On Naming Things

In an attempt to bring joy back into my life in what seems like a season of ill-will, misfortune and tired depression, I will talk today about something that brings me joy. It’s my daughter’s penchant for naming all her toys – apt names sometimes, or names that simply tickle her fancy at the time of the naming ceremony.

Her first named doll is a little bald thing with the most intense eyes and the grimiest all-in-one outfit one ever did see. When she first obtained the doll, three years ago now, my daughter had just turned two. She was enamoured with an Arabic song about seagulls flapping their wings, and one of the phrases in the song was ‘the seagull flapped it’s wings, flap flap!’. So she named her doll ‘Hallaqa Hallaq’ – which means ‘flap flap’. In fact, the doll’s name is the entire phrase but she deigned to shorten it for her own ease of play.

Then she has Foxy – which is a little white fox. Cuddly-cuddly Elephant is a little purple elephant no bigger than my hand. It’s furry and has large imploring purple eyes. She has Button, a little rag-doll with a singular button on its dress. Kung-Fu Panda, which is a panda dressed as a dragon which her father got her from China in celebration of the Chinese new year. She has Goldilocks, which is a plump little marshmallow creature that is shapeless and designed, I suppose, to be ‘cute’. Not in anyway resembling the real Goldilocks – but the name took her fancy and now we can’t see that marshmallow thing as anything other than Goldilocks! And Llamery Sparkle is a colourful little Llama who has a pair of sparkling eyes.

Flower Nice is a velvety puffy ladybird with large black beads for eyes. She followed her dad all around the supermarket the day Flower Nice was procured begging him to buy it for her. He took one look at the price tag and shook his head. But she wouldn’t let up. She implored with her large eyes, she took his hand and kissed it, she hugged and rocked the silly stuffed ladybird as if it would break her heart to part from it. He eventually gave in, of course. Who can resist the charms of an enamoured little three year old?! What will you name her, I asked, once the ladybird was paid for and safely back in her arms. Flower nice, she replied, because flowers are nice and nice because she is nice.

All of this to say, I never named a thing as a child. I had a doll but she certainly had no name, and was subject to all sorts of experimentation by myself and my sister. Bathed, hung, parachuted down the side of an apartment building – no, we did not name her. But my daughter insists on naming everything that can be constituted personage – including ants and moths that happen her way. And that, my friends, brings me much joy.

Girl, dolls and toys. Honor Appleton

My Sunshine Girl

Daily writing prompt
Tell us one thing you hope people say about you.

You know, I always tell my daughter that she is my sunshine girl. The sun shines out of her large beautiful eyes and beams out of her gorgeous big smile. She always thinks good of others, even the mean little four year olds at school who say hurtful things to her. ‘I think she forgot she was my friend Mama,‘ she says, ‘or I think she just didn’t know I liked her.

‘Did what they did to you hurt you in your heart?’ I ask gently, and the little half smile vanishes from her face and her mouth turns down against her will. ‘No Mama,’ she says stoutly, ‘in my FEELINGS.’

Okay okay. She is such a sensitive little soul. If you tell her off she backs away with a big smile on her face but when you inspect it further her eyes are brimming with tears that are on the cusp of falling over the edge of her lashes, and her smile is wobbly. I ask if she is okay and she nods and if pressed about it the little tears pour down her cheeks in tragic rivulets.

But she is my sunshine child. Her laugh echoes through the house and if she wonders off in a supermarket her high cheery little voice is my beacon to her. She is loud and clumsy and full of ringlets and chubby cuddles. Whenever I looked at her when she was a baby her fat little legs would cycle into a frenzy and her smiles became little squeals of excitement. I never saw such happiness in someone when they looked at me, my heart would rise up with my own joy to meet hers. She is still this way when we have visitors, when she spies me after her day at school, when I surprise her while she is out shopping with her dad, when her grandma comes to visit – little dances of joy and rapture, hugs galore, never stingy with her affection. I missed you! You’re my favourite person in the whole whole world… everyone is her favourite.

People say about her – she is the spreader of joy. Where is my happy little girl, my mum always asks. We named her after the night, a night of sparkling stars and a glorious moon, only made so because of the generosity of the sun.

