Heroic Lies & Alter-Ego Crimes


In response to pensivity’s Fibbing Friday

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Prompt: What Fibs or Wannabees can you come with for these ‘Heroes’ ?


1. Who were the Dynamic Duo?
Batman and Robin
A billionaire with trauma and a teenager he picked up like a side quest.
Together: Gotham’s most expensive father son therapy experiment.

2. Who was Peter Parker?
Spider-Man (Peter Parker)
Bitten by a spider.
Got powers. Still couldn’t afford rent.
Truly inspiring: superhuman struggle, minimum wage edition.

3. Who was Diana Prince?
Wonder Woman (Diana Prince)
Walked out of mythology, entered capitalism, and said…
“I will solve your global conflict… but politely.”

4. Who were The Fantastic Four?
Fantastic Four
Four people went to space once without reading the warning label.
Came back as a walking “DO NOT TOUCH THIS” sign.

5. Who was Robert Bruce Banner?
Hulk (Bruce Banner)
Calm scientist. Until emotions load like a 2008 computer.
Then: unsubscribe from human conversation, subscribe to destruction.

6. Who was Linda Lang?
Linda Lang
The only person who hears “I turn into a giant rage monster” and responds…
“Okay but did you drink water today?”

7. Who was Selina Kyle?
Catwoman (Selina Kyle)
Professional thief who steals hearts, jewels, and occasionally Batman’s entire emotional stability system.

8. Who was Kent Allard?
The Shadow (Kent Allard)
So committed to being mysterious he probably pays rent in fog.

9. Who was Cliff Secord?
The Rocketeer (Cliff Secord)
Found a jetpack and immediately skipped “responsible testing phase” and jumped straight to “historic aviation lawsuit.”

10. Who was Matt Murdock?
Daredevil (Matt Murdock)
Blind lawyer who fights crime at night.
Which is impressive because most people can’t even find their keys in daylight.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Rap-sody in Grime


In response to Jim Adams’s Song Lyric Sunday

Recently Created Compositions

https://wp.me/p8EzVZ-L6p

Prompt:

This week the theme is to find a song by an artist that you just discovered.


For this week’s Song Lyric Sunday challenge (thank you, Jim Adams, for gently expanding my musical horizons), I must confess something scandalous:

I used to be a rap avoider. Not a hater – an avoider.

Let me tell you about the formerly respectable me. I adore classical piano. Give me cascading keys and I shall faint dramatically like a Victorian heroine. I love pop. I adore rock. Blues? Yes, please, serve it smoky with emotional damage on the side and if it comes with a piano crying in the background, even better.

Somewhere between Chopin’s sighs and a guitar’s heartbreak, I’m completely at home, fluent in melodies, fluent in moods, fluent in “just one more song” at 2 a.m.

My playlists were dignified, cultured, and proper.

Rap?
Oh no. Not for me, I said. Too loud. Too fast. Too many syllables doing CrossFit.

I convinced myself I needed melodies that glided. Harmonies that floated. Choruses that repeated gently like affirmations.

Meanwhile, rap was over there doing verbal parkour.

Then one fateful day, the algorithm – bless its mysterious, meddling heart, introduced me to UK rap.

Not the glossy, mainstream kind. The gritty, poetic, “Did he just rhyme philosophy with audacity?” kind.

Enter:
Stormzy
Dave
Roots Manuva

And suddenly my musical snobbery packed its bags and left without notice.

Stormzy: The Thunderclap

Stormzy doesn’t knock politely. He arrives like weather. There’s power. There’s presence. There’s poetry wrapped in bass. He’s not just rapping – he’s declaring.

I listened with one eyebrow raised.
Then both eyebrows lowered.
Then I replayed the song.
Growth.

Dave: The Philosopher With a Mic

Dave doesn’t just rhyme words. He builds arguments. His lyrics feel like someone sat down and said, “Let us discuss society… but rhythmically.”

There’s vulnerability, storytelling, intelligence. I realized something uncomfortable…

I had mistaken speed for superficiality.
Oops. And Then… Witness Happened 👀

That was the real turning point.
Witness (1 Hope) by Roots Manuva.

Also famously known for that line:
“Witness the fitness…”
And oh, I did.

