Weekend Work 6/17/24

I’ve been working on this one for a couple of weeks. I haven’t had a lot of time to paint due to working some extra hours.

We had a nice Father’s Day yesterday. Steaks and a nice caprese salad with apple pie for dessert.

Not much else going on except for temperatures rising this week. Stay cool!

Mountain Landscape

wellspring
of thunder rolls
inside mountainous clouds,
echoes across the lake
making my bones
shiver

south wind
carries the taste
of impending deluge–
I shelter, waiting for
the aftermath–
rainbow

Last year I did a series of landscapes–I chose 3 photos and did each one in a number of different techniques and media. They have similarities, but also distinctive differences. This was the mountain landscape. The top image is watercolor over a black monoprint ground, and the one above is a black ink painting with neocolor on top.

This one’s an ink pen drawing with colored pencils on top. Then I did two without any base drawing.

I painted this one in gouache.

And this one is drawn in neocolor.

The monoprint, on the right, is the reverse of all the others due to the technique. Below is the ink pen drawing.

I intended to do some portraits like this but never got to it. It’s on the list.

My Badger’s Hexastich for Colleen’s Tanka Tuesday uses kigo words wellspring, thunder, mountainous clouds, south wind, and rainbow.

Bookends (Thursday Doors)


Every day contains more astonishments–
how can so much exist that I have never seen,

that I’ve passed by so many times but never seen?
So much occurs that I somehow fail to notice–

my head spins with that all that occurs unnoticed–
every walk is a sojourn previously unexperienced.

As if brand new, each walk becomes a new story,
a summons to surprise, a kaleidoscopic offering.

The senses enter a kaleioscope offered freely
to anyone opening the pages of this vast universe.

The universe is vast, immeasurably complex, but
so is the dust mote, the word, the tiny point of light–

light reflected and translated from dust into words–
every day contains more astonishments.

Here’s another building I’ve passed by hundreds of times, shopping also many times in the bookstore that occupies the ground floor over the years. As I was standing on the corner a few weeks ago, a place where my daughters and I often meet on Sunday mornings to get coffee and tea before going to Riverside Park, I noticed as if for the first time the apartment entrance door.

I sure you know what caught my eye–guardians! and it’s also a seemingly elaborate doorway for what looks like a tenement. A little research showed that, like so many buildings in the area, it’s currently owned by Columbia University and serves as residential housing.

There are guardians on the windows above too. And many other lovely details surrounding the entrance as well.

A griffin-like creature lives on the stairs under the columns, and between the columns, at the bottom, stands a cupid-like figure holding an elaborate leaf.

Some of the windows have botanical carvings too. Having the windows on the corner is also a nice feature.

Here’s the bookend–the door that’s across the street and down the block. The Morningside Heights Library was my local library for many years. It’s also housed in a Columbia Building.

I had to photograph the window display as well.

The poem is a duplex which may or may not fit Dora’s prompt at dVerse to talk about liminal spaces. But while you are out walking, you are always in a place of transit. And when looking for doors, you must continually approach the threshold.

Dan Antion hosts many more doors every week at Thursday Doors.

If you want to know more about the bookstore building, the Daytonian has its usual gossip-filled history of 600 West 114th Street, before its current iteration as Columbia housing, here.

Sinu Parakeet  (Draw a Bird Day)

deforestation–
no more deep tree shade—exposed,
wings retreat, decline

The Sinu Parakeet is a subspecies of the Painted Parakeet which are members of the True Parrots family of birds. Painted Parakeets are indigenous to northeastern South America.

All of the species of Painted Parakeets are in decline due to deforestation–it is estimated that 90% of its original habitat, forests with dense tall trees and savannahs in the lowlands and foothills, are gone. But the Sinu Parakeet is believed to be extinct, having not been seen since 1949. An expedition to Alto Sinu in Columbia in 2021 failed to find any of these birds, but found dozens of other species–both new ones, and ones that hadn’t been seen for years–so scientists have not totally given up hope for the parakeet’s survival.

Painted Parakeets live in flocks of 15-30 birds, feeding on the fruits, seeds, and flowers of a wide variety of plants. They also eat insects, often feeding in mixed groups with other parrot species. They nest in the cavities of trees.

Painted Parakeets are also often captured for the pet trade. One pet website called them “sweet, sociable, curious, energetic and active”. But the pet trade is not good for parrots. Their need for social interaction means that if their “owner” doesn’t constantly interact with them they can become depressed and destructive. And what bird could ever be happy in a cage? Over and above their endangered status, no parrot makes a good pet.