So when I think about what I hope people say about me, I think, I want them to say ‘she appreciates the good in others’ – and only so because my daughter taught me when she came into this world 26 years after I did, to only seek the good in others.

That is how you be a sunshine girl.

[9]

Lady Zelda was ferocious. I mean that in the most literal of terms. Her face, as red and ripe as new tomatoes spotted with dew, was lined with the wrinkles one can only achieve after years of frowning at the most insignificant of matters. A frown at the maid servant because the fire was too cold, a sullen purse of the lips because the beef was overcooked and for goodness’ sake Dorothea, you know better than to let my tea steep for more than five minutes!

You do realise, of course, that Lady Zelda was quite capable of carrying out these tasks herself, as she was not so riddled with consumption as she claimed to be. She suffered from a bad case of poor humour, as her doctor wryly told her nephew, a certain Dr Robert Smith. 

Lady Zelda’s eyes were little, and shrewd. They were a vivid, piercing blue, startling in their brilliance, and certainly not diminished by her age. They added something strange to her surreal face, giving her the air of one about to explode. Lady Zelda was like the deep breath before the plunge, Laura would say. Laura was Lady Zelda’s great niece, from the lineage of Lady Zelda’s brother, Lord Edwin Darlan Smith, who was the late father of Lord Smith. Tom, or Master Thomas Laurence Norton, as he was generally known around these parts, told Laura on several occasions that that her great aunt Zelda was nothing but a besquatting, ribbetty, groany old toad. Mary, Tom’s younger sister, silently agreed with him, but because she and Laura shared a special friendship, she would never voice her opinions on the matter, and stoutly stood by her friend against her brother’s unkind and disrespectful words. 

In a nutshell, Lady Zelda was not a particularly pleasant woman to know. She might have been, in her heyday, but to be quite frankly brutal about the matter, there didn’t seem to be anybody from that particular time period left to say anything to the contrary; and that is where the Smiths left it.

The Smiths, of course, being of the lineage of Lady Zelda Smith, of Milton Manor, by the Rooks, a small, insignificant town a good twenty miles from the nearest city, housing approximately 800 residents and a number of animals. Everybody knew each other, of course, being such a small, close knit community, and everybody therefore knew that young Amelia Fox of French Way worked for the tiresome old lady. Which is why, one sunny afternoon, when young Amelia rushed into the Post Office, wringing her hands, tears streaming down her perfectly sculptured face, Master Williams at once said, ‘Why, Amelia, dear, has the old bat snuffed it at last?’

THE ARTIST AND HIS FAMILY

[4]

She was the girl who wore the navy dress, with lemon polka dots. She wore it every single day, her hair decked for conquest. Dressed with an assortment of violets and lilly-of-the-valley, thick auburn tresses braided and intertwined with violent splashes of purple and the most delicate little snowy bells.

So he asked her one day when she passed him by with her basket piled high with the bright little currants. He put his hand out, almost rudely, she thought, bemused, and he said, ‘why do you wear this dress daily?’

How rude! Thought she. ‘How rude!’ said she, lifting her basket delicately higher up her slender arm. She sidestepped him and stalked away.

He watched the evening sunlight glint and shimmer in her hair.

The next day he asked her for directions to Grousetown – and she gave him a withering glance and ignored him, stepping delicately over the stones on the uphill path, past where he stood. Her dress fluttered behind her in the breeze, and she spared him nary a glance.

The day after that, her hair was worn up. Piled high atop her head in an intricate style of weaves and plaits, and adorned with little pink rosebuds. Her nose was upturned, her eyelashes cast downwards, and her pace amiable. The basket hanging on her arm contained the evening newspaper, and in her opposite hand she twirled a small bouquet of wild red poppies. He didn’t say anything to her. As she passed, she glanced his way.

And so the days wore on and still she took the same path, and his work kept him on that path, and he said hello to her on many an occasion, and she would respond. Curtly at first. Short. Irritable. Her eyes were an indignant flash of blue, fringed with long lashes, her cheeks two scarlet dots. One day she responded with a smile, but when her eyes met his, she was startled, as though she had forgotten who she was talking to, and then she frowned and began to march up the hill with flustered purpose.

