It’s worth remembering that, before his writing career took off, Deighton studied at Saint Martin’s School of Art, won a scholarship to the Royal College of Art, worked as an illustrator in New York and as an art director in an advertising agency. He has a good eye, very good. Possibly this contributes to the tendency for detail not discourse, pictures not ideas.

There is a point on the A3 near Cosham at which the whole of Portsmouth Harbour comes into view. This expanse of inland water is a vast grey triangle pointing to the Solent. The edges are sharp serrated patterns of docks, jetties and hards enclosing the colourless water. (Ch 3)

Sounds like a Paul Nash landscape, doesn’t it? (He actually namechecks Paul Nash in this novel, indicating a certain type of pretentious party-goer.) And since a lot of the novel is set in Portugal, this gives plenty of opportunity for painterly descriptions.

We walked through the fish market. The flat concrete benches were ashine with bream and gilthead, pilchards, sardines and mackerel. Outside the sun reflected off the sea with a million flashing pinpoints of light, as though every bird was sitting there on the ocean top flashing angry white wings. (Ch 15)

Page after page of vivid, if often rather mannered, description. Sunday supplement subject matter – wow! the exotic destinations! The Algarve! Marrakesh! – done in Modernist-lite style. All very enjoyable.

The scrawny old houses [of Albufeira] stared red-eyed into the sunset. Two or three cafés – houses with a public front room – opened their doors, pale-green colour-washed walls were punctuated with calendar art, and crippled chairs leaned against the walls for support. In the evening the young bloods came to operate the juke box. A small man in a suede jacket poured thimble-size drinks from large unlabelled medicine bottles under the counter. Behind him green bottles of ‘Gas-soda’ and ‘Fru-soda’ grew old and dusty. (Ch 43)

Downbeat

And all the brighter and more exotic by contrast with sorry, smoggy London. Fog, smog, bedsits, rented flats, threadbare carpets, shillings for the meter.

The airport bus dredged through the sludge of traffic as sodium-arc lights jaundiced our way towards Slough. (Ch 6)

Anti-Bond, anti-London clubs, swish apartment and best hotels. The narrator’s offices are in unglamorous Charlotte Street, he lives in a flat in Southwark, and his beady eye registers all the shabby details of modern life.

I leaned upon the gravy-stained tablecloth as Paddington slid past. Soot-caked dwellings pressed together like pleats in a concertina. Grey laundry flapped in the breeze. Past Ladbroke Grove the small gardens suffocated under choking debris, only corrugated iron and rusty wire remained of things collapsed. (Ch 39)

Reminiscent of Philip Larkin’s famous downbeat poem of observations from a train, Whitsun Weddings, which was published just around this time, in 1964. But London is big and varied, and there are also numerous bursts of knowing sarcasm.

Number 37 Little Charton Mews is one of a labyrinth of cobbled cul-de-sacs in that section of Kensington where having a garage as a living-room is celebrated by planting a rose bush in a painted barrel. (Ch 48)

The Welsh countryside in winter comes alive under his pen.

On the horizon bare branches grew across the grey skyline like cracks in sheets of ice. Foraging around the snow patches of rooks fluttered and flopped until my arrival sent them climbing into the moist air, their black wings richly pink in the light. (Ch 40)

There are lots of paragraphs worth reading and rereading and savouring for the pure pleasure of their prose. In these early books Deighton is a wonderfully inventive stylist.

Repartee

That said, he’s not Oscar Wilde. There’s not a lot of repartee and back-chat. But what there is fits the overall style in being pithy, smart, wry, detached.

Joe MacIntosh drove me to one of the married-officer accommodations along Europa Road past the military hospital. It was 3.45am. The streets were almost empty. Two sailors in white were vomiting their agonising way to the Wharf and another was sitting on the pavement near Queen’s Hotel.
‘Blood, vomit and alcohol,’ I said to Joe, ‘it should be on the coat of arms.’
‘It’s on just about everything else,’ he said, sourly. (Ch 7)

Do these two government agents discuss the mission? Do they swap notes or catch up on information? Nope. Instead there is signature Deighton inconsequential detail, indirection and smart repartee. Very snappy, very with it, very 1963. Of course, the Narrator is cocky with his superiors, that’s part of his schtick. Thus Dawlish, his boss, gives him a snippet of his personal life.

