A Performance in Search of the Performer


In response to Fandango’s One Word Challenge FOWC

https://wp.me/pfZzxd-ujr

Prompt: Actress


CASTING NOTICE: “ACTRESS”

They told me I was an actress before I knew how to say “no” convincingly.

The word arrived like a wardrobe – slightly itchy, always one size too small, stitched with expectations I didn’t audition for. “Actress,” they said, as if it were a profession and a personality and a warning label all at once.

In the mornings, I practice realism in the mirror. I cry on cue at 7:03 a.m. (traffic noises help). At 7:04 I laugh at a joke I didn’t write. At 7:05 I perfect the expression of “I am fine,” which is the longest running role of my career and still under contract.

My agent is a voicemail that never calls back but always believes in me.

“Break a leg,” it says. I already have. Several times. Metaphorically, emotionally, occasionally and socially.

On set, the world is always slightly too bright, like it’s been filtered by someone who has never experienced sadness but has read about it in high definition. The director shouts: “More vulnerability!” which is the industry code for “Make it look like your heart is buffering.”

I comply. I am professional.

Between takes, I meet other actresses. We compare bruises disguised as schedules.

One says, “I’m playing a woman losing herself.”

Another says, “I’m playing a woman finding herself.”

I say, “I’m playing a woman who forgot what she was cast for, but keeps delivering anyway.”

We laugh, because laughter is the only scene we’re never asked to reshoot.

At night, I remove my face the way others remove makeup. Carefully and respectfully, like peeling an old sticker from glass. Underneath, I am not blank, I am crowded. Every role I’ve ever played is still rehearsing in the corners of my bones.

Sometimes I think the real audition was never for characters. It was for coherence.

Once, I tried to improvise my life. The script supervisor panicked. “Stay on page!” she shouted. But there was no page. Just a blank screen and the faint smell of ambition burning.

Still, I continue. Because somewhere between “action” and “cut,” I discovered something dangerous…

When I forget I am acting, I am most convincing. And when I am most convincing, I am not sure who is watching anymore.

Is it the audience? Or the version of me I keep pretending doesn’t exist in the back row, arms crossed, quietly judging my performance and whispering…

“That’s not even how she would say it.”

But then,

Maybe she would.

Maybe “actress” is not a profession at all.

Maybe it’s just what happens when a person is told, repeatedly, to become believable enough to be mistaken for real.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

The Museum of Almost


I have become a curator of seconds. Not hours, not years, but seconds.

They arrive unannounced and glitter briefly before dissolving, unless you catch them. Unless you pin them to velvet and whisper, Stay.

Moments rise and disappear like breath on cold glass. I have a habit of leaning in, returning to where the warmth once gathered.
I press my face to that glass long after the warmth is gone, tracing where the fog used to be.

Last week, I acquired a new exhibit. It formed quietly at the doorway of our home, in that narrow space where inside still lingers and outside begins to claim you.

The afternoon light lay slanted across the floor, catching in the fine dust that never quite settles. A decision had already been made to leave her with my brother, while I travelled. The house held its breath in the way homes do when something is about to change.

She stepped forward slowly, one hand grazing the wall as if confirming its solidity. And then it happened, not loudly, not dramatically, but with the delicacy of a page turning inside her mind.

She then turned back to me, her eyes carrying a kind of love that didn’t need naming, and she smiled – softly, as if it had always been waiting there for this exact moment.

A tiny flicker.
So slight it could have been missed. But the moment so immense, that it settled in my chest like something I would never be able to put down again.
That doorway is ordinary again now. But in my private museum of seconds, it glows behind glass.

Her bag stood upright, zipped with finality. The hallway smelled faintly of coconut oil and the cumin she always roasted too long. My mother stepped out slowly, the way someone approaches a stage without remembering her lines.

She has begun to drift, you see. Memory loosens its grip on her like a careless knot. Some days she knows the choreography of our lives. Some days she is merely visiting.

But when she crossed the threshold and saw my brother’s car waiting, something sparked again.

A flicker. It wasn’t confusion. It wasn’t fear.
It was recognition, thin as a match flame, brief as a held breath.

Her eyes widened just a fraction, as if a curtain had been pulled back inside her skull. As if some internal archive whispered, Ah. This again.

And then it passed. Most people would call it small. I call it seismic.

Because when someone drifts in and out of remembering you, a flicker is not a flicker. It is proof of life in the ruins. It is a lighthouse turning once before fog swallows it whole.