‘Good evening,’ he said finally, one evening, when May bloomed into her sunny and beautifully scented sister June. Her hair was decked with peonies. A crown of them encircled her head, and long, thick coils of dark auburn locks fell over her shoulders, brushing her cheeks, curtaining her eyes. She stopped, then, turned to him. Her basket had a green bottle inside, a little piece of twine was wrapped about the top, and a handmade label stuck to its side.

‘Evening,’ she murmured.

His work was to take him elsewhere the next day.

‘I hope it isn’t an intrusion to ask if I may call on you tomorrow,’

‘Certainly not,’ she said quietly, but her vivid gaze did not meet his. She told him where she lived. He wrote it down, and without saying goodbye, she turned and hurried away.

When he arrived at her house the next afternoon, he wondered how he would phrase the question. How ought he to ask it, without seeming rude. He straightened his coat, cleared his throat, and raised the knocker once, twice, thrice, before standing back to survey his surroundings. The garden was filled with flowers. Bushes of peonies all along the border by the fence, little blushes of sweetness nodding in the breeze. Roses climbed the brick walls, hundreds and hundreds of them, reaching for the roof and releasing a sweet, faintly lemony scene. Pale pink and ginger fringed with burnt orange. A row of lavender bushes, busy with bees around their nodding purple flower heads, and the sickly sweet smell of the mountainous piles of brightly coloured sweet-pea towers wafted his way. Everywhere he looked there was colour. Every square inch of that garden was a decorated bush or a flowering plant. Lilac trees fringed the Eastern corner, snowy white and soft, delicate pink.

Yet when she opened the door, the plainness of her navy dress with yellow polka dots shocked him. Her hair she wore down, with little daisies carefully places throughout her tresses. Her cheeks, he noticed, as well as her nose, were gloriously freckled. He could lose himself in her eyes, swimming like oceans about brim over her thick lashes.

‘Come in,’ she said, and her curtness, he realised, he had mistaken for shyness. Suddenly the question he had been so burning to receive an answer to had vanished from his mind.

Lady Lillith – by Gabriel Dante Rossetti

Monsters

Weaving through silky straight roads. Malevolent when they want to be. Reckless intent in the blaring horns. Arrogant confidence in the nose-to-rear jostling, small skinny limbs operating over half a tonne of machinery, music ricocheting around an empty skull. Move, move, move out of my way. Move, move, move, move. Nudge the car forward then brake, to the beat of the music. The stragglers scramble to get out of the way. Bullies bully the bullied.

A small man’s gargantuan car on the immense roads of Arabia. A camel against the dunes? Something far more sinister. High rises soaring above the roads, reflecting, reflective, twinkling lights and LED displays larger than life and devastatingly distracting.

They’re monsters, these little humble men with their generosity and hospitality. Beasts on the roads, in their imported cars. Larger than life, always have somewhere to go, teasing drivers, playing with them like a predator with its prey. Hooting horns, flashing lights, move move move, threading through the lanes like serpents.

A drunk driver won’t take you out here, it’s the reckless risk of the youth growing up in a world that tells them they will live forever.

This was Day Five of my Short Story Challenge. The why of which is outlined here, and the challenge of which is outlined here.

They’re for you.

She used to be the type of person who wore yellow gloves on a rainy day because that is where the sun shone. It had to shine somewhere. If not the sky then she would spin it with her hands. Jars of joy. Jars of jam. Preserves, she would correct. Preserves. With pieces of fruit still in them so when you spread it on your crusty toast you would always find a gem or two.

do you know what’s really nice? She asked him one day, holding a piece of her toast in an ungloved hand, when the piece of fruit is intertwined with a knob of melting butter, and it’s on the crustiest part of the toast, so when you take a bite, it tastes like you’re being hugged by a warm, sweet-smelling large-bosomed matron lady. Like Mrs Newman, remember her? Golden curls akimbo and she always talked about her big brother Georgie. As if one could call a sixty year old man Georgie! My but she loved him didn’t she. He was marvellous to her, and she was a potful of comfort and laughter.

akimbo? He raised an eyebrow at that word.

tumbled all over her head. She gestured with her hand over her head in a circular motion, and bit into her toast. Closed her eyes. Her lips curled up towards her eyelashes and her cheeks sunk into two large dimple pools. He liked to look at them.

how much jam have you made today? He asked, leaning his tired head on his hands.