‘Present from my son. He’s very fond of quotations by Wellington. Each year on the anniversary of the battle of Waterloo we have a little party, and all the guests have to have an anecdote or quotation ready.’
‘Yes,’ I said. ‘I do the same thing every time I pull on my Wellington boots.’ Dawlish slid me a narrowed glance. (Ch 39)

‘Slid me a narrow glance’ has Raymond Chandler’s feel for exotic ways of describing looks, his obsession with eyes. Similarly, Deighton’s snappy take on the trials and tribulations of everyday life, such as gas meters and payphones.

He took me up to a room on the third floor back. It had an antique gas-meter that looked hungry. I fed it some one-franc pieces. It liked them…I dialled a Bayswater number. The phone made the noises associated with making a phone call in England. It buzzed, clicked and purred; it had more tones than a chromatic scale. After two or three tries it even rang at the other end. (Ch 31)

Witty comparisons

I don’t know whether Chandler invented the smart-alec simile, but it seems to be part of the humorous self-consciousness of the thriller genre. It is flashy. The text shows off its savviness with language just as the protagonists show off their knowledge of guns and cars and (in Deighton’s case, especially) good food. The whole genre is supremely confident and knowing. It is letting you into its secrets. Look! I can handle a .38 Smith & Wesson hammerless 6-shot. Look! I know how to prepare authentic stifado. Look! I understand how to play off competing government intelligence agencies. Look! This is how vividly I see everything:

Dawlish was a tall, grey-haired civil servant with eyes like the far end of a long tunnel… Dawlish nodded, removed his spectacles and dabbed at his dark eye-sockets with a crisp handkerchief. Behind him on the window ledge the sun was rolling dusty documents into brandy snaps. (Ch 2)

The old man switched off the motor. It spluttered like a candle, and there was a brief silence before the sea began its background music. Left to the disposition of the ocean the little boat was handed from wave to wave like a rich patient between specialists. (Ch 12)

H.K. lived a long way down the Praca Miguel Bombarda. It was a simple house with a red-and-white tiled entrance hall. The dark furniture did a heavy dance as we walked across the uneven plank flooring. From the entrance hall one could see right through the house to where the light-grey sea, dark clouds and whitewashed stone balcony hung like a tricolour outside the back door. (Ch 14)

Dawlish took out a handkerchief and lowered his nose into it, like he was going from a seventh-storey window into something held by eight firemen. (Ch 19)

A little finger of grey cloud rubbed the tired eye of the moon. (Ch 24)

I was as limp as a Dali watch. (Ch 45)

He closed his eyes, gulped down his claret and leaned against the wall like a worn-out roll of line. (Ch 50)

Americanisms

Deighton’s style incorporates a wide array of prose strategies: very clipped factual; poetic prose, especially nature descriptions; brief dialogue snippets; technical specifications; English posh (upon, whilst, amongst); quoting newspapers, TV adverts etc.

But in the second half of Horse I noticed more Americanisms. During the interview with the American drug smuggler, Harry Kondit, in the heroin factory, the Narrator almost becomes American, using Damon Runyan or Raymond Chandler argot, telling H.K. he should ‘fade’, meaning disappear. On the boat, in the next scene, he is afraid lying on the deck ‘could earn me a slam on the kisser‘ (p. 176.)

I noticed that the puffs on the cover of Funeral In Berlin include one from the San Francisco Chronicle saying Deighton is ‘the Raymond Chandler of the cloak and dagger set.’ How much did this kind of thing influence Deighton, or was he channeling Chandler from the start?

  • He was as calm as the Serpentine in June.
  • ‘I know that I’ve been given the run-around by the phoniest set-up this side of Disneyland.’
  • You think you’re the blue paper in my potato crisps, but I can work you over my way and still have enough left to shovel up for the Lagos cops.’

And the plot?

Diving There is a plot, of course, quite a few plots in fact, which keep our narrator (and us) confused right up to the end of the text. Number one, our man is instructed to recruit divers to investigate a WWII German submarine sunk off the Portuguese coast. The plan is to retrieve counterfeit Nazi money the sub is reported to have been carrying, and use it fund Portuguese revolutionaries who are planning to overthrow the Salazar dictatorship. If they come to power, they will owe a debt to HMG. Which HMG will have achieved at no cost, thus pleasing the accountants.