Since last week, I have replayed that second relentlessly.

Did she remember leaving once before?
Did she remember being the one who packed lunches and waved from doorways?
Did she remember me as a child clinging to her sari hem?
Or did she remember something entirely her own – some private migration of her heart I was never meant to know?

Perhaps the flicker wasn’t about departure at all. Perhaps it was about continuity.

We think moments are disposable because they are brief. But brevity is not the opposite of significance. Sometimes it is the proof of it.

Diamonds are small. Sparks are short lived. The pulse between heartbeats is microscopic and yet without it, there is nothing.

I revisit my life often. Not because my present is empty, but because the past glows differently each time I return to it. Memory edits and it restores. Memory lies kindly.

But that doorway moment refuses editing.

It remains exactly as it was:
Suitcase. Sunlight. The scent of over-roasted cumin.
A daughter pretending to be composed.
A mother almost remembering.

Here is the shift no one warns you about…I used to think I was the keeper of these moments. Now, I suspect the moments are keeping me.

That flicker, whatever it meant to her, has anchored me. It reminds me that love does not vanish when memory does. It flickers. It pulses. It waits behind curtains. And that moment I will carry in my heart like a treasure, carefully held in the quiet places I return to when everything else feels uncertain.

And maybe that is the value of the moment. Not that it stays. But that it proves, we were there. Together. Even if only for a second.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Branch Manager of Bad Decisions


In response to Ragtagdailyprompt

RDP Sunday: Treed

https://wp.me/p9YcOU-6jI


“I Object: Your Honor, I Have Been Treed”

The courtroom smelled faintly of bark and bad decisions.

“I’d like to enter Exhibit A,” said the defendant, adjusting his tie made of leaves. “I was treed.”

The judge paused. “Treed… as in pursued by a dog?”

“No,” the man said gravely. “Treed as in algorithmically cornered by life choices that all branched into the same inconvenient canopy.”

The stenographer blinked twice and began typing [inaudible rustling].


Outside the courthouse, a raccoon gave a press conference from a maple branch.

“I did not attack the picnic,” it insisted. “I was misunderstood. I was simply living rent free at altitude. Humans call it trespassing. I call it upper management.”

A squirrel heckled from above: “You stole a granola bar and filed it under ‘opportunity.’”

The raccoon did not deny this. Only rustled enigmatically.


Meanwhile, in a corporate office, someone stared at a flowchart labeled DECISION TREE.

Every option led upward. Every outcome led bark-ward.

HR called it “growth potential.”

The employee called it what it was…“being politely escalated into foliage.”


And somewhere between metaphor and misconduct, a man who had simply tried to take a shortcut home found himself fifteen feet up an oak tree, shouting:

“I ONLY WANTED TO CHECK MY MAP APP!”

The tree did not respond.

It had heard this before.


And then, because fate enjoys a punchline, the judge adjusted his spectacles, tapped the gavel, and declared, “Sir, this court finds you not guilty of trespassing… but extremely guilty of branching out without a permit.”

The jury of twelve houseplants leaned toward the light in unanimous agreement. The raccoon launched a podcast. HR rebranded the entire incident as a leadership retreat called Climb & Commit.

And the man, still clinging to the oak, finally understood the ancient truth whispered by every forest, boardroom, and bad decision ever made…if you keep dodging the root of the problem, don’t be surprised when life leaves you hanging.

Case closed. Stay grounded.
Not cornered.
Not defeated.
Just… professionally treed.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Heroic Lies & Alter-Ego Crimes


In response to pensivity’s Fibbing Friday

https://wp.me/p3RSgb-wqz

Prompt: What Fibs or Wannabees can you come with for these ‘Heroes’ ?


1. Who were the Dynamic Duo?
Batman and Robin
A billionaire with trauma and a teenager he picked up like a side quest.
Together: Gotham’s most expensive father son therapy experiment.

2. Who was Peter Parker?
Spider-Man (Peter Parker)
Bitten by a spider.
Got powers. Still couldn’t afford rent.
Truly inspiring: superhuman struggle, minimum wage edition.

3. Who was Diana Prince?
Wonder Woman (Diana Prince)
Walked out of mythology, entered capitalism, and said…
“I will solve your global conflict… but politely.”

4. Who were The Fantastic Four?
Fantastic Four
Four people went to space once without reading the warning label.
Came back as a walking “DO NOT TOUCH THIS” sign.

