A Surreal Estate Book Tag!

Though we’ve still got more or less a full week left in October, the next time I post will technically be November 1st (assuming I finish another book by then). Since this will be our last spooky post in the lead up to Halloween — any other spooky posts will from here on out will just be AFTER Halloween lol — I believe I owe anyone who has been following along a haunted house book tag.

Back in 2021, I was mildly obsessed with a show called Surreal Estate, in which a real estate agent specializes in selling haunted houses, and often must appease whatever supernatural entity is haunting the place before he can make the sale (John Wiswell’s Open House on Haunted Hill feels related and came out around the same time).

I was pretty much devastated because I thought the show had been cancelled, but when I was starting to google and pull together some ideas for this post, I realized it actually got renewed, and there are a total of three seasons(!) so far, with no news yet on whether or not there will be a season four.

There simply wasn’t enough time to do a re-watch of season one, and watch seasons two and three (and I’d have to get Hulu or Disney+), and come up with fun and interesting quotes myself. Also, I think that may have been quite a long post.

So I took to the internet, and found a great website which had tons of quotes from every episode . . . which was taken down sometime between the first week of September and now.

All of that to say, everything about my relationship with this poor show seems to be doomed from the start and I only managed to get a few quotes so this will be a relatively short (5 questions) list of recommendations.

I’ve mostly made it to amuse myself but would of course love it if you answered the questions yourself on your own blog and linked back to me. Or even just dropping into the comments with a couple Haunted House recs would be excellent. Perhaps I can revisit this after rewatching the series, once I’ve added a few more books to my haunted house resume.

So, without further ado, I present the SurrealEstate book tag!

“And one last thing. Don’t rule out the rational explanation. Ever.”

From Season 1 Episode 1

A haunted house book that just won’t quite suspend your disbelief. In which a logical, empirical explanation is as likely as anything supernatural . . . but still just as creepy.

The Grownup by Gillian Flynn

This one should feel familiar to any who have been reading along this month. It’s how we kicked off October this year. I enjoyed this short (short!) book for several reasons, the first being Flynn’s ability to hook the reader with an unexpected opening line, and continuous little subversions of our expectations throughout.

However, it’s not a book that leans heavily into the supernatural, if anything the opposite. The main character’s positioning as a fraud and grifter makes us doubt from the very beginning, and by the time we get to the end, it certainly feels like there’s a reasonable explanation for everything that occurred.

However I’ll let you decide when you read it. Give The Grownup by Gillian Flynn a read!

“No, it’s just sometimes these properties can act a little differently when your back is turned.”

From Season 1 Episode 2

A haunted house book with a twist. This is an old and well mined genre of horror. Which book surprised you by still having a few tricks up its sleeve?

Just Like Home by Sarah Gailey

This book could probably could have taken the spot for the last question too, though I think there actually is a supernatural element to this one, it’s only that the non-supernatural elements are also horrifying in their own right.

With Just Like Home, Gailey shows they can really write in whatever genre they want, and still have something unique and interesting to say. This book in particular seemed to give me the impression that there is still plenty more to be mined from this beloved genre!

“You must be careful. If this is what I think it is, it is old, it is cunning. It also has an ego and is easily distracted. But remember it only exists to inflict pain and sorrow. And it sees you coming.”

From Season 1 Episode 2

An irrefutable classic. The older the better. A book which is like homework for the genre. A must read, otherwise you just don’t get it.

(Side note: I usually ignore recs of this type because . . . well lets just say I have a less than favorable relationship with ‘The Classics’)

The Haunting of Hillhouse by Shirley Jackson

There’s a way in which it feels like all roads lead back to The Haunting of Hillhouse. Stephen King has reviewed it as one of the finest horror novels of the late 20th century, and the Writing Excuses Podcast did an entire episode just on the first few sentences. THoHH is such a staple of the genre, that books like the aforementioned The Grownup reference this classic in order to give themselves more clout in the genre.

I can hardly imagine a book with a bigger ego.

Ironically, I didn’t care for this one much. I’ll agree that the prose in the beginning are indeed some of the most fluid and poetic writing I’ve ever read. However, there are so many equally clunky and uninspired lines throughout the rest that it almost feels as if the gorgeous opening was some kind of fluke. In any case, at least for me, I could not tell why this book is such a staple of the Haunted House genre. I guess I’ll have to finish Stephen King’s full review . . .