You can listen here:
https://www.youtube.com/watch?v=ltP7L16A8Hs

This wasn’t just a song. This was lyrical gymnastics. It felt like spoken-word poetry put through a sonic espresso machine.

The rhythm doesn’t glide. It struts. The words don’t float, they punch. And suddenly I understood:

Rap isn’t lacking melody. It is melody, just rearranged into cadence, breath, and attitude.

The Humbling Realization

For years I thought I needed violins to feel depth. Turns out I just needed better headphones.

UK rap, raw, intelligent, slightly mischievous, felt like discovering a secret literary club where everyone rhymes and nobody apologizes.

And now?

The former classical piano purist is replaying grime on purpose.

Life is unpredictable. One minute you’re swooning over Chopin. Next minute you’re nodding seriously to a bassline like you understand urban sociology.

Growth looks like this.


Special Mention: The Uce

And then there’s The Uce – a quiet storm I didn’t see coming.

Not UK. Not mainstream. Not loudly advertised on every algorithmic billboard. Just pure, unfiltered talent slipping through the cracks of “low views, high impact.”

Born in Hawaii, shaped by the West Side of Oahu, and now making waves from Florida, The Uce (formerly known as Slo-Mo) brings something rare to the table – authenticity that doesn’t ask for permission.

A Samoan voice in a space that doesn’t always make room, he raps like he’s carrying islands in his cadence. Tracks like Mystikal don’t just play, they echo. There’s rhythm, roots, and resilience braided into every bar.

Not the loudest in the room. Just one of the realest. And honestly? Those are usually the ones you hear the longest after the song ends.

Lyrics as Poetry

Strip away the beat from rap and what remains?

Metaphor, Social commentary, Identity, Rhythmic rebellion.

Rap is modern poetry wearing trainers instead of tweed. And here I am, late to the party, holding my cup of tea, whispering…

“Witness the fitness.”
Consider me converted.☺️


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Chaos Control Kit (Reblog)

What are 5 everyday things that bring you happiness?

They say happiness lies in the little things.

Well, turns out, “little things” often come with chargers, shipping delays, or a lot of emotional damage (thanks, childhood memories and bad Wi-Fi).

But as an adult with bills, back pain, and the sudden awareness that you now get excited about supermarket discounts – I’ve found that joy isn’t gone. It’s just…quieter. Subtler. Sometimes wrapped in packaging. Sometimes not. But always there – if you squint hard enough.

So here are 5 everyday things that bring me happiness, in no particular order, except the first one – because I’d probably lose the rest without it.

My Phone – The Fifth Limb I Never Knew I Needed

I know, I know. I’m supposed to say sunsets or the sound of children laughing or something wholesome. But let’s not lie to ourselves.

This little rectangle of chaos brings me joy in a way that no deep breath or yoga pose ever could. It’s my map, my library, my music, my news anchor, my emergency therapist (hello Google at 2 AM), and yes – my research tool.

Without it, life slows down like a dial-up modem trying to load a GIF. And sure, sometimes I want to fling it across the room when it autocorrects “love” to “live,” but let’s be honest, without my phone, I’d miss birthdays, buses, and probably half of my personality.

Hot Beverages – The Liquid Hug for My Soul

Tea. Coffee. That suspiciously overpriced hot chocolate from the corner café. Doesn’t matter. If it comes in a mug and threatens third-degree burns when spilled, it’s probably keeping me emotionally afloat.

There’s something magical about holding a warm cup like it’s your last friend on earth. The first sip? Heaven. The last sip? Mildly disappointing. But the moments in between are golden – like a tiny ritual that says, “Yes, you can face this Zoom call. You are strong. You are caffeinated.”

Old Songs That Suddenly Play at the Right Time

You know the ones.

You’re walking down the street, contemplating your existence, when suddenly, boom! a song from your teenage years starts playing. And just like that, you’re no longer a tax paying, emotionally repressed adult. You’re 16 again, lip syncing into a hairbrush with dreams bigger than your student debt.

Those songs don’t just bring back memories. They unlock entire emotions that had been filed away in your brain like dusty folders. For a brief moment, you’re free. Then the song ends, and you’re back in the frozen food aisle. But hey, it was good while it lasted.

That One Friend Who Replies with Memes Instead of Words

We all have (and need) that one human.