Preserves, PRESERVES! Just one. I had a juicy harvest of mulberries and when we picked them this morning we ate most of them. Oh, the children looked like they had devoured fresh corpses by the time we were finished, and look, my fingers are still stained! She showed him buttery, crumby hands with purple-stained fingertips.

and who gets to have this precious jar of mulberry preserves? He asked, a small smile playing about his eyes. They shone and danced, vibrant when they looked at her. He was always laughing at a secret story with his eyes. She couldn’t help but smile in response.

did you think you would receive it? She said, playful now, running her fingertip across her plate to swipe up the last buttered crumbs. they aren’t for you. they’re for..

She stopped then, and her face became sombre. He was still looking at her, unaware of the change in her demeanour.

…for?

The Lesson – by Jean Eugene-Buland.

This was Day Four of my Short Story Challenge. The why of which is outlined here, and the challenge of which is outlined here.

O’Henry, also known as William Sydney Porter, said of the short story writing process: “Write stories that please yourself. There is no Rule 2.” That is what I shall do.

He

It wasn’t the sort of day that required her to do anything, so she lazed about drinking cups of black coffee with lemon-slice shaped ice floating at the top. She picked up a book and flicked listlessly through the pages. She read a sentence about microbes and then another about tapeworm, and she frowned, shutting the book and looking at the front cover. A magnified rendered image of a virus splattered glossily over the front flap, glaring at her menacingly.

When her heart started beating fast she marked it up to her fourth cup of strong black coffee, and made her mind up to stop drinking it. The sun filtered through her window, cutting through the thin white curtains that billowed lazily in the cooling breeze that sailed down the mountains and created a crosswind through the house. Beautiful, beautiful house, she thought, glancing over her shoulder. Scenic photographs of the surrounding lanscape, enlarged and framed, hung on nearly every inch of the cream walls. In between hung little relics of a life well-travelled. Hand-woven rug, coarse yet soft under her calloused feet. The doorframes were painted green, and the window frames white against the dull cream on the walls but you couldn’t notice that because the photography – his photography, hugged every corner of the house and encroached the space.

Encroached? Shrouded?

Embraced.

His presence was everywhere. She breathed and his smell lingered yet. A perfume of warm smells. Tobacco – she took a deep breath. Coffee. Of course coffee. Lemon? No, grass. Freshly mown grass. A little tobacco maybe, a husky sort of smell, and wood. The wood was everywhere though. Hand-carved oak table, carved maple figurines on the mantlepiece, and the mantle itself he had cut and sanded. He loved the smell of pine, he told her, it made him feel at home.

She didn’t feel anything anymore. She could touch what he touched. Without grief or fear of plague. She could sleep on his pillow, and wear his clothes. She wanted to be reminded, now. After so long, she wanted to remember.

When she pushed the curtains away from the window, and the mountain cascaded downwards before her before rising up towards the sunset, she breathed and it was his scent the wind carried. She let it fill her lungs, caress her hair gently around her face. The pines in the valley hugged the foot of the mountain and the lombardy poplars on the slope were silhouettes to the sunset, with the sunrises casting a glorious glow about them. They became alive. Full of character. The sky was vibrant with life. Clouds scudding across the horizon and as the day crept towards night, they began to take on the magnificent hue of the retreating sun, reflecting it back onto earth.

I see you.

The earth was alive in this place. She felt its blood running through her veins.

She saw what he saw, now. His thoughts were hers.

The Girl on the Hill by Alan Lakin

This was Day Three of my Short Story Challenge. The why of which is outlined here, and the challenge of which is outlined here.

