Cultural Apathy and the Benefits of Music

With all sorts of unreasonable extra expenses being foisted on South Africans, such as the unconstitutional e-tolls, the Wonder of Nkandla (one doesn’t have to wonder where the funds for this private homestead were embezzled), sky-rocketing food price hikes and the ever-climbing fuel price (of which a hefty proportion is levied to “recover” the e-tolling system), I noticed something very sad among parents and school-going students.

Cultural apathy.

Schools push for sport, sport, sport; I suspect this goes paired with hefty subsidies for “winning” schools.  Music, drama and art have been squished, via our govt, into one single subject and minimized as far possible:  “Arts and culture”.  Looking at the syllabus of the various grades (already for years), I spot a lot of costume-making, African dance, collages and making up rain songs in this subject (nothing wrong with any of these); but as to classical music theory and practice, close to nil.

I would like to alert my fellow European and African citizens of South Africa to an interesting development in China:

80 million classical concert pianists.

Eighty million.  That is, 1.6 TIMES as many concert pianists as South Africa has… people.

If you ask these eighty million whether they find the classical music too “Eurocentric” the response will probably be loud laughter.  China is fast becoming (or is already?  Update me pls) the wealthiest nation on Earth.  They have the highest amount of graduates, well-educated people; professionals; etc.  And of course concert pianists.

A concert pianist is someone who makes a professional living (and not a bad one) by playing public concerts.  He is also a person who has invested 10 000 practice hours or more into his art.

If eighty million Chinese people invest 10 000 hours of their youth (because they are professional at the latest by age 20) into the Eurocentric art of playing classical piano,

How can you defend European-descended South Africans letting go of their inherited culture?

How was China closer to classical music than Holland, in the 1800’s?

You need to understand that classical music is not European heritage any longer (though we can still be proud it originated in our country of origin).  It is by now World heritage.  And the Chinese, with their brilliant minds, are helping themselves to their fair share of it with gusto, because they understand its merits.

It isn’t only pretty.

Classical music, and learning a classical instrument, has merits far beyond aesthetics.

Manfred Spitzer, a German neurologist, highlights the importance of learning a musical instrument early in life. (Those of you who understand German, I linked to the Youtube presentation.)  There are various points he makes, the most pertinent being:

  • It strengthens the self-image, and therefore the “I can” attitude.

What do children mostly get in school?  Tests, and marks.  More importantly, the marking is usually negative.  This leads to a general feeling that one cannot ever achieve it all, especially in children who are fairly “average”.  A ‘C’ means that you have only understood about half of what is going on; or that your brain keeps tripping you up by making mistakes and costing you that mark – and that recognition from adults that children crave.  (They do crave it. Don’t be fooled by the teenage “I don’t care” culture.)

Playing those little concerts before friends, family and others, at the end of the short performance the child harvests  applause.  What is applause?  It is approval from adults.  The child gets the feedback:  I can do this!  This works!  I can achieve this.

That alone spurs young musicians to doing better in all other subjects.  The apathy “I can never win” that the negative marking system in schools breeds, is conquered by the “I can do this if I try harder” attitude.

This is perhaps the most important point Manfred Spitzer makes to this topic (he also shows, in related videos, neuronal growth in brains).

However, what remedial teachers, occupational therapists, psychologists, speech therapists and many other professionals all know:  Music is a fantastic remedial tool for any kind of disability – and a wonderful booster for those who have none.

Some of these benefits, summarized in the Review by Iain Rossouw, “The Benefits of Music“, include:

Physical:

  • Improved physical stamina
  • Upper-body muscle tonus
  • improved fine-coordination
  • Hand-eye-ear coordination
  • strength (!)

Mental-physical:

  • Improved focus (quality and duration)
  • Multitasking
  • Improved accuracy, both muscular and sensory
  • Problem-solving on-the-run
  • Improvements in speech impediments

Emotional:

  • Increased resilience
  • Mastering nervousness & stage fright
  • Improved self-image
  • Better emotional balance
  • Better expression to emotion
  • Improved communication skills
  • Overcoming shyness

Other commonly observed effects:

  • Improved marks in school
  • Leadership traits
  • IQ measurably increases (up to even 12 points)

 

Such are the benefits of music on a child practising.   If you could wrap 12 IQ points into a package and give them to your child as a gift, would you?  I bet you would!  That is exactly what learning music, and specifically the bowed strings (violin, viola and cello) do for your child.  

But it goes beyond this.  How do you, as an adult, nurture your culture?

