The Little Orchestra is up and running!

After having 3 children at our first rehearsal, the second was significantly better attended, with 7.

With 7 children (all having band names such as “Titanium”, “Thunderman” and “Dazzleberry”), one can already play harmony lines, let the more advanced kids support the newer ones, and make it sound polyphonic.

I’m working hard to get more instruments into the orchestra, as at this point it’s more of a “Violin Club” again.  We need cellos, and there is a promise of a few guitar kids, too.  Other instruments are welcome too.

Thank you, parents and children, for your commitment and enthusiasm!  This is the start of something really fun.

Hopefully I’ll have some photos soon.

Our Studio Terms (dates) this year

 

Our Studio Terms for 2015:
  • Term 1: 12 January – 25 March  (10.5 weeks) (both dates included)

  • Term 2: 13 April – 27 June (11 weeks)

  • Term 3: 20 July – 3 October (11 weeks)

  • Term 4: 12 October – 9 December plus an extra scheduled lesson (9 weeks +1 lesson)

Concerning the proposed move to memberships:

Update:

While not exactly changing to memberships after all, (we’re still on term fees), I have moved away from 100% synching with the public schools. Our studio terms now mainly take place during school term, but there will be lessons here and there that may fall into the holidays, because: Each of our terms is now a minimum length of 10 lessons. This puts a stop to the end-of-year shorter term nonsense. It also means that there will be additional lessons scheduled either during the break between the last two terms, or in the first week of December holidays, or alternatively individually to make up the individual lesson count to 10.

Additionally: The following change was introduced:

Up to 3 lessons per term – that is 30% of the term – can be rescheduled, regardless why they were missed. Beyond that, lessons are forfeited. If there is a consistent problem, please contact me to revise the regular lesson schedule to find a better suited slot.

The 11th week of a term:  

The 11th lesson is optional, but if missed, cannot be rescheduled.

I am again keeping a lesson register to stay up to date with attendance.

That chat

🙂  It’s end of January and “new year fatigue” is setting in with some of our kids.  So the moment has come for That Chat.

I come across a few things that might sound familiar to you; to me, they still sound strange even though I’ve observed them for years now.  One of them is the way in which commitment is taught to children, versus “excusitis”.

Violin is a prime opportunity to teach your child commitment and tenacity.

Like all committed parents, you are probably always on the lookout for opportunities to teach your child great attitudes for life.  Violin, and practising violin, is an especially good one.

  • It is “optional”, meaning that the commitment to it has to come from within (first, from within the parent until the child has internalized it).

Imagine your child telling you, “Mommy, I’m tired, I don’t think I’ll do my math homework today.”   You’re laughing, right?  Of course you won’t let her get away with that!  But…  actually, why not?  Because the school has decided that math is compulsory.  And school is compulsory.

But you have decided, between yourself and your child, that she will be studying violin.  You pay private money for it, over and above school fees (because the school does not offer violin as a subject).  For every violin lesson your child receives, you have matched a certain amount of time you work to earn the money; and you pay it gladly because you are aware of the immense benefits of learning violin, and your child is worth this to you.  

But what is she actually saying when she says she doesn’t “feel like” practising or going to the lesson, she’s too “tired”?  She is saying that what you put in, your work time and money, are not important to her.

Children are by definition selfish; it is up to us to teach them to respect others.   All kids are “tired” the second it comes to commitment.  The resistance usually lasts only 3 minutes into violin practice, then it’s forgotten.  Once that instrument is in her hand, unless a critical parent micro-manages the practicing, she’ll probably start enjoying it.

Where is the balance between micro-managing and supporting your child practising?

Support is, setting a start time and an end time and reinforcing them; even if it goes as far as unpacking the violin for her and setting an achievement chart with reward attached.  In general, children under 11 practising 30 minutes per day will ensure fair progress while not stressing the mom too much.  The more they progress of course, the longer the sessions become as they polish down specific things.

Support your child practicing by being “around” and making them aware that you’re listening, but not necessarily focusing on them (unless they ask your help).  Comment when something comes out sounding particularly pretty.

Micromanaging is giving your child undivided attention and telling them step by step what to repeat, what to do differently, where they are still out of tune etc.  While this is necessary with very young children, the moment your young violinist gains some autonomy it is more a distraction and frustration for them.  I instruct them in the lessons on what and how to practise.  I also check back whether they apply what I told them.  The idea is to get them to decide to do it right, by themselves.  Your support is to ensure that they practise daily, and long enough.

Disaster prevention:  Of course if something sounds absolutely foul, you as a sensitive listener have the right to intervene!  Barge into the session and say brightly, “that didn’t sound like Mozart!  Are you decomposing his music?” or something like that, to take the sting out of the criticism.  Then ask them to play you that passage again.  The chances are, simply because you’re listening, they will put more effort into it, possibly slow it down and play it more accurately.  Don’t do this too often though as it borders dangerously on micro-managing.

Set a routine:

The easiest way of insisting on daily practice is by slotting it into a set routine.  Does your child come home more or less the same time every day?  For argument’s sake at 4h?  Give them a snack (I presume lunch will already have been given), let them rest for 30 minutes, and let them practise violin before starting their homework.

Why before?  Because neurological studies show that violin practice makes a child (and an adult) focused and calm while charging up the whole brain ready for mental action.  They will get their homework done in half the time if they practise violin first.  Physically, too, the effect is the same as mild exercise:  A lot of oxygen to the brain without overly large muscular exertion.

And remember:  It only takes 21 days to learn a complete habit.  

Let them follow this routine for a month and all you have to do after that is maintain it and not let it fall apart.

_______________________________________________________

End of “that chat”; have a wonderful day & see you at lessons!

