Oscar Wilde’s London by Wolf von Eckardt, Sander L. Gilman and J. Edward Chamberlin (1987)

A large format, 284-page coffee-table book most notable for its many contemporary illustrations (all in black and white).

This is not an academic book – it is a popular social history or review of the cultural life of London over the period between Oscar Wilde’s first arrival in London – having graduated from Oxford, in 1879 – to May 1897 when he was released from Pentonville prison and took the night train to Dieppe, never to return. Twenty years, quite a long time, a generation.

The introduction is a collection of clichés and stereotypes about the period, telling us the end of the nineteenth century was a time of immense social, economic, technological and cultural change etc – not only more people but more technological inventions (photography, electric lighting, telegraph, telephone, early motor car), more newspapers, journals and magazines, publishing more facts and figures and stories and photographs and illustrations than ever before, intellectual ferment Darwin, Arts and Crafts, the peak of Empire, Victoria’s jubilees etc etc – the kind of thing you read in absolutely every introduction to the period and quickly becomes over-familiar.

But when you get into the chapters on specific topics these get quite interesting on a whole range of topics, from the electrification of the first streets, public buildings and theatres to details about football, rugby and cricket, the rise of bicycling, various forms of religion and so on, all accompanied by jolly contemporary illustrations. A notable feature is extended quotes from interesting sources such as Wilde’s trial, police reports, WT Stead’s articles, T.S. Eliot’s obituary of Marie Lloyd and so on. These are interesting tasters, incentivising the reader to go searching for fuller texts online…

By way of a ‘review’ I thought it would be fun to give a brief summary and one image from each chapter.

1. Art and Life

Rapid expansion. The Underground. More train lines led to huge expansion of new suburbs.

From Pentonville Road looking west evening, 1884 by John O’Connor © Museum of London

Aestheticism already existed (Rossetti, Swinburne) but Wilde set out to make himself its apostle, peacock feathers and sunflowers. Mocked in Gilbert and Sullivan’s operetta Patience. Wilde’s lecture tour of America accompanying a tour of the opera.

Wilde lived with the painter Frank Miles who moved to an Aesthetic house at 1 Tite Street, where Wilde was later to move, in 1884 after he married Constance Lloyd (neighbours to James Whistler and John Singer Sergeant). They had the place redesigned by Edward Godwin. The interior decoration described by his son Vyvyan. The salon his wife, Constance, established.

Three or four page discussion of the overlap between Aestheticism and the Arts and Crafts movement, with its serious commitment to improving the surroundings and lives of the population with beautiful architecture, furnishings etc. Ruskin and Morris’s serious political commitment, and Wilde’s take on it in his essay The Soul of Man Under Socialism.

2. Lilies and Sunflowers

The Arts and Crafts Movement, William Morris, Burne-Jones. The Kelmscott Press. The vegetal style i.e. the sinuous line based on lilies which spread across Europe in Art Nouveau, the Jugendstil etc (p.41). The fashion for Japanisme.

Ruskin thought ornament was the basis of architecture. Morris thought ornament was the basis of civilised society (p.32). This explains why Arts and Crafts interiors, wallpaper and furniture were so heavy, cluttered and dark.

Acanthus wallpaper by William Morris

Libertys. The Kelmscott Press. Ruskin and Morris were populist, Whistler and Wilde were elitists. The Ruskin versus Whistler libel trial. The fashion for Japanoiserie. The rise and rise of home decoration and furnishing in lots of new magazines. Wilde’s American lecture which explains the two types of beauty epitomised y the sunflower and the lily (p.41).

The PRB artists: Burne-Jones, Millais, Waterhouse. Aubrey Beardsley’s illustrations for the Yellow Book and Wilde’s play, Salome. Beardsley’s self presentation was every bit as calculating and immaculate as Wilde’s but in a different mode.

Aubrey Beardsley photographed by Frederick Hollyer (Victoria and Albert Museum)

3. The Call of the Stage

In October 1881 Richard D’Oyly Carte opened the New Savoy Theatre on the Strand, the first building in London to be lit by electricity, specifically 1,200 electric arc lamps and 715 stage lamps. D’Oyly Carte had already produced:

  • Trial by Jury (1875)
  • The Sorcerer (1877)
  • HMS Pinafore (1878)
  • The Pirates of Penzance (1879)
  • Patience or Bunthorne’s Bride (1881)
  • Iolanthe (1882)
  • Princess Ida (1884)
  • The Mikado (1885)
  • Ruddigore; or, The Witch’s Curse (1887)
  • The Yeomen of the Guard (1888)
  • The Gondoliers (1889)
  • Utopia, Limited (1893)
  • The Grand Duke (1896)

Leading actors of the later 1870s and 1880s Henry Irving and Ellen Terry who appeared together in an 1885 Hamlet.

Ellen Terry

Playwrights before Wilde, namely Arthur Wing Pinero, author of ‘The Second Mrs Tanqueray’ (1892) the latest of umpteen ‘Woman with a Past’ stories (the premise used by Wilde in, for example, ‘Lady Windermere’s Fan’).

Mrs Patrick Campbell

Mrs Patrick Campbell is from the next generation of actresses, starting her career in ‘The Second Mrs Tanqueray’. She kept up a spirited correspondence with the young new playwright George Bernard Shaw, whose first production was ‘Widowers Houses’ (1892). Notes on Wilde’s run of four social comedies:

  • Lady Windermere’s Fan (1892)
  • A Woman of No Importance (1893)
  • An Ideal Husband
  • The Importance of Being Earnest (1895)

The influence of Henrik Ibsen, his various translators and adapters. Popular theatre, Sadlers Wells, pantomime and penny gaffs.

4. Readers and Writers

The proliferation of outlets for the reading public; bookshops, kiosks, railway shops; newspapers, magazines from The Labour Prophet to The Yellow Book. The yellow press (‘newspapers that use eye-catching headlines and sensationalized exaggerations’). Proliferation of literary magazines (p.83) but also pulp, penny dreadfuls, shilling shockers.

Magazine seller at Ludgate Circus

Tennyson (d.1892)’s anxiety about progress and materialism. Robert Browning (d.1889)’s dramatic monologues, mostly from history. New kid on the block Rudyard Kipling’s poems and stories. Inevitably the authors quote from his poem The White Man’s Burden, about empire, everyone always does.

Meanwhile…Socialism! The Socialist League of Hammersmith. The Fabians, Beatrice and Sidney Webb. 1886 riots in the West End.

New science inspired Robert Louis Stephenson (d. 1894) but also, with huge impact, H.G. Wells. Both of them and many other authors were associated with the new mystique of cities – fogs, mysteries, doppelgangers. The well-known story about American publisher J. M. Stoddart inviting Oscar Wilde and Arthur Conan Doyle for dinner and commissioning the second Sherlock Holmes novel and The Picture of Dorian Gray which triggers quotes from reviews of Dorian, particularly the famous one by Charles Whibley which accused it of immorality (p.94).

One literary feature of the fin-de-siecle was the Rhymers Club meeting at the Cheshire Cheese pub in the Strand, including Ernest Dowson, Lionel Johnson, Francis Thompson, Richard Le Gallienne, Arthur Symons with Wilde attending meetings that were held in private homes.

Wilde’s death in 1900 coincided with the date W.B. Yeats thinks the whole fin-de-siecle thing evaporated. As he wrote in the introduction to his (quirky) Oxford Book of Modern Verse.

Then in 1900 everybody got down off his stilts; henceforth nobody drank absinthe with his black coffee; nobody went mad; nobody committed suicide; nobody joined the Catholic church; or if they did I have forgotten.

5. London’s Growth

‘It was a turbulent time.’ New buildings and boulevards. Electric lighting spread quickly. Creation of the Embankment and ongoing extension of the Underground. Regent Street. Trafalgar Square. Horses and carts and hansom cabs. Traffic jams on the Strand.

