What Gods And Goddesses I’d Want to See in a God of War Game Set in Ancient Egypt!

It’s May, and while I should be doing #WyrdAndWonder things on the blog, I stumbled across an article on Gamer Rant doing a sort of “fancast” of gods and historical figures that it would be great to see in a new God of War game set in Ancient Egypt (I did something similar before Marvel/Disney’s Moon Knight came out with 9 Things We Want to See in Marvel’s Moon Knight)

And because I now talk about videogames on this blog, I figured it’d be worth posting some thoughts.

Game Rant’s 6 figures of Egyptian Mythology That Would Be Great For A God of War Game gives us a great place to start, laying out a pretty awesome list including: Ammit, Isis, Set, Sobek, Apophis, and Imhotep.

I would be thrilled to see Kratos face off (or ally with) any of those gods and goddesses, and I love the reasoning the author gave for why such appearances might make sense. However, I couldn’t help but wonder if the developers might actually stay away from these big names considering many already have such memorable depictions associated with them.

As the article mentions, Sobek and Apophis have already made appearances in another extraordinary videogame, Assassin’s Creed Origins (one of my favorites!), and Isis is renown from games like Age of Mythology (another fav!) and Smite.

Of course Imhotep will forever be immortalized in the 1999 film, The Mummy (a third fav!), and Ammit has recently come into the spotlight because of Marvel and Disney+’s outstanding show, Moon Knight.

Side note: If you’re at all curious to see how games like AC: Origins and Age of Mythology have influenced my own writing please check out my ‘influences’ posts, specifically From the Primordial Ooze.

The following list of gods and goddesses are not particularly obscure by any means, however, I don’t have any particularly strong associations with them in other media, so I thought I’d list em and see what people think.

Quick Note on the Setting

As the header image shows, GoW would look amazing just wandering around Egypt, with pyramids in the background, or even getting to explore and solve puzzles within the tombs (ala AC: Origins), however, just as we’ve explored the Greek underworld in the original GoW games, and the realms of Norse mythology which weren’t earth, I think it makes sense that much, or even most of a story set in Egypt would take place journeying through the Duat.

This Egyptian underworld was the path Egyptian souls would travel from their bodies on earth to the Weighing of the Heart, a trial which would decide whether they could pass into the heavenly paradise known as the Field of Reeds (or the Fields of Aaru), or be cursed to walk the earth as a spirit. This journey contained thousands of trials and horrible monsters, thirteen gates and their guardians, and a lake of fire.

Just imagine all the fun that would be for Kratos . . .

Anyway, here’s my list!

Horus

Horus is a falcon headed god of the ancient Egyptian pantheon. He often has the epithet “the Avenger” attached to his name, but their are many others which can be used to describe this deity. Probably because he is one of the most important gods within the pantheon.

Perhaps the most famous myth about Horus, is how he slew is uncle Set, after the chaotic god murdered Horus’ father Osiris (the Game Rant article touches briefly on this when they spoke about Isis).

Something that I don’t see often shown in stories involving Horus (probably because it’s confusing as hell), is epithets which denote his age. Horus is known dually as Horus the Younger, a child with a single lock of hair and a finger in his mouth, and Horus the Elder, an adult form of the god who is the son of other Egyptian gods Nut and Geb (in most stories Isis and Osiris are Horus’ parents).

I think it might be fun to play with the concept of two Horuses, one the younger and one the elder. A time travel element could be cool with Kratos training the young Horus to fight Set at the direction of Horus the Elder who came back in time to set Kratos along the path.

There is already a baked in McGuffin with the Eye of Horus.

My only qualm with this whole Isis, Osiris, Horus vs Set drama, is that it may be bit played out. Also, many might still associate the character of Horus with Nikolaj Coster-Waldau who played the character in Gods of Egypt.

There aren’t many who enjoyed Gods of Egypt.

Nephthys

If the Horus/Osiris/Isis/Set drama does happen, it would be great to see Set’s wife Nephthys take a more prominent roll. I always feel like she always gets pushed aside, even in the literal myth.

Anubis

Anubis is just the greatest. I never get tired of seeing this god appear in fiction, no matter how many times I see him (also check out my review of Death Dogs). One of this god’s primary rolls is to help use the scales of Ma’at at the Weighing of the Heart and guide the deceased to the Duat.

Since he’s kinda a grim reaper type of fellow, it would be interesting to see Kratos on his death bed, expecting a Greek or Norse god to take him to his final fate, but instead it is Anubis who calls him into Egypt.

He’s often cited as the son of Nephthys and Set, so he would make a good player in the family drama mentioned above.

Ma’at

A goddess and the literal concept of justice / truth. It seems like most things in ancient Egyptian society stemmed from attempting to keep this in balance with Isfet, the concept of chaos and disorder. Setting Ma’at as an antagonist would be a twist but in line with how Kratos tries to defy Fate.