Albufeira The first half of the book is dominated by diving: the Narrator’s (comic) diving instruction by the Navy at Portsmouth; then the flight to Gibraltar, picking up Joe MacIntosh, Our Man in Spain, and an Italian named Gorgio, the Best Diver In Europe; then the drive to the fishing village of Albufeira and setting up base in an apartment there. Then the unexpected arrival of two ‘helpers’ from the British Embassy in Lisbon, pukka Clive Singleton and good-looking Charlotte Lucas-Mountford, quickly nicknamed Charly. Then the settling into a routine of morning dives to the U-boat, working through it compartment by compartment to try and find either cash or printing dies in cases or containers.

Strangers After a few days they are approached by the charming American, Harry Kondit (aka H.K.) who knows everyone in town, including a weaselly 40-year-old fixer, Fernie, and the highly suspect Big Man of the region, Senhor Manuel Gambeta do Rosario da Cunha. The Narrator is deeply suspicious of all of them.

Back in London As diving operations proceed, the Narrator makes a lot of short trips back to London to check on a number of other strands: first, a light-hearted one about a scheme he and his boss have, to set up a new network of informants; second, on his return from the diving training in Portsmouth he was followed by cars, one registered to Cabinet Minister Henry Smith. What is Smith’s interest in him? While the Narrator is supervising the diving off the Portugal coast, what is going on behind his back in London? Who are his English enemies? What is the deep history of these English foes i.e. is there a long-term conspiracy?

The third element is the assortment of foreigners he meets in Portugal, who each seem to have their own agendas. There are several distinct threads:

Water into ice – one of the cars that followed the narrator back from his training course in Portsmouth was owned by a certain Ivor Butcher, the man who sold British Intelligence what appear to be worthless plans for converting ice into water instantly by interfering with the molecular structure (and so useful for missile-firing submarines cruising under Arctic ice sheets). References to it crop up in houses of suspects etc: does it work, after all? Is this what the plot is about? The Narrator meets Butcher at the bar of the Ritz, where he buys off him a page from the diary of Henry Smith which happens to have been nicked by one of Butcher’s burglar contacts – in it the Narrator finds coded messages which seem to refer to smuggling industrial components to Red China?

Drug smuggling – about two-thirds through the Narrator gets an analysis back from Forensics that the canister they eventually extract from the U-boat has traces of heroin attached. He makes a trip down to Cardiff, to the FO Forensics Lab, and spends an evening with our drugs expert in his chilly Welsh home, being briefed on the drug world circa 1962, including the large amount of acetic acid generated as a by-product of heroin production.

Giorgio dies A vivid description of his first dive into the U-boat ends with Giorgio suddenly appearing with his arm badly ripped, bleeding. The Narrator takes him to the surface, and brings him ashore where he dies of shock and blood loss.

Real identities Soon after discovering the canister which Giorgio extracted from the U-boat has traces of heroin in it, the Narrator finds from the Research Dept that da Cunha is in fact a former German naval officer and the shifty Fernie is a renegade British Navy officer and frogman. Aha.

Sleeping with Charly Back in Albufeira, with Giorgio and Joe dead (blown up in the Narrator’s car at Heathrow), Singleton requests leave, and, left to themselves, Charly seduces the Narrator. Over a post-coital cigarette she mentions H.K. runs a big cannery factory, which generates lots of acetic acid, hence the vinegar smell. Acetic acid! The by-product of heroin production! Double aha! The Narrator immediately goes over to the factory with Charly and a gun, and catches H.K. red-handed, refining heroin.

Confronting H.K. Long chapter in which the Narrator finds out a lot: Fernie found heroin in the old sub; encouraged H.K. to set up a refinery, which then became a business; the raw material is thrown overboard on buoys from passing ships, collected by Fernie, processed by H.K., sealed in sardine cans and attached to the hulls of ships bound to the States; recovered by frogmen their end. Da Cunha is an ex-Nazi, but not directly involved: H.K. pays him protection money, and da Cunha borrows H.K.’s big pleasure boat whenever he wants to. Fernie knows Ivor Butcher who’s visited a few times: but does this make Butcher a messenger from Smith, or back to Smith? After H.K. has said everything the Narrator lets him go but Charly, unexpectedly, pulls a gun and shoots him, only wounding him. The Narrator intervenes, takes the gun, allows H.K. to flee. Turns out Charly is a US Narcotics agent. Ha!

