Running De-Feedback through its paces and trying to find its limits, further exploring and evaluating the concept, focusing on several key applications, and much more.
Great mixes are a combination of loud and quiet, bright and dark as well as instruments that are percussive and others that sustain – compression can help bring excitement and contrast to these dynamics.
The essentials of compression as well as basic compression controls and how they function.
The first few dB of shading are successful, and then that HF bump seems to stop responding to additional EQ cuts. What’s going on?
Minimizing the setup down to its core and utilizing the bare essentials to get the job done as efficiently and quickly as possible.
Often overlooked and/or misunderstood, the real secret is how much reverb to use and how to adjust its various parameters.
Understanding the musical genre as well as your band will dictate whether that percussion sound is subtle or dominant. This is where your own artistry can shine. Here are some thoughts on the topic and approaches…
This time we’re talking about signal processing, including plugins, onboard console DSP, system processors, and analog units as well.
Analysis to help in avoiding dips in the frequency response of the total system.