Regent Street Quadrant at Night by Francis Forster (Museum of London)

The pong of horse poo. Drinking troughs. Crossing sweepers. Thick fogs.

Horse bus outside the Shard Arms on Peckham Park Road, circa 1895

Accents of different parts of London which is the basis for Shaw’s play ‘Pygmalion’. Crooked property developers and ramshackle tenements. The fourth Earl of Bedford’s Covent Garden development of the 1630s became a model or sorts. The financial motivation for all those tall narrow Georgian houses facing squares (p.113).

The army of domestic servants. In Wilde’s day London houses as many as a million and a quarter domestic servants. Many, maybe most female servants were subjected to sexual harassment. If they were caught or got pregnant they were fired without a reference. This forced most into a life of prostitution, hence the vast numbers in London.

The Season began as a method of getting marriageable young daughters up from their country estates to find husbands at a packed series of parties and public events. By Wilde’s time it was also a market for industrialists and financiers and men with money to acquire a pedigree by marrying into aristocratic families. By Wilde’s time there was a growing influx of American heiresses looking for posh husbands, a type he mocks in essays and in the character of Hester Worsley in ‘A Woman of No Importance’ (1893).

The vast army of dressmakers and seamstresses who supported these well-dressed women during the Season, as many as 20,000. Middle class consumption, more shops, more manufactured goods. The new big department stores: Harrods, Whiteleys. Huge new restaurants and grill rooms.

6. …and London’s Shame

The poverty of the East End and other slum quarters. Workers slaved long hours in the ‘stink industries’ like soap, rubber, tar, glue, fertiliser made from blood and matches. Sweatshops which were, in fact, freezing cold in winter.

Fore Street, Lambeth

Dr Barnardo’s Home for Working and Destitute Lads. Wilde was notoriously dismissive of charity which he thought applied sticking plasters to a system which needed to be completely overthrown. At least that’s what he said in the Soul of Man Under Socialism.

Vast armies of prostitutes, dolly mops (promiscuous servant girls) including the boy renters Wilde frequented. Conscription to the army during the Boer War (1899 to 1902) not only revealed the wretched physical state of working class men but that a large percentage had sexually transmitted infections (20% of the army, more in the Navy).

The armies of the poor were continually replenished by immigrants, notably Jews from East Europe who suffered periodic antisemitic riots when times were hard, but also Chinese and lascars. Nine pages about the Jack the Ripper murders 1888 to 1891 i.e. as Wilde wrote his best essays and Dorian Gray (pages 130 to 139).

New architecture. The later Victorians rebelled against the straitlaced classicism of Georgian architecture and exploded in a plethora of wild styles, including all manner of Gothic covered with decoration and ornament e.g. St Pancras station by Gilbert George Scott. Plus the Law Courts, Piccadilly Circus,

The suburbs were built partly for political goals. Lord Shaftsbury said ‘If the working man has his own house. I have no fear of revolution’. And hence an 1883 Cheap Trains Act forcing the railway companies to offer cheap fares for those commuting in and out of the centre. Developers packed suburban terraces so that architectural critics complained about their sameyness. Certainly the case in South London where I live and you can cycle through Streatham, Tooting and on down to Morden seeing the same type of 1900s terraced houses in street after street.

The Golden Age of the London Pub with plenty of gilt and mirrors. Somehow this segues into testimony from the Oscar Wilde trial from one of the many young men Wilde paid to have sex with.

7. The Lower Classes

The population grew from 3,215,000 in 1870 to 4,211,000 in 1890, from two sources: immigration from the countryside; immigration of Jews from Eastern Europe. the long recession 1873 to 1893 led to unemployment as did cheaper better imports coming from America then Germany.

‘The Bitter Cry Of Outcast London: An Inquiry Into The Condition Of The Abject Poor’ by Andrew Mearns (1883). ‘In Darkest England and the Way Out’ by William Booth (1890). The Salvation Army.

Victorian street kids

Life expectancy in the country 51, in London 28. Armies of rough sleepers. Long quote of Beatrice Webb’s eye witness account of a steamer arriving carrying refugee Jews from the East. The great hero Dr Barnardo. Phos girls who lacked jaws or fingers, eaten away by phosphorus as they made matches.

The work of Henry Labouchère, MP, social reformer, best known for his campaign to stamp out ‘vice’ which led to the Labouchère Amendment (Section 11 of the Criminal Law Amendment Act 1885) which for the first time criminalised ‘gross indecency’ meaning any type of male homosexual activity in Britain and was the law Wilde was convicted under.

1888 article in the Fortnightly Review detailing the unfair conditions domestic servants labour under.

8. Religion, Spirits and Hosanna

Religious belief declined steadily through the second half of the nineteenth century. Some posh people defected to the Roman Catholic church (as Wilde did on his deathbed). But allegiance to the Church of England slowly steadily declined. Wilde has several comic churchmen, notably the Reverend Canon Chasuble in The Importance of Being Earnest.

My sermon on the meaning of the manna in the wilderness can be adapted to almost any occasion, joyful, or, as in the present case, distressing. [All sigh.] I have preached it at harvest celebrations, christenings, confirmations, on days of humiliation and festal days. The last time I delivered it was in the Cathedral, as a charity sermon on behalf of the Society for the Prevention of Discontent among the Upper Orders. The Bishop, who was present, was much struck by some of the analogies I drew.

The central importance of Darwinism (On The Origin of Species 1859, The Descent of Man, and Selection in Relation to Sex, 1871). In fact Darwinism was mostly known through various popularisations of it the most damaging of which was Herbert Spencer’s Social Darwinism which preached that the weak in society deserve to go under.

Upper and middle class dimwits were taken in by Theosophy, spiritualism and so on (as Wilde’s wife, Constance, was). Occultism, mesmerism, seances, clairvoyancy.

Charles Bradlaugh’s defiant refusal, as an atheist, to take the oath of allegiance when he was elected MP. Controversy around Sabbatarianism i.e. whether shops or anything could open on a Sunday. Bradlaugh helped organise the National Sunday League.

9. The Sounds of London

Music high and low. Gilbert and Sullivan. Religious music by Villiers Stanford and Herbert Parry. The astonishing popularity of the oratorio as a form, ‘the dull centre’ of Victorian music. The widespread popularity of choral societies around the country. George Bernard Shaw’s very funny mockery of all this English earnestness. Henry Wood’s Promenade Concerts began in 1895, the year of Wilde’s conviction.

Serious music had to be imported from abroad, Italy, France and especially Germany. The cult of Wagner among aesthetes and students.

Truer to English culture was the music hall, first one opened in 1852 by 1860 there were 250 in London. I’ve always admired Kipling for immediately grasping, on arriving in London, that music hall was the true voice of the capital and basing his Barrack Room Ballads (1890) on them. The authors give an extended quote from an 1891 article in Harper’s New Monthly Magazine describing the different kinds of music hall in London and their audiences and content (pages 186 to 192).

Stars of music hall such as Marie Lloyd and Harry Champion. The fashion for ‘coon’ songs sung by minstrel troupes.

Quote from T.S. Eliot’s obituary of Lloyd:

The working-man who went to the music-hall and saw Marie Lloyd and joined in the chorus was himself performing part of the work of acting; he was engaged in that collaboration of the audience with the artist which is necessary in all art and most obviously in dramatic art. He will now go to the cinema, where his mind is lulled by continuous senseless music and continuous action too rapid for the brain to act upon, and he will receive, without giving, in that same listless apathy with which the middle and upper classes regard any entertainment of the nature of art. He will also have lost some of his interest in life.

