Content warning: This post contains two women expressing love for each other. (Seriously, does this really need a content warning?) Nothing explicit: Just the insinuation of touch and a tumble in bed at the end. ChatGPT wrote it, and I did not push on any guard rails, so it has to be tame, right?
It also comprises of inadvertently long walls-of-text commentating on the whole TYOV narrative arc and a rambling philosophical reflection on AI, writing, creative experiments and literary digressions on “found language” and “plagiarism” before actually getting to the lovey-dovey bits.
Which might be the true content warning.
By the end of our Thousand Year Old Vampire playthrough, it became obvious that the long term narrative arc across the prompts was ultimately a love story.
Of the soulmates lost in time trying to find each other variety.
(Except in this case, one of them stopped trying. Decided to go all Gangrel and walk in the wilderness, and seek Golconda in Daoism, to steal some Vampire: The Masquerade references.)
The potential was already seeded at the start with the reason for Astral’s fall.
What I left up to fate and the dice rolls was when Iguana might potentially step in, whether either would hurt the other to the point of an unsalvageable relationship (by following any TYOV Prompt directions) or if there would be some kind of buddy cop partnership early on or in the middle of the story.
The story the dice (and my subconscious) decided to tell was an extended journey of walking alone, distantly in contact with examples of different kinds of love and affection.
- Rami was the original mortal encapsulation of what Astral and Iguana’s relationship was and could have been, except wrapped around the inevitability of early loss once Rami aged (and our vampire didn’t even get to that possibility, once kicked out with a flaming sword)
- Flame was the complicated kind of sibling love
- Mehrun was the uncomplicated kind of love of and for children
- Ishraq was obsessive love (and if we really stretch the metaphor, Khalida may have been…narcissistic love?)
- Salima was one-sided love and love generous enough to let go
- Chimeko and Tenzin were… perhaps a representation of witnessing couples’ love from a outsider third-party single perspective?
And of course, when Astral gave up being bitter about banishment and thinking herself unworthy of staying in one place for long, stopped striving so hard and accepted (imperfectly) balancing on edge of contradictions, it was time to re-introduce the possibility of romantic soul-deep love.
Just in time to catch her at the point of her most vital dilemma, when the old ways of doing things no longer worked for her.
(Unrealistic? Sure. But that’s fun of fictional storytelling. You can make up narratives more satisfying than real life.)
Speaking of satisfying… it’s terribly unsatisfying when a love story ends without sufficient time lingering in the epilogue and the aftermath.
-I- wanted more, anyway.
(And if solo roleplaying can’t do wish fulfillment, we are definitely investing effort in the wrong pastime.)
You said:
Ah, the author's had a long day and wants a story/scene treat.
Let's skip forward in time past the end of this TYOV game as we've established, to the modern day 2020s or so. Astral is that silent shadow archivist, still in Japan, still in one of Iguana's apartments. She's probably sporting a short pixie cut now.
Maybe it's around midnight, still six hours to dawn or so when she has to go inert in the vampire way till the next night.
Iguana's been away for a week or so, doing her standard messing with and whispering into various human ears and shadow broking and so on. She's probably given up the Yakuza gang boss shape some decades ago, that was only useful for the network to locate Astral, now it's all delegated to actual humans and funds filter quietly into her coffers. She's back to her usual favorite guises of shapechanging into various reptiles and human form an athletic black latina with hints of reptilian (eyes, the occasional flicker of scales on skin).
Astral starts, looks from her computer (which she's figured out how to manage a decade or two back) to her shoulder, where a cute looking japanese gecko, a yamori, has suddenly crawled up and perched there, just breathing and looking, one eye on her, one eye on the screen.
She blinks, fallen divinity recognizing the aura of another, extends a finger to it. It crawls on her finger.
She drops it off on the desk, where it shudders back into Iguana's human form. "Hey hon, missed me?"
Astral rolls her eyes a little, "And what if I didn't recognize you and crushed you?"
"Eh, I don't die that easy. 'Sides, your Buddhist monk habits die hard."
Iguana crosses over to her, kisses her on the forehead, hands on her shoulders, massaging and inviting more.
Let's have Astral lean into it and see what they get up to in the six hours before the vampire has to retire for the day.
Here, we’re going to experiment with an interesting spin on “creative writing” in conjunction with ChatGPT.