Do you have paintings (or at least prints) of the great masters around your house?  Do you read the great writers and occasionally even the poets?  Do you listen to great music around the home and in the car (102.7 is Classic FM, by the way – encourage them to play more music and have fewer talk shows, we can get talk shows on any channel)?  Do you visit the local concerts and plays when they are going, and at least try to get a ticket for Andre Rieu and his orchestra when they are in the country?

Or is television the whole of your entertainment menu?  😦

Culture needs to be nurtured, taken care of.  A “cultured” man or woman is regarded even one-up from a “highly educated” one.

Start small.  Once a month, do something “cultural”.  Visit an art exhibition.  Go watch a play.  Listen to a lunch hour concert – they still hold them regularly on Thursdays at noon, at the University of Pretoria.

And allow your children to learn instruments.  Insist that they put in the work, the practice.  Get your money’s worth – this you do by making them practise.  Those who practise, progress.  You’ll have given them more than IQ points.  You’ll have opened the door for them to a culture they can cherish.

It’s show-and-tell today

When the hour turns sociable I’ll be on the doorstep of the exam centre to pick up the results of my students who played on the 24th of October.

Here is why I don’t like the exam system per se.

  1. It is merely a reflection of how well you played (and answered questions) in a specific 13 minutes, under hectic stage fright.
  2. There is 1 person judging and his estimation of how well you played is final.  There is no point of audit here – a gripe I’ve had previously with the system.
  3. The danger is always that the whole year goes by polishing 3 pieces, some scales and a bit of technical work instead of making progress and discovering music.  Not much fun!
  4. The added danger is that children take a disappointing grade so badly that they lose their enthusiasm for the instrument altogether and stop.
  5. And finally, pressure from parents or the student themselves can be so severe that after the exams, pass or fail notwithstanding, the instrument is dropped.

All this is rather counterproductive to the goal of developing musicianship in young people.  Concerts and musical functions, as well as ensemble play, go much further towards this goal. And this is why exams don’t form a major part of my teaching practice – in fact, they interfere with my method more than they help, but occasionally they are called for, anyway.

The real benefits of exams:

  • They can be the motivator to get an otherwise lethargic student practising.
  • There is a real increase in technique:  Not from the exam but from two months of highly focused practice.
  • That little piece of paper can in some cases be used to open doors – e.g. certain youth orchestras want to see Gr 4 or Gr 5 before accepting a member (rather than auditioning, or additionally to).
  • And…  there is that issue of music as a matric subject.  But it takes more than passing a practical exam for that, these days; they have changed the rules.  The updated rules are subject for a different post.

~

One of my students has broken his shoulder by trying out a friend’s motorbike and falling.  We wish him a speedy recovery!

Dynamic Duo on Kruiskyk

Our twin musicians were interviewed by TV station “Kruiskyk”. A story of hope, persistence and refusing to give up. An overload of talent doesn’t exactly hurt either…

Ruthven and Lawrence Frylinck
Ruthven and Lawrence Frylinck interviewed by the crew of "Kruiskyk"

The crew of “Kruiskyk” came to interview two of our students at their home on Thursday, for the program “Voete”, provisionally scheduled to be aired on Sunday 15th April at 18h00.

Identical twins Ruthven and Lawrence Frylinck have been with the Violin Studio for several years now.  They perform together regularly, having notched up (besides the regular Studio Concerts) various weddings, sundowner functions, birthdays and promotional events.  Their story, to be told on “Voete” next Sunday, is one of winning through persistence.  The TV appearance is thoroughly deserved.  Of course a healthy overdose of talent doesn’t hurt.

Their repertoire includes classical pieces, gypsy fiddle, Irish,Celtic, opera and Afrikaans songs;  their instruments span from a capella singing to keyboard-accompanied violin, tin whistle, low whistle, and a blend of above.

Ruthven and Lawrence Frylinck can be found at our Musician’s Hub page.

 

 

 

Concert next Saturday

Come listen to an evening of uplifting music, something you and your children won’t forget in a hurry.

Concert 17 March, at Taurominium Theatre 330 Derrick St Waterkloof, 19h00, entry R80 adults, R40 under 12
On the programme: Mozart, Dvorak, Sibelius, and a lot of tangos by various musicians in the first half and the Divertimento Quartet in the second half.

Treat yourself to an uplifting evening of music.


Ideal to escape the stresses of life for an evening. Treat a loved one; treat your children to something they won’t forget in a hurry.

Bookings at info@pkaboo.net. Book early to avoid disappointment; the setting is a small, intimate private concert hall seating only 50. Seats are reserved on payment.

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