Tomb of Sand

In northern India, an 80-year old woman takes to her bed after her husband dies. Her children try to bring her back to their land of the living, but she is tired of being the breath they all breathe.

Tomb of Sand won the International Booker Prize in 2022 and I bought a copy because I haven’t read much Indian literature and wanted to support the independent publisher Tilted Axis Press, as well as read more books by women writing in a non-European language translated by women.

This is a big book, in more ways than one. It is 735 pages long and deals with the nature of tradition and convention, the position of women in patriarchal societies, the borders that exist everywhere, who polices them and whether the barriers they represent are insurmountable. It explores one woman’s experience of Partition and the immediate impact the separation of India and Pakistan had as well as its long reach into the 21st century. It considers family structures and the unspoken rivalries and power plays within them. It examines what it is to be a woman of a certain age whose body is changing in ways that feel like an entirely new person is squatting in her brain. And it talks about the tension between humans and the rest of nature and how our species would do well to listen better to those that have evolved differently to us.

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Kaikeyi

Vaishnavi Patel’s Kaikeyi is a retelling of the Hindu epic Ramayana from the perspective of Queen Kaikeyi. It begins in Kaikeyi’s childhood, when a brutal disruption leads the princess to seek the help of the gods to put things right again. That help is not forthcoming, but what Kaikeyi discovers about herself in the process transforms her life. She ceases to be the overlooked only daughter of a king and becomes a woman who will do anything to make a better life for herself and other women.

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Father May Be an Elephant, and Mother Only a Small Basket, But …

Gogu Shyamala’s collection of short stories uses allegory, magical realism and fable to document a rural childhood in the Indian state of Telangana. These tales are not whimsical, though, dealing with matters of caste, sexualisation of girls and the violence of poverty. They also reflect Shyamala’s politics, her involvement in Indian democratic movements and her activism, without this being overbearing. There is a lightness to the way Shyamala presents her stories.

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The Good Journal Issue One

June 2018 seems such a long time ago. So much has changed, so much hasn’t. The Good Journal launched in June 2018, to build on the success of The Good Immigrant and provide British writers of colour with a showcase for their work. Unlike The Good Immigrant, issue one of The Good Journal has a mix of fiction and nonfiction. The writers are a mix, as well, of established and never published before.

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The Human Fly and Other Stories

T C Boyle is a writer that I have intended to read more by since I read and loved his short story ‘She Wasn’t Soft’ in a Bloomsbury Quid edition in 1996.

A decade later, I was visiting a friend in New York and found the collection The Human Fly and Other Stories on a table in Strand Bookstore.

On the back cover it says, “His many and varied novels are part of the American literary landscape – but one of the best ways to appreciate T C Boyle is through his richly imagined short fiction.”

I bought it, and it has been on my bookshelves ever since. From time to time I’ve taken it down and pondered it as my next read but always put back. I decided to add it to my 10 Books of Summer list this year to ensure that I actually get round to reading it.

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Empireland: How Imperialism Has Shaped Modern Britain

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Read 09/01/2022-27/01/2022

Rating 4 stars

I like Sathnam Sanghera. He makes difficult, emotive subject matter accessible. His documentary about the Amritsar massacre led me to Kim Wagner’s book Amritsar 1919. I haven’t yet watched his Empire State of Mind series, but I reserved his book Empireland somewhere in the distant past of 2021 and it arrived from the library at the start of this year.

Empireland begins with a set of acknowledgements that include the following statement, “… I’m going to spend as little time as possible fretting about definitions: almost every term used in discussion of empire, from ‘colony’ to ‘commonwealth’ to ‘colonialism’, to say nothing of ‘race’ and ‘racism’, can be contested, their meanings changing over time.” Sanghera goes on to say that immersion in definitions produces long academic books, and his ambition in writing Empireland was to create the opposite.

He has succeeded. Empireland is Sanghera’s personal exploration of who he is, as a British Sikh, and how empire has created the environment he grew up in, as well as influenced the language and attitudes everyone in Britain has, across race, gender, religion and politics. Continue reading

The Anarchy: the Relentless Rise of the East India Company

Read 08/02/2021-14/02/2021

Rating 3 stars

For my next read, I travelled from the 17th century and Spain, Portugal, the Netherlands and England fighting to control trade across East Asia, as fictionalised in Shōgun, to the 18th century and the rise of a trading corporation with violence in its constitution. William Dalrymple’s The Anarchy is a boiled down history of the East India Company and its violent occupation and control of the Indian subcontinent that laid the foundations of the British Raj.

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Invisible Women: Exposing data bias in a world designed for men

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Read 14/12/2019-04/01/2020

Rating 4 stars

I found Caroline Criado Perez’s Invisible Women a difficult read. It’s essential in its content and the topics Perez shines a light on, but I found its wide ranging subject and the approach Perez takes in evidencing and unpicking the topics she focuses on resulted in a somewhat dense, exhausting book. It relentlessly raises lots of issues across 300+ pages but leaves any possible solutions to the final dozen. It felt at times like one woman railing against injustice rather than a practical call to arms across society.

The book begins with a simple statement. Continue reading