5. Who was Robert Bruce Banner?
Hulk (Bruce Banner)
Calm scientist. Until emotions load like a 2008 computer.
Then: unsubscribe from human conversation, subscribe to destruction.

6. Who was Linda Lang?
Linda Lang
The only person who hears “I turn into a giant rage monster” and responds…
“Okay but did you drink water today?”

7. Who was Selina Kyle?
Catwoman (Selina Kyle)
Professional thief who steals hearts, jewels, and occasionally Batman’s entire emotional stability system.

8. Who was Kent Allard?
The Shadow (Kent Allard)
So committed to being mysterious he probably pays rent in fog.

9. Who was Cliff Secord?
The Rocketeer (Cliff Secord)
Found a jetpack and immediately skipped “responsible testing phase” and jumped straight to “historic aviation lawsuit.”

10. Who was Matt Murdock?
Daredevil (Matt Murdock)
Blind lawyer who fights crime at night.
Which is impressive because most people can’t even find their keys in daylight.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Rap-sody in Grime


In response to Jim Adams’s Song Lyric Sunday

Recently Created Compositions

https://wp.me/p8EzVZ-L6p

Prompt:

This week the theme is to find a song by an artist that you just discovered.


For this week’s Song Lyric Sunday challenge (thank you, Jim Adams, for gently expanding my musical horizons), I must confess something scandalous:

I used to be a rap avoider. Not a hater – an avoider.

Let me tell you about the formerly respectable me. I adore classical piano. Give me cascading keys and I shall faint dramatically like a Victorian heroine. I love pop. I adore rock. Blues? Yes, please, serve it smoky with emotional damage on the side and if it comes with a piano crying in the background, even better.

Somewhere between Chopin’s sighs and a guitar’s heartbreak, I’m completely at home, fluent in melodies, fluent in moods, fluent in “just one more song” at 2 a.m.

My playlists were dignified, cultured, and proper.

Rap?
Oh no. Not for me, I said. Too loud. Too fast. Too many syllables doing CrossFit.

I convinced myself I needed melodies that glided. Harmonies that floated. Choruses that repeated gently like affirmations.

Meanwhile, rap was over there doing verbal parkour.

Then one fateful day, the algorithm – bless its mysterious, meddling heart, introduced me to UK rap.

Not the glossy, mainstream kind. The gritty, poetic, “Did he just rhyme philosophy with audacity?” kind.

Enter:
Stormzy
Dave
Roots Manuva

And suddenly my musical snobbery packed its bags and left without notice.

Stormzy: The Thunderclap

Stormzy doesn’t knock politely. He arrives like weather. There’s power. There’s presence. There’s poetry wrapped in bass. He’s not just rapping – he’s declaring.

I listened with one eyebrow raised.
Then both eyebrows lowered.
Then I replayed the song.
Growth.

Dave: The Philosopher With a Mic

Dave doesn’t just rhyme words. He builds arguments. His lyrics feel like someone sat down and said, “Let us discuss society… but rhythmically.”

There’s vulnerability, storytelling, intelligence. I realized something uncomfortable…

I had mistaken speed for superficiality.
Oops. And Then… Witness Happened 👀

That was the real turning point.
Witness (1 Hope) by Roots Manuva.

Also famously known for that line:
“Witness the fitness…”
And oh, I did.

You can listen here:
https://www.youtube.com/watch?v=ltP7L16A8Hs

This wasn’t just a song. This was lyrical gymnastics. It felt like spoken-word poetry put through a sonic espresso machine.

The rhythm doesn’t glide. It struts. The words don’t float, they punch. And suddenly I understood:

Rap isn’t lacking melody. It is melody, just rearranged into cadence, breath, and attitude.

The Humbling Realization

For years I thought I needed violins to feel depth. Turns out I just needed better headphones.

UK rap, raw, intelligent, slightly mischievous, felt like discovering a secret literary club where everyone rhymes and nobody apologizes.

And now?

The former classical piano purist is replaying grime on purpose.

Life is unpredictable. One minute you’re swooning over Chopin. Next minute you’re nodding seriously to a bassline like you understand urban sociology.

Growth looks like this.


Special Mention: The Uce

And then there’s The Uce – a quiet storm I didn’t see coming.

Not UK. Not mainstream. Not loudly advertised on every algorithmic billboard. Just pure, unfiltered talent slipping through the cracks of “low views, high impact.”

