The Sphere That Sang in Seconds


In response to John Holton’s Weekly Writer’s Workshop Prompts for 9 April 2026

https://wp.me/p18YYd-hgT

Prompt:

Write a post inspired by the word “lifetime”.


In a town that had forgotten how to count, every child was given a clock at birth.

Not a clock with numbers, nor hands, nor ticking. Just a smooth, golden sphere warm to the touch. The elders called it a lifetime, though no one knew how long it lasted. The sphere would hum softly when held against the chest, as if it were listening to the heart and taking notes.

Some children locked their spheres in iron safes, afraid of scratches. Others tossed them in the air and laughed, watching sunlight ricochet off their surfaces. A few pressed their ears to them each night, convinced they could hear waves breaking inside.

One day, an impatient boy cracked his sphere open with a hammer, hoping to measure how much remained. The sphere dissolved into a small gust of wind that smelled faintly of rain. He tried to gather it with cupped hands, but wind, like time, refuses containment.

Meanwhile, an old woman sat by the river with her sphere resting quietly in her palm. She never asked how much was left. She simply listened to its hum and hummed back. When her sphere grew lighter, almost transparent, she smiled, not because it was ending, but because it had sung with her all along.

When her hands finally opened, nothing fell out. The river kept flowing. The sky kept expanding. And somewhere in the quiet, a new sphere began to hum.

We speak of a lifetime as if it were a measurable commodity, a stretch of decades, a sequence of birthdays, a predictable arc from cradle to grave. We divide it into quarters like fiscal reports – childhood, youth, midlife, retirement. We calculate it in averages and life expectancy charts, as though existence were a subscription plan.

But a lifetime is not a length.
It is an intensity.

Two people may live eighty years. One might spend sixty of them waiting, for stability, for permission, for clarity, for the “right time.” The other might live with such ferocious presence that even five years ripple outward like a stone dropped in still water.

Modern culture tempts us to treat a lifetime as storage. We hoard achievements, relationships, experiences, digital memories. We archive photos as evidence that we have lived. Yet the paradox is this…the more tightly we grip our hours, the faster they seem to evaporate. Like the boy with the hammer, we try to crack time open to quantify it, only to discover that the act of measuring can sometimes rob us of the mystery.

Philosophically, a lifetime is a strange contract. We are given something undefined, non-refundable, and utterly unique. No exchanges. No extensions. No fine print explaining why some receive longer drafts than others.

And yet, absurdly, we behave as though we own it.

We say my time, my years, my future. But what if a lifetime is not property but partnership? Not something we possess, but something we participate in?

Biology frames it as cellular aging. Psychology frames it as developmental stages. Spiritual traditions frame it as a journey, a test, or a dance. But beneath all frameworks lies an unanswerable riddle – why is a lifetime experienced forward but understood backward?

Perhaps because its true currency is not duration but attention.

A lifetime thickens where attention lingers. It thins where awareness drifts. Ten minutes in love can outweigh ten years in indifference. A single courageous decision can redefine the narrative of decades. In this sense, a lifetime is elastic, stretching or compressing according to the depth with which we inhabit it.

We are not merely passing through time.
Time is passing through us.

Every memory rewires the brain. Every grief carves new interior architecture. Every joy expands the invisible chamber we call self. A lifetime is less like a straight road and more like a constantly rewritten manuscript, edited by choice, accident, and the quiet insistence of change.

And perhaps the most twisted truth of all…a lifetime is not only the years we are given, but the echoes we leave behind. The conversations that continue after we are gone. The kindness that outlives our bodies. The ideas that take root in other minds. In that sense, a lifetime does not end at death; it diffuses.

If a lifetime is a humming sphere pressed against the heart, then the question is not How long will it last? but Am I listening?

The future will always remain unopened. The past will always feel shorter than it was. The present is the only place where a lifetime can actually be touched.

One day, each of us will open our hands.

The wind will move through our fingers. The river will not pause. The sky will not close.

But if we have hummed back, if we have dared, loved, risked, paid attention, then our lifetime will not have been a container of years.

It will have been a song.

And songs, even when they end, continue vibrating in the silence long after the final note.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

The Gate at Dawn’s Edge


In response to pensivity’s Three Things Challenge #MM 391

https://wp.me/p3RSgb-wsU

Your three words today are:
EMPTY
ENTRY
EAST


Personal Note:

Beautiful choice of prompt words…they evoke movement, meaning, and rebirth


In the time before memory, when the winds still spoke and the stars named all things, there was a gate that stood alone in the heart of a desert. It was neither built nor worn. It simply was, carved of stone that shimmered like still water.

The people called it “The Empty Entry”, for when one peered through, there was nothing but horizon.

None dared pass it, for they said those who did would vanish into silence.

But one twilight, when the west swallowed the sun, a wanderer approached the gate. His name has been forgotten, but his heart held a question…“Why does the dawn return if each night devours it?”

He knelt before the Empty Entry, touched the stone, and felt it pulse like a sleeping heart. A voice in the wind answered, “Go east, where emptiness fills itself.” And so he stepped through.

