Fizz Beneath the Frizz


In response to pensivity’s 3TC

#MM392

https://wp.me/p3RSgb-wsY

Your three words today are:
FRUMP
FRIZZ
FIZZY


In a valley where mirrors grew on trees instead of fruit, there lived a tailor named Ishan who was afraid of being seen.

Not seen-seen. But seen.

Every morning, he dressed in colors that apologized. Browns that whispered. Greys that folded into the fog. The villagers called his style “frump,” and he wore the word like a woolen coat in summer, heavy, unnecessary, but familiar.

Across the river lived Alina, whose hair refused obedience. It rose and rebelled and rioted in golden frizz around her head like a halo that had survived a storm. She tried oils, scarves, prayers. Nothing worked. The wind treated her like a favorite joke.

And in the center of the valley bubbled a strange spring. Its waters were impossibly fizzy. Anyone who drank from it felt a sudden urge to sing loudly, confess secrets, or wear outrageous hats. The villagers avoided it. “Too much,” they said. “Unbecoming.”

One day, a traveling merchant arrived with a cart full of polished armor and sharper opinions.

“You,” he told Ishan, “dress like a curtain.”

“And you,” he told Alina, “look electrocuted.”

“And that spring,” he declared to the crowd, “is improper.”

The villagers nodded. They liked opinions when they weren’t about themselves.

That night, something unusual happened.

A storm rolled in, not a violent one, but a mischievous one. It tugged at hems. It teased braids loose. It shook the mirror trees until reflections fell like rain.

Ishan, running for shelter, tripped and fell straight into the fizzy spring.
He expected shame.

Instead, he felt laughter rise through him like champagne. He stood up, soaked, sparkling, ridiculous and for the first time in his life, he did not reach for dullness. He began to stitch right there under the storm, sewing together scraps of abandoned festival cloth, sunset silks, and river blue satin. His hands moved without apology.

Alina, watching, stopped fighting her frizz. The storm fed it. Her hair grew magnificent and wild, a crown of unapologetic lightning. She laughed – loud, unladylike, alive.

The merchant, dry beneath a tree, tried to maintain composure. But a mirror fruit fell and cracked at his feet. In it, he saw himself,  not grand, not polished, just afraid. Afraid of frump. Afraid of frizz. Afraid of fizz.

Because frump is safety mistaken for identity.
Frizz is chaos mistaken for flaw.
And fizzy, ah, fizzy is joy mistaken for danger.

By morning, the valley had changed.

Ishan opened a new shop – The House of Unnecessary Brilliance.
Alina walked without scarves.
Children drank from the spring before exams.

And the villagers discovered something quietly revolutionary…

It is better to be a little frump than perfectly hollow.
Better to frizz than flatten.
Better to be fizzy – embarrassingly, effervescently alive, than still water pretending to be wise.

The mirrors on the trees never grew fruit again.

They grew courage.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Rap-sody in Grime


In response to Jim Adams’s Song Lyric Sunday

Recently Created Compositions

https://wp.me/p8EzVZ-L6p

Prompt:

This week the theme is to find a song by an artist that you just discovered.


For this week’s Song Lyric Sunday challenge (thank you, Jim Adams, for gently expanding my musical horizons), I must confess something scandalous:

I used to be a rap avoider. Not a hater – an avoider.

Let me tell you about the formerly respectable me. I adore classical piano. Give me cascading keys and I shall faint dramatically like a Victorian heroine. I love pop. I adore rock. Blues? Yes, please, serve it smoky with emotional damage on the side and if it comes with a piano crying in the background, even better.

Somewhere between Chopin’s sighs and a guitar’s heartbreak, I’m completely at home, fluent in melodies, fluent in moods, fluent in “just one more song” at 2 a.m.

My playlists were dignified, cultured, and proper.

Rap?
Oh no. Not for me, I said. Too loud. Too fast. Too many syllables doing CrossFit.

I convinced myself I needed melodies that glided. Harmonies that floated. Choruses that repeated gently like affirmations.

Meanwhile, rap was over there doing verbal parkour.

Then one fateful day, the algorithm – bless its mysterious, meddling heart, introduced me to UK rap.

Not the glossy, mainstream kind. The gritty, poetic, “Did he just rhyme philosophy with audacity?” kind.

Enter:
Stormzy
Dave
Roots Manuva

And suddenly my musical snobbery packed its bags and left without notice.

Stormzy: The Thunderclap

Stormzy doesn’t knock politely. He arrives like weather. There’s power. There’s presence. There’s poetry wrapped in bass. He’s not just rapping – he’s declaring.

I listened with one eyebrow raised.
Then both eyebrows lowered.
Then I replayed the song.
Growth.