That strange supposedly “know it when I see it” category of words that some people term “AI slop” is generally a human cut-and-pasting generated text directly from an LLM (and oftentimes passing it off as their own.)
I actually agree with that latter bit, that such things should be transparently declared, as in the extent of AI use and how it was used.
But a) do these people really know it when they see it?
Author Mark Lawrence recently ran a quick flash fiction experiment where he surveyed the general public (well, people who read his blog or frequented certain subreddits during the duration of the vote, anyway) and asked them to see if they could tell apart 4 AI-written short texts from 4 human-written ones.
The results were… telling. Not that many people could.
And on an enjoyment scale, for that particular test, AI produced texts on a higher enjoyment level than the humans did.
(Very possibly due to ease of readability and/or more common general appeal tropes – AI is trained by majority standards, after all – while the human authors appeared to be leaning more experimental / unique, which may have seemed like hallucinations to some readers.)
I got 5 out of 8 right. So I’m no better.
b) are there instances where AI-generated text can be helpful though? Assisting people without the ability initially? Or as scaffolding for learning, perhaps?
Once upon a time, I remember some writing advice that went along the lines of advising new writers to pull open a book of their favorite authors and start copying their lines. A form of slow study of sentence and scene structure, and how these writers were expressing themselves.
Imitating their voice and blending them into a mix and maybe eventually finding one’s own voice while doing so. Imitation being the best form of flattery and all that.
(Obviously, not plagiarize and attempt to pass it off as one’s own work, which would be a violation of integrity, let alone copyright.)
Could learning from the many different ways AI is able to say the same thing in readable and grammatical ways be a form of the above?
Might new writers being able to exercise critical thought and subjective judgement in identifying the good bits in AI-generated writing (as opposed to the terrible bits) be a method of training their own literary taste and voice?
c) are there similar things in related families that are considered “legit?”
The first thing that came to mind is a cento in poetry. It’s a poem made entirely out of verses taken from other poets.
(I wrote a cento out of Edgar Allan Poe verses, way back in 2014. To reflect on the MMO burnout cycle and the reasons why we play MMOs.)
Following that thread brought me to concepts of bricolage and citational fiction and the literary supercut. Except, as the previous linked article says, there are no common terms for it. “Found language,” “cut-ups“, commonplace books and collage writings all mix in this genre, and mean different things to different people at different times.
(I’d also volunteer the concept of “mashups” in music and song remixes. I listen to nightcore and Youtube covers all the time – some of them are significantly elevated over the original.)
People can steal words from people and it’s either plagiarism, violation of copyright, or really high falutin’ experimental literary writings apparently.
Steal words from an LLM that was doing the same thing with originally people’s words and it is plagiarism, violation of copyright AND slop? 🙃
(Let’s be clear: Common definitions of plagiarism, as defined by scanning the first page of Google results, seems to be more along the lines of presenting the work as your own, especially without attribution. That I agree with, more or less, and think transparency and proper attribution is the way around that.)
and d) Can it be done well? How much time and effort does it really take?
As an experiment (with full transparency and proper attribution) and personal writing practice exercise, I thought I’d give it a go.
I’d already generated a number of versions of the same scene in ChatGPT by using the edit button and letting it re-send the same prompt.
That prompt is the human baseline, providing scene direction and steering the LLM along a common path.
It then returns a potential prose version of the scene, remixing language in different ways (and in the case of GPT-4o, tossing in some ‘creative’ aka ‘hallucinatory’ additions that are great for people seeking novel ideas and infuriating others who’d prefer GPT follow instructions to the letter. Try GPT-5, maybe, I’d say to the latter, but apparently it’s still kinda dumb. Oh well.)
For personal entertainment, I just read all four GPT-generated versions and enjoyed the fun bits, and discounted the weird out-of-context bits.
For this “writing” experiment though, I’m going to steal all the fun bits and blend them together in a new mashup. Is the result any better than the sum of its parts?

Highlighted in yellow above is all the bits that I liked, from each GPT-generated text.
We’re going to re-arrange them in a logical sequence. Clean up the tenses to one unified version. Make the smallest tweaks we can to stuff that really sounds wrong. (Sakura leaves, for example. A lot less cool than sakura blossoms or petals.)
Midnight, a little past. The apartment is silent, save for the faint hum of Astral’s monitor and the low whisper of the air conditioner cutting through the Tokyo humidity.