Ra –

If Kratos is to go up against Apophis, it only makes sense that Ra would be at his side. Like Horus, Ra has a falcon’s head and is associated with the sun. Specifically, Ra rides the Atet Boat across the sky during the day, and sails the rivers of the Duat at night, waging war against the great serpent Apep (also called Apophis). If Kratos is to adventure through the Egyptian underworld, I don’t see how he would not run into this all powerful god.

Thoth –

Thoth is an Ibis headed god of the moon, but also wisdom. As many fans have already noted, there are definitely parallels here with the norse god Mimir from previous games.

Personally I’d like to see the two compete for Kratos’ ear, and try to prove to him that they are the smarter god of wisdom. Could be good for a few laughs.

Sekhmet

I think Sekhmet may be the closest we come to a God of War in the Egyptian pantheon. She is a lion headed goddess (also present in AC: Origins, but not really as big a player as Sobek) primarily known for her savagery and blood drinking. There is a myth in which Ra pacifies her by dying beer red. She gets so drunk thinking the beer is blood that she cannot continue on her killing spree.

In many cults she has a connection with the goddess Bastet, another feline goddess, and the daughter of Ra.

Some believed Sekhmet and Bastet to be two aspects of a single god, while others worshipped the goddesses as sisters. I think there could be some potential for trickery and betrayal if such a character was added.

Conclusion

Well, there you have it, seven gods it would be awesome to see in the next GoW game. I think the choices above are still pretty well known, but not so top-of-mind as to be in competition with other games, movies, or shows.

Of course, all of the things unrelated to gods and goddesses mentioned in 9 Things We Want to See in Marvel’s Moon Knight, would be great to see in a new GoW game as well. There is such a DEEP well of history and mythology to pull from that it might seem a bit overwhelming, but I know the folks developing the next GoW title will take their time and use care when crafting the game.

I can’t way to see what they come up with!

How about you all? Any gods, goddesses or monsters the new game should include? Did any of the deities listed above evoke a strong association with another kind of media? What other stories have these figures inhabited that are your favorites?

Please leave your answers in the comments. I LOVE talking about this stuff!

Should ‘A Master of Djinn’ win a Hugo?

So, we’re back with another edition of ‘Should [insert title] win a Hugo?‘ and while I understand that Hugo voting already took place on August 11th, I didn’t want to let my tardiness prevent me from posting about this awesome book.

(Honestly I will probably continue to post reviews of Hugo nominated works in this format up until and even after the winners are announced. I just like the ring of the title lol)

And the answer, for me, is ABSOLUTELY!

There is so much to consider within these 392 pages that it’s really hard to figure out where to even begin with my review, but I think it might be safe to begin with what the general public might enjoy, before diving into my particular brand of Ancient Egypt – centric nonsense.

A review over on Josh Garik16’s SciFi/Fantasy Reviews and Other Thoughts, points out just how ‘fun’ A Master of Djinn is to read. I couldn’t agree more. Agents Fatma and Hadia have excellent back-and-forth, while her and Siti exhibit the type of witty romance we all wish we might fall into someday. Then there’s Fatma’s rapport with Aasim from the police, and of course agents Ahmed and Onsi . . . her short shrift for self important djinn . . . Really just Fatma DOING ANYTHING is a joy to behold.

Perhaps the next feature of this book which deserves attention, is its deft handling of Theme (with a capital T lol). Of course, modern day Cairo is an intricate mix of different peoples, religions, beliefs and customs. Clark’s Steampunk Cairo does not shy away from this complexity in A Master of Djinn but rather embraces it, using it as a platform to examine issues of race, and prejudice. Ultimately, Clark’s version of Cairo is not a utopia in which all of these issues are washed away, but a city very much still grappling with them. Though nothing can be solved in a single adventure, I left the story feeling hopeful at the very least.

Finally, perhaps the most awe inspiring part of A Master of Djinn is the worldbuilding. All of the mystical and mundane beings we met in A Dead Djinn in Cairo (as well as a major plot point which I won’t spoil) return, and are even more mysterious, magical, and amazing. Readers will recognize one particular market from The Angel of Khan El-Kahlili, and I’ve already mentioned two returning characters from The Haunting of Tram Car 015, but the world of this novel is sooo much bigger than these little winks to previous installments. A Master of Djinn truly earns the ‘epic’ part of epic fantasy, with international intrigue, kings, courts, imperialism, and more magic than I could describe in a single post (all the while hitting all the beats of a thrilling mystery too).

But because I’m me, I was enraptured by the nods to Cairo (and Egypt’s) more ancient past. One of the first places we see is the Temple of Hathor, dedicated to the “Lady of Stars”. Here Clark clearly did his research, providing the more common depiction of Hathor with statuary involving calf’s horns, and representative of motherhood etc. But I also felt his incorporation of the duality between Hathor and Sekhmet (something it seems Disney’s Moon Knight is doing also) clever as well.

