Legion: life in the Roman army @ the British Museum

This is a classic British Museum blockbuster exhibition in the old style. Along with Egyptian mummies, the Roman Empire is one of the British Museum’s perennial visitor favourites. Here the curators give you everything you could possibly want to know about life in the Roman Army and much more, in a beautifully designed, highly informative, consistently entertaining and enjoyably interactive exhibition.

Copper alloy Roman legionary helmet © The Trustees of the British Museum

The fundamental facts about Rome and its army are admirably summarised right at the start:

– At its peak the Roman empire spanned more than a million square miles with a population of some 60 million.

– The Roman Empire owed its existence entirely to its military might.

– Its dominance arose from a deeply militarised society where every male of noble birth was a part-time soldier and it gained hegemony over the Mediterranean by virtue of its large army of professional soldiers.

– Roman military history stretches as far back as the sixth century BC but it wasn’t until the first emperor, Augustus (ruled 27 BC to AD 14), that soldiering became a career choice.

– There were big incentives to join up. Citizen-soldiers like Claudius Terentianus (whose career is used as the framework of the exhibition, see below) could expect to win loot, spoils (and sometimes slaves) through fighting, and were awarded a substantial pension upon retirement after 25 years’ service.

– By promising citizenship to those who lived till retirement, Rome’s war machine also became an engine for creating citizens, co-opting people of all nationalities and ethnicities into the Roman polity.

– Soldiers usually signed up for 25 years service and it’s estimated that around 50% would survive the full period of service.

Installation view of ‘Legion’ at the British Museum showing the Roman scutum (shield) (Yale University Art Gallery) on the left and an example of the metal ‘boss’ which would have stuck through the central circular hole (British Museum) Photo by the author

Claudius Terentianus

So who is this Claudius Terentianus they mention? Well, he’s the backbone of the exhibition. The central premise of the show is that back in the 1950s archaeologists discovered a wonderful cache of letters written by a common Roman soldier, Claudius Terentianus around 110 AD (during the rule of the emperor Trajan, ruled 98 until 117).

In his letters Terentianus complained about the difficulties of enlisting without a rich sponsor, the dissatisfactions of life serving as a marine in the fleet, before managing to be transferred to an Army legion. He was deployed to Syria, possibly as part of Trajan’s Parthian campaign (114 to 117 AD), and was wounded quelling civic unrest in Alexandria, possibly one of the Jewish rebellions against Roman rule. He was finally discharged in 136 AD, and probably settled in the village of Karanis.

So the curators use the letters and experiences of Terentianus – supplemented by the experiences of other soldiers where necessary (and wives of soldiers, officers and emperors), by funerary steles, the wonderful scenes carved on Trajan’s Column in Rome, and much more – to proceed in a logical way through the stages of a career in the Roman army from enlistment, type of regiment, ranks and roles, equipment, weapons, flags and banners, through actual fighting campaigns, to enforcing occupation afterwards, keeping the Pax Romana, and then finally, as in Terentianus’ case, retirement.

Dragon Standard (Draco) © Koblenz Landesmuseum

Key quotes from Terentianus’s letters i.e. ones which illustrate the theme of each section, are not only printed on the walls, next to wall-sized depictions of each theme (life in a Roman camp, enforcing the peace, going into battle and so on) but are read out via loudspeakers, bringing the words of this long-dead Roman soldier vividly back to life.

Synopsis

To give you a sense of the way the exhibition unfolds in a pleasingly logical order, here are the titles of the main areas or subjects:

1. Joining the army

  • Introducing Claudius Terentianus (initially he only managed to join the marines, a form of auxiliary force, and yearned to become a fully-fledged legionary)
  • Enlistment (you had to be at least 5 feet 7 tall and under 35)
  • Fitting in and getting fit to fight (learning to march at 2 set speeds, weapons drill and swimming)

2. Ranks and roles

  • Marines (low in the hierarchy; a type of auxiliary; did basic chores)
  • Promotion: standard bearers (double basic pay in return for which they had to manage the men’s accounts and bear the standard into battle)
  • Promotion: centurions (earned at least 15 times as much pay as ordinary legionaries, senior centurions as much as 60 times; commanded a century of 80 men; had to be literate)
  • Cavalry (extra pay and a slave groom for your horse)
  • Cavalry display (wearing dramatic face-mask helmets)

3. Dressing for battle (soldiers had to buy their own equipment; Terentianus wrote letters to his family asking them to buy and send him weapons)