The desert trembled. Sand hardened into soil, air thickened with birdsong, and the first light of the world unfurled before him. He followed it, one step, one sunrise at a time, until night became only the shadow of his own doubt. 

When at last he reached the farthest east, he beheld a sea so bright it carried the light of creation itself. There he understood – the gate was never empty. It was the breath between endings and beginnings, the hollow that invites the dawn.

When the wanderer returned, he carved upon the stone: 
“To enter emptiness is to be found by the East.”

And since that age, the desert is said to sing at sunrise, not in sorrow, but in remembrance of the one who walked through nothing and became light.


Centuries passed, and the gate remained. The desert winds carried the wanderer’s words farther than any kingdom or prayer, until they became the rhythm of time itself. 

Then, one dawn, the stone began to stir. It trembled with life – slow at first, like breath returning to a sleeping god. From its arch flowed a river of light, twisting east and west alike, binding horizon to horizon. 

Through this movement the world learned to turn, never still, never broken. Meaning bloomed where emptiness once dwelled, seeds hidden beneath desert sands awakened, and from their silence rose forests singing of first mornings. 

And in that awakening lay rebirth, for every traveler who touched the gate thereafter was changed. They walked onward carrying in their eyes, the glimmer of the East, that sacred promise that nothing truly ends, it only begins again in another form. 

Thus the legend endured…Where emptiness moves, meaning rises. Where meaning flows, rebirth takes flight.
And with every sunrise, the world remembers, the East is not a direction, but a becoming.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Bridge to the Heavens


In response to Ragtagdailyprompt

RDP Saturday: Bridge

https://wp.me/p9YcOU-6gx


I should have built the bridges 
when your hands still reached for mine. 
But I kept waiting,
for the right moment, the right words, 
the right kind of courage that never arrived. 

Now, the river has widened into centuries, 
carrying everything we were down its silent current. 
I stand where the shore used to meet your laughter, 
and the air still trembles with all I didn’t say. 

I remember the pauses between our sentences, 
the gentle misunderstandings I let become walls. 
If I had crossed sooner,
if I had stopped protecting my pride, 
if I had been more human, less afraid,
perhaps the bridge would have stood 
strong enough to bear both our burdens. 

But I built excuses instead of arches. 
I laid guilt instead of stone. 
And now the water below reflects a sky 
too far away for even my voice to reach. 

At night, I dream the design again, 
a bridge not of timber or iron, 
but of all the apologies left unspoken, 
lashed together with moonlight and grief. 

Each step would creak with memory, 
each cable hum a name I still whisper. 
And at the far end, I imagine you waiting,  
your face softened by forgiveness, or by forgetting. 

You would smile, perhaps, 
and the silence between us would heal a little. 
You’d say, “You took so long,” 
and I would cry, not for the years lost, 
but because I finally made the crossing. 

If only I could build that bridge beyond dreams,
a path to whatever sky you now walk in. 
I’d trade every remaining heartbeat 
for one more chance to meet you halfway, 
to say what I should have said when the world was still ours…
that love left unfinished is still love, 
and even broken bridges remember 
the shape of the souls they were meant to carry.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Glare Affair


https://wp.me/p4WEAw-2ez

In response to Vinitha’s Fiction Monday #298

Word Prompt – DAZZLE


Once upon a perfectly ordinary Tuesday, a man decided he needed to dazzle. It began, as these catastrophes often do, at a school reunion.

He stood before his bathroom mirror, an unforgiving historian, practicing a smile that suggested success but not smugness, wealth but not tax evasion, wisdom but not podcast host.

He then tried on watches like medals. He sprayed cologne that smelled like a forest filing a lawsuit. He rehearsed sentences containing the words “venture,” “portfolio,” and “accidentally viral.”

He decided that he would not simply attend. He would dazzle.

And so he arrived wrapped in the glow of ambition, teeth polished to a small sunrise. He laughed half a second too loudly. He told stories that inflated gently like parade balloons. He glittered conversationally. He shimmered. He also sparkled.

He left exhausted. Because, the secret no one tells you about dazzle is that it is heavy.

Dazzle, as a concept, was originally developed by peacocks and marketing teams.

Peacocks do it honestly. They erupt into color as if joy has feathers. Marketing teams do it with bullet points.

Humans, however, attempt dazzle with a mixture of anxiety and Wi-Fi.

We curate, filter and we angle our faces toward light like sunflowers with LinkedIn accounts. We measure worth in applause emojis. We polish ourselves into performances.

And yet…have you ever noticed how fireworks, for all their drama, end in smoke?


Permit me now to shift the spotlight. Years later, after the reunion, after the watch stopped working, after the cologne settled its lawsuit, the same man found himself in a hospital corridor.

The fluorescent lights did not care about portfolios.

His daughter lay inside a room filled with machines that blinked like timid constellations. There was no audience here, no reunion buffet, and no applause. Only the steady metronome of something fragile and beloved.

He sat beside her bed. He did not sparkle or shimmer. He just held her hand. And in the quiet, something astonishing happened.

She opened her eyes.

“Dad,” she whispered, voice thin as tissue paper, “you stayed.”