In general, we see more Ancient Egyptian gods and goddesses than we have yet seen in any previous installment. We actually meet Sobek, and cults to Anubis, Nephthys, and Set are implied if not shown. I can’t remember if any others are mentioned, but what I enjoyed the most about their inclusion, was that Clark was not afraid to take liberties with the myths, and really made them fit the story he was trying to tell (for instance Set and Sobek are roommates because housing in Cairo is expensive (wow does that speak to me)). And when agent Fatma points out inaccuracies in how the myths play out, well:

“Ahmad’s generous nostrils flared as he gritted his sharp teeth.
‘Why is everyone so slavish to texts written thousands of years ago?’ he snapped. ‘Gods can change. Grow apart. Try new things. Besides, Set was a jerk. He never knew how to treat her properly. How to worship her.’

Clark, P. Djeli; A Master of Djinn pg. 63-64 (2021)

I guess the author knew there’d be people in the audience pushing up their spectacles and raising a finger to say “Excuse me . . .” Why not head us off at the pass. It got me laughing at least.

One last interesting incorporation of Ancient Egyptian mythology was essentially the incorporation of human avatars for the Ancient Gods (Ahmad being the most prominent), and the in-world belief that the God’s tombs existed in the world somewhere and presumably could be found, and that the gods could ‘awaken’.

So far as I know, Ancient Egyptians only ever built tombs for human beings. Human beings which they believed would more or less take the form of Gods in the afterlife (or during your regular life if you were the Pharaoh).

I only think these things are interesting because they were also espoused in Disney’s recent superhero series Moon Knight. It is interesting to me that this would appear in two pieces of media around relatively the same time, considering I don’t think any scholars are espousing this view. It would be interesting to try and hunt down where these ideas are coming from, but I’m sure I have zero idea how to even begin that search.

Focus Dude . . . Award?

Anyway, yes, if we’re going off of what I’ve read so far, I absolutely want A Master of Djinn to win best novel. I enjoyed Andy Weir’s Project Hail Mary but I don’t think it stood out to me as a Hugo contender the way this book did.

Anyway, that’s all I have for now. Have you read this one? What did you think? Let me know in the comments!!

See you next time!

Moon Knight Vol. 1: Lunatic (Review)

I don’t think I’ve ever reviewed a comic book (graphic novel?) before, either here on the blog or anywhere else, cause in all honesty, I haven’t really ever read them. I own A Game of Thrones Graphic Novel and a couple 007 comics, but I’ve never got around to reading them.

But after seeing the Moon Knight trailer, and coming up with a couple (ok 9) things I hope they do in the Moon Knight show, I wanted to give it a shot and see what all the fuss was about. So here we are.

The first Moon Knight related thing I was able to find was Moon Knight Volume 1: Lunatic, by Jeff Lemire. As an introduction to the character, I’m not really sure this was a good starting place for me. It seems that Lemire’s work assumes that you’re not just familiar with the character, but you have read the previous iterations of the comic before. Purportedly, (from the description on Goodreads) this volume should:

“. . . [call] everything you know about Moon Knight into question.”

https://www.goodreads.com/book/show/28963358-moon-knight-vol-1

But I didn’t really know anything about Moon Knight to begin with, so I felt like I was catching up most of the time. As such, it’s a little hard to judge whether or not the story was well crafted or not, or even satisfying to read. I can say that in general, it may have tried to do too much, and relied too heavily on the reader’s knowledge of previous iterations of the story, often at the cost of coherency.

I don’t think it’s much of a spoiler to say that the main thrust of the plot is Marc Spector’s attempt to escape from a mental ward, and he has several companions who help him do so. Each appear to have a long history of working with Marc, if only he (and they) can remember it. You are given bits and pieces of that history in flashes, but unfortunately the reader is often still wondering who the heck these characters are.

I did enjoy the depictions of ‘New Egypt’, a kind of post-apocalyptic version of New York which is covered in broken down buildings, sand, and pyramids. It was also fun to see some my favorites from Egyptian mythology show up. I thought the Emmet/Ammut wordplay was fun, and that Ammit — traditionally depicted as a mix between crocodile, hippopotamus, and lion, who supposedly would devour your heart if your judgement went badly, and your heart weighed more than the feather of Ma’at — was an interesting choice of villain. Also fun to see Anubis although I’m not entirely sure what if any symbolism we’re supposed to take from his actions.

Finally, I’m definitely intrigued by the role Khonshu, Seth (who I believe is supposed to be Ancient Egyptian god Set) and the other gods play in this world. It was a bit Ancient Aliens for my tastes, but I’m willing to keep an open mind and see what comes of it.

Worth it?

The short answer to this question I suppose, is yes. Although, I believe that this one will probably be more enjoyable to long-time fans of the character, and if you’re new like me, then maybe look into trying to find some of the older iterations first to give yourself a baseline.

For what it’s worth, I’ve requested volume two.

Well, that’s all I’ve got for this so far. Has anyone reading been a long-time fan of this character? Did all the references make sense to you? How’d you feel about the end? What did you Egyptophiles think? Any history or mythology you were hoping would make an appearance? Please leave your answers in the comments. Looking forward to chatting about this one!

See you next time!