ABOUT US

Roxy Cuenca has been a Script Supervisor for 15 years in the film industry in feature films, shorts and episodic dramas for major and independent studios. She has worked as a Script Editor on a Netflix Feature, and dailies on an Apple TV Series and continues to work as both script supervisor and script editor in the industry.

Cressida is a UK-based reader who also writes drama for stage, screen and audio. Her recent work includes a six-part podcast series for UK charity The National Forest; a site-specific Christmas show for families visiting Santa in Lapland; and short film, Ashes Again!, starring Christopher Eccleston (Doctor Who), which she also directed.

Bhairavi is a script reader who works with independent production companies and filmmakers and has read for the C21 Drama Series Script Competition. She has been a continuity and script supervisor since 2011, with credits on a number of projects, including some award-winning features and shorts.

Devin Shepherd is an award-winning producer based in Brooklyn, specializing in genre content. She co-founded an independent production company whose work has screened at SXSW, been featured on Short of the Week, and earned recognition from The Academy Awards. Devin has developed her craft through some of the industry's most prestigious programs, including labs with the PGA, Frontières, French in Motion, and The Gotham. Her work spans both the independent and studio worlds; on the commercial side, she has worked on iconic IPs such as BATMAN and STAR TREK.

Sean Harris Oliver (SHO) is an internationally produced playwright, screenwriter, and graphic novel writer. After graduating from a nationally renowned theater conservatory program in Vancouver, he founded and managed an independent production company for nearly a decade. As a Creative Director, SHO was responsible for programming, developing, and producing an array of scripted narratives for a diverse set of target audiences. He now lives in Los Angeles and is represented by a literary management and production company, where he works to write and develop feature screenplays and television IP.

Kathy has over 20 years of experience reading scripts for screenplay contests as well as film production companies such as HBO Films, Imagine Entertainment, and Participant Entertainment. The winner of The Austin Film Festival Screenplay Contest, Kathy received her MFA in Screenwriting from Columbia University and has written for Nickelodeon, Freeform, the Disney Channel, Lifetime, and Universal.

With an MA in Creative Writing from Lancaster University, Ste is a comedy writer with a background in neurodivergent support work and education. In addition to Shore Scripts, Ste works as a Script Supervisor and has experience reading for festivals, writing additional dialogue for music videos, and leading writing workshops. A lifelong sitcom enthusiast, he has worked on scripts for radio, stage, and screen.

Gethin is a script editor for high-end TV drama who has worked with independent production companies such as Quay Street Productions and SISTER. Currently, they are a script editor for a Netflix thriller. In addition, they have read for various screenwriting competitions over the years. They hold an MA in Television Drama Production with a focus on screenwriting and non-traditional narratives.

Rowan is a screenwriter from North Yorkshire, England, and studied screenwriting at the University of York. They have previously read for the Screen & Story Film Festival and worked as the script researcher on crime drama Silent Witness. They are interested in all kinds of film & TV, but is especially drawn to genre fiction and stories about characters on the fringes of society.

A versatile writer with experience in a variety of genres and formats, KT is a published author, produced playwright, award-winning screenwriter, citizen journalist and erstwhile blogger. Her writing has been described as displaying “visual inventiveness, imaginative flair and integrity”. She also produces films and plays, and has worked as a free-lance editor and script-reader since 2016.

As an experienced reader in film and TV, Alex has covered screenplays with Academy Award-winning and A-list talent attached. As a writer, he has worked in Greek television and for the BAFTA-nominated production company RASP Films. He also works in creative programming at an award-winning London theatre.

Michelle is a script consultant and editor. Over the past ten years she has read for many companies, competitions and initiatives, including Cannibal Films, New Writing South, London Screenwriters’ Festival, C21 Drama Series Competition, Coverfly, Nevada Film Office & the Nick Darke Award.

Ron is a screenwriter with a screenplay optioned by Rhino Films. Stan Lee was attached to the project as an Executive Producer prior to his passing. Over the years, Ron has also provided coverage for writers at Triggerstreet, Zoetrope. He has degrees in Education as well as Film and Television Production.

Christine has an MFA in screenwriting from Chapman University in Southern California. In addition to reading for Shore Scripts, she read for other companies, including Playtone Productions and Focus Features. She has had two feature screenplays optioned.

Blaise is an optioned and commissioned screenwriter as well as an experienced script consultant. After working at BBC radio for many years, Blaise went freelance as a writer. He has had one feature commissioned and many shorts, as well as a spec feature optioned. He specializes in speculative stories from sci-fi to fantasy to horror and his work encompasses non-linear narratives, technological dystopias, mythologies real and imagined, and a character-based approach coupled with inventive world-building.

As an accomplished screenwriter with over three years of experience as part of Shore Scripts' crack team of script analysts and accolades from multiple screenwriting contests, Sam Tracton has lived and breathed storytelling long before he mastered the art of structure and character. Fantasy and sci-fi TV, manga, and web series were how he connected to the world as a child who couldn't connect to other kids on the playground. Now, experienced in pitching to big studios like Nickelodeon and Fred Films, he is ready to unleash his passion for stories that push characters to their limits and force them to confront who they are in an unfair reality, filled with magic, action, and emotion at every turn.

Tim Berry started his career in Sales and Acquisitions with Focus Features in 2006 before spending seven years in independent film distribution with Network Releasing. In 2014, he trained as a script editor at the National Film and Television School and has read for Shore Scripts since 2015.