Over a decade of providing Creative Commons music, I’ve answered thousands of creator questions. This FAQ covers the most common concerns, from licensing basics to copyright claims to technical details. If your question isn’t covered here, I respond personally to every inquiry — usually within 1–2 business days. Contact me directly.
Using my music is genuinely straightforward — browse the catalogue, grab a track, and either credit me in your description (free) or grab a Pro Licence if you’d rather skip that part. That’s really it. The rest of this page is for when you want to go deeper on the details.
There are two licenses you can choose from, have a look at the table below to see how they compare.
To purchase a Pro License, please find the song you wish to license by visiting the catalogue, or searching in the search bar above. Then simply add to cart, and follow the checkout process.
For most platforms, use this format:
Music: [Track Title] by Shane Ivers - https://www.silvermansound.com
For multiple tracks:
Music by Shane Ivers - https://www.silvermansound.com
Important for YouTube: Credits must be in the video description to prevent Content ID claims.
| Platform | Where to Place Credits | Format |
|---|---|---|
| YouTube | Video description (required) | Music: [Track Title] by Shane Ivers – https://www.silvermansound.com |
| Podcasts | Show notes | Music by Shane Ivers – silvermansound.com |
| Games | Credits screen | Music by Shane Ivers (silvermansound.com) |
| Films | End credits | Music “[Track Title]” Written and Performed by Shane Ivers Licensed from silvermansound.com |
| Websites | Footer or credits page | Music: silvermansound.com |
| Post caption | Music: @silvermansound | |
| TikTok | Use official sounds | Search “Shane Ivers” in TikTok sound library |
| Twitch | Channel panels or overlay | Music by Shane Ivers – silvermansound.com |
Want a complete guide? Check out my comprehensive Creative Commons Music Licensing Guide for everything you need to know about using CC music legally and effectively.
Three options available:
Music: [Track Title] by Shane Ivers - https://www.silvermansound.comGood News! No Manual Credits Needed
Live Streaming:
Credits can be in:
!music command with chatbotAlternative Method:
Credits can be:
Feed Posts & Reels:
Music: @silvermansoundAll music by @silvermansoundCredits can be in the:
The end credits are the most obvious place, and I’m not fussy how you format that.
I would appreciate a credit on IMDB if the project has a page.
Credits can be in the:
Credits can be in the:
The attribution principle is the same wherever you are: put the credit somewhere a reasonable person might actually find it. Format matters less than discoverability. If there’s genuinely no natural place for it, a Pro Licence removes the requirement entirely.
Theatres, performance spaces & cinemas The programme or playbill is the natural home. End-of-show projection credits work well if you’re already running them. Lobby displays are a nice touch for longer runs.
Retail shops & hospitality venues A small card at the counter, a line in the menu, a footer on your website, or a credit on any digital displays you’re already running. Any of these counts.
Museums, galleries & exhibitions The exhibition credits panel, audio guide credits, catalogue, or a rotating digital display are all appropriate. For permanent installations, a small plaque or information board is ideal.
Escape rooms & interactive experiences The game documentation, a notice in the briefing area, your booking confirmation emails, or your website credits page all work fine.
Events, festivals & trade shows Event programme, information boards, digital displays, printed materials, or your event website or app listing — wherever attendees would naturally look for event information.
Public spaces & long-term installations A plaque, information kiosk, visitor guide, or any accompanying documentation. For temporary events in public spaces, the same options as festivals apply.
Can I use the music across multiple locations? Yes — just ensure each location has appropriate attribution, or use a Pro Licence which covers you everywhere without the requirement.
What if there’s really no sensible place for credits? A Pro Licence is the cleanest solution. Alternatively, crediting on your website or any associated digital presence counts — it doesn’t have to be physically at the venue.
Do I need to report usage to a Performing Rights Organisation? Yes, report as you would with any other music in a broadcast or public performance context. I’m registered with both PRS and PPL in the UK, and ISRC codes for every track are available on individual track pages or via the master list.
What format should credits take? There’s no rigid format for physical spaces — “Music by Shane Ivers — silvermansound.com” covers it. A QR code linking to the track page is a particularly elegant solution if you have the means to include one.
Yes, report as you would with any other music in your broadcast. I’m a member of the PRS and PPL in the UK.
Each track page includes its ISRC, or check the master list.
Yes, the music is cleared for worldwide broadcast use.
License Coverage:
Attribution Requirements:
Implementation:
Professional Details:
Finding Track Information:
Because most royalty-free libraries can’t do this at any meaningful scale. When you use a platform library or AI-generated music, you’re largely on your own if something goes wrong. I’m a real person who’s registered with PRS and PPL, I own my catalogue outright, and I can actually intervene when YouTube’s automated systems get it wrong. That’s not something you get with a subscription service.
✓ Cutting/editing allowed
✓ Adding effects permitted
✓ Speed/pitch changes okay
✘ No redistribution as standalone music
✘ No claiming as original work
Stems are what you get when you separate instrument groups out into separate audio files. They give you a lot more flexibility. If a track has stems included with the Pro License you will see a notice on the track’s page. I’ve made a guide on how to use stems right here!
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