4. Camps and campaign (marching and footwear)

  • Life on campaign (camps, earth ramparts, 8 to a tent)
  • Battle (equipment and tactics; the famous shield wall)
  • Aftermath (looting and enslavement)

5. Fort life (video of a fort layout, objects from Hadrian’s Wall)

6. Enforcers of occupation

  • Abusers and abused (summary justice, brutal punishments up to crucifixion for non-citizens)
  • Rejecting the imperial system (the German revolt of Arminius, the Jewish revolts, Boadicea)

7. Leaving the army

Not a military history

If you were hoping for details of specific battles or campaigns this is the wrong exhibition for you. It is more like a social history of the army than a military history. A few battles are mentioned but only in passing and only to demonstrate particular aspects of armour or organisation.

There is much more about the social life of soldiers: for example, it includes letters written on papyri by soldiers from Roman Egypt and the many documents found at the Roman fort of Vindolanda on Hadrian’s Wall – some of the oldest surviving handwritten documents in Britain. These tablets reveal first-hand what daily life was like for soldiers and their womenfolk (wives or concubines), for the children and enslaved people who accompanied them.

So much of a social history is it that it contains more sandals than swords.

Horrible Histories

The British Museum has clearly invested a lot of time and resources making this a very child- and family-friendly display. They’ve teamed up with the team behind the mega-bestselling Horrible Histories books and TV series to produce a number of stands featuring a cartoon Roman rat legionary, who gives cartoon, child-appropriate summaries of the subjects under discussion, such as enlisting, musical instruments, equipment and weapons, the luck of war, and so on.

The Horrible Histories Roman rat, in this instance explaining the role of an army standard bearer, in ‘Legion’ at the British Museum (photo by the author)

These could have been clumsy and embarrassing but struck me as really, really well done. At the end of the show a big Credits wall label explains that the text is by Terry Deary, the cartoon illustrations by Martin Brown, the original Horrible Histories team, and you can tell, not only from the distinctive visual style but because the text has a grip and entertainment that lots of other gallery text for children I’ve read, often lack. It’s a real gift to be able to write like this and I found Deary’s explanations of various aspect of the army much easier to read and process than the adult wall labels and much more memorable.

I counted ten of these Horrible Histories stands and many are not only informative but interactive. There’s:

– a height measurer to see if you’d be tall enough to enlist in the Roman army (5 feet seven inches)

– a pulley with a heavy sack weighing as much as a typical legionary pack, to test whether you can hoist it

The Horrible Histories Roman rat introducing the height measurer (off to the right is the weight pulley) in ‘Legion’ at the British Museum (photo by the author)

– in the display I’ve photographed, above, there’s three poles with big triangular dice on them, with each face of the die bearing a cartoon animal, such as you’d expect to find on a legion’s standard

– as we get closer to battle, there’s a Wheel of Misfortune which you spin to find out what would happen to you in the fighting (with some pretty grisly outcomes)

– there’s a rack of army shields to see if you can lift them (they’re incredibly heavy) and some metal helmets designed to be taken off their poles and worn, and a wall-length mirror for you to admire yourself in

– there’s an installation about camps where you lift wooden flaps to smell barrack smells (yuk) or put your hand down into recess to feel something creepy

– there’s a stand of games which Roman soldiers played, such as a form of dice and noughts and crosses

– lastly, there’s a Survival Lottery, a kind of upright pinball machine where you put a black wooden coin in the top and then watch it ping down between the pins and wait to see if it will arrive in the ‘You’re dead!’ or ‘You survived!’ tray

The Horrible Histories Survive-ometer in ‘Legion’ at the British Museum (photo by the author)

I thoroughly enjoyed these and had a go on all of them, surrounded by lots and lots of children. In fact the whole exhibition was packed with families with babies, toddlers and children, so it appears to be a very successful Family Day Out.

Favourites

The exhibition represents an impressive assembly of objects from around the world, containing 200 objects including loans from 28 lenders, both national and international. Some of the objects on display are priceless, some are unique.

Take the staggering fact that the shield whose photo I included, above, is the only legionary shield which has survived intact to the present day. Amazing given that millions of them were made over a period of 500 years. Or the oldest and most complete classic Roman segmental body armour, recently unearthed from the battlefield at Kalkriese (Germany) in 2018. Or the startlingly intimate correspondence discovered at Vindolanda camp on Hadrian’s Wall, which includes the earliest known woman’s hand-writing.

