Netflix- their secret codes – find thousands of hidden movies

Netflix’s secret codes to their genres and sub genres to thousands of hidden movies that you otherwise will be unlikely to find. You will need a regular Netflix membership. It’s Friday, a holiday weekend and time to crank up the old T.V and take a look at streaming some great films.

For the updated list for 2024 – just search for Netflix Codes for 2024 Enter:

Netflix Secret Codes in April 2024 (Hidden Movies & Shows)

 

To explore these collections — ordering off the secret menu, if you will — all you need to do is fire up your web browser, type in “netflix.com/browse/genre/” and then add your ID code of choice to the end of the URL.

 

In 2017 B-ville posted links to Netflix’s secret algorithms. By going to the link below and removing the XXXX and inserting the digits of your favorites genres, sub-genres out pops a list that you can’t come up with otherwise. It has been some years since the post. I checked out a number of codes and appears to be still working for the most part.

Interested in a good war movie and want to see your options? Log in and click on Military Action & Adventure (2125)

Netflix’s incredibly niche, personalised subgenres have long captivated movie nerds, from “Steamy Crime Movies from the 1970s” to “Period Pieces About Royalty Based on Real Life”.

The genres, based on a complicated algorithm that uses reams of data about users’ viewing habits to recommend exactly what a particular user is into, number in the tens of thousands.

How it works

If you’re logged into Netflix, enter http://www.netflix.com/browse/genre/XXXX  but

“XXXX” is a series of digits – 1089 is “Mind-bending Movies”, for example.

Movies directed by Otto Preminger. 3000: Dramas Starring Sylvester Stallone. 5000. Critically-Acclaimed Crime Movies from the 1940s. 20000. Mother-Son Movies from the 1970s. There were a lot of blanks in the data, but the entries extended into the 90,000s.

Not all numbers will result in a subgenre, and given Netflix’s ever-changing algorithms, they might move around every now and then, while there may be regional differences meaning that some codes don’t work.

NetFlix streaming by alternate genres (main list) – I will make it easy! Click below:

If you have a few bucks to spare you can also rent an Amazon flick. One of my favorite war themed films is “Taking Chance.”

During a White House press briefing on Thursday, General Kelly — whose son was killed in action in 2010 — spoke about his personal connection with the 2009 film. Taking Chance tells the story of volunteer military escort Lt. Col. Michael Strobl accompanying the body of Lance Cpl. Chance Phelps back to his hometown.

“A very, very good movie is Taking Chance. Chance Phelps was killed under my command right next to me. It’s worth seeing that if you’ve never seen it,” he said. “That’s the process.”

Inspired by the true story of the United States Marine who volunteered to escort the remains of a nineteen year old soldier who was killed in Iraq to his small hometown in remote Wyoming, “Taking Chance” stars Kevin Bacon in the feature directorial debut of Oscar-nominated producer Ross Katz. Lance Corporal Chance Phelps (USMC) was just nineteen years old when he was killed during active duty. Now, as Lance Corporal Phelps is prepared for his final journey back home, Lieutenant Colonel Michael Strobl (USMC) (Bacon) makes it his personal mission to ensure that his fallen brother is laid to rest with the proper respect. As the journey begins, Lieutenant Colonel Strobl gains a greater appreciation of the sacrifices made in war than ever before. The film was selected for showing at the 2009 Sundance Film Festival and premiered on HBO on February 21, 2009.

The trailer:

Watch Taking Chance | Prime Video – Amazon.com

Have a wonderful weekend.

Oscars new requirements for ‘Best Picture’ – includes cognitive disability, deaf

 

This should insure mediocrity in the film industry. “People with cognitive or physical disabilities, or who are deaf or hard of hearing” counts for inclusion in the requirements to be in the “Best Picture” category. Apparently Walmart comes to the film industry.

I am a big movie fan. I love my big screen TV with Netflix and Prime subscriptions especially now being hunkered down. Fortunately, I love the oldies. Our one theatre closed months ago forever thanks to the government. Let’s see how this works out for the theaters still waiting in the wings for the next blockbuster and mercy shown by our fearless government leaders.

The diversity and inclusion initiative has been a heavy focus for the Oscars the past few years, shown by the expansive membership initiative. Today, as part of the Academy Aperture 2025 initiative, AMPAS announced new representation and inclusion standards in order to be eligible in the best picture category.

For the 94th and 95th Oscars ceremonies, scheduled for 2022 and 2023, a film will submit a confidential Academy Inclusion Standards form to be considered for best picture. Beginning in 2024, for the 96th Oscars, a film submitting for best picture will need to meet the inclusion thresholds by meeting two of the four standards.

 

 

At least two of the following creative leadership positions and department heads — Casting Director, Cinematographer, Composer, Costume Designer, Director, Editor, Hairstylist, Makeup Artist, Producer, Production Designer, Set Decorator, Sound, VFX Supervisor, Writer — are from the following underrepresented groups:

• Women
• Racial or ethnic group
• LGBTQ+
• People with cognitive or physical disabilities, or who are deaf or hard of hearing

At least one of those positions must belong to the following underrepresented racial or ethnic group:

• Asian
• Hispanic/Latinx
• Black/African American
• Indigenous/Native American/Alaskan Native
• Middle Eastern/North African
• Native Hawaiian or other Pacific Islander
• Other underrepresented race or ethnicity

B2. Other key roles

At least six other crew/team and technical positions (excluding Production Assistants) are from an underrepresented racial or ethnic group. These positions include but are not limited to First AD, Gaffer, Script Supervisor, etc.

B3. Overall crew composition

At least 30% of the film’s crew is from the following underrepresented groups:

• Women
• Racial or ethnic group
• LGBTQ+
• People with cognitive or physical disabilities, or who are deaf or hard of hearing

More at Variety