He had nothing clever to say. No dazzling anecdote. No impressive statistics.

He stayed. If fireworks are spectacle, this was starlight – distant, steady, ancient.


Hold your sequins readers…Dazzle insists on speaking for itself.

I am Dazzle. Yes, the very thing. I have been misrepresented.

People think I live in sequins and spotlights. They believe I reside in chandeliers, in acceptance speeches, in the top shelf of charisma. They summon me with glitter and exaggeration.

But that is my cheaper cousin – Flash. Flash is loud. Flash burns quickly and smells faintly of ego.

I prefer subtler habitats.

I live in the gasp when a baby wraps its hand around a finger.

I live in the courage it takes to apologize first.

I live in the quiet competence of a nurse at 3 a.m.

I live in the sentence, “I was wrong.”

I dazzle most fiercely in the dark.

Humans misunderstand me because they assume brightness requires volume. I was never noise. I was nerve.


Back to the man who thought dazzle meant applause. Let’s borrow our proof from the ocean to the contrary. Consider the cuttlefish.

When threatened, it performs something called a “dazzle display.” It explodes into patterns – stripes racing across its skin, colors flickering like underwater lightning. Predators pause, confused. In that hesitation, the cuttlefish escapes.

Dazzle, you see, is not always about attraction. Sometimes it is about survival. Sometimes it is about buying one sacred second.

The man’s daughter recovered gradually. At the next reunion, because life insists on sequels, he wore a simpler watch.

He did not rehearse. When someone asked what he’d been up to, he paused.

“I’ve been learning how to stay,” he said.

It did not trend. It did not sparkle.

But something in the room shifted softly, perceptibly like a lens adjusting focus. Conversations slowed. Laughter warmed. Someone admitted they were tired. Someone else confessed they were afraid.

No one glittered. Everyone glowed.


We have confused dazzle with domination. We think to dazzle is to blind, but perhaps to dazzle is to illuminate. Not the kind that makes others squint, but the kind that lets them see.

And now, the final shift in the story arrives, not with fanfare, but with clarity. The bathroom mirror from that first Tuesday? It was never judging him. Mirrors do not critique; they reflect. It was he who brought the harshness.

When he stands before it now, older, gentler, he sees crow’s feet like delicate etchings. He sees the faint scar on his wrist from when his daughter gripped too tightly. He sees a face less polished, more porous.

He smiles, unrehearsed. And the mirror dazzles. Not with brilliance, but with truth.

So if you must dazzle, do it like this:

Dazzle by listening longer than necessary.

Dazzle by laughing at yourself first.

Dazzle by staying when it would be easier to exit.

Dazzle by being incandescently, inconveniently sincere.

The world has enough fireworks. Be starlight. It lasts and don’t dazzle for a moment, illuminate for a lifetime.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Reblog – The Algebra of Awkward

Describe something you learned in high school.

I learned that x doesn’t always equal mine,
that answers can be right and still not align.

Math taught logic; lunch taught tribes,
unwritten rules and social bribes.
And gym class? Survival, loud and raw,
a daily lesson in who they saw.

In biology, I traced the heart,
but no one mapped where I should start,
what “cool” meant, how it looked or felt,
if it was worn or quietly dealt.

Was it brands, or a careless stare?
A perfect wing? The right kind of air?
English gave me love in verse,
but not how whispers rehearse and disperse.

“Did you hear…?” a breath, a spark,
rumors bloom best in the dark.

History missed a modern art,
cafeteria maps of who sits where, apart.
Jocks, outcasts, stages and screens,
and someone alone with the same routine.

I learned how “group work” splits one way,
one does the work, the rest just stay.
Earned high marks in silent fear,
and lost myself just trying to adhere.

Science said actions echo wide,
so I made myself smaller, easier to hide.

Health named bones and chemistry,
but not why timing betrays you publicly.

My voice cracked sharp in a quiet choir,
my words fell short of what I’d admire.
Same old hoodie, day by day,
like armor I forgot to take away.

“Too much,” “too weird,” “not enough”,
labels stick when days get rough.

But here’s the truth they never planned,
the script rewrites outside their hands.
The quiet ones grow, the loud ones bend,
and everyone breaks a bit to mend.

That awkward phase? Not a mistake,
just something real you have to take.

I learned to stand in what I am,
not chase a mold or fit a plan.
To laugh when I don’t quite belong,
and call that difference something strong.

High school’s a circus – loud, unkind,
but it sharpens edge and shapes the mind.

Now judgment fades like passing noise,
and doubt no longer steals my voice.

Because somewhere between the fear and strife,
I learned how to begin a life.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Dog-Eared Destiny


In response to Linda G Hill’s’s SoCS Stream of Consciousness for April 11, 2026

https://wp.me/p2CQXv-58Z

Your Friday prompt for Stream of Consciousness Saturday is “bookmark.” Use as a noun, use it as a verb, use it any way you’d like. Have fun!


When I was ten, I tried to stop time with a bus ticket.

