The War of Running Dogs by Noel Barber (1971)

‘I always had a great deal of time for Chin Peng. He was by far the most intelligent of all the Communists, calm, polite, very friendly – in fact almost like a British officer.’
(Senior District Officer and Chin’s escort to the 1955 peace talks, John Davis)

There are several basic facts about Malaya which you need to grasp in order to understand the so-called ‘Malayan Emergency’ (1948 to 1960).

British Malaya

Malaya was never a unified nation. ‘British Malaya’ (1896 to 1946) consisted of the Federated and Unfederated Malay States. The Federated states were four protected states in the Malay Peninsula – Selangor, Perak, Negeri Sembilan and Pahang – established by the British government in 1896, which were British protectorates run by their own local rulers. The Unfederated Malay States was the collective name given to five British protected states, namely Johor, Kedah, Kelantan, Perlis, and Terengganu. Unlike the federates states, the unfederated states lacked common institutions and didn’t form a single state in international law. They were standalone British protectorates. In addition, there were the Straits Settlements, established in 1896 and consisting of the settlements of Penang, Singapore, Malacca, and Dinding, to which were later added the Christmas Island and the Cocos Islands.

After the war, in 1946, the British colony of the Straits Settlements was dissolved. Penang and Malacca which had formed a part of the Straits Settlements were then grouped together with the Unfederated and Federated Malay States to form the new Malayan Union.

Map of Malaya 1952 to 1954 © Monash Asia Institute, from the Cambridge University Press book ‘Templer and the Road to Malayan Independence

Racial heterogeneity

Of the population of about 6 million, 40% were Malay, almost as many were Chinese, and the remainder Indians, Europeans or other.

The three non-European communities – Malay, Chinese and Indian – had different traditions, religions, languages, cultures and tended to cluster round different professions and occupations. For example, the sultans of each of the states was Malay, as was his court and advisers, whereas a high proportion of the country’s successful businessmen were Chinese.

There were some 12,000 British, consisting of the Malayan Civil Service, policemen, rubber planters, tin miners, doctors and businessmen.

Following the Second World War, in 1946 the British authorities announced a new administrative structure named the Malayan Union, which aimed to distribute power and influence among the three main ethnic groups, Malays, Chinese and Indians. This prompted an outcry and mass opposition, particularly from Malays who saw their influence diminish in what they considered their own country, as well as objections to other implications of the plan.

Protests led to the formation of the United Malays National Organisation which organised a campaign of civil disobedience, boycotting council meetings and so on. Bowing to pressure the British authorities scrapped the Malayan Union and in 1948 replaced it with the Federation of Malaya, consisting of states ruled by sultans as British protectorates i.e. with British advisers, with Penang and Malaca defined as colonies, and Singapore given separate and unique status.

Chinese communists

The 1948 reorganisation took power away from the Chinese community which made up about a third of the population and which responded with negative newspaper articles and political action. Distinct from the Chinese community as a whole (which included many rich and influential businessmen) was the relatively small Malay Communist Party, almost entirely staffed by Chinese. Many of these communists had fought alongside British irregular forces in guerrilla campaigns against the Japanese after the Japanese captured Malaya in 1942, in fact many of them had been armed and trained and served in Force 136.

The post-war authorities were able to monitor the activities of the Malay Communist Party for the simple reason that its leader, Lai Teck, was a British double agent. However, in 1947, his cover was blown and Lai absconded (taking the party’s disposable cash with him).

His replacement, Chin Peng, aged 26, son of a bicycle repairshop owner, was more ruthless and cunning. Barber’s book explains all this background and then describes the crucial Communist Party meeting held in a remote jungle location in Pahang, the largest state, in May 1948 (that pivotal year in the Cold War).

During the war many of the party’s members had fought a jungle insurgency as part of what was called the Malayan People’s Anti-Japanese Army, led by British army officers. Now, simply by changing one word, it became the Malayan People’s Anti-British Army. Many of the members, their arms, training and tactics remained exactly the same, but now they were dedicated to kicking out what they saw as just another colonial occupier and oppressor. In an irony which escaped no-one, many of the new communist terrorists (CTs) were fighting officers and men they had previously fought alongside against the Japanese.

Chin Peng divided his army up into two parts: the armed force of 5,000 fighters, organised up into nominal regiments, but in fact broken down into attack units of as little as half a dozen men, to be distributed around the country, based in the jungle near the network of arms caches they’d helped establish during the war. The second part was the Min Yuen, meaning ‘Masses Movement’, consisting of hundreds of thousands of normal everyday citizens who would operate on every level of Malay life, as waiters in British clubs, clerks in government offices, as schoolteachers, newspaper reporters and so on (p.37) who would supply the active army with food, money and information.

The primary aim was to sow terror, pure fear, among the British colonial community and its native assistants and workers (collaborators, in the communist view). As the campaign spread, Chin intended for the European community to become demoralised and increasingly enfeebled while the tentacles of the Min Yuen spread at all levels of Chinese society until it was so powerful and numerous that a communist revolution became inevitable.

Barber details Chin’s three-phase plan:

Phase one

Guerillas attack isolated planters, tin mines, police and government officials, creating a climate of fear, forcing these scattered Europeans to abandon the country and seek the cities for safety.

Phase two

Areas abandoned by the British would be named ‘Liberated Areas’ and become the settings for guerrilla bases. The army’s numbers would be increased by recruits from the Min Yuen.

Phase three

Moving out from their bases in the Liberated Areas, the expanded army would attack towns and infrastructure, roads and railway, electricity and water supplies, while the Min Yuen sabotaged urban services. The expanded guerrilla army, supported by China or Russia, would confront the weakened and demoralised imperial forces in a final revolutionary struggle.

What is notable about all this is that the communists were overwhelmingly Chinese, relied on the active support of part of the Chinese community, and expected the revolution to come with help from China, and yet… the Chinese made up a distinct minority of the Malay population. As you might expect, the largest element of Malaya’s population was Malay. And lots of the plantations and other businesses the communists targeted were staffed by Indians, especially Tamils.

The use of terror

Barber views the Malay Communist Party campaign through the teachings of Lenin and Mao. Lenin had written that, through the application of terror, a well-organised minority could take over a country (p.36). Mao had written extensively about the organisation and strategy necessary for a peasant army taking on a larger, better-funded, full-time army. Be mobile and flexible. If you meet resistance, withdraw.

To spread fear you practice murder with maximum cruelty. Barber doesn’t hold back on his descriptions. The emergency is commonly dated from the murder of three British planters, two at one plantation, the other at a nearby one, on the same day, 16 June 1948. He goes on to describe, in detail, the CTs’ tactics and types of attacks: they crept up on native Malay or Tamil tappers (the workers who tapped the rubber trees), captured them and slit their throats like farm animals. They seized workers and chopped off their arms with the large Malay knife. They regularly attacked isolated plantation owners’ houses or bungalows, using British Sten guns or grenades. They made road ambushes by falling trees across roads then subjecting stalled vehicles to barrages of fire. That is how they murdered High Commissioner Sir Henry Gurney (p.156).

The casualties were never enormous – not on the scale of an actual war – but still significant, with around 500 European settlers or officials being killed each year, and several times more communists. In total, during the entire emergency, 1948 to 1960, 1,346 Malayan troops and police were killed, 519 British military personnel, about 6,710 communists, with civilian casualties of around 5,000.

The British response

The British responded with a number of co-ordinated strategies: most Malay settlements had so-called ‘squatter’ camps surrounding them, occupied by immigrants from China, some of whom helped the communists, but many of whom were victims of the communists if they didn’t help or were suspected of collaborating. Therefore the British created a network of ‘New Villages’ and relocated the 600,000 squatters to them. Surrounded by barbed wire, they certainly protected the inmates from attack, but also could be seen as concentration camps.

The British authorities enforced a photo identity scheme, and tried to starve the communist guerrillas by implementing a food denial campaign by enforcing food rationing on civilians, killing livestock and using chemical herbicides to destroy rural farmland. Policing was expanded and re-organised to provide protection for workers going to work on rubber plantations or tin mines.

It is ironic to learn that the outbreak of the Korean War in June 1950 led to boom market for rubber and boom period for Malayan economy (p.182). Nonetheless, when the Conservatives won their election victory in October 1951 victory, they discovered that Britain was on verge of bankruptcy. The country had lower food stocks than ten years earlier, in 1941. By 1951 huge numbers of men involved – 40,000 regular troops including 25,000 from Britain, 10,000 Gurkhas, 5 battalions of the Malay Regiment, plus 60,000 full-time police and 200,000 Home Guards. The war was costing £500,000 a day. (p.162) No wonder Correlli Barnett railed against the stupidity of spending all our Marshall Aid running the ridiculous empire.

The incoming Prime Minister, Winston Churchill, sent Colonial Secretary Oliver Lyttleton on a fact-finding mission which reported back that the situation was dire and highlighted disagreements between army and police and divisions even within the police. Churchill appointed General Sir Gerald Templer to take over. Templer was a splendid example of the imperialist education system, having attended Wellington, Sandhurst, been an Olympic hurdling champion, and served in post-war Germany where he’d realised the Germans needed encouragement, carrots, promises of better times, to prevent communism.

It was Templer who realised the British had to win the ‘hearts and minds’ of the population, not with military force, but simply by showing that democratic capitalism would give the native populations and their families a better future. So he combined expanding the police force, and especially its Special Branch wing, with social works, the building of hospitals, schools, an increase in teacher training, setting up of women’s groups and so on.

Barber’s approach

Noel Barber (1909 to 1988) was a journalist who worked as foreign correspondent for the Daily Mail in the 50s, 60s and 70s. He also managed to write some 22 non-fiction books about the many countries he reported from (Hungary, Tibet, India). Late in life, a car crash ended his career as a journalist and he switched to writing novels, producing half a dozen, none of which I’ve heard of.

The War of the Running Dogs: How Malaya Defeated the Communist Guerrillas 1948-60 was Barber’s 15th non-fiction book. I picked it up in a second-hand shop because I want to understand more about Britain’s decolonisation beyond the glut of books and documentaries about the two usual suspects, India and Israel.

I think it’s safe to say that Barber’s approach is old school. Writing at the end of the 1960s, he himself came from a solidly upper-middle-class family, good public school, well-connected family (his brother, Anthony, was a Conservative politician, who rose to be Chancellor of the Exchequer in Ted Heath’s government 1970 to 1974).

