Approaches to help in controlling feedback and leakage as well as fostering delivery of cleaner, more natural sound to the audience.
From the April 1983 issue of the late, great Recording Engineer/Producer (RE/P) magazine, David Scheirman takes a look inside the Willie Nelson & Family ...read more →
Some examples of performances that might actually benefit from using stage monitors rather than IEMs.
Considering the different types of preparation we can make to mix with excellence on single events as well as longer-term tours.
Behind the scenes with the 77-year-old sonic visionary on what it was like back in the early days of Glastonbury and what it ...read more →
Taking the time to check each line from the stage to the console (and back, if you have wired stage monitors) – you won’t ...read more →
Running De-Feedback through its paces and trying to find its limits, further exploring and evaluating the concept, focusing on several key applications, and much ...read more →
Following this structure has served me well over many years of touring, and using previous work as a template (e.g., for specs) serves as ...read more →
Explaining and exploring stereo recording microphone techniques, including coincident pairs, spaced pairs, near-coincident pairs, and baffled omni pairs.
Whether it’s running a couple of small stages at a festival, handling multiple ballrooms, or even managing multiple stages in a club, there are ...read more →
Depending on venue size, event type, and personal preference, different techniques may be appropriate. Here we go through them...
Presenting beautifully blended vocal harmonies through a PA can be the icing on the cake of a quality mix.