I understand the intellectual excitement of seeing and reading about the information-rich objects such as friezes, statues, tombstones and so on, many appearing in the UK for the first time, such as a rare public display of the Crosby Garrett mask helmet found in Cumbria in 2010, and a unique and fearsome dragon standard being displayed for the first time outside Germany.

And the glamorous, movie-level thrill of seeing real-life objects of war from 2,000 years ago, such as horse armour, cavalry face-masks, swords, armour, and so on – albeit may of these objects are in fragments, have been reconstructed, and only gesture towards their original finery.

Armour from the Arminius revolt. Museum und Park Kalkriese

But, for some reason, possibly influenced by the wholeness of the Horrible Histories graphics, on this visit I was attracted more towards finished and complete artifacts. So here are my favourites:

Spoils of war

Loot was a big motivation, for soldiers, officers and commanders who were allowed to loot captured property, towns or cities, according to a careful sliding scale. This relief shows captured arms and armour, mingling Roman with Dacian and Sarmatian equipment. It features: a draco or dragon standard top centre; helmets, cuirasses, shields and swords; a battle-axe, a quiver of arrows and a ram’s head battering-ram.

Marble victory relief – in ‘Legion’ at the British Museum (photo by the author)

Molossian hound

This marble statue of a seated Molossian hound is a Roman copy of a Greek bronze original. Molossians were a large aggressive breed used by Romans as guard dogs. They were used for fighting both in war and in the amphitheatre. At Roman forts they would be used both for security and for hunting. (Incidentally the blurred white blobs in the background are because the entire wall behind the hound and related artifacts displays an animation of snow falling on a dark northern day, as many of the objects are from Hadrian’s Wall).

Molossian hound – in ‘Legion’ at the British Museum (photo by the author)

Mummy paintings

Arguably the most beautiful objects in the exhibition are these two portraits. They were painted on wood to cover the wrappings of Romano-Egyptian mummies. Despite their refined appearance and her fine jewellery, the orientation of his sword suggests he was a soldier of relatively low rank.

Romano-Egyptian portraits on wood in ‘Legion’ at the British Museum (photo by the author)

At its conclusion, the exhibition funnels you out into the lovely, airy, well-stocked shop featuring the catalogue and plenty of books about the Roman Army. But I was very struck that the image plastered over the majority of the merchandise – posters, mugs, tote bags, postcards, jigsaws and soap – was none of the accoutrements of war, the armour or weaponry, the masks or shields – it was the stunningly beautiful face of this unknown woman, an image of beauty, wealth and, above all, paradoxically, of peace.

Oddly meaningful that the most popular or saleable image from an exhibition about masculine war should be an image of feminine peace…

Dignity of remains

I first learned of the British Museum’s concern for the dignity of human remains at the World of Stonehenge exhibition, where the curator said that nowadays we no longer gawp at skeletons and skulls in the style I was brought up with on numerous school trips, but should think of ourselves as being introduced to real people, people like you and me, people who once lived and breathed, had family and worries and concerns just like us.

In recent years, a revolution has swept through our thinking about human remains and the dignity and respect owed to them. So much so that the exhibition was preceded by the museum’s policy statement on remains:

Visitors are advised that this exhibition contains human remains. The British Museum is committed to curating human remains with care, respect and dignity.

And there is a museum webpage and, indeed, a book of essays, devoted to this one subject.


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In Search of the Dark Ages by Michael Wood (2005)

Michael Wood

This was historian and TV presenter Michael Wood’s first book. Back in 1979 Wood burst onto our TV screens as the boyishly enthusiastic presenter of a BBC series about ‘the Dark Ages’, spread across eight episodes, his hippy-length hair and flapping flairs blowing in the breeze as he strode along castle walls and all over Iron Age forts. I remember chatting to a middle-aged woman TV executive who openly lusted after Wood’s big smile and tight, tight trousers.

Since this debut, Wood has gone on to present no fewer than 19 TV series as well as eight one-off documentaries and to write 12 history books. Time flies and I was surprised and dismayed to read that the former boy wonder of history TV is now nearly 70.

Dated

The first edition of this paperback was published in 1981 and its datedness is confirmed by the short bibliography at the back which recommends a swathe of texts from the 1970s and even some from the 1960s i.e. 50 long years ago.

The very title is dated, as nowadays all the scholars refer to the period from 400 to 1000 as the Early Middle Ages‘. No-one says ‘Dark Ages’ any more – though, credit where credit’s due, maybe this TV series and book helped shed light on the period for a popular audience which helped along the wider recategorisation.