“I have a story that needs to flow out of me. And that cannot happen unless the environment I am in lets that flow remain uninterrupted.”

From Season 1 Episode 3

A story you just couldn’t put down. A book which you couldn’t bother with real life while reading. Uninterrupted reading or GTFO!

We Used To Live Here by Marcus Kliewer

We Used To Live Here might be the scariest book I’ve read period. And Kliewer’s writing is superb. The perfect mix of need-know-what-happens and I-can’t-watch. I mention in my review his ability to write descriptions which are novel, yet completely understandable and often quite beautiful. He’s also a master of misdirection and suspense, constantly laying down little bread crumbs for the reader to follow. Some may go somewhere, others may not but they keep you eating up the story night after night (or maybe day after day since this can be a scary one to read after dark).

Definitely give this one a read!

“I lived in the past. But one can’t turn back time. And so, with that lovely melody playing in my head I said goodbye to this world. And it was only in the next that I learned the awful truth of what I’d done. That none of us who love this place or slept in its water could move on until that melody was turned back.”

From Season 1 Episode 3

A scary book featuring music.

The Fall Of The House of Usher

This one also could have gone in the classic section of this post, but I think I enjoyed it a little more than Hill House. Plus The Fall of The House of Usher has at least one element which I don’t feel like I see very often in any genre: Music!

The House of Usher’s last remaining occupant and caretaker, Roderick Usher, has become reclusive in the extreme while taking care of his sister, Madeline Usher, and music is one of the many tools Poe uses to show just how far he’s descended into madness. The narrator comments on the long and improvised dirges Roderick plays, and his obsessive practicing of mourning songs and funeral tunes, all played on the acoustic guitar.

The song we ‘hear’ (or is referenced) in The Fall of the House of Usher, is Carl Gottlieb Reißiger’s Last Waltz, but it is misattributed in the text to Carl Maria von Weber. Also the tune was written for — and probably played on — the piano during Poe’s time so it’s interesting that Roderick plays it on the guitar instead.

In T. Kingfisher’s What Moves The Dead, the Roderick character is a pianist, just one of the many ways that author seeks to ‘fix’ the original story by Poe.

Tag You’re It!

Well that’s it folks. Five spooky haunted house books you can (probably) still finish before Halloween next week. Let me know what you thought of this list. Is there any recommendations you’d have added? Have you read any of the ones I suggested?

Please let me know in the comments! And if you decide to do the tag, a link back here is always appreciated! Looking forward to talking about this one!

Until next time!

More Palahniuk Than Poltergeist: A Look at Gillian Flynn’s ‘The Grownup’

It’s October again, which means I’m officially back in my Haunted House Era until we hit November. Looking back at last October (2024), it seems we were a bit light with only my review of What Moves The Dead scratching this particular itch. Marcus Kliewer’s We Used To Live Here seems like what I should have been reading, but apparently I didn’t get around to it until November. Weird. In any case, it’s probably the last haunted house story I’ve read, and honestly my current favorite.

The plan for THIS October is to read Gillian Flynn’s The Grownup (check), and two more haunted house stories before finishing out the month with a book tag!

Will I actually manage to get all of that reading done? Will I get the reviews written? And will I have a new favorite by the end of this month? Only time will tell.

Let’s get to it!

To my knowledge, this is the first piece of fiction from Gillian Flynn that I’ve actually read. I really enjoyed HBO’s Sharp Objects (though I only got around to watching it within the last year or two), and I knew Gone Girl by reputation though I had never seen the movie or read the book (I am now about 20% through the book).

But somewhere in the back of my mind, I had remembered that Flynn had written a “fantasy story”, which was in one of the George R.R. Martin anthologies (Rogues). I was surprised and honestly kind of curious, but had yet to pursue it. This info was far from my mind when I set out to build my list for this October, but as I was scrolling through my library’s catalog, and came across The Grownup I was again surprised that Flynn had worked on something with a supernatural bent. Finally it clicked that THIS was the fantasy story from Rogues, originally titled What Do You Do?

It’s hard to discuss this short story fully without spoiling most of the twists — I’m learning that Gillian Flynn loves a good twist! — but a few things stand out about it right from the start.