Which carries on with some prophetic words:

Perhaps this will be the only solution. In a most interesting essay in the recent volume of Essays on the Depopulation of Melanesia the great psychologist W.H.R. Rivers adduces evidence which has led him to believe that the natives of that unfortunate archipelago are dying out principally for the reason that the “Civilization” forced upon them has deprived them of all interest in life. They are dying from pure boredom. When every theatre has been replaced by 100 cinemas, When every musical instrument has been replaced by 100 gramophones, when every horse has been replaced by 100 cheap motor cars, when electrical ingenuity has made it possible for every child to hear its bed-time stories through a wireless receiver attached to both ears, when applied science has done everything possible with the materials on this earth to make life as interesting as possible, it will not be surprising if the population of the entire civilized world rapidly follows the fate of the Melanesians.

Others lamented the crudity and vulgarity of the music hall and preferred the imagined purity of folk song, such as Herbert Parry at the inauguration of the Folk Song Society in 1898.

10. Virtues of Sport

The English upper and middle classes worshipped sport. The public schools put more onus on sporting prowess than intelligence as the history of the British Army indicates. Football. Cricket. The MCC founded 1787. The Football Association founded 1863. Rugby left The Football Association in 1863 and, in 1895, split between rugby union and rugby league. The first lawn tennis championship was held at Wimbledon in 1881.

The authors do not hesitate to quote Vitaï Lampada by Sir Henry Newbolt as absolutely everybody writing a book like this has to. It was written in 1892, the year Wilde’s first play was produced.

Bicycling became a craze in the 1890s. In a sense it was a middle class equivalent of the aristocratic habit of riding horses. The bicycle had an impact on women’s liberation because women could, quite simply, travel further and associate with more people, friends and young men.

1890s cycling women

Cycling became involved in the movement for women to wear more rational i.e. practical and flexible clothing. Wilde wrote articles about more sensible clothing for women and his wife became very involved in the movement.

The modern Olympic games were established by Baron de Coubertin in 1896.

Mountain climbing: Judge Alfred Wallis who sentenced Wilde to two years hard labour was the author of one of the best mountaineering books of the nineteenth century, Wandering Among The High Alps.

Boxing was still illegal and notoriously corrupt. The Marquess of Queensberry’s rules had been drafted as long ago as the 1860s but were only really accepted in the 1890s.

Horse racing was the sport of kings, for owners, but had a large working class following among the gambling classes. In 1874 there were 130 race courses in Britain; a decade later there were half that number, all bigger and more professional.

Rise of the sporting press and specialist journals devoted to each sport and activity. And in the 1890s the first ever filming of sporting events took place…

11. Jumbo and Sundry Diversions

Freak shows, peep shows, theatrographs, dancing bears, Astley’s Theatre at the south end of Westminster Bridge. The story of Jumbo the popular trained elephant who was sold to the American showman P.T. Barnum in 1882 but refused to leave. The story of Jumbo gets nearly as much space as Jack the Ripper and maybe rightly so.

Pubs. Londoners liked drinking, many till they became fighting drunk. Hence the Temperance Movement with its pamphlets and sermons. These emphasised grisly stories of wife beating and child abuse caused by drunkenness.

Drug addition: cocaine and the opium dens of the East End docks. Detailed description of a visit to an opium den by George Augustus Sala.

At the opposite end of the social scale, the world of gentlemen’s clubs such as the Carlton, the reform, the Garrick, the Marlborough, the Guards, the Army and Navy, and the Albemarle which Wilde was a member of. Comic account of election to a club, again by Sala.

Dancing as described in The Diary of a Nobody in 1889. Magic and magicians. Street corner Houdinis.

Public trials. The Darwinian zoologist brought a prosecution against American medium Henry Slade (1876). Whistler sued Ruskin for libel in 1877. Several adultery cases in which the Prince of Wales was scandalously compelled to appear. the 1889 prosecution of a male brothel keeper in Cleveland Street (p.259). The two trials of Oscar Wilde in 1895.

12. Juliets of a Night

Pornography and prostitution. This chapter opens with photographs of nude underage girls which, if I tried to search them online let alone included in this review, would, I think, get me arrested.

The cult of ‘the little girl’, most notoriously associated with Lewis Carroll.

The authors quote Arthur Symons, Rossetti and Wilde justifying sex with prostitutes. Visitors to London could buy guides listing locations for strip tease, prostitutes, rooms to rent, ‘introducing houses’, brothels and so on. It was a major industry.

The same territory covered in immense detail in Ronald Pearsall’s huge study ‘The Worm in the Bud’ (1969) which has lots about Victorian orgies, prostitution and fetishism. The authors give a lengthy quote explaining the situation by General Booth, founder of the Salvation Army. Excerpt from a police report of officers trying to round up prostitutes, especially children.

Commentators in politics and the Church warned that young women were corrupted by their reading hence the importance of jumping on all immoral reading matter such as the novels of Thomas Hardy or the Oscar Wilde. This was twaddle then as it is now: what propels women into prostitution is poverty, desperation and drugs, or violent coercion.

It was the famous series of articles in the Pall Mall Gazette of 1885 by William Thomas Stead titled ‘The Maiden Tribute of Modern Babylon’ that led to the raising of the age of consent from 13 to 16 under The Criminal Law Amendment Act 1885 (the same act which included the Labouchère Amendment). The authors give an extended quote.

Surprisingly the European centre of child prostitution was Brussels.

Many stolen, kidnapped or betrayed English girls of 12 to 15 years were sold to Brussels brothels. (p.248)

Sometimes history just doesn’t bear thinking about. Anyway – the London Society for the Protection of Young Females founded in 1853. Quotes from evidence given to an 1881 House of Lords enquiry on the subject. Beatrice Webb’s experience going undercover among the poor.

All this segues into descriptions of the two Wilde trials with full-page illustrations from the Illustrated Police News.

Oscar Wilde’s arrest and trial from Illustrated Police News (1895)

13.Epilogue

The three-page epilogue is in the form of a summary of the debate between Tennyson and the Liberal Prime Minister William Gladstone. In 1886 Tennyson published a poem, Locksley Hall Sixty Years After, in which he claimed, in the manner of all depressed aristocrats, that the country had gone to the dogs.

Gladstone took exception to this and wrote an article for the magazine Nineteenth Century magazine in which he set out to refute every one of Tennyson’s charges, point by point, and asserting that in very measurable way – economic, social and moral, life expectancy, working hours, support for the unemployed and so on – society was vastly superior, improved and advanced to what it had been in their youths i.e. the 1830s. A choice of temperaments. An interesting conclusion to a fact-packed but popular and entertaining book.


Related reviews

River Out of Eden by Richard Dawkins (1995)

Nature is not cruel, only pitilessly indifferent. That is one of the hardest lessons for humans to learn.
(River out of Eden, page 112)

Three things become clear early in this book:

1. Dawkins is very argumentative He can barely state a fact or idea without immediately imagining a scientific illiterate misunderstanding it, or a creationist arguing against it, or the tradition of thinkers who’ve adopted a contrary position, and then – whooosh! – he’s off on one of his long-winded digressions devising metaphors and analogies and thought experiments (‘imagine 20 million typists sitting in a row…’) devoted to demolishing these opponents and their silly beliefs.

The neutral reader sits back, puzzled as to why Dawkins feels such a continual necessity to find enemies and argue against them, constantly and endlessly, instead of just stating the facts about the natural world in a lucid, calm way and letting them speak for themselves.

2. Dawkins is not a mathematician as he points out quite a few times in The Blind Watchmaker. As I read him saying this for the third or fourth time, it dawned on me that this means Dawkins rarely if ever makes his points with numbers – through data or statistics, tables and graphs and diagrams, as a true scientist might. Instead, deprived of numbers (of course he does use numbers, but very sparingly), Dawkins makes his case through persuasion and rhetoric. He is a rhetorician – the dictionary definition being someone who:

exploits figures of speech and other compositional techniques to have a persuasive or impressive effect

Consider the titles of the clutch of mid-career books which I’m rereading: The Blind Watchmaker, River Out of Eden, Climbing Mount Improbable, Unweaving The Rainbow. They are all named for metaphors or analogies for the big Darwinian idea he is so anxious to explicate and defend, and they are themselves made up of chapters which are made up of sections and passages which rely far more on metaphor and analogy and stories and anecdotes than they do on hard data and scientific facts.