My grandmother had fallen asleep mid-sentence in her armchair, glasses tilted, knitting paused like a thought that forgot itself. I panicked. Adults weren’t supposed to power down without warning. So I slid the nearest thing I could find – a faded bus ticket, between the pages of the novel in her lap.

There, I decided.

That’s where the world would wait.

If I didn’t close the book, the moment wouldn’t end.

If I marked the page, she would come back to finish the sentence.

It seemed logical. Books always resumed where you left them. Why not people?

She did wake up, of course. She blinked, laughed, and asked why her mystery novel now smelled faintly of diesel. But I never told her what I had attempted – a child’s first experiment in grief management.

That was my first understanding of a bookmark. Not a ribbon. Not a receipt. Not a pressed flower.

A defiance.


We pretend bookmarks are polite.

They sit quietly between chapters, slim and obedient. But what they really are is audacity laminated in cardstock.

A bookmark says, I will return. It dares to interrupt a story and walk away. It assumes continuity. It assumes survival. It assumes that the reader and the world will both still exist at page 214.

That’s bold. Because if we’re honest, life has no official bookmarking system.

There is no satin ribbon you can slide between “before everything changed” and “after.”

You can’t dog-ear a marriage. You can’t highlight the last normal conversation. You can’t scribble in the margins of regret.

Trust me, I’ve tried.

I once attempted to bookmark a relationship with a coffee receipt.

We had been sitting in a cafe, sunlight pooling on the table, pretending not to discuss the obvious. When it ended, quietly, maturely and tragically, I tucked the receipt into my wallet like evidence.

Proof that page 172 had existed. Proof that we once ordered oat milk lattes and believed in “later.”

But here’s the problem with emotional bookmarks – they bleed ink.

That receipt faded. The total smudged. Even the cafe closed down. Apparently the universe does not support archival romance.

Let’s consider digital bookmarks.
Oh, those are dangerous.

On the internet, we hoard them like dragons with anxiety disorders. Articles we’ll read. Recipes we’ll cook. Workouts we’ll start Monday. Philosophical essays that will transform us into people who drink water intentionally.

We bookmark aspirations. The folder names give us away: “SELF IMPROVEMENT.” “IMPORTANT.” “READ THIS OR YOUR LIFE WILL COLLAPSE.” They sit there, glowing with potential and judgment.

Digital bookmarks are less about memory and more about fantasy. They are the museum of the person we intend to become.

And occasionally, late at night, we scroll through them like archaeologists excavating abandoned ambition.

Ah yes. “Learn Mandarin in 30 Days.” Bold of us.

But here is where it becomes unsettling. What if we are the bookmarks? Think about it.

We slip briefly into other people’s stories –  a colleague’s chapter, a lover’s paragraph, a stranger’s anecdote on a bus. We hold a place. We alter pacing. Sometimes we are decorative. Sometimes we are the reason someone doesn’t close the book entirely.

And then we’re removed. Set aside. Tucked in a drawer. Forgotten between couch cushions of memory.

What if every human interaction is just us marking where someone else paused?

You meet someone at precisely the moment they needed not to quit. You become their placeholder for hope. You leave. They continue reading.

We rarely get to know what happens in the next chapter.

That’s the cruelty of being a bookmark. We hold the place. We don’t own the ending.

Now, let me tell you something peculiar.

Years after my grandmother passed away, I found that old mystery novel in a box. The bus ticket was still inside, brittle, obsolete, the transit company long dissolved.

I opened to the marked page.

The sentence she had fallen asleep on read…

“Sometimes the smallest interruption changes the entire course of the story.”

I laughed out loud. Because that was the day I realized something almost scandalous. The bookmark had worked.

Not by freezing time – no. That would be childish. It worked because it made me remember. It turned an ordinary nap into a permanent chapter. It stitched diesel fumes and knitting needles into my personal mythology.

The bookmark didn’t stop the story.
It branded it.

Here’s the unexpected truth. Bookmarks are not about returning. They are about reverence.
They say, this mattered enough to mark.

In a world that scrolls endlessly, swipes thoughtlessly, refreshes compulsively…

to mark something is rebellious.

To pause deliberately? Radical.

To say, I will come back to this feeling. Audacious.

And to admit, that I am not finished here. Courageous.

So yes, I still use bookmarks. Sometimes they are ticket stubs. Sometimes boarding passes. Sometimes the corner of a letter I wasn’t brave enough to send. And sometimes, on reckless days, I close the book without one.

And the final twist? Life does not wait at the page you marked. It keeps writing while you’re gone. The trick is not to stop the story.

The trick is to become unforgettable in someone else’s margin.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

The Patience of Water


In response to pensivity’s 3TC #MM390

https://wp.me/p3RSgb-wqh

Your final three words for this week are:
DELAY
DROP
DAMP


In a valley where the mountains often misplaced the sun and the rivers hummed old lullabies to themselves, there lived a young clockmaker named Ben.

Now, Ben had a peculiar problem.
Nothing in his life arrived on time.

Letters came late. Opportunities came late. Even spring seemed to consult a calendar written in pencil. He would plant seeds in hope, and the earth would respond with a long, thoughtful silence.

