What is your all-time favorite, romantic movie scene? What about it speaks to you?
Soooo...I figured I ought to do this, being the consummate sap that I am. It's terrible really how much I enjoy romance. I am, in this regard, the stereotypical girly girl, clinging to a pillow and giggling. Ok, maybe not THAT bad. I am not (for a good example) interested whatsoever in whiny teen wangst wannabe romances. *coffTWILIGHTcoff* If you're going to try and impress me with a romantic scene, even as sappy as I am, it has to have some real substance.
I suppose if I'm going to be giving examples, I could be naming off movies and that kind of thing, specific scenes in which I approve (and even heartily applaud) the romance.
Let me begin how a friend of mine ended. The princess and the rogue. Love it. Doesn't matter that it has been overdone and overused and is prone to cliche. I. LOVE. It!
The Empire Strikes Back is a prime example of this. Seriously, Han and Leia? Spot on. Also in the event of
Firefly despite the fact it's a TV series and not a movie, though I suppose
Serenity might count, there is the scoundrel/princess dynamic as well. And often it is the whole idea of characters starting out with an extreme dislike of one another (for whatever reason) who end up attracted and/or madly in love with each other. Of course once they figure it out, they're not particularly willing to admit it, which can bring much amusement to the supporting characters and the audience with the awkardness that follows. And the BANTER the BANTER! I always love love love the banter between characters of this type (though they don't always have to be princess/rogue, they can also just be characters that may not like each other in the first place). See also examples -
Beauty and the Beast and
I am also a huge fan of the tragic love story. Again, quite possibly another overly used cliche. But I can't help that I enjoy it. I'm an angst monger, I do enjoy angst (in appropriate situations and used well of course) and what better way to give me satisfaction in that but by tormenting the characters!
Underworld: Rise of the Lycans is my most recent favorite example of this. The stolen moments, the way the characters look at each other when they believe no one is watching, the way they hold out hope that someday there might be a chance they can be together. But it has to be done well, if it isn't it gets too whiny and TEENAGEWANGSTY! for my taste. Another example of this I highly enjoy is in
300 because you know that he's not going to come back. At the same time she understands why he is going, what he has to do, and is strong regardless. They also don't have to say sappy parting words, they know how they feel about each other. And another example (with a happy ending even) is
Ladyhawke in which a curse keeps the lovers apart. Very fairy-tale esque.
I also highly enjoy the idea of characters that have been friends for a while who realize that "oh hey, I think I LIKE this other character!" One of my favorite examples of this (though I'm not always one for chick flicks) is
Someone Like You where the male lead is a known player and isn't really the type that the female lead would date, and they end up as roommates, though they were friends before that, and figure out during the course of the movie that they really like each other in more than just a platonic fashion.
Unrequited love (though not in a TEENANGST! pathetic way) is another theme I enjoy in romance. I would have to say my favorite example of this is
Labyrinth because in Jareth's twisted way he really is in love with Sarah, but of course the feelings aren't mutual. Also I did somewhat enjoy the unrequited dynamic in
The Dark Knight with Bruce and Rachel (before she gets blown up). It gives him more humanity I think, that he's Bruce Wayne and yet the girl he wants most just happens to want to marry a guy that's not him.
Another approach I enjoy is a more classic one I guess, where you have a relationship that's either getting stale or just losing that new shiny aspect. You have one character that is willing to call it quits and who may even decide to date other people or what have you. Then you have the one character that is determined to prove that the relationship is worth saving.
The Rocketeer is one of my favorite examples of this.
Granted a lot of times I can get sucked in to the generic romantic drivel that makes you go "awwwww" but mostly what I am drawn to has substance. The reason the scenes I love have good substance is because of well written characters. If the characters don't have a good dynamic, then whatever you're trying to do with them is pointless. And if you HAVE to try and put romantic dialogue in there somewhere for the love of GOD find a writer that doesn't make it sound STUPID! (*coughTWILIGHTcough* and *coughPREQUELSTARWARScough*)