They don’t ask, “How are you?” They just send a SpongeBob meme that perfectly captures your entire emotional state. They don’t offer solutions. They offer GIFs. And somehow, that makes everything feel a little lighter.

In a world full of overthinkers, it’s comforting to have someone who knows that the correct response to “I had a bad day” is simply a picture of a grumpy cat or a dancing panda.

Unexpected Quiet Moments

This one’s subtle.

It’s the two minutes you sit on the balcony in the evening when the sky’s doing that pink orange thing. It’s when the washing machine stops whirring and you just hear silence. Or when you look up from your screen and realize the world is still turning, and you’re still breathing, and somehow – that’s enough.

These moments sneak up on you. You don’t plan them. But when they come, they remind you that happiness doesn’t always shout. Sometimes, it just gently taps you on the shoulder and says, “Hey. You’re doing okay.”

In Conclusion (Or Whatever Adults Say at the End of Deep Things):

I’m not here to preach or pretend I’ve got it all figured out. Most days, I’m just winging it with caffeine and Wi-Fi.

But these five things? They’ve been tiny lifelines in the chaotic ocean of adulthood. They’ve brought laughter, tears, goosebumps, and the occasional existential crisis. And honestly – I wouldn’t trade them for all the motivational posters in the world.

So the next time life feels like it’s falling apart, look around. Maybe happiness is sitting quietly in your pocket, in your cup, or hiding in the chorus of an old song.

Or maybe, just maybe it’s in this blog post, reminding you that you’re not alone in this beautifully absurd thing we call life.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

The Sphere That Sang in Seconds


In response to John Holton’s Weekly Writer’s Workshop Prompts for 9 April 2026

https://wp.me/p18YYd-hgT

Prompt:

Write a post inspired by the word “lifetime”.


In a town that had forgotten how to count, every child was given a clock at birth.

Not a clock with numbers, nor hands, nor ticking. Just a smooth, golden sphere warm to the touch. The elders called it a lifetime, though no one knew how long it lasted. The sphere would hum softly when held against the chest, as if it were listening to the heart and taking notes.

Some children locked their spheres in iron safes, afraid of scratches. Others tossed them in the air and laughed, watching sunlight ricochet off their surfaces. A few pressed their ears to them each night, convinced they could hear waves breaking inside.

One day, an impatient boy cracked his sphere open with a hammer, hoping to measure how much remained. The sphere dissolved into a small gust of wind that smelled faintly of rain. He tried to gather it with cupped hands, but wind, like time, refuses containment.

Meanwhile, an old woman sat by the river with her sphere resting quietly in her palm. She never asked how much was left. She simply listened to its hum and hummed back. When her sphere grew lighter, almost transparent, she smiled, not because it was ending, but because it had sung with her all along.

When her hands finally opened, nothing fell out. The river kept flowing. The sky kept expanding. And somewhere in the quiet, a new sphere began to hum.

We speak of a lifetime as if it were a measurable commodity, a stretch of decades, a sequence of birthdays, a predictable arc from cradle to grave. We divide it into quarters like fiscal reports – childhood, youth, midlife, retirement. We calculate it in averages and life expectancy charts, as though existence were a subscription plan.

But a lifetime is not a length.
It is an intensity.

Two people may live eighty years. One might spend sixty of them waiting, for stability, for permission, for clarity, for the “right time.” The other might live with such ferocious presence that even five years ripple outward like a stone dropped in still water.

Modern culture tempts us to treat a lifetime as storage. We hoard achievements, relationships, experiences, digital memories. We archive photos as evidence that we have lived. Yet the paradox is this…the more tightly we grip our hours, the faster they seem to evaporate. Like the boy with the hammer, we try to crack time open to quantify it, only to discover that the act of measuring can sometimes rob us of the mystery.

Philosophically, a lifetime is a strange contract. We are given something undefined, non-refundable, and utterly unique. No exchanges. No extensions. No fine print explaining why some receive longer drafts than others.

And yet, absurdly, we behave as though we own it.

We say my time, my years, my future. But what if a lifetime is not property but partnership? Not something we possess, but something we participate in?

