Running De-Feedback through its paces and trying to find its limits, further exploring and evaluating the concept, focusing on several key applications, and much more.
The first few dB of shading are successful, and then that HF bump seems to stop responding to additional EQ cuts. What’s going on?
Setting up spectrum brackets around each drum input can go a long way in cleaning up the sound of the entire kit due to less low-frequency leakage into the high mics, and vice versa.
“To tilt or not to tilt? And if so, how much?” Gaining insights by focusing on the very critical crossover frequency area between the subs and the low-end of the main PA.
Understanding the musical genre as well as your band will dictate whether that percussion sound is subtle or dominant. This is where your own artistry can shine. Here are some thoughts on the topic and approaches…
Gaining an invaluable education about sound, along with a new perspective, via a straightforward spectrum analyzer application.
Experience with gear and software is very important, but one skill that’s sometimes overlooked – yet takes years to master – is the art of listening.
Common problems fall into three categories: volume, EQ, and OOMC, short for “Out Of My Control” – here are some straightforward approaches to deal with them.
One of the most overlooked techniques is using equalization to add size to an element, which is particularly important in sparse mixes.