On the boat H.K. flees but leaves a note for the Narrator saying Fernie’s going out on the boat for another pick-up. The Narrator gets Charly to row him out and hides on the boat. Fernie turns up and, along with the 14 year-old street urchin Augusto, sails out to sea. The Narrator gets the drop on them but only after they’ve failed to collect the merchandise. He beats Fernie in a fight and establishes it wasn’t dope Fernie was after, but the Weiss List. The Weiss List is a list of high-placed individuals in England who were ready to collaborate when the Nazis invaded. Fernie knows da Cunha has it hidden in a sunken buoy which comes to the surface every 12 hours to radio it’s OK then drops back to the bottom of the sea.

(Fernie’s life story Fernie tells his life story i.e. fighting for Franco during the Spanish War, volunteering as a Navy diver, being captured by the Germans, and recruited into The League of St George which would have become the Nazi Party in occupied Britain, led by Graham Loveless, Henry Smith’s nephew. As the Allies advanced, he and Loveless photocopied the list and buried it, before being arrested. Loveless threatened to reveal all the names on it and was hanged for his troubles; Fernie lived. But when Fernie returned to Hanover to dig up the list, a block of flats had been built on it. Meanwhile, the man now known as da Cunha had secured the only copy and was using it liberally to blackmail eminent Brits, a small part to fund H.K.’s heroin factory, but mostly to support a network of Fascist parties across Europe.)

H.K. shoots Fernie As the boat approaches shore again, H.K. (who we thought had high-tailed it long ago) shoots Fernie dead from the cliffs using a rifle with telescopic sights. He uses up all his bullets which allows the Narrator to get ashore, hook up with Charly and visit da Cunha’s villa – long abandoned – where he finds another, and much larger, laboratory. Aha. He orders Singleton to pack up all the diving gear and return it to London. And then the Narrator returns to London himself.

Trailing da Cunha Dawlish and the Narrator get their intelligence committee off the ground. Dawlish signs ‘Closed’ on the Albufeira file but the Narrator refuses to let it lie. It feels like the story is finished to me, but it in fact continues for another 30 pages of densely packed narrative. Da Cunha makes the mistake of leaving some equipment in his old lab and then ordering it to be shipped to him. The Narrator has put surveillance on the villa and follows the equipment to a small airfield where it’s loaded onto a plane heading south. He gets air traffic control in Gibraltar to follow the plane as it flies across the Med to Marrakesh.

Marrakesh Here there is a bizarre scene where the Narrator uses UK influence with the local police to track down da Cunha, and interview him. Da Cunha is now openly the former Nazi Knabel, and he confirms that the expensive lab is to continue working on his (madcap) scheme to turn ice into water for military purposes, before beginning to froth at the mouth (literally) about the rebirth of a Europe-wide Fascist movement. The Narrator draws out the increasingly bonkers conversation because all the time Ossie, a professional burglar we met earlier in the novel, is breaking into da Cunha’s quarters and stealing the transmitter set to the frequency of the buoy at the bottom of the sea off Albufeira which contains the Weiss List.

Helicopters Cut to the Narrator and Royal Navy divers spending several days criss-crossing the sea off Portugal until they pick up the beacon signal, then transmitting the call which makes the buoy rise to the surface, where it is easily retrieved. The Narrator opens it on board a naval vessel and, sure enough, it contains detailed correspondence between Germans and high-ranking British Nazi sympathisers. Da Cunha had been using it for years to blackmail money out of men like Smith. Now the Narrator sees why he was tailed, and why Smith was interested in him and tried to shut down the whole Albufeira investigation. It was to hide the existence of the Weiss List, not to cover the heroin smuggling, that his car was blown up at Heathrow.

