Digital promotional layout consisting of a composite arrangement of text, graphics, and photographic portraits announcing an event under the title “At the service of the narrative.” The upper left quadrant contains a rectangular banner with a gradient background transitioning between pastel hues of green, purple, and light yellow, overlaid with black sans-serif typography listing the session’s name and contextual details. To the right, a vertical column of text specifies participants, event format, and institutional affiliation, presented in list form with typographic hierarchy emphasizing bolded names. Below this section are three monochrome portrait photographs aligned horizontally, each cropped at head-and-shoulder scale, showing distinct individuals in grayscale reproduction. The lower region of the composition overlays a translucent gray block containing hashtags, institutional identifiers, and participant names rendered in bold white text preceded by the hashtag or @ symbol. Identifiers reference creative institutions, specific individuals, and project titles including hubmontreal, onf, gnfb_animation_interactive, and personal accounts for Sandra Rodriguez and Sandro. The overall arrangement functions as an informational visual combining graphical gradient design, textual listing, photographic identification, and social media indexing tags for circulation within digital platforms.

Posterized graphic composition featuring a stylized head profile rendered through a limited color palette of deep navy blue, beige, off-white, and accent zones of red. The figure is positioned centrally within a rectangular frame bordered by a pale margin, producing strong contrast between background and subject. Curvilinear outlines define cranial contours, intersected by angled hatch marks near the lower quadrant suggesting shadow or texture. The upper portion includes a highlighted segment of beige intersected by irregular red marking, while the lower region shows fragmented red accent at the edge of the silhouette. The design employs large flat fields of color with minimal gradation, evoking screen print or stencil aesthetics. Negative space dominates much of the central form, allowing surrounding monochromatic planes to frame the simplified portrait structure. Edges appear smooth and vector-like, emphasizing graphic clarity and reduction of detail into abstracted tonal blocks. The piece functions simultaneously as portrait representation and graphic icon, emphasizing minimalism, posterization, and chromatic contrast as key formal strategies within the composition.