The first thing is the opening. It starts: “I didn’t stop giving hand jobs because I wasn’t good at it.”

Excuse me what?

I’ll refrain from making an ex-squeeze me joke (ok I guess I still made it) but talk about an attention grabbing first line. And about setting the tone hahah. I felt this opening notable for more than just raunchy nature of its content however. First, it’s (ahem) dripping with characterization and hopelessly compelling from that lens. Who is the type of person that introduces themselves this way?

Second, it sets The Grownups apart from other haunted house stories, in that it doesn’t begin with describing THE HOUSE. Perhaps the prime example of what I’m talking about is the quintessential Sherley Jackson classic The Haunting of Hillhouse which manages to give the reader a sense of unease and dread about Hillhouse within the first paragraph.

The Grownups doesn’t bother, it positions its narrator as its most interesting character, gives us her story right away, and then finally talks about the house somewhere around the halfway-point (pg 28 of only 62). In this way, it almost reads more like a Chuck Palahniuk novel than a true horror story (now I want to re-read Haunted). It’s hard to think of this choice as anything but deliberate, especially since Flynn’s narrator — something of a bookworm despite her profession — mentions Haunting of Hillhouse as a favorite read of one of her Johns.

In any case, when the house finally does get introduced, it is sufficiently creepy from the outside, and even more horrific once we meet the people living there. I sort of have to stop here as we begin getting into spoiler territory but just know that once we finally get to Carterhook Manor, the twists start coming and Flynn does a wonderful job destabilizing the story, giving us the illusion of knowing what’s going on and then finding out, time after time, we actually had no idea.

I will admit, my only complaint about the book, is that Flynn does not spend much time attempting to ‘scare’ the reader. It’s just not that type of story. So while I did enjoy this one a lot, I’m not really sure it quite hit the threshold of the ‘spooky’ vibe I was aiming for with my selection this month.

So, Give “The Grownup” a Read?

I liked this one. Flynn knows her craft well, and is able to hook the reader with something unexpected from literally the first sentence of this story. And because I’m a nerd, I enjoyed how this book situates itself within the genre, or I guess how it kind of removes itself from the genre while still managing to incorporate some of its sign posts.

All of that meta commentary happening with mentions of The Haunting of Hillhouse, and Dracula; Rebecca and The Woman In White (I still need to read those last two classics), make it extra fascinating that the story was originally published in what is ostensibly a fantasy anthology (GRRM’s Rogues).

Also, it’s a short one, so there’s little downside here that I can see except that it’s generally not really a spooky book in the way we want in the lead up to Halloween.

That’s all I have for this week! Has anyone read this one before? What parts were your favorite? Would you try ‘cleanse’ Carterhook Manor. By what point would you have nope’d out of there?

That’s all I have for this week! See you next time!

Good Enough to Inspire Others to Greatness: ‘The Haunting of Hillhouse’

Wow, where has October gone?

It’s already the 21st, which means Halloween is right around the corner, and I haven’t done a single spooky thing on this blog.

How dare I?

Well, what better way to get into the spirit of the holiday, than to review an old classic.

Shirley Jackson’s The Haunting of Hillhouse hardly needs an introduction. Published in 1959, this story is thought to be one of the best haunted house stories ever written. It was a National Book award finalist back 1960 and Steven King wrote about its main character that:

“… Eleanor Vance is surely the finest character to come out of this new American gothic tradition”.

King S, Danse Macabre, pg 268. 1981

It’s been made into two movies, a play, a Netflix mini series, and was recently (ish) alluded to in an author’s note as a sort of (anti) inspiration for a 2021 Hugo nominated short story, Open House on Haunted Hill by John Wiswell.

Clearly, there is something special about Hill House.

With accolades like that, it seemed to me that this book should have been a slam dunk for me in terms of enjoyment; however, I was left stunned while reading this book, by just how much I WASN’T enjoying it.

Whaaat?

Yes, you read that correctly. I DIDN’T enjoy Haunting of Hill House.

Why though?

In some respects, I believe my dislike for this novel may actually stem from all the hype it has received over the years. Perhaps there is no real novel that can live up to the concept of this novel that is currently circulating the literary zeitgeist. Perhaps I was set up for disappointment (TIL there is a name for this feeling called Hype Backlash).