But the book’s age does mean that you are continually wondering how much of it is still true. Wood is keen on archaeological evidence and almost every chapter features sentences like ‘new archaeological evidence / new digs at XXX are just revealing / promise to reveal major new evidence about Offa/Arthur et al…’ The reader is left wondering just what ‘new evidence’ has revealed over the past 40 years and just how much of Wood’s interpretations still hold up.

Investigations

It’s important to emphasise that the book does not provide a continuous and overarching history of the period: the opposite. The key phrase is ‘in search of…’ for each chapter of the book (just like each of the TV programmes) focuses on one particular iconic figure from the period and goes ‘in search of’ them, starting with their current, often mythologised reputation, then going on to examine the documentary texts, contemporary artifacts (coins, tapestries etc) and archaeological evidence to try and get at ‘the truth behind the myth’.

The figures are:

  • Boadicea
  • King Arthur
  • the Sutton Hoo Man
  • Offa
  • Alfred the Great
  • King Athelstan
  • Eric Bloodaxe
  • King Ethelred the Unready
  • William the Conqueror

Each gets a chapter putting them in the context of their day, assessing the sources and material evidence for what we can really know about them, mentioning the usual anecdotes and clichés generally to dismiss them.

Contemporary comparisons

Part of Wood’s popularising approach is to make trendy comparisons to contemporary figures or situations. Some of this has dated a lot – when he mentions a contemporary satirical cartoon comparing the Prime Minister to Boadicea (or Boudicca, as she was actually called) he is of course referring to Margaret Thatcher, not Theresa May. When he says that the late-Roman rulers of Britain effectively declared U.D.I. from the Empire, I just about remember what he’s referring to – Rhodesia’s unilateral declaration of independence from Britain back in 1965 – and it’s a thought-provoking comparison – but most readers would probably have to look it up.

Similarly, he writes that contemporaries remembered the bad winter of 763 ‘just as we do that of 1947’ – do we? He says the Northumbrians felt about Athelstan’s conquest of their kingdom ‘the same way as we feel about the Russian invasion of Czechoslovakia’ (p.145).

That said, I found many of the comparisons worked well bringing these ancient people to life, in highlighting how their behaviour is comparable to the same kind of things going on in the contemporary world:

For example, he compares the native British merchants getting involved with Roman traders to entrepreneurs in contemporary Third World countries taking out, for example, a Coca Cola franchise from the modern commercial superpower. Or compares Boudica’s rebellion against the imperial Romans with rebellions against British Imperial rule – the most disastrous of which was probably the ‘Indian Mutiny’ – invigorating my thinking about both.

In the 440s the British King Vortigern invited warbands from Germany, Frisia and Denmark to come and help him fight against the invading Picts and Scots. As we know, a number of them decided they liked this new fertile country and decided to stay. Wood entertainingly compares the situation to modern mercenaries deciding not just to fight in but to settle and take over a modern African country.

The seventh-century English kingdoms were ruled by the descendants of the illiterate condottieri who had seized their chances in the fifth and sixth centuries. It is, let us say, as if Major ‘Mad Mike’ Hoare had founded his own dynasty in the Congo in the early sixties. (p.63)

I understood the reference the more since Hoare is mentioned in the memoirs of both Frederick Forsyth and Don McCullin who covered wars in Africa back in the distant 1960s.

Elsewhere he compares the builders of Offa’s Dyke to modern motorway construction companies, kingly announcements as sounding like modern propaganda by Third World dictators, the lingering influence of Rome on the 7th and 8th century kings comparable to the lingering afterglow of European imperial trappings on African dictators like Idi Amin or Jean-Bédel Bokassa.

He compares the partition of England between the Anglo-Saxons and the Vikings to the partition of Israel, and the readiness of armed civilians to mobilise against the invader as comparable to the readiness of Israeli reservists (p.124); the burning of Ripon Minster by the southern army of King Eardred marching north to confront Erik Bloodaxe ‘had the same effect that the shelling of Reims had in 1914’ (p.181).

Learning that King Athelstan was the first king to definitively rule the entire English nation and in fact to extend his mastery over Wales and Scotland, you might think ‘game over’, it’s all peaceful from now on, but far from it. The decades after Athelstan’s death in 939 saw the ravaging of the north of England by conflicting hordes of Saxons, Vikings, Northumbrians, Scots and Welsh, until it became a kind of ‘Dark Age Vietnam’, despoiled by the Dark Age equivalent of our modern ‘saturation bombing’ (p.165).