Dave: The Philosopher With a Mic

Dave doesn’t just rhyme words. He builds arguments. His lyrics feel like someone sat down and said, “Let us discuss society… but rhythmically.”

There’s vulnerability, storytelling, intelligence. I realized something uncomfortable…

I had mistaken speed for superficiality.
Oops. And Then… Witness Happened 👀

That was the real turning point.
Witness (1 Hope) by Roots Manuva.

Also famously known for that line:
“Witness the fitness…”
And oh, I did.

You can listen here:
https://www.youtube.com/watch?v=ltP7L16A8Hs

This wasn’t just a song. This was lyrical gymnastics. It felt like spoken-word poetry put through a sonic espresso machine.

The rhythm doesn’t glide. It struts. The words don’t float, they punch. And suddenly I understood:

Rap isn’t lacking melody. It is melody, just rearranged into cadence, breath, and attitude.

The Humbling Realization

For years I thought I needed violins to feel depth. Turns out I just needed better headphones.

UK rap, raw, intelligent, slightly mischievous, felt like discovering a secret literary club where everyone rhymes and nobody apologizes.

And now?

The former classical piano purist is replaying grime on purpose.

Life is unpredictable. One minute you’re swooning over Chopin. Next minute you’re nodding seriously to a bassline like you understand urban sociology.

Growth looks like this.


Special Mention: The Uce

And then there’s The Uce – a quiet storm I didn’t see coming.

Not UK. Not mainstream. Not loudly advertised on every algorithmic billboard. Just pure, unfiltered talent slipping through the cracks of “low views, high impact.”

Born in Hawaii, shaped by the West Side of Oahu, and now making waves from Florida, The Uce (formerly known as Slo-Mo) brings something rare to the table – authenticity that doesn’t ask for permission.

A Samoan voice in a space that doesn’t always make room, he raps like he’s carrying islands in his cadence. Tracks like Mystikal don’t just play, they echo. There’s rhythm, roots, and resilience braided into every bar.

Not the loudest in the room. Just one of the realest. And honestly? Those are usually the ones you hear the longest after the song ends.

Lyrics as Poetry

Strip away the beat from rap and what remains?

Metaphor, Social commentary, Identity, Rhythmic rebellion.

Rap is modern poetry wearing trainers instead of tweed. And here I am, late to the party, holding my cup of tea, whispering…

“Witness the fitness.”
Consider me converted.☺️


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Pro-Bono Fide: In Magic We Trust


Daily Prompt-1899 : What job would you do for free?


Let me first of all narrate to you the parable of the unlicensed magician.

In a narrow alley between a bakery that smells of burnt sugar and a bank that smells of fear, there lives an unlicensed magician.

He owns no wand. Only a pocketful of mismatched words.

Each evening, he sets up a small wooden crate and invites the weary to sit. He charges nothing. Instead, he asks for their heaviest thought – the one they carry like wet laundry.

A widow brings silence.
A child brings a question about where the sky sleeps at night.
A banker brings numbers that won’t stop multiplying in his dreams.

The magician listens. Then he rearranges their burdens.

He tells the widow that her silence is not emptiness but a room where memories hum softly like bees.
He tells the child the sky sleeps folded inside puddles, waiting for brave shoes to step on it.
He tells the banker his numbers are just sheep with briefcases, and even sheep must eventually lie down.

The burdens leave lighter than they arrived.

No coins change hands. No receipts are printed. But every night, the alley smells less of fear and more of burnt sugar.

And the magician goes home rich in something that cannot be audited.


Now, let’s transition to my unpaid profession…

If I were to choose a job I would do for free, it would be precisely this – just like the magician did I would work as a professional rearranger of burdens. A storyteller with a twist. A dealer of temporary miracles.

Not permanent salvation – let’s not be greedy. Just a brief, luminous escape hatch from gravity.

I would write stories that tilt the room slightly. That make sorrow blink twice and reconsider its posture. That let reality step outside for air while wonder slips in through the back door.

No invoice required.


Society values productivity. Tangible output, metrics, graphs, deliverables.

But what is the market rate for awe?

How do you quantify the moment someone forgets, for exactly four minutes and twelve seconds, that their heart is heavy? Is there a spreadsheet column for “brief suspension of existential dread”?

Storytelling, especially with a twist, is a subtle rebellion. It says, Yes, the world is loud and urgent and often absurd but let us be absurd back.

A twist in a story is a philosophical prank. It exposes the fragile scaffolding of certainty. It reminds us that perspective is a costume drama; we are forever changing outfits and pretending this one is permanent.

And magic, real magic is not dragons or fireworks. It is the precise rearrangement of meaning.

Take grief. Turn it slightly. Suddenly it becomes evidence of love.
Take boredom. Tilt it. It becomes a hallway to imagination.
Take fear. Twist it just enough and it transforms into a flashlight.