Perhaps it may be that times have changed, and what was impressive in the late 1950’s and early 1960’s no longer impresses us. Or maybe the tropes and techniques pioneered in this novel are so influential that now they are completely pervasive, and they seem commonplace and trite to modern readers (the whole Seinfeld is UnFunny thing).

Or perhaps Jackson was just an inconsistent wordsmith . . .

The Writing Excuses Podcast had an entire episode devoted to the craft of just the opening lines of Haunting of Hillhouse. Indeed it is quite an opening:

“No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

Jackson S, The Haunting of Hill House, pg 1. 1959.

I won’t disagree with anything the writers on the podcast said, that is one hell of an opening. It really brings you into the world of the story, and sets up your expectations for the rest of the story, not only in terms of what will happen throughout, but also for the level of craftmanship and precision dedicated to the prose.

And then we have:

“I should have turned back at the gate, Eleanor thought. The house had caught her with an atavistic turn in the pit of the stomach, and she looked along the lines of its roofs, fruitlessly endeavoring to locate the badness, whatever dwelt there; her hands turned nervously cold so that she fumbled, trying to take out a cigarette, and beyond everything else she was afraid, listening to the sick voice inside her which whispered, Get away from here, get away.”

Jackson S, The Haunting of Hill House, pg 24. 1959.

I get hung up on a few things in this passage. The first is the use of “the badness”. I can kind of see that perhaps it is a kind of childish or simple term (maybe a bit primal?); perhaps even a term that would come immediately to mind when someone was actually afraid and didn’t have the proper words to express that feeling, but it still just feels like Jackson didn’t have the proper way to express a feeling of fear.

The next thing that stuck out was “nervously cold”. People get nervous, and hands can be cold. I don’t think hands can get nervously cold. Personally simply stating that her hands felt cold and then showing Eleanor fumbling for the cigarettes, we get the idea that she is nervous.

This same telling vs showing happens again (and throughout the book), when we’re told “…beyond everything else, she was afraid.” Again, seeing Eleanor’s actions we can guess that she is afraid.

In all, these types of descriptions were not too terrible, but after the expectations set by the opening line (and all the study of it), they did stand out to me and often took me out of the action of the story.

I had a few more complaints, but unfortunately I did not have enough time to write down the quotes I wanted to use as evidence (plus I have probably already hurled enough insult at a classic for one day), so I won’t be able to go into them here, but suffice to say, written in another time or not, I felt most of the dialogue in Hill House was nearly incomprehensible.

What I felt Hill House got right, was the environment as antagonist trope. This house is deeply uncanny to experience (as we saw above) from the very first line.

Did it Live Up to the Hype?

For me, no. The Haunting of Hill House is certainly an interesting book to research and learn about (and for writers perhaps to study), and it certainly brought us forward in terms of ‘Place as Antagonist’.

However, for me, the actual text itself often seemed to pale in comparison to the lofty accolades proclaimed by genuinely amazing writers. I still have much to learn (and read) about the horror genre and haunted house sub-genre specifically, but I think in many ways, this was much like (IMHO) some of the earliest genre fiction (detective, sci-fi, and superhero pulps), something that was just good enough to inspire others to greatness.

Have any of you all read this one? What did you think? Was I too harsh? Please let me know in the comments. I’m curious to hear your thoughts!

New Fiction: Boutilier House for newsletter subscribers Oct 31st!

Hey all,

This post is pretty much right what it says in the title. My newsletter will be sent out October 31st, and it’s gonna be packed full of the nonsense that is my life and writing.

Also, it will contain a new short story I’ve been working on, Boutilier House. You can have access to said short story if you sign up before October 31st 2021 (when the newsletter will be sent out).

If you’re a discerning reader, and would like to try before you buy (to be clear this is a free newsletter), you can check out the sample newsletter I posted back in July. It also had some exclusive fiction, titled Master of Secrets, set in my Egypt and Dinosaur universe. (if you’re curious what the hell that is, look no further than ICYMI: Narmer and the God Beast Live on Amazon! It not only contains a link to an already published short story, but also all the links and info you could ever need to know about what inspired this crazy idea).