O’Henry, also known as William Sydney Porter, said of the short story writing process: “Write stories that please yourself. There is no Rule 2.” That is what I shall do.

i don’t cry

Not even when the fat man pinches me hard under the chin and shoves me forward with his knee, do I cry. I hold my hand out, pockmarked with burns, for the form and then proceed to fill it, sitting at the small desk allocated to me, while he sits opposite, smoking a cigarette. He blows the smoke upward, then at me, upward, at me, and never sideways. I dare not swat the smoky breath from around me, and try to hold my own so it doesn’t fill my lungs with incurable, blooming cancer.

When we exit the building the heat is intense. I squint my eyes against it, as the fat man prods my back with his thick fingers, rootling in his breast pocket for another cigarette. The sun burns my head as he lights another one, and I imagine the heat of the sun igniting his cigarette so it blows up in his fat, sweaty red face. I don’t cry when he hails a taxi, and the car stops in front of us. The exhaust pipe adds to the heat that sits on us like a shroud. When I touch the door handle to pull it open it scorches my fingers, but when I enter the car I am greeted with a cooling, yet ominous breath of circulated air-conditioned air. The driver glances behind at me with red-rimmed eyes, and the fat man gives him curt directions from the passenger seat.

I see the mirages in the road ahead of us, immense pools of waving water that disappear as we approach them. I see the intensity of the heat rising up above sandy stones and far-away mountain ridges, and there are invisible cracks in the taxi where hot air blows in, mixing with the cool air inside. The fat man smokes again, and I feel like I am choking, trying to breathe out only and not in.

When we arrive, he pays the taxi driver, who glances at me again, questions in his eyes, but who, upon seeing the thick wad of banknotes the fat man holds out to him, swerves off before we can shut our doors properly.

I stand still while the fat man lights yet another cigarette, and we wait by the side of the empty road. We wait and I don’t cry. I bite my lip, I don’t cry. He has a heavy hand resting on my shoulder, it feels like the right side of my body will collapse under the weight of it, leaving my left half standing, cross section of my insides spilling out and bare for the world to see. What world? There is nobody here. Only barren desert, a few huts in the distance, and the leaning, rusty pole of the bus stop we are standing next to.

Is this what insanity looks like?

A woman exits the hut nearest us, and squints through the sun at us. Her head is covered with a cloth and a hat, shielding her face from the sun. Throwing it into shadow. Her eyes glitter through her squint. The fat man avoids eye contact with her, but we look at each other. I try to plead to her with my eyes. My entire body still as a statue, my eyes beseeching. Can humans communicate this way? She looks at me for a long time. I realise there is a basket under her arm, filled with reeds. She turns, quickly, suddenly, and walks right back into the hut.

Then we see the bus trundling up the lane. Far away, yet. We see it before we hear it, emerging from the giant mirage puddle in a dip in the road.

The fat man lights another cigarette, and I begin to cry as the bus approaches ever closer. I hear the dim rumble of its engine, which turns into a roar, and the sweat finally begins to bead in little jewels along my hairline.

Western Desert by Owen Jones

This was Day Two of my Short Story Challenge. The why of which is outlined here, and the challenge of which is outlined here.

O’Henry, also known as William Sydney Porter, said of the short story writing process: “Write stories that please yourself. There is no Rule 2.” That is what I shall do.

Witness

I was witness to its inception. I saw how they built a world around themselves, some would call it a life, and I was there for its ultimate, inevitable demise.

I stood there, moulded a century ago by able, hopeful hands, built brick by brick to stand in all my magnificent glory upon the golden hill. My rooms are filled with ghosts and my walls echo with decades of laughter, haunted by nights of weeping, refreshed by the fresh paint of newcomers to this world.

Oh, I was wearily there, my sight sleepy now to the infinite cycles of the sun and the moon as they chased each other across the ever changing sky. An old crone lived within my walls, her bitter outlook had all but driven everyone away. I could turn my attention from her, just exist, as the sad darkness bloomed within me. The landscape around me, filled with glorious frondescence, turned desolate with neglect. My eyes were rheumy and tired when she arrived on the scene. She arrived first of course, bright eyed hopeful child. Brilliance shone from every crevice of her, rosy-cheeked human. Intelligence radiated from her stare. Oh she was known for her stare. She gave him that stare when she first laid eyes on him. She had him, then. I have not seen such ensnarement in all my ancient time here on this hill. Always an excuse to be near her, to help her out of a rut or a scrape. She accepted it without question, of course. She was one of those. Those little fireflies in a night of humanity, one can’t help but stare, follow, attempt to catch one and be a part of the fleeting joy that seems to buzz through them and leave traces of itself sparkling wherever they step foot. Only to realise they have caught something black and sticky, and they rush to wipe their hands.