Thus we get the story predominantly from the British side and from a perspective which is now disappearing, told with a hearty patriotism which often reads like it’s from one of the Famous Five children’s book. The senior British figures are often described as ‘magnificent’, policies and outcomes are ‘splendid’. Men are men, especially the gruff, no-nonsense Lieutenant General Gerald Templer who was sent by Churchill to replace the assassinated High Commissioner Sir Henry Gurney. Templer barks out orders, insists things are done the same day, issues red orders which must be carried out by underlings or else, insists on shaking hands with all the Malay staff at government house (in fact, King’s House) in Kuala Lumpur. Shakes colleagues by the hand and tells them, ‘You’re a man‘.

Other ‘men’ include Sir Harold Briggs, First Director of Operations, Sir Robert ‘Bob’ Thompson of the Malayan Civil Service, Colonel Arthur Young, Police Commissioner, Bill Carbonell Commissioner of Police, and Peter Lucy, the amazingly brave rubber planter. It is a winning aspect of the book that it opens with a one-page ‘cast of principal characters’ [which isn’t all-white, it includes Malayan politicians and all the key Communist leaders]. Somehow this crystallises the impression given by much of the text that the war was a spiffing affair with manly chaps like General Templer grasping Colonel Young with a firm handshake, looking straight into his eyes, and saying, ‘You’ve done a man’s job, sir.’

Stories and comedy

Barber tells a number of funny or wry anecdotes. For example, the occasion when Templer addressed the population of one of the New Villages which had passively let CTs walk in, take all their weapons, and then walk out, the British general tried to convey his anger, but the Malay translator produces a comically rude mistranslation.

Or the amazing tale of 14-year-old Terence Edmitt who drove the family armoured car (!) through a CT roadblock and ambush, carefully ramming the car blocking the road into the ditch, while the car echoed to fusillades of bullets from CT sten guns and his mum and dad fired back through slits in the side (p.227).

Or the astonishing story of Peter Lucy and his tough, no-nonsense wife Tommy, who refused to abandon their remote plantation bungalow, so they fortified it, ringed it with barbed wire, and regularly fought off CT attacks with Sten guns and hand grenades even when Tommy was nine months pregnant!

Barber finds the astonishing or the amusing, the gossipy and heroic, in everything. This is one of the aspects which makes it more of a popular magazine article than a work of serious history.

There are other reasons why I doubt a book like this could be published nowadays:

1. Race and ethnicity

As Britain ceases to be a white country (estimates vary, but by about 2070 it’s thought whites will be in a minority in the UK) and its academic and publishing industries become ever-more hypersensitive to issues of race and ethnicity, the book’s unstinting support of ‘our boys’ and of colonial administration generally, has, I think, nowadays, become untenable. Barber would be picked up on countless places where he makes no-longer-acceptable generalisations about the Malays, the Chinese or the Indian population of Malaya.

In fact, Barber goes out of his way to praise the three different racial groups in Malaya, and also brings out Templer’s and the British authorities’ deliberate policies of racial integration. He tells the story of Templer being outraged to learn that some ex-pat club refuses membership to Malays and Chinese, gets the entire board sacks, and forces them to take non-European members. So Barber and his heroes are very pro race equality and racial integration. Templer and many other Brits realised it was vital not only to winning the war but to ensuring a smooth transition to independence. That wouldn’t save them from being damned by modern academics and critics.

And Barber goes out of his way to detail the intelligence work of the CT defector Lam Swee and, especially, of C.C. Too, a Chinese brought in to head British psychological operations, who became responsible for the propaganda war, including dropping millions of leaflets in the jungle telling the terrorists they would be treated well if they gave themselves up, describing the joys of civilian life (which amount to ‘women and cigarettes), as well as planes which were commissioned to fly low over huge expanses of jungle broadcasting the same message from big loudspeakers (p.139).

So I wasn’t aware of any racial bias or bigotry at all, rather the reverse. Bet that wouldn’t save him, though. And although he goes out of his way to give a positive impression of the remote communities of ‘aboriginal’ peoples, the peoples who inhabited Malaya before either the Malays or Chinese arrived, I suspect he would be hammered for calling them ‘abos’ and not the currently acceptable term, which appears to be ‘Orang Asli aboriginals’.

2. Women

Since the complete triumph of feminism in academia and the media, the slightest disparaging remark about women in any capacity is enough to end careers.

Again, Barber is surprisingly liberated for his day (he must have written this book in the late 60s and 1970 for it to be published in 1971) and goes out of his way to praise women at every level. For example:

a) He describes the tremendous good works done by Templer’s wife, who threw herself into organising hospitals, schools, women’s groups and generally improving the status of women in Malay society.

b) He gives specific examples of amazing courage and bravery among women in the war, for example, Lucie Card who one minute is living a middle-class life in Surrey, volunteers for the St John’s Ambulance, and a month later is driving an ambulance through bandit-infested jungle in Malaya (p.237 ff.)

Barber devotes a long passage to the surprising fact that Chin Peng selected as head of the communist army’s courier network, a determined young woman, Lee Meng. Not only do we hear about her legendary efficiency and ruthlessness, but there is a long passage devoted to the hard work the Malay Special Branch put in to a) identifying her b) arresting and interrogating her.

It is just as surprising to learn that a key player in tracking her down was British operative Eileen Lee. The complexities of the operation to identify Lee Meng sound as if they’re from a James Bond story (as does the very unlikely-sounding story of CT double agent ‘the Raven’ attending a dinner party of local Brits disguised as a servant in order to leave a secret message on the District Officer’s pillow! p.286)

Elsewhere Barber remarks more than once that female comrades in the Liberation Army were generally thought to be tougher and more ruthless than most of the men.

So Barber goes well out of his way to sing the praises of women in general, and to single out some remarkable examples of female braveness, toughness and ingenuity in particular – but I don’t think that would be enough to save him. He routinely refers to these heroic women as ‘girls’, sometimes as ‘young and pretty girls’ (p.203), ‘she was young, extremely beautiful and very pregnant’ (p.284). Tsk tsk. His entire attitude would, nowadays, be dismissed as the patronising stereotypes of a patriarchal, pro-imperialist, white supremacist male. I’m surprised his book is still in print.

It’s very obvious that anyone interested should read a more up-to-date account of the war, but all the aspects I’ve just mentioned mean that Barber’s account is interesting not only for its subject matter, but for the strong flavour of the 1970s prism through which he views them.

3. Unquestioning patriotism

For Barber, the high commissioners, heads of police or special branch, are ‘magnificent’, so a ‘splendid’ job, are real ‘men’. He mentions at some length the two trials of Lee Meng and how, when the authorities couldn’t get a guilty verdict from the first trial, they simply held another one with a more European panel of ‘advisers’ (instead of a jury). This caused controversy at the time. Similarly, he mentions the ‘Batang Kali massacre’ when 24 unarmed Chinese prisoners appear to have been murdered by British troops. He mentions these things, presents the evidence and says they left question marks over ‘British justice’. He makes brief mention of regulation 17D which gave the government the power of detention without trial and that some 30,000 civilians were interned under it, but not much more. He mentions these things but I bet a modern historian would use them to flay the racist imperialist British.

Key developments

By October 1951

It had become clear to Chen Ping that his initial three-phase plan wasn’t working. He duly called another big meeting of senior Malay Communist members and issued a new Directive. This refocused the communist campaign – stop killing innocent bystanders and Chinese, focus more on police, soldiers, direct officers of imperialism – but at same time boosted political efforts to infiltrate trade unions and create communist sympathisers through legal means.

January 1952

The appointment of Templer as High Commissioner, who comes in with sweeping new policies. One is to place enormous bounties on the heads of the CT senior command, double if caught alive, half if caught dead. He wanted them alive so he could convert them and use them as propaganda. Also to interrogate them and get intelligence about camps and strategies.

September 1952

One of the stupidities of the entire thing was that the British fully intended to quit Malaya, and had made this known to all the sultans and the general population. Throughout the period Britain made attempts to get more local figures into politics, to make more places open to locally elected officials. Then on 14 September 1952 a new citizenship law gave 60% of the Chinese population and 180,000 Indians full and immediate citizenship, with procedures established for all other inhabitants to apply for citizenship (including any Europeans who had one parent who’d been born in the country).

Spring 1953

Chin Peng makes a momentous decision to relocate his forces across the border into Thailand. Barber describes eye-witness accounts of the jungle meeting where this was announced to the communist cadres and the mood of disillusion and demoralisation which it led to.

Winding down

By mid-1953, five years into the war, a number of key communist leaders had been captured, killed or had defected. The British had sealed the squatter Chinese population off in the New Villages, enforced citizen id cards on everyone else, granted citizenship to large numbers of the population with processes for everyone else to gain full, legal citizenship, and had laid out a timetable towards full and free democratic elections to be held in 1955. Independence, in other words, was only a few years away. In the meantime Templer had overseen the inauguration of a sort of welfare state into which legal citizens paid, and which would contribute towards medical care or pensions. Tours were organised of government offices which included each citizen being taken to a bank and show how much money they had accrued, and led up to a speech by Templer himself. More and more CTs began to defect, giving themselves up and were astonished when they were not shot out of hand, but carefully treated, questioned, then freed and given clothes, money and jobs, and encouraged to spread the word to their comrades still in the jungle.

It became harder and harder for the communists to persuade peasants or urban dwellers that theirs was the correct route to freedom when the British route was so obviously better, for everyone.

This is what Templer meant when he had announced his ‘hearts and minds’ strategy. Barber really emphasises that right at the start of the emergency the government took the right decision which was to keep the emergency in the hands of the civil authorities – to make it a law and order issue. To make the police and Special Branch the key arms of law enforcement, with the army solely as backup and for specific defined operations (p.245 and throughout).

It was vital that the majority of the population see that law and order and government continue in its same form. The classic mistake to make in such situations, is to appoint a military overseer who invariably puts military units in charge, maybe imposes martial law, sets up special army-run detention centres and so on, with the inevitable result that sooner or later some atrocity is committed or photos leak out of inmates being mistreated in military gaols, and the general effect is to alienate the majority of the non-combatant population and encourage them to give passive or active support to the insurgents. As the Americans did in Vietnam and then again, astonishingly, in Iraq.