Outside, city lights blink like earthbound stars and the breeze brings rustling sakura petals that brush against the window like passing ghosts.
Astral sits curled in her chair, legs folded beneath her in perfect stillness, save for the faint motion of her fingers across a keyboard. Her screen glows softly in the dim light, casting long shadows across bookshelves, a minimalist kotatsu, and the layered black curtains pulled tight against the threat of dawn.
She's comparing a scanned 17th-century scroll against a dubious online translation. Her hair cut short now, pixie-sharp around the ears, silver haloed by the screen.
Something shifts - a subtle pressure - on her shoulder.
Delicate claws. A pause.
She turns her head slightly, and there it is: a yamori. A Japanese house gecko, dappled with soft grey speckles and inkblot patterns, poised delicately near the fabric collar of her robe. Its tiny ribs flutter with breath. It looks at her with one unwavering beady eye, while the other swivels to watch the screen, almost amused.
Astral narrows her eyes, a tiny crinkle of recognition forming between her brows. A small breath escapes her nose. "...Really?"
The gecko sticks out a tiny pink tongue, possibly in offense.
Astral sighs. She lifts a finger, offers it.
The gecko blinks once. Then steps onto it with delicate confidence, its little toes tickling with each careful step.
She sets it down gently on the polished wooden desk, beside the keyboard.
It pauses and shakes once like a cat shedding dust. Then the gecko shimmers and blurs, shifting form like sloughing its skin, expanding from tiny creature to full-sized woman.
Iguana sits there then, grinning smugly, athletic bare forearms tattooed with swirls of scales and script, one leg folded under her. Her skin gleams faintly dark brown under the monitor's light, one eye carrying a faint slitted gleam before it smooths over. Completely human and absolutely not.
"Hey hon," she says, flicking invisible lint from her shoulder. "Missed me?"
Astral rolls her eyes. "One day I will mistake you for a real gecko and throw you out the window."
"Pfft. Please. I don't die that easy." Iguana snorts, hopping lightly down from the desk. "Besides, your Buddhist monk habits die harder. You haven't stepped on a single ant in… what, fifty years?"
Astral leans back in her chair. "You don't know that."
"You'd have felt the aura. Or at worst, I'd have gotten a very nice bruise and held it over you for months."
Iguana crosses behind her, hands finding the line of Astral's shoulders. Her thumbs move gently, rubbing in little circles, then pressing deeper and kneading.
Astral lets out a breath, head tipping back. She's trying to look annoyed. It doesn't quite take.
For a time, there's just the warm silence of skin on skin, of centuries compressed into fingertips and trust.
"So. What’d I miss? Other than the glorious evolution of database standards and that weird AI archive you’ve been picking apart."
"Not much. Besides seven days of the tea shop downstairs trying to sell me a new seasonal blend. I think they like me."
"You're impossible not to like," Iguana murmurs. "But I brought you something better."
"Hmm?"
"Me."
Astral snorts despite herself. "Welcome home."
"Well," Iguana purred, lips near her temple now. "I'll just have to make up for lost time. You still got six hours before dawn, right?"
"Five hours, forty-two minutes."
Iguana's smile was full of mischief and promise.
It’s not really creative writing, if writing is solely defined as the generation of words on a page. I struggle with the concept of claiming the above as entirely “my” writing. 90% of it is not.
BUT it is an exercise in “creative editing” or “revising.”
Which… is also part of the craft of writing, is it not?
It took easily two hours or more, sitting there reading each GPT text, carefully highlighting each sentence I liked, holding them simultaneously in my mind, figuring out the best of four versions to offer up in a sequence that flowed and made sense and read well.
Then I also had to cut-and-paste each fragment or re-type it all, and ensure the sentences flowed well and didn’t have weird tense switches.
I am still as proud of it as I would be a cento. Effort went into it. Human taste.
It’s 100% my choice on which of the sentences I used in the end. Based on the yellow highlights, it looks like an even 30-40% from each GPT text, surprisingly.
The words I used to glue the bits together also did come from my brain. It’s 100% my concept and early stage direction for the scene too, as can be seen from the initial prompt.
It’s the stuff in the middle that is 90% AI-generated sentences.
(Which, according to that Mark Lawrence informal survey, is a LOT more readable than some human-generated sentences. I can buy that. Run-on sentences and verbosity are a characteristic of this blog, and I’m getting rid of that only over my cold, dead body.)
