It’s show-and-tell today

When the hour turns sociable I’ll be on the doorstep of the exam centre to pick up the results of my students who played on the 24th of October.

Here is why I don’t like the exam system per se.

  1. It is merely a reflection of how well you played (and answered questions) in a specific 13 minutes, under hectic stage fright.
  2. There is 1 person judging and his estimation of how well you played is final.  There is no point of audit here – a gripe I’ve had previously with the system.
  3. The danger is always that the whole year goes by polishing 3 pieces, some scales and a bit of technical work instead of making progress and discovering music.  Not much fun!
  4. The added danger is that children take a disappointing grade so badly that they lose their enthusiasm for the instrument altogether and stop.
  5. And finally, pressure from parents or the student themselves can be so severe that after the exams, pass or fail notwithstanding, the instrument is dropped.

All this is rather counterproductive to the goal of developing musicianship in young people.  Concerts and musical functions, as well as ensemble play, go much further towards this goal. And this is why exams don’t form a major part of my teaching practice – in fact, they interfere with my method more than they help, but occasionally they are called for, anyway.

The real benefits of exams:

  • They can be the motivator to get an otherwise lethargic student practising.
  • There is a real increase in technique:  Not from the exam but from two months of highly focused practice.
  • That little piece of paper can in some cases be used to open doors – e.g. certain youth orchestras want to see Gr 4 or Gr 5 before accepting a member (rather than auditioning, or additionally to).
  • And…  there is that issue of music as a matric subject.  But it takes more than passing a practical exam for that, these days; they have changed the rules.  The updated rules are subject for a different post.

~

One of my students has broken his shoulder by trying out a friend’s motorbike and falling.  We wish him a speedy recovery!

Dynamic Duo on Kruiskyk

Our twin musicians were interviewed by TV station “Kruiskyk”. A story of hope, persistence and refusing to give up. An overload of talent doesn’t exactly hurt either…

Ruthven and Lawrence Frylinck
Ruthven and Lawrence Frylinck interviewed by the crew of "Kruiskyk"

The crew of “Kruiskyk” came to interview two of our students at their home on Thursday, for the program “Voete”, provisionally scheduled to be aired on Sunday 15th April at 18h00.

Identical twins Ruthven and Lawrence Frylinck have been with the Violin Studio for several years now.  They perform together regularly, having notched up (besides the regular Studio Concerts) various weddings, sundowner functions, birthdays and promotional events.  Their story, to be told on “Voete” next Sunday, is one of winning through persistence.  The TV appearance is thoroughly deserved.  Of course a healthy overdose of talent doesn’t hurt.

Their repertoire includes classical pieces, gypsy fiddle, Irish,Celtic, opera and Afrikaans songs;  their instruments span from a capella singing to keyboard-accompanied violin, tin whistle, low whistle, and a blend of above.

Ruthven and Lawrence Frylinck can be found at our Musician’s Hub page.

 

 

 

Hello Readers!

Violin materials – inspirational listening!

To all who wish to read this blog but don’t really know why:

It’s a blog for violinists or those interested in the instrument,  about tricks and tips and experiences, that have come together over the years of playing and teaching violin (and viola).

Feel free to link, or comment and let me know if you have specific questions; luckily I don’t claim to know it all but I can refer you, in general, to some pretty good answers / answerers.

To kick it off I’ll post a few links to people I find are great.

 

1.  The chant of the Nightingale, Sarasate (MUST hear!!)

http://www.youtube.com/watch?v=UjQNu906ogE

(Played by Marta Abraham – Hungarian violinist http://www.martaabraham.com/en/biography)

(I have to agree with one of those Youtube comments – you haven’t heard violin until you’ve heard her play!)

Nightingale

2. The inimitable David Garrett playing “Dance of the Goblins” (Bazzini)

http://www.youtube.com/watch?v=HwXMEGIrbMA

 

Have fun listening.

Design a site like this with WordPress.com
Get started