Born in Hawaii, shaped by the West Side of Oahu, and now making waves from Florida, The Uce (formerly known as Slo-Mo) brings something rare to the table – authenticity that doesn’t ask for permission.

A Samoan voice in a space that doesn’t always make room, he raps like he’s carrying islands in his cadence. Tracks like Mystikal don’t just play, they echo. There’s rhythm, roots, and resilience braided into every bar.

Not the loudest in the room. Just one of the realest. And honestly? Those are usually the ones you hear the longest after the song ends.

Lyrics as Poetry

Strip away the beat from rap and what remains?

Metaphor, Social commentary, Identity, Rhythmic rebellion.

Rap is modern poetry wearing trainers instead of tweed. And here I am, late to the party, holding my cup of tea, whispering…

“Witness the fitness.”
Consider me converted.☺️


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Chaos Control Kit (Reblog)

What are 5 everyday things that bring you happiness?

They say happiness lies in the little things.

Well, turns out, “little things” often come with chargers, shipping delays, or a lot of emotional damage (thanks, childhood memories and bad Wi-Fi).

But as an adult with bills, back pain, and the sudden awareness that you now get excited about supermarket discounts – I’ve found that joy isn’t gone. It’s just…quieter. Subtler. Sometimes wrapped in packaging. Sometimes not. But always there – if you squint hard enough.

So here are 5 everyday things that bring me happiness, in no particular order, except the first one – because I’d probably lose the rest without it.

My Phone – The Fifth Limb I Never Knew I Needed

I know, I know. I’m supposed to say sunsets or the sound of children laughing or something wholesome. But let’s not lie to ourselves.

This little rectangle of chaos brings me joy in a way that no deep breath or yoga pose ever could. It’s my map, my library, my music, my news anchor, my emergency therapist (hello Google at 2 AM), and yes – my research tool.

Without it, life slows down like a dial-up modem trying to load a GIF. And sure, sometimes I want to fling it across the room when it autocorrects “love” to “live,” but let’s be honest, without my phone, I’d miss birthdays, buses, and probably half of my personality.

Hot Beverages – The Liquid Hug for My Soul

Tea. Coffee. That suspiciously overpriced hot chocolate from the corner café. Doesn’t matter. If it comes in a mug and threatens third-degree burns when spilled, it’s probably keeping me emotionally afloat.

There’s something magical about holding a warm cup like it’s your last friend on earth. The first sip? Heaven. The last sip? Mildly disappointing. But the moments in between are golden – like a tiny ritual that says, “Yes, you can face this Zoom call. You are strong. You are caffeinated.”

Old Songs That Suddenly Play at the Right Time

You know the ones.

You’re walking down the street, contemplating your existence, when suddenly, boom! a song from your teenage years starts playing. And just like that, you’re no longer a tax paying, emotionally repressed adult. You’re 16 again, lip syncing into a hairbrush with dreams bigger than your student debt.

Those songs don’t just bring back memories. They unlock entire emotions that had been filed away in your brain like dusty folders. For a brief moment, you’re free. Then the song ends, and you’re back in the frozen food aisle. But hey, it was good while it lasted.

That One Friend Who Replies with Memes Instead of Words

We all have (and need) that one human.

They don’t ask, “How are you?” They just send a SpongeBob meme that perfectly captures your entire emotional state. They don’t offer solutions. They offer GIFs. And somehow, that makes everything feel a little lighter.

In a world full of overthinkers, it’s comforting to have someone who knows that the correct response to “I had a bad day” is simply a picture of a grumpy cat or a dancing panda.

Unexpected Quiet Moments

This one’s subtle.

It’s the two minutes you sit on the balcony in the evening when the sky’s doing that pink orange thing. It’s when the washing machine stops whirring and you just hear silence. Or when you look up from your screen and realize the world is still turning, and you’re still breathing, and somehow – that’s enough.

These moments sneak up on you. You don’t plan them. But when they come, they remind you that happiness doesn’t always shout. Sometimes, it just gently taps you on the shoulder and says, “Hey. You’re doing okay.”

In Conclusion (Or Whatever Adults Say at the End of Deep Things):

I’m not here to preach or pretend I’ve got it all figured out. Most days, I’m just winging it with caffeine and Wi-Fi.

But these five things? They’ve been tiny lifelines in the chaotic ocean of adulthood. They’ve brought laughter, tears, goosebumps, and the occasional existential crisis. And honestly – I wouldn’t trade them for all the motivational posters in the world.