3. Dawkins is good at it The four book titles quoted above are all vivid and powerful metaphors for evolution and its implications. The master metaphor which dominates River Out of Eden – that all life on earth amounts to a river of DNA flowing from simple beginnings and then splitting over a billion years or more into thousands and then millions of tributaries, one for each of the species now alive – is a powerful explanatory tool, and leads you on into a series of other analogies and metaphors.

Wrong!

I was amused by the number of times Dawkins mentions or quotes other people – creationists, fellow academics or other biologists – solely to show how their approach or interpretation of Darwinism, biology or anything else is wrong wrong wrong!

He doesn’t hold back. He isn’t subtle or circumspect. He often puts exclamation marks at the end to emphasise just how wrong wrong wrong they are! before proceeding to demolish them one by one! It’s like watching a confident man at a coconut shy throwing the wooden balls and knocking each coconut off, one… by… one. Here’s a selection of his targets:

– Lamarckism or the belief that characteristics organisms acquire during their lives are passed on to their children – ‘Wrong, utterly wrong! (p.3)

– It’s tempting to think of the original branches between what would later turn out to be distinct families or orders of animals as consisting at the time of the first breach ‘mighty Mississippis rivers’ – ‘But this image is deeply wrong‘ (p.10)

– Zoologists are tempted to think of the divide between what later became major groups as a momentous event. But they are ‘misled’ (p.11)

– One zoologist has suggested that the entire process of evolution during the Cambrian period, when so many new species came into existence, must have been a different process from what it is now. ‘The fallacy is glaring!‘ (p.12)

– The digital revolution at the core of the new biology has dealt ‘a killer blow to vitalism, the incorrect belief that living matter is deeply distinct from nonliving material’ (p.20).

– ‘There is a fashionable salon philosophy called cultural relativism which holds… that science has no more claim to truth than tribal myth’. It is, of course, wrong, which he goes on to prove with the fact that tribal myth can’t build the airplanes which fly you to conferences where you can present papers about cultural relativism.

– He once asked a student how far back you’d have to go to find ancestors that Dawkins and the student shared. She replied back to the apes. ‘An excusable intuitive leap, but it is approximately 10,000 percent wrong.’

– Some creationists insist on misinterpreting the scientific concept of Mitochondrial Eve and claim, from the sound of it, that she’s identical with the Biblical Eve! ‘This is a complete misunderstanding.’ (p.62)

And so on…

The trouble with Dawkins’s arguments

There are several practical problems with Dawkins’s relentless argufying.

One is that, because Dawkin is arguing all the time with someone or other, if you put down the book then pick it up later, it’s often difficult to remember the precise Wrong Interpretation of evolution he was in the middle of raging against i.e. to recall the context of whatever scientific information he happens to be presenting.

Making it worse is the way Dawkins often breaks down the argument he’s tackling into sub-arguments, and especially the way he breaks his own counter-arguments down into sub-counter-arguments. And then he’ll say, ‘I’ve just got to explain a few basic concepts…’ or ‘Before I reply to the main thrust of that argument, let me make a small digression…’ leading you steadily away from whatever point you think he was trying to make.

And if the digression takes the form of an analogy, yjrm quite quickly you can be three of four ‘levels’ removed from the initial proposition he’s arguing against. You find yourself needing to follow an analogy he’s using to explain a concept you need to understand in order to grasp the thrust of a part of an argument he’s making against a specific aspect of one particular misinterpretation of evolution.

In other words – it’s easy to get lost.

At several points he asks the reader to be patent, but I wonder how many of his readers really do have the patience to put up with the digressions and analogies.

It’s an oddity of Dawkins’s approach that moments after venting a vivid attack on creationists and Christians for their ignorance, for being ‘wrong, utterly wrong!’ – he will ask them to bear with him, and have a little patience because what follows is only a rough analogy or a hypothetical example or a computer program he’s made up, or some other rather remote and tangential point.

It’s as if someone punched you in the face and then asked you to hold their coat for them. it shows an astonishing naivety and innocence.

And more to the point, the upshot of all these aspects of his approach is that – he never really presents the knock-down, drop-dead, unanswerable counter-arguments against creationist literature which he continually promises.

In fact on several occasions in The Blind Watchmaker he made so many apologies about the absence of current scientific knowledge on a particular point (especially about a) the patchiness of the fossil record and b) the sharply conflicting hypotheses among scientists about how life on earth got started) – or he went on at such length about the arguments and divisions among the scientists themselves – that I emerged with my belief in evolution shaken, not confirmed.

I couldn’t help feeling that, if I was a born-again Christian, a fundamentalist and creationist, Dawkins’s books, with their combination of in-your-face insults with mealy-mouthed, round-the-houses argufying, might well confirm me in my anti-evolutionary beliefs.

The importance of geological time

To summarise Dawkins’s arguments for him, the central foundation of Darwin’s theory of evolution by natural selection is TIME. Lots and lots and lots of time. Geological time. More time than we can possibly imagine. To quote Wikipedia (in order to have the latest, up-to-date info):

The earliest time that life forms first appeared on Earth is at least 3.77 billion years ago, possibly as early as 4.28 billion years, or even 4.5 billion years; not long after the oceans formed 4.41 billion years ago, and after the formation of the Earth 4.54 billion years ago.

Around 4 billion years ago. No human being can understand that length of time.

The next element in Darwin’s theory is the advantage of small changes, minute changes, sometimes molecular changes, in organisms as they reproduce and create new generations. Even minuscule differences, which humans cannot detect, might be the vital determinants in whether an organism just about survives to reproduce, or just fails and is killed or eaten before it reproduces.

Dawkins’s core argument is that, if you set that process in train and let it run for four and a half billion years – then anything can happen, and we have the evidence in the fossil record that it has, that forms of life of surpassing weirdness and sizes and functions have been and gone, and their descendants live on all around us in a marvellous profusion.

It is:

  1. the enormous, impossible-to-conceive length of geological time
  2. and the big difference to its chances of survival which even tiny variants in an organism’s attributes can give it

which anti-evolutionists tend not to have grasped, or understood or have simply rejected. Which drives Dawkins crazy.

The evolution of ‘the eye’

The locus classicus (the classic example) where the two sides clash is THE EYE.

Anti-evolutionary writers of all stripes cite the human eye and assert that it is ridiculously unlikely that The Eye can have just popped into existence in complete perfection, with a fully functioning iris and lens and all the rods and cones which detect light and shade and colour, absurdly unlikely, only a caring Creator God could have made something so wonderful.

AND the related creationist argument, that what possible use would half an eye, or a tenth of an eye or a hundredth of an eye have been to any organism? It must have appeared fully functional or not all.

To which Dawkins and all the evolutionists reply that a) no-one is saying it came into being fully functional and b) you’d be surprised: half an eye is really useful. So is a hundredth of an eye, or a thousandth.

In fact, having a patch of skin which is merely light-sensitive can convey advantage on some organisms. Given enough generations this light-sensitive patch will become a confirmed part of all the members of a particular species, and will tend to form a dip or hollow in the skin to protect itself from damage. If the dip goes deep enough then sooner or later some chance mutation may code for another strand of skin to form across the opening of the dip, with a slight preference given to any variation which creates a membrane which is translucent i.e. lets at least some light through to the light-sensitive skin beneath.

And bingo! The eye!