He called this curse Delay.

One year, after waiting far too long for customers who never arrived, Ben closed his shop and climbed the hill above the village. He shouted into the sky, “Why must everything be so slow?”

The sky, being older and less dramatic, did not answer.

But the wind did.

It whispered, “Go to the forest. There you will meet Delay.”

Now Ben was not accustomed to taking advice from wind, but despair makes one polite. So he went.

Deep in the forest he found an old woman sitting beside a still pond. Her hair was silver as frost; her eyes patient as stone.

“Are you Delay?” Ben asked.

“I am,” she said, knitting something invisible.

“You have ruined my life.”

She smiled the way trees smile, without moving much. “Have I?”

“You make everything come late.”

“I make everything ripen,” she replied. “Fruit picked too early is sour. Bread pulled too soon is dough. You mistake preparation for punishment.”

Ben frowned. “Then why does it hurt?”

“Because you are growing while you wait.”

Before he could argue, the pond rippled. A small, shining bead of water leapt into the air and landed on his wrist.

“I suppose you are Drop,” Ben said, startled.

The bead sparkled. “Indeed. I am small, but I travel far.”

“What good are you?” Ben asked. “You are hardly a river.”

The Drop laughed – a bright, bell like sound. “One of me is nothing. A thousand of me carve valleys. A million of me shape stone. I am the beginning of persistence.”

Ben thought of the unfinished clocks in his shop. He thought of the single gear he had adjusted again and again, certain it was useless to try.

The old woman, Delay, dipped her fingers into the pond. More Drops rose and hovered in the air like tiny stars.

“Watch,” she said.

The Drops began to fall, not in a rush, not in a storm, but steadily, gently, over a patch of earth beside them.

And then came Damp.

It crept into the soil quietly, darkening it, softening it, loosening what had been hard. Damp was not flashy like rain. It did not announce itself with thunder. It simply stayed.

“What are you?” Ben asked the darkened earth.

A low voice answered from beneath his feet. “I am what remains after the Drop. I am the patience after the moment. I am the quiet work no one applauds.”

Ben knelt and touched the soil. It was cool and alive.

From that softened patch, a green shoot slowly pushed upward.

Delay folded her invisible knitting. “You see? The Drop alone evaporates. Delay alone frustrates. But when Drop returns again and again, and Damp stays to cradle the earth, life begins.”

Ben watched as more shoots emerged.

“But I am only one man,” he whispered.

Drop landed on his knuckle. “Then be one Drop.”

Damp wrapped around his boots. “And stay.”

Delay stood. “And do not resent the time it takes.”

The forest grew very quiet, as forests do when a lesson has settled.

Ben returned to his shop the next morning. Nothing had changed, except him. He repaired one clock. Just one. The next day, he repaired another.

Customers did not come immediately. The village still moved at its unhurried pace. But word of his careful work began to travel, one conversation at a time, one recommendation at a time.

Drop.

He kept his doors open even on slow days.

Damp.

He stopped cursing the empty hours and instead used them to refine his craft.

Delay.

Years later, travelers crossed mountains to visit the clockmaker whose creations never hurried yet never failed.

When asked the secret of his success, Ben would smile and say…

“Most people fight Delay. They underestimate Drop. And they fear Damp.”

He would wind a clock and listen to its steady heartbeat.

“Delay ripens you.
Drop shapes you.
Damp roots you.”

And if you listened closely, beneath the ticking, you could almost hear the forest whispering its agreement.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Where the Furrows Lead

In response to Maggie’s Tranquil Thursdays #20

https://wp.me/pafj55-4UJ

Do read Maggie’s beautiful post “In retrospect”, about looking back and nostalgia.

“You can’t plow a straight line while looking over your shoulder.”
— My Grandfather

This wisdom came from my grandfather who was not keen on dwelling on the past…..

A few questions to consider:

Do you enjoy nostalgic reading or writing?

Do you have any regrets and if so, do you spend much time in reflection about them?

We know not all memories have an air of nostalgia. Do you think your heart and your mind insulate you from the less pleasant memories?


Like Maggie’s, my grandfather was a farmer too.

I remember it with aching clarity that when the strength began to leave his hands and they trembled like wind stirred leaves, he made one quiet request, to be taken back to the field, just once more.

It was late autumn. The soil lay open and dark, breathing out the scent of iron and rain. He stepped down slowly from the truck, boots sinking into earth that remembered him better than any photograph could. His palms hovered over the wooden handle of the plow resting by the fence – polished by decades of grip, sweat, and stubbornness.

“Just there,” he said, pointing to a stretch of ground where rows once ran arrow straight toward the horizon.

We stood behind him, unsure whether to steady or to let go.

He did not cry. His eyes simply watered in the wind.

“Funny thing,” he murmured, voice thin as cornhusk. “If you keep turning around to admire yesterday’s furrow, today’s row wanders.”

The field was silent except for a distant crow and the soft hiss of dry stalks rubbing together. He did not lift the plow. He only stood facing forward, toward a line that existed now only in memory.

And for the first time, I understood that memory can be both a compass and a cul-de-sac.