Quibbles and kings

Pedants might quibble that Boudicca’s rebellion against the Romans took place in 60AD, quite a long time before the official start date of the Dark Ages/Early Middle Ages, which is generally given as 400. But I can see the logic: a) Boudicca is more or less the first named leader of the Britons that history records and b) the themes of Roman colonialism and British resistance and c) the broader themes of invasion and resistance are set up very neatly by her story. In fact, given that a lot of the book is about invasion and resistance, leaving her out would have been odd.

For invasion is the main theme: the Romans arrived to find the native ‘Britons’ illiterate and so it’s only with the Romans that the written record begins, although archaeology suggests that successive waves of peoples had arrived and spread over Britain before them. But after the Romans there is a well-recorded set of invaders:

  • First the Angles and Saxons under their legendary leaders Hengist and Horsa in the 450s; the legend of King Arthur grew out of stories of native ‘British’ resistance to the Germanic invaders in the late 400s and Wood, like every other serious historian, concludes that there is not a shred of evidence for Arthur’s actual historical existence.
  • It is from the period when the Anglo-Saxon invaders settled into different ‘kingdoms’ – in fact themselves made up of loosely affiliated tribal groups – that dates the stupendous grave at Sutton Hoo with its wonderful Dark Age treasure: Wood goes ‘in search’ of the king who was buried there but, like every other scholar, says we will probably never know, though the name of King Raedwald of the East Angles is most often referred to in the scholarly literature.
  • King Offa of Mercia (757 to 797) was the most powerful king of his day – he was even deemed worthy of correspondence from the great Charlemagne, king of Francia (768 to 814) and Wood goes in search of his royal ‘palace’ at Tamworth.
  • It was King Alfred the Great (871 to 899) who had to deal with the arrival of a massive Viking army and, although pushed back into the marshy maze of the Somerset Levels, eventually emerged to fight the invaders to a truce, in which the Danes held all of England east of a line drawn from London to the Mersey – the so-called Danelaw.
  • It fell to his son, Edward, to successfully continue the fight against the Danes, and it was only in the reign of his son, King Athelstan (927 to 939) that all of England was for the first time unified under one ruler.
  • In fact, the Danes fought back and the Norse adventurer Eric Haraldsson, nicknamed Eric Bloodaxe, briefly seized and ruled Yorkshire from York. When he was finally overthrown (in 954), that was meant to be the end of Danish rule in England…
  • Except that the Danish King Cnut managed, after a long campaign led by his father, to seize the English throne in 1016 and reigned till his death in 1035, and was succeeded by his son Harthacnut, an unpopular tyrant who reigned for just two years (1040 to 1042). During Cnut’s reign England became part of his North Sea Empire which joined the thrones of Denmark and Sweden.
  • Cnut’s Anglo-Danish kingdom is generally forgotten because it, like a lot of Anglo-Saxon history, is eclipsed by the Norman Conquest of 1066, with which Wood logically concludes his story.

Brutality

Though he conveys infectious excitement at the achievement of an Offa or Athelstan, Wood is well aware of the brutality which was required of a Dark Ages king.

For most Dark Age kings had the inclinations of spoilt children and their moral sense was unrefined. (p.221)

We learn that after Offa’s death the men of Kent rose up against Mercian rule and were crushed, their king, Eadberht Praen, taken in chains to Mercia where his hands were cut off and he was blinded (p.107). The Vikings practiced a ritual sacrifice of their fallen opponents to Wodin, the blood eagle, which involved cutting the ribs and lungs out of the living man and arranging them to look like eagle’s wings (p.114). The great Athelstan himself barely survived an attempt apparently organised by his brother, Edwin, to capture and blind him (p.140). When the invading Danish king Sweyn Forkbeard died in 1014, his army elected his son, Cnut, as king to replace him. Ethelred took advantage of the hiatus to raise levies and attack Cnut in Gainsborough, forcing him to go to sea. But the Danes had taken a number of nobles or their sons hostage for good behaviour, and Cnut put them all ashore at Sandwich, after cutting off their noses and hands (p.216).

Ravaging not fighting

There was no shortage of battles during this period (the thousand years from Boudicca’s revolt in 60 to Hastings in 1066) but what I began to realise was the steady drip-drip of ‘campaigns’ which never involved two armies directly confronting each other; instead during which one or more armies rampaged through their opponents’ territory, murdering, raping, destroying crops and burning down villages, in order to terrorise their opponents into ceasing fire and offering a truce. The Romans, the Britons, the Saxons, the Welsh, the Scots and the Picts and the Irish, the Vikings, the Danes and the Normans – all in their time waged ‘military’ campaigns which amounted to little more than systematic murder, rape and plunder of completely unarmed peasants as a deliberate war strategy.

