Black-and-white vertical flyer combining QR code matrix, textual information, and contact details. Upper portion dominated by square QR code blocks arranged symmetrically at top corners and central band, framing a crossed-pencil emblem at midpoint. Immediately below appears contact line “@alexboya” and email “info@alexboya.com
” in compact sans-serif font.

Main body of flyer contains descriptive paragraph in serif typeface, centered and fully justified. Text introduces TheMill.World as a multidisciplinary creative initiative encompassing graphic novel, animation series, and collaborative art community. Content emphasizes integration of world-building with participatory storytelling featuring contributions from more than 100 guest artists. Narrative premise described situates project in speculative near-future environment: “Chapter 1 explores a reverse-zombie pandemic caused by an agrochemical company’s synthetic bread turning people into nonviolent walking bread that are chased by the hungry living due to global warming-induced food scarcity.” Final lines describe initiative as social experiment structured in “three-phase immersive journey through sci-fi multiverses.”

Stylistic features emphasize clarity and compact information delivery. Use of black-and-white contrast ensures legibility across varying media reproduction. QR codes function as scannable gateways linking digital audience to extended resources. Overall layout balances technological scannability with textual explanation of creative concept, situating flyer as hybrid between promotional print artifact and digital-access portal.

Image depicts vertically oriented promotional graphic combining QR code blocks, contact information, and descriptive text. Four QR codes are arranged symmetrically in the upper half of composition, occupying left and right corners. Centered between codes is crossed-bread emblem, functioning as minimal iconographic logo. Below logo, contact handle “@alexboya_” and email address “info@alexboya.com
” are provided in serif typeface.

Lower portion consists of block text in justified alignment, outlining conceptual framework for TheMill.World. Content identifies the project as an “innovative creative platform” integrating graphic novel, animation series, and community-based art collaboration. Emphasis is placed on large-scale participation, citing involvement of more than 100 guest artists. Narrative premise situates Chapter 1 in near-future city, where “reverse-zombie pandemic” emerges from agrochemical corporation’s synthetic bread, transforming individuals into animate bread entities. Unlike traditional zombie figures, these bread beings are nonviolent but relentlessly pursued by living humans experiencing hunger intensified by climate-induced food scarcity.

Text further describes the work as immersive social experiment structured in three phases, emphasizing transmedia approach spanning speculative storytelling, science-fiction world-building, and audience engagement across multiple platforms. Typography is consistent throughout, presented in black serif font against white background for clarity and legibility.

The design merges utilitarian QR technology with narrative description, functioning as both scannable entry point and self-contained informational artifact. The integration of iconography, contact metadata, and descriptive storytelling encapsulates promotional and conceptual aims of the project.

Hand-drawn illustration executed in ink outlines with colored shading, presenting a dynamic interaction between anthropomorphic bread figure and a humanoid character in formal attire. Left portion of composition occupied by bread-bodied entity, depicted with rounded loaf-like cranial form and simplified arm extended forward in striking gesture. Limb rendered with heavy contour lines and filled with textured golden-brown coloration simulating baked crust surface. The anthropomorphic bread figure’s impact targets opposing character positioned to the right.

Opposing figure depicted wearing collared shirt, jacket, and necktie, executed with linear detailing and shaded folds, suggesting conventional business attire. Head replaced by a sliced loaf configuration oriented vertically, with multiple radiating lines emphasizing forceful contact. At the moment of impact, numerous bread slice fragments eject outward from cranial zone, illustrated as discrete rectangular toast-like pieces with browned edges and pale interiors. Fragments arranged in arc-shaped dispersal pattern, producing visual cue of explosive motion.

Composition framed on neutral parchment-toned background with minimal contextual environment, emphasizing figures and motion. Shading employs cross-hatching and tonal gradation, with chromatic palette limited to beige, brown, blue, and gray, creating contrast between organic bread figure and clothing of humanoid character. Motion lines and fragment trajectory reinforce kinetic energy of collision, situating viewer focus on point of impact.

Thematically, illustration merges physical altercation with absurdist material substitution, where human identity and bread artifact converge. Anthropomorphic bread entity functions as aggressor, while humanoid counterpart reduced to fragmented baked matter, establishing satirical inversion of subject roles. Graphic style emphasizes caricature exaggeration, textured linework, and symbolic humor, integrating food morphology into violent comic narrative.