The killer fact (for me, reading this well-trodden argument for the umpteenth time) is that not only is The Eye not an improbable device for evolution to create in the natural flow of endless variations created in each new generation and likely to be selected because its adds even a smidgeon of survival value to its owners..

But that the formation of The Eye turns out to be a highly probable result of evolution. We know this because we now know that The Eye has evolved at least forty separate times in widely separated orders and families and genera. over the past four and a half billion years. Conclusion:

Never say, and never take seriously anybody who says: ‘I cannot believe that so-and-so could have evolved by natural selection.’ (p.81)

Dawkins dubs this position The Argument from Personal Incredulity, and this discussion of The Eye is one of the few places where Dawkins states an opponent’s argument clearly and then mounts a clearn and convincing counter-argument.

Analogies

Bored with a lot of the these tired old arguments, and of Dawkins’s combative yet strangely naive style, I took to noting the the analogies, reading them as a kind of buried or counter-narrative linking up the boring arguments.

– The river out of Eden is the river of DNA, a river of digital information, which makes up all living things. In fact the river has branched out over the aeons, with countless streams and tributaries running dry but there are, as of now, some thirty million separate rivers of DNA or species.

– Each generation is a sieve or filter: good genes get through, ‘bad’ genes don’t.

– The genetic code is like a dictionary of a language with 64 words.

– the DNA inside each of us is like a family Bible (p.44)

– Insofar as it is digital, the genetic code is like digital phones or computer codes.

– Every cell in your body contains the equivalent of 36 immense data tapes (i.e the chromosomes) (p.21).

– We humans – and all living things – are survival machines designed to propagate the digital database that did the programming.

– The membranes in a living cell are like the glassware in a laboratory.

– An enzyme is like a large machine tool, carefully jigged to turn out a production line of molecules of a particular shape (p.26)

– Cells’ ability to replicate is comparable to the process of ‘bootstrapping’ required in the early days of computing (p.27).

Reading River Out of Eden for the analogies was more fun that trying to follow many of Dawkins’s trains of thought which were often tortuous, long-winded and strangely forgettable.

Credit

River Out of Eden by Richard Dawkins was published by Weidenfeld and Nicholson in 1995. All references are to the 1996 Phoenix paperback edition.


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The Blind Watchmaker: Why the Evidence of Evolution Reveals a Universe without Design by Richard Dawkins (1986)

I hope that the reader is as awestruck as I am (p.37)

I first read this book 25 years ago and in the intervening years I had forgotten how naive, silly and embarrassingly earnest Dawkins can be.

The blind watchmaker

The basic premise is easily summarised. In a theological work published in 1802 – Natural Theology, or Evidences of the Existence and Attributes of the Deity – the English theologian William Paley said that if you were out for a walk and stumbled over a stone, you wouldn’t think anything of it, it is so obviously part of the natural world and you unthinkingly accept it as a product of impersonal geological forces.

But if you were out for a walk and stumbled over a watch, particularly if it was an 18th-century, ornately fashioned pocketwatch, you would immediately deduce that something so wonderfully crafted, with so many carefully calibrated inner workings clearly designed for a purpose, presupposed a designer – a craftsman who consciously and deliberately designed and built it.

Well, says Paley, same for the natural world about us. When we look at the countless examples of marvellous design in the world about us – our own eyes, the interaction of insects pollinating flowers, the perfect design of fish for swimming and birds for flying – who can look at all these marvels and not be prompted to declare that there must, on the analogy of the watch, be a conscious designer, an all-powerful entity which created the entire world and all the creatures in it so that they would all perform their functions perfectly? In other words, God (and, since Paley was an Anglican clergyman) the Christian God.

In fact Paley’s book was just the latest in a very long line of works promoting, describing and explaining what is called Natural Theology, the view that the existence of an all-powerful loving God can be deduced solely from observation of the world around us, without the need of any holy books or revelations. This line of argument is recorded as far back as the Biblical psalms and is believed by many people right up to the present day.

Dawkins’s book is a refutation of this entire way of thinking as it relates to the natural world i.e. to living organisms.

As Dawkins points out, it was reasonable to hold Paley’s beliefs in his day and age, it was a reasonable hypothesis in the absence of any better explanation for the origin and diversity of life we see around us.

But since Charles Darwin published On The Origin of Species in 1859, all forms of natural theology have been rendered redundant. We now have an infinite simpler, more satisfying and more believable explanation for the origin, spread and diversity of life forms on earth, which is Darwin’s Theory of Evolution by Natural Selection.

Thus Dawkins’s 340-page book amounts to a sustained argument against natural theology, and against the whole crew of Christians, Creationists, theists, bishops and poets and philosophers who still espouse it, because they are wrong and Richard and the other evolutionary biologists he cites are right.

The book combines a battery of supposedly ‘philosophical’ arguments with an overview of natural history, biology and – in particular – what was then, in 1986, the latest thinking about genetics and DNA – in order to ridicule, rubbish and refute every possible variation of natural theology and to promote Darwin Darwin Darwin.

One long argument

To describe The Blind Watchmaker as argumentative is an understatement. The book is expressly not a straightforward exposition of Darwin’s theory, it is more a series of arguments which Dawkins has with proponents of the views he wishes to demolish, as well as with other biologists whose theories he disputes, and sometimes even with himself. If it moves, he’ll argue with it. It is like an explosion in an argument factory.

And Dawkins is addicted to making elaborate and often far-fetched analogies and comparisons to help us understand evolution. In other words, you have to wade through a lot of often irrelevant argumentation and distracting analogies in order to get to the useful information.

Another key part of Dawkins’ approach, something I found initially irritating about the book, then found ludicrous, and ended up finding laugh-out-loud funny, is the way he makes up people to argue with.

He will invent a naive believer of this or that aspect of natural theology, someone who can’t credit evolution with explaining everything about the natural world, put words into their mouths, and then gleefully demolish their made-up arguments.

I think it’s the purest example of an author using convenient straw men to set up and knock down that I’ve ever read. Thus in the first 40 pages he invents the following figures:

  • a distinguished modern philosopher who he once sat next to at dinner and revealed to a horrified Dawkins that he didn’t understand why the evolution and diversity of life required any special explanation (p.5)
  • a ‘hypothetical philosopher’ he invents and claims would, at this stage of Dawkins’s exposition, be ‘mumbling something about circular argument’ (p.8)
  • a hypothetical engineer who starts ‘boring on’ about the whole being greater than the sum of the parts (p.11)
  • he creates another engineer (‘our engineer’) to act as a foil for his explanation of how bat echolocation works in chapter 2
  • with similar condescension he refers at various moments to ‘our mathematicians’ in order to dismiss their arguments
  • the second half of the book is littered with references to ‘creationists’ and ‘creationist propaganda’ and ‘anti-evolution propaganda’ which he doesn’t actually quote, but whose views he briefly summarises before pulverising them

On page 13 he dismisses ‘readers of trendy intellectual magazines’ saying that, if you read them you might have noticed that:

reductionism, like sin, is one of those things that is only mentioned by people who are against it.

This thought then rapidly gets out of control as he goes on to say that calling yourself a reductionist is the equivalent, ‘in some circles’ of admitting that you eat babies.

He then goes on to compare the hypothetical simple-minded ‘reductionist’ who he’s just invented with his own, more sophisticated, materialist reductionism, and then writes:

It goes without saying – though the mythical, baby-eating reductionist is reputed to deny this – that the kinds of explanations which are suitable at high levels in the hierarchy are quite different from the kinds of explanations which are suitable at lower levels.

You can see that he’s making a serious point, but can’t help wondering why it required inventing a straw man and then attributing him the bizarre characteristic of eating babies!

This is just one tiny snapshot of Dawkins’s technique, in which serious and often interesting points are surrounded by relentless argufying and quarrelling, more often than not with entirely fictional, made-up figures who are often given ridiculously caricatured views and qualities.

