Fighter: The True Story of the Battle of Britain by Len Deighton (1977)

For new pilots the high-altitude battles could be a frightening experience. It was very, very cold at 25,000 feet, and the Spitfires slipped and skidded through the thin air, as the propeller blades failed to bite. Invariably the Perspex misted over and reduced visibility. Only slowly did the aircraft add a few hundred feet, and for this reason the throttles remained wide open. It meant that if a pilot dropped back from his formation through lack of flying skill, he could never catch up with them again. And above them were the Bf 109s, watching and waiting for just such a straggler. This was the way that many young men died: alone and cold in the thin blue air, peering through the condensation into the glare of the sun, unable to see the men who killed them.
(Fighter, page 244)

This is a totally gripping, impressively researched and comprehensive history of a key moment in British and world history and showcases the incredible depth and range of Deighton’s knowledge of the subject matter and period.

I read Blitzkrieg, the later book first, because that is the sequence of events. Both books are divided into five parts, with a long central section about the technical developments in the key weapons (tanks in Blitzkrieg, airplanes in Fighter) followed by an equally long section describing in detail the key events (of the German invasion of France in May 1940, of the Battle of Britain July to October 1940) ending with a fairly short epilogue or summary.

Fighter’s strengths

Fighter is the more enjoyable book, becoming steadily more gripping and exciting as you read on. I think it’s because:

  • Fighter planes are more beautiful and inspiring than tanks.
  • The planes were more directly the creation of inspired genius designers, who are more interesting to read about than the designers of tanks (Willy Messerschmitt, Reginald Mitchell the Spitfire, Sydney Camm the Hawker Hurricane).
  • The history of manned flight since the Wright brothers is more interesting than the history of putting metal plates and a machine gun on a lorry chassis and calling it a ‘tank’, and understanding how airplanes actually fly is more interesting, and more broadly applicable, than understanding how tank tracks work.
  • The fighter plane part of the battle concerns dashing and heroic individuals who Deighton names and describes in detail – Peter Townsend, Josef Frantisek, Adolf Galland – there are photos of them – unlike the largely anonymous and massed ranks activity of the Battle for France, led by a handful of rather imposing generals (Rommel, Guderian).
  • Later in the war, it all got vastly bigger. While Britain was producing 400 new planes a month, towards the end of the year President Roosevelt ordered his factories to begin producing planes, 50,000 planes a year! Later in the war the Luftwaffe was to lose in one day as many aircraft as it lost in the entire Battle. The Battle of Britain represents a moment when individuals still counted – Deighton calls it the last romantic battle in history.

Learnings

I learned that:

  • Lord Beaverbrook’s contribution to victory – put in charge of Fighter Command logistics by Churchill, cutting through lots of bureaucracy to maximise factory output and set up roaming repair squads – was as important as Air Chief Marshal Dowding’s contribution, and that Dowding said so. I was virtually cheering the Beaverbrook passages. I like his motto: Organisation is the enemy of improvisation.
  • The Germans didn’t have a plan. Hitler wasn’t much interested. Operation Sealion (the invasion of Britain) was conceived too late in the year (August) and Göring never gave clear strategic guidance to his marshals. The Germans fundamentally didn’t know what they were trying to achieve and Deighton lists four possible outcomes which included: destroy Fighter Command to give Germany control of the air and enable a cross-Channel invasion; bomb London into submission; destroy Britain’s war machine ie factories. They did some of each but none completely and all historians agree that they were on the verge of destroying Fighter Command – reducing airfields, planes and pilots below an operational minimum – when, early in September, they switched to the second strategy and bombed London for 57 consecutive nights. Though the population of London wouldn’t have agreed Dowding and Park considered this ‘the miracle’ for it gave them time to rebuild the fighter force.
  • When summer slipped into autumn and the weather worsened making a seaborne invasion impossible, Hitler shrugged his shoulders and got out his maps of Russia. Britain was effectively neutralised, the war in the West essentially over: he was interested in new adventures.
  • Deighton powerfully dislikes the bureaucrats at the British Air Ministry whose main contribution was to hamper Fighter Command with stupid orders, come up with pointless hare-brained schemes, and treat Dowding and Park, the two men whose masterly strategy won the Battle, appallingly. Both were sacked at the end of the year. Dowding was given 24 hours to clear his desk.

Robust views/detailed knowledge

As in Blitzkrieg, Deighton is confident in his opinions. Discussing one of the countless machinations of Air Field Marshall Erhard Milch, Deighton writes:

Milch’s allegations are nonsense. (p.301)

These kind of confident assertions are based on Deighton’s incredibly in-depth knowledge of the entire period, from the technical spec of the planes, through the organisational structure of both air forces, detailed profiles of the key players on both sides, to an understanding of the changing tactics developed by each side, down to precise descriptions of uniforms, medals, hats, parachutes and so on.

For example, his captions to many of the 62 photos in the book not only point out the figures in a picture but name the medals the pilots and generals are wearing; there are few photos of planes without additional information about their markings or pointing out details of design and construction to look for. As in his other books, he shows a special interest in organisational structures:

Geschwader was about 100 aircraft, give or take twenty according to circumstances. It consisted of three Gruppen, always designated by Roman numerals I, II or III. Finally there was the Staffel, about twelve aircraft. Staffeln were numbered from 1 to 9, in arabic numerals, to make a Geschwader. Thus, III/JG 26 means the third Gruppe of Jagdgeshwader (fighter Geshwader) number 26. While 8/KG 26 is the eighth Staffel of Kampfgeschwader (bomber Geschwader) number 76. (footnote on page 129)

Towards the end of the book, Deighton makes the very broad claim (repeated in Blitzkrieg) that, without Hitler’s antisemitism – which forced many of Germany’s best scientists and engineers abroad – the Nazis would probably have developed atomic bombs and the long-range missiles to deliver them and would quite possibly have taken over the world. From the minutiae of medals to grand sweeps of alternative history, this is a fascinating and rewarding book on countless levels.

Conclusion

After the first four Ipcress novels Deighton’s fiction changed – his prose became more obvious and functional while he experimented with new subject matter: comedy, a novel set in Hollywood, and then his devastating documentary novel about a World War II bombing raid, Bomber. When he returned to the spy genre in the early 1970s, the three spy novels leading up to Fighter feel much weaker than the Ipcress set.

Could it be that the time and mental energy Deighton expended researching his WWII histories, visiting key locations, months spent at the Imperial War Museum and other archives, and the correspondence and meetings he had with key players in the Battle of France and the Battle of Britain (both books contain photos ‘taken by the author’ and refer to letters and conversation with eye witness participants) – could it be that this massive expenditure of time and effort and immersing himself in bureaucratic records and organisational archives, permanently damaged his imaginative prose style and weakened his fiction?


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