But if you’re like “Hey! Halloween is coming!” and are more in the mood for haunted nonsense, you’ll definitely be more interested in Boutilier House. Essentially, it’s the story of a Victorian Age gentleman who is cajoled by his father-in-law to leave his wife and kid behind to investigate the methods of a ‘perfect house’, built by a mysterious inventor, which will see to your every need. He discovers there is more at play in Boutilier House than fancy tech, and he’ll need to unravel all of the house’s secrets in order to save himself and the family he thought safely at home . . .

I posted a preview of Boutilier House a few weeks ago, and a little glimpse into my revision process just last Friday.

But to get the full and complete story of Boutilier House, you’ll need to (of course) sign up for my newsletter before October 31st 2021!

Ok. That’s the last I’m gonna harp on that. Please let me know your thoughts in the comments. Are you intrigued? Why or why not? Thanks again and I’ll see you all next week (Or maybe Sunday if you sign up!).

October Newsletter Fiction Preview + Draft Sent out for Critique

So . . . I’m going to be about a month late on this newsletter. My goal is to have updates about my life and writing sent out every quarter as a kind of supplement to the posts I do here on the blog. I’m hoping to have things like sales and special offers (when I finally have some published works) and info about new releases. But I’m hoping the real drive will be exclusive fiction which I’ll write every quarter that will be for members of the newsletter only (if any of that sounds cool please sign up for my newsletter)

But this month, it didn’t quite go as planned. Publishing Narmer and The God Beast and the promotion I did for it took up a considerable amount of my time. I did manage to hack out a zero-draft during a writing retreat I did during Labor Day weekend, but with Pitchwars and other stuff I had not completed much by my October 1st deadline.

So, my new goal is to push the newsletter on October 31st, and have exclusive fiction for subscribers at that point. So far that seems to be going well. I finished my first draft and sent it away to be critiqued this coming Monday. Once that feedback has come through, I can make any tweaks before the 31st deadline.

Then it’s November which is a whole other thing I gotta figure out . . .

Anyway, I thought it might be cool to see a little of what I’ve been working on, and so I’ve posted the first part of the story, Boutilier House, for y’all to read and enjoy. The rest will be sent out with the newsletter on Oct 31st (so sign up!)


Boutilier House

The first thing about Boutilier House which set Adam on edge were the locks. There were none.

For a house — no a palace — such as this, Adam had suspected that every porcelain dish in the China cabinets, or any gilded vase along the entry table might somehow prove under lock and key. Perhaps even the guest book was bolted upon its wood and silver pedestal.

But it was simply not the case.

Adam might have nicked the polished gold nightjars roosting on the table runner as easy as removing candy from its wrapper. In his youth, perhaps he might have, just because he could. 

But Mr. Cunningham had not sent him here for larks. 

No, the prize Adam was to take with him when he left was far more valuable than a few gold trinkets.    

And so it was that the full seven seconds it took Mathieu to respond to his comment about the locks was actually the third thing which set Adam on edge.

“Oh, there are locks Adam — May I call you Adam?” Mathieu said abruptly.

“Oh, um. Of course.” 

Mathieu’s light-blue eyes seemed to brighten slightly as he visibly committed the name to memory. “My father thought of everything when designing the house. Why carry with you a cumbersome ring of keys — which might get lost or stolen — when the house can recognize you and welcome you inside simply by the touch of your hand upon the doorknob?”

Adam had no argument there. It was truly remarkable.

Before coming to clerk for Mr. Cunningham, Adam had fancied himself something of amateur engineer, tinkering here and there as each new trend caught his attention.

But Boutilier’s work simply defied understanding.

“But surely it can’t remember everyone,” Adam pressed. “Or what if it does remember a past tenet and accidentally lets them in while another guest is here. If the system is mechanical surely there is a way to override — ”

Mathieu held up one finger.

“You must trust us, Adam. Relax. The system works and it has never been wrong. Father has seen to everything.”

Mathieu turned slightly so that his body no longer impeded entry into the house. He gestured invitingly at the large greeting area, flanked by two enormous wooden staircases which bent around and behind a door on the first story.

“Come,” he said simply. “Let me show you around.” 

As they walked, Adam could see doorways leading to the different wings of the house along the left and right walls of the entryway, but Mathieu lead him through a center door instead.

