Mobile device screenshot displays professional profile webpage hosted on vp.eventival.com. Upper segment contains circular portrait photograph depicting individual with neutral facial expression, bald head, and digitally altered overlay across eyes resembling horizontal metallic slats or mechanical fins. Portrait background is uniform light grey, isolating subject without contextual environment.

Beneath image, bold typographic heading identifies name “Alex Boya.” Paragraph text below outlines career trajectory and philosophical framework. Content describes decade-long experience as creator affiliated with National Film Board, emphasizing engagement with cultural institutions as mechanisms to foster environments supporting human-computer co-development, artificial intelligence exploration, and human-computer interaction. Additional statements highlight Boya’s films as platforms for incubating experimental interactions, establishing innovative spaces where artistic media intersect with computational processes. Philosophical core articulated within text asserts that humanity remains central guiding force in technological progress, ensuring future development aligns with collective wisdom and ethical values.

Webpage design employs minimal layout, utilizing centered alignment, sans-serif typography, and monochromatic scheme. Text is arranged in justified blocks, ensuring clean margins and legibility on mobile interface. Bottom section contains interactive buttons rendered as outlined icons with corresponding functions: “More about,” envelope symbol for email contact, and circular icon for sharing or secondary action. Background remains plain white, reinforcing emphasis on textual and photographic content.

Visible browser interface elements include secure site lock icon, URL bar displaying vp.eventival.com, system status indicators for mobile signal and battery, and navigation icons for back, forward, share, and tab overview. Time reading “13:01” appears within top status bar. Scroll bar visible along right margin suggests additional content beyond current frame.

Overall presentation combines portraiture, biography, and digital interface components, functioning as institutional professional introduction situating individual’s creative practice within context of cultural, technological, and ethical discourse.

Image depicts vertically oriented promotional graphic combining QR code blocks, contact information, and descriptive text. Four QR codes are arranged symmetrically in the upper half of composition, occupying left and right corners. Centered between codes is crossed-bread emblem, functioning as minimal iconographic logo. Below logo, contact handle “@alexboya_” and email address “info@alexboya.com
” are provided in serif typeface.

Lower portion consists of block text in justified alignment, outlining conceptual framework for TheMill.World. Content identifies the project as an “innovative creative platform” integrating graphic novel, animation series, and community-based art collaboration. Emphasis is placed on large-scale participation, citing involvement of more than 100 guest artists. Narrative premise situates Chapter 1 in near-future city, where “reverse-zombie pandemic” emerges from agrochemical corporation’s synthetic bread, transforming individuals into animate bread entities. Unlike traditional zombie figures, these bread beings are nonviolent but relentlessly pursued by living humans experiencing hunger intensified by climate-induced food scarcity.

Text further describes the work as immersive social experiment structured in three phases, emphasizing transmedia approach spanning speculative storytelling, science-fiction world-building, and audience engagement across multiple platforms. Typography is consistent throughout, presented in black serif font against white background for clarity and legibility.

The design merges utilitarian QR technology with narrative description, functioning as both scannable entry point and self-contained informational artifact. The integration of iconography, contact metadata, and descriptive storytelling encapsulates promotional and conceptual aims of the project.