So the next time life feels like it’s falling apart, look around. Maybe happiness is sitting quietly in your pocket, in your cup, or hiding in the chorus of an old song.

Or maybe, just maybe it’s in this blog post, reminding you that you’re not alone in this beautifully absurd thing we call life.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

The Sphere That Sang in Seconds


In response to John Holton’s Weekly Writer’s Workshop Prompts for 9 April 2026

https://wp.me/p18YYd-hgT

Prompt:

Write a post inspired by the word “lifetime”.


In a town that had forgotten how to count, every child was given a clock at birth.

Not a clock with numbers, nor hands, nor ticking. Just a smooth, golden sphere warm to the touch. The elders called it a lifetime, though no one knew how long it lasted. The sphere would hum softly when held against the chest, as if it were listening to the heart and taking notes.

Some children locked their spheres in iron safes, afraid of scratches. Others tossed them in the air and laughed, watching sunlight ricochet off their surfaces. A few pressed their ears to them each night, convinced they could hear waves breaking inside.

One day, an impatient boy cracked his sphere open with a hammer, hoping to measure how much remained. The sphere dissolved into a small gust of wind that smelled faintly of rain. He tried to gather it with cupped hands, but wind, like time, refuses containment.

Meanwhile, an old woman sat by the river with her sphere resting quietly in her palm. She never asked how much was left. She simply listened to its hum and hummed back. When her sphere grew lighter, almost transparent, she smiled, not because it was ending, but because it had sung with her all along.

When her hands finally opened, nothing fell out. The river kept flowing. The sky kept expanding. And somewhere in the quiet, a new sphere began to hum.

We speak of a lifetime as if it were a measurable commodity, a stretch of decades, a sequence of birthdays, a predictable arc from cradle to grave. We divide it into quarters like fiscal reports – childhood, youth, midlife, retirement. We calculate it in averages and life expectancy charts, as though existence were a subscription plan.

But a lifetime is not a length.
It is an intensity.

Two people may live eighty years. One might spend sixty of them waiting, for stability, for permission, for clarity, for the “right time.” The other might live with such ferocious presence that even five years ripple outward like a stone dropped in still water.

Modern culture tempts us to treat a lifetime as storage. We hoard achievements, relationships, experiences, digital memories. We archive photos as evidence that we have lived. Yet the paradox is this…the more tightly we grip our hours, the faster they seem to evaporate. Like the boy with the hammer, we try to crack time open to quantify it, only to discover that the act of measuring can sometimes rob us of the mystery.

Philosophically, a lifetime is a strange contract. We are given something undefined, non-refundable, and utterly unique. No exchanges. No extensions. No fine print explaining why some receive longer drafts than others.

And yet, absurdly, we behave as though we own it.

We say my time, my years, my future. But what if a lifetime is not property but partnership? Not something we possess, but something we participate in?

Biology frames it as cellular aging. Psychology frames it as developmental stages. Spiritual traditions frame it as a journey, a test, or a dance. But beneath all frameworks lies an unanswerable riddle – why is a lifetime experienced forward but understood backward?

Perhaps because its true currency is not duration but attention.

A lifetime thickens where attention lingers. It thins where awareness drifts. Ten minutes in love can outweigh ten years in indifference. A single courageous decision can redefine the narrative of decades. In this sense, a lifetime is elastic, stretching or compressing according to the depth with which we inhabit it.

We are not merely passing through time.
Time is passing through us.

Every memory rewires the brain. Every grief carves new interior architecture. Every joy expands the invisible chamber we call self. A lifetime is less like a straight road and more like a constantly rewritten manuscript, edited by choice, accident, and the quiet insistence of change.

And perhaps the most twisted truth of all…a lifetime is not only the years we are given, but the echoes we leave behind. The conversations that continue after we are gone. The kindness that outlives our bodies. The ideas that take root in other minds. In that sense, a lifetime does not end at death; it diffuses.

If a lifetime is a humming sphere pressed against the heart, then the question is not How long will it last? but Am I listening?

The future will always remain unopened. The past will always feel shorter than it was. The present is the only place where a lifetime can actually be touched.

One day, each of us will open our hands.

The wind will move through our fingers. The river will not pause. The sky will not close.

But if we have hummed back, if we have dared, loved, risked, paid attention, then our lifetime will not have been a container of years.

It will have been a song.

