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September 2025

September is complicated with ends and beginnings.  It’s not always clear which is which.  The year has accumulated, and there is so much left undone.  I always mean to simplify, but instead of subtracting, everything seems to multiply.  Again, again.

Crow is back, spending his mornings standing his chosen ground as high as he can perch on the water tower two buildings over.  He complains and proclaims his right to call the neighborhood to attention with the first hint of dawn.  Wake up!  Wise up!

Too soon the trees will lose their green and their foliage and the branches will make their beautiful winter patterns against the sky.

I puzzle out a grid
while my mind wanders the crossroads
looking for lost time

This is another grid I created by cutting up some of my old textile print designs. The pieces were irregular, which made it like putting together a puzzle. It’s not at all a perfect fit, which is pretty much how life unwinds, at least for me

July 4, 2025

It was a potluck picnic—hot dogs, chips and dips, soda and beer, watermelon, ice cream, an endless assortment of salads.  Swimming and rowing in the pond.  Catching frogs and fireflies. Catching up with people we interacted with on this one day in this one place once a year.

Each year the host posted The Declaration of Independence on his front door.  Anyone who was so inclined could add their own signature.

Before the fireworks, he would always read it aloud.  And every year it was newly alive, full of righteous anger and the urge to be free of a king’s whims.

Have you looked at it recently?  Not just the truths that once seemed to be self-evident, but the list of King George’s objectionable actions that the Continental Congress, representing the American colonists, were rebelling against.

Perhaps the members of our current Congress might refresh their own memories by reading it through again, word for word, this July 4, 2025.

forecast is storm-filled–
voice of Crow grows more frequent,
insistent, louder

I’ll be taking a few weeks off from blogging but I’ll be back.

“We must all hang together, or assuredly we shall all hang separately”
–attributed to Benjamin Franklin

You can read the Declaration of Independence here, in the National Archives.

The Riddle of the Door (Thursday Doors)

What am I seeking?
Why look for crows inside these
cosmic spaces of cold light?

Janus holds the key,
but none are denied entry–
none are ever left behind.

When Colleen’s Tanka Tuesday prompt this week included Janus, I knew I wanted to have Janus doors for Thursday Doors. But none of the door guardians in my collection of door photos included Janus. So I decided to make my own.

Janus is the god of gates and doorways, whose two faces look to the past and the future. It is apt that January is named after him. He is associated with keys and time, and protects the portals of transition we all must pass through.

We can try to live in the past, but it is impossible to escape the transit of time.

My poem is a mondo, which asks and answers a question “in the spirit of Zen”. My kigo word is cold light, but I’ve also included Janus, space, and crows.

There are always more doors to pass through at Thursday Doors, hosted by Dan Antion.

Scarecrow in Auvers

I’m interrupting my break to reblog this wonderful poem Robert Okaji wrote from my suggested title “Scarecrow Visits Van Gogh’s Wheatfield in Auvers.” He has truly captured the spirit of Van Gogh.

November 2023

scarecrow is always
in costume for the season–
the crows laugh at his
attempted tricks, steal his treats–
he bears only witness, not
enmity—wind sings, trees dance

This one’s for Robert Okaji–if you aren’t familiar with his Scarecrow poems, you should be.

Here’s a scarecrow haibun from an old post, also appropriate to the season, inspired by his work.

Scarecrow Joins the Circle Dance

Autumn.  I fall into disrepair.  The sky still covers me, but my shadow dissolves into the remains of the golden ocean that heretofore eddied and flowed at my feet.  My skin lies ragged, unfilled.

I was crowned, once, with dark discordant ornaments.  They sit on other thrones now, unrepentant pretenders, still calling the sun, the wind–the land itself–to task.

a crow flies over
the graveyard—blackness on grey–
change hangs in the air

For the first poem, I’ve written a bussokusekika for Colleen’s Tanka Tuesday, with the kigo word scarecrow, including both tricks and treats.

And a quilt of a grid for this month. May November bring some much-needed relief to a world in despair.

Rufous Treepie (Draw a Bird Day)

In your native landscape
they call you taka chor
always wanting more, more–
objects, glitter

Filling trees with loud calls,
attention-seeking mein–
to be both heard and seen–
crow to the core

The rufous treepie, a long-tailed bird native to India and southeast Asia, is known locally as taka chor, or “coin stealer”. Like all corvids, it loves shiny objects, and has no misgivings about taking anything that catches its eye.

Also, like all crows, it will eat pretty much anything, and is intelligent, adaptable, and opportunistic.