They already knew When the Narrator presents all this as new evidence to his boss, Dawlish, the latter pulls out a big file marked Young Europe Movement. He’s known about it all along. They were just using the Narrator because they knew he’d flush out the list itself. So the heroin was always a side issue, after all, and da Cunha’s ice-to-water device was moonshine. It was all about the Weiss List, but will any of the Nazi sympathisers be arrested? Of course not. British Intelligence will simply let the ageing collaborators on the list know that it is in their possession and their past treachery could be made public if they step out of line…

Confusing

The narrative is often confusing because the plot is confusing because the basic premise of the series is that spying is confusing. As the Narrator tells the Minister on page two of The Ipcress File, the story is confusing because he’s in a confusing business. Similar sentiments here:

‘It’s so confusing, isn’t it?’ Charly said.
‘Confusing,’ I replied. ‘Of course it’s confusing. You involve yourself in industrial espionage and then you complain about it being confusing.’ (Ch 44)

Cleverer people than me have been completely flummoxed by Deighton’s plots. Having read all the early ones, I’ve realised the best thing is to relax and enjoy the view – the style and presentation – and let the plot look after itself. Not, in fact, unlike the Narrator who is often as perplexed as we are.

I walked to the beach trying to arrange the facts I had access to. As I look back on it I had enough information then to tell me what I wanted to know. But at that time I didn’t know what I wanted to know. I was just letting my sense of direction guide me through the maze of motives. (Ch 43)

And, in keeping with the fundamental worldview of the books that the world is vastly more complicated and fractured than any one narrative can capture – ‘There would always be unexplainable actions by unpredictable people. (Ch 47) – some loose ends are, in fact, never tied up – as the Narrator warned Jean earlier in the story.

‘I’m sorry,’ she said.
‘OK, but don’t ever hanker after tidiness. Don’t ever think or hope that the great mess of investigation that we work on is suddenly going to resolve itself like the last chapter of a whodunnit… After we’re all dead and gone there will still be an office with all those manilla dust-traps tied in pink tape. So just knit quietly away and be thankful for the odd sock or even a lop-sided cardigan with one sleeve. Don’t desire vengeance or think that if someone murders you tomorrow we will be tracking them down mercilessly. We won’t. We’ll all be strictly concerned with keeping out of the News of the World and the Police Gazette.’ (Ch 21)