The top artwork is watercolor, the second one is gouache, the third ink with colored pencil, and for the one above I did a drawing in neocolor which I then cut out and pasted on a collaged background.

My poem is for Colleen’s Tanka Tuesday, where I have used the kigo words “deep tree shade”. I’m not sure if it’s a haiku or a senryu.

Love Wins (Thursday Doors)

a
hole
for worms
or rabbits–
memories whirlpool

time
con
fusing
past present
everything between

that
door–
what lies
behind it?
a long winding road

back
ward
forward–
yesterday
returning as now

I have to admit this bike stopped me in my tracks and made me think immediately of my younger daughter. Rainbows! Glitter! Unicorns! Smiley Faces! Barbie!

As you can see from the first photo, the building it was parked in front of had scaffolding, so it wasn’t easy to get good angles on some of the photos, but I think you can get the gist of its exuberance.

One of the things my (now 30 year old) daughter reminds me of frequently is my failure as a parent to buy her a Barbie Dreamhouse, which is obviously the permanent residence of this magic vehicle.

But I did let her paint one of her bedrooms lavender.

My sentiments exactly.

A Fib poem considering spirals and love for D. Avery’s W3 prompt.

And you can always find more doors, both dreamlike and real at Thursday Doors, hosted by Dan Antion.

Still have the Beatles on my mind…

Abstractions

I stayed two-dimensional with my collages, but lots of good 3-D ideas.

June 2024

robins awaken early before dawn–
flickers and mourning doves wait
to greet my own rising

trees newly green expand the horizon–
embracing tourists, natives,
the cloud-patterned blue sky

my knees complain about the lengthy walk–
inside the cocoon of dusk
I sip my iced coffee

Three kimo for Colleen’s Tanka Tuesday. The dawn photo was this morning at 5 am–that clarity has turned into haze, but what a wonderful sky to awaken to. The photo of Central Park was taken yesterday on my (long) walk to the Japan Society to see an exhibit of brush paintings. And the bottom photo was dusk, last evening. The long days make me happy.

My kigo words are newly green, cocoon, and the birds I heard yesterday morning.

I’m hoping this lovely early summer weather will continue and leave the endless rain behind…

All I See (Thursday Doors)

photo by Miriam Hurdle

I enter
a series of openings–
pushed inside by darkness,
reflected in a two-way mirror
that absorbs all light.
How can I exist in transparency?
Am I merely a trick of the eye?
The threshold knows both sides of me;
the wheel reverses me.

A quadrille for Punam at dVerse who provided the word darkness. Every week I’ve looked at the photo Miriam provided for the Thursday Doors Writing Challenge, which, if you examine closely the last darkened doorway, contains a wheel. It looks to me like a place of both mystery and transformation. Punam’s word gave me, finally, an idea of what to write about it.

Once again, I’ve enjoyed this month of writing to the doors provided by the Thursday Doors participants. You can see the complete list of Challenge posts here, and visit the new weekly doors every week at Thursday Doors, hosted by Dan Antion, here. Thanks Dan!

Weekend Work 5/28/24

Just a few new ones to post today. It was a nice long weekend and I had my first swim!

Another one from the weekend. I added sticks that I use for mixing paint.

In other news the Montclair bear was in my neighborhood, on my friend’s deck. She got some great shots:

My friend who owns a small boutique offered to have a showing of my work. I’m going to take her up on it with some of this newer stuff.

Have a good week! Nina

Flowers

your laugh infectious,
opening like a flower–
I smile in return

My daughters gave me some flowers for Mother’s Day, and I decided to paint them. Flowers are a subject I struggle with. I was happy with the result–not that it’s a great painting, but I enjoyed the process of it so much. I really need to make the time to do more painting just for that reason. I used gouache for the top one, and then did a watercolor abstract mandala. As my daughters’ kindergarten teacher always said to the parents–process, not product.

Here’s some Mother’s Day flowers I drew in 2016–I think I must have used Neocolor. I did a more abstract version then as well.

When I was in my early 20s I did most of my painting in oils. I would not do that today because of my allergies. But I’ve used acrylics on and off, and I think that would be a good medium for me to use more in painting as well. The painting below is one from the 1970s I like a lot–my older daughter asked for it, and has it hanging on her wall.

The little poem is from a haibun I wrote a few years ago about my Great Aunt Lil who loved Van Gogh’s flowers and had the best laugh. It still makes me smile to think of it.