Primarily arboreal, it feeds mostly among the forest cover, and will often hunt with other bird species to flush out more insects from the trees. As its woodland habitat decreases, however, it has learned to live in urban parks and yards, and has no problem eating discarded human food or road kill, if that’s what’s available.

I chose the rufous treepie while looking for orange and black birds in honor of the Year of the Tiger. That may be my bird theme for the year–there are many to choose from.

The poem is an abhanga for Colleen’s Tanka Tuesday. Appropriately, an Indian poetic form.

The top bird was done with brush and ink, the middle one is neocolors, and the bottom one is colored pencil with ink outlines–I found a feather quill pen I bought years ago in a box. It’s a bit tricky to use, and I’m out of practice. But I enjoyed working with it again.

more birds

after adrian s

The morning wakes without rain,
a shimmer of green
appearing from the silhouettes
of the trees scattered between
buildings.  Silence floats
off the glossy reflections
of the windows
holding the rising sun.

I look for Crow flashing
black feathers as he calls
from somewhere I can’t see.
His voice bounces off
the brick and I imagine
he raises his sharp beak,
laughing as he follows
my eyes searching  for the sound.

I have not asked him to speak–
he does not wait for invitations—
I do not for an instant believe
he is without purpose here
on this clear morning calling me
as usual to attention.  Do you
pretend you know me?

he asks, and what can I reply?

How can you ever pretend
to know another when
you cannot even see who
this person is that you carry
with you all the time?
Who is this being that you call
yourself?  What
is their true name?

Another piece of art inspired by Nina–her joyful birds, above.  For the poem, I used a prompt posted awhile ago by Miz Quickly, in which you take lines from a poem and write them every few lines on a piece of paper and fill in the spaces between with your own words.

after adrian close up s

As Jane told me recently, it’s hard to find a poem of mine that doesn’t talk about birds.  I used lines from an Adrian C. Louis poem “Magpie in Margaritaville”, which I found in the wonderful Tupelo Press book “Native Voices”.  I couldn’t find a link to the poem online, but you can read about the poet, a member of the Paiute Tribe, here.

Also linking to earthweal, open link weekend.

Crow Takes My Hand

crow tree s

Crow calls to me from above. There he is—on that roof.  He extends his invitation again and again.

leave sidewalks behind–
rise, and conjure golden fields
waving to azure

skies filled with high flying clouds,
wings singing songs into the air

I know there is magic here, even in places filled with concrete and glass.

Holding out my arms, I wish: carry me home.

watching my child-self
lying in a bed of green–
opened up, shining

crow tree close up s

For NaPoWriMo today, we are talking to animals.  Crow is always hanging around in my world.

napo2019button2

Take These Broken Wings

there's a crow flying #2

Curse not the king, no, not even in thy thoughts, and curse not the rich in thy bedchamber; for a bird of the air shall carry thy voice, and that which hath wings shall tell the matter.
–Ecclesiastes 10:20

Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.
–Wallace Stevens, “Thirteen Ways of Looking at a Blackbird”

apolcalyptic crows wht s

That which hath wings shall tell
(blackbird whirling in the autumn winds)
The birth of the sky, the void in the flow

Three minds like a tree in parallel
(rising in blueness, the mystery twinned)
That which hath wings shall tell

Blackbirds are involved in what I know
(how to release and how to begin)
The birth of the sky, the void in the flow

A man and a woman are one distilled
(diving divining reflected and twinned)
That which hath wings shall tell

The river is moving in flying shadow
(the question unseen that I can’t comprehend)
The birth of the sky, the void in the flow

Imagine these golden birds aglow
(the crow and the tree and the origin’s end)
That which hath wings shall tell
The birth of the sky, the void in the flow

There's a crow flying # if I flew

For the NaPoWriMo prompt, a villanelle with lines taken from an outside text.  I’ve used both of these poetic sources before; you can see examples here and here.  To the words of Stevens and the Bible, I added text from one of my many crow poems, and art selected from my many pieces inspired by crows.

And since dVerse is conveniently featuring the villanelle form this month, I’ve linked to the collection of villanelle poems.

spiral crows 2s

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February 2019

feb19mandalas

heavy snow
shoveling away
the solitude
–Rachel Sutcliffe

one set of boot tracks
grey clouds mingle with absence
paths left untrodden

For a long time I started each month with a collage grid and a haiku.  This month, having done a grey February mandala (perhaps next month a grid), I decided to take up Frank Tassone’s challenge to honor poet Rachel Sutcliffe by writing haiku inspired by her words.

his death day
in graveyard shadows
gathered crows
–Rachel Sutcliffe

winter multiplies
voices now lost to the wind
crows calling grey skies

feb19mandalacloseups

Hopefully the grey will clear out before February’s end…