The Brits may have bent the law in some trials, been responsible for one well-publicised massacre (Batang Kal: 24 terrorists shot; My Lai: over 500 unarmed men, women and children killed), and the New Villages policy doesn’t sound as benign to me as Barber makes it sound. But overall, eventually, the non-military nature of the British response worked.

Communist desertions

The British placed huge bounties on the heads of the CT leaders. They offered huge sums for information. And they paid CTs who handed themselves in. Millions of leaflets offering safe passage were dropped over the jungle (93 million in 1953 alone, p.246, 525 million in total, p.321).

So many took up this offer that in the summer of 1953 Templer set up the Special Operational Volunteer Force, 180 ex-communist terrorists grouped into twelve platoons of 15 men each (p.233).

Barber describes in detail the defection of a number of the highest CT leaders, including the elusive Osman China ‘one of the most brilliant propagandists in South-East Asia’ and Hor Leung, a high ranking communist official (pages 250 to 265).

Elections

In July there was the first full general election in Malayan history. Barber had already introduced us to Tunku Abdul Rahman who had emerged as a canny political operator in the regional elections of 1952. Now he built a coalition between the ethnic parties to take overall power. 85% of the electorate voted and the Tunku’s Alliance won 51 of the 52 seats. He immediately began criticising the British veto on all laws passed by the assembly and pushing for the British to leave and relinquish full political power as soon as possible. The Tunku immediately issued a complete amnesty to all remaining CT fighters and had it distributed by leaflet, loudspeaker, the press and so on. Chin Peng replied calling for an immediate ceasefire.

The Tunku and his party were keen to hold talks but the British stalled. They were still responsible for the country’s security and felt admitting Chin Peng to a conference table would subvert the democratic process they had put in place, would give the communists influence not merited by their dwindling band of malnourished jungle fighters, and would hand a propaganda coup to the communist cause across wider South-East Asia (not least in Vietnam). But the Alliance party and many others saw this as simply excuses for the British to hang onto ultimate power. As long as the emergency remained, the British remained, and so the imperial power had a vested interest in dragging it out.

We now enter the complex world of multi-party politics, in which there are factions within the ruling Alliance party, these disagree with the old sultans, many of whom trust their British advisers more than these upstart democratic politicians, and the British administration itself which was divided about policy, and a British political community which was, of course, also divided between Conservative ruling party and the opposition internationalist Labour Party. The story gets more complex and, frankly, more boring, more bureaucratic.

The solution to this particular conundrum was simple: the British announced that they would leave whether the emergency was over or not. The existence of the emergency would not prevent full independence. And so Chin Peng was offered and amnesty and the opportunity to emerge from the (Thai) jungle and hold talks with First Minister Tunku.

In the event Malaya finally became fully independent (achieving Merdeka or independence) in August 1957, ending 83 years of British rule. Although under a British-Malayan Defence Pact, the Malay Army was run by Director of Operations Sir James Cassels (p.305), British soldiers continued to provide ‘defence’ for the Malayan state, and continued to be ambushed and killed by the 1,000 or so remaining CTs left in the jungle.

Despite independence the Communist insurgency continued until 1960. The final 30 or so pages don’t cover any of the political, social or economic ramifications of independence, but instead continue to give us exciting stories of derring-do, describing the cat and mouse campaigns to kill or capture the last remaining CT leaders, who are regularly portrayed as fiendish, cunning, clever, zealous and indoctrinated opponents of tall, tough, multi-lingual British Special Branch or SAS officers with mops of unruly hair and piercing blue eyes.

These last couple of extended adventures made me suddenly realise who Noel Barber reminds me of – Frederick Forsyth. A lot of the passages of action – the ambushes and attacks, the forays into the jungle, the top secret intelligence work – and the stereotyped characters – bluff British army officers, slight twinkly-eyed Chinese fanatics, beautiful girls, fast cars, Sten guns and armoured cars – read like an airport thriller, an airport thriller, a lot of which just happens to be true.

On 31 July 1960 the ’emergency’ was declared over and there was a huge victory parade through Kuala Lumpa which Barber describes in joyous detail, and then wraps his account up with a purple prose description of free, independent Malaya, unchanged and yet completely changed, enduring forever…

Thoughts

1. I must read a more modern account of the emergency, one which will probably contain a far more damning version of British behaviour.

2. Ideally, this modern version would go on to cover the longer period after independence up to the 1990s, say, so that the long-term effect of not only the emergency but of colonial rule can be assessed in the longer perspective.

3. Barber’s book is a very accessible, rip-roaring boys adventure version of events. The thing is, this may not be so misleading because quite obviously a lot of the British participants took part in that spirit, had that gung-ho, patriotic ‘come on chaps’ attitude. Certainly in his interviews with Peter Lucy and his wife, with Lucie Card and the dashing Scottish officer she met and married in Malaya, David Storrier (p.239), they all talk like that, they describe acts of everyday heroism and bravery with a dashing disregard for the danger.

4. And this is connected to the many scenes and descriptions of events where Barber deploys the techniques of a popular novelist, setting scenes whether in ex-pat clubs or jungle guerrilla camps, giving vivid descriptions of emaciated CTs, terrified Tamil workers, jolly fun-loving sultans and dashing Brits which come from movies, novels or comics of the 1950s:

Gallery of characters

Colonel Robert ‘Bob’ Thompson, son of an English clergyman, fluent Chinese scholar, fought with the famous Wingate Chindits, had a ‘brilliant’ war record, looked like a film star, was ‘a dashing, handsome, highly intelligent bachelor with a ready chuckle’ (p.24)

Sir Edward Gent, the High Commissioner… at Oxford gained a double first and was a rugger Blue… (p.44)

Malcolm MacDonald, Commissioner-General for South-East Asia… was something of a ‘character’ and over the years had developed a public image of a shirt-sleeved, approachable democrat… (p.47)

Police-Superintendent ‘Two-Gun’ Bill Stafford, a stocky, broad-shouldered barrel-chested aggressive man with grey-green eyes, who had been a ‘crime-buster’ before the Emergency and was already something of a legend in Malaya. (p.66)

[David Storrier] had sharp features, straight fair hair and the bluest eyes she [Lucie Card] had ever seen.

[Sir Henry Gurney’s] panache had become a legend in Palestine during the last frightful months… known to close friends as Jimmy, he had gained a blue for golf at Oxford and was a keen tennis player. (p.73)

Colonel Nicol Gray was a strong man in every sense of the word. (p.81)

John Davis, Senior District officer was ‘a broad-shouldered man of forty-nine with twinkling blue eyes and a shock of unmanageable hair’ (p.276)

The commanding officer chosen for the task was a spectacular character – literally: Major Harry Thompson, seconded from the Royal Highland Fusiliers, stood six feet four inches, had a thatch of fierce red hair and a boxer’s nose (p.311)

Evan Davies was a master of the technique of using double agents… He had impeccable manners… he was ‘feared yet respected in every CT camp in Malaya’… he drove a cream, two-seater sports car ‘with his usual dash and verve’…He had ‘a remarkable ability to think like a Chinese…’ ‘He had been a policeman on the beat in London before being promoted to Special Branch, followed by a spell as a Commando during World War Two..’ (pages 281 to 24)

Commando: Marching to Glory: Six of the Best Commando Army Books Ever! (Commando for Action and Adventure): Amazon.co.uk: Low, George: 9781853758966: Books


Related history reviews

Related literary reviews i.e. about Malaya

The Human Factor by Graham Greene (1978)

He told himself that he was a free man, that he had no duties any longer and no obligations, but he had never felt such an extreme solitude as he felt now.
(The Human Factor, page 215)

Greene was 74 the year this novel was published. The pace of the book is slow and steady and unhurried, the opposite of, say, the helter-skelter of violent incidents in a thriller like Len Deighton’s SS-GB, published the same year. And the prose of this, Greene’s later period or style, is similarly cool and clear and unhurried, lucidly unfolding descriptions, events, thoughts, dialogue, in a measured, stately pace. You can open it at almost any page and immediately start enjoying the clear, declarative sentences, arranged in a logically advancing order in beautifully weighted and judged paragraphs.

Sample quote

Colonel Daintry had a two-roomed flat in St James’s Street which he had found through the agency of another member of the firm. During the war it had been used by MI6 as a rendezvous for interviewing possible recruits. There were only three apartments in the building, which was looked after by an old housekeeper, who lived in a room somewhere out of sight under the roof. Daintry was on the first floor above a restaurant (the noise of hilarity kept him awake until the small hours when the last taxi ground away). Over his head were a retired businessman who had once been connected with the rival wartime service SOE, and a retired general who had fought in the Western Desert. The general was too old now to be seen often on the stairs, but the businessman, who suffered from gout, used to get as far as the Carlton Club across the road. Daintry was no cook and he usually economised for one meal by buying cold chipolatas at Fortnum’s. He had never liked clubs; if he felt hungry, a rare event, there was Overton’s just below. His bedroom and his bathroom looked out on a tiny court containing a sundial and a silversmith. Few people who walked down St James’s Street knew of the court’s existence. It was a very discreet flat and not unsuitable for a lonely man. (pp.84-85 of the Penguin paperback edition)

Textual analysis

This, the opening paragraph of Part Three, Chapter 1, Section 2, is packed with information:

  • There is no physical description of Dainty. His physical appearance is of little or no concern.
  • Instead noscitur a socio – one is known by the company one keeps – and Daintry is firmly situated in a web of relationships which place him very solidly in the security wing of the military establishment. His flat was previously used by MI6; was passed on by a fellow security officer; his neighbours are an ex-SOE officer and ex-Army officer.
  • Geographically, he is located in the heart of London’s Establishment clubland, in St James’s Street, opposite the Carlton Club If you consult a map you’ll see this is just behind The Ritz, on the way down to St James’s Palace, and just round the corner from the Reform Club and the Travellers Club, which both feature in the novel.
  • An upper-class mindset which extends to his shopping habits: not Sainsbury’s, not Waitrose – Fortnum’s.
  • The one glimpse of what you might call real life – the noisy restaurant downstairs – is mostly there to emphasise his solitary, unclubbable nature, and to highlight the contrast with the sad final words of the paragraph – ‘a lonely man’.
  • But in among this litany of loneliness is a sliver of winter sunlight: the view from the bedroom onto the (inevitably small, this is central London) court which contains ‘a sundial and a silversmith’. This is an unusual splash of (admittedly wintry) alliteration from so cold and uncolourful a writer as Greene. And it has a subtle symbolism: the sundial evoking the inflexible passage of time and, by implication, the withered, near-retirement mentality of the unhappy Colonel, and somehow the second-rate, silver nature of his existence. (Elsewhere Greene describes the gold-rimmed glasses of his main South African interrogator and the gold ring the second, thuggish, interrogator has on his punching hand – from which he extrapolates that South Africa itself is a virile, sun-filled, golden country. But not cold, cramped England. The best we can hope for a thin parings of silver…)
  • Because the whole passage feels very English and Londony and cramped and confined and claustrophobic:
    • In terms of Daintry the man, we are told of his appallingly limited diet: he is rarely hungry and then only buys cold chipolatas, symbolising the notorious absence of gastronomic savoir faire in the public school-educated British upper classes so satirised by the French and Italians. (In other scenes there are a number of discussions about food, especially Lady Hargreaves’ famous steak and kidney pudding; the characters spend half a page contrasting steak and kidney pudding with steak and kidney pie.)
    • And the flat itself is such a cramped, inconvenient space: the noise of the restaurant below keeps him awake, the view is into a tiny court. Can you imagine an American security officer putting up with these Dickensian conditions for a minute?
  • Finally, if we reread the paragraph we can admire the logic and clarity with which the information unfolds, is set down in an orderly manner almost like an intelligence report except that, unlike a report, it has dots of imagery which convey the information in a different sort of way: the cold chipolatas sum up a lifetime of bad food; the noisy restaurant symbolises everything Daintry excludes himself from; the tiny courtyard offers a bleak, superficially impressive, but ultimately empty recompense for the life of secrets and evasions which Daintry has chosen, and which – we later learn – has resulted in his divorce and all-but-estrangement from his only child, a grown-up daughter.

There are similar amounts of precise information and imaginative wealth on almost every page of the novel, which is why I think it is so good.

The plot

Maurice Castle is an anxious, middle-aged man, living in a suburban house in Berkhampsted, commuting every day to his office in St James’s, bantering with his younger colleague Davis, wryly amused by the latter’s frustrated lust for their uninterested secretary, Cynthia. What makes him different is he works for MI6, in a department known as 6, his section is 6A, and he and Davis receive encrypted messages from a network of agents in southern Africa. Slowly, in his stately late-period prose, Greene paints a very realistic portrait of the little office with its daily frustrations, lunch at the pub, drinks after work at one of the London clubs.

Castle is called in to meet ‘C’, the head of the organisation, who we also see at his large country house, entertaining various other officers on ‘the firm’ on a pheasant shoot: Watson, Castle’s section chief, Percival, the sinister ‘doctor’ and senior adviser, and Daintry, who’s been called in to do a security review of Castle’s section. Because there is a leak. Some of the information about situations in south African nations is getting to the other side. We witness conversations between Daintry and C and between C and Percival where they speculate who the leak is; on the flimsy basis that Daintry caught Davis taking an office file in his briefcase out to read over lunch, and that Davis told Castle a white lie – that he was going to the dentist when he was in fact taking Cynthia on a lunch date – the finger of suspicion, in a very amateurish way, points towards Davis. Castle contributes his pennyworth by describing to C the way Davis is restless, unhappy and wants a foreign posting. Aha. Chap wants an easy escape once we rumble him, eh?

Indeed, the whole story is set in the world of ‘chaps’. They all went to public school, then knew each other or of each other, at Oxford or Cambridge, before going on to eminent careers in the law, medicine, in the Army, in government, in Whitehall – running the country. Daintry, a little outside these circles, provides an uneasy contrast when he attends the shooting weekend at C’s, finding it hard to read the code and manners of the English upper classes. The (completely innocent) suspect, Davis, is outside the magic circle altogether, having gone to a grammar school and Reading university, the poor fellow, part of the reason it’s so easy to dispense with him…

While this is going on, Castle reflects anxiously on his past, on his time as an MI6 agent in South Africa, how falling in love with a black woman broke SA’s race laws, resulting in him being called in for interrogation by South Africa’s police, and the oblique threats made by the intimidating BOSS interrogator against, not him, but his lover, Sarah. Released from questioning, Castle used his contacts in the anti-apartheid underground to spirit him and Sarah across the border to Mozambique, and on to England, where he married Sarah and, when she had her baby (by another, black, lover) was happy to adopt the boy – Sam – as his own son. She is the (colourful, foreign) love of his life.

Now, in a grand irony, the very same BOSS officer who interrogated him seven years ago, has flown to England to be liaison between BOSS and MI6 on a new project, Operation Uncle Remus. It is explained to Castle (and the reader) that a capitalist South Africa is vital to Western interests, as the free world’s largest supplier of gold, diamonds and uranium. Threatened by Soviet-backed communist guerrilla forces in Namibia and Mozambique, Operation Uncle Remus plans to bring together intelligence from SA, the CIA, MI6 and other western agencies, to guarantee SA’s government. At its heart is the plan to develop tactical battlefield nuclear weapons which would be deployed against any communist forces invading from those countries… with obviously devastating consequences not only for the force targeted but all the nearby civilians.

Half way through the slow unfurling of this story, with its multiple characters, settings, strands and dynamics, two major events take place.

  1. We had previously witnessed the sinister Dr Percival discussing in a speculative way with Hargreaves and Daintry the various ways to poison or kill a man so as to leave no trace. To this reader’s surprise, he goes ahead and poisons Davis (one of their own operatives) with a natural fungal toxin, designed to build up, make someone ill and slowly die over a period of time with symptoms identical to liver failure. In fact, Davis dies unexpectedly quickly, within 24 hours. C flies back from Washington for the funeral, knows Percival murdered one of their own men, but is merely irritated. Colonel Daintry remembers the creepy conversations he’d had with Dr Percival and strongly suspects Percival murdered a man on little or no evidence and silently disapproves. Castle keeps his suspicions about Davis’s death to himself. But they all accept this murder of one of their own men which I find completely extraordinary.
  2. Not least because, in the major revelation of the book, we learn that Davis was completely innocent because it is the protagonist of the novel – Castle himself – who is the spy leaking information. Having been merely a harassed middle-aged office worked in part one, in the second half of the novel – once his secret is revealed – we delved deeper into the psychological motivation and and experience of being a double agent, a traitor. We witness Castle going to a safe house to meet his control, a Russian named Boris, and Greene fascinatingly explores the psychological dependency of the agent on his master. For Boris is the only person in the world who knows the complete truth about Castle and to whom he can be completely honest. Not to his wife, not to anyone else can he pour out his burdened soul. Their conversations are like therapy or (of course, this being Greene) like the Catholic confessional, from which he emerges purged and lighter in heart. In these scenes it is revealed that Castle’s treachery is not ideological – he liked some communists he met in SA but is not himself a believer – but due to simple gratitude: it was a communist, Carson, who was instrumental in smuggling Sarah to freedom when she was in danger of being arrested by BOSS. Castle owes him/the Party her life and all his subsequent happiness. His betrayal is based on love. Aha… It is the same psychodrama as fuels so many other Greene novels where it is the ‘finer feelings’ which lead us into squalid betrayals (cf Scobie’s pity for Helen Rolt which leads him into a love affair with her and then to break various police rules in order to help her, in The Heart of The Matter).

Greeneland

1. Apothegms

This is a very familiar Greene trope, one of his favourite paradoxes – love is more dangerous than hate – up there alongside ‘pity is more fatal than anger’ and ‘betrayal is the greatest form of fidelity’, and so on. There are typically grand-sounding Greene apothegms scattered through this text:

‘We are grateful to you, Maurice, but gratitude like love needs to be renewed daily or it’s liable to die away.’ (p.260)

I guess many of his devotees like these wise sayings and ‘profound insights into human nature’ which are always inserted at the appropriate moment in the appropriate place – but I don’t. They come too easy, they are too glib for my taste and, on examination, most of them turn out to be empty rhetoric – but in this novel there are not too many of them. There is more of the slow steady encrustation-of-detail type writing that I quoted above, writing which embodies its meaning via literary techniques – assonance, imagery, rhythm – rather than proclaims it in sound bites like t-shirt slogans.

2. Downbeat

And, skimming back through the novel now, I realise a lot of the sections end on a miserable downbeat: Castle thinks that Davis, in death, is finally ‘free’; Sarah wonders if Castle will ever be ‘free’ to tell her the complete truth; Castle dreams of drifting down an African river to a mythical place called Peace of Mind; Castle’s secret sorrow is that he failed to protect his first wife, killed by a buzz bomb during the Blitz; steady drip-drip of images of misery…

He took the glasses to the kitchen and washed them carefully. It was as though he were removing the fingerprints of his despair. (p.211)

It sometimes seems as if books like this are written to make their middle-aged, menopausal, miserable male readers feel less wretchedly alone. Feminists of my generation talk glibly about how the world is run by men, by the worldwide Patriarchy who own, run and control everything. Why, then, are the older male characters in the novels of Greene, Le Carré, Len Deighton or the contemporaneous ‘comedies’ of Kingsley Amis, David Lodge or Tom Sharpe, so bloody miserable?

[Daintry] felt guilty of failure – a man in late middle age near to retirement – retirement from what? He would exchange one loneliness for another. (p.169)

[Halliday said] ‘It’s been a lonely life, I have to admit that.’ (p.219)

But what makes this one of Greene’s best novels – for me – is that he doesn’t belabour these points: there aren’t entire sections lecturing the reader about love and hate and betrayal and guilt and all the rest of Greene’s miserabilist worldview. The tangle of motivations are embodied in the story which, because of its slow, convincing accumulation of the details of the lived life of its numerous interlocking characters, are more emotionally and imaginatively powerful than the blunt lectures and fancy aphorisms which disfigure so many earlier Greene novels.

More plot

After Davis’s death, Castle writes his Russian control a letter saying he daren’t send any more information. If they now adopt radio silence it will persuade his firm that the innocent Davis was the leak and guarantee his – Castle’s – safety. However… He then has the interview with Muller, the man from South African security, who tells him about Operation Uncle Remus, including the possible use of atomic weapons which would, of course, slaughter large numbers of black civilians as well as any invading forces, were they to be deployed… And so, in a typical Greeneism, it is pity and concern which betray Castle into betraying himself, which prompt him to make one last communication with a control who might, for all he knows, have left the country, with a word-for-word copy of Muller’s notes which the BOSS man left for him at their meeting. Except that the BOSS man’s report was a trap, deliberately filled with standout phrases different from all other versions; if this one is leaked, the case against Castle will be conclusive.

