Engineers who rely on NoiseWorks
Professional audio engineers around the world use NoiseWorks plugins to improve their workflow and enhance the quality of music, TV, and film productions.
Here’s what they say:
I think it’s pretty common to play the noise reduction dance, where you try a handful of different tools on a source to find the best option. Since adding VoiceAssist to my toolbox, I’ve found it unnecessary to look at anything else for any voice/vocal/dialogue cleanup. I can reliably just lean on VoiceAssist and not waste time auditioning other options. It saves me time & frustration.”
Steve DeMott – Engineer
1Tribe Collective, Nanny Nikki, Alika Hope, Halo:Spartan Assault, Tom Clancy HAWX 2
I was a fan of the original DynAssist, and it was exciting to try VoiceAssist. I tried it on some live vocals for a live album I am working on, and I was shocked by how much it removed to clean the vocal. The results seemed impossible. For mixing live albums in the future, this plugin makes unusable tracks usable now. It removes the need to compromise on a live mix.”
James Towler – Mix Engineer
Steve Winwood, Public Image Ltd
VoiceAssist simply works. Change a few settings and go.
Darrell Thorp – Engineer
Beck, Foo Fighters, Poppy
VoiceAssist is one of those plug ins that feels a bit like black magic. Although it’s most obvious use is in cleaning up vocals from live recordings, in this era we often deal with vocals remotely recorded in home environments by less than professionals. And those vocals are likely to have been recorded with speaker leakage or to have other background noise.The ability to so simply and quickly remove that unwanted noise feels almost like a miracle.”
William Wittman – Grammy Winning Producer/Engineer
Cyndi Lauper, Joan Osborne, The Outfield
Noise reduction, low end re-synthesis, gating, dynamics and breath and sibilance control. Any one of these in an ARA plug-in would be useful, but the fact that they’re all in a single one makes VoiceAssist indispensable.”
Paul Maunder – Post Editor
Production Expert
I’m a huge fan of things that just work. VoiceAssist does just that, turning something that could become an issue into a clean, balanced, workable track with so little effort”
Cameron Craig – 2 x Grammy Award winning Mixer
Adele, Grace Jones
Imagine the best audio editor for cleaning up vocals, that’s VoiceAssist! It’s insane what it can do in an instant that would normally take me hours. From automated cleanup to full tweaking on the noisiest live vocals or even dialogue recorded via a smartphone. The results I got are incredible!”
Alan Branch – 3 x Grammy Award winning Mixer
Jeff Beck, Sinead O’Connor, Nine Inch Nails, Primal Scream, Boy George, Brian Eno
VoiceAssist has dramatically speed up my vocal prep and has become a core part of my workflow. The time saving alone makes it invaluable.”
Alastair McMillan – Mix Engineer
U2, Van Morrison
I love the way it works on enhancing ropey vocal recordings in multiple ways, and lets you chip at it and enhance from different angles. It’s very easy to use, and after a quick fiddle, when you A/B it, the improvement is pretty astounding.”
George Shilling – Engineer
Blur, Texas, Mary J Blige
VoiceAssist is really bloody good. The processing is so transparent, especially the de-essing and dynamic riding, and the resonance suppression on a studio vocal sounds fantastic. It just sounds right.”
Rik Simpson – Engineer
Coldplay
I use to ride every single word on my vocals to get them consistent and help the performance and it would take forever but now with dynassist I literally do it in seconds. It’s so intuitive and super easy to use. If I could I would marry it.
Diego Alexandru Algarra – Engineer
Dua Lipa, Miley Cyrus, Sabrina Carpenter, Victor Mendivil, Carin León
As a composer and producer working on everything from podcasts to full songs, DynAssist has quickly become an essential part of my workflow. It takes care of vocal edits—breaths, gain, dynamics—in a super smart and musical way. It saves me hours, keeps things sounding natural, and just makes the process way smoother. I’m seriously impressed.
Alexis Cuadrado – Producer & Composer
Critics at Large (Condé Nast), Slow Burn (Slate), NYC Now (WNYC), The New Yorker Radio Hour
Noiseworks just knows what they’re doing, it’s that simple. DynAssist has saved me hours and has given me such creative control in my mixes and projects. It’s one of the best investments anyone handling vocals could make.
Daniel Nesci – Composer & Engineer
World 2024 (League of Legends), NFL, Jeep, Donuts
DynAssist has made it easier for me to analyse the dynamics of a vocal so much faster.
Allowing me to focus on making the performance shine.
Jeremy Griffith – producer, mixer, engineer and composer
Norma Jean, Underoath, Anberlin, Johnnyswim, Old Sea Brigade, Countless commercials
DynAssist delivers seamlessly every time. Whether I’m mixing music, creating sound design or mixing on a film, its contours the audio in a way that sounds natural, even and frees me up for creative decisions.