There is a particular fragrance to the past. It smells like starch ironed uniforms, like sun warmed notebooks, like mangoes ripening on a windowsill.

It is not merely recollection; it is curation. We polish certain scenes until they gleam. We soften the harsh light. We edit out the awkward silences.

Which brings me to the first question.

1. Do I enjoy reflective storytelling?

Yes. Deeply.

There is a pleasure in revisiting earlier chapters of life, in turning them over like sea glass, examining how rough edges have been smoothed by time. I find myself drawn to stories that walk backward through corridors of earlier decades, dust motes dancing in amber light.

But here is the twist…the pleasure lies not in returning but in reframing.

When I write about childhood summers, I am not attempting to live them again. I am trying to understand why they glow. What did that season teach? What invisible scaffolding was being built beneath the laughter? The act of writing becomes less about longing and more about translation, turning experience into meaning.

In this way, reflective writing becomes an archaeological dig rather than a time machine. The brush in my hand is careful. I uncover, I examine, I label. And then I move forward with a clearer map.

Still, there is danger. The more beautifully we describe a vanished era, the easier it is to resent the present for not resembling it. The past, unlike the present, does not argue back.

Now to the second question.

2. Do I carry regrets and do I linger there?

Of course I do.

They arrive in unexpected ways – the phone call not returned, the opportunity declined out of fear, the silence that should have been broken. They surface at night, usually around 2:17 a.m., when the mind turns courtroom and every old decision stands trial.

Reflection can be productive. It can sharpen humility. It can teach discernment. But rumination is a different creature. It loops and it corrodes. It convinces you that because something once went wrong, it defines the entirety of who you are.

There is a fine line between learning and reliving.

When I allow reflection to ask, “What did this teach me?” it strengthens me.
When I allow it to whisper, “What does this say about you?” it weakens me.

The difference is orientation.

Maggie’s grandfather and my grandad, standing in the field understood this intuitively. They knew that staring too long at yesterday’s crooked line would not straighten today’s. The earth demands attention. The present requires hands on the plow.

Regret, when held briefly, is a teacher. When clutched tightly, it becomes a chain.

And then comes the third question.

3. Do the heart and mind protect us from harsher recollections?

Yes and no.

The psyche is an astonishing editor. It applies filters. It lowers the volume on certain sounds. It wraps gauze around sharp scenes so we can function.

Sometimes this protection is mercy.

A difficult chapter may return softened, its edges blurred. The mind, like a careful archivist, stores it in a folder labeled “Handled.” We remember enough to be wise but not so much that we are immobilized.

But there are other times when suppression masquerades as strength. We say we are fine. We say it no longer matters. Yet the body keeps a ledger. The tightened jaw. The flinch at a particular tone of voice. The inexplicable sadness when a certain month rolls around.

The heart does not delete; it compresses. Here is the unexpected shift – perhaps insulation is not about erasure but timing. Maybe we are protected until we are ready.

What once would have shattered us can, years later, be examined without breaking. The mind releases the file when we have grown strong enough to hold it.

In that sense, even painful recollections can become fertile ground.

Let me return to the field.

Years after that autumn afternoon, I drove past it alone. The property had been sold. The rows were different now – new hands, new rhythm. I pulled over and stepped onto the edge of the land. The air still carried that metallic scent of soil and memory.

For a fleeting second, I imagined turning around, imagined walking backward across the field, retracing invisible lines. But the ground was uneven. I stumbled.

Forward, however, the path was clear.

And that is the paradox…memory enriches us, but direction steadies us.

To appreciate earlier seasons is human. To learn from missteps is necessary. To be shielded from unbearable pain is merciful. But life insists on orientation. The body leans where the eyes look.

If we fix our gaze solely on what has already been, our steps falter. If we refuse to look back at all, we lose context.

The art lies in the rhythm:
Glance.
Gather.
Grow.
Go.

We are not meant to live in yesterday’s furrows. We are meant to understand them, then draw new lines toward a horizon that has not yet been shaped.

And somewhere, perhaps, my grandad smiles, not because I never looked back, but because I did not stay there.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Accidentally Gifted


In response to Ragtagdailyprompt

RDP Friday: Talent

https://wp.me/p9YcOU-6gX


When I was eight, I tried to return my talent.

It was a small, unimpressive thing – slightly dented at the corners, prone to stage fright, and allergic to multiplication tables. I had discovered, with the blunt cruelty only a school assembly can provide, that my classmates possessed shinier models.

One boy could recite the capitals of every country alphabetically, while chewing gum . A girl in the front row played the violin as if angels were her unpaid interns.

Meanwhile, I could whistle convincingly like a boiling kettle. So I packed my talent into a shoebox lined with last year’s report card and marched to the only place that seemed logical – THE TALENT SHOP.

It stood between a bakery and a locksmith in a part of town adults pretend not to see. The sign above the door flickered…
EXCHANGES CONSIDERED. NO RECEIPTS REQUIRED.

Inside, the air smelled of sawdust, ambition, and mild desperation. Behind the counter stood a woman with spectacles shaped like question marks.