Biology frames it as cellular aging. Psychology frames it as developmental stages. Spiritual traditions frame it as a journey, a test, or a dance. But beneath all frameworks lies an unanswerable riddle – why is a lifetime experienced forward but understood backward?

Perhaps because its true currency is not duration but attention.

A lifetime thickens where attention lingers. It thins where awareness drifts. Ten minutes in love can outweigh ten years in indifference. A single courageous decision can redefine the narrative of decades. In this sense, a lifetime is elastic, stretching or compressing according to the depth with which we inhabit it.

We are not merely passing through time.
Time is passing through us.

Every memory rewires the brain. Every grief carves new interior architecture. Every joy expands the invisible chamber we call self. A lifetime is less like a straight road and more like a constantly rewritten manuscript, edited by choice, accident, and the quiet insistence of change.

And perhaps the most twisted truth of all…a lifetime is not only the years we are given, but the echoes we leave behind. The conversations that continue after we are gone. The kindness that outlives our bodies. The ideas that take root in other minds. In that sense, a lifetime does not end at death; it diffuses.

If a lifetime is a humming sphere pressed against the heart, then the question is not How long will it last? but Am I listening?

The future will always remain unopened. The past will always feel shorter than it was. The present is the only place where a lifetime can actually be touched.

One day, each of us will open our hands.

The wind will move through our fingers. The river will not pause. The sky will not close.

But if we have hummed back, if we have dared, loved, risked, paid attention, then our lifetime will not have been a container of years.

It will have been a song.

And songs, even when they end, continue vibrating in the silence long after the final note.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

The Gate at Dawn’s Edge


In response to pensivity’s Three Things Challenge #MM 391

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Your three words today are:
EMPTY
ENTRY
EAST


Personal Note:

Beautiful choice of prompt words…they evoke movement, meaning, and rebirth


In the time before memory, when the winds still spoke and the stars named all things, there was a gate that stood alone in the heart of a desert. It was neither built nor worn. It simply was, carved of stone that shimmered like still water.

The people called it “The Empty Entry”, for when one peered through, there was nothing but horizon.

None dared pass it, for they said those who did would vanish into silence.

But one twilight, when the west swallowed the sun, a wanderer approached the gate. His name has been forgotten, but his heart held a question…“Why does the dawn return if each night devours it?”

He knelt before the Empty Entry, touched the stone, and felt it pulse like a sleeping heart. A voice in the wind answered, “Go east, where emptiness fills itself.” And so he stepped through.

The desert trembled. Sand hardened into soil, air thickened with birdsong, and the first light of the world unfurled before him. He followed it, one step, one sunrise at a time, until night became only the shadow of his own doubt. 

When at last he reached the farthest east, he beheld a sea so bright it carried the light of creation itself. There he understood – the gate was never empty. It was the breath between endings and beginnings, the hollow that invites the dawn.

When the wanderer returned, he carved upon the stone: 
“To enter emptiness is to be found by the East.”

And since that age, the desert is said to sing at sunrise, not in sorrow, but in remembrance of the one who walked through nothing and became light.


Centuries passed, and the gate remained. The desert winds carried the wanderer’s words farther than any kingdom or prayer, until they became the rhythm of time itself. 

Then, one dawn, the stone began to stir. It trembled with life – slow at first, like breath returning to a sleeping god. From its arch flowed a river of light, twisting east and west alike, binding horizon to horizon. 

Through this movement the world learned to turn, never still, never broken. Meaning bloomed where emptiness once dwelled, seeds hidden beneath desert sands awakened, and from their silence rose forests singing of first mornings. 

And in that awakening lay rebirth, for every traveler who touched the gate thereafter was changed. They walked onward carrying in their eyes, the glimmer of the East, that sacred promise that nothing truly ends, it only begins again in another form. 

Thus the legend endured…Where emptiness moves, meaning rises. Where meaning flows, rebirth takes flight.
And with every sunrise, the world remembers, the East is not a direction, but a becoming.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Bridge to the Heavens


In response to Ragtagdailyprompt

RDP Saturday: Bridge

https://wp.me/p9YcOU-6gx


I should have built the bridges 
when your hands still reached for mine. 
But I kept waiting,
for the right moment, the right words, 
the right kind of courage that never arrived. 