If someone wanted to learn to be more readable though… is it that wrong to pick that up from AI?
Same idea with the second scene. Six GPT texts this time. A few varying prompts.
The first was produced by GPT as a spontaneous continuation of the first prompt. The next two was a short, sparse prompt just asking GPT to riff on the “making up for lost time” comment by Iguana.
The final three were from three cycles of a directed prompt about Astral’s Marks.

And now we mash. Mix ’em all up into one.
Iguana leans in, brushing her lips across Astral's temple. A whisper of touch, lingering like heat.
"Pixie cut suits you," she says. "Makes your ears look dangerous."
Astral arches a brow, "I haven't decided if it makes me look like a monk or a delinquent."
"You were both long before scissors got involved."
Astral's laugh was rare, and Iguana drinks it in like something half-forgotten.
"You've been staring at that screen too long," she murmurs. "Come lie down. I didn't cross half the city just to watch you pull another all-nighter."
A little smile, then Astral stands. Iguana doesn't move away. Instead, she lets Astral turn inside her arms, and their bodies align with the effortless grace of long practice and longer longing.
Hands find waists. Lips meet, once, then twice, then deeper. Iguana's jacket hits the floor. Astral unbuttons her own collar with one hand.
"Bed?" Iguana murmurs.
Astral raises a brow. "That's four meters away."
"And?"
Astral tilts her head. "We could make it. Or," she runs a fingertip along Iguana's jaw, "you could show me how much you missed me right here."
There's a soft laugh and a flash of fang in Iguana's grin.
The computer goes to sleep in the background.
---
The bedroom was spare and softly lit. Tatami mats, pale walls. A futon laid out like an invitation.
They lay tangled in shadow and breath, citylight catching on bare skin. Astral curled in the crook of Iguana's arm, breath shallow but steady, limbs relaxed in rare surrender.
Iguana's fingers traced slow, meandering paths across Astral's back, charting a map she knew well but hadn't touched in too long. She leaned down, brushed her lips across the curve of Astral's neck, found the old scar where Flame's fangs once pierced flesh. Messy and ragged. Ridged faintly under her mouth.
"She didn't mean it," Astral murmured. "She was out of control."
"I know." Iguana's voice was soft. She kissed it and exhaled, slow and warm.
She traced her way down Astral's right arm, touching the scar on the inside of the wrist next. A gash curved like a sickle across the vein. Her thumb pressed gently to the spot, and then the faintest shimmer of warmth passed from her to Astral, like a ripple of heat from coiled muscle or sun-warmed stone. A flicker of something older than language. Divine power passed through the skin, just enough to salve.
Astral shivered. "That's cheating."
Iguana smiled, crooked and wistful. "I cheat for you. Always have."
She shifted, drawing Astral close and gently coaxed her to turn over. Her hands reached reverently and brushed the ridges of burn scar where wings once rooted. The touch made Astral wince, breath catching.
"I know," Iguana murmured. "Still?"
"Always."
"I hate that you gave so much," she said softly.
"Still here."
Iguana said nothing to that, and ghosted her hands over the twin craters instead, palms glowing faintly with internal light. Pulsed energy and power, the kind she rarely used for anything except destruction or rare repair. Just enough to ease the edge for one more night. No miracles, just balm and love.
"I can't give them back," she whispered. "But I can hold you while you remember how they felt."
Astral didn't speak. Her hand slid back to touch Iguana's thigh. Her breath slowed. Her eyes closed.
They lay there in silence, the world beyond the window turning slowly toward dawn. Just the quiet gravity of two beings who had searched across centuries and finally, finally closed the distance.
And in the hours that followed, they moved in quiet, slow rhythms. A kiss here. A shared breath. Fingers threading through hair. A sigh.
"I'm glad you found me," Astral said at last, voice barely audible.
Iguana pressed their foreheads together.
When Astral's breathing slowed into her daytime stasis, Iguana didn't move away. She brushed her lips once more against Astral's temple and whispered, "Next time, I'll find you sooner."
Cento?
Or slop?
You decide.
I’m already happy. Ship achieved.
Next up, some narcissistic commentary with my co-GM on the whole TYOV experience and realizing that I can do “additional scenes” with myself, rather than “deleted scenes…”
Disclaimer: A Photoshop tweaked AI-generated image was used as the feature image for this post.