And songs, even when they end, continue vibrating in the silence long after the final note.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

The Gate at Dawn’s Edge


In response to pensivity’s Three Things Challenge #MM 391

https://wp.me/p3RSgb-wsU

Your three words today are:
EMPTY
ENTRY
EAST


Personal Note:

Beautiful choice of prompt words…they evoke movement, meaning, and rebirth


In the time before memory, when the winds still spoke and the stars named all things, there was a gate that stood alone in the heart of a desert. It was neither built nor worn. It simply was, carved of stone that shimmered like still water.

The people called it “The Empty Entry”, for when one peered through, there was nothing but horizon.

None dared pass it, for they said those who did would vanish into silence.

But one twilight, when the west swallowed the sun, a wanderer approached the gate. His name has been forgotten, but his heart held a question…“Why does the dawn return if each night devours it?”

He knelt before the Empty Entry, touched the stone, and felt it pulse like a sleeping heart. A voice in the wind answered, “Go east, where emptiness fills itself.” And so he stepped through.

The desert trembled. Sand hardened into soil, air thickened with birdsong, and the first light of the world unfurled before him. He followed it, one step, one sunrise at a time, until night became only the shadow of his own doubt. 

When at last he reached the farthest east, he beheld a sea so bright it carried the light of creation itself. There he understood – the gate was never empty. It was the breath between endings and beginnings, the hollow that invites the dawn.

When the wanderer returned, he carved upon the stone: 
“To enter emptiness is to be found by the East.”

And since that age, the desert is said to sing at sunrise, not in sorrow, but in remembrance of the one who walked through nothing and became light.


Centuries passed, and the gate remained. The desert winds carried the wanderer’s words farther than any kingdom or prayer, until they became the rhythm of time itself. 

Then, one dawn, the stone began to stir. It trembled with life – slow at first, like breath returning to a sleeping god. From its arch flowed a river of light, twisting east and west alike, binding horizon to horizon. 

Through this movement the world learned to turn, never still, never broken. Meaning bloomed where emptiness once dwelled, seeds hidden beneath desert sands awakened, and from their silence rose forests singing of first mornings. 

And in that awakening lay rebirth, for every traveler who touched the gate thereafter was changed. They walked onward carrying in their eyes, the glimmer of the East, that sacred promise that nothing truly ends, it only begins again in another form. 

Thus the legend endured…Where emptiness moves, meaning rises. Where meaning flows, rebirth takes flight.
And with every sunrise, the world remembers, the East is not a direction, but a becoming.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Bridge to the Heavens


In response to Ragtagdailyprompt

RDP Saturday: Bridge

https://wp.me/p9YcOU-6gx


I should have built the bridges 
when your hands still reached for mine. 
But I kept waiting,
for the right moment, the right words, 
the right kind of courage that never arrived. 

Now, the river has widened into centuries, 
carrying everything we were down its silent current. 
I stand where the shore used to meet your laughter, 
and the air still trembles with all I didn’t say. 

I remember the pauses between our sentences, 
the gentle misunderstandings I let become walls. 
If I had crossed sooner,
if I had stopped protecting my pride, 
if I had been more human, less afraid,
perhaps the bridge would have stood 
strong enough to bear both our burdens. 

But I built excuses instead of arches. 
I laid guilt instead of stone. 
And now the water below reflects a sky 
too far away for even my voice to reach. 

At night, I dream the design again, 
a bridge not of timber or iron, 
but of all the apologies left unspoken, 
lashed together with moonlight and grief. 

Each step would creak with memory, 
each cable hum a name I still whisper. 
And at the far end, I imagine you waiting,  
your face softened by forgiveness, or by forgetting. 

You would smile, perhaps, 
and the silence between us would heal a little. 
You’d say, “You took so long,” 
and I would cry, not for the years lost, 
but because I finally made the crossing. 

If only I could build that bridge beyond dreams,
a path to whatever sky you now walk in. 
I’d trade every remaining heartbeat 
for one more chance to meet you halfway, 
to say what I should have said when the world was still ours…
that love left unfinished is still love, 
and even broken bridges remember 
the shape of the souls they were meant to carry.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

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Glare Affair


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In response to Vinitha’s Fiction Monday #298

Word Prompt – DAZZLE


Once upon a perfectly ordinary Tuesday, a man decided he needed to dazzle. It began, as these catastrophes often do, at a school reunion.

He stood before his bathroom mirror, an unforgiving historian, practicing a smile that suggested success but not smugness, wealth but not tax evasion, wisdom but not podcast host.