I’ve always wondered why there’s a massive statue of Boudicca opposite the Houses of Parliament given that one of her main achievements was burning London to the ground, after previously ravaging all Roman settlements in her native East Anglia; and a thousand years later William the Bastard, having defeated the main Wessex army at Senlac Ridge, then set about ravaging the countryside in a wide circle to the west and up and around London – then when the English in the north resisted him, William went on a massive campaign of destruction known as the Harrying of the North (1069 to 1070) resulting in huge destruction and widespread famine caused by his army’s looting, burning and slaughtering.

From Boadicea to the Bastard, a thousand years of horrific violence and destruction.

As David Carpenter points out in his history of the Plantagenet kings, direct confrontation in battle is risky; quite often the bigger better-led force loses, for all sorts of reasons. Hugely more controllable, predictable and effective is to ravage your opponents’ land until he sues for peace. You lose no soldiers; in fact the soldiers get all the food they want plus the perks of raping and/or killing helpless civilians, which saves on pay as well; if you do it long enough your opponent will cave in the end.

This is the depressing logic which means that, time after time, king after king and invader after invader found it cheaper, safer and more effective to kill and burn helpless civilians than to engage in a set piece battle. And it is a logic which continues to this day in horribly war-torn parts of the world.

Slavery

I’m well aware that slavery was one of the great trades of this era, that slaves were one of Roman Britain’s main exports and were still a mainstay of the economy even after William the Bastard tried to ban the trade a thousand years later, but Wood himself admits to being astonished by the range of breadth of the Dark Age slave trade (pages 183 to 185):

  • The Spanish Arabs engaged in a lucrative slave trade with the Dublin Norse who often planned their attacks on Christian towns to coincide with Christian festivals when they’d be packed, for example, the raid on Kells in 951 in which the Norse took away over 3,000 slaves to sell on.
  • The Church in Britain was economically dependent on its slaves.
  • The Norse settlements on the east coast of Ireland served as clearing houses for slaves seized from the interior or Wales or England and then sold on to Arab Spain, to North Africa or via the Baltic via the Russian river routes to the Islamic states of the Middle East.
  • An Arab traveller of Erik Bloodaxe’s time (the 950s) reported from Spain on the great numbers of European slaves in the harems and in the militia. The Emir of Cordoba, in particular, owned many white women.
  • Most British slaves seem to have ended up being sent via the Russian river route to the Middle East. The numerous Icelandic sagas mention the slave trade and even give portraits of individual named slave impresarios.
  • The Holy Roman Emperor Otto the Great (962 to 973) captured tens of thousands of Slavs in his conquests eastwards, sending them in chains back to be processed by Jewish and Syrian slave merchants in Verdun, and then shipped south into Arab lands, many of them castrated first so as to be fit servants in the harem.
  • An eighth-century pilgrim in Taranto saw nine thousand Italian slaves being loaded aboard boat, just one of countless shipments to Egypt.

Almost everything about the Dark Ages is terrifying, the never-ending warfare, the endless ravaging burning and looting, but I think the vision of an entire continent dominated by the trade in slaves is the most harrowing thing of all.

The inheritance of Rome

Chris Wickham’s book, The Inheritance of Rome (2009), makes the claim that only in recent times have we come to realise the extent to which the legacy of Rome lived on for centuries after the end of the Roman Empire in the West (traditionally dated to the death of the last emperor in 475). So it’s interesting to read Wood making exactly the same point in 1980:

For the so-called barbarians of the seventh and eighth centuries, the Roman empire cast the same sort of afterglow as the British Empire did in post-colonial Africa… The ruins of Rome stood around them in tangible form, of course. But it went deeper than that. The Northumbrian bretwalda, Edwin, unsophisticated but immensely proud, as Bede portrays him, made the point of having the insignia of Roman office carried aloft before him in public. He was baptised by a Roman missionary in the Roman city of York, and for all we know held court in the still standing Roman HQ building there. Such men were setting themselves up as civilised heirs of Rome… (p.108)

Conclusion

All in all this is a popularising and accessible account, dipping into the most dramatic highlights of this long period, a quick entertaining read, with many stimulating thoughts, insights and comparisons thrown in.


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