Absurd? Perhaps.

But so is the fact that we are sentient stardust arguing about Wi-Fi passwords.

The storyteller’s role is not to fix the world. That would be exhausting and frankly above my pay grade (which is zero). The role is to offer temporary asylum. A narrative greenhouse where fragile hopes can photosynthesize.

A story is a snow globe you shake on purpose. For a moment, chaos becomes beautiful. And yes, it is temporary. The snow settles. Reality returns with its unpaid bills and unanswered emails.

But something subtle remains, a shimmer, a private inside joke with existence.

If I’m honest, I would do this work for free because it feeds me more than it drains me.

There is something deliciously mischievous about watching someone’s mind widen mid-sentence. About delivering a twist that lands like a soft thunderclap.

It feels like smuggling fireworks into a library.

And perhaps it is selfish. Because every time I offer solace, wonder, or a flicker of magic, I escape too. The storyteller is the first to disappear into the rabbit hole.

We call it “escape from reality,” but what if it is actually a return? A reminder that reality is not a brick wall – it is clay. It can be shaped, at least internally.

Stories do not erase suffering. They reframe it. They whisper, There is another angle. And sometimes, another angle is enough.

So what job would I do for free? I would stand in the metaphorical alley between burnt sugar and fear. I would collect heavy thoughts and hand them back slightly altered. Lighter, stranger, softer at the edges.

I would not promise permanence. Only pause.

Because in a world obsessed with permanence – career stability, eternal youth, lasting impressions there is radical beauty in the temporary.

A moment of wonder.
A flicker of magic.
A brief vacation from gravity.

And if someone leaves my story breathing easier than they arrived, then I have been paid in full.

After all, the most valuable currency is not money.

It is the weight we no longer carry.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

The Board That Watches Back


In response to Esther’s writing prompt:

https://wp.me/p3vsTb-9xh


I wake up to a silence that feels nailed in place.

Not quiet, no, quiet would be kind. This is the kind of silence that presses against your ribs like cold wood, like a BOARD you’ve been fastened to without consent. Every morning, I lie there for a moment, staring at the ceiling, wondering the same small, useless question:

Why me?

The room doesn’t answer. It never does. But it creaks, like it remembers something I don’t.


They say every BOARD has a story. Mine splinters. I can feel it in the way my days unfold, not in hours, but in fractures:

BBeginning
A reluctant inhale. The world loads slowly, like it’s unsure whether I deserve to see it again.

O – Origin
A memory surfaces—half-formed, half-forgotten. A laugh that doesn’t belong to me anymore. I try to hold it. It dissolves.

AAction
I move, but it feels scripted. Coffee. Steps. Words. Faces. Everything echoes like I’m performing on a stage built from someone else’s intentions.

RResult
Nothing fits. Conversations slip. Smiles misfire. I walk through people like a ghost who forgot how to haunt properly.

DDestiny
A question mark. Always a question mark.


Sometimes, I think I’m not living on the board. I think I am the board. Cracked. Written on. Erased. Written over again.

“Out of my BOARD,” I mutter once, catching my reflection. The phrase hangs there, wrong and right at the same time. Because I’m not out of my mind, I’m stuck inside something flatter, harder, colder.


And then there are the games. I didn’t notice at first. You never do when you’re inside them. But patterns repeat too precisely. Misfortunes align too cleanly. Hope arrives with suspicious timing, like bait.

It’s then I imagine it…A vast, impossible space. A universal picture board stretching beyond comprehension.

And somewhere – someone – moving pieces. Not cruelly, not kindly, just… curiously. Like a player.


“Welcome ABOARD the BOARD,” I whisper once, and laugh, too sharp, too sudden.

Because what if that’s it?

What if every stumble, every delay, every strange coincidence is just part of a larger composition? A design I can’t zoom out far enough to understand?

What if I’m both the nail and the note pinned beneath it?


Still, the cold doesn’t leave.

Days stack like identical planks. I grow BORED on the BOARD. The kind of boredom that isn’t empty, but overcrowded with thoughts that refuse to settle.

“The BOARD remembers what you forgot.”

That idea won’t leave me alone.

Because sometimes, in the quietest moments, I feel it. Not memory exactly, but recognition.

Like I’ve lived this moment before, or almost before, or will again in a slightly different shape.


“This is not a BOARD,” I say once, experimentally.

The room tilts, not physically, but conceptually, like reality shrugs.

And for a second, just a second, I see it differently. Not as a trap, but as a canvas.


What if the game isn’t about suffering?

What if it’s about focus? Because I start to notice something unsettling:

When I fixate on the cracks, they deepen.
When I trace the splinters, they multiply.
When I repeat why me, the question grows teeth.