And now Castle gives way to paranoia and the final 80 pages or so of the novel successfully convey his increasingly sickening feeling that his superiors are onto him. He sends Sarah and Sam to his mother’s house, telling her to tell some cock-and-bull story that they’ve had a big row – but in fact because he wants to face whatever happens next alone. After waiting a tense day in the empty house he is visited by Daintry, himself a disillusioned loner, who chats about Davis’s death and his marital problems. Castle unwisely assures him Davis was innocent. Of course, he could only be sure of this if he knew someone else was guilty, and only be 100% certain of it if the guilty man was himself. Daintry drives off, stops at a pub and phones in a report to Percival and C, saying he strongly suspects Castle is the leak. Muller has already driven out to Sir Hargreaves’ country pile to tell him the same thing, based on his meeting with Castle. Ports and airports are alerted with copies of Castle’s photo. The net is closing in.

Then, as he sits sweating and panicking in his house, one of Castle’s contacts unexpectedly knocks on the door – not at all the man he was expecting – an English communist party member of long standing, who drives him to a hotel near Heathrow while they debate the rights and wrongs of Soviet communism a bit half-heartedly. Here Castle is to wait for the next link in the escape chain but, most unfortunately, bumps into an acquaintance from America who insists on making a date for a drink at the bar. Once safe in his hotel room Castle has barely settled before another stranger knocks, identifies himself as the next link in the escape route, trims Castle’s hair and eyebrows, applies a thin fake moustache and gives him a white cane and fake passport. Castle is to pretend to be blind and catch the next bus to the airport and the next flight to Paris. In the lobby the American he met earlier runs up to castle as he walks by, recognising Castle’s outline – but then thrown by the strange face and white stick… He stands staring as Castle enters the bus…Will he call the authorities…?

The narrative switches to Sarah’s point of view as she arrives and stays with Castle’s unfriendly mother, and the unfriendly days pass and Sam doesn’t like his new school and Sarah has no-one to talk to and the reader is wondering whether the Yank tipped off the authorities and Castle is being held and interrogated.

None of Greene’s novels really strike me as thrillers because a thriller must grip and thrill with the excitement of fast-moving action. I’m not sure any of Greene’s novels do that; what he excels at is creating an atmosphere of dreadful anxiety and unease, with a growing feeling of suicidal despair.

The reader’s anxiety is laid to rest when the narrative switches back to Castle in Moscow. He has escaped. He is safe. We see him being introduced to his ‘luxury’ flat by a grumpy KGB officer (jealous because it has furniture), and to other exile English spies, a uniformly sad bunch. But all Castle wants is for Sarah and Sam to be brought out to him, to be reunited with his only love.

But history never repeats itself; there is no Carson to arrange her escape as in South Africa. And Greene twists the knife deep into the heart because Sam, the beloved son who he unquestioningly adopted and raised as his own, turns out to be the stumbling block. Sam is too young to have been put on Sarah’s passport. She could be smuggled out somehow, but neither officially nor unofficially would she make it with a young boy in tow, too obvious.

And so the novel ends with a heart-breaking phone call when, after weeks of frustration, Castle finally gets through to his mother’s number, Sarah answers the phone and they have a page declaring their love for each other and stuttering over how and when they will ever see each other again. Then, receiver still in hand, she realises the line to Moscow has been cut. It isn’t stated explicitly, but the strong implication is that they will never be reunited. All his secret work and betrayal was motivated by the one desire to keep them together and it has, instead, forever torn them apart. I, for one, had tears streaming down my face.


Credit

‘The Human Factor’ by Graham Greene was published by William Heinemann in 1978. Page references are to the 1981 Penguin paperback edition. All quotations are used for the purpose of criticism and review.

Related links

Graham Greene reviews

Billion Dollar Brain by Len Deighton (1966)

‘There’s only one General Winter,’ Stok said, ‘and he’s on our side.’
(Billion Dollar Brain, page 229)

You British are such clever losers,’ Mercy said.
‘It comes with practice,’ I said.
(p.162)

In the year England won the World Cup, Len Deighton published the fourth in his series of spy novels featuring the unnamed, middle-aged, bespectacled employee of the W.O.O.C.(P.) section (the initials are never explained) of British Intelligence.

Differences from previous novels

Less clutter First thing you notice is there’s less of the paraphernalia – none of the business about ‘Secret File 1’ and ‘Secret File 2’, and pages at the start purporting to be forms and letters such as you’d find in a government dossier, which characterised its predecessor The Ipcress File and Horse Under Water.

Fewer chapters The text is divided into 28 chapters, which are themselves grouped into 10 ‘parts’, each focusing on a specific location as the Narrator pops back and forth between London, Helsinki, Petersburg, Riga, New York and Texas.

No puzzle epigraphs In Ipcress each chapter was introduced by a horoscope, in Horse by crossword clues, in Funeral by chess tips. Here only the 10 main parts (i.e. not the 28 chapters) have an epigraph and they aren’t puzzles but nursery rhymes – I’d heard of a few of them (who killed cock robin? round and round the garden) but most of them I’d never seen before and strongly suspect Deighton made them up. Reading Deighton makes you suspicious of everything.

Hey diddle dinkety, poppety, pet,
The merchants of London, they wear scarlet,
Silk in the collar and gold in the hem,
So merrily march the merchant men. (p.171)

Fewer references There are fewer footnotes and only three appendices rather than the 6 of Funeral (concerning Soviet military districts; Soviet intelligence; Privately owned intelligence units).

The text is longer than Ipcress and although there’s still plenty of grandstanding style, there’s noticeably less of it, with some paragraphs sounding a bit anonymous, just good effective description. Ipcress had zingers on every page, Billion once every 3 or 4 pages.

Altogether, it feels just a bit less ‘zany’ and elliptical than the previous three novels, a tad more traditional – though still very obviously from the same stable.

Character And I felt in some way there was more of a focus on character, less on style: the young Finnish girl, Signe, and the KGB colonel, Stok, both emerge very clearly as strong characters, in a way characters in earlier novels didn’t so much. Mad General Midwinter, too. In the end the entire novel is about character, an enquiry into the fantasy-driven ‘manic-depressive’ (p.197) character of Harvey Newbegin, the Russian émigré’s son-turned-double agent, who struggles to tell fact from fantasy. But also, it’s only right at the end that a trio of strong women comes fully into focus: Mercy Newbegin, the real force behind her husband; Signe Laine, the kittenish assassin; and Mrs Pike, a more effective spy than her husband.

In fact you could argue that the last three novels resolve into being studies of specific individuals who turn out to have divided identities and loyalties:

  • Horse – Senhor Manuel Gambeta do Rosario da Cunha, pillar of Albufeira society who turns out to a former German U-boat captain
  • Funeral – Johnny Vulkan who turns out to be a former Jewish concentration camp prisoner
  • Billion – Harvey Newbegin who is torn between his American identity and his Russian roots

The Narrator

I had few friends. I stayed well clear of the sort of people who thought I had a dead-end job in the Civil Service, and these who knew what the job was stayed clear of me. I poured myself a drink. (p.120)

Physical description According to his passport description, the Narrator is ‘5’ 11″, blue eyes, dark-brown hair, dark complexion, no visible scars’. He wears glasses and is overweight.

Fat At the start of this novel he takes a long lunch with his secretary-girlfriend and returns to the office at 3.45 so drunk he trips on the lino and falls down the stairs. Despite the slickness of his narrating style – and the way we all tend to identify with the narrator of any story – I wonder if we’re meant to pick up on the notion that the Narrator is actually an overweight, womanising, incipient alcoholic? Even the General comments on it:

Midwinter pedalled in silence for a moment or two, then he said, ‘Keep yourself fit boy. Healthy mind in a healthy body. Get rid of that surplus weight.’
‘I’m happy the way I am,’ I said. (p.174)

And has his personal trainer give him a punishing massage ‘while explaining some of the finer points of coronary heart disease’ (p.176).

Tastes He smokes Gauloise cigarettes. He knows a good wine when he sees the label or tastes one. He appreciates good food. He has tea, and coffee, with milk no sugar.

Financial whizz As we know from the previous novels, he owes his position in W.O.O.C.(P) to his expertise in international finance i.e. moving money around. At one point he describes his job more explicitly than ever before:

As a general rule – and all general rules are dangerous – agents are natives of the country in which they operate. I wasn’t an agent, nor was I likely ever to be one. I delivered, evaluated and handled information that our agents obtained, but I seldom met one except a cut-out or go-between. (p.27)

Military history Like his author, the Narrator is interested in military history; he is reading Major-General J.F.C. Fuller’s The Decisive Battles of the Western World. (In Funeral we saw him meeting old German General Borg while the latter was re-enacting the Battle of Waterloo in a sandpit, and making detailed comments on the precise progress of the battle.) In fact this interest is ironically satirised later in the novel:

I fixed coffee for [Harvey] while he went poking through my bookshelves. ‘The Fall of Crete. Histoire de L’Armee Francaise. Ruller’s Campaign. Weapons and Tactics. What are you, some kind of nut about soldiers?’
‘Yes,’ I answered from the kitchen. (p.195)

And we know that Deighton would go on to write factual histories of the Second World War (Blitzkrieg, Fighter) as well as intensely researched fictions on the same subject (Bomber, SS-GB, Goodbye Mickey Mouse) about which he knew a very great deal indeed.

As his bosses see him

On the last page Dawlish is bemused that the Narrator accompanied Mrs Pike and her son, direct from the school play and dressed as a soldier, to the airport, and tells him he had a laugh about it with the Narrator’s old boss, Ross (at the War Office):

‘I said that to Ross the other day when he was objecting to you going down to Salisbury. I said he may be a little captious, he certainly has a chip on his shoulder and he is liable to get hold of the wrong end of the stick; but he does keep the department lively.’

Executive summary

A mad American billionaire, ‘General’ Midwinter, has created a secret organisation called Facts for Freedom, including recruiting and brainwashing agents to be deployed overseas, all co-ordinated by a billion-dollar intelligent computer, and devoted to overthrowing the Soviet Union.