“I’d like to exchange this,” I said, sliding the shoebox forward. “It doesn’t sparkle.”

She peered inside. “Ah. Original issue. Rare model.”

“It doesn’t feel rare,” I muttered.

“That’s because it hasn’t been misused properly yet.”

I frowned. “I want something impressive. Violin prodigy. Mathematical wizard. At least a dramatic hair flip.”

She gestured toward the shelves. They were lined with jars. Inside each jar shimmered a talent – Flamenco Footwork. Negotiation Under Pressure. Making Strangers Laugh On Buses. Remembering Where You Left Your Glasses.

“Choose carefully,” she said. “Some talents require maintenance.”

A man in a corner was polishing his jar labeled Brilliance in Public Speaking. He looked exhausted.

Another customer was arguing. “This says ‘Natural Leader,’ but people keep ignoring me.”

“Have you tried listening?” the shopkeeper asked gently.

The customer blinked, scandalized.

I wandered the aisles. One jar caught my eye. Instant Genius. No Practice Needed. It glowed suspiciously.

As I reached for it, something happened that I did not authorize. The jars turned slightly toward me. Not metaphorically, or poetically, but physically, like they had been waiting for eye contact.

The Flamenco Footwork jar tapped once against the glass.
The Making Strangers Laugh On Buses jar fogged up, as if embarrassed to be seen wanting me.
And then my shoebox sighed. Not loudly, or dramatically. Just enough to be heard by the part of me that had never been asked for permission before.

The shopkeeper didn’t react. Which, I realized, meant this was normal here.

“You should know something,” she said finally, adjusting her question mark glasses. “The talents are not stored.”

I blinked. “They’re clearly stored.”

She shook her head. “No. They are… unsent invitations.” The room tilted slightly. “The moment you look at one long enough,” she continued, “it starts rehearsing you.”

A pause.

“That one there,” she nodded at the leaking Genius jar, “has been rejected by twelve people and is now learning sarcasm.”

The jar flickered. It looked offended. My shoebox rattled again, this time impatiently. As if it was tired of being underestimated in public.

“Ah,” the shopkeeper said, appearing beside me, nodding toward the Instant Genius jar once again. “That one leaks.”
“Leaks?”
“Confidence.”
I hesitated. “What’s the catch with mine?”

She opened my shoebox fully now. Inside was not just the kettle whistle. There were scraps I had forgotten – stories scribbled in crooked pencil, a habit of noticing the way light pools under tables, an uncanny ability to make my grandmother laugh by impersonating the neighbor’s dog.

“This model,” she said softly, “multiplies when embarrassed.”

“That’s not useful,” I protested.

“Oh, it’s very useful. It grows teeth when mocked. It becomes wings when ignored.”

“That sounds inconvenient.”

She smiled. “Most extraordinary things are.”

I glanced around. The customers were not triumphant heroes. They were people polishing, adjusting, repairing. The violin prodigy jar, I noticed, required daily tuning. The mathematics wizard jar hummed with insomnia.

“What if I keep mine and it never becomes anything?” I asked.

The shopkeeper leaned across the counter. “Talent,” she said, lowering her voice, “is not a performance. It’s a stubborn seed. The question is not whether it sparkles. The question is whether you are willing to look ridiculous while it grows.”

I considered this. Ridiculous was not my preferred aesthetic.

She slid the shoebox back to me.

“No refunds on potential,” she added cheerfully.

I trudged home, talent in tow.

Years passed.

I tried to ignore it. It rattled in the box at inconvenient moments. During math class, it doodled metaphors in the margins. At parties, it whispered jokes I was too shy to tell. When I failed at something, it scribbled the failure into a story and made it funny.

It was insufferable. Eventually, exhausted, I let it out. It did not transform into fireworks. It did not summon applause. It sat at my desk and began rearranging the world into sentences. It turned heartbreak into paragraphs. It made grief knock politely before entering.

And when I felt invisible, it placed a mirror in front of me and said, Describe what you see.

Which is how I learned that my kettle whistle was not a defect. It was a signal.

Now here is the part where I should tell you that everyone’s talent is special in a glittering, motivational poster sort of way.

But let’s not insult each other.
Some talents are loud. Some are lucrative. Some arrive with a parade permit and corporate sponsorship.

Others arrive disguised as inconvenience.

Some talents are simply the refusal to stop trying.
Some are the audacity to begin again after humiliation.
Some are the ability to sit with someone in silence without checking your phone.
And some, this is the dangerous kind, are talents for seeing. Seeing hypocrisy. Seeing beauty. Seeing that the emperor’s new outfit is aggressively imaginary.

That kind will not make you popular. It may, however, make you necessary.

Last week, I passed the old storefront.

The bakery is now a yoga studio. The locksmith sells artisanal kombucha. The Talent Shop remains, though the sign has changed…

REPAIRS ONLY.

Through the window, I saw the woman with question mark spectacles. She looked up as if she had been expecting me for decades.

I didn’t go inside. I didn’t need to. Because I finally understood the secret inventory of the shop.

There were never any exchanges.
The jars were mirrors.
The leaks were warnings.
The only item for sale was courage.

