A Surreal Estate Book Tag!

Though we’ve still got more or less a full week left in October, the next time I post will technically be November 1st (assuming I finish another book by then). Since this will be our last spooky post in the lead up to Halloween — any other spooky posts will from here on out will just be AFTER Halloween lol — I believe I owe anyone who has been following along a haunted house book tag.

Back in 2021, I was mildly obsessed with a show called Surreal Estate, in which a real estate agent specializes in selling haunted houses, and often must appease whatever supernatural entity is haunting the place before he can make the sale (John Wiswell’s Open House on Haunted Hill feels related and came out around the same time).

I was pretty much devastated because I thought the show had been cancelled, but when I was starting to google and pull together some ideas for this post, I realized it actually got renewed, and there are a total of three seasons(!) so far, with no news yet on whether or not there will be a season four.

There simply wasn’t enough time to do a re-watch of season one, and watch seasons two and three (and I’d have to get Hulu or Disney+), and come up with fun and interesting quotes myself. Also, I think that may have been quite a long post.

So I took to the internet, and found a great website which had tons of quotes from every episode . . . which was taken down sometime between the first week of September and now.

All of that to say, everything about my relationship with this poor show seems to be doomed from the start and I only managed to get a few quotes so this will be a relatively short (5 questions) list of recommendations.

I’ve mostly made it to amuse myself but would of course love it if you answered the questions yourself on your own blog and linked back to me. Or even just dropping into the comments with a couple Haunted House recs would be excellent. Perhaps I can revisit this after rewatching the series, once I’ve added a few more books to my haunted house resume.

So, without further ado, I present the SurrealEstate book tag!

“And one last thing. Don’t rule out the rational explanation. Ever.”

From Season 1 Episode 1

A haunted house book that just won’t quite suspend your disbelief. In which a logical, empirical explanation is as likely as anything supernatural . . . but still just as creepy.

The Grownup by Gillian Flynn

This one should feel familiar to any who have been reading along this month. It’s how we kicked off October this year. I enjoyed this short (short!) book for several reasons, the first being Flynn’s ability to hook the reader with an unexpected opening line, and continuous little subversions of our expectations throughout.

However, it’s not a book that leans heavily into the supernatural, if anything the opposite. The main character’s positioning as a fraud and grifter makes us doubt from the very beginning, and by the time we get to the end, it certainly feels like there’s a reasonable explanation for everything that occurred.

However I’ll let you decide when you read it. Give The Grownup by Gillian Flynn a read!

“No, it’s just sometimes these properties can act a little differently when your back is turned.”

From Season 1 Episode 2

A haunted house book with a twist. This is an old and well mined genre of horror. Which book surprised you by still having a few tricks up its sleeve?

Just Like Home by Sarah Gailey

This book could probably could have taken the spot for the last question too, though I think there actually is a supernatural element to this one, it’s only that the non-supernatural elements are also horrifying in their own right.

With Just Like Home, Gailey shows they can really write in whatever genre they want, and still have something unique and interesting to say. This book in particular seemed to give me the impression that there is still plenty more to be mined from this beloved genre!

“You must be careful. If this is what I think it is, it is old, it is cunning. It also has an ego and is easily distracted. But remember it only exists to inflict pain and sorrow. And it sees you coming.”

From Season 1 Episode 2

An irrefutable classic. The older the better. A book which is like homework for the genre. A must read, otherwise you just don’t get it.

(Side note: I usually ignore recs of this type because . . . well lets just say I have a less than favorable relationship with ‘The Classics’)

The Haunting of Hillhouse by Shirley Jackson

There’s a way in which it feels like all roads lead back to The Haunting of Hillhouse. Stephen King has reviewed it as one of the finest horror novels of the late 20th century, and the Writing Excuses Podcast did an entire episode just on the first few sentences. THoHH is such a staple of the genre, that books like the aforementioned The Grownup reference this classic in order to give themselves more clout in the genre.

I can hardly imagine a book with a bigger ego.

Ironically, I didn’t care for this one much. I’ll agree that the prose in the beginning are indeed some of the most fluid and poetic writing I’ve ever read. However, there are so many equally clunky and uninspired lines throughout the rest that it almost feels as if the gorgeous opening was some kind of fluke. In any case, at least for me, I could not tell why this book is such a staple of the Haunted House genre. I guess I’ll have to finish Stephen King’s full review . . .

“I have a story that needs to flow out of me. And that cannot happen unless the environment I am in lets that flow remain uninterrupted.”

From Season 1 Episode 3

A story you just couldn’t put down. A book which you couldn’t bother with real life while reading. Uninterrupted reading or GTFO!

We Used To Live Here by Marcus Kliewer

We Used To Live Here might be the scariest book I’ve read period. And Kliewer’s writing is superb. The perfect mix of need-know-what-happens and I-can’t-watch. I mention in my review his ability to write descriptions which are novel, yet completely understandable and often quite beautiful. He’s also a master of misdirection and suspense, constantly laying down little bread crumbs for the reader to follow. Some may go somewhere, others may not but they keep you eating up the story night after night (or maybe day after day since this can be a scary one to read after dark).

Definitely give this one a read!

“I lived in the past. But one can’t turn back time. And so, with that lovely melody playing in my head I said goodbye to this world. And it was only in the next that I learned the awful truth of what I’d done. That none of us who love this place or slept in its water could move on until that melody was turned back.”

From Season 1 Episode 3

A scary book featuring music.

The Fall Of The House of Usher

This one also could have gone in the classic section of this post, but I think I enjoyed it a little more than Hill House. Plus The Fall of The House of Usher has at least one element which I don’t feel like I see very often in any genre: Music!