I said, ‘You think that the best way to contribute to a dangerous situation is to raise a private army out of your profits on cans of oil and beans, frozen orange juice and advertising, and to operate your own undeclared war against the Russians.’
He [General Midwinter] waved his good hand in the air; the large emerald ring flashed in the cold morning light. ‘That’s right son.’ (p.176)

Midwinter thinks he can finance an insurrection which will overthrow the current repressive regime. I am rereading and expanding this review in April 2026, in week 4 of Donald Trump’s attack on Iran which began with him imbecilically calling on the Iranian population to rise up against their repressive regime. Not only this, but:

I was tired, and frightened of Midwinter because he wasn’t tired… Politics [to him] were simple black-and-white toughness – like a TV Western – and diplomacy was just a matter of demonstrating that toughness. (p.176)

Remind you of anyone? Sounds to me just like gung-ho US Secretary of Defence, Pete Hegseth.

The plot

Helsinki Snow and cold. The Narrator is told by his boss Dawlish to visit a journalist, Olaf Kaarna, in Helsinki. This Kaarna has contacted the Foreign Office about publishing a piece claiming there is a big British spy organisation operating across northern Europe and Finland (which is not true). So the Narrator gets a fake passport in the name of Liam Dempsey, an Irish citizen, made up by an old contact of his, and flies to Helsinki. Here he finds Olaf’s apartment door open and Olaf dead on his bed, his clothes covered in raw egg (?). As the Narrator explores the apartment, the lift comes up and he encounters a beautiful young Finnish woman, Signe Laine. She clumsily tells him she’s working for British Military Intelligence then introduces him to her lover, who is none other than the American ex-agent Harvey Newbegin. We encountered Newbegin in Funeral In Berlin where he drank too much and was just being dismissed from the US State Department. Back then the Narrator had suggested to his boss they recruit him, though this is blocked by higher-ups.

England Instead the Narrator allows himself to be recruited by Newbegin for his organisation. Newbegin explains it’s run by a right-wing American billionaire (General Midwinter) who plans to overthrow the Soviet Union. He despatches the Narrator back to London to make a secret rendezvous with one Dr Felix Pike. Pike takes him to a grand Georgian house in the country, to meet his brother, Dr Ralph Pike, a research scientist. (Though pretending to be posh English, both brothers are obviously foreign, the Narrator finds out Latvian; Colonel Stok later reveals they are Latvian war criminals.) They give him a small package to deliver back to Helsinki. Once alone the Narrator takes it to Dawlish and his people, who discover it is a pack of six eggs stolen from the Porton Down Research Institute. Aha. Germ warfare. They switch them for a pack of harmless household eggs and the Narrator sets off to fly back to Helsinki. However, at London airport his luggage and everyone else’s is stolen, including the (swapped, harmless) eggs.

Helsinki Back in Helsinki the Narrator allows himself to be seduced by the teenage Signe. She tells him all about Newbegin’s spiteful wife back in the US and how Newbegin is sending a lot of the money he gets paid back to his wife’s bank account. Seems as if Newbegin is obeying the instructions of his employer but, cynically, doesn’t expect the plan to succeed.

The Brain Newbegin tells the Narrator more about the organisation: all the missions are worked out by a massive computer – it assigns agents tasks, they report back to it whether successful or failed, and the computer calculates their new plans and orders. They call it The Brain. Our man is not impressed.

I said yes to everything, but to me machines tend to look alike.

Helsinki Back in Helsinki, Newbegin and the Narrator receive the biochemist Dr Pike from London, equip him in parachute gear, rendezvous with a plane on the ice which takes off to parachute Dr Pike over Russia. The Narrator doesn’t know what Dr Pike intends to do there but thinks he’ll be captured immediately. Newbegin is cynical about the whole deal, and is just taking the money and obeying orders emitted by the Brain.

Leningrad Newbegin and the Narrator fly to Leningrad and rendezvous with an Italian girdle salesman named Fragolli. Here they exchange the eggs – at which point the Narrator realises they were stolen at the airport, not by a random thief but by someone working for ‘the Organisation’. Fragolli says the Narrator has to memorise a message and fly to Riga with it. The Narrator meets up on the Leningrad metro with another familiar face, Colonel Oleg Stok, the joking KGB officer from Funeral In Berlin.

He was a heavy muscular man of about sixty. He had a round face that hadn’t done much smiling until middle age, and an uptilted nose that perhaps had been busted and reset by a plumber. His eyes were small black sentries that marched up and down, and his hands were bunches of bananas unsold over the weekend. (p.91)

The hold-up Stok warns our man not to get caught up with these fantasists but the Narrator finds himself forced to travel out to the frozen woods outside Riga to help with the ambush of a Soviet truck carrying supplies. The bald-headed man in charge, who works for Midwinter’s organisation, wants the ration books which will reveal a lot about front-line troops dispositions. But the gangsters he’s hired are just thugs and, once they’ve intercepted the truck, they casually kill the bald-headed man and it’s only by assaulting the lead gangster who’s holding a machine gun and then running into the woods that the Narrator survives. Here he bumps into the mounted Soviet army unit which is about to surround the gangsters, and gets hit over the head, knocked unconscious.

The Narrator regains consciousness in a barracks under a pile of corpses and terrifies the guard who enters and thought he was dead. Then enters Colonel Stok (he turns up everywhere like the fairy godmother). Told you not to go, he says. He cleans the Narrator up and takes him to a restaurant where they see Dr Ralph Pike enter and spot them. Narrator realises he is being set up – Pike’s arrest will coincide with the Narrator being seen with Stok, and Midwinter’s Organisation will think the Narrator betrayed him.

New York and General Midwinter Next the Narrator leaves Russia and flies in to New York where he meets the short billionaire ‘General’ giving a fancy dress party at which Mozart is being played by a live chamber orchestra. Newbegin is there and very drunk but he and the Narrator dance a duet together. Later that night Signe turns up as he’s eating in a diner. It’s not a chance encounter: the Organisation instruct him to move in with her. She continues to tell the Narrator about her confused love affair with Newbegin, while seducing him.

Texas Next the Narrator flies in Midwinter’s private jet to Houston Texas and is driven north to the General’s big private ranch. Lots of security, and ‘the Brain’ turns out to be housed in an underground complex, complete with airlocks, compulsory showers and antiseptic white clothing before you can enter the dirt-free white corridors around which are located the vast $100 million servers of the largest computer in the world, all spliced tape and punch cards – very 1960s.

The Narrator has to undergo the 14-day induction course required to enter the Organisation. He also sees the tensions in Newbegin’s marriage from close-up: Mrs Newbegin, Mercy, is the general’s right-hand lady, tough and ambitious for her husband, while Newbegin secretly thinks the whole thing is bunk.

In an uncanny scene, Signe invites the Narrator to meet her for a meal in San Antonio, but at their bar rendezvous she leaves a message for him to go to a dentist’s surgery in a rough part of town. When he arrives it’s deserted, he explores into the clinic room itself and discovers the Italian girdle salesman Fragolli sitting dead in the dentist’s chair. Signe and Harvey suddenly arrive and drag him away to a bar but the Narrator has doubts and runs back, just in time to collide with the local cops who’ve arrived at the scene. They start to arrest him before Harvey pulls his clout with the local detective and gets the Narrator released. What was that all about?

New York Having completed the induction course, the Narrator returns to New York where the General summons him to his skyscraper, where he’s riding an exercise bike in the centre of a vast gym or, later, watches hawks among New York’s high-rise buildings with binoculars. The General tells him that Newbegin has done a bunk across the Mexican border, leaving his wife and children. The General asks the Narrator to track him down. The Narrator tells the General that his plans are mad, that the Russians will never ‘rise up’ against their rulers, that Newbegin faked the British and Finland ‘networks’, pocketing the funds he was given for fake agents, and stashing all the money in a bank account held by Mrs Newbegin.

The General instructs the Narrator to find and neutralise Newbegin before he betrays his whole organisation. (Feeble organisation, if one man’s defection can wreck it; also feeble, if the General can’t set umpteen sleuths to finding Newbegin; the excuse Deighton has him make is that the Narrator knows Newbegin uniquely well and so is best placed a) to find him b) to persuade him to give himself up. The General promises they’ll give him a year’s leave to come to his senses.) The Narrator says that, in order to do so, he’ll need full details of everyone Newbegin’s been in contact with for the past few years. The General grudgingly agrees. We realise this is a coup for the Narrator and British intelligence.

Charlotte Street So the Narrator flies back to London where the narration resumes its sanity after the mad right-wing American conspiracy scenes. Back in his dingy Charlotte Street office, the Narrator discusses the case so far with his boss, Dawlish (and allows the reader to catch their breath). To recap, Newbegin:

  • has been faking agents and salting away their pay
  • passing all the Organisation’s information on to the Russians, who are probably also paying him
  • arranged the assassination of Kaarna at the start of the plot, because he was finding out too much
  • was himself the thief who stole the (switched, non-Porton Down) eggs at the airport
  • tried to have the Narrator assassinated by the gangsters on the road outside Riga
  • suggested to Stok that he be seen with the Narrator just before Pike is picked up, thus throwing suspicion on the Narrator. (The General had spotted the reason for this last ploy: casting suspicion on the Narrator gave Newbegin just the extra bit of time he needed to make his arrangements to flee across the border into Mexico and then – who knows where?)

Track him down, says Dawlish, if necessary, get rid of him. But in fact, later the same day Newbegin comes to the Narrator’s flat in London and asks a) can he be given a home by British Intelligence (No) b) can he hide out there for a few days (Yes) c) will the Narrator come to Helsinki to persuade Signe to run away with him (Reluctant yes).

The Narrator takes some other agents and the police to arrest Dr Pike for smuggling the virus eggs out of Porton Down, a broadly comic scene counterpointed with the very smart party his wife struggles to continue hosting downstairs while the Narrator and his accomplices are upstairs: the Narrator plays the part of a fellow conspirator who’s been caught and is about to spill the beans to the two detectives with him, in the hope that this will prompt Pike to make a similar confession.

Helsinki Newbegin and the Narrator fly back to Helsinki and are met with Signe who has fixed up a dummy apartment to decoy any tails, and a secret apartment where they go and hide out. (How do they do this without British police and/or American agents noticing?)

Uncharacteristically, the Narrator tells us what is going on i.e. Dawlish ordered him to do this in order to have Newbegin arrested by American agents not on British soil, for minimum embarrassment. There have been enough British spy scandals of late (the British government confirmed that Kim Philby had been a spy in the summer of 1963.)