 

Lesson times and other stories

Book your times:

We have been going for a week now, and I would like to encourage those of you who haven’t yet contacted me back, to do so soon, to organize your lesson times.  I still have slots open but they are filling up fast.

The Good News:

Please refer to your fees sheet to have a look what special concessions I offer to my students.  I encourage you to make use of them.

Exams this year:

I will discuss individually with the students I’d like to enroll for Trinity exams, this year.  We’ll take the end-year exams so we have the whole year to prepare.  (This doesn’t mean, of course, that we do only exam prep this year.  We continue with the program as usual.)

Orchestra, Violin Club:

For now, the Violin Club happens in Faerie Glen, the time on the Wednesday afternoon still to be finalized.  Orchestra is not yet finalized but I’m planning it for Saturday mornings, 10 am.

Picnic:

We’re planning a Studio picnic for the afternoon of 7 February.  Contact us for details or watch your email box.

 

That’s all for now; see you at lessons!

Violin Club, 2014
Violin Club, 2014

 

 

 

Sounds like music

The Music Workshop in Faerie Glen is halfway, and much fun was had last weekend by the participants.  We are also making good progress with a number of the songs, they already sound like music.

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Listening to the guitars playing their part
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… “God rest Ye Merry Gentlemen”
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Lunch Break: “Do ‘air violin’ “

It seems as though every time the violinists have their violins in their hands, so do I… but I’ll take some photos of them in action this coming Saturday.


2015:

 

The Violin Studio restarts on the 12th of January.  I don’t think I could bear to sit still longer than that!

Please, at this point if you send me a text messagesign off with your name.  I’ve “upgraded” (it’s really a downgrade) to a touchscreen Windows phone that is currently driving me insane, and it’s not seeing any of the numbers on my sim card, so I have to transfer them manually.  However, the photos above were taken with that phone, it has 2 really useful features: A nice camera, and a functional speaker so I can hear my callers again :-D.

I”ll be sending out our fees sheet for next year in this week.  Fear not, there has not been much of an increase.

We’re still battling to convert the video files from the Studio Concert into actual mpegs for putting on DVD.  (grr!)  Much more of this and I’ll go to some professional “computer studio”.

Orchestra:

Next year I’ll start a children’s orchestra.  This will replace the Violin Club sessions and happen 1x per week on a Saturday morning.  There is a nominal charge as there will most probably be rental to cover (venue still pending), and tea & cookies :-).  We’re starting with our strong core, this year’s Violin Club.  I’m so proud of you children!

Many thanks to my friend Vivienne who worked so hard alongside me at Woodhill College this year. We created things that weren’t there before, and it has been an incredibly powerful experience showing our young musicians what can be done within a single year / term / orchestra rehearsal.  I’m quietly hoping that Vivienne will come and help too with our orchestra.  Wonder if we can entice her with cookies.  🙂

 

 


Have a wonderful and blessed festive season. See you early in the New Year!

 

Ceilidh

On Saturday 6 December, the Studio closes the year with a Ceilidh.

The address is available at your teachers; one of the members of the Irish traditional band has kindly offered to host.

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Robbi&SophieCeilidh22010 Ceilidh Meggi Sanchen 2
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It has been an immensely busy year.  We are very proud of our students who have shown diligence, commitment and beautiful progress.
(Disclaimer:  Not all the pics above are from this year!  For a long time I was without a camera due to the break-in beginning of this year.)
Still struggling to convert the concert video to the right format, but will not give up.  Soon this will be available on DVD.
Enjoy the Party!

 

 

Holiday Workshop: Violins, guitars and more

The Studio is giving a Holiday Workshop this year.  Beginners and advanced welcome in the following instruments: Violin, guitar, viola.  All other instruments:  You must be able to play a tune and read the music.

Date:  13th December and 20 December  (both Saturdays included in the workshop)

Times:

  • Morning sessions:  9h00 – 12h00 with a 15 minute tea break around 10H30
  • Afternoon sessions:  14h00 – 17h00 with a 15 minute tea break around 15h30.

16h00 on the 20th is Show Time!  The ensembles and the greater combined ensemble show what they have prepared.  This is a time for parents and grandparents to come and listen, and enjoy.

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Fees for the whole workshop:  R400 per participant.

Venue:

You will receive this information on booking.

Book early – space is very limited!  

Enquire at Lyz (082 565 9428) or Iain (082 290 7419).

 

 

 

Suzuki the violin teacher – a fraud?

The Suzuki Violin Method, known to practically everyone who is involved with violin, has come under fire.  Sources claim that Dr Shinichi Suzuki was a fraud, in that he lied about his background.

Mrs Piggy (the Muppet Show) said that there is no such thing as bad publicity.

The “accuser”, a blogger and violin teacher by name of O’Conner, has created his own violin method and needs to market it.  As it appears to be quite similar to the vastly successful Suzuki method, he first needs a way to crack down the existing wall of Suzuki Method.

You can imagine the interaction:

Bookshop:  “Nah, we’re not interested in your method – people only want to buy the Suzuki Method.”

O’Conner:  “… by the way did you know that Suzuki was a fraud?”

Yup, certainly a way to sell a new method.

 

There are no new ways of playing violin, folks.  What there might be, is new insights into how we learn.  And you get good methods and bad methods (sorry O’Conner, but the Suzuki Method is a great start), and good teachers and bad teachers.  And also, good students and bad students, and good support vs no support at home.  All these are factors.  It’s not a factory.

But the publicity can’t half be hurting the Suzuki Foundation.  Nothing like some hot debates to revive interest in a staid and established system.

😀

Next on the menu:  We’ve got the clips from the concert!  Watch this space my students, because I’ll be posting photos, and we’ll make DVDs of the show so you can remember it forever.

 

 

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