Cast

  • The Narrator – 40-something British Intelligence agent, he lives in a flat in Southwark, wears glasses and, according to his girlfriend, Jean, is running to fat; he is an expert on money laundering and transfers; smokes Gauloises
  • Dawlish – his boss
  • Jean – his secretary and lover
  • ‘Tinkle’ Bell – 17-stone employee of British intelligence
  • Henry Smith – Cabinet Minister whose car was used to tail the narrator back from his diving course in Portsmouth and who he suspects of masterminding something. Smith tries to use his influence to get the diving operation cancelled but two-thirds of the way through the book the Narrator confronts Smith in his immensely posh club. Firstly, he refuses to obey the order to abandon the diving; secondly, he bluffs Smith, saying he knows about his component-smuggling-to-Red-China operation, something he has deduced from other sources. Smith appears genuinely taken back by the Narrator’s knowledge of this and for a while we are left wondering whether this is what the story is actually about.
  • Giorgio – Italian diver they hire to investigate the sunken U-boat. He becomes nervous and the Narrator spots him heading off one night for a secret rendezvous; then, when accompanying the Narrator on the latter’s first dive to the U-boat, Giorgio is murdered, his diving suit shredded, his arm badly mauled, he dies of shock and blood loss as the Narrator just about manages to bring him ashore.
  • Joe MacIntosh – intelligence man in Portugal, fixes up the flat in Albufeira for the Narrator and Giorgio. In a shock scene Joe is killed when he gets into the Narrator’s car at Heathrow airport and it explodes. Who planted the bomb? Why did they want to kill the Narrator?
  • Clive Singleton – from the British Embassy in Portugal, turns up at the Narrator’s flat in Albufeira, which the Narrator is not happy about. A good swimmer, he is soon assisting Giorgio in his daily dives to the U-boat – ‘ career naval officer anxious to demonstrate the bungling inadequacy of a civilian intelligence organization’
  • Charlotte Lucas-Mountford aka Charly – accompanies Singleton to the Albufeira apartment, quickly settles in as the home help, shopping at the local market, cooking, cleaning, washing shirts. She has a striking figure which she shows off in various bikinis and micro-skirts, triggering 1960s sexism, if you choose to object. Against his better judgement the Narrator is seduced by her, whereupon she tips him off about H.K.’s heroin factory. N promptly raids it and interviews H.K., is prepared to release him but Charly shoots H.K., though not fatally. At which point she reveals that she is a US Narcotics agent and largely drops out of the story.
  • Harry Kondit, known as H.K. – loud American who approaches them on the beach and quickly is inviting to dinner, knows all about the diving. Suspicious. Turns out to be a heroin processor. Shot by Charly but escapes, they think he’s fled town. But he is hiding and shoots Fernie dead with a rifle with telescopic sights from the clifftops.
  • Fernie, full name Senhor Jorge Fernandes Tomas – ‘a thin, neurotic man of perhaps forty years’ – 40-year-old local fixer. Highly suspicious. Turns out to be renegade Royal Navy officer and frogman, Bernard Peterson. Loses a fight with the Narrator on the motor-boat, then spills the beans: he has been using the Weiss List to blackmail, as well as helping H.K. run the heroin operation. H.K. shoots him dead as his boat approaches the coast.
  • Augusto – street urchin, Fernie’s boy assistant, is steering the boat back ashore when H.K. opens fire on it, badly injuring the boy.
  • Senhor Manuel Gambeta do Rosario da Cunha – (allegedly) the leading man of the district: H.K. introduces him to the Narrator who goes for a long intricate dinner at his palace, where the narrator acquiesces in the suggestion that he is a good friend of ‘Mr Smith’.
    • ‘You are in contact with Mr Smith?’
      ‘Of course I am,’ I lied quickly. (p.69)
  • After dinner Senhor da Cunha hands him a package claiming it was washed up with a body from the U-boat: N takes it back to London where it is identified as a good quality die for forging British sovereigns. N suspects da Cunha is a fake, the story about a washed-up body is baloney; the die is some kind of bribe – but he doesn’t know what for. Da Cunha turns out to be ex-German Navy officer, using the Weiss List to blackmail eminent Brits, and using the proceeds to fund European Fascist movements. The Narrator tracks him to Marrakesh where he steals the transmitter used for retrieving the underwater container which holds the Weiss List.
  • Ossie – nickname of Austin Butterworth – world-class burglar and underworld contact – tells the Narrator that the Portuguese revolutionaries he’s been ordered to give the Nazi counterfeit money to have signed a contract with a British arms manufacturer who’s got wind of being paid with counterfeit money and therefore wish to remove the Narrator. Is it they who planted the bomb in the Narrator’s car? In a second appearance at the end of the book, Ossie is commissioned by the Narrator to break into da Cunha’s house in Marrakesh, to steal the transmitter used for retrieving the underwater container which holds the Weiss List.
  • Ivor Butcher – crook who sold British Intelligence the duff information about the ice converter (for £6,700!); also an underworld contact who acts as a middle-man passing messages from Smith to da Cunha.
  • Kevin Cassell – British Intelligence officer, in charge of Intelligence records: reveals to the Narrator Henry Smith MP’s heavy involvement in arms companies, in backing the Nazis, Fascists, foreign dictators etc. Ends up in ultimate possession of the Weiss List.
  • Glynn – a bald man in a roll-neck sweater who lives in a small stone house in the Welsh countryside outside Cardiff, who the Narrator visits because he is a government expert on illegal drugs, about which he gives the Narrator a thorough briefing.
  • Sir Humphrey – British ambassador to Spain
  • Baix – of the Surete Nationale in Morocco
  • Chief Petty Officer Edwards of HMS Vernon – the diver who retrieves the deep-sea canister containing the White List, using the retrieval transmitter Ossie stole off da Cunha

Cars

Pop culture dates fantastically fast. These books have the quaintness of another era, over 60 years ago. The narrator references a Jayne Mansfield calendar and the latest Miles Davis disc playing on the American’s yacht (‘Miles Davis began to pump the cabin full of sound,’ p.98), the Aldermaston marches and Tio Pepe sherry, Charlie Mingus, Elvis Presley, Omo soap powder. H.K.’s luxury yacht has a 17-inch TV set! But nothing dates it quite as dramatically as seeing the cars these guys were driving and regarded as the height of style.

