Passages

On liminality (in-betweenness). With thanks to dVerse for another stimulating challenge.

                                                                           Every time I would tell myself that
I belong to the space
I'm occupying
(knowledge of landmarks; directory of contacts; taxonomy
of objects, each
with a story to tell about the nature of a given encounter),
I would drift into
the subjunctive: what a teacher once
defined as conjugation
of the infinitive
(I ask that he be present: his presence
not yet realized in the
act of asking and
possibly never to be realized).

In those moments,
the subjunctive always
took me away from where I was
to another space
I once imagined I would
occupy, save for an act in the realm
of the indicative
(conjugation of real
experience with the subject)
that made this
occupation impossible.
What if they'd given you the job you
were gunning for?
What if she reciprocated
your feelings for her? What if you
had stayed behind
(could have stayed behind)
in the space where you belonged?
Only with hindsight---
conjugation of the subjunctive
and indicative---
do I understand that
the realization of any what if is
a destructive act
without violence:
an obliteration of the present, the
space I occupy,
the space I belong to.
Space of the indicative. Fact
of presence. Life
in the liminal, living
always between what is real and
what is possible.



Interior of Penn Station, Midtown Manhattan.

——
This poem, which I wrote in response to the latest dVerse Poetics Tuesday prompt, is something of an abstract sequel to an earlier piece I wrote about moving back home to America from Belgium. The prompt in question—with thanks to Dora!—was to think about the effects of a liminal or in-between space, be it concrete (a doorway, an airport terminal, a gate) or abstract (a threshold, a passage of time), on our lives—not to mention the poems we write about them.

Thanks as always for reading, and comments are more than welcome!


Responses

  1. Grace Avatar
    Grace

    I love the format of the lines and verses, as if there is a dialogue going back and forth. The theme of what if, living with the reality yet being aware of the possibilities is spot on.

    Liked by 1 person

    1. csquaredetc Avatar
      csquaredetc

      Many thanks for your comment, Grace! I’m very happy with the lineation as well; I’ve been trying to experiment with different line structures, so I’m glad this one captures the theme of living between reality and possibility well.

      Like

  2. Björn Rudberg (brudberg) Avatar
    Björn Rudberg (brudberg)

    The format enhances so much the topic, as it feels you and the subject are moving in parallel corridors (the photo tells the same) where communication is hard… great writing.

    Liked by 1 person

    1. csquaredetc Avatar
      csquaredetc

      Thanks so much for this comment, Björn! I was in Manhattan the other day and decided on a whim to take the two photos—in fact, the first one (of the door) is at the building where my father once had a photography studio. Sometimes I imagine how my life would’ve changed had he and our family stayed in New York, but c’est la vie…

      Like

  3. dorahak Avatar
    dorahak

    Ah, the “grammar” of your poetry was for me an almost palpable recognition (as in the very layout of the poem itself) of life in the interstices, between what is and what ifs. What a bold exploration and apprehension of our understanding of reality itself as a liminal space between what’s perceived and what would be perceived! I absolutely loved your take on the topic, and can’t tell you enough how much I enjoyed it as it has sparked my own thoughts in this vein. What if we could remove the subjunctive from the grammar of our thoughts? How different would the present look? What would the final arrival into the “objective” reality of the moment look like? Is it even possible? A wonderfully stimulating read, Chris, and brilliant poetry akin to that of Wallace Stevens!

    Liked by 1 person

    1. csquaredetc Avatar
      csquaredetc

      Many, many thanks for this heartwarming comment Dora—I’m overjoyed to read that this poem was so stimulating for you! Your (extremely flattering) nod to Stevens is also much appreciated; I’ve been reading and rereading much of his poetry lately, trying to understand how his own performances and propositions might help us navigate the difficult terrain of liminality (if not ‘everyday’ life). Looking forward to more opportunities to write in this vein 🙂

      Liked by 1 person

      1. dorahak Avatar
        dorahak

        I am too! And not at all surprised to hear that Stevens has been a big influence! 🙂

        Like

  4. Melissa Lemay Avatar
    Melissa Lemay

    I love the way you’ve used the space, the succession of patterns in the arrangement of lines. As others have said, it really works for the subject. “living
    always between what is real and
    what is possible.” That’s the crux of it all, isn’t it.

    Liked by 1 person

    1. csquaredetc Avatar
      csquaredetc

      Many thanks for your comment, Melissa—I’m glad the spacing helped with the overall effect!

      Liked by 1 person

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