When she came to live within my walls, I felt it. I felt the hum of life start in my very foundations, a slow and gentle rhythm that made me sit up, after many years, and open my eyes and really see the sunrise for what it was. She dug up my front garden and ploughed her way through the acres that lay sprawled around me, and within a few years I was adorned with blooms and scents that brought a smile to my countenance – if a house can smile. The old crone did not look so old anymore, her frown lines softened, I often heard a strange hacking sort of laugh, disused for years, echo within me. Once she stood at the bottom of the garden amid the roses and the sunset lit her snowy hair on fire – I caught a glimpse of her youthful ethereal beauty then. She had, I realised, not always been bitter.

I saw our young heroine fall in love. With he who had been ensnared. I saw how his smile captured her laugh in a net, I saw how he lent his strength to her zeal for life, I saw the potential of their power, together. Their first years together – some would call them turbulent. She spent a lot of her time digging the earth around me. Soon I began to hear gentler sounds, little feet pattering on wooden floors, windows flung open then anxiously sealed shut. Only to be flung open again, ‘smell the spring!’ would be her cry, and they would smell the spring. Her and the little one. For it began to only be her and the little one. The old crone had long since been carried away in a black coffin, and he who had been ensnared appeared to have lost his tongue for I no longer heard his voice. When winter threw her cold arms around me, and draped me with her soft ermine cloak, and turned the landscape into a dreary wasteland, sometimes soothing us with a covering of white to lend magic to her deathly shroud, I began to wonder at his silence. I turned my thoughts inwards and began to search for him. Footsteps, his calm assertive tones, the assured way in which he threw logs into the fireplace. I heard nothing. She dug her way through the winter, turning the earth, planting seeds, and I eagerly awaited her blooms come spring.

The blooms bloomed when the earth turned herself towards the sun that spring. First came the soft green buds, then an explosion of vibrant, gaudy colours. Too many to count. They filled every cranny and spilled out of the garden into the acreage beyond. So many of them, I was suffocated by their smell. Sweet, sickly, masking the scent of something else beneath the surface of the land. A stench I had been smelling for years, but I had been dismissive of it, so bright did she radiate.

This was Day One of my Short Story Challenge. The why of which is outlined here, and the challenge of which is outlined here.

O’Henry, also known as William Sydney Porter, said of the short story writing process: “Write stories that please yourself. There is no Rule 2.” That is what I shall do.

My 2025 Short Story Writing Challenge

I challenge myself, a none-doer, a lay-about-er, the one with the un-oiled, un-greased writing mind, who thinks of writing every single day, especially after a cup of coffee, and who never does anything about it…

To write one short story a day for the rest of 2025.

Now, I may fall foul of this challenge. I may not live up to my own morning coffee fuelled aspirations, but I want to write.

In a world of AI writing, in a time of constant content stream, I want to create and write and just exercise my writing mind. I have been out of it for so long, enough is enough. I have promised myself for 16 years that I will write, and I have not.

ENOUGH.

Every day I will write a short story, whether it be 100 words or 3000, whatever my mind can conjure up for that day. And I will hit ‘publish’ for accountability.

Happy Paintings by CraigBeginner Bob Ross Painting.

Look, I know short story writing is not as simple as it sounds. It is not a matter of writing something and sending it off. Short story writing requires tremendous effort to pack a punch. It requires editing, cutting back, refining, defining, saying a lot with little words. It’s an art form, it’s a skill. Perhaps my writing will be awful, my short stories may fall flat, like a deflated balloon on a tiled floor after the festivities have ended. Perhaps I will fail, perhaps perhaps perhaps. I won’t know until I try.