But once, just once, I look away.

I follow something small instead. A flicker of warmth in a cup of coffee. A stranger’s almost smile. A breeze that doesn’t feel like punishment.

And the BOARD… shifts. Not entirely, not dramatically. But enough. That’s when it hits me, the strangest rule of all…

The game doesn’t just move me. I move it back.

So I try something reckless. Instead of asking why me, I ask:

What now?

The day doesn’t answer. But it loosens.

And somewhere, beyond comprehension, I imagine the player pausing… just briefly… to see what I’ll do next.


B
BO
BOA
BOAR
BOARD
BOARD
BOAR
BOA
BO
B

Again, and again, and again. Smaller, quieter, and looping.

Because if I stare only at the cracks, the cracks become everything.

But if I shift, even slightly, the pattern changes, the game changes. Maybe that’s the trick. Maybe that’s the mercy.

Or maybe?

it’s just another move on the BOARD.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Cosmic Entrapment: The Illusion of Holding


In response to Sadje’s Whatdoyousee #333 WDYS

https://wp.me/paf3ao-mWc



In a place before names, before memory, before even the idea of before, there was a Hand. It did not belong to anyone. It simply was.

Floating in a vast, silent expanse, the Hand waited, not in time, but in stillness. Then, from the quiet, something emerged – a tiny hand, impossibly small, impossibly new.

The tiny hand reached out. Neither searching, nor fearing. Not thinking either, just… reaching to hold on to something or someone.

And when its fingers curled around the larger one, something extraordinary happened. The universe began.

Stars did not explode into existence. Time did not start ticking. Instead, awareness flickered.

The Hand, the larger one, felt something it had never felt before:

It felt held. And in that moment, the Hand realized something terrifying. It was not the one doing the holding. It had never been.

The Unsettling Truth About the First Touch

At first, I looked at an image like this and instinctively believed I understood it. An infant, an adult and the things that popped in my head were protection, care, dependency.

But what if this is one of the oldest illusions we live inside? What if the tiny hand is not just seeking support…but defining reality itself?

The Brain Does Not Remember – It Rewrites

Modern neuroscience quietly dismantles our most comforting assumption, that we are stable observers of reality.

We are not. Memory is not a recording. It is a reconstruction, fragile, selective, and disturbingly creative. Every time you recall a moment, your brain edits it and alters it. Sometimes even replaces it.

Which leads to a deeply unsettling possibility. What if your earliest memory is not your own?
What if that sense of “being held,” of safety, of connection… was constructed later, a psychological anchor to prevent your identity from unraveling?

Now go back to the image. That tiny hand gripping the finger. You assume – The baby needs the adult and the adult provides stability
But psychologically, it may be the reverse. The adult – you, needs that moment to exist. Without it, the narrative collapses.

Consciousness: The Infant That Creates the World

Across ancient philosophies, especially in non-dual traditions, there is a radical idea: Consciousness does not emerge into the world.
The world emerges within consciousness.

That tiny hand? It may not represent weakness. It may represent the first formation of awareness, the moment pure, undivided being begins to identify, to grasp, to say:

“This… is something.”

And the finger it holds?

That is the first illusion of “other.”

In Vedantic thought, before identity forms, there is only pure witnessing – a state beyond subject and object. But the moment awareness “grips” something…

Duality is born.
Self and other.
Holder and held.
Infant and adult.

The Disturbing Reversal

Let’s invert the image.

What if, The infant is pure consciousness and the adult is constructed reality. Then the act of holding becomes something far more profound and far more disturbing.

Consciousness is not supported by reality.
Reality is stabilized by consciousness. The world exists because something, somewhere is holding onto it.

And what happens if that grip loosens?

The Illusion of Continuity

You believe you are the same person you were yesterday. But biologically, psychologically, neurologically, you are not.

Cells have changed. Memories have shifted.
Perceptions have evolved. What remains is not continuity, but a convincing story of continuity.

That story begins somewhere. Often, it begins here:

A moment of touch.
A moment of being held.
A moment of unquestioned trust.

But what if that “beginning” is retroactively created? A mental anchor to prevent existential freefall?

The Silent Guru

There is a reason infants are often described as peaceful, present, almost… otherworldly.

Not because they are incomplete. But because they are unfragmented. They have not yet divided the world into:

Me and you
Past and future
Fear and safety

In that state, the infant is not learning from the adult. It is revealing something to the adult.
Something we spend our entire lives trying and failing to return to.

The Final Realization

Now looking again at the image. Not as a photograph, but as a mirror I realized something.

That tiny hand gripping the finger, is not a moment from the past. It is happening right now.

Every perception you have…
Every belief you hold…
Every certainty you cling to…
is that same gesture.

