Large-format composite layout combining drawn comic-strip sequences with step-by-step photographic documentation of object fabrication. The top row consists of storyboard-style frames featuring bread-derived head forms, rendered in line and color, paired with diagrams of reference objects such as a toaster and sponge. Below, sequential photographs show construction using clear plastic vessels, inflated balloons, and sculptural layering, interspersed with drawn overlays illustrating intended transformations.

Central areas expand into multi-panel photographic sets showing the progressive shaping of a humanoid head and torso using transparent containers, adhesive tape, and structural supports. Drawn frames alternate with photos to clarify intended volumetric transitions. Red arrows guide directional reading, linking illustrations to fabrication stages. Lower sections continue this process with detailed imagery of taped assemblies, balloon structures, and incremental bread-texture drawings emphasizing organic surface emergence.

The layout serves both as visual documentation and as hybrid instructional sheet, blending comic-strip narration with workshop process images. The fusion of diagrammatic illustration, live photography, and annotation establishes a multi-modal design record bridging conceptual drawing and practical assembly.

Large-scale sculptural bread mass positioned adjacent to a human figure inside an interior exhibition environment. The bread form consists of numerous irregularly shaped baked segments fused together into a dense agglomeration, showing variations in crust coloration ranging from golden tan to dark brown with lighter porous interiors protruding between hardened surfaces. The structure features bulges, fissures, folds, and overlapping layers of crumb and crust, creating a topography resembling geological stratification or organic cellular growth. Surface textures include cracked patterns, bubbled expansions, and compressed folds indicative of yeast expansion and oven heat exposure. The object is presented at head-scale, occupying the right portion of the composition, with the adjacent human figure partly visible on the left, wearing reflective eyeglasses and positioned in front of a red vertical banner marked with black lettering that includes the project name “Walking.” Background elements include window panels admitting daylight and additional fragments of the exhibition banner showing repeated baked imagery. The sculptural bread mass functions as both material artifact and visual centerpiece, combining edible substrate with volumetric enlargement to create a hybrid between food matter and structural object, emphasizing density, irregular morphology, and varied surface conditions without subjective evaluation.