In among the vast army of people Dawkins picks fights with are some real Christian or anti-evolutionary figures who he briefly invokes before subjecting them to withering criticism.

  • the ‘distinguished sceptic’ who refused to believe Donald Griffin when the latter first explained the secret of bat echolocation at a 1940 conference (p.35)
  • Bishop of Birmingham, Hugh Montefiore (1920-2005) whose book The Probability of God Dawkins credits with being an honest attempt to prove God but which he quickly dismisses for its widespread use of what Dawkins calls The Argument From Personal Incredulity i.e. ‘I find it hard to understand…it is difficult to see how…’ etc which only goes to show the ignorant the author is (p.37)
  • Francis Hitching (b.1933) author of The Neck of the Giraffe or Where Darwin Went Wrong (1983) which appears to be a sustained attack on Darwinism
  • The Duke of Argyll who, apparently, supported Darwin but with the modest proviso that the loving Creator God did, of course, intervene in evolution to create new species and generally give evolution a helping hand (p.248)
  • the editor of Creationist magazine Biblical (p.251) who is quoted leaping onto the controversy surrounding the (then) new theory of punctuated equilibrium in order to claim it undermined the entire Darwinian edifice

The remorseless battering of opponents, real or hypothetical, builds up to a climax in the final chapter where Dawkins tackles head-on half a dozen or so alternative explanations for the existence of complex life forms including the Big One, Christian Creationism.

Naivety

There’s a stunning moment before the book’s even properly begun which reveals Dawkins’ amazingly earnest naivety about the real world.

He describes taking part in a formal debate (organised, apparently, at the Oxford Union). Afterwards he is seated at dinner (the book includes lots of anecdotes about conversations over dinner; Oxford is that kind of place) next to the young lady who argued against him in the debate, and made the creationist case – and Dawkins is horrified to discover that she doesn’t necessarily believe all the points she made!!

Indeed, Dawkins reveals to his shocked readers, this young lady was sometimes making arguments simply for the sake of having a debate! Richard is horrified!! He himself has never uttered a word he didn’t believe to be the complete truth! He cannot credit the notion that someone argued a case solely for the intellectual challenge of it!

At first I thought he was joking, but this anecdote, told on page two of the Preface, establishes the fact that Dawkins doesn’t understand the nature of intellectual debate, and so by implication doesn’t understand the worlds of law or politics or philosophy or the humanities, where you are routinely asked to justify a cause you don’t particularly believe in, or to argue one of any number of conflicting views.

When I told my son this he recalled being made to take part in school debates when he was 11. Learning to debate different points of view is a basic teaching, learning and cultural practice.

Philosophical simple-mindedness

Dawkins likes to brandish the word ‘philosophy’ a lot but none of his arguments are truly philosophical, they are more rhetorical or technical. For example, early on he asks ‘What is an explanation?’ before giving this definition of how he intends to use the word:

If we wish to understand how a machine or living body works, we look to its component parts and ask how they interact with each other. If there is a complex thing that we do not yet understand, we can come to understand it in terms of simpler parts that we do already understand. (p.11)

This isn’t really philosophical, more a straightforward clarifying of terms. And yet in chapter 2 he refers back to the opening chapter in which this and much like it occurred, as ‘philosophical’. Quite quickly you get the sense that Dawkins’ idea of ‘philosophy’ is fairly simplistic. That it is, in fact, a biologist’s notion of philosophy i.e. lacking much subtlety or depth.

Same goes for his attitude to the English language. Dawkins is extremely proud of the care with which he writes, and isn’t shy about showing off his rather pedantic thoughts about English usage. For example, he stops the thrust of his argument to discuss whether it is better to write ‘computer programme’ or ‘computer program’. Towards the end of the book he mentions ‘the great Japanese geneticist Motoo Kimura’

whose English prose style, incidentally, would shame many a native speaker (p.303)

There is no reason for this unnecessary aside except to let everyone know that he, Richard Dawkins, is a first class judge of what constitutes good English, and isn’t shy about letting you know it. As with the ‘philosophy’, Dawkins’s comments about the English language are fairly obvious, but presented with a great hoo-hah and self-satisfaction.

Dawkins’s sense of humour!

Way before he has given any kind of account of Darwin’s actual theory, Dawkins is assailing us with his sense of humour, sometimes with short squibs, sometimes with extended ‘humorous’ passages.

You can tell when he’s made a joke, or said something he’s really proud of, because he rounds off the punchline with an exclamation mark!

It’s quite a while since I’ve seen quite so many exclamation marks in a text and it made me realise that their cumulative impact is to make you feel the author is poking you in the ribs so you will laugh and/or marvel at the wonderful anecdote they’ve just told!

Here’s an example of the way that genuinely fascinating natural history/science is buried in Dawkins’s rib-nudging approach. Chapter two is about echolocation in bats, and moves from:

  1. a detailed description of how bat echolocation works – which is riveting
  2. to pondering what it is like to be a bat and live in a bat’s body and live and perceive the world entirely by echolocation and sonar – which is sort of interesting, but speculative
  3. to an extended passage where Dawkins imagines a conference of scientific bats – he does this in order to imagine his scientific bats listening to one of their colleagues presenting a paper with the flabbergasting discovery that humans use a previously unknown sense called ‘sight’, employing two bulbous receptors in their faces called ‘eyes’ in order to analyse light signals which appear to create in their brains 3-D models of the world which help them navigate around – almost as well as bats!!

Now this final passage is sort of helpful, maybe, if you’re in the mood, and sort of humorous. But it is at the same time more than a little ludicrous in what purports to be a serious scientific book. Above all, it gives you a powerful whiff of Dawkins’s world, a world of self-important Oxbridge academics. It does this in two ways:

  1. the choice of an academic conference as the setting for his imaginary fantasy tells much you about the milieu he inhabits
  2. the fact that he thinks he can spend an entire page of his book sharing this extended joke with his readers tells you a lot more about his supreme, undentable self-confidence

Unintentional autobiography

Dawkins likes to think he is making ‘difficult’ science more accessible by giving the poor benighted reader plenty of analogies and examples from everyday life to help us understand these damn tricky concepts. But it is one of the most (unintentionally) enjoyable aspects of the book that many of the examples he uses betray a comic out-of-touchness with the modern world.

I laughed out loud when on page 3 he writes:

The systematic putting together of parts to a purposeful design is something we know and understand, for we have experienced it at first hand, even if only with our childhood Meccano or erector set.

He explains the Doppler Effect by asking the reader to imagine riding a motorbike past a factory whose siren is wailing. Motorbike? Wailing factory siren? This sounds like a W.H. Auden poem from the 1930s. He goes on to explain that it is the same principle as the police use in their radar traps for speeding motorists.

Elsewhere he begins to explain the unlikeliness of organic molecules coming into existence by asking us to ponder the number of his bicycle lock (and later assures us that ‘I ride a bicycle to work every day’, p.84). On almost every page there is an unreflecting assumption that we will be interested in every detail of Professor Dawkins’s life, from his bicycle lock to his personal computer.

He suggests that the advantage even a slight improvement in the ability to ‘see’ would give an evolving species can be considered while ‘turning the colour balance knob of a colour television set’ (p.84).

He explains that the poor Nautilus shellfish has developed the hollow orb of a primitive ‘eye’ but lacks the lens facility that we and all mammals have, making it rather ‘like a hi-fi system with an excellent amplifier fed by a gramophone with a blunt needle’ (p.85).

Gramophone? Later he refers to ‘hi-fidelity sound amplification equipment’ (p.217). It’s possible that Dawkins is the most fuddy-duddy author I’ve ever read.

When describing the transmission of DNA he suggests it might help if we imagine 20 million ‘typists’ sitting in a row. When I asked my daughter what a ‘typist’ is she didn’t know. Reading the book now is like visiting a lost world.