Consciousness, reaching out, gripping something, and calling it real. But here is the question that really unsettles me:

If the grip is what creates reality…then what happens when you let go? And perhaps more dangerously…

What if you already have…and everything you see now, is just the echo of a hand
that is no longer there?


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

NETI NETI: Saying “No” to find what Truly Matters

Daily writing prompt
How often do you say “no” to things that would interfere with your goals?

Every life is shaped not by what we choose, but by what we refuse to carry along the way. Before truth reveals itself, everything that is not truth must be gently, courageously declined.

Let me narrate to you a parable – The Gatekeeper of Yes and No

In a luminous valley between two mountains lived a silent gatekeeper who guarded a peculiar door. Above the door were two glowing words that constantly shifted places, YES and NO, as though they were playing a game with the wind.

People from distant lands traveled to this gate, believing that passing through it would lead them to their deepest desires – wealth, peace, purpose, or truth. But the door opened only when the gatekeeper allowed it.

A young traveler once arrived, breathless with ambition.

“I want everything,” he declared. “Every opportunity, every experience, every path.”

The gatekeeper smiled faintly and handed him two stones, one black, one white.

“Each time life offers you something,” the gatekeeper said, “you must place one stone on the ground. The black stone means ‘no,’ the white means ‘yes.’ Choose carefully. The door opens not by how many stones you place, but by which ones you choose.”

Eager and impatient, the traveler began his journey. To every invitation, he dropped a white stone. Adventures, distractions, fleeting pleasures, meaningless conversations – yes, yes, yes. His path grew crowded, noisy, and tangled.

Soon, he found himself lost in a forest of his own choices. The door remained far behind him, invisible.

Exhausted, he returned to the gatekeeper.

“I said yes to everything,” he cried. “Why did the door not open?”

The gatekeeper bent down, picked up the traveler’s scattered white stones, and gently swept most of them away.

“You thought ‘yes’ would take you forward,” he said softly. “But it only multiplied your directions.”

Then he pointed to the untouched black stone still in the traveler’s hand.

“Try again. This time, let your ‘no’ carve your path.”

The traveler began anew. This time, he paused. He listened, and he questioned. For every distraction, he placed a black stone. For every calling that stirred his soul, a white one.

The forest thinned. The noise faded. The path sharpened.

And one quiet moment, without fanfare, without warning, the door appeared before him and opened effortlessly.

The gatekeeper’s voice echoed behind him…

“The door was never locked. It was hidden beneath the weight of too many ‘yeses.’”


The Power of “No” in Achieving Your Goals

Saying “no” doesn’t mean rejecting everything; it’s about protecting your time and energy for what truly matters. Each “no” you say creates space for the “yes” that brings you closer to your goals. Whether rejecting negative influences or habits that waste time, “no” is a powerful tool in maintaining focus and direction.

The Concept of “No Darkness Without Light, No Wrong Without Right”

Life is filled with dualities. “No darkness without light, no wrong without right.” Similarly, there’s no “no” without a “yes.” Both are essential. Saying “no” isn’t just rejecting; it’s making room for more meaningful “yeses.” The clarity of mind to say “no” to distractions, while saying “yes” to what aligns with your goals, is what drives growth.

“Neti Neti” – The Vedic Practice of Discernment

In Vedic philosophy and Advaita Vedanta, “Neti Neti” in Sanskrit, means “Not this, not that,” – a process of negation that helps strip away distractions and false identities, revealing the true self and to help practitioners understand the nature of Ultimate Reality. Similarly, in our goals, we must practice a form of “Neti Neti,” discarding what doesn’t serve us – negative habits, distractions, or unnecessary commitments, until only what matters remains.

Balancing “No” and “Yes” for Growth

Both “no” and “yes” are needed for growth. Too much “no” can limit opportunities, while too many “yeses” can scatter focus. The key is balance: say “no” to distractions and “yes” to the things that bring you closer to your goals.

Practical Steps for Saying “No”

1. Know Your Priorities: Clarity on your goals makes it easier to say “no” to distractions.

2. Set Boundaries: Protect your time and energy by saying “no” to draining commitments.

3. Practice Self-Awareness: Regularly evaluate if your actions align with your goals.

4. Embrace Discernment: Like “Neti Neti,” learn to reject what isn’t essential to your growth.

Saying “no” is an act of self-awareness and growth. By embracing both “no” and “yes” at the right moments, you clear the path for your goals. Like the practice of “Neti Neti,” it’s a gradual process of stripping away distractions to reveal your true purpose. In the end, saying “no” isn’t just rejection, it’s affirmation of what truly matters.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Invisible & Inescapable


In response to Jim Adams’s SLS Song Lyric Sunday

https://wp.me/p8EzVZ-KR0

Challenge: Making Informed Choices About Substances Matters

“This week the theme is to find a song related to drugs, chemical substances, prescription medications, alcohol, or tobacco suggested by Nancy of the Elephant’s Trunk aka The Sicilian Storyteller.”