Now, the river has widened into centuries, 
carrying everything we were down its silent current. 
I stand where the shore used to meet your laughter, 
and the air still trembles with all I didn’t say. 

I remember the pauses between our sentences, 
the gentle misunderstandings I let become walls. 
If I had crossed sooner,
if I had stopped protecting my pride, 
if I had been more human, less afraid,
perhaps the bridge would have stood 
strong enough to bear both our burdens. 

But I built excuses instead of arches. 
I laid guilt instead of stone. 
And now the water below reflects a sky 
too far away for even my voice to reach. 

At night, I dream the design again, 
a bridge not of timber or iron, 
but of all the apologies left unspoken, 
lashed together with moonlight and grief. 

Each step would creak with memory, 
each cable hum a name I still whisper. 
And at the far end, I imagine you waiting,  
your face softened by forgiveness, or by forgetting. 

You would smile, perhaps, 
and the silence between us would heal a little. 
You’d say, “You took so long,” 
and I would cry, not for the years lost, 
but because I finally made the crossing. 

If only I could build that bridge beyond dreams,
a path to whatever sky you now walk in. 
I’d trade every remaining heartbeat 
for one more chance to meet you halfway, 
to say what I should have said when the world was still ours…
that love left unfinished is still love, 
and even broken bridges remember 
the shape of the souls they were meant to carry.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Glare Affair


https://wp.me/p4WEAw-2ez

In response to Vinitha’s Fiction Monday #298

Word Prompt – DAZZLE


Once upon a perfectly ordinary Tuesday, a man decided he needed to dazzle. It began, as these catastrophes often do, at a school reunion.

He stood before his bathroom mirror, an unforgiving historian, practicing a smile that suggested success but not smugness, wealth but not tax evasion, wisdom but not podcast host.

He then tried on watches like medals. He sprayed cologne that smelled like a forest filing a lawsuit. He rehearsed sentences containing the words “venture,” “portfolio,” and “accidentally viral.”

He decided that he would not simply attend. He would dazzle.

And so he arrived wrapped in the glow of ambition, teeth polished to a small sunrise. He laughed half a second too loudly. He told stories that inflated gently like parade balloons. He glittered conversationally. He shimmered. He also sparkled.

He left exhausted. Because, the secret no one tells you about dazzle is that it is heavy.

Dazzle, as a concept, was originally developed by peacocks and marketing teams.

Peacocks do it honestly. They erupt into color as if joy has feathers. Marketing teams do it with bullet points.

Humans, however, attempt dazzle with a mixture of anxiety and Wi-Fi.

We curate, filter and we angle our faces toward light like sunflowers with LinkedIn accounts. We measure worth in applause emojis. We polish ourselves into performances.

And yet…have you ever noticed how fireworks, for all their drama, end in smoke?


Permit me now to shift the spotlight. Years later, after the reunion, after the watch stopped working, after the cologne settled its lawsuit, the same man found himself in a hospital corridor.

The fluorescent lights did not care about portfolios.

His daughter lay inside a room filled with machines that blinked like timid constellations. There was no audience here, no reunion buffet, and no applause. Only the steady metronome of something fragile and beloved.

He sat beside her bed. He did not sparkle or shimmer. He just held her hand. And in the quiet, something astonishing happened.

She opened her eyes.

“Dad,” she whispered, voice thin as tissue paper, “you stayed.”

He had nothing clever to say. No dazzling anecdote. No impressive statistics.

He stayed. If fireworks are spectacle, this was starlight – distant, steady, ancient.


Hold your sequins readers…Dazzle insists on speaking for itself.

I am Dazzle. Yes, the very thing. I have been misrepresented.

People think I live in sequins and spotlights. They believe I reside in chandeliers, in acceptance speeches, in the top shelf of charisma. They summon me with glitter and exaggeration.

But that is my cheaper cousin – Flash. Flash is loud. Flash burns quickly and smells faintly of ego.

I prefer subtler habitats.

I live in the gasp when a baby wraps its hand around a finger.

I live in the courage it takes to apologize first.

I live in the quiet competence of a nurse at 3 a.m.

I live in the sentence, “I was wrong.”

I dazzle most fiercely in the dark.

Humans misunderstand me because they assume brightness requires volume. I was never noise. I was nerve.