The House of Usher’s last remaining occupant and caretaker, Roderick Usher, has become reclusive in the extreme while taking care of his sister, Madeline Usher, and music is one of the many tools Poe uses to show just how far he’s descended into madness. The narrator comments on the long and improvised dirges Roderick plays, and his obsessive practicing of mourning songs and funeral tunes, all played on the acoustic guitar.

The song we ‘hear’ (or is referenced) in The Fall of the House of Usher, is Carl Gottlieb Reißiger’s Last Waltz, but it is misattributed in the text to Carl Maria von Weber. Also the tune was written for — and probably played on — the piano during Poe’s time so it’s interesting that Roderick plays it on the guitar instead.

In T. Kingfisher’s What Moves The Dead, the Roderick character is a pianist, just one of the many ways that author seeks to ‘fix’ the original story by Poe.

Tag You’re It!

Well that’s it folks. Five spooky haunted house books you can (probably) still finish before Halloween next week. Let me know what you thought of this list. Is there any recommendations you’d have added? Have you read any of the ones I suggested?

Please let me know in the comments! And if you decide to do the tag, a link back here is always appreciated! Looking forward to talking about this one!

Until next time!

A Home Run for ‘Just Like Home’

Wow, what a creepy story.

It’s nearly Halloween, and much to my own chagrin, I’ve almost completely ignored that fact for most of October.

No longer!

We’ll have reviews of spooky books, and we’ll have them now!!

While horror isn’t my go-to genre, I’m not completely new to it either. In my youth (or really this blog’s youth), I had a ravenous hunger for zombie stories and I gorged myself on the likes of Appalachian Undead, the O.Z. (original zombie?) W.B. Seabrook’s Dead Men Working in the Cane Fields, and World War Z.

Since I tried to write my own haunted house story last year (check out a preview of Boutilier House, and get a glimpse into my revision process) I’ve been focused in that area (side trips into whatever genre you’d put Ring Shout into notwithstanding). Last week, I was somewhat unimpressed by Haunting of Hillhouse.

But this week, I was blown away by Sarah Gailey’s Just Like Home.

In terms of “genre”, Gailey seems to be able to do whatever the fuck they want, whenever the fuck they want it. My introduction to their writing came from Magic for Liars (sadly not reviewed on this blog) which completely thrilled me with its combination of a Harry Potter-esque wizard school setting, and a Jessica Jones style protagonist. Plus it contains one of my favorite surprises of who-dunnit in a mystery so far.

Then I read Upright Women Wanted (again woefully unreviewed on this blog), a different kind of western, filled with librarians (always a plus for me) who ride around on horseback like cowboys, nontraditional gender rolls and pronouns, and a genuinely heart swelling romance.

Just Like Home shows Gailey’s ability to write horror is nothing to scoff at either. The premise alone — daughter of a serial killer, who’s tried to forget and repress her past must come home to close up her mother’s estate while Mom is still alive, but literally on her death bead — does not even need the supernatural or fantastic element to draw a reader in, but apparently more is also more, so let’s add a skeevy artist and make the house haunted too. Why not?

Despite so many elements to juggle, the story feels tightly written and is both scary and psychologically thrilling. Vera’s arc is perhaps not a traditional hero’s journey, but it felt perfect for her circumstance, the family in which she was raised and her lived experience as every character in this book is a boat load of walking contradictions. Vera’s father is a serial killer, and yet seemingly not a psycho or sociopath, as he is able to feel and show an intense love for Vera (and assumedly at one point her mother Daphne).

I still don’t know what to make of Vera’s mother. Does she hate Vera? Did she love her? She was clearly jealous of Francis Crowder’s (Vera’s father) affection for Vera, but could her behavior also have been rational in the situation given the type of person Vera might become under her father’s care? Also the house . . .

There is so much in this book that feels like it should not go together, and yet it does.

My only difficulty in reading this gripping tale was unfortunately its use of misandry. I’m not opposed to characters who hate men (lord knows there’s enough misogynists in fiction we could use a few misandrists if only for variety), but it felt somehow awkward in this story. Gailey’s other works are steeped in themes of identity politics, so when a main character says she ‘doesn’t date men’ it’s natural to assume that perhaps she’s a lesbian and this is something that adds meaning to her interactions with other characters of any gender. When that character is admiring the physique of a male bartender, or the overtly sexual artist James Duval, and trying to push away urges, it might be natural to think the MC is bi, and this too changes our interpretation of the character.

When that character is being told as a child, “Boys are just like girls, in almost every way. But men … men are demons, Vee.”, it becomes harder to reconcile what is going on. Is she just deeply repressed? Or are the urges she’s combating even sexual? Maybe a bit sexual and a bit something else? (I’ve been watching the Jeffery Dahmer Netflix special which has taught me those things are apparently not mutually exclusive lol).

In most pieces of fiction, I’m not opposed to, and often enjoy ambiguity. The author should present a story and it is up to us as readers to interpret the meaning behind those words. But I think I could have used a little help with this one.

So It Was Good?

Oh, it was great. Scary, thrilling, and (to me) an unexpected and satisfying resolution. Sarah Gailey again shows themselves to be an extraordinary storyteller, no matter the genre. The story of this family alone is enough to be a great story, but Gailey gives the reader more, adding in the haunted house element and some puzzling issues of identity which will have you pondering long after you’ve finished reading.

If you haven’t already, go give this one a read!

Has anyone already had the pleasure? What did you think? What was the scariest part? Who was your favorite character? Please let me know in the comments, I’m really looking forward to discussing this one!

Until next time!!