The common brown bat Myotis emits sonic clicks at the rate of ten a second, about the same rate, Dawkins tells us, as a Bren machine gun fires bullets. An analogy which seems redolent of National Service in the 1950s.

His comic-book enthusiasm bubbles over when he tells us that:

These bats are like miniature spy planes, bristling with sophisticated instrumentation. (p.24)

Spy planes. Gramophone players. Factory sirens.

If you put to one side the science he’s trying to explain to us, and just focus on the analogies and stories he uses so liberally, a kind of alternative world appears – a portrait of an incredibly earnest, other-worldly, high-minded Oxford don, a man whose secure upper-middle-class childhood gave him an enduring love of toys and gadgets, and who has the sublime self-confidence of thinking he can change the world by the sheer power of his boyish enthusiasm and the secrets of his bicycle lock.

At the end of chapter 8 (which has been about positive feedback loops in evolution) he digresses into a lengthy description of the new-fangled ‘pop music’, which is introduced by what he describes as the ‘mid-Atlantic mouthings of disco jockeys’ on the radio, and reflected in something which he fastidiously refers to as the ‘Top 20’.

The whole sub-culture is obsessed with a rank ordering of records, called the Top 20 or Top 40, which is based only upon record sales. (p.219)

His point is that records are often bought by young people based on their popularity alone, not on their intrinsic artistic merit and that this is a form of arbitrary positive feedback loop, such as may also be true of some characteristics exaggerated in the course of sexual selection, such as the peacock’s tail.

But the real impact of reading this page-long digression is to make you realise that Dawkins is a real-life version of the stereotypical out-of-touch judge who has spent so long in the bubble of the legal profession (as Dawkins has spent virtually his whole life in the bubble of an Oxford college) that one of the barristers has to patiently explain to him that ‘The Beatles’ are a popular rhythm-and-blues group.

Elsewhere he refers to this new thing called ‘the mass media’. He refers to bodybuilders as members of a ‘peculiar minority culture’ (p.289). It doesn’t seem to occur to him that being a don at an Oxford college is even more of a ‘peculiar minority culture’.

Hi-fidelity gramophones. Factory sirens. Mid-Atlantic mouthings.

Then there are the directly autobiographical snippets – the references to his idyllic childhood in Africa (where he played with his Erector Set or admired a huge swarm of soldier ants), to his High Anglican public school, and on to the rarefied atmosphere of Oxford, where he spent his academic career from 1970 to 2008, and has had so many stimulating conversations over High Table which he is not shy about repeating for our benefit.

Thus, in the middle of an explanation of different theories about the speed with which evolution works, he stops because he:

cannot help being reminded here of the humiliation of my first school report, written by the Matron about my performance as a seven-year-old in folding clothes, taking cold baths, and other daily routines of boarding-school life: “Dawkins has only three speeds: slow, very slow, and stop.” (p.245)

Similarly, he begins Chapter 8 with a reminiscence of a schoolmaster of his who became uncontrollably apoplectic with rage, as an example of ‘positive feedback’.

This is followed by the story of a recent experience he had of attending Oxford’s Congregation, at which the hubbub of the large crowd slowly died away into silence – which he gives as an example of negative feedback.

My point is that The Blind Watchmaker is characterised by many pages of self-indulgent autobiography. It is an obtrusive element in the book which often gets in the way of the factual content he wants to convey. Dawkins is so in love with the sound of his own analogies and whimsical digressions, and so keen to share with you his ripping boyhood memories and High Table anecdotes, that it becomes at times, almost physically painful to read him.

Distracting analogies

But the real problem with all these analogies and reminiscences is that too often they get in the way of actually understanding his scientific points.

For example, chapter seven has an extended explanation of what arms races are in the context of evolution i.e. when predators and prey develop characteristics designed to help them outdo each other. So far so good. But then he goes off into an extended comparison with the race to build dreadnoughts before the Great War, and then to a description of the actual arms race between the USA and USSR building larger and larger nuclear weapons during the 1970s and 1980s.

My point is that the analogy takes on a life of its own, goes on at unconscionable length, and becomes steadily less useful and increasingly distracting and misleading.

Same goes when he asks us to imagine 20 million typists sitting in a row copying out a message as if that makes it at all easier to understand DNA, instead of puzzling and distracting.

Or when he spends a couple of pages calculating just how many monkeys it would take to type out the complete works of Shakespeare, as a demonstration of the power of cumulative selection i.e. if evolution really did work at random it would take forever, but if each version typed out by the monkeys kept all the elements which were even slightly like Shakespeare, and then built on that foundation, it is surprising how few generations of monkeys you’d need to begin to produce an inkling of a comprehensible version of the complete works of Shakespeare.

He thinks he is a scientific populariser but the examples he uses to explain scientific ideas are often out of date or far-fetched as to be harder to understand than the original scientific idea.

In the worst example in the book, chapter 8 about punctuated equilibrium doesn’t start with an explanation of what punctuated equilibrium actually is – instead, it starts with a two-page-long extended description of the ancient Israelites spending forty years wandering in the wilderness after fleeing Egypt.

Dawkins then invents (as so often) a hypothetical figure to mock, in this case a hypothetical historian who, he says, takes the story of the Biblical exodus literally and so calculates that, since the distance from Egypt to the Holy Land was only 200 miles and the Bible says it took them 40 years to cover, this must mean that the Israelites covered just 24 yards per day or 1 yard per hour.

‘Is the attitude of the Bible historian I have just invented ridiculous?’ asks Dawkins. ‘Yes, well, that’s how ridiculous the theory of punctuated equilibrium is.’

This example is at the start of the chapter, setting the tone for the entire discussion of punctuated equilibrium. And it lasts for two solid pages.

It is a classic example of how Dawkins is so in love with his own wit and that he a) never really gets round to clearly explaining what punctuated equilibrium is, and b) really confuses the reader with this extended and utterly irrelevant analogy.

(The theory of punctuated equilibrium takes the extremely patchy fossil record of life on earth as evidence that evolution does not progress at a smooth, steady rate but consists of long periods of virtual stasis or equilibrium, punctuated by sudden bursts of relatively fast evolution and the creation of new species. Some Creationists and Christians seized on the publication of this theory in the 1970s as evidence that Darwin was wrong and that therefore God does exist. Dawkins devotes a chapter and a host of ideas, sub-ideas and extended analogies to proving that the theory of punctuated equilibrium does not undermine the Darwinian orthodoxy – as Creationists gleefully claim – but can be slotted easily into the existing Darwinian view that evolution takes place at a slow steady pace: the core of Dawkins’s argument is that the fossil record appears to suggest long static periods interspersed with periods of manic change, solely because it is so very patchy; if we had a fuller fossil record it wold vindicate his and Darwin’s view of slow steady change. In other words, the theory of punctuated equilibrium is an optical illusion produced by the patchiness of the fossil record and not a true account of his evolution works.)

The whole tenor and shape and flavour of the book is dominated by Dawkins’s analogies and similes and metaphors and witty ideas but I can’t help thinking it would have been so much better to have devoted the space to killer examples from the natural world. Too often Dawkins’s long comparisons take the reader away from the wonders of life on earth and push you into the broom cupboard of his oddly sterile and unimaginative analogies.

To give another example, it is fascinating to learn that many bat species have scrunched-up gargoyle faces (which have terrified generations of humans) because their faces have evolved to reflect and focus their high-pitched echolocation signals into their ears. But when Dawkins tries to make this fact more ‘accessible’ by writing that bats are ‘like high-tech spy planes’, his analogy feels not only trite but – here’s my point – less informative than the original fact.

I have just read E.O. Wilson’s stunningly beautiful and inspiring book about the natural world, The Diversity of Life, which is all the more amazing and breath-taking because he doesn’t impose anecdotes about his own childhood or love of gadgets between you and the wonder’s he’s describing: the wonders are quite amazing enough without any kind of editorialising.