Newbegin is convinced he wants to defect. They get on a train to Leningrad, and are kissed goodbye at the station by Signe. On the train journey Newbegin tells the Narrator he really loves Signe, she really loves him. He also says it was Signe who assassinated Kaarna as well as several other agents – in fact, she is the Organisation’s assassin in the region. (As she has told so many flighty fancies it is difficult to know if this is true or not.)

On the train On this fateful last train journey Newbegin and the Narrator talk, the latter trying to persuade him not to defect, to do a deal with Midwinter. Russian border guards order Newbegin off the train, then try to shoot him but he just about makes it back to the train as it pulls away. Newbegin accuses them of being the Narrator’s agents; the Narrator counters that they were US agents paid to assassinate him and masquerading as Russians.

They make it Leningrad and are walking down the Nevsky Prospekt, Newbegin saying he feels ill, his elbow hurts, and then he suddenly steps out in front of a bus and is instantly killed. What? The bus stops, cops come running, the Narrator tries to back away, but finds standing directly behind him is Colonel Stok (he turns up everywhere) who whistles up a Zis car and takes the Narrator directly to the airport. (He’s had his passport fetched from the hotel he and Newbegin only just checked into.)

Newbegin is dead and so all the plot stands rotating round him disappear. Since the Narrator persuaded the General to hand over a great list of Newbegin’s contacts, it is assumed the organisation has been neutralised (though that seems a bit unlikely to me).

Epilogue As with all the other novels, you feel the bulk of the story is over but then there’s a final act. Back in Britain, the Narrator and Jean are ordered to drive down to Salisbury where Dr Pike’s brother is being kept in a mental ward by the Army, overseen by Ross, the Narrator’s boss in The Ipcress File. The reason is simply that revealing that top secret viruses were being smuggled out of Porton Down would (further) damage our relationship with the Americans. They are to pressurise him into writing a letter to his wife telling her to emigrate – because Ross has tipped off Special Branch who are going to arrest her, for it is now revealed that it was she who actually handled the stolen eggs, and evidence has just come in that she couriered another stolen set to Russia just a week earlier. The reason for wanting her off British soil is the same: to avoid embarrassment, not just to Intelligence but to the government.

The Narrator and Jean track Mrs Pike down to a prep school Christmas show and there is another farcical scene where their whispered attempts to persuade her to drop everything and flee the country are counterpointed with the innocent children singing nursery rhymes on stage. She agrees to go. In a comic last page Dawlish admonishes the Narrator for turning up at passport control with a child still wearing its panto costume, which drew unnecessary attention.

Killer?

Colonel Stok bluntly accuses the Narrator of pushing Newbegin out in front of the bus which kills him, and he doesn’t deny it. And his boss Dawlish is delighted. he appears to have cold-bloodedly murdered his ‘friend’. Mind you, that ‘friend’ had tried to have him murdered by criminals in the Riga forests so… No-one has friends in this business.

Nothing more is heard of the Midwinter organisation, as if this setback would have neutralised it, which seems unlikely. Even if the Narrator got a lot of detail about their agents, surely someone as rich and mad as Midwinter wouldn’t be deterred.

The real hole in the plot and plausibility problem, is where are the FBI and CIA in all this? Wouldn’t they have gotten a teeny bit involved in a massive geopolitical conspiracy on their home soil?

Cast

London

  • Narrator – ‘5’ 11″, blue eyes, dark-brown hair, dark complexion, no visible scars’, wears glasses, smokes Gauloise cigarettes, overweight
  • Dawlish – his boss, dryly humorous, always ahead of the game; grows wild flowers; always buying knocked-down antiques which he then regrets; has the only office in the dingy Charlotte Street offices with two windows; has a recurring catchphrase ‘[x] is just a state of mind’:

I’d spent long enough in both the Army and the Civil Service to know that I didn’t like working in either; but working with Dawlish was an education, perhaps the only part of my education that I had ever enjoyed.

  • Jean Tonnesen – his secretary, ‘a tall girl in her middle twenties. Her face was as calm as Nembutal and with her high cheekbones and tightly drawn back hair she was beautiful without working at it’ – Jean is a long-suffering love interest because on each of the previous 3 novels the Narrator has slept with attractive young women; she knows about this but appears to put up with it
  • Alice Bloom – redoubtable office manager – ‘I could have told him that he’d never win an argument with Alice. No one ever had’
  • The Dispatch Department (duty drivers) – worth mentioning because in all four books it’s mentioned that they love playing brass band music on their gramophone (p.187)
  • Bessie Butterworth – phone exchange operator at the office, wife of Austin ‘Ossie’ Butterworth, the burglar and safecracker who appeared in the previous two novels
  • Sonny Sontag – passport forger based in Whitechapel who makes him the fake Irish passport in the name of Liam Dempsey – calls the Narrator Mr Jolly after the first passport he forged for him

Abroad

  • Olaf Kaarna – Finnish journalist supposedly writing an article about a British intelligence network; the Narrator is despatched to interview him but discovers him murdered
  • Signe Laine – beautiful young Finnish woman, passionate, impulsive, in love with Harvey but has a fling with the Narrator – only at the end does Harvey reveal that she’s ‘the official killer for the Midwinter organisation’, who murdered the journalist Kaarna and salesman-spy Froggali
  • Harvey Newbegin – US State Department agent who we met (getting drunk) in Prague, in Funeral – ‘Harvey Newbegin was a neatly dressed man; grey flannel suit, initialled handkerchief in top pocket, gold watch, and a relaxed smile… Under those droopy eyelids Harvey had quick, intelligent eyes’ – son of Russian immigrants to the States – turns out to be embezzling funds from the General’s organisation and planning to defect with the precious germ warfare eggs
  • Mercy Newbegin (Texas) – Harvey’s wife, independently rich – ‘a good-looking woman who looked even better in the light of the flickering candles. Her frame was small, her arms looked frail and very white against the raw silk. Women would say she had ‘good bones’. Her skin was tight across her ivory face and although one suspected that the tautness was maintained by a beauty parlour, it didn’t lessen the harmony of the face, in which brown eyes seemed bigger than they really were, like a sun at sunset. She was a silk-and-satin girl; it was hard to imagine her in denim and cotton’ (p.161)
    • two children, smallest named Hank
    • cat, Simon
  • General Midwinter (New York and Texas) – Texan multimillionaire and mastermind of the plan to conquer Soviet Russia – ‘a tiny man, dapper and neat like most small men, and he wore a gold-encrusted eighteenth-century English general’s uniform with its complex aiguillette and thigh-length boots…His voice was soft but with a hard mechanical edge like a speak-your-weight machine’ – his left hand is false, made of wood
  • Dr Felix Pike (London) – ‘a large, impeccably groomed man of about fifty-two. His hair was like a black plastic swimming cap. His suit was made of thin uncreasable blue steel and so was his smile’ – ‘Pike and I loathed each other on sight, but he had the advantage of breeding and education, so he swallowed hard and went out of his way to be nice to me.’
  • Ralph Pike (London and Riga) – affects British upper-class manners, likes to cite Latin tags – ‘both these Pike brothers are Latvian; they hold extreme right political views and the one named Ralph is a top biochemist’
  • Harriman (London) – ‘a big, hard man who looked more like a doorman than a lieutenant-colonel from Special Field Intelligence. His hair was black and tight against his bony skull. His skin was wrinkled and leather-like, and his teeth were large and uneven’
  • Signor Fragolli (Helsinki) – a very tall man in an overcoat and an astrakhan hat came in – ‘a large man with a deeply lined muscular face and a large hooked nose like a Roman Emperor.’
  • The bungled lorryjacking (outside Riga):
    • the bald man – Lithuanian operative working for the General
    • soldier driving the hijacked lorry
    • Ivan – psychopathic ‘bastard’ who kills the bald man and soldier and the Narrator flees from
    • Soviet cavalryman who knocks the Narrator unconscious with his pistol grip
  • General Stok – senior figure in Soviet intelligence, recurring character in the novels; Narrator tells Dawlish he’s nicknamed ‘Beef Stroganoff’ because he pours so much cream over you, you don’t realise you’re being torn to shreds (p.190)
  • Guards Major Nogin GRU – attending the General Stok when the latter saves the Narrator then arrests Ralph pike when N, Stok and he go to a restaurant

The Brain

‘The Brain’ is a billion dollar super-computer owned by eccentric Texan billionaire General Midwinter. In 1965 Deighton’s account of a huge artificial intelligence kept in vast underground air-conditioned rooms and tended to by white uniformed technicians was bang on trend, the kind of thing that appeared in half a dozen Bond films and other movies of the spy wave.

Harvey opened the door. This room was gigantic: like the hangar deck of an aircraft carrier. The banks of computer machines stretched away into the distance and there were only a few dim lights glowing. Our footsteps echoed as though there were other people walking to meet us from the far end… The machines hummed and snick-snicked as if they had been warned to keep their voices down. The thin oil that coated each vital component, the enamel and metal tapes were warm enough to aromatize the air as, fast as the air-conditioning changed it. The smell was sobering and efficient like ether and antiseptic, as though this was the casualty ward of a vast hospital run by machines for machines. (p.156)

That said, the Narrator is continually amazed at the ridiculous procedures connected with contacting it (by phone) and the uselessness of the orders it issues.

It was all very well for Dawlish to tell me to take orders from the Brain, he didn’t have to obey them. (p.120)

Class consciousness

Most of the British agents went to public school, as did the Narrator’s boss, Dawlish (Harrow).

‘What are the socialists going to do about the public schools?’ he asked. I was one of the few grammar-school boys that Dawlish ever came in contact with. He considered me an authority on all aspects of left-wing politics…
‘Send their sons to them,’ I said. (p.188)

‘Eton,’ said Dawlish, ‘that’s not a public school; that’s group therapy for congenital deviates.’ Dawlish was a Harrow man.

With Dawlish there was Bernard, one of the brighter of the public-school boys we had recruited of late…

Upper-class twits are embodied in the hapless figure of Chico, real name Philip Chilcott-Oates, who is given a basic tail job and completely muffs it, getting taken in by a pub joker into the bargain.

Olde England

Just placing a chapter describing New York with its millionaires, 24-hour culture, aggressive, competitive, can-do atmosphere, before a chapter describing the offices of the Narrator’s intelligence unit, with its rickety stairs, badly fitting carpet, peeling wallpaper, and fires that don’t work, is satire on shabby England without lifting a finger.