Back to the man who thought dazzle meant applause. Let’s borrow our proof from the ocean to the contrary. Consider the cuttlefish.

When threatened, it performs something called a “dazzle display.” It explodes into patterns – stripes racing across its skin, colors flickering like underwater lightning. Predators pause, confused. In that hesitation, the cuttlefish escapes.

Dazzle, you see, is not always about attraction. Sometimes it is about survival. Sometimes it is about buying one sacred second.

The man’s daughter recovered gradually. At the next reunion, because life insists on sequels, he wore a simpler watch.

He did not rehearse. When someone asked what he’d been up to, he paused.

“I’ve been learning how to stay,” he said.

It did not trend. It did not sparkle.

But something in the room shifted softly, perceptibly like a lens adjusting focus. Conversations slowed. Laughter warmed. Someone admitted they were tired. Someone else confessed they were afraid.

No one glittered. Everyone glowed.


We have confused dazzle with domination. We think to dazzle is to blind, but perhaps to dazzle is to illuminate. Not the kind that makes others squint, but the kind that lets them see.

And now, the final shift in the story arrives, not with fanfare, but with clarity. The bathroom mirror from that first Tuesday? It was never judging him. Mirrors do not critique; they reflect. It was he who brought the harshness.

When he stands before it now, older, gentler, he sees crow’s feet like delicate etchings. He sees the faint scar on his wrist from when his daughter gripped too tightly. He sees a face less polished, more porous.

He smiles, unrehearsed. And the mirror dazzles. Not with brilliance, but with truth.

So if you must dazzle, do it like this:

Dazzle by listening longer than necessary.

Dazzle by laughing at yourself first.

Dazzle by staying when it would be easier to exit.

Dazzle by being incandescently, inconveniently sincere.

The world has enough fireworks. Be starlight. It lasts and don’t dazzle for a moment, illuminate for a lifetime.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Reblog – The Algebra of Awkward

Describe something you learned in high school.

I learned that x doesn’t always equal mine,
that answers can be right and still not align.

Math taught logic; lunch taught tribes,
unwritten rules and social bribes.
And gym class? Survival, loud and raw,
a daily lesson in who they saw.

In biology, I traced the heart,
but no one mapped where I should start,
what “cool” meant, how it looked or felt,
if it was worn or quietly dealt.

Was it brands, or a careless stare?
A perfect wing? The right kind of air?
English gave me love in verse,
but not how whispers rehearse and disperse.

“Did you hear…?” a breath, a spark,
rumors bloom best in the dark.

History missed a modern art,
cafeteria maps of who sits where, apart.
Jocks, outcasts, stages and screens,
and someone alone with the same routine.

I learned how “group work” splits one way,
one does the work, the rest just stay.
Earned high marks in silent fear,
and lost myself just trying to adhere.

Science said actions echo wide,
so I made myself smaller, easier to hide.

Health named bones and chemistry,
but not why timing betrays you publicly.

My voice cracked sharp in a quiet choir,
my words fell short of what I’d admire.
Same old hoodie, day by day,
like armor I forgot to take away.

“Too much,” “too weird,” “not enough”,
labels stick when days get rough.

But here’s the truth they never planned,
the script rewrites outside their hands.
The quiet ones grow, the loud ones bend,
and everyone breaks a bit to mend.

That awkward phase? Not a mistake,
just something real you have to take.

I learned to stand in what I am,
not chase a mold or fit a plan.
To laugh when I don’t quite belong,
and call that difference something strong.

High school’s a circus – loud, unkind,
but it sharpens edge and shapes the mind.

Now judgment fades like passing noise,
and doubt no longer steals my voice.

Because somewhere between the fear and strife,
I learned how to begin a life.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Dog-Eared Destiny


In response to Linda G Hill’s’s SoCS Stream of Consciousness for April 11, 2026

https://wp.me/p2CQXv-58Z

Your Friday prompt for Stream of Consciousness Saturday is “bookmark.” Use as a noun, use it as a verb, use it any way you’d like. Have fun!


When I was ten, I tried to stop time with a bus ticket.

My grandmother had fallen asleep mid-sentence in her armchair, glasses tilted, knitting paused like a thought that forgot itself. I panicked. Adults weren’t supposed to power down without warning. So I slid the nearest thing I could find – a faded bus ticket, between the pages of the novel in her lap.