The Blind Watchmaker computer program

This un-self-aware, naive enthusiasm comes over most strongly in chapter three of the book which is devoted to the subject which gives the book its title, the computer program Dawkins has devised and titled The Blind Watchmaker (and which is advertised for sale at the back of the book, yours for just £28.85 including VAT, post and packaging).

At this early stage of the book (chapter 3) I was still hoping that Dawkins would give the reader a knock-down, killer explanation of Darwin’s theory. Instead he chooses to tell us all about a computer program he’s written. The program begins with a set of nine stick figures or ‘genes’, as he calls them, and then applies to them a set of instructions such as ‘double in length’ or ‘branch into two lines’ and so on. Here are the basic ‘genes’.

Basic ‘tree’ shapes developed by Richard Dawkins’ Blind Watchmaker programme

The idea is that, if you invent rules for transforming the shape of the basic ‘genes’ according to a set of fixed but arbitrary rules and then run the program, you will be surprised how the mechanical application of mindless rules quite quickly produces all kinds of weird and wonderful shapes, thus:

More advanced iterations produced by Dawkins’s Blind Watchmaker program

The point of all this is to show how quickly complex ‘creatures’ can be created by a few simple rules and endless iterations.

Having explained his program Dawkins artlessly presents it as a strong proof for Darwin’s theory. He calls the multi-dimensional cyberspace thronged with a potentially endless sequence of mutating life forms stretching out in all directions Biomorph Land, and the metaphor is invoked throughout the rest of the book.

Dawkins boyishly tells us that when he first ran the program and saw all the shapes appearing he was so excited he stayed up all night!

It’s difficult to know where to start in critiquing this approach, but two things spring to mind.

  1. At the point where he introduces the program the book still hasn’t delivered a clear exposition of Darwin’s theory of evolution by natural selection. During this chapter I began to realise it never would, and that instead the book would be all about Richard’s own ideas and inventions.
  2. Does Dawkins really think that a dyed-in-the-wool, Christian fundamentalist would be the slightest bit persuaded to change his or her lifelong beliefs by a lengthy explanation of a toy computer program which Richard has developed at home on his Dell computer? If he does, he is fabulously self-deluded and, as I’ve said, above all, naive about the ways of the world and how human beings actually think and live.

Dawkins’s declared intention is to change the world, or the way people think and what they believe about the world and the diversity of life around us – and yet virtually every word he writes – certainly extended passages like the long chapter devoted to the self-written computer program which gives the book its name – show you how completely inadequate his view of human nature is.

The book may well have explained and elucidated various concepts around evolution and genetics to an educated, secular audience which had hitherto (in 1986) had relatively few if any popular accounts to read on the subject. But given Dawkins’s fierce anti-Creationist rhetoric all through the book, his invention of all kinds of Christian or just ignorant critics of evolution throughout the book who he can pulverise with his arguments and analogies – it would be fascinating to learn if The Blind Watchmaker ever converted anyone to abandon their Christian or theist beliefs and become an atheist.

Précis of the contents of The Blind Watchmaker

Chapter 2 Bats and echolocation

Chapter 3 Cumulative changes in organisms can have massive consequences when subjected to non-random selection.

Chapter 4 Creationist propaganda often mocks the theory of evolution by pointing out that according to the theory exquisitely complicated features such as eyes must have evolved from next to nothing to their present stage of perfection and What is the point of half an eye? But Dawkins robustly replies that even 1% of an eye is better than no eye at all, and there are many animals with what you could call half or a quarter or less of a wing (i.e. bits of stretchable skin which help with gliding from tree to tree), which function perfectly well.

Chapter 5 ‘It is raining DNA outside’ as Dawkins describes the air outside his study window being full of down and dandelion seeds, innumerable flower seeds floating past on the wind. Why Life is more like a computer programme (i.e. DNA is a transmissible digital code) than pre-Darwinian ideas about blobs of matter and life forces.

Chapter 6 The idea of ‘miracles’ considered in the context of the 4.5 billion years the earth has existed, and a detailed summary of A.G. Cairns-Smiths theory of the origin of life (i.e. that replicating organic molecules originally took their structure from replicating inorganic clay crystals.)

Chapter 7 Genes are selected by virtue of their interactions with their environment, but the very first ‘environment’ a gene encounters is other genes, within the cell, and then in sister cells. Cells had to learn to co-operate in order to form multi-celled organisms. Cumulative selection produces arms races between rivals in ecosystems.

Chapter 8 Positive feedback and sexual selection, compared to steam engines, thermostats and pop music.

Chapter 9 Is devoted to taking down the theory of punctuated equilibrium put forward by the paleontologists Niles Eldridge and Stephen Jay Gould and opens with two pages about a hypothetical and very dense scholar of Biblical history.

Chapter 10 There are countless ways to categorise living things, as objects, but there is only one true tree of life based on evolutionary descent. Although in this, as everything else, there are different schools and theories e.g. phyleticists, cladists, pheneticists et al.

Chapter 11 A summary of various alternatives to Darwin – Lamarckism, neutralism, creationism, mutationism – are described and then demolished.

What is really striking about this final chapter is how cursory his dismissal of Christian creationism is – it only takes up a couple of pages whereas his analysis of Lamarckism took up ten. It’s as if, once he finally comes face to face with his long-cherished enemy, it turns out that he has… nothing to say.

Conclusion and recommendations

Back in the mid-1980s this book had a big impact, garnering prizes and making Dawkins a public intellectual. This suggests 1. the extent of the ignorance then prevailing about Darwin’s theory of evolution by natural selection and 2. the low bar set in the Anglo-Saxon world for the definition of ‘public intellectual’.

Then again, not many people actually had computers in 1986. I think the impact of the book came less from his countless and tiresome anti-Christian arguments, and more from the crisp modern way he compared DNA to a computer program. That was a genuinely innovatory insight thirty-five years ago. He was there right at the beginning of the application of computer technology to genetics and biology, a technology which has, ironically, rendered almost everything he wrote out of date.

– If you want to really understand Darwin’s theory there is no replacement for reading On The Origin of Species itself because, although many of the details may have changed and Darwin’s account notoriously contained no explanation of how variation came about (because he lacked any knowledge of genetics), nonetheless, the central idea is conveyed with a multitude of examples and with a persuasive force which really bring home what the theory actually consists of, far better than any later summary or populist account.

– If you want to read an up-to-date book about genetics and its awesome possibilities, I’d recommend Life At The Speed of Light: From the Double Helix to the Dawn of Digital Life by Craig Venter.

– If you want to read about the wonders of the natural world, you could do a lot worse than E.O. Wilson’s wonderful and inspiring book The Diversity of Life.

The Mr Bean of biology

Having ground my way through this preening, self-important book, I came to the conclusion that ‘Richard Dawkins’ is best seen as a brilliant comic creation, a kind of super-intellectual version of Mr Bean – filled with comic earnestness, bursting to share his boyish enthusiasm, innocently retailing memories of his first Meccano set or his knowledge of spy planes and motorbicycles, inventing fictional ‘distinguished philosophers’ and ‘sceptical scientists’ to demolish with his oh-so-clever arguments, convinced that his impassioned sincerity will change the world, and blissfully unaware of the ludicrous figure he cuts.

It’s a much more enjoyable book to read if you ignore Dawkins’s silly argufying and see it instead as a kind of Rabelaisian comedy, told by an essentially ludicrous narrator, with characters popping up at random moments to make a Creationist point before being hit over the head by Mr Punch’s truncheon – ‘That’s the way to do it!’ – interspersed with occasionally useful, albeit mostly out-dated, information about evolution and genetics.

Credit

The Blind Watchmaker by Richard Dawkins was published by the Harvard University Press in 1986. All references are to the 1994 Penguin paperback edition.


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