Initialisms

Listing the initialisms is one way of viewing the text, of taking a specimen slice. For what it’s worth, to out-Deighton Deighton, I give them in the order they appear in the text, as clues to the direction the story takes, the foreign and glamorous right next to the mundane and banal.

  • WOOC (P) – the intelligence unit the narrator works for; initials never explained
  • VNV – Vós não vedes – ‘You do not see’, name of Portuguese revolutionary movement
  • FO – Foreign Office
  • HMG – Her Majesty’s Government
  • PST – Permanent Secretary to the Treasury
  • FST – Financial Secretary to the Treasury
  • QM – Quarter Master
  • PO – Petty Officer
  • CPO – Chief Petty Officer
  • HO – Home Office
  • WM – Weekly Memoranda sheets from the JIA (Joint Intelligence Agency) at the MoD (Ministry of Defence)
  • C-SICH – Combined Services Information Clearing House
  • DNI – Director of Naval Intelligence
  • CIGS – Chief of Imperial General Staff
  • PUS – Permanent Under-Secretary
  • LEB – London Electricity Board
  • FSL – (Home Office) Forensic Science Laboratory
  • PSL – Papavar somniferum Linnaeus, the species of poppy which yields opium
  • SD – Sicherheitsdienst
  • SS – Schutzstaffel
  • ARP – Air Raid Precautions
  • BUF – British Union of Fascists
  • ITMA – It’s That Man Again (radio show)
  • PIDE – (Portuguese) Internal Police for the Defence of the State
  • Sc.Ad.C. – Scientific Adviser to the Cabinet

Acronyms are another way of both sounding good and avoiding the issue, as anyone who’s worked in a big organisation knows.

The movie that never was

The first, third and fourth novels in the IPCRESS series were filmed but not ‘Horse’ – why? Apparently it was planned as the follow-up to ‘Billion Dollar Brain’ (1967) but was cancelled for several reasons:

  • After the success of the first two films, the third, ‘Billion Dollar Brain’, was poorly received, prompting series producer Harry Saltzman to cancel further planned adaptations of the series.
  • Star of the first three, Michael Caine, felt he had exhausted the Harry Palmer character, and producers were wary of changing lead actors in a series following poor reactions to swapping leads in other spy films, notably the cool reaction to George Lazenby replacing Sean Connery as James Bond in ‘On Her Majesty’s Secret Service’ (1969).
  • Lastly, and maybe most important, the plot is complicated and unfocused, with a series of violent scenes but no real knock-down climax of the kind popcorn movies require.

Credit

‘Horse Under Water’ by Len Deighton was published by Jonathan Cape in 1963. Page references are to the 1965 Penguin paperback edition. All quotations are used for purposes of criticism and review.

Related links

Related reviews

Other 1963 thrillers

  • The Golden Keel by Desmond Bagley – South African boatbuilder Peter ‘Hal’ Halloran leads a motley crew to retrieve treasure hidden in the Italian mountains by partisans during WWII, planning to smuggle it out of Italy ‘the golden keel’ of a boat he’s built for the purpose.
  • On Her Majesty’s Secret Service by Ian Fleming – Bond poses as a heraldry expert to penetrate Blofeld’s headquarters on a remote Alpine mountain top, where the bad man is carrying out a fiendish plan to use germ warfare to decimate Britain’s agriculture sector.
  • The Day of the Jackal by Frederick Forsyth, is set in 1963 – An international assassin is hired by right-wing paramilitary organisation, the OAS, to assassinate French President, Charles de Gaulle.
  • The Odessa File by Frederick Forsyth is also set in 1963 – German journalist Peter Miller goes on a quest to track down an evil former SS commandant and gets caught up in a high-level Nazi plot to help Egypt manufacture long-range missiles to attack and destroy Israel.
  • Dr Strangelove by Peter George – novelisation of the movie about misunderstandings which lead to a catastrophic nuclear war.
  • The Spy Who Came in from the Cold by John le Carré – Brilliant account of a British agent, Alec Leamas, who pretends to be a defector in order to give disinformation to East German intelligence.
  • Ice Station Zebra by Alistair MacLean – MI6 agent Dr John Carpenter defeats spies who have secured Russian satellite photos of US missile bases, destroyed the Arctic research base of the title