September 2025
September is complicated with ends and beginnings. It’s not always clear which is which. The year has accumulated, and there is so much left undone. I always mean to simplify, but instead of subtracting, everything seems to multiply. Again, again.
Crow is back, spending his mornings standing his chosen ground as high as he can perch on the water tower two buildings over. He complains and proclaims his right to call the neighborhood to attention with the first hint of dawn. Wake up! Wise up!
Too soon the trees will lose their green and their foliage and the branches will make their beautiful winter patterns against the sky.
I puzzle out a grid
while my mind wanders the crossroads
looking for lost time
This is another grid I created by cutting up some of my old textile print designs. The pieces were irregular, which made it like putting together a puzzle. It’s not at all a perfect fit, which is pretty much how life unwinds, at least for me
The Riddle of the Door (Thursday Doors)
What am I seeking?
Why look for crows inside these
cosmic spaces of cold light?
Janus holds the key,
but none are denied entry–
none are ever left behind.
When Colleen’s Tanka Tuesday prompt this week included Janus, I knew I wanted to have Janus doors for Thursday Doors. But none of the door guardians in my collection of door photos included Janus. So I decided to make my own.
Janus is the god of gates and doorways, whose two faces look to the past and the future. It is apt that January is named after him. He is associated with keys and time, and protects the portals of transition we all must pass through.
We can try to live in the past, but it is impossible to escape the transit of time.
My poem is a mondo, which asks and answers a question “in the spirit of Zen”. My kigo word is cold light, but I’ve also included Janus, space, and crows.
There are always more doors to pass through at Thursday Doors, hosted by Dan Antion.

Rufous Treepie (Draw a Bird Day)
In your native landscape
they call you taka chor—
always wanting more, more–
objects, glitter
Filling trees with loud calls,
attention-seeking mein–
to be both heard and seen–
crow to the core
The rufous treepie, a long-tailed bird native to India and southeast Asia, is known locally as taka chor, or “coin stealer”. Like all corvids, it loves shiny objects, and has no misgivings about taking anything that catches its eye.
Also, like all crows, it will eat pretty much anything, and is intelligent, adaptable, and opportunistic.
Primarily arboreal, it feeds mostly among the forest cover, and will often hunt with other bird species to flush out more insects from the trees. As its woodland habitat decreases, however, it has learned to live in urban parks and yards, and has no problem eating discarded human food or road kill, if that’s what’s available.
I chose the rufous treepie while looking for orange and black birds in honor of the Year of the Tiger. That may be my bird theme for the year–there are many to choose from.
The poem is an abhanga for Colleen’s Tanka Tuesday. Appropriately, an Indian poetic form.
The top bird was done with brush and ink, the middle one is neocolors, and the bottom one is colored pencil with ink outlines–I found a feather quill pen I bought years ago in a box. It’s a bit tricky to use, and I’m out of practice. But I enjoyed working with it again.
more birds

The morning wakes without rain,
a shimmer of green
appearing from the silhouettes
of the trees scattered between
buildings. Silence floats
off the glossy reflections
of the windows
holding the rising sun.
I look for Crow flashing
black feathers as he calls
from somewhere I can’t see.
His voice bounces off
the brick and I imagine
he raises his sharp beak,
laughing as he follows
my eyes searching for the sound.
I have not asked him to speak–
he does not wait for invitations—
I do not for an instant believe
he is without purpose here
on this clear morning calling me
as usual to attention. Do you
pretend you know me?
he asks, and what can I reply?
How can you ever pretend
to know another when
you cannot even see who
this person is that you carry
with you all the time?
Who is this being that you call
yourself? What
is their true name?

Another piece of art inspired by Nina–her joyful birds, above. For the poem, I used a prompt posted awhile ago by Miz Quickly, in which you take lines from a poem and write them every few lines on a piece of paper and fill in the spaces between with your own words.

As Jane told me recently, it’s hard to find a poem of mine that doesn’t talk about birds. I used lines from an Adrian C. Louis poem “Magpie in Margaritaville”, which I found in the wonderful Tupelo Press book “Native Voices”. I couldn’t find a link to the poem online, but you can read about the poet, a member of the Paiute Tribe, here.
Also linking to earthweal, open link weekend.
Crow Takes My Hand

Crow calls to me from above. There he is—on that roof. He extends his invitation again and again.
leave sidewalks behind–
rise, and conjure golden fields
waving to azure
skies filled with high flying clouds,
wings singing songs into the air
I know there is magic here, even in places filled with concrete and glass.
Holding out my arms, I wish: carry me home.
watching my child-self
lying in a bed of green–
opened up, shining

For NaPoWriMo today, we are talking to animals. Crow is always hanging around in my world.
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February 2019

heavy snow
shoveling away
the solitude
–Rachel Sutcliffe
one set of boot tracks
grey clouds mingle with absence
paths left untrodden
For a long time I started each month with a collage grid and a haiku. This month, having done a grey February mandala (perhaps next month a grid), I decided to take up Frank Tassone’s challenge to honor poet Rachel Sutcliffe by writing haiku inspired by her words.
his death day
in graveyard shadows
gathered crows
–Rachel Sutcliffe
winter multiplies
voices now lost to the wind
crows calling grey skies

Hopefully the grey will clear out before February’s end…























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