There, I decided.

That’s where the world would wait.

If I didn’t close the book, the moment wouldn’t end.

If I marked the page, she would come back to finish the sentence.

It seemed logical. Books always resumed where you left them. Why not people?

She did wake up, of course. She blinked, laughed, and asked why her mystery novel now smelled faintly of diesel. But I never told her what I had attempted – a child’s first experiment in grief management.

That was my first understanding of a bookmark. Not a ribbon. Not a receipt. Not a pressed flower.

A defiance.


We pretend bookmarks are polite.

They sit quietly between chapters, slim and obedient. But what they really are is audacity laminated in cardstock.

A bookmark says, I will return. It dares to interrupt a story and walk away. It assumes continuity. It assumes survival. It assumes that the reader and the world will both still exist at page 214.

That’s bold. Because if we’re honest, life has no official bookmarking system.

There is no satin ribbon you can slide between “before everything changed” and “after.”

You can’t dog-ear a marriage. You can’t highlight the last normal conversation. You can’t scribble in the margins of regret.

Trust me, I’ve tried.

I once attempted to bookmark a relationship with a coffee receipt.

We had been sitting in a cafe, sunlight pooling on the table, pretending not to discuss the obvious. When it ended, quietly, maturely and tragically, I tucked the receipt into my wallet like evidence.

Proof that page 172 had existed. Proof that we once ordered oat milk lattes and believed in “later.”

But here’s the problem with emotional bookmarks – they bleed ink.

That receipt faded. The total smudged. Even the cafe closed down. Apparently the universe does not support archival romance.

Let’s consider digital bookmarks.
Oh, those are dangerous.

On the internet, we hoard them like dragons with anxiety disorders. Articles we’ll read. Recipes we’ll cook. Workouts we’ll start Monday. Philosophical essays that will transform us into people who drink water intentionally.

We bookmark aspirations. The folder names give us away: “SELF IMPROVEMENT.” “IMPORTANT.” “READ THIS OR YOUR LIFE WILL COLLAPSE.” They sit there, glowing with potential and judgment.

Digital bookmarks are less about memory and more about fantasy. They are the museum of the person we intend to become.

And occasionally, late at night, we scroll through them like archaeologists excavating abandoned ambition.

Ah yes. “Learn Mandarin in 30 Days.” Bold of us.

But here is where it becomes unsettling. What if we are the bookmarks? Think about it.

We slip briefly into other people’s stories –  a colleague’s chapter, a lover’s paragraph, a stranger’s anecdote on a bus. We hold a place. We alter pacing. Sometimes we are decorative. Sometimes we are the reason someone doesn’t close the book entirely.

And then we’re removed. Set aside. Tucked in a drawer. Forgotten between couch cushions of memory.

What if every human interaction is just us marking where someone else paused?

You meet someone at precisely the moment they needed not to quit. You become their placeholder for hope. You leave. They continue reading.

We rarely get to know what happens in the next chapter.

That’s the cruelty of being a bookmark. We hold the place. We don’t own the ending.

Now, let me tell you something peculiar.

Years after my grandmother passed away, I found that old mystery novel in a box. The bus ticket was still inside, brittle, obsolete, the transit company long dissolved.

I opened to the marked page.

The sentence she had fallen asleep on read…

“Sometimes the smallest interruption changes the entire course of the story.”

I laughed out loud. Because that was the day I realized something almost scandalous. The bookmark had worked.

Not by freezing time – no. That would be childish. It worked because it made me remember. It turned an ordinary nap into a permanent chapter. It stitched diesel fumes and knitting needles into my personal mythology.

The bookmark didn’t stop the story.
It branded it.

Here’s the unexpected truth. Bookmarks are not about returning. They are about reverence.
They say, this mattered enough to mark.

In a world that scrolls endlessly, swipes thoughtlessly, refreshes compulsively…

to mark something is rebellious.

To pause deliberately? Radical.

To say, I will come back to this feeling. Audacious.

And to admit, that I am not finished here. Courageous.

So yes, I still use bookmarks. Sometimes they are ticket stubs. Sometimes boarding passes. Sometimes the corner of a letter I wasn’t brave enough to send. And sometimes, on reckless days, I close the book without one.