Brilliant job NoiseWorks!
Dror Mohar – Sound Designer / Mixer
The Wolverine / The Greatest Showman / Django Unchained / Jay-Z / John Legend
When it comes down to laying down vocals, DynAssist has been a powerful tool, cutting down and saving me loads of time with its efficient gate and breathe/sibilance powered by the AI smart automation, which sometimes normally can take hours to go through and edit depending on the project size. With its zero latency and very low CPU usage, this is a real game changer and is a staple in my vocal arsenal.
Michael Money – Producer, Artist
Beyond Unbroken / Escape The Fate
I was sold on DynAssist within minutes of trying it. The combination of a debreather, gate, de-esser, and vocal rider in a single, intuitive interface makes it a total game-changer for vocal mixing—and not just for vocals. It works brilliantly with minimal effort, but the flexibility is there if you want to dive deeper and fine-tune.
Brett Caldas-Lima – Producer, Mix and Mastering Engineer
Ayreon, Devin Townsend Project, Cynic, SepticFlesh, Pain Of Salvation, Samael, Haken
I couldn’t believe how easy it was to use Dynassist. So intuitive. For me, that is always a test of the validity of software; it means the creators care about the user. I was also gobsmacked at how much time Dynassist saved me. Just a few adjustments, and I had the perfect levels for each syllable, the sibilance, and breaths for my vocals.
I love this software.
Steven Williams – Music Producer & Songwriter
Rolling Stones, Britney Spears, Freddie Mercury, Sting, Lisa Stansfield
DynAssist makes my workflow considerably faster without sacrificing quality.
Javier Fracchia – Engineer
Airbag, Cazzu, Duki, Emmanuel Horvilleur, WOS
DynAssist, integrated via ARA in Pro Tools, streamlines vocal editing by combining leveling, gating, breath control, and de-essing into a single, intuitive process. It replaces multiple utility plugins with one intelligent, non-destructive tool—helping you work faster and deliver cleaner, more consistent vocals. It’s not just a time-saver—it’s a glimpse into the future of vocal production. A no-brainer for any modern workflow.
Stefano Pizzaia – Grammy Winning Engineer
Ezio Bosso Sony Music Italy, Nanpa Basico, Carlos Vives, Jorge Celedón
What more can one say about a leveler that actually works as advertised. Dynassist cuts out the garbage and goes straight to the goods. It’s magnificent and the automation feature and ARA tech is just terrific. Nice work NOISEWORKS!
Marc Daniel Nielson – Engineer
Fleetwood Mac, Joni Mitchell, Jason Mraz, Colbie Caillat, NeedtoBreathe
The best way to achieve a handcrafted detailed job, with zero effort, in seconds!
Luca de Gregorio
Baby Gang, Geolier, Due’, Luché, Morad, Maes
DynAssist saves me so much time daily! Knowing my insert chain is receiving a nice, consistent, signal enables me to focus more on the emotion and sonics of my mix.
Erik Groysman – Composer, songwriter, record producer
Movies – Avatar, Megan, Saltburn
Noiseworks DynAssist makes a bold claim: to essentially be your diligent and well trained assistant, who adjusts your vocal tracks for level, breath control, de-essing and removal of noise between phrases. In short, to do all the tedious prep work for you. And to my delight it delivers on this bold promise! With essentially one click vocal tracks are made “mix ready” to a surprisingly professional level.
William Wittman – Engineer
Cyndi Lauper, The Hooters
The magic of DynAssist is that it does 80% of the heavy lifting you need in one swift move. Within a second, my vocal was levelled, gated, de-breathed and de-essed. Right away I can disable or easily modify any of those processes and now my vocal is far better prepared for whatever comes next. It does the work of four utility plugins in a single ARA swoop.
Michael Costa – Owner – Stream AV, Australia
DynAssist is the AI tool that the audio world needs, an assistant that does the ‘boring’ jobs for you, freeing up time for what humans do best, create! A dream for podcast editing, it’s just painful to think of the time I wasted faffing around without it!
Ashea- Producer/Songwriter/Mix Engineer
Alan Walker, Holy Goof, Sony/Atv
I let DynAssist do all the heavy lifting on my vocal tracks so now I’m getting the sound I want because I’m not having to torture my compressors.
Baby Brown – Emmy Winning, Grammy® Nominated Producer | Composer | Mix Engineer
Hollywood Records, Disney+, Eminem
Why is this a plugin? Why isn’t this part of a DAW?
Wytse Gerichhausen – Influencer – White Sea Studio
I found a great tool that performs well both visually and sonically. It balances the signal nicely and ensures you hit the compressor more consistently.
Jonas Wagner – Influencer – Recording Blog
For me, the best plugin investment in years. An absolute time-saver!
San Cruzo – Engineer – Influencer
