Quite a highlight for Chris Turner and myself.
About last night–Leonard Cohen in Wollongong


Chris
I love to speak with Leonard
He’s a sportsman and a shepherd
He’s a lazy bastard
Living in a suitBut he does say what I tell him
Even though it isn’t welcome
He will never have the freedom
To refuseHe will speak these words of wisdom
Like a sage, a man of vision
Though he knows he’s really nothing
But the brief elaboration of a tubeGoing home
Without my sorrow
Going home
Sometime tomorrow
To where it’s better
Than before…Source: The New Yorker January 2012




See also Hallelujah, Leonard Cohen’s coming to Gong! And on local ABC:
Leonard Cohen addressed the elephant in the room early last night at his concert in Wollongong.
“Friends, I don’t know when we’ll meet again, but I can promise you tonight we’re going to give it everything we’ve got”.
But at 79 years of age, still jogging on stage for a three and a half hour show and now on his third Australian tour since audiences thought they’d never see him live again, no one is game to suggest he won’t be back.
And it becomes apparent over the course of the night that a three hour show is virtually required to properly honour his endless suite of music.
Surrounded by a carefully chosen band of virtuoso musicians, the touring Cohen of today is out to provide a smorgasbord of quality to accompany his poetic lyrics.
His voice has never been his trump card, and while it seems to have found even richer depths with age, it’s the exquisite harmonies of his female back-up singers (Sharon Robinson and the Webb sisters) that lift and complement the Canadian poet.
As expected, the set-list was a greatest hits onslaught, each drawing a new round of applause from the almost full Wollongong Entertainment Centre.
From his opening ‘Dance me to the end of love’, then ‘The future’, ‘Bird on a wire’ and ‘Everybody knows’, it was a concert drawing on tracks from the 1967 ‘Songs of Leonard Cohen’ to last year’s ‘Old Ideas’.
But you soon realise it doesn’t matter when a song appears in a Leonard Cohen set – there’s always another trick up his sleeve.
While most bands save their biggest hits until last, Cohen has amassed a career of them he can afford to drop in anywhere.
‘Suzanne’ early in the second set? No problem – simply go straight into ‘Chelsea Hotel no. 2’.
‘Hallelujah’ before the first encore? What about following it with ‘Take this waltz’?
While the crowd was varied in age, it was largely baby boomers enjoying the soundtrack to their adolescence and early adulthood played by a man who can still do his songs justice, but oozes humility.
And there is the enduring beauty of Leonard Cohen – his strength is his lyrics, each word carefully chosen and dripping with imagery and meaning, while he brings in a brilliant band half his age to carry those words.
And as he comically dances and jogs off stage after a third encore, you get the sense it’ll be Cohen’s decision rather than his body that tells him when it’s time to say ‘so long’ for good.
Leonard Cohen again
And why not? Leonard Cohen performed at the Wollongong Entertainment Centre last Wednesday. As he mentions on his Facebook page he is one of Rolling Stone’s 50 Greatest Live Acts Right Now:
26. Leonard Cohen
Cohen emerged from a fifteen-year hiatus in 2008 with marathon shows that showcase all of his best songs. His band is absolutely stunning, and, at 78, his deeper-than-deep voice is captivating. The three-and-a-half hour show seems to pass by in minutes.
Showstopper: He doesn’t do many covers, but his set-closing rendition of “Save the Last Dance for Me” almost makes you forget the Drifters version even exists.
79 now! And I see that next on that list is Nick Cave:

That’s Nick Cave covering Leonard Cohen in the 2005 documentary I’m Your Man, which I watched again last night – thanks, Sirdan.
Leonard Cohen: I’m Your Man is a 2005 film by Lian Lunson about the life and career of Leonard Cohen. It is based on a January 2005 tribute show at the Sydney Opera House titled “Came So Far for Beauty”, which was produced by Hal Willner. Performers at this show included Nick Cave, Jarvis Cocker, The Handsome Family, Beth Orton, Rufus Wainwright, Martha Wainwright, Teddy Thompson, Linda Thompson, Antony,Kate and Anna McGarrigle, with Cohen’s former back-up singers Perla Batalla and Julie Christensen as special guests. The end of the film includes a performance by Leonard Cohen and U2, which was not recorded live, but filmed specifically for the film, in New York in May 2005.
The film premiered at the Toronto Film Festival in September 2005, and was released the same month in Canada by Lions Gate films along with the Sundance Channel. It was subsequently released in various other countries during 2006 and 2007. The film is distributed by Lions Gate Entertainment. A soundtrack CD is also available from Verve.
The DVD of the film contains extra performances…
Critics vary about the documentary, but it has some great quotes.
Sometimes, when you no longer see yourself as the hero of your own drama, expecting victory after victory, and you understand deeply that this is not paradise… somehow we’re, especially the privileged ones that we are, we somehow embrace the notion that this veil of tears, that it’s perfectable, that you’re going to get it all straight. I’ve found that things became a lot easier when I no longer expected to win.
***
There is a beautiful moment in the Bhagavad Gita. Arjuna. The general. The great general. He’s standing in his chariot. And all the chariots are readied for war. And across the valley, he sees his opponents. And there he sees not just uncles and aunts and cousins, he sees gurus, he sees teachers that have taught him; and you know how the Indians revere that relationship. He sees them. And Krishna, one of the expressions of the deity, says to him, “you’ll never untangle the circumstances that brought you to this moment. You’re a warrior. Arise now, mighty warrior.” With the full understanding, that they’ve already been killed, and so have you. “This is just a play. This is my will. You’re caught up in the circumstances that I determine for you. That you did not determine for yourself. So, arise, you’re a noble warrior. Embrace your destiny, your fate, and stand up and do your duty.”
***
For many years, I was known as a monk, I shaved my head and wore robes, got up very early. I hated everyone but I acted generously, and no one found me out. My reputation as a ladies man was a joke. It caused me to laugh bitterly through the 10,000 nights I spent alone.
Now for a final song:
And from Leonard Cohen’s web site:
Anthem
The birds they sang
at the break of day
Start again
I heard them say
Don’t dwell on what
has passed away
or what is yet to be.Ah the wars they will
be fought again
The holy dove
She will be caught again
bought and sold
and bought again
the dove is never free.Ring the bells that still can ring
Forget your perfect offering
There is a crack in everything
That’s how the light gets in.We asked for signs
the signs were sent:
the birth betrayed
the marriage spent
Yeah the widowhood
of every government —
signs for all to see.I can’t run no more
with that lawless crowd
while the killers in high places
say their prayers out loud.
But they’ve summoned, they’ve summoned up
a thundercloud
and they’re going to hear from me.Ring the bells that still can ring …
You can add up the parts
but you won’t have the sum
You can strike up the march,
there is no drum
Every heart, every heart
to love will come
but like a refugee.Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That’s how the light gets in.Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That’s how the light gets in.
That’s how the light gets in.
That’s how the light gets in.
Do look at the Rolling Stone bio.
In 2005 the singer suffered every boomer’s nightmare — his retirement fund was empty. Cohen alleged that former manager Kelley Lynch bamboozled him for more than $5 million, and for all intents and purposes he was broke. He created a short-term fix by hitting the road and touring the globe. Everywhere he went — from Coachella to Glastonbury — kudos followed, and pundits believed him to be at the top of his game. When it came time to give his speech at his 2008 induction into the Rock & Roll Hall of Fame, he recited the lyrics of his “Tower of Song.”
Hat tip Jim Belshaw:
Leonard (Norman) Cohen. Poet, singer-songwriter, novelist, b Montreal 21 Sep 1934; BA English (McGill) 1955, honorary LLD (Dalhousie) 1971, honorary D LITT (McGill) 1992.
Life
One of the most widely recognized Canadian artists of the later 20th century, in parallel to acclaimed literary work Cohen built a successful career in pop music on the most rudimentary musical skills: a narrow-ranged, gruff voice that deepened and darkened with age and a dependence on simple melodies of a singsong nature. What set him apart was the intense imagery of his lyrics, which constantly probed at the human condition with themes of love, loss, and death, and his commitment to his art.