He then tried on watches like medals. He sprayed cologne that smelled like a forest filing a lawsuit. He rehearsed sentences containing the words “venture,” “portfolio,” and “accidentally viral.”

He decided that he would not simply attend. He would dazzle.

And so he arrived wrapped in the glow of ambition, teeth polished to a small sunrise. He laughed half a second too loudly. He told stories that inflated gently like parade balloons. He glittered conversationally. He shimmered. He also sparkled.

He left exhausted. Because, the secret no one tells you about dazzle is that it is heavy.

Dazzle, as a concept, was originally developed by peacocks and marketing teams.

Peacocks do it honestly. They erupt into color as if joy has feathers. Marketing teams do it with bullet points.

Humans, however, attempt dazzle with a mixture of anxiety and Wi-Fi.

We curate, filter and we angle our faces toward light like sunflowers with LinkedIn accounts. We measure worth in applause emojis. We polish ourselves into performances.

And yet…have you ever noticed how fireworks, for all their drama, end in smoke?


Permit me now to shift the spotlight. Years later, after the reunion, after the watch stopped working, after the cologne settled its lawsuit, the same man found himself in a hospital corridor.

The fluorescent lights did not care about portfolios.

His daughter lay inside a room filled with machines that blinked like timid constellations. There was no audience here, no reunion buffet, and no applause. Only the steady metronome of something fragile and beloved.

He sat beside her bed. He did not sparkle or shimmer. He just held her hand. And in the quiet, something astonishing happened.

She opened her eyes.

“Dad,” she whispered, voice thin as tissue paper, “you stayed.”

He had nothing clever to say. No dazzling anecdote. No impressive statistics.

He stayed. If fireworks are spectacle, this was starlight – distant, steady, ancient.


Hold your sequins readers…Dazzle insists on speaking for itself.

I am Dazzle. Yes, the very thing. I have been misrepresented.

People think I live in sequins and spotlights. They believe I reside in chandeliers, in acceptance speeches, in the top shelf of charisma. They summon me with glitter and exaggeration.

But that is my cheaper cousin – Flash. Flash is loud. Flash burns quickly and smells faintly of ego.

I prefer subtler habitats.

I live in the gasp when a baby wraps its hand around a finger.

I live in the courage it takes to apologize first.

I live in the quiet competence of a nurse at 3 a.m.

I live in the sentence, “I was wrong.”

I dazzle most fiercely in the dark.

Humans misunderstand me because they assume brightness requires volume. I was never noise. I was nerve.


Back to the man who thought dazzle meant applause. Let’s borrow our proof from the ocean to the contrary. Consider the cuttlefish.

When threatened, it performs something called a “dazzle display.” It explodes into patterns – stripes racing across its skin, colors flickering like underwater lightning. Predators pause, confused. In that hesitation, the cuttlefish escapes.

Dazzle, you see, is not always about attraction. Sometimes it is about survival. Sometimes it is about buying one sacred second.

The man’s daughter recovered gradually. At the next reunion, because life insists on sequels, he wore a simpler watch.

He did not rehearse. When someone asked what he’d been up to, he paused.

“I’ve been learning how to stay,” he said.

It did not trend. It did not sparkle.

But something in the room shifted softly, perceptibly like a lens adjusting focus. Conversations slowed. Laughter warmed. Someone admitted they were tired. Someone else confessed they were afraid.

No one glittered. Everyone glowed.


We have confused dazzle with domination. We think to dazzle is to blind, but perhaps to dazzle is to illuminate. Not the kind that makes others squint, but the kind that lets them see.

And now, the final shift in the story arrives, not with fanfare, but with clarity. The bathroom mirror from that first Tuesday? It was never judging him. Mirrors do not critique; they reflect. It was he who brought the harshness.

When he stands before it now, older, gentler, he sees crow’s feet like delicate etchings. He sees the faint scar on his wrist from when his daughter gripped too tightly. He sees a face less polished, more porous.

He smiles, unrehearsed. And the mirror dazzles. Not with brilliance, but with truth.

So if you must dazzle, do it like this:

Dazzle by listening longer than necessary.

Dazzle by laughing at yourself first.

Dazzle by staying when it would be easier to exit.

Dazzle by being incandescently, inconveniently sincere.

The world has enough fireworks. Be starlight. It lasts and don’t dazzle for a moment, illuminate for a lifetime.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

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