And talent?

Talent is the quiet, unreasonable insistence that something inside you deserves air.

It is the nerve to sound like a kettle in a world auditioning for symphonies.

It is polishing the jar you already hold.
It is failing publicly and growing teeth.
It is ridiculous.
It is stubborn.
It is inconvenient.
And if you listen closely…

it whistles when the water is ready.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Backbone for Rent (Terms and Conditions Apply)


Describe one positive change you have made in your life.


There once was a woman who rented out her spine.

Not metaphorically or poetically, but iterally.
Every morning at 8 a.m., a line formed outside her apartment.

A coworker borrowed it to carry “just one more quick task.” A relative needed it to hold up an emotional monologue about a cousin’s wedding seating chart. A friend took it for a “tiny favor” that required three weekends and mild psychological warfare.

By evening, her spine was returned dented, smudged, and occasionally bent into a question mark.

She would thank them. She always thanked them. After all, what good is a spine if not to hold other people up? One Tuesday, however, her spine failed to arrive home. It had unionized.


For years, I mistook exhaustion for virtue. If I was tired, I must be important. If I was overwhelmed, I must be needed. If I was crumbling, at least I was useful. I wore burnout like a scented candle, proudly lit, slowly melting, faintly toxic.

I said yes the way infomercials say yes. “Yes, I can!” “Yes, absolutely!” “Yes, I’ll do it even if I must divide myself into several emotionally unstable clones!”

At some point, I stopped being a person and became a public utility.

Need validation? I generate it. Need help moving? I lift it. Need someone to absorb your chaos? I laminate it and file it alphabetically.

I was a human vending machine. Insert request. Receive compliance. The only problem? The machine was out of snacks.

The positive change I made in my life was scandalous. I began disappointing people.

At first, it felt illegal. The first time I said no, I braced for sirens. Surely, somewhere, a dramatic orchestra would swell. A committee would assemble. My citizenship in the Republic of Niceness would be revoked.

Instead? Silence.
The world did not implode. Birds continued birding. Emails continued emailing. No one fainted theatrically onto a chaise lounge.

It was deeply anticlimactic. And wildly liberating. Saying no is not a loud act. It is quiet. It is almost invisible. It sounds like…“I can’t take that on.” “I won’t be able to make it.” “That doesn’t work for me.”

But inside?
It sounds like a cathedral being rebuilt. Each no laid a brick. Each boundary restored a beam. Each pause returned a plank of the floor I’d been standing on for everyone else.

Here is what no one tells you.  When you stop volunteering to carry the world, the world does not fall. It adjusts its posture. The change did not arrive all at once. It began in microscopic rebellions.

I stopped answering messages immediately. (Shockingly, no one perished.)

I stopped apologizing for resting. (I had previously apologized for blinking too slowly.)

I stopped explaining my no as if presenting a legal defense before the Supreme Court of Mild Discomfort.

“I can’t.” Full stop. At first, guilt sat beside me like an uninvited aunt. It whispered, “You’re being selfish.” “You’re not who you used to be.” “People will leave.”

Some actually did. But the ones who stayed? They met me for the first time. Not the overextended version. Not the agreeable hologram. Me.

Turns out, when you remove constant availability, what remains is personality.

Who knew?

And now, a brief correction: this part of the story isn’t mine to tell.
It belongs to my spine.

Yes. Hello. It’s me. The Spine, specifically Ro’s spine. Formerly overbooked. Previously mistreated. Now operating under new management.

I used to clock in at dawn and absorb the weight of expectations, obligations, and other people’s poor planning. I was bent into shapes not found in nature.

Do you know how exhausting it is to support someone who refuses to support themselves?

When she finally said no, I straightened.

Do you know what it feels like for a spine to straighten after years of emotional slouching?
It feels like sunrise cracking through curtains. It feels like oxygen entering a room long sealed. It feels like dignity.

She thinks she chose herself. Technically correct. But I’d like the record to show, I staged the intervention. You’re welcome.


The greatest irony? Choosing myself made me kinder. Not performatively kind. Not “martyr with a smile” kind. But present kind.

When I help now, it is deliberate. When I give, it is chosen. When I show up, I am actually there, not mentally calculating how many fragments of myself remain.

I no longer pour from an empty cup.
I retired the cup entirely.
I installed plumbing.

Here is the uncomfortable truth wrapped in a party hat. Some of us confuse being needed with being loved. They are not the same. Being needed feels urgent. Being loved feels steady.
Urgency is addictive. Steadiness is mature.

The positive change I made in my life was trading urgency for steadiness. Trading applause for alignment. Trading exhaustion for ownership. Trading “please don’t be upset with me” for “I respect myself.”

And in doing so, something astonishing happened. I became… taller. Not physically, but structurally.

And If you pass by my home now, you will not see a line.

There is a small sign on the door.

It reads…Spine No Longer for Rent.

Services available by appointment. Must bring your own vertebrae. And if you’re wondering whether the world survived my transformation. Yes. It did. It always does.

The only thing that disappeared was the version of me who thought she had to hold it up alone.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

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