1. The A Team – Ed Sheeran

Some songs whisper, some ache and then there are others that quietly undo you.

The A Team by Ed Sheeran is one of those songs. Released in 2011 as part of his debut album +, it tells the story of a young woman navigating cold nights, harsh realities, and the substance abuse that often hides in plain sight.

Listen Here:

“The A Team” – Ed Sheeran

https://youtu.be/DQh8h5CIxeU?si=1IdfqC226983EFv0

Credits:

Songwriter: Ed Sheeran
Performer: Ed Sheeran
Album: + (2011)
Producer: Jake Gosling

This song doesn’t judge or dramatize. It observes, softly insisting that we see lives we often overlook – Invisible and therefore unheard.


2. Breaking the Habit – Linkin Park

Image Credits: ©PaletteNPixels

If The A Team observes from the outside, Breaking the Habit by Linkin Park takes us inside the struggle. Written by Mike Shinoda and brought to life by the haunting vocals of Chester Bennington, this 2003 track from the album Meteora explores the loops of thought and behavior that trap a person – substance is only a surface symptom of a deeper, internal war.

Listen here:

Linkin Park – Breaking the Habit (Official Music Video)

https://youtu.be/v2H4l9RpkwM?si=O78vHdgIdUcqlb6i

Credits:
Songwriter: Mike Shinoda
Performer: Linkin Park
Lead Vocals: Chester Bennington
Album: Meteora (2003)

Here, addiction isn’t a choice. It’s a cycle, a storm within the mind. The song captures the fragile moment when self-awareness meets the courage to break free.

Reflection

Together, these two songs tell a fuller story…

One shows lives slipping through the cracks – quiet, unseen, nearly invisible.

The other explores the internal battle that keeps someone trapped, even when the world is watching. They are a duology of struggle: Invisible & Inescapable.

Sometimes the most powerful stories are not the ones that shout. They are the ones that quietly insist you look, listen and then feel.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Oxidized Wisdom


In response to Ragtagdailyprompt

https://wp.me/p9YcOU-6fU


RDP Monday: Copper


Long ago, a young traveler arrived at a quiet mountain village carrying a dull, scratched copper bowl. The bowl had once been beautiful, but years of use had darkened it. It looked tired, almost forgotten. Ashamed of it, the traveler asked an old craftsman in the village if the bowl could be repaired.

The craftsman looked at the bowl, smiled gently, and placed it into a small furnace.

The traveler panicked.
“You are destroying it!” he cried.

But the craftsman said nothing. He simply waited. The fire grew hotter. The copper slowly softened, its rigid shape loosening. After some time, the craftsman removed it, hammered it carefully, and placed it back into the fire again. This happened many times – heat, hammer, heat again.

Hours later, the craftsman handed the bowl back.

The traveler stared in disbelief. The bowl glowed with a deep, warm light. Its surface was smooth, alive with reflections. It looked more beautiful than it ever had before.

“But why did you burn it?” the traveler asked.

The craftsman replied quietly:

Copper remembers how to shine, but only fire can remind it.”

The traveler carried the bowl with him for the rest of his life, slowly realizing that the craftsman had not only repaired the metal—he had explained something about life.


Copper and the Philosophy of Becoming

Copper is a strange metal.

Unlike gold, which emerges from the earth already perfect, copper begins its journey rough, dull, and hidden inside rock. It must be broken, melted, and reshaped before its true qualities appear. Fire, pressure, and time are not enemies of copper, they are its teachers.

Perhaps this is why copper feels philosophical. It is not a symbol of purity or permanence. Instead, it represents transformation.

When freshly polished, copper glows with a warm orange brilliance, almost like frozen sunlight. But time slowly changes it. Air and rain begin their quiet work. The surface darkens, then slowly transforms into a soft green skin called patina.

This change might look like decay, but it is actually protection.The green surface forms a shield that allows the metal underneath to endure for centuries.

A famous example is the Statue of Liberty. When it was first assembled, the statue shone with the reddish-brown color of raw copper. Over decades, the air and sea slowly transformed it into the green figure now recognized around the world.

The statue did not weaken with time.
It adapted. Copper tells us something subtle about change: what appears to be corrosion may actually be evolution.

The Metal That Learned to Change

Thousands of years ago, humans discovered copper and realized it could be melted and reshaped. That discovery marked the beginning of the Copper Age, when humanity first stepped beyond stone tools and began transforming the materials of the earth.

