
In The Studio: Using Multiband EQ To “Fix It In The Mix”
Try these suggestions, but then try something totally different. Innovate – don’t blindly follow…

Try these suggestions, but then try something totally different. Innovate – don’t blindly follow…

From the October 1986 issue of RE/P magazine, insights into the effective use of compressors and limiters in the recording realm.

Ordering the EQ workflow based on smoothing and filter bandwidth can be very effective; it’s like a painter who starts with a large brush and works toward a smaller one to achieve the desired level of detail.

Managing all of the “area” between the extremes, for each and every sound you record, is a skill that’s critical to making a good-sounding recording.

Inside a method the author developed for fast adjustment of a noted guitarist’s tone during the course of shows.

From the archives of the late, great Recording Engineer/Producer (RE/P) magazine comes a wealth of knowledge about reverb. (July/August 1979 issue)

Comparing measurements to determine if a standard graphic equalizer is capable of producing the types of curves used in system optimization.

If you’re guilty of any (or all) of these, don’t worry. I am, too

The trend today is to keep vocals as dry as Lake Meade in 2022, but if you’d like to upgrade from the dry toast sound to a nice juicy ribeye with a compound butter topping, read on.