And the final twist? Life does not wait at the page you marked. It keeps writing while you’re gone. The trick is not to stop the story.

The trick is to become unforgettable in someone else’s margin.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

The Patience of Water


In response to pensivity’s 3TC #MM390

https://wp.me/p3RSgb-wqh

Your final three words for this week are:
DELAY
DROP
DAMP


In a valley where the mountains often misplaced the sun and the rivers hummed old lullabies to themselves, there lived a young clockmaker named Ben.

Now, Ben had a peculiar problem.
Nothing in his life arrived on time.

Letters came late. Opportunities came late. Even spring seemed to consult a calendar written in pencil. He would plant seeds in hope, and the earth would respond with a long, thoughtful silence.

He called this curse Delay.

One year, after waiting far too long for customers who never arrived, Ben closed his shop and climbed the hill above the village. He shouted into the sky, “Why must everything be so slow?”

The sky, being older and less dramatic, did not answer.

But the wind did.

It whispered, “Go to the forest. There you will meet Delay.”

Now Ben was not accustomed to taking advice from wind, but despair makes one polite. So he went.

Deep in the forest he found an old woman sitting beside a still pond. Her hair was silver as frost; her eyes patient as stone.

“Are you Delay?” Ben asked.

“I am,” she said, knitting something invisible.

“You have ruined my life.”

She smiled the way trees smile, without moving much. “Have I?”

“You make everything come late.”

“I make everything ripen,” she replied. “Fruit picked too early is sour. Bread pulled too soon is dough. You mistake preparation for punishment.”

Ben frowned. “Then why does it hurt?”

“Because you are growing while you wait.”

Before he could argue, the pond rippled. A small, shining bead of water leapt into the air and landed on his wrist.

“I suppose you are Drop,” Ben said, startled.

The bead sparkled. “Indeed. I am small, but I travel far.”

“What good are you?” Ben asked. “You are hardly a river.”

The Drop laughed – a bright, bell like sound. “One of me is nothing. A thousand of me carve valleys. A million of me shape stone. I am the beginning of persistence.”

Ben thought of the unfinished clocks in his shop. He thought of the single gear he had adjusted again and again, certain it was useless to try.

The old woman, Delay, dipped her fingers into the pond. More Drops rose and hovered in the air like tiny stars.

“Watch,” she said.

The Drops began to fall, not in a rush, not in a storm, but steadily, gently, over a patch of earth beside them.

And then came Damp.

It crept into the soil quietly, darkening it, softening it, loosening what had been hard. Damp was not flashy like rain. It did not announce itself with thunder. It simply stayed.

“What are you?” Ben asked the darkened earth.

A low voice answered from beneath his feet. “I am what remains after the Drop. I am the patience after the moment. I am the quiet work no one applauds.”

Ben knelt and touched the soil. It was cool and alive.

From that softened patch, a green shoot slowly pushed upward.

Delay folded her invisible knitting. “You see? The Drop alone evaporates. Delay alone frustrates. But when Drop returns again and again, and Damp stays to cradle the earth, life begins.”

Ben watched as more shoots emerged.

“But I am only one man,” he whispered.

Drop landed on his knuckle. “Then be one Drop.”

Damp wrapped around his boots. “And stay.”

Delay stood. “And do not resent the time it takes.”

The forest grew very quiet, as forests do when a lesson has settled.

Ben returned to his shop the next morning. Nothing had changed, except him. He repaired one clock. Just one. The next day, he repaired another.

Customers did not come immediately. The village still moved at its unhurried pace. But word of his careful work began to travel, one conversation at a time, one recommendation at a time.

Drop.

He kept his doors open even on slow days.

Damp.

He stopped cursing the empty hours and instead used them to refine his craft.

Delay.

Years later, travelers crossed mountains to visit the clockmaker whose creations never hurried yet never failed.

When asked the secret of his success, Ben would smile and say…

“Most people fight Delay. They underestimate Drop. And they fear Damp.”

He would wind a clock and listen to its steady heartbeat.

“Delay ripens you.
Drop shapes you.
Damp roots you.”

And if you listened closely, beneath the ticking, you could almost hear the forest whispering its agreement.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

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