Copper was humanity’s first lesson in transformation. It taught early civilizations that matter itself could change form, stone into metal, metal into tools, tools into culture. In many ways, copper was the beginning of technology.

Today, copper continues its strange journey. Hidden inside walls and cables, it carries electricity through modern cities. It quietly moves energy, voices, and information across the planet. The digital world, so often associated with silicon, still depends on copper wires running like veins beneath the surface of civilization.

Copper has become the circulatory system of the modern world.

Yet even within our bodies, small traces of copper help certain enzymes work. The metal that once slept inside mountains now participates in the chemistry of life itself.

Stone became metal.
Metal became technology.
Technology became thought.

Copper keeps transforming.


The Lesson Hidden in Copper

Ancient traditions sometimes linked copper with the planet Venus, a symbol of beauty, creativity, and change. Alchemists believed copper lived somewhere between the ordinary and the noble, capable of becoming something greater.

Perhaps they sensed what copper quietly demonstrates. Life rarely remains polished and new. Time leaves marks, just as air leaves marks on metal. But those marks do not always mean decline. Sometimes they form the protective layer that allows something to endure.

Copper survives not by resisting change, but by transforming with it.

That is why the craftsman in the village used fire. Because, copper, like people, often needs pressure, heat, and reshaping before its hidden brilliance appears.

And the old craftsman knew something the traveler would only understand much later. Some materials shine only after they have been through the furnace.

In the end, copper leaves us with a quiet challenge… do not fear the furnace of change. The pressures that bend you, the seasons that darken your shine, the experiences that seem to corrode your certainty – these may be the very forces shaping your strength.

Like copper, you are not meant to remain untouched; you are meant to transform. So when life places you in the fire, do not rush to escape it. Stand, endure, and allow it to refine you – because the world does not remember the metal that stayed buried in the rock; it remembers the one that emerged from the fire and learned how to shine.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

The Nana Doctrine

Who is / was the most confident person you know?

When I was young, I believed confidence was a kind of armor.

You could spot it easily. It shimmered. It walked into rooms like a marching band. It shook hands firmly, laughed loudly, and never spilled soup on its shirt.

But then there was Nana.

Nana did not shimmer. Nana wore slippers that looked like they had survived two wars and a civil disagreement with the vacuum cleaner. Her hair resembled a thundercloud that had forgotten what it was doing. She carried grocery bags as if gravity itself owed her money.

Yet Nana was the most confident person I knew.

Not the kind of confidence that struts.
The kind that stays.


One evening I asked her the question children ask when they have discovered philosophy but do not yet know the word for it.

“Nana,” I said, “why don’t you worry?”

She was slicing an apple with the patience of a mountain.

“About what?” she asked.

“Everything.”

She chuckled, not loudly. Nana never laughed loudly. Her laughter sounded like an old piano remembering a song.

“Well,” she said, “when you’ve done your best, why worry about the rest?”

She said it the way farmers speak about rain. As if the matter had already been settled by the sky. At the time, I thought it was merely a sentence.

Years later I realized it was a cosmic operating system.


Now here is where the story becomes slightly strange. Because, one night, after Nana had fallen asleep in her armchair, I imagined something extraordinary.

As a child, in my mind, Nana was secretly employed by the Department of Universal Anxiety Management.

Somewhere beyond the rings of Saturn there was an office building made entirely of unanswered emails and unfinished thoughts.

Inside it, galaxies paced nervously. Stars fretted about their brightness. Black holes worried they were being misunderstood.

And every morning Nana arrived with a thermos of tea.

“Alright,” she would say to the universe, clapping her hands.

“Did you try your best?”

The planets would mumble yes.

“Then why worry about the rest?”

Even comets, those dramatic show-offs of the cosmos, would sigh and settle down.

Of course, the truth is less astronomical but far more interesting. Because confidence, I later discovered, is not a personality trait.

It is a habit. People imagine confident individuals wake up each morning dipped in courage like toast in honey. Not true.

Confidence is something far stranger. It is built quietly, cultivated and practised consistently.

Like Nana slicing apples.
Like showing up again tomorrow.
Like saying, “I will try.”
And then actually trying.

Years later, I watched a famous awards ceremony on television. Actors stepped onto the stage in dazzling clothes, smiles bright enough to power small cities.

The world calls these people confident. But watch closely. Look at the hands. Look at the breath. Look at the tiny pause before the speech.

Inside every radiant smile, whether on a red carpet, a classroom stage, or the first day of a new job, there is a heart performing a complicated dance called hope mixed with terror.

Even the boldest among us whisper the same quiet question:

What if I fail?

Nana once answered that question too, though she didn’t know it. It happened while she was teaching me to ride a bicycle.

I fell six times. On the seventh fall I declared the bicycle cursed and possibly possessed. Nana inspected it gravely.