Locations

As mentioned in previous reviews, the spy novel has many appeals but an obvious one is the way it jets the reader to exotic locations, in this case:

  • London
  • Helsinki
  • Riga
  • St Petersburg
  • New York – Greenwich Village
  • San Antonio, Texas

Influence of films

Difficult to tell the direct influence of films, and the experience of film-making on thriller writers – Greene, Ambler, Innes, MacLean, le Carré, Deighton, all had plenty of movies based on their novels. But what is for the first time slightly detectable in this book is the anxiety, the self-consciousness, which thriller writers acquire, as they realise the kinds of scenarios and scenes and dialogues they are inventing often come perilously close to those used up and turned into clichés by the vast film factory. They then all develop this strange compulsion to highlight the fact that the scenes and dialogue sound as if they’re coming from bad films – as if that somehow defuses the issue instead of highlighting it…

‘Why have they started all this?’
I shrugged. ‘Someone in the Organisation Department read one of those spy books.’ (p.20)

Ralph said ‘Good man’ in the low sincere voice they use in films just before they do something dangerous.

So we meet again, Colonel Stok?’ I said like they say it in films. (p.92)

Stok went across to the window and looked through the side of the curtain like they do in gangster films. (p.98)

I splashed more [cold water] over my face. It looks therapeutic in movies but it made me feel worse than ever. (p.107)

[She] sipped at the champagne and narrowed her eyes at me in a gesture of passion that she had seen in some bad film. (p.143)

We show some of them the dirty tricks, but it’s pretty elementary because none of those boys are likely to be used in any sort of field work. They don’t get much more out of it than they would from reading a James Bond paperback. (p.148)

Midwinter was sitting under a Mathieu in a strange wiry throne that made him look like an actor in a bad film about space ships. (p.177)

Or TV:

‘Assignment Danger. Da-da-da-di-da-da,’ said Harvey, imitating the opening chords of a TV serial. (p.167)

‘Next year,’ said Bessie, ‘they are going to have some satellite receivers and we will be able to draw lines on a map to show where the penceiver is transmitting from.’
‘Very Dick Tracy,’ I said. (p.194)

‘I couldn’t make anyone believe that there were people like you [Harvey] around any more except on late-night TV.’

Similes and style

Deighton’s prose is consistently inventive and entertaining. Look how much effort goes into just two sentences:

Through the french windows the lawn was the size of a small landing strip. Beyond it six bonfires built tall columns of smoke on flickering bases of flame, as though a besieging army were encamped there among the bare foggy trees.

Or:

The fog had become thicker and was that sort of green they call a ‘pea-souper’. The shoe shops were prisms of yellow light and past them buses were trumpeting, ambling aimlessly like a herd of dirty red elephants looking for a place to die.

A bit lurid, that one, but you get the idea. He puts a lot of effort into his writing, into making every sentence jazzy and often beautifully inventive.

Stok looked at me calmly, trying to read the small print in my eyes. (p.97)

The car followed Broadway all the way to Wall Street, stopping outside a glass cliff that reflected the smaller buildings as though they were trapped inside it. (p.173)

That said, there are noticeably fewer of these kinds of flashy sentences in this fourth novel than in the earlier ones. The wattage is measurably lower.

Raymond Chandler

My feeling in the earlier novels that Deighton was channeling Raymond Chandler – especially in the American sections or around American characters, specially in the later passage of Horse Under Water – is confirmed by the scenes set in New York and Houston in this book. Not oppressively – he retains his own oblique English attitude. But at moments the Narrator just sounds American:

The prowl-car boys handed me downstairs and gave me the hands-flat-against-the-roof-of-the-car routine while they frisked me. (p.169)

Humour

Still plenty of dead-pan humour.

[The chauffeur] rolled a cigarette across the width of his mouth without using his hands. I followed him. I’d follow anyone who can do that. (p.147)

Jazz

The Narrator is old enough to be a jazz fan, and not to like the still-not-quite-born-yet rock music. When he first visits Newbegin’s flat there’s ‘Artie Shaw on the turntable’. When he thinks he might be about to die he jokingly hopes his sister will get his hi-fi and LP collection ‘some of the Goodman ones are quite valuable’, meaning the Benny Goodman albums. Jean sends him a message in New York asking him to bring back discs by John Coltrane, Roland Kirk and Sonny Rollins (p.136). Although he comes over as hip and with-it, it’s in more of a 1950s than a ’60s way.

The movie

This novel was made into the third of the trilogy of movies starring Michael Caine as Deighton’s unnamed spy who, for the purpose of the movies, is named Harry Palmer. It was directed by notorious British director Ken Russell and, while one of his least preposterous creations, was still a dog’s dinner. It was the first one to flop at the box office and helped to persuade Caine not to play the character a fourth time, which is why the pencilled adaptation of Horse Under Water was dropped. As a reviewer on Amazon pithily puts it:

‘Ipcress’ is brilliant.
‘Funeral’ is good.
‘Brain’ is weird but watchable.


Credit

‘Billion Dollar Brain’ was published by Jonathan Cape in 1966. Page references are to the 1967 Penguin paperback edition. All quotations are used for criticism and review.

Related links

1966 Penguin paperback cover of Billion Dollar Brain

Cover of the 1966 Penguin paperback edition of Billion Dollar Brain (the edition I own)

Related reviews

1966 in thrillers

  • Wyatt’s Hurricane by Desmon Bagley – A motley crew of civilians led by meteorologist David Wyatt are caught up in a civil war on the fictional island of San Fernandes just as a hurricane strikes.
  • Octopussy by Ian Fleming – Three short stories in which: Bond uses the auction of a valuable Fabergé egg to reveal the identity of the Russians’ spy master in London; shoots a Russian sniper before she can kill one of our agents escaping from East Berlin; and confronts a former Security Service officer who has been eaten up with guilt for a wartime murder of what turns out to be Bond’s pre-war ski instructor. This last short story, Octopussy, may be his best.
  • The 9th Directive by Adam Hall – British agent Quiller is sent to Bangkok to stop an assassination attempt on a visiting royal by a known killer, Kuo; after days of surveillance and tracking, he identifies the sniper’s location but adopts a risky last-minute plan to stop the attack, which fails—revealing the plot was actually a kidnapping.
  • When Eight Bells Toll by Alistair MacLean – British Treasury secret agent Philip Calvert defeats a gang who have been hijacking ships carrying bullion off the Scottish coast.
  • Sabre-Tooth by Peter O’Donnell – Glamorous British agent Modesty Blaise and her sidekick Willie Garvin get involved with a small army of hardened mercenaries who are planning to overthrow the government of Kuwait.

The Little Drummer Girl by John le Carré (1983)

This is a brilliant novel. In some of le Carré’s early novels – The Looking Glass War and A Small Town In Germany and even in The Honourable Schoolboy – there’s a sense of mounting hysteria at the climax which I found forced and strident. But here the sense of delirium is really justified by the mind-boggling events of the previous 500 pages; they’ve only covered the events of a few days but seem to have lasted a gruelling lifetime.

Background

The Little Drummer Girl was John le Carré’s 10th novel, a deliberate departure from the English setting and characters of the Smiley trilogy. It is set on the Continent (Germany, Greece) and the Middle East (Lebanon, Israel). But more of a radical break than the settings are the dramatis personae – the lead characters are Israeli intelligence operatives and Palestinian terrorists.

The book is absolutely drenched in all aspects of the highly contentious Arab-Israeli conflict and displays a breath-taking confidence at describing the intimate thoughts and speech patterns of characters far removed from the stuffy clubland or Anglo journalists of the Smiley books. It demonstrates a boggling level of familiarity with the methods of the Israeli secret service and a terrifying portrait of the complexities and suffering of the Palestinian rebels.

Plot

After an opening section describing the terrorist bombing of a diplomatic quarter of Bonn, the scene moves to a Greek island where a troupe of ‘radical’ actors is resting between tours, and describes the character of Charlie, an attractive middle class ‘gel’ who’s been to various boarding schools but whose parents split up and who has drifted into ‘radical’ politics.

Turning Charlie

The central part of this long (522 pages) book is a minutely detailed and convincing description of how Charlie is picked up by an Israeli agent then abducted to a safe house where she undergoes an immensely thorough breaking-down of her personality and building up again as a double agent for the Israeli security service.

Detailed brainwashing

At first it seems ludicrous that every word of every exchange between the head of the Israeli group, an old timer named Kurtz, and innocent young Charlie, are described in such detail. But as 20 pages turns to 50, turns to 100, turns to 150, the reading experience becomes more like a gruelling movie, as you find yourself living every moment of Charlie’s brainwashing, becoming persuaded that this rootless, but clever and directionless actress could be turned into a spy in 24 hours because you yourself are experiencing the conversion process in real time.

It is exhausting and thorough and Le Carré triumphs over initial scepticism. By the time Charlie is ready for her double agent mission, to be picked up by the Palestinian terrorist group and trained as one of them, you are prepared to believe she can do it.

Palestinian terrorists

The last 100 pages or so describe Charlie’s transportation through the hands of various Palestinian middle men to a training base amid a squalid refugee camp in Lebanon. Here she experiences with shocking immediacy the squalor and suffering of camp life made all the more terrifying by the repeated air raids of Israeli planes indiscriminately killing women and children. If the middle section of the book dwells at length on the Israeli perspective with heavy reliance on the Holocaust and the Israelis’ unwillingness to be victims ever again, this final section is a no-holds-barred depiction of the terrible injustice to which the exiled Palestinians have been subjected.

Schizophrenia

It is here that the really elaborate preparations the Israelis have made to create Charlie’s identity as the lover of the playboy agent who was co-ordinating the terrorist attacks in Europe pay off; but it is not just an act: what she has seen and experienced in the camps gives her a genuine burning hatred of Israeli injustice which she uses to convince her Palestinian abductors of her sincerity but which at the same time she is using to hide the fact that she is working to the Israeli plan and that plan involves the betrayal and execution of all the Palestinians she is vowing sisterhood with.

It is here that the book really transcends anything I’ve read in this area, as it paints an increasingly powerful and disturbing portrait of a double-minded human being, simultaneously an impassioned agent for the Israelis and an increasingly outraged convert to the cause of the Palestinian refugees.

Shattering

When the climax of the book comes Charlie is left absolutely shattered, turned inside out, devastated, obliterated as a human being and we are left just as upset, confused, devastated by what we have seen and heard and known. I felt shaken, really upset and tearful and confused, as few books have made me feel.


Related links

John Le Carré reviews