Digital screenshot captured from desktop computer showing Facebook Messenger video call interface. Foreground participant’s face fills majority of window. Individual wears large round eyeglasses with dark frame rims and septum piercing. Hair is short, tousled, and facial hair includes mustache and partial beard. Lighting is soft, originating from left, illuminating wall in background. Background wall is plain light gray, with dark object resembling a bird or sculpture partially visible at lower left edge.

On-screen interface includes standard video call controls at bottom center: microphone toggle, red end-call button, camera toggle, and screen-sharing indicator showing “Stop sharing.” At top of call window, header identifies “Messenger call” and name label “Holinski, Alex.” Small secondary video window in lower right shows mirrored thumbnail of same participant. Desktop taskbar at bottom reveals multiple active programs, including browser, file explorer, image editing software, and VLC media player, indicating multitasking environment.

Main interface presented within web browser window, with tabs visible at top including Facebook, open mail inbox, and other applications. Purple-highlighted active tab corresponds to Facebook Messenger call. Overall screenshot documents digital communication session, combining visual portrait of participant with contextual indicators of software environment.

Digital promotional layout consisting of a composite arrangement of text, graphics, and photographic portraits announcing an event under the title “At the service of the narrative.” The upper left quadrant contains a rectangular banner with a gradient background transitioning between pastel hues of green, purple, and light yellow, overlaid with black sans-serif typography listing the session’s name and contextual details. To the right, a vertical column of text specifies participants, event format, and institutional affiliation, presented in list form with typographic hierarchy emphasizing bolded names. Below this section are three monochrome portrait photographs aligned horizontally, each cropped at head-and-shoulder scale, showing distinct individuals in grayscale reproduction. The lower region of the composition overlays a translucent gray block containing hashtags, institutional identifiers, and participant names rendered in bold white text preceded by the hashtag or @ symbol. Identifiers reference creative institutions, specific individuals, and project titles including hubmontreal, onf, gnfb_animation_interactive, and personal accounts for Sandra Rodriguez and Sandro. The overall arrangement functions as an informational visual combining graphical gradient design, textual listing, photographic identification, and social media indexing tags for circulation within digital platforms.

The image shows a digital screenshot from the Anibar International Animation Festival’s online platform highlighting the official film selection. The upper section features the festival banner with the slogan “SMASH PATRIARCHY” written in bold white letters across a purple-to-pink gradient background. Two stylized human figures, one on each side, extend their arms toward each other in a gesture of solidarity or connection. Text in both English and Albanian identifies the festival dates “15–21 JULY” in Peja, Kosovo.

Below the banner, the festival’s Facebook page layout is visible. The left side contains the Anibar profile image, a circular logo featuring a minimalist bird motif on a purple background. The header shows the festival name, follower count, and navigation tabs such as Home, About, Events, Photos, and Videos.

The main content area displays a grid showcasing selected films. The grid consists of multiple thumbnail images of film posters and frames, interspersed with bold yellow-and-blue title cards that indicate competition categories, including “INTERNATIONAL,” “BALKAN,” and “STUDENT.” Each category marker divides clusters of films into sections, organizing the selection for browsing. The thumbnails depict a range of artistic styles, from hand-drawn to digital animation, experimental approaches, and character-driven narratives.

The layout functions as a public-facing announcement of the festival’s curation, presenting the breadth of animated works chosen for screening. The use of bold color-coded category blocks enhances navigation and visibility across the dense grid of images.