“In here is the dining area.”

Mathieu gestured to a long and narrow room, with an equally long and slightly narrower wooden table. Cabinets lined each of the walls, filled with glass and porcelain in every shape and size of plate or cup Adam could imagine. Those automated doors must work well indeed if nothing had been taken.

“Simply let the house know what you would like to eat, and it will be served upon your request,” said Mathieu as they left the dining area, and went back the way they’d come. He picked a staircase and began climbing. 

“The master bedroom will be through that center door. The bath is at the end of the hall on your right.”

Mathieu continued to lead Adam through the house, mixing in bits of the Boutilier’s family history with the amenities Adam could expect from his stay in the mansion. Apparently, this had been Gregoire Boutilier’s first house upon coming to the new world. He’d lived there with his three children, Roseline, Joel, and Isabelle.  

But it wasn’t long before Adam began listening with only half an ear. The house was large, yes, and clearly furnished with the highest quality of accommodations, but aside from the locks, displayed nothing of the marvel Mr. Cunningham had described when they’d met for dinner last week.

Nothing that would warrant the abrupt separation from his wife and toddling daughter.

Adam felt his jaw clench as he remembered Helen’s reddened, tear-filled stare through their apartment’s front window. Lexy cried in her arms and Helen soothed her half-heartedly.

All of the arguments Adam had constructed while at dinner with Helen’s father had seemed to mean little when held up against Lexy’s anxiety at their separation, and Helen’s pleas for rest and relief at the end of a long day.

Mr. Cunningham had sent a nanny of course, to help out while Adam was away, but even Adam knew it would not be the same as having both parents at home with their child. Adam speculated briefly what discovery he might make here that might possibly absolve him his absence. 

Nothing came to mind.

Suddenly Adam had very little patience for the number of threads woven into the master bedroom’s sheets or knowing the exact temperature of his bath water when he washed.        

“I’m sorry to interrupt,” Adam finally cut Mathieu off. “All of this is very nice. Really top notch. But this is a bit of a business retreat. Is there somewhere I can work? Without being disturbed by the servants that is.” 

Mathieu got that look again, the one in which he appeared to be staring at something far off in the distance. 

“Servants? . . . Work? Ah!” Mathieu said at last. “You must mean the library. Magnificent. One of my favorite parts of the house. My own father spent many of his nights there working on his inventions. Would you like to go there now?”

“Please.”

Mathieu led Adam through a series of twists and turns which did not seem to match any layout Adam had built in his mind of Boutilier’s house, and arrived at the library within a few minutes, though the tour before that had seemed to take much longer.

It seemed nice, a large open room with a domed ceiling that reached several stories. Bookshelves climbing three of the four walls and packed full of books and mechanical devices.

The fourth wall sported two massive windows which must let in plenty of light during the morning and afternoon. 

Adam looked around, judging its fit. That table over there could serve as a workbench. Maybe the chest of drawers which seemed to be a card catalog could contain screws and nuts, bolts and small glassware. 

It would do.

He’d get his project done and then go home to Helen and Lexy before they even processed he was gone.

“Thank you, Mathieu. I think we’re quite finished with the tour now.”

“Of course, sir,” Mathieu said, courteous as ever. “If you need anything, simply ask and the house will provide. 

“You keep saying that . . . Never mind. Where are the switches for these lamps? I should like to get to work immediately, but it will be dark soon.”

Mathieu paused in his way before answering. “Ah! Sorry Adam. I’ve been remiss in my duties. You simply say the house’s name and the house will listen. Normally we would say Boutilier, but we’ve taken into account your English sensibilities, so we’ve asked the house to respond to the English equivalent. Go ahead and give it a shot. All you need do is say the name and ask for what you want.” 

“Butler . . .” Adam tried cautiously. “Please turn on the library’s lights for me.” 

Adams heart felt like it had stopped beating in his chest. 

The library’s lights came on dimly and got slowly brighter until they were bright enough to read by. 

Mr. Cunningham had been right. There was something worth discovering in this house after all. It might even be enough to absolve him.


Anyway, that was the first part of my (hopefully spooky) story. The rest will be released along with the newsletter on October 31st so be sure to sign up!

Please leave any feedback in the comments. See you next time!