Then she said, “The bike is fine. The ground is just very friendly today.”

I glared. She winked.
“Get back on.”

So, here is the peculiar truth about confidence.
Confident people are not fearless. They are persistent gardeners of courage. They plant effort. They water it with practice. They prune worry. And then they let the weather do whatever the weather wants.

Because, when you have something invested in the result, doubt always sneaks in like a raccoon through the kitchen window.

But when you know you gave everything you had, you suddenly become free.

Nana is gone now. But, sometimes when life begins shouting its usual dramatic nonsense – deadlines, expectations, invisible judges with clipboards, I imagine her sitting somewhere beyond Saturn with her thermos of tea.

Watching humanity panic. Shaking her head.
And saying the simplest, bravest thing anyone ever taught me…

“You did your best, didn’t you?”

“Yes.”

“Then why worry about the rest?”

And the strange thing is, in that moment, I feel something very close to confidence growing quietly inside me. Not armor and definitely not applause.

Just a small steady voice that sounds suspiciously like Nana.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

When the Clouds Misplace the Sun


In response to Jim’s SLS Song Lyric Sunday

Last week we had Attention Grabbers where the theme was to find a song with a great intro.  This week the theme is to find a song related to weather conditions of sunny, cloudy, windy, rainy, or stormy suggested by Nancy of the Elephant’s Trunk aka The Sicilian Storyteller.

https://wp.me/p8EzVZ-KKw


There are days when the human mind resembles a weather forecast written by a pessimistic poet.

Visibility: poor.
Chance of existential drizzle: 90%.
Emotional humidity: unbearable.

On such days the heart wanders through fog like a traveler who misplaced both the map and the courage to read it.

And yet, somewhere in the great jukebox of humanity, there exists a small, cheerful meteorologist with a guitar.

His forecast arrives in the form of a song.

One such song is the timeless I Can See Clearly Now, written and first recorded by the wonderfully optimistic Johnny Nash. In 1972, Nash performed a minor miracle – he turned emotional fog into sunshine with three minutes of melody.

The lyrics begin with a confession every human being understands:

“I can see clearly now, the rain is gone…”

What rain? Not merely the rain that soaks your socks. The other rain, the invisible kind.

The rain of confusion.
The drizzle of doubt.
The occasional thunderstorm of What on earth am I doing with my life?

Every soul has wandered through that storm.
Some days the mind is a windshield smeared with yesterday’s worries. We stare through it trying to navigate life, wondering why everything looks blurry.

Then something happens. BAM!

A conversation.
A small victory.
A cup of coffee strong enough to resurrect optimism.
Or perhaps simply time.

And suddenly, like a stubborn cloud stepping politely aside, the horizon appears again. That is the quiet miracle of Nash’s song. it reminds us that despair is often just temporary weather.

Not climate or weather, and weather passes.

I can see clearly now (Johnny Nash)

The Philosophy of Sunshine

Philosophers have wrestled with darkness for centuries. But musicians? Musicians simply hum their way through it.

Which brings to mind another cheerful anthem of emotional meteorology. Cover Me in Sunshine, sung by Pink with her daughter Willow Sage Hart, and written by Pink alongside Amy Wadge and Johnny McDaid.

If Nash’s song is the moment when clouds part…this one is the warm blanket of sunlight that follows. The song doesn’t ask for riches or glory.

It asks for something far more radical:

“Cover me in sunshine…Shower me with good times…”

In other words…
Please, universe, just let today feel a little lighter. A humble request, but a powerful one.

A Brief Meteorological Study of the Human Soul

If the human condition had a weather system, it might look like this…

Childhood: mostly sunny with occasional tantrum thunderstorms.

Adolescence: dramatic lightning storms for no scientifically proven reason.

Adulthood: scattered responsibilities with heavy chances of coffee.

Wisdom: partly cloudy but peaceful.

And somewhere in every season of life, a song appears like sunlight sneaking between clouds.
Music does something extraordinary. It reminds us that someone else has stood in the same rainstorm, and lived to sing about it.

Johnny Nash stood there.
Pink stood there.
You and I have certainly stood there.

The rain falls. The fog rolls in. The mind mutters dramatic poetry about the end of everything.

And then, quietly…the sky clears.

A Forecast Worth Remembering

If life ever feels like a week of emotional snowstorms, remember the wisdom hidden inside those songs. Clouds are temporary tenants of the sky. Sunshine is the landlord.

And somewhere beyond the fog of worry and the drizzle of doubt, a voice with a guitar is still singing…

I can see clearly now…which is a lovely reminder that clarity is not something we manufacture.

It is something that arrives, usually right after the storm. So, if today feels cloudy, keep walking.

The sun is already on its way.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

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