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Escalier en bois massif vu en contre-plongée, composé d’un limon vertical usé marqué par des veinures sombres et des strates d’érosion. Les marches irrégulières conduisent vers une balustrade arquée en fer forgé fixée à la partie supérieure, légèrement oxydée et corrodée. L’ensemble s’élève dans un environnement à dominante brune et grisée, avec une texture diffuse qui évoque un espace clos ou souterrain. À droite, une main recouverte d’un tissu blanc apparaît dans le champ visuel, partiellement éclairée, créant un contraste de matière entre surface textile et bois usé. L’éclairage ponctuel et oblique révèle craquelures, taches et ombres portées, accentuant une atmosphère dense et lourde. L’image combine perspective verticale, profondeur de champ réduite et superposition de textures minérales et organiques.

由下向上角度观察的木制楼梯,主体为竖直的承重结构,表面布满深色木纹与侵蚀痕迹。踏板不规则,通向顶部弯曲的锻铁栏杆,带有轻微氧化与腐蚀痕迹。整体空间以棕色和灰色为主,背景模糊,类似封闭或地下环境。画面右侧出现一只裹着白色布料的手,局部受光,与老化木材形成材质反差。光源倾斜,突出裂纹、污迹与阴影,加重氛围的沉重感。图像强调垂直透视、有限景深和有机—矿物质地叠加。

Upward perspective of heavy timber staircase with vertical support beam marked by dark grain patterns and erosion layers. Uneven steps lead toward arched wrought-iron railing affixed above, showing mild oxidation and surface corrosion. Scene enveloped in predominantly brown-gray tonal palette with diffuse, subterranean-like texture. At right edge, hand draped in white cloth emerges under partial illumination, producing contrast between textile softness and weathered wood. Directional lighting highlights fissures, stains, and cast shadows, reinforcing dense atmospheric weight. Composition integrates vertical perspective, compressed depth, and overlay of organic-mineral surface qualities.

Дървено стълбище, наблюдавано отдолу нагоре, с вертикален носещ елемент, покрит с тъмни жилки и ерозионни слоеве. Нерегулярните стъпала водят към извита метална парапетна конструкция в горната част, леко оксидирана и корозирала. Пространството е доминирано от кафяво-сиви тонове с дифузна текстура, напомняща на затворено или подземно място. Вдясно се вижда ръка, покрита с бяла материя, осветена частично, създаваща контраст между текстил и износено дърво. Осветлението подчертава пукнатини, петна и сенки, засилвайки тежката атмосфера. Композицията съчетава вертикална перспектива, намалена дълбочина и наслагване на органични и минерални текстури.

Escalera de madera maciza observada en contrapicado, compuesta por soporte vertical marcado por vetas oscuras y erosión. Los peldaños irregulares conducen hacia barandilla arqueada de hierro forjado, con señales de oxidación y corrosión. El espacio se caracteriza por tonalidad marrón-gris difusa, evocando ambiente cerrado o subterráneo. A la derecha aparece una mano cubierta por tela blanca, parcialmente iluminada, generando contraste material entre superficie textil y madera desgastada. La luz direccional revela grietas, manchas y sombras proyectadas, acentuando sensación densa y opresiva. La composición une perspectiva vertical, poca profundidad y superposición de texturas orgánicas y minerales.
Large-format painting depicting a dimly lit interior environment filled with allegorical figures, symbolic motifs, and painterly distortions. At the center, a rectangular canvas or panel is propped upright, illuminated by a strong vertical beam of light entering from above or behind. The image on the canvas portrays intertwined humanoid and animalistic forms rendered in pale tones, merging anatomical curves with surreal hybridization. The surrounding space is darker, with brown and ochre tonal fields dominating the palette.

On the left, a monumental head-like form occupies a vertical oval frame, its surface reduced to a schematic motif composed of a long vertical line terminating in a double curve and two circular dots as eyes. The figure’s oversized presence looms over the rest of the space, functioning as a silent observer or icon. The right half of the composition contains ambiguous sculptural structures, possibly thrones, machines, or storage cabinets, partially obscured in shadow.

The ground plane is scattered with numerous sheets of white paper arranged irregularly, their angular geometry contrasting with the organic curves of the figures. Around these papers, multiple small humanoid or animal figures appear to crawl, kneel, or gesticulate, some extending elongated arms upward in ritualistic or supplicant poses. These peripheral figures blend into the darker environment, their boundaries ambiguous between flesh, fabric, and shadow.

Overall, the scene combines architectural enclosure, monumental iconography, and symbolic clutter, presenting a hybrid tableau where representation, ritual, and narrative converge. The visual language merges surreal figuration, allegorical atmosphere, and painterly chiaroscuro effects, situating the composition within both experimental and symbolic traditions.


Film talk Q&A at Countryside Animafest Cyprus in Salamiou.
 
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