The Colour of Curiosity: Paintings by Tamara Grand

MAR 31–APR 18, 2026
THE CULTCH GALLERY

APR 01: Opening Reception

APR 01, 2026 from 6–8 PM

This event is FREE and open to the public!

Appetizers will be served and the cash bar will be open offering alcoholic and non-alcoholic beverages, tea, coffee and snacks.

SUBMIT YOUR WORK

The Gallery at The Cultch invites visual artists to submit applications for possible inclusion in our gallery schedule from July 2026 through June 2027.

Submit here

Phone:604-251-1363
Email: [email protected]

Monday to Saturday: 12–4pm
Sunday: Closed

Open 1 hour prior to every show
Venue Info

THE CULTCH GALLERY
1895 Venables St.

DIRECTIONS

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Artist Statement: Tamara Grand

I’m Tamara Grand, and I make unapologetically colourful art.

 Three years of exploration, experimentation, and an unrelenting obsession with colour. This exhibition is what that looks like.

 I’ve always been captivated by colour, its mood, its power, its ability to transform a space and everyone in it. I’ve learned to lean into that rather than away from it. My paintings embrace that energy, vibrant on the surface, but rewarding for those who look closer.

 Before I started painting, I was a scientist. I think of the studio as a laboratory, a place for asking questions, experimenting without a predetermined outcome, and staying open to wherever the work leads.

 My paintings develop through layers of acrylic, wax pastel, graphite, and paper. I add, cover, mask, and selectively reveal earlier marks, allowing traces of previous decisions to remain visible.

 

Colour is my primary tool, it’s how I direct emotion, build tension, and make you look again. Circular forms recur throughout, functioning almost as portals that draw the eye inward and invite a deeper kind of observation.

 Living on the west coast, I’m surrounded by a natural world that never stops surprising me. Those discoveries, of form, texture, and colour hiding in plain sight, subconsciously find their way into everything I make.

 What moves me most — in nature, in colour, in the act of painting itself — is the feeling of unexpected discovery. I hope the work brings you a little of that too.